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Boxoffice Records: Season 1937-1938 (1938)
' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J. -
WR 16Mar 1928 .Pdf
World -Radio, March 16, 1928. P n n rr rrr 1 itiol 111111 SPECIAL IRISHNUMBER Registered at the.G.P.O. Vol. VI.No. 138. as a Newspaper. FRIDAY. MARCH 16, 1928. Two Pence. WORLD -RADIO 8 tEMEN Station Identification Panel- Konigswusterhausen (Zeesen). Germany REC GE (Revised) Wavelength : 125o in. Frequency : 240 kc. Power :35 kw. H. T. BATTERY Approximate Distance from London : 575 miles. (Lea-melte Tide) Call " Achtung !Achtung !Hier die Deutsche Welle, Berlin,-Konigswus- terhausen."(Sometimes wavelength POSSESSES all the advantages of a DRY BATTERY given :" . auf Welle zwolf hun- dert and fiinfzig," when callre- -none of the disadvantages of the ordinary WET peated.)When relaying :" Ferner Ubertragimgauf "... (nameof BATTERY. relaying stations). Interval Signal:Metronome.Forty beats in ten seconds. 1. Perfectly noiseless, clean SpringConnections,no IntervalCall :" Achtung !Konigs. and reliable. 4.soldering. wusterhausen.DerVortragvon [name of lecturer]uber[titleof 5. No "creeping of salts. lecture]ist beendet.Auf Wieder- 2. Unspillable. Easily recharged, & main- 'toren in . Minuten."When 6. relaying :`& Auf Wiederhorenfur 3No attention required until tains full energy through- Konigswusterhausen in . exhausted. out the longest programme. Minuten ;fur Breslau and Gleiwitz [or as the case may be] nach eigenem Programm." 711,2 ails are null: in thefoll,n,ing three sizes: Own transmissionsandrelays.In eveningrelaysfromotherstations. H.T.1.Small ... 8d. each. Closes down at the same time as the relaying station. H.T.2.Large ... 10d. each. H.T.3.Extra Large 1:- each. (Copyright) A booklet containing alargenumberof these Guaranteed to give I a,volts per cell. panels canbeobtainedof B.B.C.Publications, Savoy Hrll, W. -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
Loggins and Messina
FOR IMMEDIATE RELEASE JUNE 1, 2009 BOULEVARD CASINO PRESENTS LOGGINS AND MESSINA LIVE AT THE RED ROBINSON SHOW THEATRE FRIDAY, OCTOBER 30 Coquitlam, BC – Over thirty-five years since Sittin’ In together, Kenny Loggins and Jimmy Messina are in the early stages of putting together a new tour that picks up where 2005’s highly successful “Sittin’ In Again” reunion tour left off. All this shared activity marks the unexpected and unlikely return of the most successful duo of the early 70’s … a group whose most enduring songs were so well crafted that they have never really gone away. At the same time, Loggins & Messina find themselves rebuilding the personal connection that was lost long ago. Though Loggins and Messina’s first Greatest Hits collection was called The Best Of Friends, both men confess that their relationship has long been a complex and sometimes difficult one. When they first met, Messina was already a well-established success story having produced and played with the legendary band, Buffalo Springfield and later with the country-rock pioneers, Poco. Loggins meanwhile was a young singer-songwriter with far less experience but with talent to burn as evidenced by early compositions like “House At Pooh Corner” and “Danny’s Song.” Then in 1971, Sittin’ In – originally envisioned as a one-off joint release intended to introduce Loggins as part of a Messina six-album production deal with Columbia Records – became a smash hit. So by public demand, this accidental duo was created and released such hits as “Your Mama Don’t Dance,” “Thinking of You,” “Angry Eyes,” “My Music” and “Watching The River Run.“ By 1977, the duo who had sold sixteen million albums and became one of rock’s most popular draws went their separate ways to pursue solo careers and it wasn’t until 2005 that they decided to reunite for a summer tour. -
Choir and Choral Music
