1 Introduction: BDSM + SF&F = Love

Home , Buffy studies, Kali Rocha, Living Conditions, Mercedes McNab, Polymorphous perversity

Notes

1. Jeffrey Weeks (1985) showed that there is a “latent imperialism” at work when SM claims to offer special insight into the truth of sexuality (239). I make no such claims. Indeed, I do not believe, after queer theory, that it is possible to speak of a true sexuality. 2. See, for example, Taylor and Ussher (2001); Langdridge and Butt (2004, 2005); Moser and Kleinplatz (2005); Kleinplatz and Moser (2007); Reiersøl and Skeid (2006). 3. The equivalent “old scene” in London also featured rather rigid roles (Beckmann 2009: 119). 4. The conflict over lesbian BDSM continued well into the 1990s, when crit- ics published Unleashing Sadomasochism: Critiquing Lesbian Sadomasochism in the Gay Nineties (Reti 1993). The heirs of Samois defended the “diversity of perversity” and renewed their call for unity among threatened erotic minorities in The Second Coming: A Leatherdyke Reader (Califia and Sweeney 1996). 5. This type of kinky fantasy role-playing began to appear online in the 1990s, in IRC channels such as #snuffsex, #gallows and #dolcett. Dolcett is a popular BDSM artist specializing in representations of extreme torture, snuff and cannibalism. 6. Nine Inch Nails frontman Trent Reznor presents as a straight male masochist (Siegel 2007: 342) who finds pleasure in letting go of control (Ibid.: 352). While I certainly agree that Nine Inch Nails songs like “Discipline,” “Hap- piness in Slavery” and “Meet Your Master” contribute to a kinky discourse, a close reading of “Head Like A Hole” reveals that it is about bowing down before the god money, and is therefore more a critique of capitalism than a manifesto for erotic submission (contra Weiss 2006a: 109). 7. Delany’s paraliteratures include SF, comic books and pornography. In one sense, paraliterature is the ghetto against which the ivory tower and its canon are defined. But because the relationship between literature and paraliterature is above all a power relationship, it can be reversed at any time. Thus Delany argues that SF “has used its marginal status as a position from which to criticize the world” (1999: 150). Similarly, kinky fiction can criticize the concept of a monolithic normative sexuality. Kinky SF could, ironically, benefit from a doubly marginal (hence doubly critical) position. 8. Indeed, Buffy sometimes places the fantastic struggle between good and evil in the deep background, in order to foreground the naturalistic emotional struggles of individual human characters like Xander (“The Zeppo,” B3.13) or Andrew (“Storyteller,” B7.16).

194 Notes 195

2 Submitting to a Loving Mistress: BDSM in William Moulton Marston’s Wonder Woman Comics

1. Freud saw male sexual dominance as a normal feature of mature “genital” sexuality. Thus he argued, for example, that at the stage of genital primacy, male sadism “takes on, for the purposes of reproduction, the function of overpow- ering the sexual object to the extent necessary for carrying out the sexual act” (1920/1989: 65). 2. However, a signiﬁcant minority of kinksters prefer Risk Aware Consensual Kink or RACK (see Chapter 1). 3. Gini Scott (1980/1997) found that long-term DS partners “are often especially close. Their experimentation with power, roles, and fantasy contributes to an intimacy that produces closeness in both sexual and nonsexual areas” (77). 4. The idea that male political dominance was bad for women and men was a well-established part of Marston’s philosophy. In an earlier story, Hippolyte had already made the argument that “all men are much happier when their strong aggressive natures are controlled by a wise and loving woman!” (Marston and Peter 1943/2002: 221).

3 Structures of Desire: BDSM in the Science Fiction and Fantasy of Samuel R. Delany

1. Delany’s stories and novels almost always conclude with a date/place sub- scription, indicating when and where the work was composed. In the interest of describing historical context as accurately as possible, I have used these writing dates throughout the main text. Citations, however, refer to date of publication, rather than writing date. 2. Sadly, Marxism is no help here. As Rubin points out, “the issue of consent has been clouded by an overly hasty application of Marxian critiques of bourgeois contract theory to sex law and practice” (1981/1982: 222). So liberalism and Marxism share the suspicion that kink can’t be consensual. But the anarchist concept of consent, which is broader, deeper and more open than those of most other political philosophies, may have room for kink (Call 2011). 3. See White (1985) for a good account of the enormous dilemmas which female slaves faced, especially with respect to issues of sexuality and reproduction. 4. From Krafft-Ebing’s vast nineteenth-century inventory of perversions (Krafft- Ebing 1886/1969) through today’s Diagnostic and Statistical Manual of Mental Disorders (DSM), BDSM has remained one of psychology’s great obsessions. Moser and Kleinplatz (2005) have argued eloquently that the American Psy- chiatric Association should remove sexual sadism and sexual masochism from its DSM. Although the paraphilias will likely remain in the DSM, the proposed revisions to DSM-5 would distinguish paraphilias from paraphilic disorders. This is meant to reﬂect a consensus among clinicians that paraphilias such as sexual sadism or sexual masochism “are not ipso facto psychiatric disorders” (American Psychiatric Association 2010). 196 Notes

5. In BDSM communities, “consent” typically refers to fully informed, conscious, deliberate choice. Henkin and Holiday (1996) note that “for an activity to be consensual all participants must have agreed to it; consensuality implies not only that they are conscious of what they are going to do, but also that they are competent to give their consent” (38). Given what we know of Korga, it seems highly unlikely that he is competent to consent. 6. Cannibalism emerged as a popular fantasy role-playing fetish in the late twentieth century. Fetishistic cannibalism was the topic of Usenet’s alt.sex.snuff.cannibalism newsgroup during the 1980s and 1990s. This fetish was represented in the artwork of the popular BDSM artist Dolcett, and in the Japanese guro (“grotesque erotic”) tradition. 7. Delany’s numbering scheme seems to designate, very roughly, the distinctions

between what we would call a career or profession (job1), a job (job2), and housework or domestic chores (job3). 8. The emphasis which Delany places on negotiation is not surprising. Real- world BDSM communities often regard negotiation as one of the most important skills. Jay Wiseman calls it the most important (1998: 57). Pat Caliﬁa points out that these communities use negotiation for everything from individual scenes to entire relationships (2001: 25). 9. Interestingly, Lacan said of the analytic method that “its operations are those of history” (1968: 19).

4 “This Wondrous Death”: Power, Sex and Death in the Science Fiction of James Tiptree, Jr.

