The Little Nugget
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Love Across the Atlantic: an Interdisciplinary Conference on US
Love Across the Atlantic: An Interdisciplinary Conference on US-UK Romance University of Roehampton, June 16 2017 In conjunction with New College, University of Alabama 9.30am – 10.00am – Registration – Reception, ground floor Elm Grove building Tea & coffee (and refreshments throughout the day) on the 4th floor of Elm Grove from 9.30am NB Keynotes, all panels and closing remarks will be on the 3rd floor of Elm Grove 10.00 – 11.20 – Welcome & Keynote 11.20 – 11.45 – Break 11.45 – 1.25 – Panels 1a and 1b 1.25 – 2.15 – LUNCH 2.15 – 3.35 – Panels 2a and 2b 3.35 – 4.00 – Break 4.00 – 5.20 Panels 3a and 3b 5.20 – 5.30 Closing Remarks 5.30 – 6.30 Reception (Conference Centre) 6.45 – Supper at King’s Head (optional) 10am – 11.20 Welcome from Deborah Jermyn & Catherine Roach and Opening Keynote Professors Karen Randell, Nottingham Trent University and Alexis Weedon, University of Bedfordshire ‘Transatlantic love: distance makes the heart grow fonder - Love and romance across the miles in the work of Elinor Glyn’. BREAK Panels 11.45am – 1.25pm 1a – Small screen, big love: Transatlantic romance on TV Chair: Deborah Jermyn Frances Smith, University College London: ‘Catastrophe: Love in the Glocal City’ Martha Shearer, Universities of Surrey and Royal Holloway, ‘"British people are awful": Anglo-American romance and gentrification in Looking and You're the Worst’ Ashley Morgan, Cardiff School of Art & Design: ‘An Englishman in New York – Sex and Celibacy in Elementary (2012-)’ Caroline Bainbridge, University of Roehampton: ‘Post-feminism as catastrophe? Sharon Horgan and the transatlantic psycho-politics of comic romantic tragedy’ 1b – Transatlantic love in cross-media and cross-cultural contexts Chair: Karen Randell Ted Trost, University of Alabama: '"Imagine there's no countries": John Lennon's Politics of Love’. -
Downloading the Available Texts from the Gutenberg Site
Lodz Papers in Pragmatics 4.2 (2008): 189-213 189 DOI 10.2478/v10016-008-0013-3 Alan Partington University of Bologna FROM WODEHOUSE TO THE WHITE HOUSE: A CORPUS-ASSISTED STUDY OF PLAY, FANTASY AND DRAMATIC INCONGRUITY IN COMIC WRITING AND LAUGHTER-TALK Abstract In this paper I consider two discourse types, one written and literary, the other spoken and semi-conversational, in an attempt to discover if there are any similarities in the ways in which humour is generated in such apparently diverse forms of communication. The first part of the paper is concerned with the explicitly comic prose of P.G.Wodehouse, whilst in the second part of the paper, we investigate the laughter-talk, defined as the talk preceding and provoking, intentionally or otherwise, an episode of laughter, occurring during press briefings held at the White House during the Clinton era and the subsequent Bush administration. Both studies, by employing corpus analysis techniques together with detailed discourse reading, integrate quantitative and qualitative approaches to the respective data sets. Keywords Humour, stylistics, Wodehouse, press briefings, Corpus-Assisted Discourse Studies. 1. The comic techniques in the prose of P.G. Wodehouse Despite being widely recognised as perhaps the greatest humorous novelist in the English language, and frequently also simply as a great creative genius (Hilaire Belloc called Wodehouse “the best living writer of English”), as Golab notes, “little evidence has been shown to justify this claim,” there is almost no literature “attempting to specify the reasons for Wodehouse’s success as a humorous writer” 190 Alan Partington From Wodehouse to the White House: A Corpus-Assisted Study of … (2004: 35). -
Summer 2004 Through the Covers.” Attempted to Get the Committee to Revoke Its Approval “Do You Know What Means? ‘Crack Them Through of the Topic
