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By Anne-Sophie Adelys
by Anne-Sophie Adelys © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 3 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz My name is Anne-Sophie Adelys. I’m French and have been living in New Zealand since 2001. I’m an artist. A painter. Each week I check “The Big idea” website for any open call for artists. On Saturday the 29th of June 2013, I answered an artist call titled: “Artist for a fringe campaign on Porn” posted by the organisation: The Porn Project. This diary documents the process of my work around this project. I’m not a writer and English is not even my first language. Far from a paper, this diary only serves one purpose: documenting my process while working on ‘The Porn Project’. Note: I have asked my friend Becky to proof-read the diary to make sure my ‘FrenchGlish’ is not too distracting for English readers. But her response was “your FrenchGlish is damn cute”. So I assume she has left it as is… © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 4 4 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz The artist call as per The Big Idea post (http://www.thebigidea.co.nz) Artists for a fringe campaign on porn 28 June 2013 Organisation/person name: The Porn Project Work type: Casual Work classification: OTHER Job description: The Porn Project A Fringe Art Campaign Tāmaki Makaurau/Auckland, Aotearoa/New Zealand August, 2013 In 2012, Pornography in the Public Eye was launched by people at the University of Auckland to explore issues in relation to pornography through research, art and community-based action. -
Too Late for Change in the Decision Ross Said Student Input $ and a Vote in $ Needed to Come Earlier in Friday’S Tuition $ Increase Decision
Serving UNC students and the University community since 1893 Volume 119, Issue 144 dailytarheel.com Thursday, February 2, 2012 Too LaTe for change in the decision Ross said student input $ and a vote in $ needed to come earlier in Friday’s tuition $ increase decision. $$ the tuition process. But Ross said TUITION students have had By Jessica Seaman an opportunity to Staff Writer provide their insight on tuition. “There will be some people on Student protesters, who have both sides that aren’t happy,” Ross opposed tuition increases since said. October, will likely have little He encouraged students to par- influence when the UNC-system ticipate in the tuition discussion Board of Governors votes on by communicating at the campus tuition proposals on Feb. 10. level and by sending emails to At a meeting Wednesday night, members of the board. students pushed UNC-system “I don’t know if it will have a President Thomas Ross for more difference if they vote,” he said. representation at board meetings, “But the board is trying hard to so they can be more active in the make sure students have a voice.” tuition debate. He said students also have a But Ross said it would be diffi- representative on the board to cult to know if students will influ- whom they can relay their con- ence the board’s decision when cerns. they vote in eight days. Atul Bhula, the president Wednesday’s meeting was orga- of the Association of Student nized after student groups emailed Governments, is the sole non-vot- Ross asking to work with him on ing student member of the board. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Re-Considering Female Sexual Desire
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Re-Considering Female Sexual Desire: Internalized Representations Of Parental Relationships And Sexual Self- Concept In Women With Inhibited And Heightened Sexual Desire Eugenia Cherkasskaya Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/317 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] RE-CONSIDERING FEMALE SEXUAL DESIRE: INTERNALIZED REPRESENTATIONS OF PARENTAL RELATIONSHIPS AND SEXUAL SELF-CONCEPT IN WOMEN WITH INHIBITED AND HEIGHTENED SEXUAL DESIRE BY EUGENIA CHERKASSKAYA A dissertation submitted to the Graduate Faculty in Clinical Psychology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ii ©2014 EUGENIA CHERKASSKAYA All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Clinical Psychology in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy Margaret Rosario, Ph.D. _________________ _______________________________________ Date Chair of Examining Committee Maureen O’Connor _________________ ________________________________________ Date Executive Officer Diana Diamond, Ph.D. Lissa Weinstein, Ph.D. Deborah Tolman, Ed.D Diana Puñales, Ph.D. Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract RE-CONSIDERING FEMALE SEXUAL DESIRE: INTERNALIZED REPRESENTATIONS OF PARENTAL RELATIONSHIPS AND SEXUAL SELF-CONCEPT IN WOMEN WITH INHIBITED AND HEIGHTENED SEXUAL DESIRE by Eugenia Cherkasskaya Adviser: Margaret Rosario, Ph.D. -
Scene 081220 PROOF1.Pdf
clevescene.com MEDICAL MARIJUANA CARDS BE FREE FROM • For Medical Marijuana Cards DRUG & Treatment Plans • Cards available same day! ADDICTION COMPASSIONATE BOARD CERTIFIED MD MIDDLEBURG HEIGHTS Suboxone Clinic WELLNESS CENTER 440-580-4998 2 | clevescene.com | August 12-18, 2020 | clevescene.com | August 12-18, 2020 3 CONTENTSO AUGUST 12-18, 2020 • VOL. 52 N 6 Upfront ............................................ 5 Music ............................................. 25 Feature ............................................ 8 Savage Love ................................. 26 Eat .................................................. 21 REWIND: i977 Dedicated to Free Times founder Richard H. Siegel (1935-1993) Euclid Media Group and Scene founder Richard Kabat Chief Executive Officer Andrew Zelman Chief Operating Officers Chris Keating, Michael Wagner Publisher Andrew Zelman VP Digital Services Stacy Volhein Forty-three years ago, Editor Vince Grzegorek Digital Operations Coordinator Jaime Monzon The Raspberries’ Eric Editorial www.euclidmediagroup.com Music Editor Jeff Niesel Carmen merited a two- Senior Writer Sam Allard National Advertising Staff Writer Brett Zelman Voice Media Group part interview feature in Dining Editor Douglas Trattner 1-800-278-9866, vmgadvertising.com Visual Arts Writer Shawn Mishak these humble pages. Stage Editor Christine Howey Cleveland Scene Copy Editor Elaine Cicora 737 Bolivar Rd., #4100 Advertising Cleveland, OH 44115 Senior Multimedia Account Executive www.clevescene.com John Crobar, Shayne Rose Phone 216-241-7550 -
Slate.Com Table of Contents Faith-Based a Skeptic's Guide to Passover
Slate.com Table of Contents faith-based A Skeptic's Guide to Passover fighting words ad report card Telling the Truth About the Armenian Genocide Credit Crunch foreigners Advanced Search Why Israel Will Bomb Iran books foreigners Why Write While Israel Burns? Too Busy To Save Darfur change-o-meter foreigners Supplemental Diet No Nukes? No Thanks. change-o-meter gabfest Unclenched Fists The Velvet Snuggie Gabfest change-o-meter grieving Dogfights Ahead The Long Goodbye change-o-meter human guinea pig Big Crowds, Few Promises Where There's E-Smoke … chatterbox human nature A Beat-Sweetener Sampler Sweet Surrender corrections human nature Corrections Deeper Digital Penetration culture gabfest jurisprudence The Culture Gabfest, Empty Calories Edition Czar Obama dear prudence jurisprudence It's a Jungle Down There Noah Webster Gives His Blessing drink jurisprudence Not Such a G'Day Spain's Most Wanted: Gonzales in the Dock dvd extras moneybox Wauaugh! And It Can't Count on a Bailout explainer movies Getting High by Going Down Observe and Report explainer music box Heated Controversy When Rock Stars Read Edmund Spenser explainer music box Why Is Gmail Still in Beta? Kings of Rock explainer my goodness It's 11:48 a.m. Do You Know Where Your Missile Is? Push a Button, Change the World faith-based other magazines Passionate Plays In Facebook We Trust faith-based poem Why Was Jesus Crucified? "Bombs Rock Cairo" Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 1/125 politics today's papers U.S. Department of Blogging Daring To Dream It's -
A Brief Amicus Curiae
