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Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps University of California, Los Angeles, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln PreColumbian Textile Conference VII / Jornadas de Centre for Textile Research Textiles PreColombinos VII 11-13-2017 Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps University of California, Los Angeles, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/pct7 Part of the Art and Materials Conservation Commons, Chicana/o Studies Commons, Fiber, Textile, and Weaving Arts Commons, Indigenous Studies Commons, Latina/o Studies Commons, Museum Studies Commons, Other History of Art, Architecture, and Archaeology Commons, and the Other Languages, Societies, and Cultures Commons Phipps, Elena, "Andean Textile Traditions: Material Knowledge and Culture, Part 1" (2017). PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII. 10. http://digitalcommons.unl.edu/pct7/10 This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps In PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII, ed. Lena Bjerregaard and Ann Peters (Lincoln, NE: Zea Books, 2017), pp. 162–175 doi:10.13014/K2V40SCN Copyright © 2017 by the author. Compilation copyright © 2017 Centre for Textile Research, University of Copenhagen. 8 Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps Abstract The development of rich and complex Andean textile traditions spanned millennia, in concert with the development of cul- tures that utilized textiles as a primary form of expression and communication. -
Resumen Final 2010 Restos De Fauna Y Vegetales De Huaca Prieta Y
RESUMEN FINAL 2010 RESTOS DE FAUNA Y VEGETALES DE HUACA PRIETA Y PAREDONES, VALLE DE CHICAMA Por Víctor F. Vásquez Sánchez1 Teresa E. Rosales Tham2 1 Biólogo, Director del Centro de Investigaciones Arqueobiológicas y Paleoecológicas Andinas – “ARQUEOBIOS”, Apartado Postal 595, Trujillo-PERÚ- URL: www.arqueobios.org 2 Arqueólogo. Director del Laboratorio de Bioarqueología de la Facultad de Ciencias Sociales de la Universidad Nacional de Trujillo, Perú. E-mail: [email protected] - Trujillo, Septiembre 2010 - 1 CONTENIDO Pág. 1. INTRODUCCIÓN 3 2. MÉTODOS DE ESTUDIO 4 a. DESCRIPCIÓN Y FILIACIÓN CULTURAL DE LA MUESTRAS 4 b. ANÁLISIS ARQUEOZOOLÓGICO 4 i. Identificación Taxonómica: Invertebrados 4 ii. Distribuciones Geográficas y Ecología 6 iii. Abundancia Taxonómica mediante NISP, NMI y Peso, Biometría y Estadísticas Descriptivas 6 iv. Alometria: Cálculo de la biomasa de Donax obesulus 8 v. Paleoecología: Especies Bioindicadoras 10 b. ANÁLISIS ARQUEOBOTÁNICO 10 i. Restos Macrobotánicos: Identificación Taxonómica, Frecuencia y Cantidad de Restos, Clasificación Paleoetnobotánica 10 ii. Restos Microbotánicos: Flotación Manual Simple, Acondicionamiento e identificación taxonómica, frecuencia y cantidad de restos. Carpología biometría de semillas, estadísticas descriptivas y análisis paleoetnobotánico. 11 iii. Antracalogía 12 3. RESULTADOS 13 a. ARQUEOZOOLOGÍA 13 i. MOLUSCOS 23 Sistemática y Taxonomía, Distribuciones Geográficas y Ecología, Abundancia Taxonómica mediante NISP, NMI y peso, Biometría y estadísticas descriptivas, Alometría de Donax obesulus, Diversidad y Equitatividad ii. CRUSTÁCEOS, EQUINODERMOS Y ASCIDIAS 37 Cuantificación: NISP y Peso 38 ii. PECES, AVES Y MAMÍFEROS: 41 Sistemática y Taxonomía 41 Distribuciones Geográficas y Ecología 44 Abundancia Taxonómica mediante NISP y Peso 46 2 b. ARQUEOBOTÁNICA 58 i. SISTEMÁTICA Y TAXONOMÍA 58 ii. MACRORESTOS: Frecuencia y Cantidad de Restos 60 iii. -
Daily Life at Cerro León, an Early Intermediate Period Highland Settlement in the Moche Valley, Peru
