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WR 16Mar 1928 .Pdf
World -Radio, March 16, 1928. P n n rr rrr 1 itiol 111111 SPECIAL IRISHNUMBER Registered at the.G.P.O. Vol. VI.No. 138. as a Newspaper. FRIDAY. MARCH 16, 1928. Two Pence. WORLD -RADIO 8 tEMEN Station Identification Panel- Konigswusterhausen (Zeesen). Germany REC GE (Revised) Wavelength : 125o in. Frequency : 240 kc. Power :35 kw. H. T. BATTERY Approximate Distance from London : 575 miles. (Lea-melte Tide) Call " Achtung !Achtung !Hier die Deutsche Welle, Berlin,-Konigswus- terhausen."(Sometimes wavelength POSSESSES all the advantages of a DRY BATTERY given :" . auf Welle zwolf hun- dert and fiinfzig," when callre- -none of the disadvantages of the ordinary WET peated.)When relaying :" Ferner Ubertragimgauf "... (nameof BATTERY. relaying stations). Interval Signal:Metronome.Forty beats in ten seconds. 1. Perfectly noiseless, clean SpringConnections,no IntervalCall :" Achtung !Konigs. and reliable. 4.soldering. wusterhausen.DerVortragvon [name of lecturer]uber[titleof 5. No "creeping of salts. lecture]ist beendet.Auf Wieder- 2. Unspillable. Easily recharged, & main- 'toren in . Minuten."When 6. relaying :`& Auf Wiederhorenfur 3No attention required until tains full energy through- Konigswusterhausen in . exhausted. out the longest programme. Minuten ;fur Breslau and Gleiwitz [or as the case may be] nach eigenem Programm." 711,2 ails are null: in thefoll,n,ing three sizes: Own transmissionsandrelays.In eveningrelaysfromotherstations. H.T.1.Small ... 8d. each. Closes down at the same time as the relaying station. H.T.2.Large ... 10d. each. H.T.3.Extra Large 1:- each. (Copyright) A booklet containing alargenumberof these Guaranteed to give I a,volts per cell. panels canbeobtainedof B.B.C.Publications, Savoy Hrll, W. -
The Little Nugget
WODEHOUSE THE LITTLE NUGGET NY PUBLIC LIBRARY THE BRANCH LIBRARIES 3 3333 11794 7081 I 1 Lr W Wodehouse, P. G. The 1 ittle nugget / 874858 TheNe Public Aator, Lenox and 1 Penguin Books The Little Nugget P. G. Wodehouse was born in Guildford in 1881 and educated at Dulwich College. After working for the Hong Kong and Shanghai Bank for two years, he left to earn his living as a journalist and storywriter, writing the 'By the Way* column in the old Globe. He also contributed a series of school stories to a magazine for boys, the Captain, in one of which Psmith made his first appearance. Going to America before the First World War, he sold a serial to the Saturday Evening Post and for the next twenty-five years almost all his books appeared first in this magazine. He was part author and writer of the lyrics of eighteen musical comedies including Kissing Time; he married in 1914 and in 1955 took American citizenship. He wrote over ninety books and his work has won world-wide acclaim, being translated into many languages. The Times hailed him as 'a comic genius recognized in his lifetime as a classic and an old master of farce'. P. G. Wodehouse said, *I believe there are two ways of writing novels. One is mine, making a sort of musical comedy without music and ignoring real life altogether; the other is going right deep down into life and not caring a damn . .' He was created a Knight of the British Empire in the New Year's Honours List in 1975. -
Richard Wagner(1813 – 1883)