1. My hypothesis is that each one of Alice Sheldon’s authorial identities consti- tutes a distinct persona. In the very postmodern epistemological space which Dr. Sheldon clearly inhabited, each one of these personas would, of course, have its own gender identity. I therefore use masculine pronouns when referring to Dr. Sheldon’s male persona (James Tiptree, Jr.). I employ feminine pronouns when referring to Alice Sheldon, or to Dr. Sheldon’s female literary persona, Raccoona Sheldon. 2. Tiptree was so fascinated with this concept that he explored it twice, first in short story form in “We Who Stole the Dream” (Tiptree 1978/1981), then in Brightness Falls From the Air (Tiptree 1985). 3. Baramji’s decision is probably informed by the circumstances surrounding the end of Alice Sheldon’s life. She had contemplated suicide for many years. In 1977, as her husband Ting was slowly going blind, Alice proposed that they enter into a suicide pact. Ting agreed to consider suicide in four or five years (Phillips 2006: 366). Alice wrote a suicide note dated September 1979 (Ibid.: 390), but did not act on her plans until 1987. In May of that year, as her health and Ting’s continued to decline, Alice Sheldon shot and killed Ting, then herself. This move had been foreshadowed in a Tiptree tale called “The Only Neat Thing to Do” (Tiptree 1986c). In this late novella, an intrepid young explorer named Coati Cass finds her body inhabited by a sympathetic alien life form called Syllobene. Cass and Syl form an erotic friendship. But when they learn (in a classic Tiptree move) that Syl’s reproductive process will prove deadly to Cass and to any human who finds her ship, they set the ship’s Notes 197

controls for the heart of the local sun. This story suggests that Tiptree admired lovers who chose double suicide when faced with an ugly death. For Tiptree as for Alice Sheldon, such chosen deaths could be loving and beautiful.

5 Death, Sex and the Cylon: Battlestar Galactica’s Existential Kink

1. The Cylon are a diverse race. In addition to the humanoid models, the Cylon also includes “lower” forms such as the robotic Centurions and the semi-sentient living spacecraft known as Raiders. The Hybrids represent a “higher” form: these hyperintelligent beings are the brains of the Cylon basestars, and at least one humanoid Cylon model (the Twos) consider the inscrutable, non-linear chaos of Hybrid speech to be the literal word of God. 2. Most dialogue quotations are drawn from Sadgeezer transcripts, available at http://www.twiztv.com/scripts/battlestar/. I have made a few minor correc- tions. Dialogue quotations from the second half of Season 4 are my own. 3. Sartre (1943/1956) identiﬁed love and hate, along with sadism and masochism, as basic modes of being-for-others (Part Three, Chapter Three). This suggests that these concerns are not unique to psychoanalysis: they are also vital to the existential analytic. 4. The existential approach in psychology was developed in the mid-twentieth century by Rollo May and others. Heidegger’s philosophy of death remains a major concern for analysts working in this tradition. See Mandic (2008). 5. The show treats male homosexuality in similar terms. A series of short “webisodes” appeared on the Web but were never broadcast as part of the series. These webisodes reveal that Lt. Felix Gaeta (Alessandro Juliani) was in a relationship with Lt. Louis Hoshi (Brad Dryborough). Shortly after the webisodes appeared, Gaeta became an embittered mutineer; he was even- tually executed. Like Cain, Gaeta “came out” to the show’s audience—and was immediately shown to be both evil and doomed. As Burrows (2010) observes, the character of Gaeta emphasizes the association of queerness with criminality, monstrosity, abnormality, and opposition to the historical order (216).

6 “Sounds Like Kinky Business to Me”: BDSM on Buffy and Angel

1. All dialogue quotations are taken from the excellent Buffyverse Dialogue DataBase at http://vrya.net/bdb/index.php. For a complete listing of all Buffy and Angel episodes, see http://vrya.net/bdb/ep.php. The dialogue quotations which form the titles of this chapter, its sections and sub-sections are taken from the following episodes: Anya says “Sounds like kinky business to me” in “Storyteller” (B7.16). Giles says “I believe the subtext here is rapidly becom- ing text” in “Ted” (B2.11). Willow says “Did we not put the ‘grr’ in ‘grrl’?” in “Living Conditions” (B4.2). Fred says “It ...turns the TV into a two-way con- duit with direct access to the viewer!” in “Smile Time” (A5.14). The First as 198 Notes

Drusilla says “That’s why our kind make such good dollies” in “Bring On the Night” (B7.10). Anya says “Pervert!” and Xander replies “Other Pervert!” in “The Gift” (B5.22). Buffy says “It’s about power. Who’s got it. Who knows how to use it” at the beginning of “Lessons” (B7.1). 2. As Kevin Andrew Murphy has noted, the BBC considers science ﬁction and fantasy to be children’s viewing; as such, they are typically scheduled for the “teatime” slot and rigorously censored (2003: 142). References

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24/7 BDSM, 192 Angel (David Boreanaz), 148–51, 155, 8mm (film), 15 157, 166–8, 172–4, 176, 178–9 compare Angelus Acker, Amy, 157, 185 Angel (television show), 19, 26, actives (Dollhouse). see dolls 147–51, 153, 168–9, 171–5, Adama, Lee (Major, Colonial Fleet), 179–82, 197 130 Angel Investigations, 172 Angelus (David Boreanaz), 150, 166, Adama, William (Admiral, Colonial 168, 172, 174 Fleet), 136, 143–4 compare Angel adult baby play, 44 Anya (Emma Caulfield), 151–3, Advocate, The,5 169–71, 178, 197–8 after care, 165, 185 aphrodisiac, 167 Against Sadomasochism,5 Aphrodite, 32, 38, 40, 46, 50 Agathon, Hera, 131, 141, 143–5 Apollo. see Adama, Lee (Major, Agathon, Karl (Captain, Colonial Colonial Fleet) Fleet), 130–1, 141, 143–4 aporia, 128 Agathon, Sharon (Number Eight Arachnia (language), 78, 81 Cylon; Lieutenant, Colonial artificial intelligence, 119 Fleet), 130–2, 136, 140–1, 143–4 Asch, Captain, 113–14 age of the switch, 8, 151 Asimov’s Science Fiction Magazine, 93, AIDS, 6 111 Alexander, Jenny, 149–50, 152 Athena Alexandria, Love School at, 32 goddess, 38 algotoxin, 114–16 Number Eight Cylon. see Agathon, “All Along the Watchtower”, 144, 146 Sharon (Number Eight Cylon; Alpha (Alan Tudyk), 185–6 Lieutenant, Colonial Fleet) Alstein, Dr. Alan, 106–8 audience, 3–5, 16, 23, 25, 34, 37, 41–2, Alstein, Dr. Anne, 107–8 44, 49, 51, 53–4, 57, 59, 68, 75, alt.sex.snuff.cannibalism (Usenet 94–5, 120, 124, 137, 146–9, group), 196 151–3, 155, 158, 169, 180, 182, Altered Carbon,24 185, 189, 191–2, 197 Amarra, Gem of, 167 authenticity, 120, 125, 129, 131, 134, Amazing Stories,16 136–7, 144 Amazon, 19, 25, 27, 30–2, 36–41, Authoritarian Personality, The,48 43–50, 52–3, 55–6, 156 awakening, 193 American Psychiatric Association, 195 “Aye, and Gomorrah”, 66–7 amnesia, 72, 162, 189 Amy-Chinn, Dee, 158, 161, 163 Bacon-Smith, Camille, 23 anarchism, 62–3, 74–5, 93, 195 Baldwin, Guy, 6 Andrew (Tom Lenk), 148, 170–1, 178, Ballard, J. G., 58 194 Ballard, Paul, 184, 188, 190