Choral Research : A Global Bibliography Geisler, Ursula 2010 Link to publication Citation for published version (APA): Geisler, U. (2010). Choral Research : A Global Bibliography. Körcentrum Syd. http://www.korcentrumsyd.se/wp- content/uploads/Geisler-2010_Choral-Research_A-Global-Bibliography.pdf Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Körforskning. En bibliografi Choral Research. A Global Bibliography Lund/Malmö, Körcentrum Syd, 2010 Dr. Ursula Geisler © Ursula Geisler 2 Choral Research. A Global Bibliography KOMMENTAR INLEDNING Detta är en körforskningsbibliografi. Den har sammanställts på uppdrag av Körcentrum Syd i syfte att kartlägga körforskningen i Sverige och globalt. Eftersom ett mål med Körcentrum Syds verksamhet är att stärka körlivet och körforskningen regionalt och utveckla den nationellt, har ett behov av att kartlägga körforskningen och dess status quo formulerats. -
J2P and P2J Ver 1
inulTo discography A Complete Listing of Frank Sinatra Record LP's RCA Victor Camden Columbia Harmony Capitol Reprise ( *) indicates album currently unavailable Is This the Beginning of the End I Only Have Eyes for You CHRISTMAS DREAMING* American Beauty Rose Whispering RCA VICTOR (PP) Falling in Love with Love (Alex Stordahl and Orchestra with Five Minutes More You'll Never Know the Kea Lane Singers) Farewell, Farewell to Love HAVING A WONDERFUL It All Depends on You Columbia CL 1032 (note: PP -Pied Pipers) TIME* Spasm' White Christmas THE BROADWAY KICK* (Tommy Dorsey and His Clambake All of Me Jingle Bells (Various Orchestras) YES INDEED Seven) Time After Time O' Little Town of Bethlehem Columbia CL 1297 (Tommy Dorsey and His Orchestra) RCA Victor LPM 1643 How Cute Can You Be? Have Yourself a Merry Christmas There's No Business Like Show Business RCA Victor LPM 1229 Almost Like Being in Love Head on My Pillow Christmas Dreaming They Say It's Wonderful Stardust (PP) Nancy Silent Night, Holy Night Some Enchanted Evening I'll Never Smile Ohl What It Seemed to Me Again (PP) THAT SENTIMENTAL It Come Upon a Midnight Clear You're My Girl GENTLEMAN Adeste Fideles Lost in the Stars Santa Clous Is Conlin' to Town (Tommy Dorsey and His Orchestra) Can't You Behave? TRIBUTE TO DORSEY -VOL. 1 Let It Snow, let It RCA Victor LPM THE VOICE Snow, Let It Snow I Whistle a Happy Tune (Tommy Dorsey and His Orchestra) 6003 -2 record set (Axel Stordahl and His Orchestra) The Girl That I Marry RCA Victor LPM 1432 My Melancholy Baby ADVENTURES THE Can't You Just See Yourself Yearning Columbia CL 743 OF Everything Happens to Me HEART* There But For You Go I l'll Take Tallulah (PP) I Don't Know Why (Axel Stordahl and His Orchestra) Boli Ha'i Marie Try a Little Tenderness Columbia CL 953 Where Is My Bess? How Am Know TRIBUTE TO DORSEY -VOL. -
Zeitgenössische Musik in Berlin Field Notes
Zeitgenössische Musik in Berlin fieLD NOtes Mai– A ug1 7 Getragen von der inm—initiative neue musik berlin e.V. Opposite Editorial Manuela Benetton 1 Leitartikel: Gleichberech tigung auslandKollektiv 2 Kurznachrichten 4 Öffentliche Probe 5 Feldfund 6 FestivalPortrait: Heroines of Sound 14 Zu Gast in Berlin 17 Offenes Format 18 EnsemblePortrait: ensemble mosaik 20 Perspektivwechsel 24 Veranstaltungskalender 26 Im Radio 45 Post 46 Veranstaltungsorte 48 OPPOSITE Editorial Manuela Benetton leitet Sie mit persönlichen Empfehlungen durch die kommenden zwei Monate der zeitgenössischen Musik in Berlin. Konzerte, die mich interessieren, verbinden verschiedene As pekte der experimentellen elektronischen und populären Musik und ziehen ein gemischtes Publikum an. Besonders spannend finde ich Veranstaltungen, die von Musikern und Künstlern mit einem unverbrauchten, innovativen Ansatz kuratiert sind, der neue kreative Perspektiven in der zeitgenössischen Musik öffnet. Die kommenden Monate bringen gleich mehrere dieser Konzerte: Vom 5. bis 7. Mai werden beim Festival Syn / Cussion im Radial system V neun Duos aus Percussion und Elektronik in einen intensiven musikalischen Dialog treten. Am 21. Mai spielt der klas sisch ausgebildete Musiker