St. Mike’s, Wodehouse, and Me: The Great Thesis Handicap did my undergraduate work here at St. Michael’s College BY ELLIOTT MILSTEIN from 1971 to 1976. How an American Jew ended up at a Catholic Canadian University is another story. I must Editor’s note: Elliott Milstein was primary perpetrator of and opening say, however, that planning this convention on the speaker at The Wodehouse Society convention held in Toronto last site of my alma mater, not to mention attending my August. This is Part 1 of Elliott’s talk; tune in to the next issue to read daughter’s graduation ceremonies this past June with his exciting conclusion. all its attendant festivities and speeches, has put me in a nostalgic mood, and all of you are about to become the unwitting victims of this mood. I was introduced to P. G. Wodehouse by my father at the tender age of 12. Having announced to him that I had read everything of interest there was to read (I had finished off the Tom Swift series, you understand), I complained bitterly that there was nothing left in life. He handed me his tattered old (first edition, you understand) Nothing But Wodehouse and instructed me to begin at the end with Leave It to Psmith. Now, if this were a fairy tale, I would tell you that from that moment on I never looked back, but I must be totally honest with you. I found it silly. I did not even get through the first chapter, and I returned it to him. -
Chappell Army Journals
CHAPPELL ARMY JOURNAL - ARCHIVE CATALOGUE If you wish to place an order for any of the Army Journals featured please follow the link provided. http://www.studio-music.co.uk/acatalog/Archive_Items_Studio_Music_Co.html The majority of Journals are available to order (approx 2 weeks), at £42.50 per set. You will be asked confirm details of title(s) and journal number within the checkout process. Before processing your order we will confirm the exact the total price including delivery via email. Number Title Composer/Arranger 688 ACCELERATIONS (Waltz) Strauss 534 ADELAI Spurin 783 AFTER THE BALL (SIn) Coward 686 ALERT MARCH Bell 414 ALL ABOARD FOR DIXIELAND Cobb 722 AMERICAN PATROL Gray 735 ANNIE GET YOUR GUN (SIn) Berlin 744 ANNIVERSARY WALTZ Franklin 711 APRIL NIGHT Clutsam 710 ARC DE TRIOMPHE (SIn) Novello 467 ARCADIANS, THE (Overture) Arthur Wood 352 ARCADIANS, THE (SIn) Monckton & Talbot 389 ARGENTINE TANGO Rubens 806 AROUND THE WORLD (SIn) Young 697 ARTISTS' LIFE (Waltz) Strauss 779 BAND WAGON, THE (SIn) Schwartz 308 BANDOLERO Stuart 663 BEACHY HEAD (Overture) Tapp 513 BEAUTY PRIZE, THE (SIn) Kern 603 BEGINNERS, PLEASE! (Overture) Wood 747 BELINDA FAIR Strachey 244 BELLE OF NEW YORK, THE Kerker 809 BELLS ARE RINGING (SIn) Styne 540 BERCEUSE Jarnefelt 874 BEST OF THE SEEKERS (SIn) Arr. Sharpe 425 BETTY (SIn) Rubens 728 BIG BEN (SIn) Ellis 853 BIG COUNTRY Moross 493 BILLETS DOUX Yuain 666 BING CROSBY HITS (SIn) Arr. Duthoit 571 BITTER SWEET (SIn) Coward 733 BLESS THE BRIDE (SIn) Ellis 504 BLIND PLOUGHMAN, THE Clarke 544 BLUE MAZURKA, -
Information Sheet Number 9A a Simplified Chronology of PG
The P G Wodehouse Society (UK) Information Sheet Number 9a A Simplified Chronology of P G Wodehouse Fiction Revised December 2018 Note: In this Chronology, asterisked numbers (*1) refer to the notes on pages (iv) and (v) of Information Sheet Number 9 The titles of Novels are printed in a bold italic font. The titles of serialisations of Novels are printed in a bold roman font. The titles of Short Stories are printed in a plain roman font. The titles of Books of Collections of Short Stories are printed in italics and underlined in the first column, and in italics, without being underlined, when cited in the last column. Published Novel [Collection] Published Short Story [Serial] Relevant Collection [Novel] 1901 SC The Prize Poem Tales of St Austin’s (1903) SC L’Affaire Uncle John Tales of St Austin’s (1903) SC Author! Tales of St Austin’s (1903) 1902 SC The Pothunters The Pothunters SC The Babe and the Dragon Tales of St Austin’s (1903) SC “ The Tabby Terror ” Tales of St Austin’s (1903) SC Bradshaw’s Little Story Tales of St Austin’s (1903) SC The Odd Trick Tales of St Austin’s (1903) SC The Pothunters SC How Payne Bucked Up Tales of St Austin’s (1903) 1903 SC Harrison’s Slight Error Tales of St Austin’s SC How Pillingshot Scored Tales of St Austin’s SC The Manoeuvres of Charteris Tales of St Austin’s SC A Prefect’s Uncle SC The Gold Bat The Gold Bat (1904) SC Tales of St Austin’s A Shocking Affair 1 Published Novel [Collection] Published Short Story [Serial] Relevant Collection [Novel] 1904 SC The Gold Bat SC The Head of Kay’s The Head -
By the Way Sept 08.Qxd