212 Index 213

Baltar, Gaius, 122, 130, 132–3, 144–5 bottom, 4, 7, 30, 151, 161, 171 Head Baltar, 145–6 starting from the bottom, 39 Bamber, Jamie, 130 Boyd. see Langdon, Boyd band candy, 169 bracelets of submission, 32, 38–41 Baramji, Dr., 116–17, 196 Brand, Nicki, 25 Barr, Marleen, 97 breath play, 25, 178 Bataille, Georges, 10–11, 24, 90, 92, Brendon, Nicholas, 154 128 The Bridge of Lost Desire. see Return to Battis, Jes, 86 Nevèrÿon Battle, Hinton, 162 Brightness Falls From the Air, 114–17, “The Battle of the Sexes in Science 196 Fiction”, 91 Brink, Topher, 184–5, 187–8, 191 Battlestar Galactica (television show), Broderick, Damien, 61 11, 18, 26, 119–20, 122–3, 129, Bron. see Helstrom, Bron 131, 138–46, 189 Brown, Jeffrey, 165–6 BBC (British Broadcasting Brown, Wendy, 64 Corporation), 151, 158, 198 Buffy (Slayer, the). see Summers, Buffy Beeler, Stan, 149 Buffy the Vampire Slayer (television Beeta Lamda sorority, 43–4 show), 19, 24, 26, 147–54, Being and Time, 119–20, 124, 126–8 156–60, 162, 164, 166, 169, being-for-others, 121, 197 171–2, 177–82, 189, 194, 197 being-towards-death, 119–21, 124–6, Buffybot, 160 129, 131 Buffyverse, 147, 149–54, 157–8, 163, Bellona (city), 71–2 165–74, 177, 179, 182, 197 Benz, Julie, 166 Bug Jack Barron,21 Bering, Myka, 25 Bunn, Geoffrey, 28, 30 Bey, Hakim, 74 bunny cuffs, 15 Beyond the Pleasure Principle, 120 Burkle, Winifred (“Fred”), 157, 171–3, Bienvenu, R. V., 3 175–6, 182, 197 Big Bad, 159, 185 Burr, Vivien, 151–3, 166 Bigelow, Kathryn, 24 Burroughs, Edgar Rice, 17 bisexual, 5–7, 22 Burrows, Karen, 140, 197 Bizarre (magazine), 3–4 Butler, Octavia, 65, 187 Black Worlds, 115 Byrne, Olive, 32 Blackford, Russell, 81 see also Richard, Olive Blattner, William, 127–8 blood play, 173–4 Caesar, Julius, 31–2 Blue Spirit Masters, 38 Cain, Helena (Admiral, Colonial bodies, 10, 13, 38, 98, 120, 122–3, Fleet), 139–41, 197 132, 134, 138, 145, 149, 183–4, Caliﬁa, Pat, 5–9, 14, 63, 196 187–8, 190, 193 Callis, James, 122 bondage, 2–4, 35–41, 43, 46–50, 54–5, Calvert, Bronwen, 184 61, 103–4, 172, 186 camp humour, 149 bondage and discipline (BD), 1–4, 27, Campbell, John W., 19 35–40, 43–4, 48 Candy, Etta, 43–4 Boomer (Number Eight Cylon), 134, cannibalism, 10, 36, 79–80, 122, 194, 136, 143–4 196 Boreanaz, David, 148 Capek,ˇ Karel, 188, 192 Borg, 14 Capella (star system), 95 214 Index

Caprica (planet), 122 science ﬁction studies, 22 Caprica (television show), 18, 21, 24 Slayer, 157, 177–82 Caprica Six (Cylon), 122, 132, 141–2 vampire, 160, 168 Carel, Havi, 125, 127 compliance, 29, 39, 41, 50, 52–3, 55 Carpenter, Charisma, 154 Connor (Vincent Kartheiser), 167, Carradine, Keith, 188 176, 181 Cass, Coati, 196 consent, 6, 11–13, 23, 37, 39, 49, Catacombs (BDSM club), 5 52–3, 62–3, 71, 77, 79–81, 85, Catherine (aristocrat), 69–70 87–8, 96, 99, 101, 107, 113, 117, Caulﬁeld, Emma, 152 131–2, 140, 152, 154, 157, 160–2, Cavil (Number One Cylon), 134, 136 164, 166, 171, 173, 175, 178–9, censorship, 148, 151, 198 182–4, 187–90, 195–6 Centaur (starship), 105 active consent, 12 Centurions (Cylon), 132, 134, 145, informed consent, 12, 77, 178 197 contract, 61, 63, 78, 188–9, 195 Chase, Cordelia, 154–5, 169–70, 172, Cordelia. see Chase, Cordelia 181–2 corsetry, 4 Cheetah (supervillain), 42 costume play, 36 Child Study Association of America, Cottle, Sherman (M. D.; Major, 36 Colonial Fleet), 136, 144 CIA (Central Intelligence Agency), 89 counterculture, 20 civil war Coutts, John, 3 American, 65 Cronenberg,David,24 Cylon, 123, 134–5 Crusie, Jennifer, 158, 180, 182 civilization, 29, 121, 123, 142 cultural fugue, 78 Civilization and Its Discontents, 29, 121 cup of perpetual torment, 168 Cleopatra, 31 cut-out chip, 184 closet, 1, 15, 19, 154, 175 cyberplay, 9 out of the closet, 147, 150, 153, 154, cyberpunk, 14, 23–5, 184 156, 161, 171, 172, 182 cyborg, 16, 23, 140, 143, 145, Clover, Joshua, 184 183 Clym, 81–2 Cylon, the, 120, 130, 133–4, 139, 141, cogito, Cartesian, 86 197 cognitive estrangement, 18–19, 80, Cylons, 119–20, 122–4, 129–46, 188 95 collar, 40, 74, 82–4, 86–7, 192 D’Anna (Number Three Cylon), “The Color of Neanderthal Eyes”, 111 131–4, 136–7, 140 comics, 1, 25, 27–8, 33, 35–6, 40, 43, Dameii, 114–16 46, 58, 194 Damiem (planet), 117 coming out, 14, 155–6, 161, 164, 169, Dangerous Visions, 21, 66 171 Daniels, Les, 30, 35 Coming to Power,5 Dann, Daniel (M. D.), 98–100 communities Danthazar, seal of, 169 BDSM, 2–3, 5–9, 12–15, 23, 36–7, Darla 52, 72, 74, 81, 87–8, 100, 140, Golden Age queen, 51–2 153, 160, 162, 164, 182, 185, vampire (Julie Benz), 166–7 196 Dasein, 119–21, 124–30, 134–5, fan, 17, 19, 22–3, 68, 89–90, 149, 137–9 158, 164 Davidson, Guy, 75 Index 215

