DOCSLIB.ORG

The Cambridge Companion to the Musical Edited by William A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Cambridge Companion to the Musical Edited by William A Cambridge University Press 978-1-107-11474-6 — The Cambridge Companion to the Musical Edited by William A. Everett , Paul R. Laird Index More Information Index ABBA, 291, 293, 361 Allen, Peter, 361 Abbott, Emma, 41–42, 50 Allyson, June, 148 Abbott, George, 136, 155, 198, 208, 212, 217, Alt Heidelberg (play), 104 237–39, 265–68, 270, 273, 276, 279, 372 Altar Boyz, 377 ABC Stage 67, 426 Altman, Robert, 162 Abyssinia, 124, 127 Amberg, Gustav, 70 Ace of Clubs, 162, 174 Ambler, Scott, 370 Acheson, Dean, 176 Amen Corner, 362 Acito, Marc, 364 ‘America’, 240, 261, 380 Act, The, 273 ‘American Dream, The’, 303 Adam, Adolphe, 34 American Idiot, 296, 300, 361 Adamini, Arturo, 71 American Idol, 320, 410, 424, 431–32 Adams, Lee, 220, 282 American in Paris, An (film), 371, 387, 392 ‘Adelaide’, 413 American in Paris, An (show), 340, 352, 371 Adamson, Samuel, 335 American Psycho, 329, 335 Adler, Jacob P., 66 Amerikaner Shadkhn,75 Adler, Richard, 217 Amos, Tori, 335 Adolf Philipp Theatre, 65 Amour, 350 Adolf Philipp, Adoph, 65–69, 77, 445 ‘American Women’, 271 Adventures of Priscilla, Queen of the Desert, ‘Amores chicanos’,74 The, 372 Anderson, Carl, 309 Africaine, L’, 118 Anderson, Maxwell, 132, 136–37, 232, 236–37, After the Ball (show), 129, 162, 165 242–43 ‘After the Ball’, 129 Andersson, Benny, 291 Agee, James, 239 Andrews Sisters, 238 ‘Agony’, 254 Andrews, Julie, 1, 199, 215, 223, 320, 412–13, Aguglia, 72 418, 425 ‘Ah! Sweet Mystery of Life’,91 Androcles and the Lion, 201 Aida (show), 293, 320, 359, 376 ‘Angel of Music’, 315 Aimée, Marie, 43 ‘Ankunft der Grünhorner, Die’,73 Ain’t Misbehavin’, 350, 360, 362 Angelika, 353 ‘Ain’t It Romantic?’, 152 Angelique, 353 Aladdin, 321, 344, 371, 376 Anna and the King of Siam, 197 Albini, Felix, 99 Annie (film version), 417 Alboni, Marietta, 35 Annie (show), 221, 376 Aldrich, Richard, 87 Annie (television version), 419, 426–27 Aleichem, Sholom, 225 Annie Get Your Gun, 140, 166, 168, 175, 195, Alexander, Jason, 418–19 207, 369–70, 374, 408, 411, 421 ‘Alexander’s Ragtime Band’, 94, 138 ‘Another National Anthem’, 260–61 All Shook Up, 294, 299, 376 ‘Another Op’nin’, Another Show’, 175, 211 All That Jazz (film), 272 Anouilh, Jean, 239 ‘All That Jazz’, 415 Anstey, F., 234 ‘All the Things You Are’, 187 ‘Any Old Place with You’, 138 ‘All Through the Night’, 149 ‘Anvil Chorus, The’, 120 ‘All You Need Is Love’, 399 ‘Any Time’s Kissing Time’, 112 Allah Be Praised, 267 Anyone Can Whistle, 251 ‘Allah’s Holiday’, 101 Anything Goes (film), 149 Allegiance, 