In the Case of Lyle v. Warner Bros. Television Productions, et. al.: A Brief Amicus Curiae Prof. Russell K. Robinson* INTRODUCTION I wrote this amicus brief in connection with the California Su- preme Court's review of Lyle v. Warner Bros. Television.1 Thirteen other law professors from several elite law schools joined the brief. As a writer's assistant for the hit television sitcom Friends,Amaani Lyle was charged with recording the conversations in the writers' room and producing a transcript, which would sometimes lead to jokes and plots for the sitcom. In this position, Lyle alleges, she was routinely subjected to crude sexual conduct and expression in violation of Cali- fornia's Fair Housing and Employment Act, which bans various forms of discrimination, including verbal sexual harassment.2 The Respon- dents, including Friends writers who were Lyle's supervisors, argue that their crude sexual conduct was an indispensable means of developing gags, dialogue and story lines for Friends, which depicts the lives of sexually active adults. This case attracted my attention because it involves several diffi- cult and interesting legal issues that have rarely been addressed by * Acting Professor, UCLA School of Law. The author would like to thank Kimberl6 Crenshaw, Adam B. Wolf and Noah Zatz for critical encouragement and advice in writing this brief. I am also very grateful to the following professors who decided to join the brief: Cynthia G. Bowman, Devon Carbado, Kimberl Crenshaw, Laura Gomez, Cheryl Harris, Kenneth L. Karst, Charles J. Ogletree, Deborah L. Rhode, Dorothy E. Roberts, Leti Volpp, Adam Winkler, Kimberly A. -
Mario Mieli, an Italian, Came to London in 1971 As a Student and Joined the Gay Liberation Front
I : ' ! L. ' m�ttiOI rhielii: I I Lj l . , 1 . :. , , , , , , . , . , " . , rt1 . · . +: ' 1h��6�eXuality{ '& ! : 1,1 : ;-- i i � . ; ; : ' : j I : l 1 __: : ; l �- · · : . b L +-+I : · · ·Lr - · · rat11ri-"'- r1 · 1 · · �� �'0�. ; . ; .. i ! ··'--!- l . ! � I I .l ' I W1�1�fs i 1 '.I �f 9aY .J� .�I• I - i � . · I . _I l. ! ! � ; 'i .Ii I i -1 . :. .J _ J I ; i i i ! I . : I li ' i I L -1-- ) I i i i 1 __ I ... ! I I_ . ; � - Gay Men's Press is an independent publishing project intending to produce books relevant to the male gay movement and to promote the ideas of gay liberation. Mario Mieli, an Italian, came to London in 1971 as a student and joined the Gay Liberation Front. The following year he returned to Italy, where he helped to found FUORJ!, the radicaJ gay movement and magazine, in which he has remained active for many years. mario mieli homosexuality and liberation elements of a gay critique translated by david fernbach GAY MEN'S PHESS LONDON First published in Great Britain 1980 by Gay Men's Press Copyright© 1977 Giulio Einaudi editori s.p.a., Turin, Italy Translation, Introduction and English edition Copyright © 1980 Gay Men's Press, 27 Priory Avenue, London N8 7RN. British LibraryCataloguing in Publication Data Mieli, Mario Homosexuality and Liberation. 1 .Homosexuality I. Title 300 HQ76.8.US ISBN O 907040 01 2 Typeset by Range Left Photosetters, London Cover printed by Spider Web Offset, London Printed and bound in Great Britain by A. Wheaton and Company Limited, Exeter Introduction by David Fernbach 7 Preface 18 Chapter One: Homosexual Desire is Universal 21 The Gay Movement Against Oppression 1. -
My Beloved Is a Bass Line: Musical, De-Colonial Interventions in Song Criticism and Sacred Erotic Discourse
THE BIBLE & CRITICAL THEORY My Beloved is a Bass Line: Musical, De-colonial Interventions in Song Criticism and Sacred Erotic Discourse Heidi Epstein, University of Saskatchewan Abstract How might musical settings of the Song of Songs provide critical interventions in the politics of love? This case study builds a womanist intertextual matrix for the Song such that its amatory and horticultural language can be reinterpreted as irreducibly “de-colonial.” Reread through Chela Sandoval’s model of love, Alice Walker’s search for her foremothers’ and foresisters’ gardens, and Toni Morrison’s “commentary” on the Song (Beloved), the biblical text circulates de-colonial energies. And, given that music figures centrally in these womanists’ genealogies of love, a de-colonial