SUPER AUDIO CD NEEME JÄRVI CONDUCTS Overtures and Preludes Royal Scottish National Orchestra Richard Wagner, May 1865 May Wagner, Richard Photograph by Josef Albert (1825 – 1886) / AKG Images, London / Imagno Richard Wagner (1813 – 1883) Overtures and Preludes 1 Overture to ‘Die Feen’, WWV 32* 10:48 Adagio – Un poco meno adagio – Tempo I – Allegro con molto fuoco – Più allegro 2 Overture to ‘Columbus’, WWV 37† 8:02 Edited 1907 by Felix Mottl (1856 – 1911) as concert overture with the title Christoph Columbus Allegro molto agitato – Andante maestoso – Tempo I – Andante maestoso – Tempo I – Andante maestoso – Tempo I – Andante – Tempo I – Andante – Presto 3 Overture to ‘Das Liebesverbot’, WWV 38* 8:10 Molto vivace – Allegro con fuoco – Presto 4 Overture to ‘Rienzi, der Letzte der Tribunen’, WWV 49‡ 11:16 Molto sostenuto e maestoso – Allegro energico – Un poco più vivace – Molto più stretto 3 5 Eine Faust-Ouvertüre, WWV 59† 11:03 Sehr gehalten – Sehr bewegt – Sehr allmählich das Tempo etwas zurückhalten – A tempo – Wild 6 Overture to ‘Der fliegende Holländer’, WWV 63‡ 11:00 Allegro con brio – Andante – Animando un poco – Tempo I – Molto animato – Un poco ritenuto [not previously released] 7 Prelude to Act III of ‘Lohengrin’, WWV 75* 3:04 Sehr lebhaft 8 Prelude to ‘Tristan und Isolde’, WWV 90* 6:43 Langsam und schmachtend 9 Prelude to ‘Die Meistersinger von Nürnberg’, WWV 96† 8:56 Sehr mäßig bewegt – Bewegt, doch immer noch etwas breit – Mäßig im Hauptzeitmaß – Im mäßigen Hauptzeitmaß – Sehr gewichtig TT 80:00 Royal Scottish National Orchestra William Chandler* • Peter Thomas† • Maya Iwabuchi‡ leaders Neeme Järvi 4 Wagner: Overtures and Preludes Overture to ‘Die Feen’ Overture to ‘Columbus’ / Eine Faust- Even if the overall style of Wagner’s first great Ouvertüre romantic, although less well-known, opera, That Wagner wrote instrumental music for Die Feen, WWV 32 (1833 – 34), based on a spoken drama appears as no accident in the La donna serpente by Carlo Gozzi, owes its essentials light of his later œuvre. -
Riccardo Muti Conductor Michele Campanella Piano Eric Cutler Tenor Men of the Chicago Symphony Chorus Duain Wolfe Director Wagne
Program ONE huNdrEd TwENTy-FirST SEASON Chicago Symphony orchestra riccardo muti Music director Pierre Boulez helen regenstein Conductor Emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Friday, September 30, 2011, at 8:00 Saturday, October 1, 2011, at 8:00 Tuesday, October 4, 2011, at 7:30 riccardo muti conductor michele Campanella piano Eric Cutler tenor men of the Chicago Symphony Chorus Duain Wolfe director Wagner Huldigungsmarsch Liszt Piano Concerto No. 1 in E-flat Major Allegro maestoso Quasi adagio— Allegretto vivace— Allegro marziale animato MiChElE CampanellA IntErmISSIon Liszt A Faust Symphony Faust: lento assai—Allegro impetuoso Gretchen: Andante soave Mephistopheles: Allegro vivace, ironico EriC CuTlEr MEN OF ThE Chicago SyMPhONy ChOruS This concert series is generously made possible by Mr. & Mrs. Dietrich M. Gross. The Chicago Symphony Orchestra thanks Mr. & Mrs. John Giura for their leadership support in partially sponsoring Friday evening’s performance. CSO Tuesday series concerts are sponsored by United Airlines. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommEntS by PhilliP huSChEr ne hundred years ago, the Chicago Symphony paid tribute Oto the centenary of the birth of Franz Liszt with the pro- gram of music Riccardo Muti conducts this week to honor the bicentennial of the composer’s birth. Today, Liszt’s stature in the music world seems diminished—his music is not all that regularly performed, aside from a few works, such as the B minor piano sonata, that have never gone out of favor; and he is more a name in the history books than an indispensable part of our concert life. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Mon, Feb 15, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 09:48 Weber Overture to Der Freischutz Philharmonia/Sawallisc 01642 EMI 69572 077776957227 h 00:12:1829:13 Grieg Cello Sonata in A minor, Op. Zheng/Yang 11894 Albany 1485 034061148524 36 00:42:41 16:47 Haydn Symphony No. 022 in E flat, Austro-Hungarian 02359 Nimbus 5179 083603517922 "The Philosopher" Haydn Orchestra/Fischer 01:00:5814:59 Dvorak Othello (Concert Overture), Op. Czech 02327 Virgin 91144 075679114426 93 Philharmonic/Pešek Classics 01:16:5733:19 Beethoven Symphony No. 2 in D, Op. 36 BBC 10245 BBC MM241 n/a Philharmonic/Noseda Philharmon ic 01:51:16 08:09 Ravel 2nd mvt from String Quartet in Kodaly Quartet 12315 Naxos 8.556789 730099678926 F 02:00:5511:48 Strauss Jr. Roses from the South New York 10861 Sony 46710 07464467102 Philharmonic/Bernstein Classical 02:13:43 31:59 Mozart Piano Concerto No. 27 in B flat, Curzon/English 00429 Time-Life MZD-03A n/a K. 595 Chamber Music Orchestra/Britten 02:46:4211:48 Mendelssohn Somber Variations, Op. 54 Werner Haas 01940 Philips 442 302 028944230222 (Variations Serieuses) 03:00:0011:56 Falla Three Dances from The New York 06693 Sony 47613 07464476132 Three-Cornered Hat Philharmonic/Bernstein 03:13:2645:12 Franck String Quartet in D Prague Quartet 01738 Denon 7806 T49880010489 30 04:00:0809:47 Copland Quiet City London 08924 Sony 70047 886977004728 Symphony/Copland 04:10:5511:36 Schumann Manfred Overture, Op. 115 Stuttgart Radio 01634 Capriccio 10063 400640810063 Symphony/Marriner 8 04:23:3135:13 Beethoven String Quartet No. -
Concert Band Library - Concert Band
Concert Band Library - Concert Band f No. Composer Arranger Title Type Large Score? Harp? Keyboard? Notes CB 1 CB 2 Albeniz, Isaac Cailliet, Lucien Fete-Dieu a Seville (Feast Day in Seville) CB 3 Alexander, Russell Bainum, Glenn Cliffe Southerner, The March CB 4 Alexander, Russell Bainum, Glenn Cliffe Colossus of Columbia March CB 5 Alford, Harry Clownette Novelty CB 6 Alpert, Herb Russell, William Sound of Herb Alpert and the Tijuana Brass, The Pop CB 7 Allen, Barclay Bennett, David Cumana Latin Dance CB 8 Anderson, Leroy Bugler's Holiday Trumpet Trio CB 9 Anderson, Leroy Sleigh Ride Christmas CB 10 Anderson, Leroy Christmas Festival, A Christmas CB 11 Anderson, Leroy Clarinet Candy Clarinet Feature CB 12 Anderson, Leroy Serenata CB 13 Arban, J. Leidzen-Anthenien Fantasie, Theme, and Variations on Carnival of Venice Tuba Solo CB 14 Arnold, Malcolm Duke of Cambridge March CB 15 Arnold, Malcolm Johnstone, Maurice English Dances for Band Dance suite CB 16 Arnold, Malcolm Paynter, John P. Four Scottish Dances Yes CB 17 Husa, Karel Introduction and Fanfare March CB 18 Arnold, Malcolm Paynter, John P. Prelude, Siciliano, and Rondo Suite Yes CB 19 Balazs, Arpad Musica Piccola Suite CB 20 Beebe, William H Beebe, William H Metropolitan Scene Tone Poem CB 21 Beethoven, Ludwig Van Brown, T. Conway Coriolan Overture Overture CB 22 Beethoven, Ludwig Van Brown, T. Conway Sixth Symphony (Mvts. 1&2) CB 23 Beethoven, Ludwig Van Reynolds, H. Robert Five Short Pieces for Wind Ensemble Suite CB 24 Bellini, V. Laurendeau, L. P. Norma Overture Overture CB 25 Bellini, V Caneva, Ernest O. -