Dawn. see Summers, Dawn dominance, 2, 7–8, 12, 30, 39, 46–9, De Knight, Steven S., 164 53, 63, 71–2, 100–1, 104, 116, Dead-Evil Lesbian Cliché, 140 132, 151, 161–2, 165, 171, 173, death, 10–11, 81, 90–1, 99, 101–46, 176, 185–6, 191 163, 166, 168–70, 175, 189, female dominance, 4, 9, 23–5, 197 27–35, 40, 50–3, 152, 186 death drive, 10, 120 male dominance, 22, 29, 34, 39, death fetish, 122–3, 131, 133, 138, 51–2, 57, 107, 195 140, 143, 176 dominance and submission (DS), 1–2, little death, 11, 171 4, 8, 10, 14, 22, 27–31, 34, 36–7, death and sex. see sex/death 44–5, 48–51, 56–7, 61–2, 65–6, equation 90–1, 93, 101, 110, 117, 132, Death and Sensuality,10 151–2, 157, 163, 191, 195 deconstruction, 128–9 dominatrix, 23, 25, 29–30, 149, 151, Delany, Samuel R., 1, 16–17, 19, 22–3, 175, 182, 185–6 58–88, 90, 93–4, 110, 173, Domme (female dominant), 7, 186 193–6 Don, 96–8 Deleuze, Gilles, 190 “Don’t Laugh at the Comics”, 33 Deneb University, 114 “Doppelgängland”, 154–5, 159 Denisof, Alexis, 171, 189 Douglas, Aaron, 143 Denny, 72–3 Downing, Lisa, 61 Depeche Mode, 14 downloading (Cylon resurrection Derrida, Jacques, 128–9, 137–8 technique), 120, 122–3, 129–31, Desira (queen), 55 133, 135–6, 143 desire, 2, 4, 6, 8, 10–13, 15, 20–1, see also resurrection (Cylon) 23–5, 29, 34, 39, 47–9, 52, 57, Dracula (Rudolf Martin), 179 62–8, 72–3, 75–7, 79–81, 84–8, Dreyfus, Hubert, 123–6 98–9, 104, 107–8, 110, 115, 123, Dreyfusards, New, 126–8, 130–1, 128, 131–2, 140, 143, 151–2, 133–4, 136–7 154–5, 157, 159–62, 165–6, Drusilla (Juliet Landau), 166–8, 198 176–9, 184, 186–7, 189, 191 Dryborough, Brad, 197 DeWitt, Adelle, 183, 186, 188, DSM (Diagnostic and Statistical Manual 190–3 of Mental Disorders), 195 Dhalgren, 71–3 dungeons, 173–4, 187 Diana (Amazon princess) 36, 38–9, Dushku, Eliza, 162, 184 41–2, 44, 46–7, 49–50, 52–3, 56–7 Dyeth, Marq, 64, 78–82 see also Wonder Woman; Prince, Dyethshome, 80 Diana (Lieutenant, U. S. dying, 127–9, 136, 146 Women’s Army Corps) Diehl, Laura, 151 “The Earth Doth Like a Snake Renew”, Disch, Thomas, 23 110–11 discipline, 2, 40–9, 194 Easton, Dossie, 8, 12, 28 Dolcett, 194, 196 Echo (Eliza Dushku), 184–93 #dolcett (IRC channel), 194 leather Echo, 185 Dollhouse, 19, 26, 183–93 edge play, 15, 178 Dollhouse, Los Angeles, 184 Ehrenreich,Barbara,5,8 dolls, 183–93 Ellison, Harlan, 21, 58, 66 Dom (male dominant), 7 embodiment, 183 216 Index

Emotions of Normal People, 29, 31–2, kinky fantasy role-playing, 9–10, 44, 50, 55 122, 126, 138, 160, 176, 194–6 Emshwiller, Carol, 21 schoolgirl fantasy, 171, 181 End of Line, 131–2 Farmer, Philip José, 19–20 Enlightenment, 70, 183 fascism, 18, 27, 33–5, 44–9, 53, 56, 93 Equinox (novel), 69–71 Fayne-Valou (region of southern Eros Velm), 79 god, 32 femicide, 107–8 planet, 47 feminism, 5, 8–9, 28–30, 34, 38–41, sexual drive, 121, 123 45, 60, 149, 151–2 Escape from Freedom,47 civic feminism, 36, 38 Espenson, Jane, 138, 142, 159 cultural feminism, 5 essentialism, 22, 29–30, 34, 42, 49, libertarian feminism, 6 56–7, 75–6, 120, 123 power conscious feminism, 92–3, Estéban, Captain (pilot), 97 100 eternal recurrence, 139 radical feminism, 6 ethics, 6, 11–13, 16, 22–3, 26–7, 39, sex war feminism, 91–2, 95–7 53, 56–7, 59, 62, 66, 70–1, 74–5, fetishism, 3–4, 9, 14, 23–4, 72, 79–81, 81, 85, 92, 123, 151, 153, 160, 87, 122–3, 131–3, 138, 140, 143, 164, 177–81, 185, 187 148, 168, 173, 176, 185, 196 posthuman ethics, 61, 183–93 Final Five (Cylons), 132, 135, 142 eugenics, 141–2 finitude, 119, 124–30, 135–6 Eulenspiegel Society, 12 Finn, Riley, 178–9 Firefly (television show), 18 evelmi, 79 First, the (Big Bad), 181, 197 evolution, 121, 131 Flight From Nevèrÿon,85 existentialism, 11, 59–60, 96, 102, Folsom Street (San Francisco), 4 104, 119–26, 129–30, 133, 135–6, Forbes, Michelle, 139 141–2, 144 foreshadowing, 160 existential analytic, 121–3, 127–9, inadvertent foreshadowing, 159 197 Foucault, Michel, 8, 13, 62, 65, 89, existential kink, 26, 123, 143, 92–4, 101, 109, 156, 185 146 Fox, Robert Elliot, 85–6 existential therapy, 133, 197 Frank, Josette, 36 Frankfurt School, 48 Faith Fred. see Burkle, Winifred (“Fred”) asphyxiaphile (Juliette Lewis), 25 frelk (free-fall-sexual-displacement vampire Slayer (Eliza Dushku), 162, complex), 66–7, 76 165, 169–70, 174, 177–81 Freud, Sigmund, 10, 28–9, 35, 86, 90, Family Circle, The (magazine), 33 120–3, 195 fans, 17–18, 23, 35, 69, 158, 167 Frodo (telepath), 98–9 fan communities. see communities, Fromm, Erich, 47 fan fan fiction, 149, 155 G-2, 53 queer fans, 18 see also U. S. Army Intelligence fantasy Gaeta, Felix (Lieutenant, Colonial genre, 17, 19, 22, 26, 82, 198 Fleet), 141, 197 fantasies are hungrier than bodies, Gaines, M. C., 33, 35–6 10 Galactica (Battlestar), 131, 141, 144 Index 217

