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ANNE FRANK REMEMBERED by Anna Schafer Most of Us Have Read
ANNE FRANK REMEMBERED by Anna Schafer Most of us have read the story of Anne Frank and her diary. In much of the world it has been part of the school curriculum ever since the book's first publication in 1947. Anne’s main message has always been seen as one of optimism and conciliation in the face of the utter barbarism of her time. At the age of 14, in her diary entrance of the 15th of July, 1944. she makes her famous statement: “Still, I keep my ideals, because, in spite of everything I still believe that people are really good at heart.“ (p.237) Anne was born July 12 1929 in Frankfurt. Because of rising Anti-Semitism the family left Germany in 1933 and settled in the Netherlands. I myself was born ten years later, in April 1939 in Vienna, a year after the annexation of Austria and six months before the German attack on Poland. When I was three I was sent by train to North Germany to non-Jewish relatives, who lived in the small village of Andorf, near the Dutch border. Anne and I shared our first names, Anne. We also shared two languages and cultures, German and Dutch. However, Anne knew that her family was in hiding because they were Jews. I did not discover my Jewishness until I was an adult. We both lived through all six years of WWII. They were Anne’s last and my first years of life. There are barely 200 km between Amsterdam and Andorf and the Bergen- Belsen camp where Anne died in early March 1945 is only 150 km east of Andorf. -
Marlen Khutsiev's Films
FC_72-77_MarlenKhutsiev.qxp_072FC 21/12/2016 03:06 Page 72 BREAKING THE ICE Unsung maestro Marlen Khutsiev channeled the joys and the anxieties roiling within the Soviet soul BY NATHAN DUNNE !" | F ILM COMMENT | January-February 2017 FC_72-77_MarlenKhutsiev.qxp_072FC 21/12/2016 03:06 Page 73 n the second half of marlen khutsiev’s 1965 drama I Am Twenty, a group of students at a party dance gaily among potatoes that have fallen to the floor. Characters are often seen dancing in Khutsiev’s 1960s films, yet this particu- lar scene exemplifies the youthful break of the Khrushchev Thaw from the previous generation’s hardships during World IWar II. Like his fellow revelers, the protagonist of I Am Twenty, Sergei (Valentin Popov), is free of the embittered wartime strug- gle endured by his mother, who had worked night shifts and for- aged for potatoes during the day. Without the pressure of food shortages, this new generation is free to celebrate peacetime with a fond embrace of jazz and Parisian chansons. In I Am Twenty, characters seem to drift effortlessly along pavements, buoyed by the optimism of their youth in the manner of Godard’s Breathless, and yet with a more pronounced sense of lyricism and even expressionism. Of all the major directors that emerged during the Khrushchev Thaw after Stalin’s death, when repression and censorship of artists was relaxed, Khutsiev is perhaps the least well-known outside Russia. He came from a generation that included Andrei Tarkovsky, Sergei Parajanov, Vasiliy Shukshin, Elem Klimov, and Kira Muratova, who together might be called the Soviet New Wave. -
In Search of the Law Governed State
THE NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARCH TITLE: IN SEARCH OF THE LAW-GOVERNED STAT E Conference Paper #17 of 1 7 Commentary : The Printed versions of Conference Remarks by Participant s AUTHOR: Berman et al . CONTRACTOR: Lehigh University PRINCIPAL INVESTIGATOR : Donald D. Barry COUNCIL CONTRACT NUMBER : 805-0 1 DATE : October 199 1 The work leading to this report was supported by funds provided by the National Council for Soviet and East European Research. The analysis and interpretations contained in the report are those of the author. NCSEER NOTE This paper is #17 in the series listed on the following page. The series is the product of a major conferenc e entitled, In Search of the Law-Governed State: Political and Societal Reform Under Gorbachev, which was summarized in a Council Report by that