364 Anything Goes (show), 133, 136–37, 139–40, Allegro, 195, 198, 208, 228, 267, 365, 368, 147, 150, 153, 211, 326 419 ‘Anything You Can Do’, 207 [455] Allen, Frederick Lewis, 132 Applause, 221, 373 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-11474-6 — The Cambridge Companion to the Musical Edited by William A. Everett , Paul R. Laird Index More Information 456 Index ‘Aquarius’, 285 Baker, Thomas, 37 Arc de Triomphe, 164 Baker’s Wife, The, 373 Archers, The,24 Balanchine, George, 147, 192, 265 Arden, Eve, 414 Balfe, Michael W., 34, 42, 118 Ariadne Abandoned by Theseus in the Isle of ‘Bali Ha’i’, 197 Naxos,25 Balkan Princess, The,99 Arima, Stafford, 364 Ball at the Savoy, 186 Arlen, Harold, 205–07, 217–18, 229, 266, 444 Ball, Michael, 304 Armstrong, Alun, 304 ‘Ballad of Guiteau, The’, 256, 259, 261 Armstrong, Louis, 132, 226, 230 Balle, Ernest, 73 Arne, Thomas, 27 ‘Ballet at the Village Vortex’, 239 Arnold, Samuel, 24 Ballet Russe de Monte Carlo, 191 Aronson, Boris, 270 Bamboozled, 390 Arthur, Daniel V., 82 Banderas, Antonio, 310, 414 ‘As If We Never Said Goodbye’, 315 Banfield, Stephen, 114, 116, 145, 153–54, 250, ‘As Long As You’re Mine’,3 256, 262, 279, 405, 438 As Thousands Cheer, 140, 154, 438 Barbarino, Stephen, 346 Asche, Oscar, 112–13 ‘Barcelona’, 250 Ashman, Howard, 114, 398 Barker, J. N., 26 Askey, Arthur, 165 Barnes, Clive, 287, 298 Assassins, 236, 249, 254–56, 259–63, 347, 411, Barnes, James, 118 447 Baron Trenck,99 Astaire, Fred, 142, 148–50, 155, 210–11, 396, Barrie, J. M., 238 400, 440 Bart, Lionel, 159, 179–81, 183 Astaire, Fred and Adele, 87, 93, 265 Bart, Roger, 416 ‘At a Georgia Camp Meeting’, 129 Bartok, Bela, 239 At Home Abroad, 140 Bassey, Shirley, 180 ‘At the Ball, That’s All’, 126 Bates, Kathy, 419 ‘At the Ballet’, 277 ‘Battle Hymn of the Republic, The’, 106 ‘At the End of the Day’, 302 ‘Baubles, Bangles, and Beads’, 216 Atkinson, Brooks, 210, 215, 233, 236, 240, 242 Battersea Arts Centre, 335 Attaché d’ambassade, L’ (play), 85 Baum, L. Frank, 15 Attenborough, Richard, 308–09 Bausch, Pina, 329 Auber, Daniel François-Esprit, 26–27, 32, 34, Beach Boys, 294, 299, 361 42, 301 ‘Be Our Guest’, 393 Audran, Edmond, 43, 67 Beach, Amy, 125 ‘Auf Wiedersehn’, 102 Beach, Gary, 416 Austin, Elizabeth, 27 Beatlemania, 291, 361 ‘Auto-da-fé’, 240 Beatles, The, 291, 307, 356, 361, 388–89, 399, ‘Automobile Song, The’,92 451 Avalon, Frankie, 414 Beaton, Cecil, 215 Avenue Q, 332, 342, 358, 429, 436 Beautiful Game, The, 306, 308, 319 Avian, Bob, 275–76, 278 Beautiful, The Carole King Musical, 361 Ayckbourn, Alan, 308, 324 Beauty and the Beast (film), 114, 371, 387, 398 ¡Ay Jalisco … no te rajes!,75 Beauty and the Beast (show), 