Galaxy (magazine), 19 Harrison, George, 71–2 Galef, David, 102 Harry, Deborah, 25 #gallows (IRC channel), 194 Hawk (Singer), 67–8 games, 8, 13, 36–7, 42, 51, 65, 76, 101, Hayles, N. Katherine, 183 163, 166, 178, 181, 192–3 Head, Anthony Stewart, 156 “The Game of Time and Pain”, 86 Head Six (Cylon), 145–6 Gattaca,18 healing narratives, 100, 184 gay, 4–6, 22, 58, 60–1, 72, 110, 144, see also therapeutic BDSM 147, 149, 156 Hearn (Kevin Kilner), 190–2 Gebhard, P. H., 4 Heckert, Jamie, 64 genital sexuality, 195 Hegel, G. W. F., 70 Gentlemen, the, 170 Heidegger, Martin, 11, 119, 124–9, Gernsback, Hugo, 16–17 134, 137–9, 146 gestalt therapy, 133 Heinecken, Dawn, 162 Gethen (planet), 21 Heinlein, Robert Anson, 20–1 “Get It Done”, 180 Heldreth, Lillian, 91 Gibson, William, 23–4, 184 Helfer, Tricia, 122 Gift of Death, The, 129 Hellmouth, 154 Giganta, 51–2 Helo. see Agathon, Karl (Captain, Giles, Rupert, 156, 169, 179, 197 Colonial Fleet) Gjokaj, Enver, 187 Helstrom, Bron, 74–7 Glory (Clare Kramer), 156, 160 Hendrix, Jimi, 146 Gold,H.L.,19 Hera. see Agathon, Hera Gomez-Martinez, Iliana, 143 heteronormativity, 6, 21, 76, 92, 94, Gor (planet), 22 139, 150, 158, 166 Goreans, 22 heterosexual. see straight Gorgik, 65, 83–8, 193 Hibbs, Thomas, 158 goth, 23–4 high heels, 4, 24 Green, Seth, 155 Highleyman, Liz, 9, 12, 62, 64–5, 84 Greene, Lorne, 143 Hippolyte (Amazon queen), 38, 42, Groosalug, 149, 173 50, 195 Grown Down Land, 42 Hitler, Adolph, 44, 48–9 Gunn, Charles, 174–6 Hobby, Oveta Culp (WAAC Director), Gunther, Paula, Baroness von, 48–50 45 guro (grotesque erotic), 196 Hogan, Michael, 141 Guyette, Charles, 3–4 Hogg, 70–1 holding dimension, 174–6 Halfrek (Kali Rocha), 152 Holliday College, 30, 43–4 Hallett, Andy, 149 Holliday Girls. see Beeta Lamda handler (Dollhouse), 184–6, 190 sorority Hannigan, Alyson, 153, 155 Hollinger, Veronica, 91, 102, 106, Haraway, Donna, 140, 145, 183 108 Harding, Matthew, 188, 191, 193 holy water play, 167 Hardy, Janet, 8, 12, 28 homoeroticism, 28, 30, 37, 148, Harmony (Mercedes McNab), 159, 167 173–4 homosexual. see gay Harris, Alexander (“Xander”), 151, Hoshi, Louis (Lieutenant, Colonial 153–5, 169–71, 177–9, 194 Fleet), 144, 197 vampire Xander, 155 Hugo Award, 19, 68 218 Index humanism, 123 kink, 2–6, 8, 10–12, 14–16, 19, 22–8, liberal humanism, 12, 61, 64–5, 30, 36–7, 43, 58–9, 61–4, 66–7, 72, 183 74, 77, 80, 94, 147–56, 158, 160–4, “Hush”, 148, 170 166–9, 171–8, 181–2, 185, 189, 195 Hybrid (Cylon), 131, 133, 146, kink in a vanilla world, 14 197 kink theory, 150 hybridity, 139–41, 143, 145–6 online kink, 175; see also cyberplay Hypnota, 53 your kink is not my kink, 57, 81 kinkster, 3–8, 10, 12, 14, 29, 38–9, 63, identity politics, 6–7, 64, 72 68, 74, 94, 121–2, 126, 163–4, Illyria, 175–7 167, 195 immortality, 10, 120, 123–4, 128–30, see also pervert 134, 137, 193 Kinnard, Nolan, 191–2 imprint, 183–9, 191 Klaw, Irving, 3–4 incest, 20, 90 Kleinplatz, Peggy, 10, 195 Industrial Diplomat, 78, 81 Knox (Jonathan M. Woodward), 173 infantilism, 44 Kobol (planet), 132 Internet, 9 Koontz, K. Dale, 190 Inviere, Gina (Number Six Cylon), Korga, Rat, 77–80, 196 139–40 Kosinski, Joseph, 24 IRC (Internet Relay Chat), 9, Krafft-Ebing, Richard von, 195 194 Kramer, Clare, 156 ivory tower, 194 Kranz, Fran, 184 Kreider, S. Evan, 188 Jackson, Earl, 75–6 Krell, David Farrell, 137–8 Jameson, Fredric, 102 Kristeva, Julia, 146 Jared, Tom, 111–13 Ku, Lieutenant Ekaterina, 113–14 Jaspers, Karl, 127 Jedi mind trick, 125 Lacan, Jacques, 62–3, 66, 70, 86–7, 196 John (Number One Cylon), 123, Lachman, Dichen, 186 141–2 Lampkin, Romo, 135–6 Johnston, Georgia, 87 Landau, Juliet, 166 Jones, Gerard, 32 Langdon, Boyd, 184–7 Jones, Matthew, 132, 139 Lanya, 71–3 Jowett, Lorna, 132, 146, 155–6 Larbalestier, Justine, 109, 148, 165 Juliani, Alessandro, 197 Lattimer, Pete, 25 Justine (Laurel Holloman), Lavery, David, 149 171 Law and Order (television show), 14 Lawless, Lucy, 131 Kamir, 111–13 Lawrence, 75–6 Kane, Christian, 174 leather, 4, 6, 25, 72, 74, 148, 154, 172, Kaufman, Philip, 14 176, 181, 185 Kaveney, Roz, 159, 167 leathermen, 4–6, 8, 58, 72–3 Kaye, Dr. Aaron, 105 Left Hand of Darkness, The,21 Kaye, Lory, 105–6 Le Guin, Ursula K., 17, 21 Kennedy (Iyari Limon), 156–7, 165 Ledom, 21 Kent, Clark, 45 Lefanu, Sarah, 106 Kid, 72–3 Lenk, Tom, 148 Kiki (Eliza Dushku), 187 Lennix, Harry, 184 Index 219 lesbian, 5–6, 22, 46, 58, 98–9, 118, Marston, William Moulton, 19, 25, 139–40, 147, 159, 165, 194 27–58, 90 Lesbos, 46 Marxism, 195 Lewis, Juliette, 25 Masoch. see Sacher-Masoch, Leopold, liberalism, 61–2, 75, 188, 195 Ritter von lie detector, 27–8 masochism, 2, 4, 7, 11–12, 24, 59, life-philosophy, 127 61–2, 66–8, 72–3, 76, 78, 100, lifestyle BDSM, 192 110, 121, 151, 161, 165, 168, Lilah. see Morgan, Lilah 189–90, 195, 197 Lilliloo, 103–4, 108 female masochism, 151 limit situation, 127 logical masochism, 76 Lindsey. see MacDonald, Lindsey male masochism, 100, 150, 194 Linnix, 116–17 Master, 4, 7, 13, 49, 51, 56, 78, 84–6, Little Bad, 174 88, 173, 185, 188, 192, 194 Locke, John, 188 Master, the (Mark Metcalf), 155 Long, Lazarus, 20 “Master and Servant” (song), 14 lordosis, 107 Matrix, The, 14, 24 Lorne (Andy Hallet), 149 May, Rollo, 197 Loufer, Tak, 72–3 Maya, 97 love, 1, 10, 13, 29, 32–3, 38, 40–1, 44, Mayer, Sheldon, 32–3, 35 46, 50–1, 54–5, 57, 66–7, 102–4, Mayor (Harry Groener), 178 108, 110–12, 116, 121, 123, 131, McDonnell, Mary, 134 138, 142–3, 146, 152, 155, 157, McNab, Mercedes, 159 164–70, 176–7, 184, 187–8, 190, McTeigue, James, 18 197 meat puppet, 184 Lovers, The (novel), 19 Mellie (Miracle Laurie), 186 “Love is the Plan the Plan is Death”, ménage a trois,32 103–4 meta-marginal, 60–1, 82 Lyons, Charles, 28, 32 Metamorphoses of Science Fiction,18 Meyer, Leisa, 46 MacDonald, Lindsey, 174–5 Michaels, Walter Benn, 61–2 MacIntyre, Professor Ian, 106–7 militarism, 35, 140 MacKendrick, Karmen, 11 Mill, John Stuart, 188 Maclay, Tara, 156, 159, 163–4 miscegenation, 120, 139, 145 Madeline (Miracle Laurie), 190 Mistress, 7, 27, 31, 40, 44, 48–51, 53, Madonna, 14 161, 165, 167, 184, 189–91 magic lasso, 28, 37–9, 49–50 Mistress of Pain, 155 Magister, Thom, 4 Mitochondrial Eve, 145 magnetic gold, 55 Mnerrin, 111–12 mainstreaming, 14–16, 20, 23, 27, 34, Moggadeet, 103–4, 108 43, 54, 59–60, 74, 77, 147, 150, “A Momentary Taste of Being”, 105–6 172 monogamy, 8, 20–1, 32, 157, 171 Mala, 41 Montgomery, Carla, 158 “Mama Come Home”, 95–6 Moon is a Harsh Mistress, The,20 Mars Moorcock, Michael, 21 god, 41–2, 46–7 Moore, Ronald D., 18, 145 planet, 17, 74 Morgan, Lilah, 151, 153, 171–3 Marsters, James, 148 Morgan, Richard K., 24 Marston, Elizabeth, 32 Morrison, Toni, 65 220 Index mortality, 120, 131, 135–6, 138 Number Six Cylon (Tricia Helfer), 120, Moser, Charles, 8, 10, 195 123, 130, 134, 139, 142, 145 Moss, Carrie Anne, 24 see also Caprica Six (Cylon); Head Motion of Light in Water, The,60 Six (Cylon); Inviere, Gina Moulton, Charles, 54 (Number Six Cylon); Natalie see also Marston, William Moulton (Number Six Cylon) Mulhall, Stephen, 127 Number Two Cylon (Callum Keith Muntersbjorn, Madeline, 187, 191–2 Rennie), 145, 197 Murchison, Joye, 54–6 Murphy, Kevin Andrew, 198 Ochter, 115–17 Octavia (Venturian ruler), 53–4 Oedipal, 123, 142 Natalie (Number Six Cylon), OldGuard,4,6–8,13 133–6 Old Ones, 175 nation, 53, 121, 138–9 old scene, 194 naturalism, 18–20, 194 Olmos, Edward James, 136, 143 Nazi, 37, 43, 45, 47–50, 138 Omali, Dr. Margaret, 98–100 Nebula Award, 66, 68 “Once More, With Feeling”, 148, 152, necrophilia, 10, 66–7, 122 161, 189 Neptunians, 56 Otherness, 16, 123, 140 Neuromancer, 23–4, 184 Oz (Seth Green), 155 Neuropolis (City of Minds), 193 Nevèrÿon, 60, 76, 82–8, 173 Page, Betty, 3 Neveryóna,84 pansexual, 7 New Worlds (magazine), 21 Paradise Island, 30, 36–7, 42, 50 newbie, 178 paraliterature, 16, 61, 103, 194 Newton, Helmut, 14 paraphilias, 195 Niccol, Andrew, 18 Park, Grace, 130–1, 143 Nielsen, M. E. J., 13 Parsons, Althea, 96–8 Nietzsche, Friedrich, 64, 87, 124, Parsons, Ruth, 96–8 126–7, 139 pathologization, 3, 12, 15–16, 59, 65, Nikanj, 187 68 Nine Inch Nails, 14, 194 patriarchy, 5, 9, 21–2, 40–1, 45–6, 51, normalization, 15–16, 30–1, 54, 56, 65–6, 75–6, 91–2, 97–9, 114, 98 118, 143–4, 150, 152, 179–80, 182 Norman, John, 22 Pearl Harbor, 33 November (Miracle Laurie), 190–1 Pearson, Wendy, 19, 73, 75, 94–5 Noxon, Marti, 154, 164 Pegasus (Battlestar), 139–40 nudism, 20–1 Pei, Lowry, 103 Number Eight Cylon (Grace Park), Peltier, Max, 25 120, 130, 134, 136, 143, 145 Penikett, Tahmoh, 130, 143, 184 see also Agathon, Sharon (Number Penn, Eleanor, 186 Eight Cylon; Lieutenant, performative, 125, 162 Colonial Fleet); Boomer Perrin, Daniel (U. S. Senator), 189 (Number Eight Cylon) perspective shift, 17–18 Number One Cylon (Dean Stockwell), pervert, 3, 5–6, 67–8, 71, 73, 76, 121, 120, 123, 133, 141 192 see also Cavil (Number One Cylon); see also kinkster John (Number One Cylon) Peter, Harry G., 41 Index 221