title authored by Donald D . Barry, and distributed by the Council i n October, 1991. The remaining papers were distributed seriatim . This paper was written prior to the attempted coup of August 19, 1991 . The Conference Papers 1. GIANMARIA AJANI, "The Rise and Fall of the Law-Governed Stat e in the Experience of Russian Legal Scholarship . " 2. EUGENE HUSKEY , "From Legal Nihilism to Pravovoe Gosudarstvo : Soviet Legal Development, 1917-1990 . " 3. LOUISE SHELLEY, "Legal Consciousness and the Pravovoe Gosudarstvo . " 4. DIETRICH ANDRE LOEBER, "Regional and National Variations : The Baltic Factor . " 5. JOHN HAZARD, "The Evolution of the Soviet Constitution . " 6. FRANCES FOSTER-SIMONS, "The Soviet Legislature : Gorbachev' s School of Democracy . " 7. GER VAN DEN BERG, "Executive Power and the Concept of Pravovo e Gosudarstvo . -
Revolution Through Restoration I
From Jerusalem to Rome, From Boston to Moscow REVOLUTION THROUGH RESTORATION I By Kip McKean From Jerusalem to Rome, From Boston to Moscow 1 INDEX Page 2 Preface Page 3 Introduction Page 4 - 6 Seeds of Faith Page 7 - 9 Restoration in Boston Page 10 – 11 World Revolution Page 12 - 13 One Lord, One Faith, One Baptism Page 14 – 17 A Remnant Returns Page 18 - 21 Church Leadership Page 22 - 24 Continual Restoration Page 25 - 26 From Boston to Moscow From Jerusalem to Rome, From Boston to Moscow 2 From Jerusalem to Rome, From Boston to Moscow REVOLUTION THROUGH RESTORATION I By Kip McKean To my brothers and sisters in all the congregations of the International Churches of Christ: Preface: by Al Baird "Let it begin here!" cried the American revolutionists in Lexington and Concord over two centuries ago. The British band played The World Turned Upside Down as their troops marched into battle. No one knows who fired the first shot, but it soon became the "Shot heard 'round the world." Revolution had come. What more fitting a theme for July 4th than Revolution? In 1992, Kip McKean wrote "Revolution Through Restoration" for Upside Down magazine. In it he describes the beginning of the church in Lexington, Massachusetts, and how it has truly become today's "shot heard 'round the world." This article explains who we are as God's modern-day movement and where we came from, better than any other single piece of which I am aware. For this reason I frequently give a copy to someone with whom I am studying the Bible or to someone from the media who wants to know more about us. -
Post-Perestroika Warrior – Geoff Rey Cox Withdraws
MOSCOW SEPTEMBER 2009 www.passportmagazine.ru The State of Russian TV Professor William Brumfi eld Zamoskvorechye Post-Perestroika Warrior – Geoff rey Cox Withdraws Contents 4 What’s On in September 6 September Holidays 7 Previews 12 Art History 12 Yevgeny Oks 14 Culture Russian Hospitality Children’s TV The Present State of Russian TV 20 History Remembering the Holocaust 20 24 Travel Art Courses in Edinburgh 26 Viewpoint Anth Ginn in Russia 28 Restaurant Review Barashka Friends Forever 28 32 Wine Tasting Crisis Wine Buying 34 Interview Professor William Craft Brumfield – Architectural Historian Extraordinaire 36 Book review History of Russian Architecture, Professor W. Brumfield 34 37 Out&About Expat Football League Summer Tournament 38 Real Estate Zamoskvorechye 42 Columns Alexander Ziminsky, Penny Lane Realty: To Buy or Not To Buy Sherman Pereira, Crown Relocations: 38 Transporting Fine Art 44 Community Football: The Moscow Bhoys 46 Last Word Geoffrey Cox OBE 48 Viewpoint Michael Romanov 44 September 2009 3 Letter from the Publisher Soviet Jews are arguably one of the longest suffering races of modern history. We all know that Jews were repressed by the Soviets, however it is a little known fact that the Nazis efficiently and ruthlessly eliminated a large number of Jews from Soviet territory they occupied. Phil Baillie investigates. Geoffrey Cox OBE is somebody who many of us know. He is returning to England, al- though he will be visiting from time to time on business. His departure marks something of an end of an era of expat life here in Russia, as the original post-perestroika settlers gradually move on. -