reading of the Song mandates deconstruction of a subaltern musical archive within the Eurocentric discourse of sacred eroticism, a discourse that the Song sustains as an Ur-text. If the biblical female protagonist’s longing and seeking are reread as de-colonial and trickster-esque, she begets a subaltern musical family tree—audible today in the “Shulammitic” bass playing and protest singing of Meshell Ndegeocello. Key words Meshell Ndegeocello; Song of Songs; Bible and music; love; de-colonial theory; Toni Morrison; Alice Walker Introduction What meanings might be produced from the Song of Song’s amatory and horticultural language if it is read with a sense of love as irreducibly “de-colonial”? Some of these meanings shall emerge over the course of this article as I re-read the Song of Song’s imagery and its musicality in four phases through womanist intertexts by Chela Sandoval, Toni Morrison, Alice Walker, and Meshell Ndegeocello. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9120640 Society, state, and electronic media policy: The introduction of cable to Taiwan Chang, Chung-jen, Ph.D. The Ohio State University, 1991 UMI 300 N. -
Radical Psychoanalysis
RADICAL PSYCHOANALYSIS Only by the method of free-association could Sigmund Freud have demonstrated how human consciousness is formed by the repression of thoughts and feelings that we consider dangerous. Yet today most therapists ignore this truth about our psychic life. This book offers a critique of the many brands of contemporary psychoanalysis and psychotherapy that have forgotten Freud’s revolutionary discovery. Barnaby B. Barratt offers a fresh and compelling vision of the structure and function of the human psyche, building on the pioneering work of theorists such as André Green and Jean Laplanche, as well as contemporary deconstruction, feminism, and liberation philosophy. He explores how “drive” or desire operates dynamically between our biological body and our mental representations of ourselves, of others, and of the world we inhabit. This dynamic vision not only demonstrates how the only authentic freedom from our internal imprisonments comes through free-associative praxis, it also shows the extent to which other models of psychoanalysis (such as ego-psychology, object-relations, self-psychology, and interpersonal-relations) tend to stray disastrously from Freud’s original and revolutionary insights. This is a vision that understands the central issues that imprison our psychic lives—the way in which the reflections of consciousness are based on the repression of our innermost desires, the way in which our erotic vitality is so often repudiated, and the way in which our socialization oppressively stifles our human spirit. Radical Psychoanalysis restores to the discipline of psychoanalysis the revolutionary impetus that has so often been lost. It will be essential reading for psychoanalysts, psychoanalytic psychotherapists, mental health practitioners, as well as students and academics with an interest in the history of psychoanalysis. -
Genocide, Memory and History
AFTERMATH GENOCIDE, MEMORY AND HISTORY EDITED BY KAREN AUERBACH AFTERMATH AFTERMATH GENOCIDE, MEMORY AND HISTORY EDITED BY KAREN AUERBACH Aftermath: Genocide, Memory and History © Copyright 2015 Copyright of the individual chapters is held by the chapter’s author/s. Copyright of this edited collection is held by Karen Auerbach. All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria, 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/agmh-9781922235633.html Design: Les Thomas ISBN: 978-1-922235-63-3 (paperback) ISBN: 978-1-922235-64-0 (PDF) ISBN: 978-1-876924-84-3 (epub) National Library of Australia Cataloguing-in-Publication entry: Title: Aftermath : genocide, memory and history / editor Karen Auerbach ISBN 9781922235633 (paperback) Series: History Subjects: Genocide. Genocide--Political aspects. Collective memory--Political aspects. Memorialization--Political aspects. Other Creators/Contributors: Auerbach, Karen, editor. Dewey Number: 304.663 CONTENTS Introduction ...............................................