DAILY LIFE AT CERRO LEÓN, AN EARLY INTERMEDIATE PERIOD HIGHLAND SETTLEMENT IN THE MOCHE VALLEY, PERU Jennifer Elise Ringberg A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Anthropology. Chapel Hill 2012 Approved by: Brian R. Billman Vincas Steponaitis C. Margaret Scarry Patricia McAnany John Scarry Jeffrey Quilter UMI Number: 3545543 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3545543 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 © 2012 Jennifer Elise Ringberg ALL RIGHTS RESERVED ii ABSTRACT JENNIFER ELISE RINGBERG: Daily Life at Cerro León, an Early Intermediate Period Highland Settlement in the Moche Valley, Peru (Under the direction of Brian R. Billman) In this dissertation I examine the cultural identity and social dynamics of individuals in households through the activities and objects of daily life. The households I study are at Cerro León, an Early Intermediate period (EIP) (400 B.C. to A.D. 800) settlement in the middle Moche valley, Peru. -
The Evolution and Changes of Moche Textile Style: What Does Style Tell Us About Northern Textile Production?
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 The Evolution and Changes of Moche Textile Style: What Does Style Tell Us about Northern Textile Production? María Jesús Jiménez Díaz Universidad Complutense de Madrid Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Jiménez Díaz, María Jesús, "The Evolution and Changes of Moche Textile Style: What Does Style Tell Us about Northern Textile Production?" (2002). Textile Society of America Symposium Proceedings. 403. https://digitalcommons.unl.edu/tsaconf/403 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE EVOLUTION AND CHANGES OF MOCHE TEXTILE STYLE: WHAT DOES STYLE TELL US ABOUT NORTHERN TEXTILE PRODUCTION? María Jesús Jiménez Díaz Museo de América de Madrid / Universidad Complutense de Madrid Although Moche textiles form part of the legacy of one of the best known cultures of pre-Hispanic Peru, today they remain relatively unknown1. Moche culture evolved in the northern valleys of the Peruvian coast (Fig. 1) during the first 800 years after Christ (Fig. 2). They were contemporary with other cultures such us Nazca or Lima and their textiles exhibited special features that are reflected in their textile production. Previous studies of Moche textiles have been carried out by authors such as Lila O'Neale (1946, 1947), O'Neale y Kroeber (1930), William Conklin (1978) or Heiko Pruemers (1995). -
1 Chronology, Mound-Building and Environment at Huaca Prieta
1 Chronology, mound-building and environment at Huaca Prieta, coastal Peru, from 13 700 to 4000 years ago Tom D. Dillehay1,2, Duccio Bonavia3, Steven Goodbred4, Mario Pino5, Victor Vasquez6, Teresa Rosales Tham6, William Conklin7, Jeff Splitstoser8, Dolores Piperno9, José Iriarte10, Alexander Grobman11, Gerson Levi-Lazzaris1, Daniel Moreira12, Marilaura Lopéz13, Tiffiny Tung1, Anne Titelbaum14, John Verano14, James Adovasio15, Linda Scott Cummings16, Phillipe Bearéz17, Elise Dufour 17, Olivier Tombret17, 18, Michael Ramirez19, Rachel Beavins4, Larisa DeSantis4, Isabel Rey20, Philip Mink21, Greg Maggard21 &Teresa Franco1 1 Department of Anthropology, College of Arts and Science, Vanderbilt University, 124 Garland Hall, Nashville, TN 37235, USA; 2 Escuela de Antropología, Faculdad de Ciensias Sociales, Universidad Católica de Temuco, Manuel Montt 056, Temuco, Chile 3 Academia Nacional de la Historia, Casa de Osambela, Jr. Conde de Superunda 298, Lima 1, Perú; 4 Department of Earth and Environmental Sciences, College of Arts and Science, Vanderbilt University, 5726 Stevenson Center, 7th floor, Nashville, TN 37240, USA; 5 Instituto de Ciencias Geológicas, Facultad de Ciencias, Universidad Austral de Chile, Casilla 567, Valdivia, Chile; 6 Laboratorio de Bioarquelogía, Universidad Nacional de Trujillo, Avda. Universitaria s/n, Trujillo, Perú; 7 Department of Anthropology, Field Museum, 1400 S. Lake Shore Drive, Chicago, IL 60605-2496, USA; 8 Boundary End Archaeology Research Center, One Walker Creek Road, Barnardsville, NC 28709-0592, USA; 9 Archaeobiology Program, Department of Anthropology, National Museum of Natural History, Smithsonian Institution, Washington DC 20013- 7012, USA & Smithsonian Tropical Research Institute, Balboa, Panama; 10 Department of Archaeology, University of Exeter, Laver Building, North Park Road, Exeter EX4 4QE, UK; 11 Universidad Nacional Agraria La Molina, Av. -