Course Syllabus
1 FAUST A Humanities Seminar Fall 2015 Meets Mondays, 9:00-12:00 for 10 weeks: October 5 th - December 14th Steven D. Martinson, Ph.D. Professor and Director of Graduate Studies Department of German Studies (LSB 308) The University of Arizona [email protected] Course Syllabus Course Description “Faust” is alive and well. Emanations of “Faust” appear in literature and drama, painting and sculpture, opera and music, film and cyberspace. He has excited the human imagination for centuries and has permeated numerous cultures worldwide. But who was this mysterious alchemist or learned academician who dared transgress the borders of accepted knowledge and revel in the world of darkness which the Church condemned and against which it warned? Not only Adam and Eve, but also Faust ate of the fruit of the tree of the knowledge of good and evil. Perhaps Faust has a place in the human spirit and representations of Faust’s divided soul have something to say about human history. In this Humanities Seminar we will consider a wide range of Fausts that populate German and European literature, art, opera, and music and American movies and videogames. We will also search him out by surfing the Internet. While we certainly will spend time reading Christopher Marlowe’s Tragical History of Dr. Johann Faust and listening to Charles-Francois Gounod’s Faust opera, Franz Liszt’s “Faust”-Symphony, and Richard Wagner’s Faust-overture, among other things, the main focus of the seminar is on those Fausts that are entrenched in German culture. Therefore, a significant part of the seminar is devoted to discussions of Johann Wolfgang Goethe’s Faust, including the often neglected second part of the drama. -
Band Music by Title W Arr
Band Music by Title w Arr TITLE COMPOSER ARRANGER NUMBER 101 FOR BAND (BOOKS) VARIOUS PEP BAND 1651 102 FOR BAND (BOOKS) VARIOUS PEP BAND 1649 103 GREAT TUNES FOR BAND REED, ALFRED PEP BAND 1140 1812 OVERTURE TSCHAIKOWSKY, P. LAURENDEAU, L. P. 1364 1812 OVERTURE TSCHAIKOWSKY, P. T. CONWAY BROWN 1893 2ND REG'T. CONN N.G. MARCH REEVES, D.W. PEP BAND 974 32ND DIVISION MARCH STEINMETZ, T. 1363 35 FAMOUS CHORALES YODER-GILLETTE PEP BAND BOOKS 1365 51 PEGASUS STORY MICHAEL 1421 A HOLIDAY SING-ALONG MOSS, JOHN 1788 ABA, DABA, HONEYMOON FIELDS,A./DONOVAN, W. PEP BAND 1 ABBA ON BROADWAY BROWN, MICHAEL BROWN, MICHAEL 1948 ABRAHAM LINCOLN GOLDMAN, E.F. PEP BAND 2 ACADEMIC FESTIVAL OVERTURE BRAHMS, J. 3 ACADEMIC FESTIVAL OVERTURE BRAHMS, JOHANNES CURNOW, JAMES 1977 ADAGIETTO DE HAAN, JACOB 1692 ADAGIO HAYDN, F.J. 4 ADELE LAMPE, J.B 5 ADORAMUS TE PALESTRINA, G. 6 ADORATION BOROWSKI, F. 7 ADVENTUM BARNES, JARED (ARR) BARNES, JARED 2034 AFRICANA LAKE, M.L. PEP BAND 8 AFTERNOON OF A FAUN, THE DEBUSSEY, CLAUDE HAROLD WALTERS 1679 AGE OF PROGRESS GOLDMAN, E.F. PEP BAND 9 AIDA VERDI, G. 10 AIDA MARCH VERDI, G. 11 AIR CORP OVERGARD, G. PEP BAND 12 AIR VARIE - DOWN ON THE FARM HARLOW, F. 13 AIR WAVES OLIVADOTI, J. PEP BAND 14 ALABAMA FOKSONG FANTASY MCGINTY, ANNE 1881 Monday, February 05, 2018 Page 1 of 62 Page 1 of 62 TITLE COMPOSER ARRANGER NUMBER ALBANIAN DANCE HANSON, SHELLEY 1989 ALBION BAETENS, CH. 15 ALFIE BACHARACH, BURT MASHIMA, TOSHIO 1713 ALFTERLIFE GALANTE, ROSSANO 2026 ALL GLORY TOLD SWEARINGEN, JAMES 1597 ALL HIT MEDLEY # 1,2 FEIST, L. -
Boston Symphony Orchestra Concert Programs, Season 16, 1896-1897
