Beverly Hills High School Thrives in Its 85Th Year
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The Slave Narratives: a Mighty Mighty People THEBROADSTAGE.COM/ EDUCATION 16\17 SEASON
THE SLAVE NARRATIVES STUDY GUIDE The Broad Stage and Bonnie Franklin’s Classic and Contemporary American Plays Presents The Slave Narratives: A Mighty Mighty People THEBROADSTAGE.COM/ EDUCATION 16\17 SEASON STUDENT MATINEE TUES OCT 25, 2016 and WED OCT 26, 2016 10:30 AM GRADES 11-12 THE BROAD STAGE AT THE SANTA MONICA COLLEGE PERFORMING ARTS CENTER 1310 11TH ST., SANTA MONICA, CA 90401 / 310.434.3560 1 THE SLAVE NARRATIVES STUDY GUIDE Jane Deknatel Director, Performing Arts Center EDUCATION & COMMUNITY PROGRAMS STAFF Alisa De Los Santos, Manager of Education & Community Programs Mandy Matthews, Education & Community Programs Associate Sam Sandoval, Education & Community Programs Assistant EDUCATION & COMMUNITY PROGRAMS Phone 310.434.3560 [email protected] thebroadstage.com/education THE BROAD STAGE 1310 11th Street Santa Monica, CA 90401 THEBROADSTAGE.COM/ Box Office 310.434.3200 Fax 310.434.3439 [email protected] thebroadstage.com EDUCATION 16\17 SEASON Education and Community Programs at The Broad Stage is supported in part by Herb Alpert Foundation Bank of the West Johnny Carson Foundation City of Santa Monica and the Santa Monica Arts Commission Colburn Foundation The Rosalinde and Arthur Gilbert Foundation Leonard M. Lipman Charitable Fund Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission The Ralph M. Parsons Foundation SMC Associates David & Linda Shaheen Foundation Sidney Stern Memorial Trust Dwight Stuart Youth Fund Ziering Family Foundation, a Support Foundation of the Jewish Community Foundation of Los Angeles THE BROAD STAGE AT THE SANTA MONICA COLLEGE PERFORMING ARTS CENTER 1310 11TH ST., SANTA MONICA, CA 90401 / 310.434.3560 2 THE SLAVE NARRATIVES STUDY GUIDE Greetings from The Broad Stage! Dear Educators, We are so excited to bring Bonnie Franklin’s Classic and Contemporary American Plays back to The Broad Stage for another season of education partnership. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Лептир Машна, Leptir Mašna, Папионка, Вратоврска Пеперутка, Flutur
лептир машна, leptir mašna, папионка, вратоврска пеперутка, flutur... the literary journal of students in Balkan studies Vol. 9/No. 1 Spring 2012 1 лептир машна, leptir mašna, папионка, вратоврска лептир машна, leptir mašna, папионка, вратоврска пеперутка, flutur... пеперутка, flutur... the literary journal of students in Balkan studies Editor Nada Petković Editorial Assistant Erin Franklin Managing Editor Andrew Boshardy Cover Art Dale Pesmen Cartoon Dušan Petričić Contributing Photographers Erin Franklin Lana Jovanović Dragoljub Zamurović* Published with support from The Center for East European Russian/Eurasian Studies and the Department of Slavic Languages & Literatures We dedicate this volume to Motoki Nomachi, professor of Slavic Linguistics at at the University of Chicago Hokkaido University, Sapporo, Japan. Volume 9, Number 1 Spring 2012 Contact Address: 1130 E 59th Street, Chicago, IL 60637 E-mail: [email protected] Telephone: 773-702-0035, 773-702-8033 Facsimile: 773-702-7030 2 3 EditOR’S NOTE COntents macedOnian Studies in THE US ................................................................................................................7 Victor A. Friedman PROSOdic Shift in THE Kajkavian subdialects .............................................................................13 You are holding an exciting issue of Leptir mašna in your hands—one that reflects some thrilling personal OF CROatian AND their impact upON ZAGreb šTOkavian stories about our university, its faculty and students. The story with which we decided -
SD05-LIVE 3 Template.Indd