320–21, 342, 371, 375–76, 393, 407 Babes in Arms, 404 ‘Beauty of the Nile, or Doomed by Fire, The’, Babes in Arms (film), 149, 388 119 Babes in Arms (show), 133, 136–37, 153–54, 185, Beauty Prize, The, 134 392 ‘Beauty School Drop Out’, 392 Babes in Toyland,80–82 Bechdel, Alison, 366 Babette, 80, 83 Beck, Ernest, 347 ‘Baby, Talk to Me’, 221 ‘Before the Parade Passes By’, 273 Bacharach, Burt, 287 Beggar Student, The,43 Baduszkowa, Danuta, 352 Beggar’s Opera, The,21 Bailey, Pearl, 206, 226, 374 ‘Begin the Beguine’, 143 Baker, Belle, 399 Begum, The,44 Baker, Josephine, 147 Bell, Mary Hayley, 308 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-11474-6 — The Cambridge Companion to the Musical Edited by William A. Everett , Paul R. Laird Index More Information 457 Index Belle Hélène, La, 242 ‘Blackville Derby, The’, 120 Belle of New York, The, 81, 89, 203 Blaine, Vivian, 413 Belle Paree, La,95 Blake, Eubie, 122, 127, 134, 146, 361 Bellini, Vincenzo, 27, 34, 42 Bless the Bride, 166, 168–69, 173–74 Bells Are Ringing, 219, 268, 270, 411 Blitz!, 181 Bend It Like Beckham, 334, 338, 374, 394 Blitzstein, Marc, 136–37, 230, 237, 442, 449, 451 Benedict, Julius, 42, 337 Blondell, Joan, 414 Bennett, Arnold, 323 Blood Brothers, 292, 327, 342 Bennett, Michael, 7, 264, 274–75, 278, 280, 329, ‘Bloody Mary’, 197 342, 356 Bloomer Girl, 206, 266 Bennett, Robert Russell, 150, 438 ‘Blow, Gabriel Blow’, 149 Benthall, Michael, 274 Bloomer, Amelia (‘Dolly’), 206 Berger, Michael, 351 Blossom Time, 102–03, 113 Bergman, Ingmar, 374 Blossom, Henry, 83 Berkeley, Busby, 262, 265, 391–93, 400, 441, 443, Blue Eyes, 135 449, 451, 453 Blue Paradise, The, 102 Berle, Milton, 424 Blue Ridge Boys, 261 Berlin, Irving, 46, 92–95, 134, 137–39, 141–45, ‘Blue Skies’, 399 399 Blue Skies (film), 399 Bernard, Crystal, 208 Blyth, Ann, 110 Bernstein, Leonard, i, v, x, 15, 152, 155, 206, 212, Bobbie, Walter, 407 217, 230–31, 237–43, 248, 261, 267, Bochco, Steven, 430 269–70, 279–80, 358, 421, 440, 446, Bock, Jerry, 209, 212, 220, 225 448–49, 451–52 Bodyguard, The, 374 Symphony no. 3 (‘Kaddish’), 232 Bohème, La,59 Berté, Heinrich, 113 Bohemian Girl, The,42 Besoyan, Rick, 114 Boieldieu, François-Adrien, 27 Best Little Whorehouse in Texas, The, 278, 365 Boles, John, 110 ‘Best Things in Life Are Free, The’, 147 Bolger, Ray, 212, 265 Besuch den Alten Dame, Der, 346 Bolton, Guy, 94–96, 134–35, 138, 146, 368 Betsy, 134, 185, 392, 399 Bombay Dreams, 97, 333, 364 Betty Blue Eyes, 332 ‘Bon Voyage’, 240 ‘Bitter Suite, The’, 428, 436 Bond, Edward, 325 Bieber, Andreas, 347, 351 Bonnie and Clyde, 359 Big, 373 ‘Boote in der Nacht’, 347 Big Deal, 273, 367 Bono, 296 Big Fish, 374 Bontempelli, Guy, 349 