La Galgada: Peru Before Pottery Author(S): Terence Grieder and Alberto Bueno Mendoza Source: Archaeology, Vol
La Galgada: Peru Before Pottery Author(s): Terence Grieder and Alberto Bueno Mendoza Source: Archaeology, Vol. 34, No. 2 (March/April 1981), pp. 44-51 Published by: Archaeological Institute of America Stable URL: http://www.jstor.org/stable/41727123 Accessed: 04-08-2015 15:41 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Archaeological Institute of America is collaborating with JSTOR to digitize, preserve and extend access to Archaeology. http://www.jstor.org This content downloaded from 128.83.205.78 on Tue, 04 Aug 2015 15:41:42 UTC All use subject to JSTOR Terms and Conditions /';-=09 )(8*=-0/'] This content downloaded from 128.83.205.78 on Tue, 04 Aug 2015 15:41:42 UTC All use subject to JSTOR Terms and Conditions by Terence Grieder and Alberto Bueno Mendoza n a desolate canyon in the high Andes ofnorth- the surroundingmountains, animal bones are ern Peru, the secretsof one ofAmerica's oldest almost nonexistentin the debris ofthe ruins.This civilizations are comingto light.Five thousand may imply a diet based mainly on agricultural years ago, the ancient people who lived therebuilt products. elaborate temples and tombsand shared a beautiful The site extends forabout one kilometeralong art. -
Of Priests and Pelicans: Religion in Northern Peru
Of Priests and Pelicans: Religion in Northern Peru Kennedi Bloomquist I am standing in the far corner of the Plaza des Armas, excitement racing through my chest. Along the roads surrounding the plaza are long brilliant murals made of colorful flower petals lined with young school girls in bright red jumpsuits, their eyes following my every movement. A cool breeze whips around stirring the array of magenta, turquoise, royal purple, orange and various shades of green petals. 20 tall arches placed between the various flower murals are covered with bright yellow flowers (yellow symbolizes renewal and hope) spotted with white (white symbolizes reverence and virtue) and fuchsia (fuchsia symbolizes joy) roses. A stage has been erected in the street in front of the mustard yellow Trujillo Cathedral. In the center of the stage is an altar with a statue of Christ on the cross with an elaborate motif hanging on the back wall with angels carrying a large ornate crown. A band plays loud and wildly out of tune Christian salsa music to the side of the stage. A large golden sign reading Corpus Christi sits along the top of the building sidled up against the Cathedral. The feeling permeating throughout the square is carefree and peaceful. As I wander through the crowd, I cannot stop smiling at all the people dancing, shaking their hands to the sky. Some spin in circles, while others just clap their hands smiling towards the heavens. Next to me an older woman in a simple church outfit with a zebra print scarf holds a JHS (Jesus Hominum Savitore) sign in one hand and reaches for the sky with her other hand, shuffling back and forth. -
Duccio Bonavia Berber (March 27, 1935-August 4, 2012) Ramiro Matos Mendieta Smithsonian Institution, [email protected]
Andean Past Volume 11 Article 9 12-15-2013 Duccio Bonavia Berber (March 27, 1935-August 4, 2012) Ramiro Matos Mendieta Smithsonian Institution, [email protected] Follow this and additional works at: https://digitalcommons.library.umaine.edu/andean_past Recommended Citation Matos Mendieta, Ramiro (2013) "Duccio Bonavia Berber (March 27, 1935-August 4, 2012)," Andean Past: Vol. 11 , Article 9. Available at: https://digitalcommons.library.umaine.edu/andean_past/vol11/iss1/9 This Obituaries is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Andean Past by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. DUCCIO BONAVIA BERBER (MARCH 27, 1935-AUGUST 4, 2012) Ramiro Matos Mendieta National Museum of the American Indian Smithsonian Institution Portrait of Duccio Bonavia Berber courtesy of the Bonavia family Duccio Bonavia Berber died at dawn, at the I can imagine that Duccio had a premoni- age of seventy-seven, on Saturday, August 4, tion of his death. During conversations in June, 2012, in Ascope, Department of Trujillo, Peru. less than two months before he died, uncharac- Death surprised him while he was carrying out teristically, he emphasized his worries about his the last phase of his field-work at Huaca Prieta, life, and the serious problems that Tom would Magdalena de Cao, on Peru’s north coast. His face if there were a death in the field, as well as research project at the emblematic site was co- those of his daughter and son, because of the directed with Tom Dillehay of Vanderbilt Uni- distance, and even the effect such an event versity. -
Of Coastal Ecuador
WASHINGTON UNIVERSITY Department of Anthropology Dissertation Examination Committee: David L. Browman, Chair Gwen Bennett Gayle Fritz Fiona Marshall T.R. Kidder Karen Stothert TECHNOLOGY, SOCIETY AND CHANGE: SHELL ARTIFACT PRODUCTION AMONG THE MANTEÑO (A.D. 800-1532) OF COASTAL ECUADOR by Benjamin Philip Carter A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2008 Saint Louis, Missouri Copyright by Benjamin Philip Carter © 2008 ii Acknowledgments For this research, I acknowledge the generous support of the National Science Foundation for a Dissertation Improvement Grant (#0417579) and Washington University for a travel grant in 2000. This dissertation would not exist without the support of many, many people. Of course, no matter how much they helped me, any errors that remain are mine alone. At Drew University, Maria Masucci first interested me in shell bead production and encouraged me to travel first to Honduras and then to Ecuador. Without her encouragement and support, I would not have begun this journey. In Honduras, Pat Urban and Ed Schortman introduced me to the reality of archaeological projects. Their hard- work and scholarship under difficult conditions provided a model that I hope I have followed and will continue to follow. While in Honduras, I was lucky to have the able assistance of Don Luis Nolasco, Nectaline Rivera, Pilo Borjas, and Armando Nolasco. I never understood why the Department of Anthropology at Washington University in St. Louis accepted me into their program, but I hope that this document is evidence that they made the right choice. -
BOLETÍN DEL MUSEO CHILENO DE ARTE PRECOLOMBINO Volumen 26, Número 1, Enero-Junio 2021 ISSN: 0718-6894
Boletín del . Museo Chileno Santiago, Chile de Arte Precolombino BOLETÍN DEL MUSEO CHILENO DE ARTE PRECOLOMBINO Volumen 26, Número 1, enero-junio 2021 ISSN: 0718-6894 Editor M C J B R Pontificia Universidad Católica del Perú Museo Chileno de Arte Precolombino Lima, Perú [email protected] T D. D Coeditores Department of Anthropology M A Á Vanderbilt University, Nashville, Museo Chileno de Arte Precolombino [email protected] C B. D A C J Department of Anthropology Universidad Adolfo Ibáñez University of California, Los Angeles, [email protected] D F Coeditor gráco Consejo Nacional de Investigaciones Científicas y Técnicas V J Asociación de Investigaciones Antropológicas Universidad de Buenos Aires, Argentina Correctora de estilo I S V J G Instituto de Estudios peruanos Comité editorial Lima, Perú C A S Museo Chileno de Arte Precolombino X M [email protected] Instituto de Estudios Bolivianos F G S La Paz, Bolivia Universidad Adolfo Ibáñez [email protected] B M Centre de Recherche et de Restauration des Musées de France C S A París, Francia Museo Chileno de Arte Precolombino [email protected] E M J L M C Instituto Andino de Estudios Arqueológicos Departamento de Ciencias Históricas Lima, Perú Universidad de Chile [email protected] J P The Metropolitan Museum of Art M C O C Department of the Arts of Africa, Oceania and the Americas Pontificia Universidad Católica de Chile Nueva York, [email protected] M P C M M P Universidad Adolfo Ibáñez Sociedad Argentina de Antropología [email protected] Buenos Aires, Argentina Consejo editorial M S I A M Sociedad de Investigación del Arte Rupestre de Bolivia Museo Tumbas Reales de Sipán La Paz, Bolivia Lambayeque, Perú C M. -
PRATT-THESIS-2019.Pdf
THE UTILITARIAN AND RITUAL APPLICATIONS OF VOLCANIC ASH IN ANCIENT ECUADOR by William S. Pratt, B.S. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for Master of Arts with a Major in Anthropology August 2019 Committee Members: Christina Conlee, Chair David O. Brown F. Kent Reilly III COPYRIGHT by William S. Pratt 2019 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, William S. Pratt, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGEMENTS Numerous people have contributed over the years both directly and indirectly to the line of intrigue that led me to begin this work. I would like to extend thanks to all of the members of my thesis committee. To Christina Conlee for her patience, council, and encouragement as well as for allowing me the opportunity to vent when the pressures of graduate school weighed on me. To F. Kent Reilly for his years of support and for reorienting me when the innumerable distractions of the world would draw my eye from my studies. And I especially owe a great deal of thanks to David O. -
Geological Society of America Special Papers
Downloaded from specialpapers.gsapubs.org on October 1, 2010 Geological Society of America Special Papers Mining and Metallurgy in Ancient Perú Georg Petersen G. and William E. Brooks Geological Society of America Special Papers 2010;467;xvii-90 doi: 10.1130/2010.2467 Email alerting services click www.gsapubs.org/cgi/alerts to receive free e-mail alerts when new articles cite this article Subscribe click www.gsapubs.org/subscriptions/ to subscribe to Geological Society of America Special Papers Permission request click http://www.geosociety.org/pubs/copyrt.htm#gsa to contact GSA Copyright not claimed on content prepared wholly by U.S. government employees within scope of their employment. Individual scientists are hereby granted permission, without fees or further requests to GSA, to use a single figure, a single table, and/or a brief paragraph of text in subsequent works and to make unlimited copies of items in GSA's journals for noncommercial use in classrooms to further education and science. This file may not be posted to any Web site, but authors may post the abstracts only of their articles on their own or their organization's Web site providing the posting includes a reference to the article's full citation. GSA provides this and other forums for the presentation of diverse opinions and positions by scientists worldwide, regardless of their race, citizenship, gender, religion, or political viewpoint. Opinions presented in this publication do not reflect official positions of the Society. Notes © 2010 Geological Society of America Downloaded from specialpapers.gsapubs.org on October 1, 2010 Mining and Metallurgy in Ancient Perú by Georg Petersen G.