Phaedo, 129 queer recognition moments, 148 Phenomenology of Mind, The,70 queer theory, 6, 150, 194 Phillips, Julie, 108 Quills,14 phone sex, 171 Quintana Roo, 96 Plan, The (ﬁlm), 146 Quorum of Twelve, 135 play, 4, 7–8, 12–13, 36–8, 44, 64, 70, 76, 85, 101, 107–8, 115, 122, 133, R. U. R. (Rossum’s Universal Robots), 188 155–8, 164, 166–8, 170–1, 178–9, race, 9, 60, 65, 98, 130–1, 139, 141 181, 192 racism, 123, 138–9, 141 see also adult baby play; blood play; Raiders (Cylon), 197 breath play; costume play; Randolph, Clyde, 188 cyberplay; edge play; holy water rape, 15, 24, 71, 83, 90, 95–6, 158, play; pony play; snuff play; 164–5, 179, 187, 190, 192 sunlight play; play-slavery date rape, 39 compare work demon rape, 180 play-slavery, 7, 48–9, 53, 56, 65–6, 77, gang rape, 96, 139–41 82–8, 173, 184, 188–90 rape artists, 70–1, 75 pluralism, 6, 22, 28, 31–2, 59, 61–2, RAT (Radical Anxiety Termination), 77 70, 72–7, 80, 185 Razor (ﬁlm), 139 polio (infantile paralysis), 54 “Recent Feminist Utopias”, 60 polyamory, 19–21, 28, 32, 132 red (safeword), 164 polyandry, 20 Reform Island, 37, 48 polymorphous perversity, 155, 159 Renn, Max, 25 pony play, 157 representations, 10–11, 14–16, 19, pornography, 5, 69–71, 75, 194 21–3, 25–6, 35, 54, 59, 139, 143, post-anarchism, 62, 74–5 147–9, 153, 156–7, 159–60, posthuman, 12–13, 26, 61, 99–100, 172–3, 179, 183, 194 183–7, 189, 192 reproduction, 10–11, 19, 22, 31, 43, postmodern, 7–8, 12, 23, 28, 64–5, 73, 63, 97, 102, 105–6, 112, 120, 132, 91, 109, 143, 151, 186, 189, 196 138–9, 142–3, 195–6 post-structuralism, 62, 65, 86, 112 resoluteness, 120, 125, 131, 134, 144 post-traumatic stress disorder (PTSD), “Restless”, 179 190 resurrection (Cylon), 130, 133, 135–6, Prince, Diana (Lieutenant, U. S. 141–2 Women’s Army Corps), 37, 45–6, resurrection hub, 135–6 53, 89 resurrection ship, 129–30, 134–5 see also Wonder Woman; Diana ret con (retroactive continuity), 146 (Amazon princess) Return to Nevèrÿon, 60, 86 Priya (Dichen Lachman), 191 Reznor, Trent, 194 pro domme (professional dominatrix), Rhodes, Donnelly, 136 186 Rhodes, Molly, 28, 30–1, 43 Psycho, Dr. (supervillain), 43 Rhyonon (planet), 78–9 Pylea, 173 Rice,Anne,24 Richard, Olive, 33 queer, 6–7, 19, 29, 46, 77, 92, 94, see also Byrne, Olive 148–51, 156, 158, 163, 165, 168, Richards, J. August, 174 197 “Riders of the Purple Wage”, 21–2 queer fans, 18 Rift-Runner-One (starship), 113 queer history, 150 Riley. see Finn, Riley 222 Index

