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Revolution Through Restoration I
From Jerusalem to Rome, From Boston to Moscow REVOLUTION THROUGH RESTORATION I By Kip McKean From Jerusalem to Rome, From Boston to Moscow 1 INDEX Page 2 Preface Page 3 Introduction Page 4 - 6 Seeds of Faith Page 7 - 9 Restoration in Boston Page 10 – 11 World Revolution Page 12 - 13 One Lord, One Faith, One Baptism Page 14 – 17 A Remnant Returns Page 18 - 21 Church Leadership Page 22 - 24 Continual Restoration Page 25 - 26 From Boston to Moscow From Jerusalem to Rome, From Boston to Moscow 2 From Jerusalem to Rome, From Boston to Moscow REVOLUTION THROUGH RESTORATION I By Kip McKean To my brothers and sisters in all the congregations of the International Churches of Christ: Preface: by Al Baird "Let it begin here!" cried the American revolutionists in Lexington and Concord over two centuries ago. The British band played The World Turned Upside Down as their troops marched into battle. No one knows who fired the first shot, but it soon became the "Shot heard 'round the world." Revolution had come. What more fitting a theme for July 4th than Revolution? In 1992, Kip McKean wrote "Revolution Through Restoration" for Upside Down magazine. In it he describes the beginning of the church in Lexington, Massachusetts, and how it has truly become today's "shot heard 'round the world." This article explains who we are as God's modern-day movement and where we came from, better than any other single piece of which I am aware. For this reason I frequently give a copy to someone with whom I am studying the Bible or to someone from the media who wants to know more about us. -
Downloads/Dec2018/Harpercollins, Oops
oops 20 Life Lessons from the Fiascoes That Shaped America MARTIN J. SMITH and PATRICK J. KIGER To William Leford Smith,M.J.S whose. dimming eyes still see the humor in almost everything To Beastboy P.and J.K his. momster Good judgment is usually the result of experience. And experience is frequently the result of bad judgment. —An attorney in a lawsuit involving Boston’s John Hancock Tower, after the skyscraper’s windows fell out Some said I couldn’t sing, but no one could say I didn’t sing. —Florence Foster Jenkins, widely recognized as the worst opera diva ever contents Introduction The Joy of Oops ix Lesson #1 READ THE FINE PRINT The Eroto- Utopians of Upstate New York John Humphrey Noyes’s sexually adventurous Perfectionist commune was one of the most successful utopian religious groups in 19th-century Amer- ica. Alas, the devil was in the details. { 1 } Lesson #2 ACCENTUATE THE POSITIVE How Thomas Edison Invented Trash Talk Why would one of America’s iconic inventors publicly electrocute a full- grown carnival elephant? The answer reveals a little- known story of ego, failure, and the moment when America began “going negative.” { 13 } Lesson #3 BEWARE SOLUTIONS THAT CREATE NEW PROBLEMS The Global Underarm Deodorant Disaster Thomas Midgley Jr. was among America’s greatest problem solvers. Unfor- tunately, his landmark “Eureka!” moments had an echo that sounded a lot like “Oops!” { 27 } CONTENTS v Lesson #4 BAD RESULTS TRUMP GOOD INTENTIONS Kudzu: A Most Tangled Tale What began as a well- intentioned effort to stop soil erosion in the American South became a dramatic example of what can happen when you mess with Mother Nature. -
Leon Trotsky Three Concepts of the Russian Revolution 1
