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Cdi 5/1/2021
- CDI AMENDED PRICING FOR 5/1/2021 Amended Prices for the Month of May 2021 Name of Licensee: Date:04/14/2021 Initial Filing Amending To Notes1 Item # Item Bottle Case Resale Bott PO Case PO Amending To Bottle Case Resale Bott PO Case PO 153445 BALLANTINE S SCOTCH FINEST 750ML 19.30 229.15 24.39 BARTON BRESCOME 18.99 226.92 24.99 9026019 BARBANCOU RT RHUM 3 STAR 4YR 750ML 17.99 202.92 21.99 12.00 BARTON BRESCOME 17.49 202.92 21.99 6.00 12.00 9026022 BARBANCOU RT RHUM EST RSV 15YR 750ML 41.49 478.92 53.99 12.00 30.00 BARTON BRESCOME 39.99 478.92 45.99 9015260 BECHEROVKA HERBAL LIQ 6B 750ML Ammended manually BARTON BRESCOME 20.99 119.46 33.99 19.20 25.10 9024498 CALVERT EXTRA 70 1L 13.19 142.92 15.99 HARTLEY & PARKER 11.99 142.92 14.99 9024500 CALVERT EXTRA 70 375ML 5.65 121.75 6.99 HARTLEY & PARKER 5.30 113.75 6.39 6.25 9024497 CALVERT EXTRA 70 PET 1.75L 18.89 80.60 21.99 23.20 32.00 HARTLEY & PARKER 14.99 80.60 23.99 24.00 32.86 9024499 CALVERT EXTRA 70 PET 200ML 3.69 136.00 4.99 12.00 HARTLEY & PARKER 3.34 136.00 3.89 9.92 70276 CANADIAN CLUB 1858 80 200ML 5.25 216.32 5.39 4.00 BARTON BRESCOME 4.75 216.32 5.39 4.00 70144 CANADIAN CLUB RSV 9YR 750ML 14.81 166.32 20.19 12.00 24.00 ALLAN S. -
Master Keaton: Volume 10 Free
FREE MASTER KEATON: VOLUME 10 PDF Naoki Urasawa,Hokusei Katsushika | 322 pages | 06 Apr 2017 | Viz Media, Subs. of Shogakukan Inc | 9781421585260 | English | San Francisco, United States Baka-Updates Manga - Master Keaton Remaster Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Master Keaton, Vol. Master Keaton, Vol. Takashi Nagasaki. Hokusei Katsushika Creator. Get A Copy. Paperbackpages. More Details Master Keaton: Kanzenban 5. Other Editions 5. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Master Keaton, Vol. Be the first to Master Keaton: Volume 10 a question about Master Keaton, Vol. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your review of Master Keaton, Vol. Feb 15, Derek Royal rated it really liked it. Volume by volume, I'm making my way through Urasawa's Master Keaton series. A marked difference from his Monster is the episodic nature of this series. In the vast majority of its chapters, Keaton's adventures are stand-alone and can be appreciated outside of the context of the others. In some way, that's a strength of this title. On the other hand, I tend to appreciate more the longer-form stories involving Keaton, the ones that last two, three, or more segments. -
Press Release
GOBELINS and Netflix strengthen their partnership in favour of the emergence of new talents in animation Paris, November 3rd, 2020 - One year after the establishment of a partnership aimed at identifying and developing new talent in animation, Netflix and GOBELINS announce a new chapter in their collaboration with the creation of scholarships for three Bachelor's students, a new post-baccalaureate course. This new chapter of action complements the initiatives already in place with, in particular, the financing of scholarships for Master students from the African continent and the integration each year of a young graduate from GOBELINS into the Netflix Animation Fellowship programme. A broadening of the partnership set up in 2019 On the occasion of the start of the 2020 academic year, Netflix and GOBELINS are strengthening the partnership set up in 2019 with the creation of scholarships that will give three students each year access to GOBELINS' education as part of the introduction of a Bachelor's degree. This new course aims to master all animation techniques, both traditional and digital (2D and 3D), from pre-production to post-production, using professional methods practised in animation film studios in France and abroad. The first beneficiaries of this character animation apprenticeship scholarship programme will be appointed in June 2021. "We are proud to help foster the emergence of new talent from diverse backgrounds alongside GOBELINS. With this new chapter of our collaboration, we will also be able to support younger profiles with just raw talent and their highschool diploma in their pockets", said Dominique Bazay, Kids & Family Director at Netflix. -
Anime Expo Lite 2021 Sweepstakes Official Rules
ANIME EXPO LITE 2021 SWEEPSTAKES OFFICIAL RULES 1. Official Rules. The Anime Expo Lite 2021 Sweepstakes (the “Promotion”) is subject to these Official Rules, except as expressly stated otherwise. No purchase necessary. A purchase does not improve your chances of winning. Void where prohibited. The Sweepstakes is sponsored by Society for the Promotion of Japanese Animation, 1522 Brookhollow Dr. Suite 1, Santa Ana, CA 92705 (the “Sponsor”). 2. Eligibility. The Sweepstakes is open to legal residents of the United States (but excluding U.S. military installations in foreign countries and all other U.S. territories and possessions), who are 18 years of age or older at the start of the Promotion (“Entrant”). By participating in the Sweepstakes, Entrant agrees to be fully and unconditionally bound by these Official Rules and the decisions of Sponsor. 