Risk Aware Consensual Kink (RACK), Schumacher, Joel, 15 12–13, 81, 167, 178, 195 science fiction, 16–18, 25, 58–60, Roberts, Adam, 25 68–9, 71, 82, 89, 94–5, 102–3, Robinson, Lillian, 28–30, 35, 41, 43 120, 183, 187–8, 198 Rogan, Alcena, 79 Golden Age, 19–20, 25 Romanov, Stephanie, 171 New Wave, 58 Rosenberg, Willow, 153–7, 159, 165, scientifiction, 16 178, 180, 182, 197 Scoobies, 170, 177 dark Willow, 156 Scott, Gini Graham, 30, 195 vampire Willow, 155–6 “The Screwfly Solution”, 106–10 vanilla Willow, 155–6 Sebassis, Archduke, 173 Rosie the Riveter, 41, 47 Second Coming, The, 194 Roslin, Laura (President of the Twelve Second Life, 9 Colonies), 134–5, 143 Secretary (film), 14, 68 Rossum Corporation, 183, 187–8, “A Secret Side of Lesbian Sexuality”, 5 190–3 Sedgwick, Eve Kosofsky, 7 Rubin, Gayle, 5–8, 29, 63, 195 “Seeing Red”, 164 Russ, Joanna, 60–1, 80–1, 91, 95–6, semiotics, 61, 86, 146 110 service, 7, 40, 50, 53, 80, 100, 104, 117, 171, 188 Sacher-Masoch, Leopold, Ritter von, Seven (clone), 80 77–8, 150, 189–90, 193 “Sex and/or Mr. Morrison”, 21 Sade, Donatien Alphonse François, sex wars, 5–6, 23 Marquis de, 11, 70–1, 150, 152 sex work, 184 Sadeian system, 69–70, 171, 176, 179 sex/death equation, 11, 101–2, 105–6, sadism, 2, 4, 7, 11, 24–5, 29, 36, 59, 110–11, 122–3, 166, 170 70, 72, 80–1, 120–1, 123, 132, sexual minorities, 56 140–2, 151, 155, 166, 174–7, 192, sexual revolution, 20 195, 197 Science Fiction and Fantasy Writers of logical sadism, 75–6 America (SFWA), 66 sadism and masochism (SM), 1–5, 8, 10, Shadow Men, 156, 180 12–15, 25, 58–9, 61–5, 68–9, 72, 74, Shainberg, Steven, 14, 68 121, 148, 153, 159, 166, 178, 194 Shanshu prophecy, 168 sadomasochism, 4, 10, 59, 63, 67–8, Sharma, Rekha, 142 121, 186 Sheila (Discoverer), 101 Safe, Sane and Consensual (SSC), Sheldon, Alice (Major, U. S. Army Air 12–13, 37, 178 Forces; Ph.D.), 89–90, 109–10, safety, 9, 12, 37, 74 117, 196–7 safeword, 164, 173, 178 see also Sheldon, Raccoona; Tiptree, Samois, 5, 140, 194 James, Jr. S and M demon, 174–6 Sheldon, Huntington (“Ting”; Sarg, Small, 83–5 Colonel, U. S. Army Air Forces), Sartre, Jean-Paul, 59, 125, 141, 152, 196 197 Sheldon, Raccoona, 106–11, 117, 196 Saturnians, 52 see also Sheldon, Alice; Tiptree, Saunders, Claire, 185–6, 189, 191 James, Jr. Saxey, Esther, 148–9, 169 Sheppard, Mark, 135, 186 Schalow, Frank, 138 Shuster, Martin, 187 Schismatrix, 183 Siegel, Mark, 103 Index 223