SHOW DAILY REALTOR SA NF R ANCIS CO SHOW DAILY REALTOR SA NF R ANCIS CO Friday thru Monday, Oct 28-31, 2005 www.REALTOR.org/realtormag ® SUNDAY SHOW EDITION Oct. 30 DAILY RETHE BUSINESS TOOL FOR REAL ESTAALTETE PROFESSIONALS TOTORMAGAZINE SA NF R ANCIS CO DON’T MISS THIS! Dr. Phil to REALTORS®: CRB Day Tapping the Second Home Market Own Your Success 10:00 – 11:30 a.m. Room 301 With his characteristic SHOlaws for achievingW success: The Secret: What Great Leaders “How ya doin’?’” the man First, have vision: Know Know—and Do America knows as “Dr. where you’re going and 1:00 – 2:30 p.m. Phil” addressed thousands move toward it all the time. Room 307 of REALTORS® Saturday Second, have a strategy: and challenged everyone to Write down your definitions Increase Your Profits with Global DAILY think of their lives as a bank for success and keep them Referrals SA NF R ANCIS CO account—if you keep making in focus. Third, take action: RE1:00 – 3:00 p.m. ALTOR Room 200 withdrawals without deposits Behave your way to success. for yourself, sooner or later Fourth, take risks: Don’t The cheers were deafening as the 2005 Good Neighbor Award winners, (from left) SHOW HOURS you’re going to go bankrupt. live in a comfort zone. Fifth, Howard Freeman, Greg Garrett, Carole Sharp, David Forward, and Ouida Spencer, REALTORS® are givers don’t be a lone ranger: Be Sunday accepted their honors at Saturday's General Session. and often put their clients 10:00 a.m. -
The Escape! Radio Program Dee-Scription: Home >> D D Too Home >> Radio Logs >> Escape!
The Escape! Radio Program Dee-Scription: Home >> D D Too Home >> Radio Logs >> Escape! Background Dramas of escape, romance and adventure comprised a great deal of the drama anthologies during the Golden Age of Radio. One might well make the argument that adventure dramas broadcast over one canon or another throughout the era were among the top five most popular genres of the era. They also found their way into any number of adventure productions, a sampling of which follow: 1930 World Adventures 1931 Strange Adventure 1932 Bring'em Back Alive 1932 Captain Diamond’s Adventures 1932 Captain Jack 1932 The Elgin Adventurer's Club 1932 World Adventurer's Club 1933 The Stamp Adventurer’s Club 1935 The Desert Kid 1935 Magic Island 1937 The Cruise of The Poll Parrot 1937 True Adventures 1937 Your Adventurers 1939 Imperial Intrigue 1939 The Order of Adventurers 1940 Thrills and Romance 1941 Adventure Stories 1942 Road to Danger 1942 The Whistler 1943 Escape From . 1943 Foreign Assignment 1943 Romance 1944 Adventure Ahead 1944 Dangerously Yours 1944 Stories of Escape 1944 The Man Called 'X' 1944 Vicks Matinee Theater 1945 Adventure 1946 Tales of Adventure 1947 Adventure Parade 1947 Escape! 1947 High Adventure 1947 The Adventurer's Club 1948 This Is Adventure 1949 Dangerous Assignment 1950 Stand By for Adventure 1952 Escape with Me 1953 The Adventurer 1974 CBS Radio Mystery Theater 1977 General Mills Radio Adventure Theater 1977 CBS Radio Adventure Theater Announcement of Escape to air in the summer of 1947 During an era when the word 'romance' still implied adventure as well as emotional and physical passion, the words 'romance' and 'adventure' were often viewed as synonymous with each other in the titles of hundreds of Radio canons of both the earliest and latest Golden Age Radio broadcasts. -
Kiss Tickets St Louis
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Honor Roll 2006
i annual report Jennifer Rodriquez, age 3 gifts Childrens hospiTal los angeles honor roll of donors for the time period of January 1, 2006, through December 31, 2006 in gratitude and recognition The patients, families, staff and Board of Trustees of Childrens Hospital Los Angeles are grateful to the many people who help us build for the future and provide clinical care, research and medical education through their financial support. We recognize esteemed individuals, organizations, corporations and foundations for their generosity during the 2006 calendar year. This Honor Roll lists donors who contributed at least $1,000 in cash gifts, pledges or pledge payments. To view the Red Wagon Society Honor Roll of Donors, which lists gifts of $150 