und Komponist William Basinski im Hangar 49, der seit über 30 Jahren mit experimentellen Medien in NYC und Kalifornien arbeitet. Das Festival Heroines of Sound präsentiert frühe und aktuelle Heldinnen der elektronischen Musik. In Konzerten, Performances, Videos und Diskussionen werden Frauen der frühen elektronischen Musik zusammen mit Künstlerinnen präsentiert, die heute elektronische Klänge transformieren und performativ interpretieren. Schließlich noch ein Hinweis in eigener Sache: Das erste und einzige Konzert von Merzbow, Keiji Haino und Pándi in der St. Elisabeth Kirche am 31. Mai ist Teil meiner neuen Konzertreihe in verschiedenen Kirchen der Stadt. -
Wind Symphony Winter Concert
Andrews University Digital Commons @ Andrews University Concerts and Events 2020-2021 Concerts and Events Winter 2-20-2021 Stage & Screen: Wind Symphony Winter Concert Department of Music Andrews University, [email protected] Follow this and additional works at: https://digitalcommons.andrews.edu/events-2020-2021 Part of the Music Performance Commons Recommended Citation Music, Department of, "Stage & Screen: Wind Symphony Winter Concert" (2021). Concerts and Events 2020-2021. 4. https://digitalcommons.andrews.edu/events-2020-2021/4 This Book is brought to you for free and open access by the Concerts and Events at Digital Commons @ Andrews University. It has been accepted for inclusion in Concerts and Events 2020-2021 by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. PRESENTS WIND SYMPHONY WINTER CONCERT “Stage & Screen” Saturday, February 20, 2021 – 8:00 p.m. Howard Performing Arts Center Selections from Les Misérables (1980/1987) ........................ Claude-Michel Schönberg & Herbert Kretzmer Arr. Warren Barker “Someone to Watch Over Me” from Oh, Kay! (1926/1995) ......................... George Gershwin & Ira Gershwin Arr. Warren Barker Beta Siriwattanakamol, mezzo-soprano Selections from The Phantom of the Opera (1986/1988) ..............................................Andrew Lloyd Webber Arr. Warren Barker Selections from The Sound of Music (1959/1960) ........................ Richard Rodgers & Oscar Hammerstein II Arr. Robert Russell Bennett Intermission -
Richard Wagner(1813 – 1883)
SUPER AUDIO CD NEEME JÄRVI CONDUCTS Overtures and Preludes Royal Scottish National Orchestra Richard Wagner, May 1865 May Wagner, Richard Photograph by Josef Albert (1825 – 1886) / AKG Images, London / Imagno Richard Wagner (1813 – 1883) Overtures and Preludes 1 Overture to ‘Die Feen’, WWV 32* 10:48 Adagio – Un poco meno adagio – Tempo I – Allegro con molto fuoco – Più allegro 2 Overture to ‘Columbus’, WWV 37† 8:02 Edited 1907 by Felix Mottl (1856 – 1911) as concert overture with the title Christoph Columbus Allegro molto agitato – Andante maestoso – Tempo I – Andante maestoso – Tempo I – Andante maestoso – Tempo I – Andante – Tempo I – Andante – Presto 3 Overture to ‘Das Liebesverbot’, WWV 38* 8:10 Molto vivace – Allegro con fuoco – Presto 4 Overture to ‘Rienzi, der Letzte der Tribunen’, WWV 49‡ 11:16 Molto sostenuto e maestoso – Allegro energico – Un poco più vivace – Molto più stretto 3 5 Eine Faust-Ouvertüre, WWV 59† 11:03 Sehr gehalten – Sehr bewegt – Sehr allmählich das Tempo etwas zurückhalten – A tempo – Wild 6 Overture to ‘Der fliegende Holländer’, WWV 63‡ 11:00 Allegro con brio – Andante – Animando un poco – Tempo I – Molto animato – Un poco ritenuto [not previously released] 7 Prelude to Act III of ‘Lohengrin’, WWV 75* 3:04 Sehr lebhaft 8 Prelude to ‘Tristan und Isolde’, WWV 90* 6:43 Langsam und schmachtend 9 Prelude to ‘Die Meistersinger von Nürnberg’, WWV 96† 8:56 Sehr mäßig bewegt – Bewegt, doch immer noch etwas breit – Mäßig im Hauptzeitmaß – Im mäßigen Hauptzeitmaß – Sehr gewichtig TT 80:00 Royal Scottish National Orchestra William Chandler* • Peter Thomas† • Maya Iwabuchi‡ leaders Neeme Järvi 4 Wagner: Overtures and Preludes Overture to ‘Die Feen’ Overture to ‘Columbus’ / Eine Faust- Even if the overall style of Wagner’s first great Ouvertüre romantic, although less well-known, opera, That Wagner wrote instrumental music for Die Feen, WWV 32 (1833 – 34), based on a spoken drama appears as no accident in the La donna serpente by Carlo Gozzi, owes its essentials light of his later œuvre. -