Sierra (Dichen Lachman), 186–8, Stoy, Jennifer, 166 191–2 straight, 3–7, 21–2, 46, 60, 69, 110, Silverberg, Robert, 89–90 118, 149–50, 168, 194 Simone, Gail, 54 queer straights, 7 Simonson, Louise, 32 Strange Days (ﬁlm), 24–5 Singers of the Cities, 67–8 Stranger in a Strange Land,20 Sizemore, Tom, 25 structuralism, 62 Slater, Cynthia, 5 Sturgeon, Theodore, 19–21, 110 slavery, 7, 49, 52–3, 65–6, 77–9, 82–8, sub (submissive), 7 173, 183, 188, 190, 193 sub space, 11 house slaves, 82–3 submission, 2, 8, 27, 29, 31, 39–40, compare play-slavery 44–6, 48–50, 52–6, 100, 104, 111, Slayer, 153, 156, 159–60, 163, 167–9, 132, 151, 194 177, 179–82 female submission, 22, 32, 34, 57 potential Slayer, 156–7, 181 male submission, 29, 33–4, 50–2 Primal Slayer, 179–80 subtext, 64, 149, 152, 154, 164, 168, Slayer community, 157, 177–82 182, 197 smart-assed masochist (SAM), 7 suicide, 196–7 Smith, Valentine Michael, 20 Summers, Buffy, 148, 151, 153–70, snuff play, 10, 122, 126, 131, 140, 194, 172, 174, 177–82, 198 196 Summers, Dawn, 160, 171 #snuffsex (IRC channel), 194 Summers, Joyce, 169 Society of Janus, 5 sunlight play, 167–8 Socrates, 129 Sunnydale, California, 154–5, 167, Sones, W. W. D., 36 170, 172, 181 Spaise, Terry L., 159, 162–3 Superman, 25, 33–4, 45 spanking, 41–2, 44, 150, 156, 169, 192 supernova, 117 Spanky (mystic), 150 Suvin, Darko, 18 Spears, Britney, 15 Sweet (Hinton Battle), 162 Spike (James Marsters), 148, 150–2, switch, 8–9, 13, 28, 31, 104, 151–2, 156, 158–68, 170, 174, 176, 178, 163 181 age of the switch, 8, 151 Spike, the (artist), 74–5 Switch, Gary, 12 Spinrad, Norman, 21 sword and sorcery, 60, 82 Stableford, Brian, 17 Syllobene, 196 Stand and Model, 74 syphilis, 166 Star Trek, 14, 23 Star Wars,17 take back the night, 152, 191 Starbuck (Kara Thrace, Captain, Tanzania, 145 Colonial Fleet), 144 Tara. see Maclay, Tara Stars in My Pocket Like Grains of Sand, Tarnsman of Gor,22 63–4, 77–82 television, 14, 18, 25–6, 147–9, 151, Stars Tears, 114–16 158–9, 192 Stein, David, 8, 12 Temporary Autonomous Zone (TAZ), Steinem, Gloria, 30 74 Sterling, Bruce, 183–4 Tempura Joe, 186 stigma management, 56 Tethys (city), 74 Stockwell, Dean, 120 therapeutic BDSM, 162–3, 193 Stonewall, 5, 72 see also healing narratives 224 Index

They, the (das Man), 124, 137, 144 V for Vendetta,18 “Thinking Sex”, 6 Val (telepath), 98–9 Thompson, Rachel, 162 vampire, 23–4, 151–3, 155–7, 159–60, “Time Considered as a Helix of 166–70, 172–4 Semi-Precious Stones”, 58, 67 vampire ghetto, 153, 168 threesome, 72, 132 vampire kink, 166–8 see also ménage a trois van der Spek, Inez, 92, 101 Tigh, Ellen, 141–2 vanilla, 2–3, 14, 51, 56, 60, 95, 122, Tigh, Saul (Colonel, Colonial Fleet), 153, 155, 162, 169–71, 174–5, 141–2, 144 177, 179, 188 Tillie, 95–6 Varley, John, 22 Time and Death, 126 Velm (planet), 79–80 Time Enough for Love,20 Venturia, 53 Tiptree, James, Jr., 1, 19, 22–3, 89–118, Venus 120, 196–7 goddess, 32 see also Sheldon, Alice; Sheldon, planet, 55 Raccoona Venus in Furs (Mistress), 77–8, 190, Titan,22 193 Titanides, 22 Venus Plus X, 21, 110 Tool Box (BDSM club), 4 Venus With Us, 31–2 top, 4, 7, 30, 98, 149, 151, 165, 171 Vernon, Kate, 141 topping from the bottom, 7 Vessey, David, 129 Topher. see Brink, Topher Victor (Enver Gjokaj), 187–8, 190–1 Torgson, Ivar, 50–1 Videodrome, 24–5 vigil, 129, 134, 136–7, 144 Tori (Rekha Sharma), 142 virtual reality, 24–5 TOTAL (computer network), 99 toys, 4, 13, 38 WAAC (Women’s Auxiliary Army Trachtenberg, Michelle, 171 Corps), 45–6 Trevor, Steve (Major, U. S. Army WAC (Women’s Army Corps), 46, 89 Intelligence), 37, 39, 46, 49, 52–4, Wachowski brothers, 14 56–7 Walker, Alice, 65 “Trey of Hearts”, 101 Warehouse 13 (television series), 25 Trinity (Carrie Anne Moss), 24 Warm Worlds and Otherwise,89 Trish (Nicholl Hiren), 175 Warren (Adam Busch), 156, 160 Triton, 73–7 Watcher’s Council, 179–80 Triton (moon), 73–6 water sports, 70 Tron: Legacy,24 WAVES (Women Accepted for Tucker, Jeffrey Allen, 77, 86 Volunteer Emergency Service), 45, Tudyk, Alan, 185 47 Twelve Colonies, 146 Weeks, Jeffrey, 194 Tyrol, Galen (Chief Petty Ofﬁcer, Weiss, Margot, 2, 7, 14–15, 194 Colonial Fleet), 143 Wesley. see Wyndam-Pryce, Wesley “What is an Author?”, 89 U. S. Army Intelligence, 45, 89 Whedon, Joss, 18–19, 26, 147–8, 152, Unleashing Sadomasochism, 194 155, 159, 161, 182–6, 188, 192 unlicensed sector, 74 Whedonverse, 185 Up the Walls of the World, White River First Nation, 143 98–100 White, Carol J., 126 Index 225

“Why 100,000,000 Americans Read world collapse, 124, 126, 131, 133–4, Comics”, 34 137 Wilcox, Rhonda, 149, 162 world creation, 126 Wilkinson, E., 15 World Science Fiction Convention, 68 Willems, Brian, 133 World War Two, 27, 33, 89 William the Bloody (James Marsters), “The World Well Lost”, 19 168 World Wide Web, 79 see also Spike (James Marsters) Wyndam-Pryce, Wesley, 152–3, 171–2, Williams, Olivia, 183 176–7, 179 Willie, John, 3 dark Wesley, 171, 173, 176, 181 Willow. see Rosenberg, Willow Wiseman, Jay, 196 Xander. see Harris, Alexander “The Wish” (Buffy episode), 154–5 (“Xander”) Wolfram and Hart, 173–5, 179 “The Women Men Don’t See”, 96–8 Wonder Woman, 1, 14, 25, 27–57 Yellaston, Captain, 105 Wood, Robin, 165 Yost, Megan, 9 Woods, James, 25 Yugoslavia, 141 Woodside, D. B., 165 work, 4, 13, 36–7 Zannez, 115 compare play Zarathustra, 126