3. Privacy. The information you provide in your entry will be used for administering this Promotion and for marketing purposes in accordance with Sponsor’s privacy policy found here: http://www.anime-expo.org/plan/policies/. 4. Sweepstakes Period. The Sweepstakes begins at 12:00 p.m PDT on June 25, 2021 and ends at 12:00 p.m. PDT on July 16, 2021 (the "Promotion Period"). 1. How to Enter the Sweepstakes. During the Sweepstakes Period, you can enter the Sweepstakes through the following methods: a. Purchase: You may purchase an online pass for Anime Expo Lite 2021 from https://www.tixr.com/groups/animeexpolite/events/anime-expo-lite-2021- benefitting-hate-is-a-virus-23015 (“Website”); Note: All online passes purchased prior to the Sweepstakes Period are also eligible to enter. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air
11eyes AChannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub BenTo Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokurochan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba DFrag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon EnmaKun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! JuudenChan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes GaRei Zero Gatchaman Crowds Genshiken Getbackers Ghost -
Revue De Recherche En Civilisation Américaine, 4 | 2013 Professional Wrestling As Culturally Embedded Spectacles in Five Core Countri
Revue de recherche en civilisation américaine 4 | 2013 Le catch et... Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Édition électronique URL : http://journals.openedition.org/rrca/548 ISSN : 2101-048X Éditeur David Diallo Référence électronique Dan Glenday, « Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan », Revue de recherche en civilisation américaine [En ligne], 4 | 2013, mis en ligne le 12 janvier 2014, consulté le 19 avril 2019. URL : http:// journals.openedition.org/rrca/548 Ce document a été généré automatiquement le 19 April 2019. © Tous droits réservés Professional wrestling as culturally embedded spectacles in five core countri... 1 Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Introduction 1 This paper addresses a succession of complicated issues surrounding the cross-cultural popularity of professional wrestling. While boasting fans in several countries from across the globe, today, professional wrestling maintains a lasting presence in five territories - USA, Canada, United Kingdom, Japan and Mexico. ‘Culturally embedded spectacle’ is the unique conceptual framework developed for this paper to explain the longevity of professional wrestling in these five locations and includes the following factors: a continuous history of professional wrestling, national television exposure during the Old School era highlighting larger-than-life characters playing the face, an extensive group of independent professional wrestling federations and commemorative cultural experiences for young and old fans. 2 Granted, there may be other aspects not included here. -
Artistic Evolution at the Confluence of Cultures
Dochaku: Artistic Evolution at the Confluence of Cultures Toshiko Oiyama A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy School of Art, College of Fine Arts University of New South Wales 2011 Acknowledgements Had I known the extent of work required for a PhD research, I would have had a second, and probably a third, thought before starting. My appreciation goes to everyone who made it possible for me to complete the project, which amounts to almost all with whom I came in contact while undertaking the project. Specifically, I would like to thank my supervisors Dr David McNeill, Nicole Ellis, Dr Paula Dawson, Mike Esson and Dr Diane Losche, for their inspiration, challenge, and encouragement. Andrew Christofides was kind to provide me with astute critiques of my practical work, while Dr Vaughan Rees and my fellow PhD students were ever ready with moral support. Special thanks goes to Dr Janet Chan for giving me the first glimpse of the world of academic research, and for her insightful comments on my draft. Ms Hitomi Uchikura and Ms Kazuko Hj were the kind and knowledgeable guides to the contemporary art world in Japan, where I was a stranger. Margaret Blackmore and Mitsuhiro Obora came to my rescue with their friendship and technical expertise in producing this thesis. My sister Setsuko Sprague and my mother Nobuko Oiyama had faith in my ability to complete the task, which kept me afloat. Lastly, a huge thanks goes to my husband Derry Habir. I hold him partly responsible for the very existence of this project – he knew before I ever did that I wanted to do a PhD, and knew when and how to give me a supporting hand in navigating its long process. -