Rogan's List 2019
Rogan’s List 2019 Greetings WFU parents! Fond thanks to the many of you who recommended this book or that movie or the new restaurant in your home city. Keep ‘em coming! Parents who’ve seen this previously skip this graf, but if you’re new to this odd enterprise: three inspirations converged a dozen-plus years ago. As a still-singleton, felt a response was necessary to my expanding circle of married-with-kids friends’ annual Holiday Letters, tinged with a certain “here’s how life works”-ness. And I loved pal Drew Littman’s roundup of his fave movies/books of the year (Drew also originated the B game/A game you’ll see on next page). Third, I grew up with Roger Angell’s annual New Yorker rhyming ‘poem’ of boldface names, & added my own pale imitation after Angell stopped…then NYer’s Ian Frazier picked up the tradition. Shifted therefore to a ‘found poem’ of lines from songs by millennial/rising-generation musicians; this year’s is after the best-of music page below. Speaking of poems, a stanza from one long beloved, WS Merwin’s To the New Year: so this is the sound of you here and now whether or not anyone hears it this is where we have come with our age our knowledge such as it is and our hopes such as they are invisible before us untouched and still possible On to my favorites of 2019. To adapt a venerable Welsh saying, may the best artistic creations of the decade just ending be the worst of the next. -
Downloads/Dec2018/Harpercollins, Oops
oops 20 Life Lessons from the Fiascoes That Shaped America MARTIN J. SMITH and PATRICK J. KIGER To William Leford Smith,M.J.S whose. dimming eyes still see the humor in almost everything To Beastboy P.and J.K his. momster Good judgment is usually the result of experience. And experience is frequently the result of bad judgment. —An attorney in a lawsuit involving Boston’s John Hancock Tower, after the skyscraper’s windows fell out Some said I couldn’t sing, but no one could say I didn’t sing. —Florence Foster Jenkins, widely recognized as the worst opera diva ever contents Introduction The Joy of Oops ix Lesson #1 READ THE FINE PRINT The Eroto- Utopians of Upstate New York John Humphrey Noyes’s sexually adventurous Perfectionist commune was one of the most successful utopian religious groups in 19th-century Amer- ica. Alas, the devil was in the details. { 1 } Lesson #2 ACCENTUATE THE POSITIVE How Thomas Edison Invented Trash Talk Why would one of America’s iconic inventors publicly electrocute a full- grown carnival elephant? The answer reveals a little- known story of ego, failure, and the moment when America began “going negative.” { 13 } Lesson #3 BEWARE SOLUTIONS THAT CREATE NEW PROBLEMS The Global Underarm Deodorant Disaster Thomas Midgley Jr. was among America’s greatest problem solvers. Unfor- tunately, his landmark “Eureka!” moments had an echo that sounded a lot like “Oops!” { 27 } CONTENTS v Lesson #4 BAD RESULTS TRUMP GOOD INTENTIONS Kudzu: A Most Tangled Tale What began as a well- intentioned effort to stop soil erosion in the American South became a dramatic example of what can happen when you mess with Mother Nature. -
Title of Thesis: ABSTRACT CLASSIFYING BIAS
ABSTRACT Title of Thesis: CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis Directed By: Dr. David Zajic, Ph.D. Our project extends previous algorithmic approaches to finding bias in large text corpora. We used multilingual topic modeling to examine language-specific bias in the English, Spanish, and Russian versions of Wikipedia. In particular, we placed Spanish articles discussing the Cold War on a Russian-English viewpoint spectrum based on similarity in topic distribution. We then crowdsourced human annotations of Spanish Wikipedia articles for comparison to the topic model. Our hypothesis was that human annotators and topic modeling algorithms would provide correlated results for bias. However, that was not the case. Our annotators indicated that humans were more perceptive of sentiment in article text than topic distribution, which suggests that our classifier provides a different perspective on a text’s bias. CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis submitted in partial fulfillment of the requirements of the Gemstone Honors Program, University of Maryland, 2018 Advisory Committee: Dr. David Zajic, Chair Dr. Brian Butler Dr. Marine Carpuat Dr. Melanie Kill Dr. Philip Resnik Mr. Ed Summers © Copyright by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang 2018 Acknowledgements We would like to express our sincerest gratitude to our mentor, Dr. -