BY THE WAY Occasional Newsletters from The P G Wodehouse Society (UK) Number 35 September 2008 IONICUS Covers for Wodehouse Paperbacks The topic for this By The Way was inspired by two members, Stephen Payne and Graeme Davidson. Stephen was anxious to confirm precisely how many Wodehouse books had been illustrated by Ionicus, as he understood there were more than the 56 Penguins he had at that point acquired. Graeme had been in correspondence with Ionicus in the late 1980s, with a view to purchasing the original artwork for one of the covers. The artist Ionicus (J C Armitage), who died in February 1998, still retains a narrow lead as the person who has designed more covers for Wodehouse books than any other, although this position will be surrendered during 2009 to Andrzej Klimowski, illustrator of the Collectors series of jacketed hardbacks published by Everyman (or Overlook in the USA). Ionicus provided the illustrations for a total of 58 Penguins, as listed below, plus the wrap-around cover for the Chatto & Windus first edition of Wodehouse’s last book, Sunset at Blandings (part of which was also used for the cover of the Coronet paperback). 1969 Piccadilly Jim 1974 The Little Nugget 1969 Spring Fever 1974 Sam the Sudden 1970 Psmith in the City 1974 Pearls, Girls and Monty Bodkin 1970 Psmith, Journalist 1975 Stiff Upper Lip, Jeeves 1971 The Mating Season 1975 Leave It to Psmith 1971 Very Good, Jeeves 1975 Indiscretions of Archie 1971 Laughing Gas 1975 Bachelors Anonymous 1971 Blandings Castle 1975 Doctor Sally 1971 Summer Lightning -
A Source for Alexander Worple
The quarterly journal of The Wodehouse Society Volume 34 Number 3 Autumn 2013 A Source for Alexander Worple by Karen Shotting orky Corcoran’s uncle Alexander Worple holds If you’re planning to attend the TWS convention C a special place in the Jeeves and Wooster canon. in Chicago in October, you can find last-minute, Had this Worple been a sort of Cheeryble Brother interesting, and useful information about the event gleefully distributing largesse to a needy nephew, on pages 5, 7, 9, 20, 23, and 24. On those pages you’ll Corky might never have enlisted the aid of his pal find information about group activities, about the Bertie Wooster, who would not have had any reason dress code at the host site (the Union League Club of to utter the fateful words “leave it to Jeeves.” PGW tells Chicago), the Saturday Gala, and many other items. us that it was when he was writing Corky’s story that Jeeves’s qualities dawned upon him. Plum’s artistic soul would not permit him to allow the mentally negligible Bertie or Corky to come up with the creative, brainy solutions to Corky’s predicaments, so he brought back a bit player, a valet by the name of Jeeves from the short story “Extricating Young Gussie,” and gave him his first costarring role with Bertie. For those of you who may be a bit foggy on the details of “The Artistic Career of Corky”/“Leave It to Jeeves,” I will state that Corky finds himself in need of a guide, philosopher, and friend to assist him with a couple of sticky situations. -
PG Wodehouse Archive
British Library: Western Manuscripts P.G. Wodehouse Archive (1894-2016) (Loan MS 129) Table of Contents P.G. Wodehouse Archive (1894–2016) Key Details........................................................................................................................................ 1 Arrangement..................................................................................................................................... 1 Provenance........................................................................................................................................ 2 Related Resources.............................................................................................................................. 2 Loan MS 129/1 P.G. Wodehouse Archive: Manuscript Material (1900–2004)........................................... 2 Loan MS 129/2 P.G. Wodehouse Archive: Wartime Material (1939–2015)............................................... 86 Loan MS 129/3 P.G. Wodehouse Archive: Theatrical and Cinematic Work (1905–2008)........................... 97 Loan MS 129/4 P.G. Wodehouse Archive: Correspondence (1899–2010)................................................ 111 Loan MS 129/5 P.G. Wodehouse Archive: Published Material (1899–2003)............................................. 187 Loan MS 129/6 P.G. Wodehouse Archive: Biographical Material (1894–2001)......................................... 210 Loan MS 129/7 P.G. Wodehouse Archive: Posthumous Material (1929–2016)......................................... 218 Loan MS 129/8 P.G. Wodehouse -
Wodehouse's Crooks – Part