November 13 – the Best of Broadway
November 13 – The Best of Broadway SOLOISTS: Bill Brassea Karen Babcock Brassea Rebecca Copley Maggie Spicer Perry Sook PROGRAM Broadway Tonight………………………………………………………………………………………………Arr. Bruce Chase People Will Say We’re in Love from Oklahoma……….…..Rodgers & Hammerstein/Robert Bennett Try to Remember from The Fantasticks…………………………………………………..Jack Elliot/Jack Schmidt Can’t Help Lovin’ Dat Man from Show Boat……………………………Oscar Hammerstein/Jerome Kern/ Robert Russell Bennett Gus: The Theatre Cat from Cats……………………………………….……..…Andrew Lloyd Webber/T.S. Eliot Selections from A Chorus Line…………………………………….……..Marvin Hamlisch/Arr. Robert Lowden Glitter and Be Gay from Candide…………………….………………………………………………Leonard Bernstein Let’s Call the Whole Thing Off from Shall We Dance…….…….……………………George & Ira Gershwin Impossible Dream from Man of La Mancha………………………………………….…Mitch Leigh/Joe Darion Mambo from Westside Story……………………………………………..…………………….…….Leonard Bernstein Somewhere from Westside Story……………………………………….…………………….…….Leonard Bernstein Intermission Seventy-Six Trombones from The Music Man………………………….……………………….Meredith Willson Before the Parade Passes By from Hello, Dolly!……………………………John Herman/Michael Stewart Vanilla Ice Cream from She Loves Me…………..…………....…………………….Sheldon Harnick/Jerry Bock Be a Clown from The Pirate..…………………………………..………………………………………………….Cole Porter Summer Time from Porgy & Bess………………………………………………………….………….George Gershwin Move On from Sunday in the Park with George………….……..Stephen Sondheim/Michael Starobin The Grass is Always Greener from Woman of the Year………….John Kander/Fred Ebb/Peter Stone Phantom of the Opera Overture……………………………………………………………….Andrew Lloyd Webber Music of the Night from Phantom of the Opera…….………………………………….Andrew Lloyd Webber Love Never Dies from Love Never Dies………………..…..……………………………….Andrew Lloyd Webber Over the Rainbow from The Wizard of Oz….……………………………………….Harold Arlen/E.Y. Harburg Arr. Mark Hayes REHEARSALS: Mon., Oct. 17 7 p.m. -
WV Graded Music List 2011
2011 WV Graded Music List, p. 1 2011 West Virginia Graded Music List Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6 Grade Artist Arranger Title Publisher 1 - Higgins, John Suo Gan HL 1 - McGinty Japanese Folk Trilogy QU 1 - McGinty, Anne Elizabethan Songbook, An KJ 1 - Navarre, Randy Ngiele, Ngiele NMP 1 - Ployhar Along the Western Trail BE 1 - Ployhar Minka BE 1 - Ployhar Volga Boat Song BE 1 - Smith, R.W. Appalachian Overture BE Variant on an Old English 1 - Smith, R.W. BE Carol 1 - Story A Jubilant Carol BE 1 - Story Classic Bits and Pieces BE 1 - Story Patriotic Bits and Pieces BE 1 - Swearingen Three Chorales for Band BE 1 - Sweeney Shenandoah HL 1 Adams Valse Petite SP 1 Akers Berkshire Hills BO 1 Akers Little Classic Suite CF 1 Aleicheim Schaffer Israeli Folk Songs PO 1 Anderson Ford Forgotten Dreams BE 1 Anderson Ford Sandpaper Ballet BE 1 Arcadelt Whiting Ave Maria EM 1 Arensky Powell The Cuckoo PO 1 Bach Gardner Little Bach Suite ST Grand Finale from Cantata 1 Bach Gordon BO #207 1 Bach Walters Celebrated Air RU 1 Bain, James L. M Wagner Brother James' Air BE 1 Balent Bold Adventure WB Drummin' With Reuben And 1 Balent BE Rachel 1 Balent Lonesome Tune WB 1 Balmages Gettysburg FJ 2011 WV Graded Music List, p. 2 1 Balmages Majestica FJ 1 Barnes Ivory Towers of Xanadu SP 1 Bartok Castle Hungarian Folk Suite AL 1 Beethoven Clark Theme From Fifth Symphony HL 1 Beethoven Foulkes Creation's Hymn PO 1 Beethoven Henderson Hymn to Joy PO 1 Beethoven Mitchell Ode To Joy CF 1 Beethoven Sebesky Three Beethoven Miniatures Al 1 Beethoven Tolmage -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.