Leon Trotsky Three Concepts of the Russian Revolution 1 The Revolution of 1905 came to be not only the “general rehearsal” of 1917 but also the laboratory in which all the fundamental groupings of Russian political life were worked out and all the tendencies and shadings inside Russian Marxism were projected. At the core of the arguments and divergences was, needless to say, the question concerning the historical nature of the Russian Revolution and its future course of development. That conflict of concepts and prognoses has no direct bearing on the biography of Stalin, who did not participate in it in his own right. The few propagandist articles he wrote on that subject are utterly devoid of theoretical interest. Scores of Bolsheviks who plied the pen popularised the same thoughts, and did it considerably better. Any critical exposition of Bolshevism’s revolutionary concepts naturally belongs in a biography of Lenin. But theories have their own fate. Although during the period of the First Revolution [1905] and subsequently, as late as 1923, at the time when the revolutionary doctrines were elaborated and applied, Stalin had no independent position whatever, a sudden change occurred in 1924, which opened an epoch of bureaucratic reaction and radical transvaluation of the past. The film of the revolution was unwound in reverse order. Old doctrines were subjected either to a new evaluation or a new interpretation. Thus, rather unexpectedly at first glance, attention was focused on the concept of “permanent revolution” as the prime source of all the fallacies of “Trotskyism”. For many years to come criticism of that concept formed the main content of all the theoretical – sit venio verbo – writings of Stalin and his collaborators. -
THE FIRST PRAVDA and the RUSSIAN MARXIST TRADITION by JAMES D
THE FIRST PRAVDA AND THE RUSSIAN MARXIST TRADITION By JAMES D. WHITE I THE appearance of the first Pravdal is an episode of the Bolshevik party's history which has never received any systematic treatment either by Western or Soviet scholars. It is an aspect of the I905 revolution which the party historians and memoirists have been for the most part very eager to forget, and since Western investigators have apparently been unaware of its existence they have allowed its consignment to oblivion to take place without comment. That this first Pravda to be connected with the Bolshevik party is not widely known is hardly surprising, because in this case the exclusion from the historical record took place long before the Bolshevik party came to power. For, following the 1905 revolution, Pravda's editor, A. A. Bogdanov, was subjected to the kind of campaign of silence which was a foretaste of those later applied to Trotsky and Stalin. Nevertheless, the journal Pravda and the group of intellectuals associated with it occupy an important place in the history of Bolshevism. Indeed, it is true to say that without reference to this periodical Russian intellectual history would be incomplete and the evolution of Russian Marxism imperfectly understood. Although Pravda would certainly merit a more extended study both as a source and as a historical event in itself, the present paper is limited to a description of the circumstances which attended the appearance of the journal, the group of people who surrounded it, and an attempt to place it in its ideological context. -
Virginian Writers Fugitive Verse
VIRGIN IAN WRITERS OF FUGITIVE VERSE VIRGINIAN WRITERS FUGITIVE VERSE we with ARMISTEAD C. GORDON, JR., M. A., PH. D, Assistant Proiesso-r of English Literature. University of Virginia I“ .‘ '. , - IV ' . \ ,- w \ . e. < ~\ ,' ’/I , . xx \ ‘1 ‘ 5:" /« .t {my | ; NC“ ‘.- ‘ '\ ’ 1 I Nor, \‘ /" . -. \\ ' ~. I -. Gil-T 'J 1’: II. D' VI. Doctor: .. _ ‘i 8 » $9793 Copyrighted 1923 by JAMES '1‘. WHITE & C0. :To MY FATHER ARMISTEAD CHURCHILL GORDON, A VIRGINIAN WRITER OF FUGITIVE VERSE. ACKNOWLEDGMENTS. The thanks of the author are due to the following publishers, editors, and individuals for their kind permission to reprint the following selections for which they hold copyright: To Dodd, Mead and Company for “Hold Me Not False” by Katherine Pearson Woods. To The Neale Publishing Company for “1861-1865” by W. Cabell Bruce. To The Times-Dispatch Publishing Company for “The Land of Heart‘s Desire” by Thomas Lomax Hunter. To The Curtis Publishing Company for “The Lane” by Thomas Lomax Hunter (published in The Saturday Eve- ning Post, and copyrighted, 1923, by the Curtis Publishing 00.). To the Johnson Publishing Company for “Desolate” by Fanny Murdaugh Downing (cited from F. V. N. Painter’s Poets of Virginia). To Harper & Brothers for “A Mood” and “A Reed Call” by Charles Washington Coleman. To The Independent for “Life’s Silent Third”: by Charles Washington Coleman. To the Boston Evening Transcript for “Sister Mary Veronica” by Nancy Byrd Turner. To The Century for “Leaves from the Anthology” by Lewis Parke Chamberlayne and “Over the Sea Lies Spain” by Charles Washington Coleman. To Henry Holt and Company for “Mary‘s Dream” by John Lowe and “To Pocahontas” by John Rolfe. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Лептир Машна, Leptir Mašna, Папионка, Вратоврска Пеперутка, Flutur
лептир машна, leptir mašna, папионка, вратоврска пеперутка, flutur... the literary journal of students in Balkan studies Vol. 9/No. 1 Spring 2012 1 лептир машна, leptir mašna, папионка, вратоврска лептир машна, leptir mašna, папионка, вратоврска пеперутка, flutur... пеперутка, flutur... the literary journal of students in Balkan studies Editor Nada Petković Editorial Assistant Erin Franklin Managing Editor Andrew Boshardy Cover Art Dale Pesmen Cartoon Dušan Petričić Contributing Photographers Erin Franklin Lana Jovanović Dragoljub Zamurović* Published with support from The Center for East European Russian/Eurasian Studies and the Department of Slavic Languages & Literatures We dedicate this volume to Motoki Nomachi, professor of Slavic Linguistics at at the University of Chicago Hokkaido University, Sapporo, Japan. Volume 9, Number 1 Spring 2012 Contact Address: 1130 E 59th Street, Chicago, IL 60637 E-mail: [email protected] Telephone: 773-702-0035, 773-702-8033 Facsimile: 773-702-7030 2 3 EditOR’S NOTE COntents macedOnian Studies in THE US ................................................................................................................7 Victor A. Friedman PROSOdic Shift in THE Kajkavian subdialects .............................................................................13 You are holding an exciting issue of Leptir mašna in your hands—one that reflects some thrilling personal OF CROatian AND their impact upON ZAGreb šTOkavian stories about our university, its faculty and students. The story with which we decided -
Please Download Issue 1-2 2015 Here
B A L A scholarly journal and news magazine. April 2015. Vol. VIII:1–2. From TIC the Centre for Baltic and East European Studies (CBEES), Södertörn University. The story of Papusza, W a Polish Roma poet O RLDS A pril 2015. V ol. VIII BALTIC :1–2 WORLDSbalticworlds.com Special section Gender & post-Soviet discourses Special theme Voices on solidarity S pecial section: pecial Post- S oviet gender discourses. gender oviet Lost ideals, S pecial theme: pecial shaken V oices on solidarity solidarity on oices ground also in this issue Illustration: Karin Sunvisson RUS & MAGYARS / EsTONIA IN EXILE / DIPLOMACY DURING WWII / ANNA WALENTYNOWICZ / HIJAB FASHION Sponsored by the Foundation BALTIC for Baltic and East European Studies WORLDSbalticworlds.com in this issue editorial Times of disorientation he prefix “post-” in “post-Soviet” write in their introduction that “gender appears or “post-socialist Europe” indicates as a conjunction between the past and the pres- that there is a past from which one ent, where the established present seems not to seeks to depart. In this issue we will recognize the past, but at the same time eagerly Tdiscuss the more existential meaning of this re-enacts the past discourses of domination.” “departing”. What does it means to have all Another collection of shorter essays is con- that is rote, role, and rules — and seemingly nected to the concept of solidarity. Ludger self-evident — rejected and cast away? What Hagedorn has gathered together different Papusza. is it to lose the basis of your identity when the voices, all adding insights into the meaning of society of which you once were a part ceases solidarity. -
“Stealing Heaven”
defend Him publicly. Then Christ invited that penitent With the good thief admit your guilt and plead for criminal into His own home in heaven. pardon. Do not, however, presume upon God’s mercy. “Stealing Heaven” To whom did Christ make this promise? Our Lord Be not like the fellow who answered the appeal of a The conversion of promised heaven to a truly great sinner. In the face of priest that he mend his ways, by saying: “Oh, Father, this fact how can any sinner despair? There is no limit to I’m alright. Don’t bother your head about me. I'll enjoy Dutch Schultz the mercy of God. Our God is the Father of all life while it lasts, and then at the end I’ll turn to God and prodigals. Ours is the God who receives the sinful son: get saved – like the dying thief.” Victor R. Claveau, MJ “But while he was yet a long way off, his father saw “Yes, indeed,” said the priest, “but when the end him and was moved with compassion, and ran and fell comes I wonder which dying thief you will be like. upon his neck and kissed him” (Luke 15: 20). Ours is There were two of them, remember.” "Amen I say to thee, this day thou shalt be with me in the God who is a Good Shepherd. He goes after the The good thief received his precious promise paradise." St. Luke, 23: 43. stray sheep and lays it upon His shoulder, rejoicing. because he cooperated with the grace God gave him. -
GRADUATE READING LIST for IMPERIAL RUSSIA History Department University of Pennsylvania
GRADUATE READING LIST FOR IMPERIAL RUSSIA History Department University of Pennsylvania (Spring 2017) ORGANIZATION 1. Overviews and general studies 2. Early Modern and Muscovite Russia 3. Peter the Great 4. XVIII Century 5. Pre-Reform Russia: 1801-1861 6. Post-reform Russia: 1861-1905 7. Revolution and War, 1905-1917 1. Overviews and General Studies of Particular Aspects of Russian History Afiani, V. Iu. Rossiia. Khronika osnovnykh sobytii. IX-XX veka. Moscow: Rosspen, 2002. Anisimov, E. Imperatorskaia Rossiia . Moscow-St. Petersburg: Piter, 2008. Billington, James. The Icon and the Axe. An Interpretive History of Russian Culture . New York: Alfred A. Knopf, 1966. Black, Cyril. Ed. The Transformation of Russian Society . Cambridge, Mass. Harvard University Pres, 1967. Brumfield, William. A History of Russian Architecture . Cambridge, UK: Cambridge University Press, 1993. Burbank, Jane. “An Imperial Rights Regime: Law and Citizenship in the Russian Empire.” Kritika: Explorations in Russian and Eurasian History 7, no. 3 (Summer 2006), 397-432. Cherniavsky, Michael. Ed. The Structure of Russian History . New York: Random House, 1970. Dixon, Simon. The Modernization of Russia . Cambridge: Cambridge University Press, 1999. Dukes, Paul. The Making of Russian Absolutism, 1612-1801 . London: Longmans, 1982. Edie, James, James Scanlan, Mary-Barbara Zeldin. Eds. Russian Philosophy . 3 vols. Knoxville : University of Tennessee Press, 1976. Eroshkin, N. Istoriia gosudarstvennykh uchrezhdenii dorevoliutsionnoi Rossii . 3rd ed. Moscow: Vysshaia shkola, 1983; many other editions. Fedotov, G. P. The Russian Religious Mind . 2 vols. Cambridge, Mass., Harvard University Press, 1966. Figes, Orlando. Natasha’s Dance: A Cultural History of Russia. New York: Picador, 2002. Florovsky, George. Puti russkogo bogosloviia . -
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, A
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. 2. Title: 12 Angry Men ISBN: 5050070005172 Adapted from Reginald Rose's television play, this film marked the directorial debut of Sidney Lumet. At the end of a murder trial in New York City, the 12 jurors retire to consider their verdict. The man in the dock is a young Puerto Rican accused of killing his father, and eleven of the jurors do not hesitate in finding him guilty. However, one of the jurors (Henry Fonda), reluctant to send the youngster to his death without any debate, returns a vote of not guilty. From this single event, the jurors begin to re-evaluate the case, as they look at the murder - and themselves - in a fresh light. 3. Title: 12:08 East of Bucharest ISBN: n/a 12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi