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Abildgaard, Nicolai, 227 Absolute Music, 281 Adorno, Theodor, 205 Cambridge University Press 978-1-107-03252-1 - Cambridge Introductions to Music: Program Music Jonathan Kregor Index More information Index Abildgaard, Nicolai, 227 Balakirev, Mily, 126, 153, 160 absolute music, 281 Islamey, 156 Adorno, Theodor, 205, 212 Overture no. 2 on Russian Themes, 153 Aeschylus, 113, 193 later programmatic titles for, 156–157 Afanasyev, Aleksandr Nikolayevich, 237 Tamara, 154–156 Agawu, V. Kofi,12 ballad (ballade), 265–273 Agoult, Marie d’, 112 Ballanche, Pierre-Simon Ahna, Pauline de, 224 Essais de palingénésie sociale, 112 Alexander III, Tsar of Russia, 30 Ballets Russes, 280 Alkan, Charles-Valentin, 10, 161, 190 Bargiel, Woldemar, 136 Douze études dans les tons mineurs, op. Bartók, Béla, 24, 280 39, 190 Kossuth,30–32, 34, 224 Grand Duo Concertante, op. 21, 295 Baudelaire, Charles programmatic orientation of, 193 Le spleen de Paris, 277 Sonata, op. 33 (“The Four Ages”), 193 Baudissin, Count Wolf von, 50 II. “Quasi-Faust,” 190–192 Beach, Amy, 240, 248, 266 IV. “Prometheus Bound,” 193 Four Sketches, op. 15 Sonatina, op. 61, 190 “Dreaming,” 242–244 Altenburg, Detlef, 101 on American music, 245 Andersen, Hans Christian Symphony in E minor, op.32 (“Gaelic”), A Picture-Book without Pictures, 245 300–301 use of folk material in, 245 Antheil, George, 255 Beethoven, Ludwig van, 10, 56, 58, 68, 82, Arezzo, Guido d’, 131 84, 104, 135, 137, 138, 142, 151, Arras, Jean d’,64 154, 160, 166, 173, 185, 220, 222, Attila the Hun, 125, 126 239, 247, 250 Autran, Joseph, 108 An die ferne Geliebte, op. 98, 91 as compositional model, 24, 43, 57, Bach, Carl Philipp Emanuel, 10 82–83, 135–136 Symphony in D major, Wq 183/1, 18 Coriolan Overture, op. 62, 43–45, 57, Bach, Johann Sebastian, 58, 99, 104, 135, 295 138, 239 Die Geschöpfe des Prometheus, op. 43, 36 Baker, Theodor Egmont Overture, op. 84, 45–49, 54 Über die Musik der Nordamerikanischen Fidelio, op. 72, 41, 205 Wilden, 244 Overture to, 43 309 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03252-1 - Cambridge Introductions to Music: Program Music Jonathan Kregor Index More information 310 Index Beethoven, Ludwig van (cont.) Violin Sonata no. 5 in F major, op. 24 Leonoré Overture no. 1, op. 138, 43 (“Spring”), 36 Leonoré Overture no. 2, op. 72a, 42 Wellingtons Sieg,op.91,23–24, 28, 29, 126 Leonoré Overture no. 3, op. 72b, Benoît, Camille, 262 42–43 Berlioz, Hector, 2, 3, 51, 68, 69–84, 100, Missa solemnis, op. 123, 37 129, 154, 161, 173, 195, 197, 214, “Namensfeier” (“Name-Day”) Overture, 239, 253, 273 op. 115, 40–41 as “Musician of the Future,” 135 overtures, 39–49 as critic, 81–84 Piano Concerto no. 3 in C minor, “On Imitation in Music,” 83–84 op. 37, 70 of Beethoven’s symphonies, 82–83 Piano Sonata no. 8 in C minor, op. 13 La damnation de Faust, 80, 81, 260 (“Pathétique”), 36 L’enfance du Christ,81 Piano Sonata no. 13 in E♭ major, Harold en Italie,76–79, 80, 83, 89, 206 op. 27, no. 1, 129 Huit scènes de Faust, 166 Piano Sonata no. 17 in D minor, King Lear Overture, 51 op. 31, no. 2 (“Tempest”), 284 Marche funèbre pour la dernière scène Piano Sonata no. 21 in C major, d’Hamlet,51 op. 53 (“Waldstein”), 42, 60 on musical representation, 83–84 Piano Sonata no. 23 in F minor, op. 57 Le retour à la vie,74 (“Appassionata”), 60, 189, 284 Roméo et Juliette,80–81, 83, 84, 287, 295 Piano Sonata no. 26 in E♭ major, op. 81a Symphonie fantastique, 19, 70–76, 80, (“Les adieux”), 36 89, 150, 159, 174, 224, 237, 260, Piano Sonata no. 30 in A♭ major, 268, 273 op. 110, 88 Fétis’s criticism of, 75 Piano Trio in D major, op. 70, no. 1 Mendelssohn’s criticism of, 75–76 (“Ghost”), 284 Schumann’s criticism of, 85, 98 programmatic ambivalence of, 49 Les Troyens,81 String Quartet no. 7 in F major, op. 59, Bernard, Émile, 262 no. 1 (“Razumovsky”), 252 Bertrand, Aloysius Symphony no. 1 in C major, op. 21, 82 Gaspard de la nuit, 193, 277, 278–279, 280 Symphony no. 2 in D major, op. 36, 82 Bierce, Ambrose Symphony no. 3 in E♭ major, op. 55 “An Occurrence at Owl Creek (“Eroica”), 36, 51, 53, 60, 70, 82, Bridge,” 63 205, 224 Boecklin, Arnold Symphony no. 4 in B♭ major, op. 60, 82 Die Toteninsel, 224 Symphony no. 5 in C minor, op. 67, 2, Boehe, Ernst 28, 47, 70, 82, 149 Aus Odysseus’ Fahrten,20–21 “fate” motive in, 60 Boito, Arrigo Symphony no. 6 in F major, op. 68 Mefistofele, 194 (“Pastoral”), 36, 70, 143, 237 Bonds, Mark Evan, 79 Berlioz on, 82–83 Borodin, Aleksandr, 153 Debussy on, 277 Prince Igor, 154, 157 Symphony no. 7 in A major, op. 92, 51, Symphony no. 2 in B minor, 157 70, 82, 205 Boston Six, The, 247–248 Symphony no. 9 in D minor, op. 125, 37, Boulanger, Lili, 161 58, 82, 107, 110, 134, 149, 174, Brahms, Johannes, 3, 10, 52, 136, 145, 151, 178, 281, 295 195, 238, 244, 247, 263 Violin Concerto in D major, op. 61, 70 Ballades, op. 10, 267 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03252-1 - Cambridge Introductions to Music: Program Music Jonathan Kregor Index More information Index 311 “Paganini” Variations, op. 35, 139 Chadwick, George Whitefield, 240 Variations, op. 9, 90 Aphrodite, 142 Brendel, Franz, 136, 144, 289 Symphonic Sketches, 245–247 Bronsart von Schellendorff, Hans, 139 formal ambivalence of, 247 Brown, Jane K., 164 metric modulation in, 246–247 Bruckner, Anton, 249 Tam O’Shanter, 247 “Bruder Martin” (“Frère Jacques”), 205, Chambonnières, Jacques Champion de, 212–213 254 Brunetti, Gaetano character piece, 10–12, 86, 215 Symphony no. 33 in C minor and the salon, 189 (“The Maniac”), 286 ballad (ballade), 265–273 Bulgakov, Mikhail battle piece, 21–36, 249 Master and Margarita, 194 procession, 205–213, 297 Bülow, Hans von, 139, 151, 178, 196 songs without words, 87 Ballade in C♯ minor, op. 11, 267 Charles XII, King of Sweden, 114 Nirwana, 146–148 Charpentier, Gustave relationship with New German School, Impressions d’Italie, 275 147–148 Chateaubriand, François-René de, 71 Bürger, Gottfried August, 50 Chausson, Ernest, 262 Der wilde Jäger, 263, 267 Cherubini, Luigi, 39, 254 Lenore, 53, 148, 269 Chopin, Frédéric, 100, 103, 185, 243, 254 Busoni, Ferruccio, 161 Ballade no. 1 in G minor, op. 25, Doktor Faust, 194 266–267 Bussine, Romain, 262 Ballade no. 2 in F major, op. 38, 266–267 Byrd, William Variations on Mozart’s “Là ci darem la My Ladye Nevells Booke of Virginal mano,” op. 2, 84–85 Music Waltz in A♭ major, op. 42, 187 “The Battell,” 21 Cocteau, Jean, 1 Byron, George Gordon (Lord), 161 Collin, Heinrich Joseph von Cain, 147 Coriolan,43–45 Childe Harold’s Pilgrimage, 12, 76, 123 Conradi, August, 108 Don Juan, 199 Copland, Aaron, 255 Lament of Tasso, 120 Corder, Frederick, 189 Manfred, 69, 143 Cornelius, Peter, 138, 143, 151 Mazeppa, 114–115, 259 Couperin, François, 34, 254 Prometheus, 113 Pièces de clavecin,10 Cui, César, 153 Carpani, Giuseppe, 83 Czech National Revival, 233, 235 Carré, Michel Czerny, Carl, 117 Faust et Marguerite, 190 Casler, Lawrence, 4 Dahlhaus, Carl, 1, 298 Cazalis, Henri Dante (Alighieri) “Egalité, Fraternité,” 261–262 Divine Comedy, 82, 129–131, 291 Cervantes, Miguel de Daquin, Louis-Claude, 34 Don Quixote, 218 Dargomïzhsky, Aleksandr modernity of, 221 The Stone Guest, 157 reception of, 219 Daverio, John, 84 Tieck’s translation of, 219 Dawison, Bogumil, 53 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-03252-1 - Cambridge Introductions to Music: Program Music Jonathan Kregor Index More information 312 Index Debussy, Claude, 24, 126, 157, 243, 248, Poetické nálady (Poetic Mood Pictures), 255, 266, 275–277, 300, 302 op. 85, 237 as critic, 277 programmatic prefaces of, 237–238 Berceuse héroïque,34 Rusalka, 239 disdain for musical labels, 277 String Quartet no. 12 in F major, op. 96 En blanc et noir,34–36 (“American”), 244 Jeux, 280 Suite in A major, op. 98, 244 La mer, 248 Symphony no. 9 in E minor, op. 95 compositional history of, 275 (“From the New World”), 237, “Noël pour les enfants qui n’ont plus de 244, 245 maison,” 34 Die Waldtaube, op. 110, 237 on musical imagination, 276–277 Der Wassermann, op. 107, 237 Prélude à l’après-midi d’un faune, 275 Dwight, John Sullivan, 240 Preludes, 34, 275–276 programmatic ambivalence of, Eberl, Anton, 284 275–276 Eckermann, Johann Peter, 164 Des Knaben Wunderhorn, 163 Erben, Karel Jaromír Diaghilev, Sergei, 1 Kytice z pověti národních (A Garland of “Dies Irae,” 74, 165 National Myths), 237 Dittersdorf, Carl Ditters von, 127 Erkel, Ferenc, 32 Il combattimento dell’umane passioni,21 Eschenburg, Johann Joachim, 50 “Ovid” Symphonies, 7, 12–21 No. 4 in F major, 13–18 Fauré, Gabriel, 262, 266 No. 5 in D major, 18 Fétis, François-Joseph, 75 Dohnányi, Ernő Fibich, Zdeněk Symphony in D minor, 31 Bouře, 142 Draeseke, Felix, 138, 139, 146, 150 Field, John, 103 Fata morgana, op. 13, 4 Foote, Arthur, 240 Dukas, Paul Fourcand, Louis de, 263 L’apprenti sorcier, 266 Francis I, Emperor of Austria, 40 La péri, 280 Francis II, Holy Roman Emperor. See Duparc, Henri, 253, 262 Francis I, Emperor of Austria Lénore, 269–272 Franck, César, 253, 255, 262–268 parallel forms in, 271–272 Les béatitudes, 263 program for, 270, 301–302 Le chasseur maudit, 263, 267–268 Dussek, Jan Ladislav program for, 267 The Sufferings of the Queen of France, op.
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