Network Review #37 Cannes 2021
Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening -
43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde
43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine. -
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN the LINES by Olga Klimova Specialist Degree, Belarusian State University
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES by Olga Klimova Specialist degree, Belarusian State University, 2001 Master of Arts, Brock University, 2005 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Olga Klimova It was defended on May 06, 2013 and approved by David J. Birnbaum, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Lucy Fischer, Distinguished Professor, Department of English, University of Pittsburgh Vladimir Padunov, Associate Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Aleksandr Prokhorov, Associate Professor, Department of Modern Languages and Literatures, College of William and Mary, Virginia Dissertation Advisor: Nancy Condee, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh ii Copyright © by Olga Klimova 2013 iii SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES Olga Klimova, PhD University of Pittsburgh, 2013 The central argument of my dissertation emerges from the idea that genre cinema, exemplified by youth films, became a safe outlet for Soviet filmmakers’ creative energy during the period of so-called “developed socialism.” A growing interest in youth culture and cinema at the time was ignited by a need to express dissatisfaction with the political and social order in the country under the condition of intensified censorship. I analyze different visual and narrative strategies developed by the directors of youth cinema during the Brezhnev period as mechanisms for circumventing ideological control over cultural production. -
October 30, 2012 (XXV:9) Elim Klimov, COME and SEE/Иди И Смотри (1985, 136 Min)
October 30, 2012 (XXV:9) Elim Klimov, COME AND SEE/Иди и смотри (1985, 136 min) Directed by Elem Klimov Written by Ales Adamovich and Elem Klimov Original Music by Oleg Yanchenko Cinematography by Aleksei Rodionov Film Editing by Valeriya Belova Production Design by Viktor Petrov Art Direction by Viktor Petrov Set Decoration by Viktor Petrov P. Gutenko…military advisor Aleksey Kravchenko…Florya Gaishun Olga Mironova…Glasha Liubomiras Lautsyavichius …Kosach Vladas Bagdonas Jüri Lumiste Viktor Lorents Kazimir Rabetsky Yevgeni Tilicheyev Aleksandr Berda vracha, 1964 Welcome, or No Trespassing, 1962 Smotrite, nebo!, G. Velts 1960 Zhenikh, and 1959 Ostorozhno: poshlost. V. Vasilyev Igor Gnevashev ALEKSEI RODIONOV (April 26, 1947, Moscow, Soviet Union) has 23 Vasili Domrachyov cinematographer credits: 2011 Generation P, 2008 Admiral, 2004/I G. Yelkin Yes, 2002 Letniy dozhd, 2002 Where Eskimos Live, 2000 24 Hours, Ye. Kryzhanovsky 2000 Eisenstein, 2000/I “Cinderella”, 1998 Talk of Angels, 1997 N. Lisichenok Passion in the Desert, 1995-1996 “Red Shoe Diaries”, 1995 Viktor Manaev Musulmanin, 1993 Ya khotela uvidet angelov, 1992 Orlando, 1989 Takhir Matyullin Zhena kerosinshchika, 1987 Shura i Prosvirnyak, 1986 My vesely, Pyotr Merkurev schastlivy, talantlivy!, 1985 Come and See (as A. Rodionov), 1985 Valentin Mishatkin “Vstrecha pered razlukoy”, 1985 “Protivostoyanie”, 1983 Sredi G. Matytsky serykh kamney, 1983 Proshchanie,, and 1970 Moya sudba. Yevgeniya Polyakova Anatoli Slivnikov Georgi Strokov ALEKSEY KRAVCHENKO… Florya Gaishun (Aleksei Yevgenyevich