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A YEN FOR THE DOLLAR: Airlines and the Transformation of US-Japanese Tourism, 1947-1 977 Douglas Karsner Department of History Bloomsburg University This article examines the transformation of transpacific tourism between the United States and Japan from 1947 to 1977, focusing on the key role that Pan American World Airways, Northwest Orient Airlines, and Japan Airlines played in this development. In the late 1940s, travel was mostly by a small upper class leisure market cruising on ships. Linkages between the air carriers and other factors, including governmental policy, travel organizations, and changes in business and culture influenced the industry. By the 1970s, these elements had reshaped the nature and geography of tourism, into a mass airline tourist market characterized by package tours, special interest trips, and consumer values. Between 1947 and 1977, several factors helped transform the nature of transpacific tourism between the United States and Japan. Pan American Airways, Northwest Airlines, and Japan Airlines played crucial roles in this development. These airline companies employed various marketing strategies, worked with travel associations, tapped into expanding consumer values, and pressured governments. Simultaneously, decisions made by tourist organizations, consumers, and especially governments also shaped this process. The evolution of transpacific tourism occurred in three stages, growing slowly from 1947 to 1954, accelerating in the period to 1964, and finally developing into a mass leisure market by the 1970s.’ When the US State Department officially permitted Pan American Airways and Northwest Airlines to start offering regularly scheduled service to Japan in August 1947, few American tourists wanted to make the journey. This was largely because they would have had to obtain a passport from the State Department and a certificate from the Joint Chiefs of Staff. -
2021 Texas Maverick Graphic Novel Reading List
2021 Texas Maverick Graphic Novel Reading List Highlighted Titles are *STARRED* Books. Creator(s) Title Grades 6-8 King, Jonathan Inkberg Enigma, The LaMotte, Lily and Measuring Up Ann Xu Miller, Kayla Act Queen, Ben and Joe Bear Todd-Stanton Grades 6-12 Arakawa, Naoshi Sayonara Football 1 Barnes, Daniel, DJ Kirkland, Aggretsuko: Metal to the Max Jarrett Williams, Brenda Hickey Barnes, Rodney; Quincredible: quest to be the Espritu, Selina best Boo, Sweeney and Lylian Eat, and Love Yourself Klepakowsky Brown, Lisa Phantom Twin, The Cabot,Meg and Black Canary: Ignite Cara McGee Chmakova, Be Wary of the Silent Woods Svetlana Corey Maison (Author), Zuiker Identity: A Story of Anthony Ahmara Transitioning Smith (Illustrator) Craft, Jerry Class Act Boy who became a dragon : a Di Bartolo, Jim Bruce Lee story, The Garcia, Kami and Gabriel Teen Titans: Beast Boy Picolo Ha, Robin Almost American Girl Hicks, Faith Erin One Year at Ellsmere Husted, Ursula Cat Story, A Murray Kat Leyh Snapdragon Kuhn, Sarah and Shadow of the Batgirl Nicole Goux Le Nguyen, Magic Fish, The Trung Levy, Debbie & Becoming RBG : Ruth Bader Whitney Gardner Ginsburg's journey to justice Magruder, Nilah; Marvel rising. Heroes of the illustrated by round table DiSalvo, Rob Mohamed, Omar and Victoria When Stars are Scattered Jamieson Montgomery, Manga Classics Anne of L.m Green Gables Muro, Jennifer & Thomas Primer Krajewski & Gretel Lusky Nicke Beyond the Clouds Nijkamp, Marieke and Oracle Code, The Manuel Preitano Palacio, R.J. White Bird Peters, Julian Poems to See By Peterson, Scott Truckus Maximus and José Garcia Reynolds, Jason Long Way Down: The & Danica Graphic Novel Novgordoff Sanchez, Alex You Brought Me The Ocean and Julie Maroh Sook, Kim Hyun Banned Book Club Tatsuya Endo, Spy x Family, Vol. -
Zen Masters at Play and on Play: a Take on Koans and Koan Practice
ZEN MASTERS AT PLAY AND ON PLAY: A TAKE ON KOANS AND KOAN PRACTICE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Brian Peshek August, 2009 Thesis written by Brian Peshek B.Music, University of Cincinnati, 1994 M.A., Kent State University, 2009 Approved by Jeffrey Wattles, Advisor David Odell-Scott, Chair, Department of Philosophy John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements iv Chapter 1. Introduction and the Question “What is Play?” 1 Chapter 2. The Koan Tradition and Koan Training 14 Chapter 3. Zen Masters At Play in the Koan Tradition 21 Chapter 4. Zen Doctrine 36 Chapter 5. Zen Masters On Play 45 Note on the Layout of Appendixes 79 APPENDIX 1. Seventy-fourth Koan of the Blue Cliff Record: 80 “Jinniu’s Rice Pail” APPENDIX 2. Ninty-third Koan of the Blue Cliff Record: 85 “Daguang Does a Dance” BIBLIOGRAPHY 89 iii ACKNOWLEDGEMENTS There are times in one’s life when it is appropriate to make one’s gratitude explicit. Sometimes this task is made difficult not by lack of gratitude nor lack of reason for it. Rather, we are occasionally fortunate enough to have more gratitude than words can contain. Such is the case when I consider the contributions of my advisor, Jeffrey Wattles, who went far beyond his obligations in the preparation of this document. From the beginning, his nurturing presence has fueled the process of exploration, allowing me to follow my truth, rather than persuading me to support his.