Big Life, The, 334 Book of Mormon, The, 332, 358 Big River, 358, 365, 377 Boot, Fred, 343 ‘Big Spender’, 272 Booth, John Wilkes, 255, 261 Bigley, Isobel, 176 Booth, Junius Brutus, 27 Billion Dollar Baby, 268 Bordman, Gerald, 43, 50, 95, 155, 211, 224–25, Billy, 324 229, 297, 439 Billy Elliot: The Musical, 293, 329, 333, 373 Boris Godunov,14 Billy Liar, 324 Borle, Christian, 431 Bishop, Anna, 34 Born to Sing!, 362 Bitter Sweet (film), 110–11 Borodin, Alexander, 216–17 Bitter Sweet (show), 99, 113, 162–63, 165 Borroff, Edith, 21 Bizet, Georges, 42, 187, 237, 368–69 Boublil, Alain, 302, 305, 350, 364, 378, 398, 421 Björk, 387 Boulanger, Nadia, 221 Bjornson, Maria, 370 Bounce, 254 Black and Blue, 360, 362 ‘Bowery, The’,38 Black Crook, The, 21, 37–38, 217 Bowie, David, 388, 399 Black Hussar, The,43 Bowles, Peter, 324 Black Patti’s Troubadours, 121 Boy Friend, The, 159, 177–78, 180 Black, Don, 308, 324 ‘Boy Friend Back Home, The’, 151 Blackbirds, 127 Boy from Oz, The, 360–61 Blackpool, 430 ‘Boy Like That/I Have a Love, A’, 240 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-11474-6 — The Cambridge Companion to the Musical Edited by William A.
Load more

Recommended publications
  • The Little Nugget
    WODEHOUSE THE LITTLE NUGGET NY PUBLIC LIBRARY THE BRANCH LIBRARIES 3 3333 11794 7081 I 1 Lr W Wodehouse, P. G. The 1 ittle nugget / 874858 TheNe Public Aator, Lenox and 1 Penguin Books The Little Nugget P. G. Wodehouse was born in Guildford in 1881 and educated at Dulwich College. After working for the Hong Kong and Shanghai Bank for two years, he left to earn his living as a journalist and storywriter, writing the 'By the Way* column in the old Globe. He also contributed a series of school stories to a magazine for boys, the Captain, in one of which Psmith made his first appearance. Going to America before the First World War, he sold a serial to the Saturday Evening Post and for the next twenty-five years almost all his books appeared first in this magazine. He was part author and writer of the lyrics of eighteen musical comedies including Kissing Time; he married in 1914 and in 1955 took American citizenship. He wrote over ninety books and his work has won world-wide acclaim, being translated into many languages. The Times hailed him as 'a comic genius recognized in his lifetime as a classic and an old master of farce'. P. G. Wodehouse said, *I believe there are two ways of writing novels. One is mine, making a sort of musical comedy without music and ignoring real life altogether; the other is going right deep down into life and not caring a damn . .' He was created a Knight of the British Empire in the New Year's Honours List in 1975.
    [Show full text]
  • Chappell Army Journals
    CHAPPELL ARMY JOURNAL - ARCHIVE CATALOGUE If you wish to place an order for any of the Army Journals featured please follow the link provided. http://www.studio-music.co.uk/acatalog/Archive_Items_Studio_Music_Co.html The majority of Journals are available to order (approx 2 weeks), at £42.50 per set. You will be asked confirm details of title(s) and journal number within the checkout process. Before processing your order we will confirm the exact the total price including delivery via email. Number Title Composer/Arranger 688 ACCELERATIONS (Waltz) Strauss 534 ADELAI Spurin 783 AFTER THE BALL (SIn) Coward 686 ALERT MARCH Bell 414 ALL ABOARD FOR DIXIELAND Cobb 722 AMERICAN PATROL Gray 735 ANNIE GET YOUR GUN (SIn) Berlin 744 ANNIVERSARY WALTZ Franklin 711 APRIL NIGHT Clutsam 710 ARC DE TRIOMPHE (SIn) Novello 467 ARCADIANS, THE (Overture) Arthur Wood 352 ARCADIANS, THE (SIn) Monckton & Talbot 389 ARGENTINE TANGO Rubens 806 AROUND THE WORLD (SIn) Young 697 ARTISTS' LIFE (Waltz) Strauss 779 BAND WAGON, THE (SIn) Schwartz 308 BANDOLERO Stuart 663 BEACHY HEAD (Overture) Tapp 513 BEAUTY PRIZE, THE (SIn) Kern 603 BEGINNERS, PLEASE! (Overture) Wood 747 BELINDA FAIR Strachey 244 BELLE OF NEW YORK, THE Kerker 809 BELLS ARE RINGING (SIn) Styne 540 BERCEUSE Jarnefelt 874 BEST OF THE SEEKERS (SIn) Arr. Sharpe 425 BETTY (SIn) Rubens 728 BIG BEN (SIn) Ellis 853 BIG COUNTRY Moross 493 BILLETS DOUX Yuain 666 BING CROSBY HITS (SIn) Arr. Duthoit 571 BITTER SWEET (SIn) Coward 733 BLESS THE BRIDE (SIn) Ellis 504 BLIND PLOUGHMAN, THE Clarke 544 BLUE MAZURKA,
    [Show full text]
  • Swanee”—Al Jolson (1920) Added to the National Registry: 2004 Essay by Cary O’Dell
    “Swanee”—Al Jolson (1920) Added to the National Registry: 2004 Essay by Cary O’Dell Al Jolson Original label Thanks to tributes, covers, excerpts and parodies, there are few people of any age that don’t know the chorus to “Swanee”: Swanee, How I love ya, how I love ya,… My dear old swanee…. Irving Caesar and George Gerswhin wrote it; Al Jolson made it immortal. “Swanee’s” success and endurance can be ascribed to many things, not the least of which is its cross-sectional appeal. It has the upbeat feel of a show tune (as which it began), the pride-of- place enthusiasm of a patriotic anthem, and the sing-along-ability of a campfire favorite. Along with becoming one of the songs most identified with the legendary Jolson, “Swanee” would also prove to be the prolific Gerswhin’s most successful song ever. As a recording, it sold over two-million copies and, as sheet music, one million copies. Its success allowed Gershwin to concentrate almost exclusively on his work in the theatre while solidifying Jolson’s position as one of America’s most revered entertainers. The birth of the song “Swanee” is well noted. Gerswhin and Caesar wrote it—allegedly as a response to Stephen Foster’s “Old Folk Home”--while on the upper deck of a double decker bus while traveling from the offices of the T.B. Harmes Publishing Company to Gerswhin’s apartment. As Caesar would remark later, “In those days, you wrote a song and then you tried to place it.” The first place “Swanee” was placed was in New Wayburn’s “Demi-Tasse Revue” which opened at New York’s Capitol Theater on October 24, 1919.
    [Show full text]
  • Winter Garden Theater, First Floor Interior
    Landmarks Preservation Commission January 5, 1988; Designation List 199 LP-1387 WINTER GARDEN THEATER, first floor interior consisting of the inner lobby, the auditorium, the stage; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings and attached decorative elements; 1634-1646 Broadway, Manhattan; initial structure built c. 1885 and rebuilt 1896; remodeled and partially rebuilt for theater use 1910-11, architect W. Albert Swasey; remodeled 1922-23, architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1022, Lot 26. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as an Interior Landmark of the Winter Garden Theater, first floor interior consisting of the outer lobby, the inner lobby, the auditorium, the stage, the staircases leading from the first floor to the ba 1 cony floor and all connecting entrance areas; the ba 1 cony floor interior consisting of the balcony, the upper part of the auditorium and ceiling, the upper part of the stage house; and the fixtures and interior components of these spaces, including but not limited to, wall, ceiling, and floor surfaces, doors, stair railings and attached decorative elements; and the proposed designation of the related Landmark Site (I tern No. 83). The hearing was continued to October 19, 198 2. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witne sses spoke or had statements read into the record in favor of designation.
    [Show full text]
  • Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2020 Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star Caleb Taylor Boyd Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Film and Media Studies Commons, Music Commons, and the Sociology Commons Recommended Citation Boyd, Caleb Taylor, "Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star" (2020). Arts & Sciences Electronic Theses and Dissertations. 2169. https://openscholarship.wustl.edu/art_sci_etds/2169 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Ben Duane Howard Pollack Alexander Stefaniak Gaylyn Studlar Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star by Caleb T. Boyd A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2020 St. Louis, Missouri © 2020, Caleb T. Boyd Table of Contents List of Figures ................................................................................................................................
    [Show full text]
  • A 16 Bar Cut: the History of American Musical Theatrean Original Script and Monograph Document
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document Patrick Moran University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Moran, Patrick, "A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document" (2006). Electronic Theses and Dissertations, 2004-2019. 916. https://stars.library.ucf.edu/etd/916 A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATRE An Original Script and Monograph Document by PATRICK JOHN MORAN B.A. Greensboro College, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Patrick John Moran ii ABSTRACT A final thesis for my Master of Fine Arts degree should encompass every aspect of the past few years spent in the class room. Therefore, as a perfect capstone to my degree, I have decided to conceive, write, and perform a new musical with my classmate Rockford Sansom entitled The History of Musical Theatre: A 16 Bar Cut.
    [Show full text]
  • PG Wodehouse Archive
    British Library: Western Manuscripts P.G. Wodehouse Archive (1894-2016) (Loan MS 129) Table of Contents P.G. Wodehouse Archive (1894–2016) Key Details........................................................................................................................................ 1 Arrangement..................................................................................................................................... 1 Provenance........................................................................................................................................ 2 Related Resources.............................................................................................................................. 2 Loan MS 129/1 P.G. Wodehouse Archive: Manuscript Material (1900–2004)........................................... 2 Loan MS 129/2 P.G. Wodehouse Archive: Wartime Material (1939–2015)............................................... 86 Loan MS 129/3 P.G. Wodehouse Archive: Theatrical and Cinematic Work (1905–2008)........................... 97 Loan MS 129/4 P.G. Wodehouse Archive: Correspondence (1899–2010)................................................ 111 Loan MS 129/5 P.G. Wodehouse Archive: Published Material (1899–2003)............................................. 187 Loan MS 129/6 P.G. Wodehouse Archive: Biographical Material (1894–2001)......................................... 210 Loan MS 129/7 P.G. Wodehouse Archive: Posthumous Material (1929–2016)......................................... 218 Loan MS 129/8 P.G. Wodehouse
    [Show full text]
  • Broadway Sheet Music Collection Print Collection 31 Finding Aid Prepared by Siduri Beckman
    Broadway sheet music collection Print Collection 31 Finding aid prepared by Siduri Beckman. Last updated on July 26, 2016. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2016 June 28 Broadway sheet music collection Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 - Page 2 - Broadway sheet music collection Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Title Broadway sheet music collection Call number Print Collection 31 Date [inclusive] 1918-1929 Extent 2 linear feet (6 boxes) Language English Language Note The bulk of the material is
    [Show full text]
  • Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
    Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,
    [Show full text]
  • Život I Rad Sigmunda Romberga