Number 64 June 2016 Wodehouse’s Crooks – Part III Continuing our series of Wodehouse characters who have committed offences of all sorts. The final part of this list will appear in the June 2017 By The Way. Joe the Gorilla Mauleverer, Lord Jasper He had been in Sing-Sing with Freddy Mullett ( qv ), A fictional bad lot, bribing the head lad in ‘Pipped on and was originally from the same town as Officer the Post’ to slip a cobra into Bonny Betsy’s stable the Garroway. night before the Derby. (The Small Bachelo r) (‘The Purity of the Turf’ in The Inimitable Jeeve s) Kohn McGee, ‘Easy Pickings’ A Detroit financier who, with his partner Mostyn, A friend of Dolly Molloy who had a business in employed J. Bernard Hoke when they were working Cicero, just outside Chicago, which involved sticking the A and C ramp, but was later accused of double- up filling-stations and drug stores. He decided to crossing Mostyn. broaden his scope, and turned to banks. (Big Mone y) (Ice in the Bedroom ) ‘Lefty’ Meadowes Buck MacGinnis’s pistol-bearer. Jeeves’s predecessor in the service of Bertie Wooster, (The Little Nugge t) he was dismissed for stealing his employer’s silk socks. MacGinnis, ‘Buck’ (‘Jeeves Takes Charge’ in Carry On, Jeeve s) A Chicago gangster specialising in kidnapping, who first tried for the Little Nugget in 1907. He realised Moffatt, Ginger that it was in his interest to work with Smooth Sam A friend of Horace Appleby who had recently Fisher when trying again in England rather than escaped from Dartmoor. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
Appendix 1 Number of Individuals out of Every 1000 Who Could Not Sign Their Name on a Marriage Register: 1896–1907
Appendix 1 Number of individuals out of every 1000 who could not sign their name on a marriage register: 1896–1907 Male Female Total 1896–1900 32 37 69 1901–1905 20 24 44 1905–1907 27 27 54 236 Appendix 2 Extract from Beatrice Harraden, ‘What Our Soldiers Read’, Cornhill Magazine, vol. XLI (Nov. 1916) Turning aside from technical subjects to literature in general, I would like to say that although we have not ever attempted to force good books on our soldiers, we have of course taken great care to place them within their reach. And it is not an illusion to say that when the men once begin on a better class of book, they do not as a rule return to the old stuff which formerly constituted their whole range of reading. My own impression is that they read rubbish because they have had no one to tell them what to read. Stevenson, for instance, has lifted many a young soldier in our hospital on to a higher plane of reading whence he has looked down with something like scorn – which is really very funny – on his former favourites. For that group of readers, ‘Treasure Island’ has been a discovery in more senses than one, and to the librarians a boon unspeakable. We have had, however, a large number of men who in any case care for good literature, and indeed would read nothing else. Needless to say, we have had special pleasure in trying to find them some book which they would be sure to like and which was already in our collection, or else in buying it, and thus adding to our stock. -
Wodehouse and the First World War
P.G. Wodehouse and the First World War George Simmers Biographers and others have written much about Wodehouse’s misadventures during the Second World War, when he was caught unawares in the South of France by the German invasion, and was interned in Upper Silesia as an enemy alien. Then in Berlin he made ill-advised broadcasts for German radio, treating his captivity lightly, so that he was accused of betraying his country by giving comfort to the enemy. The angry response to these broadcasts in Britain severely damaged his reputation; it was hurtful enough to ensure that he never again made his home in England. What is less well known is that 20 years earlier, during the First World War, Wodehouse had also been out of step with his country’s mood, a disparity that becomes the more striking when what he wrote during these years is set beside the wartime writing of his older brother, Armine. Distanced from the war Several years before the war began P. G. Wodehouse was already refusing to take it seriously. In 1909 he wrote The Swoop, or How Clarence Saved England, a short book parodying the invasion novels and stories that had been popular since 1871, when General Sir George Tomkyns Chesney’s The Battle of Dorking had tantalized and horrified English readers by suggesting that the military tactics used to crush the George Simmers: Wodehouse and the First World War 1 French army in the brief and violent Franco-Prussian War of 1870 would meet little effective resistance in an England complacently used to the habits of peacetime.