I MUSIC HALL, BALTIMORE, Boston Symphony Orchestra. Mr. EMIL PAUR, Conductor. Sixteenth Season, 1896-97. PROGRAMME OF THE Fifth and Last Concert, * Wednesday Evening, March 24, 1897, At 8.15 precisely- With Historical and Descriptive Notes by William F. Apthorp. PUBLISHED BY C A. ELLIS, MANAGER. (1) Steinway & Sons, Piano Manufacturers BY APPOINTMENT TO HIS MAJESTY, WILLIAM II., EMPEROR OF GERMANY. THE ROYAL COURT OF PRUSSIA. His Majesty, FRANCIS JOSEPH, Emperor of Austria. HER MAJESTY, THE QUEEN OF ENGLAND. Their Royal Highnesses, THE PRINCE AND PRINCESS OF WALES. THE DUKE OF EDINBURGH. His Majesty, UMBERTO I., the King of Italy. Her Majesty, THE QUEEN OF SPAIN. His Majesty, Emperor William II. of Germany, on June 13, 1893, also bestowed on our Mr. William Steinway the order of The Red Eagle, III. Class, an honor never before granted to a manufacturer. ._ The Royal Academy Of St. Ceecilia at Rome, Italy, founded by the celebrated composer Pales- in has elected Mr. William Steinway an honorary member of that institution. The following is trina 1584, — the translation of his diploma : The Royal Academy of St. Ceecilia have, on account of his eminent merit in the domain of music, and in conformity to their Statutes, Article 12, solemnly decreed to receive William Stein- way into the number of their honorary members. Given at Rome, April 15, 1894, and in the three hundred and tenth year from the founding of the society. Alex. Pansotti, Secretary. E. Di San Martino, President. ILLUSTRATED CATALOGUES MAILED FREE ON APPLICATION. STEINWAY & SONS, Warerooms. Steinway Hall, 107-111 East 14th St., New York, EUROPEAN DEPOTS : Steinway Hall, 15 and 17 Lower Seymour St., Portman Sq., W., London, England. -
Abildgaard, Nicolai, 227 Absolute Music, 281 Adorno, Theodor, 205
Cambridge University Press 978-1-107-03252-1 - Cambridge Introductions to Music: Program Music Jonathan Kregor Index More information Index Abildgaard, Nicolai, 227 Balakirev, Mily, 126, 153, 160 absolute music, 281 Islamey, 156 Adorno, Theodor, 205, 212 Overture no. 2 on Russian Themes, 153 Aeschylus, 113, 193 later programmatic titles for, 156–157 Afanasyev, Aleksandr Nikolayevich, 237 Tamara, 154–156 Agawu, V. Kofi,12 ballad (ballade), 265–273 Agoult, Marie d’, 112 Ballanche, Pierre-Simon Ahna, Pauline de, 224 Essais de palingénésie sociale, 112 Alexander III, Tsar of Russia, 30 Ballets Russes, 280 Alkan, Charles-Valentin, 10, 161, 190 Bargiel, Woldemar, 136 Douze études dans les tons mineurs, op. Bartók, Béla, 24, 280 39, 190 Kossuth,30–32, 34, 224 Grand Duo Concertante, op. 21, 295 Baudelaire, Charles programmatic orientation of, 193 Le spleen de Paris, 277 Sonata, op. 33 (“The Four Ages”), 193 Baudissin, Count Wolf von, 50 II. “Quasi-Faust,” 190–192 Beach, Amy, 240, 248, 266 IV. “Prometheus Bound,” 193 Four Sketches, op. 15 Sonatina, op. 61, 190 “Dreaming,” 242–244 Altenburg, Detlef, 101 on American music, 245 Andersen, Hans Christian Symphony in E minor, op.32 (“Gaelic”), A Picture-Book without Pictures, 245 300–301 use of folk material in, 245 Antheil, George, 255 Beethoven, Ludwig van, 10, 56, 58, 68, 82, Arezzo, Guido d’, 131 84, 104, 135, 137, 138, 142, 151, Arras, Jean d’,64 154, 160, 166, 173, 185, 220, 222, Attila the Hun, 125, 126 239, 247, 250 Autran, Joseph, 108 An die ferne Geliebte, op. 98, 91 as compositional model, 24, 43, 57, Bach, Carl Philipp Emanuel, 10 82–83, 135–136 Symphony in D major, Wq 183/1, 18 Coriolan Overture, op. -
95.3 FM 6:45 Pm HARVARD MEN’S HOCKEY WHRB Program Guide Harvard at Princeton
N N December 2014 January/February 2015 Volume 43, No. 2 Winter Orgy® Period N 95.3 FM 6:45 pm HARVARD MEN’S HOCKEY WHRB Program Guide Harvard at Princeton. 10:00 pm VAPORWAVE ORGY Winter Orgy® Period, December, 2014 Vaporwave, an electronic genre that emerged early in this decade, in cyberspace, is often characterized by heavy with highlights for January and February, 2015 sampling and effect processing of 80’s lounge and smooth jazz. Consumerism and techno-corporatism is Vaporwave when it is Wednesday, December 2 one with mirroring ocean and Zen on a pseudo-neo Windows 95 screen. Often heard by Twitter users who used to collect 6:45 pm HARVARD WOMEN’S HOCKEY Digimon cards, the evolving underground genre reflects the Harvard vs. Dartmouth. nostalgia of the forever young. Macintosh Plus, Blank Banshee, PrismCorp Virtual Enterprises, and many others. Wednesday, December 3 Saturday, December 6 6:45 pm MEN’S BASKETBALL Harvard vs. Northeastern. 5:00 am THE FLIGHT OF THE CONDOR: 10:00 pm THE ONLY MAN THAT MATTERS MUSIC OF THE ANDES ORGY Ian MacKaye co-founded Dischord Records in 1980 at age The indigenous peoples of the Andes Mountains produced a 18 to release an album by his band The Teen Idles. Since 1980, style of music that is hauntingly beautiful, and lies in the grand MacKaye has transformed the punk-rock music scene through tradition of protest music along with punk, hip-hop, and outlaw his artistry and management of Dischord. His bands Minor country. After the Spanish conquest of South America, Andean Threat and Fugazi have gained critical acclaim in the hardcore folk music became a way of preserving an indigenous identity in and post-hardcore scenes respectively. -
PG Wodehouse Archive
British Library: Western Manuscripts P.G. Wodehouse Archive (1894-2016) (Loan MS 129) Table of Contents P.G. Wodehouse Archive (1894–2016) Key Details........................................................................................................................................ 1 Arrangement..................................................................................................................................... 1 Provenance........................................................................................................................................ 2 Related Resources.............................................................................................................................. 2 Loan MS 129/1 P.G. Wodehouse Archive: Manuscript Material (1900–2004)........................................... 2 Loan MS 129/2 P.G. Wodehouse Archive: Wartime Material (1939–2015)............................................... 86 Loan MS 129/3 P.G. Wodehouse Archive: Theatrical and Cinematic Work (1905–2008)........................... 97 Loan MS 129/4 P.G. Wodehouse Archive: Correspondence (1899–2010)................................................ 111 Loan MS 129/5 P.G. Wodehouse Archive: Published Material (1899–2003)............................................. 187 Loan MS 129/6 P.G. Wodehouse Archive: Biographical Material (1894–2001)......................................... 210 Loan MS 129/7 P.G. Wodehouse Archive: Posthumous Material (1929–2016)......................................... 218 Loan MS 129/8 P.G. Wodehouse