    Život i rad Sigmunda Romberga Cerovečki, Ina Undergraduate thesis / Završni rad 2017 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Pula / Sveučilište Jurja Dobrile u Puli Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:137:280587 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-08 Repository / Repozitorij: Digital Repository Juraj Dobrila University of Pula Sveučilište Jurja Dobrile u Puli Muzička akademija u Puli INA CEROVEČKI ŽIVOT I RAD SIGMUNDA ROMBERGA Završni rad Pula, 2017. Sveučilište Jurja Dobrile u Puli Muzička akademija u Puli INA CEROVEČKI ŽIVOT I RAD SIGMUNDA ROMBERGA Završni rad JMBAG: 0303042896 Studijski smjer: Glazbena pedagogija Predmet: Povijest glazbe Mentorica: doc. dr. sc. Lada Duraković Komentor: Branko Okmaca, v. pred. Pula, 2017. IZJAVA O AKADEMSKOJ ČESTITOSTI Ja, dolje potpisana Ina Cerovečki, kandidat za prvostupnika Glazbene pedagogije ovime izjavljujem da je ovaj Završni rad rezultat isključivo mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na objavljenu literaturu kao što to pokazuju korištene bilješke i bibliografija. Izjavljujem da niti jedan dio Završnog rada nije napisan na nedozvoljen način, odnosno da je prepisan iz kojega necitiranog rada, te da ikoji dio rada krši bilo čija autorska prava. Izjavljujem, također, da nijedan dio rada nije iskorišten za koji drugi rad pri bilo kojoj drugoj visokoškolskoj, znanstvenoj ili radnoj ustanovi. Student: _____________________________ U Puli, 20. rujna,
    [Show full text]
  • Appendix 1 Number of Individuals out of Every 1000 Who Could Not Sign Their Name on a Marriage Register: 1896–1907
    Appendix 1 Number of individuals out of every 1000 who could not sign their name on a marriage register: 1896–1907 Male Female Total 1896–1900 32 37 69 1901–1905 20 24 44 1905–1907 27 27 54 236 Appendix 2 Extract from Beatrice Harraden, ‘What Our Soldiers Read’, Cornhill Magazine, vol. XLI (Nov. 1916) Turning aside from technical subjects to literature in general, I would like to say that although we have not ever attempted to force good books on our soldiers, we have of course taken great care to place them within their reach. And it is not an illusion to say that when the men once begin on a better class of book, they do not as a rule return to the old stuff which formerly constituted their whole range of reading. My own impression is that they read rubbish because they have had no one to tell them what to read. Stevenson, for instance, has lifted many a young soldier in our hospital on to a higher plane of reading whence he has looked down with something like scorn – which is really very funny – on his former favourites. For that group of readers, ‘Treasure Island’ has been a discovery in more senses than one, and to the librarians a boon unspeakable. We have had, however, a large number of men who in any case care for good literature, and indeed would read nothing else. Needless to say, we have had special pleasure in trying to find them some book which they would be sure to like and which was already in our collection, or else in buying it, and thus adding to our stock.
    [Show full text]
  • Wodehouse and the First World War
    P.G. Wodehouse and the First World War George Simmers Biographers and others have written much about Wodehouse’s misadventures during the Second World War, when he was caught unawares in the South of France by the German invasion, and was interned in Upper Silesia as an enemy alien. Then in Berlin he made ill-advised broadcasts for German radio, treating his captivity lightly, so that he was accused of betraying his country by giving comfort to the enemy. The angry response to these broadcasts in Britain severely damaged his reputation; it was hurtful enough to ensure that he never again made his home in England. What is less well known is that 20 years earlier, during the First World War, Wodehouse had also been out of step with his country’s mood, a disparity that becomes the more striking when what he wrote during these years is set beside the wartime writing of his older brother, Armine. Distanced from the war Several years before the war began P. G. Wodehouse was already refusing to take it seriously. In 1909 he wrote The Swoop, or How Clarence Saved England, a short book parodying the invasion novels and stories that had been popular since 1871, when General Sir George Tomkyns Chesney’s The Battle of Dorking had tantalized and horrified English readers by suggesting that the military tactics used to crush the George Simmers: Wodehouse and the First World War 1 French army in the brief and violent Franco-Prussian War of 1870 would meet little effective resistance in an England complacently used to the habits of peacetime.
    [Show full text]