to $999, please visit the electronic version of the Honor Roll at www.ChildrensHospitalLA.org/honorroll2006.pdf. Foregoing individual recognition, we also extend thanks to those who made generous contribu- tions directly to one of our Associate and Affiliate, or allied groups. Children’s Miracle Network (CMN) gifts to CMN National will be recognized in the next issue of Imagine. In spite of our best efforts, errors and omissions may occur. Please inform us of any inaccuracies by contacting Marie Logan, director of Donor Relations, at (323) 671-1733, or [email protected]. • | imagine spring 07 $10,000,000 and above The Sharon D. Lund Foundation Confidence Foundation Randy and Erika Jackson Anonymous Friend The Harold McAlister Charitable Corday Foundation Foundation i Foundation Kenneth and Sherry Corday Johnson & Johnson $4,000,000 to $9,999,999 Mrs. J. Thomas McCarthy Mr. -
Music Star Productions by Brian Berk
BIRTH OF A PRODUCT THE BIRTH OF MUSIC STAR PRODUCTIONS By Brian Berk here’s an old BASF ad thatT states, “We don’t make a lot of the products you buy. We make a lot of the products you buy better.” Patrick Mc- Cormick and Tony Williams wanted to make something better, namely music instruction books. “We’re both musi- cians and many times when we bought music instruction books, the transcrip- tions were incorrect,” said McCormick. Twisted Sister’s Eddie Ojeda. Patrick McCormick and Tony Williams. “We’re big Kiss fans, and you wouldn’t think it would be that difficult to transcribe some of the Kiss songs. They’re a lot of fun to play, but often not the most difficult [to learn]. We’d see the same Kiss songs in several books and they were all transcribed differently. It was frustrating. So we wanted to have the musicians who played in these bands show people how to play their songs.” That’s how Music Star Productions, manufacturers of the Icons of Rock series of DVDs, was born. But how did McCormick and Williams know their idea would be fruitful? “We knew what we wanted as musicians, so we went to the NAMM Show,” said Mc- Cormick. “We met different artists and had interest from some and none from others. Of course, being Kiss fans, we approached Gene Simmons and he said to us, ‘Ideas never work. But business- es do. So come to me when you have a business.’ That was incen- tive enough that we were on to something. -
Gene Simmons Asshole Mp3, Flac, Wma
Gene Simmons Asshole mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Asshole Country: Australia Released: 2004 Style: Alternative Rock, Hard Rock MP3 version RAR size: 1229 mb FLAC version RAR size: 1709 mb WMA version RAR size: 1585 mb Rating: 4.8 Votes: 340 Other Formats: VQF AA VOC MP1 AIFF AHX AAC Tracklist Hide Credits Sweet & Dirty Love 1 Songwriter – Gene Simmons Firestarter 2 Cover – The Prodigy Weapons Of Mass Destruction 3 Songwriter – Gene Simmons Waiting For The Morning Light 4 Songwriter – Bob Dylan, Gene Simmons Beautiful 5 Songwriter – Mark Addison, Nina Singh Asshole 6 Songwriter – Frank Albin Tostrup Now That You're Gone 7 Songwriter – Bob Kulick, Gene Simmons Whatever Turns You On 8 Songwriter – Dave Williams , Gene Simmons Dog 9 Songwriter – Bag*, Gene Simmons Black Tongue 10 Songwriter – Frank Zappa, Gene Simmons Carnival Of Souls 11 Songwriter – Gene Simmons, Scott Van Zen If I Had A Gun 12 Songwriter – Bag*, Gene Simmons 1,000 Dreams 13 Songwriter – Gene Simmons Barcode and Other Identifiers Barcode: 5050159024520 Other versions Category Artist Title (Format) Label Category Country Year Gene Sanctuary 06076-84670-2 ***hole (CD, Album) 06076-84670-2 US 2004 Simmons Records Gene ***hole (CD, Album, Sanctuary SANCD245 SANCD245 Russia 2004 Simmons Unofficial) Records ***hole (Hybrid, Gene 284601-2 DualDisc, Silverline 284601-2 US 2004 Simmons Multichannel) Gene Sanctuary SANCD245 ***hole (CD, Album) SANCD245 Europe 2004 Simmons Records Gene Asshole (CD, Album, Sanctuary SANCD245 SANCD245 Russia 2004 Simmons -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE