Daily Life at Cerro León, an Early Intermediate Period Highland Settlement in the Moche Valley, Peru
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ANDEAN PREHISTORY – Online Course ANTH 396-003 (3 Credits
ANTH 396-003 1 Andean Prehistory Summer 2017 Syllabus ANDEAN PREHISTORY – Online Course ANTH 396-003 (3 credits) – Summer 2017 Meeting Place and Time: Robinson Hall A, Room A410, Tuesdays, 4:30 – 7:10 PM Instructor: Dr. Haagen Klaus Office: Robinson Hall B Room 437A E-Mail: [email protected] Phone: (703) 993-6568 Office Hours: T,R: 1:15- 3PM, or by appointment Web: http://soan.gmu.edu/people/hklaus - Required Textbook: Quilter, Jeffrey (2014). The Ancient Central Andes. Routledge: New York. - Other readings available on Blackboard as PDFs. COURSE OBJECTIVES AND CONTENTS This seminar offers an updated synthesis of the development, achievements, and the material, organizational and ideological features of pre-Hispanic cultures of the Andean region of western South America. Together, they constituted one of the most remarkable series of civilizations of the pre-industrial world. Secondary objectives involve: appreciation of (a) the potential and limitations of the singular Andean environment and how human inhabitants creatively coped with them, (b) economic and political dynamism in the ancient Andes (namely, the coast of Peru, the Cuzco highlands, and the Titicaca Basin), (c) the short and long-term impacts of the Spanish conquest and how they relate to modern-day western South America, and (d) factors and conditions that have affected the nature, priorities, and accomplishments of scientific Andean archaeology. The temporal coverage of the course span some 14,000 years of pre-Hispanic cultural developments, from the earliest hunter-gatherers to the Spanish conquest. The primary spatial coverage of the course roughly coincides with the western half (coast and highlands) of the modern nation of Peru – with special coverage and focus on the north coast of Peru. -
Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps University of California, Los Angeles, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln PreColumbian Textile Conference VII / Jornadas de Centre for Textile Research Textiles PreColombinos VII 11-13-2017 Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps University of California, Los Angeles, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/pct7 Part of the Art and Materials Conservation Commons, Chicana/o Studies Commons, Fiber, Textile, and Weaving Arts Commons, Indigenous Studies Commons, Latina/o Studies Commons, Museum Studies Commons, Other History of Art, Architecture, and Archaeology Commons, and the Other Languages, Societies, and Cultures Commons Phipps, Elena, "Andean Textile Traditions: Material Knowledge and Culture, Part 1" (2017). PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII. 10. http://digitalcommons.unl.edu/pct7/10 This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps In PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII, ed. Lena Bjerregaard and Ann Peters (Lincoln, NE: Zea Books, 2017), pp. 162–175 doi:10.13014/K2V40SCN Copyright © 2017 by the author. Compilation copyright © 2017 Centre for Textile Research, University of Copenhagen. 8 Andean Textile Traditions: Material Knowledge and Culture, Part 1 Elena Phipps Abstract The development of rich and complex Andean textile traditions spanned millennia, in concert with the development of cul- tures that utilized textiles as a primary form of expression and communication. -
Resumen Final 2010 Restos De Fauna Y Vegetales De Huaca Prieta Y
RESUMEN FINAL 2010 RESTOS DE FAUNA Y VEGETALES DE HUACA PRIETA Y PAREDONES, VALLE DE CHICAMA Por Víctor F. Vásquez Sánchez1 Teresa E. Rosales Tham2 1 Biólogo, Director del Centro de Investigaciones Arqueobiológicas y Paleoecológicas Andinas – “ARQUEOBIOS”, Apartado Postal 595, Trujillo-PERÚ- URL: www.arqueobios.org 2 Arqueólogo. Director del Laboratorio de Bioarqueología de la Facultad de Ciencias Sociales de la Universidad Nacional de Trujillo, Perú. E-mail: [email protected] - Trujillo, Septiembre 2010 - 1 CONTENIDO Pág. 1. INTRODUCCIÓN 3 2. MÉTODOS DE ESTUDIO 4 a. DESCRIPCIÓN Y FILIACIÓN CULTURAL DE LA MUESTRAS 4 b. ANÁLISIS ARQUEOZOOLÓGICO 4 i. Identificación Taxonómica: Invertebrados 4 ii. Distribuciones Geográficas y Ecología 6 iii. Abundancia Taxonómica mediante NISP, NMI y Peso, Biometría y Estadísticas Descriptivas 6 iv. Alometria: Cálculo de la biomasa de Donax obesulus 8 v. Paleoecología: Especies Bioindicadoras 10 b. ANÁLISIS ARQUEOBOTÁNICO 10 i. Restos Macrobotánicos: Identificación Taxonómica, Frecuencia y Cantidad de Restos, Clasificación Paleoetnobotánica 10 ii. Restos Microbotánicos: Flotación Manual Simple, Acondicionamiento e identificación taxonómica, frecuencia y cantidad de restos. Carpología biometría de semillas, estadísticas descriptivas y análisis paleoetnobotánico. 11 iii. Antracalogía 12 3. RESULTADOS 13 a. ARQUEOZOOLOGÍA 13 i. MOLUSCOS 23 Sistemática y Taxonomía, Distribuciones Geográficas y Ecología, Abundancia Taxonómica mediante NISP, NMI y peso, Biometría y estadísticas descriptivas, Alometría de Donax obesulus, Diversidad y Equitatividad ii. CRUSTÁCEOS, EQUINODERMOS Y ASCIDIAS 37 Cuantificación: NISP y Peso 38 ii. PECES, AVES Y MAMÍFEROS: 41 Sistemática y Taxonomía 41 Distribuciones Geográficas y Ecología 44 Abundancia Taxonómica mediante NISP y Peso 46 2 b. ARQUEOBOTÁNICA 58 i. SISTEMÁTICA Y TAXONOMÍA 58 ii. MACRORESTOS: Frecuencia y Cantidad de Restos 60 iii. -
The Evolution and Changes of Moche Textile Style: What Does Style Tell Us About Northern Textile Production?
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2002 The Evolution and Changes of Moche Textile Style: What Does Style Tell Us about Northern Textile Production? María Jesús Jiménez Díaz Universidad Complutense de Madrid Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Jiménez Díaz, María Jesús, "The Evolution and Changes of Moche Textile Style: What Does Style Tell Us about Northern Textile Production?" (2002). Textile Society of America Symposium Proceedings. 403. https://digitalcommons.unl.edu/tsaconf/403 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE EVOLUTION AND CHANGES OF MOCHE TEXTILE STYLE: WHAT DOES STYLE TELL US ABOUT NORTHERN TEXTILE PRODUCTION? María Jesús Jiménez Díaz Museo de América de Madrid / Universidad Complutense de Madrid Although Moche textiles form part of the legacy of one of the best known cultures of pre-Hispanic Peru, today they remain relatively unknown1. Moche culture evolved in the northern valleys of the Peruvian coast (Fig. 1) during the first 800 years after Christ (Fig. 2). They were contemporary with other cultures such us Nazca or Lima and their textiles exhibited special features that are reflected in their textile production. Previous studies of Moche textiles have been carried out by authors such as Lila O'Neale (1946, 1947), O'Neale y Kroeber (1930), William Conklin (1978) or Heiko Pruemers (1995). -
1 Chronology, Mound-Building and Environment at Huaca Prieta
1 Chronology, mound-building and environment at Huaca Prieta, coastal Peru, from 13 700 to 4000 years ago Tom D. Dillehay1,2, Duccio Bonavia3, Steven Goodbred4, Mario Pino5, Victor Vasquez6, Teresa Rosales Tham6, William Conklin7, Jeff Splitstoser8, Dolores Piperno9, José Iriarte10, Alexander Grobman11, Gerson Levi-Lazzaris1, Daniel Moreira12, Marilaura Lopéz13, Tiffiny Tung1, Anne Titelbaum14, John Verano14, James Adovasio15, Linda Scott Cummings16, Phillipe Bearéz17, Elise Dufour 17, Olivier Tombret17, 18, Michael Ramirez19, Rachel Beavins4, Larisa DeSantis4, Isabel Rey20, Philip Mink21, Greg Maggard21 &Teresa Franco1 1 Department of Anthropology, College of Arts and Science, Vanderbilt University, 124 Garland Hall, Nashville, TN 37235, USA; 2 Escuela de Antropología, Faculdad de Ciensias Sociales, Universidad Católica de Temuco, Manuel Montt 056, Temuco, Chile 3 Academia Nacional de la Historia, Casa de Osambela, Jr. Conde de Superunda 298, Lima 1, Perú; 4 Department of Earth and Environmental Sciences, College of Arts and Science, Vanderbilt University, 5726 Stevenson Center, 7th floor, Nashville, TN 37240, USA; 5 Instituto de Ciencias Geológicas, Facultad de Ciencias, Universidad Austral de Chile, Casilla 567, Valdivia, Chile; 6 Laboratorio de Bioarquelogía, Universidad Nacional de Trujillo, Avda. Universitaria s/n, Trujillo, Perú; 7 Department of Anthropology, Field Museum, 1400 S. Lake Shore Drive, Chicago, IL 60605-2496, USA; 8 Boundary End Archaeology Research Center, One Walker Creek Road, Barnardsville, NC 28709-0592, USA; 9 Archaeobiology Program, Department of Anthropology, National Museum of Natural History, Smithsonian Institution, Washington DC 20013- 7012, USA & Smithsonian Tropical Research Institute, Balboa, Panama; 10 Department of Archaeology, University of Exeter, Laver Building, North Park Road, Exeter EX4 4QE, UK; 11 Universidad Nacional Agraria La Molina, Av. -
La Galgada: Peru Before Pottery Author(S): Terence Grieder and Alberto Bueno Mendoza Source: Archaeology, Vol
La Galgada: Peru Before Pottery Author(s): Terence Grieder and Alberto Bueno Mendoza Source: Archaeology, Vol. 34, No. 2 (March/April 1981), pp. 44-51 Published by: Archaeological Institute of America Stable URL: http://www.jstor.org/stable/41727123 Accessed: 04-08-2015 15:41 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Archaeological Institute of America is collaborating with JSTOR to digitize, preserve and extend access to Archaeology. http://www.jstor.org This content downloaded from 128.83.205.78 on Tue, 04 Aug 2015 15:41:42 UTC All use subject to JSTOR Terms and Conditions /';-=09 )(8*=-0/'] This content downloaded from 128.83.205.78 on Tue, 04 Aug 2015 15:41:42 UTC All use subject to JSTOR Terms and Conditions by Terence Grieder and Alberto Bueno Mendoza n a desolate canyon in the high Andes ofnorth- the surroundingmountains, animal bones are ern Peru, the secretsof one ofAmerica's oldest almost nonexistentin the debris ofthe ruins.This civilizations are comingto light.Five thousand may imply a diet based mainly on agricultural years ago, the ancient people who lived therebuilt products. elaborate temples and tombsand shared a beautiful The site extends forabout one kilometeralong art. -
Of Priests and Pelicans: Religion in Northern Peru
Of Priests and Pelicans: Religion in Northern Peru Kennedi Bloomquist I am standing in the far corner of the Plaza des Armas, excitement racing through my chest. Along the roads surrounding the plaza are long brilliant murals made of colorful flower petals lined with young school girls in bright red jumpsuits, their eyes following my every movement. A cool breeze whips around stirring the array of magenta, turquoise, royal purple, orange and various shades of green petals. 20 tall arches placed between the various flower murals are covered with bright yellow flowers (yellow symbolizes renewal and hope) spotted with white (white symbolizes reverence and virtue) and fuchsia (fuchsia symbolizes joy) roses. A stage has been erected in the street in front of the mustard yellow Trujillo Cathedral. In the center of the stage is an altar with a statue of Christ on the cross with an elaborate motif hanging on the back wall with angels carrying a large ornate crown. A band plays loud and wildly out of tune Christian salsa music to the side of the stage. A large golden sign reading Corpus Christi sits along the top of the building sidled up against the Cathedral. The feeling permeating throughout the square is carefree and peaceful. As I wander through the crowd, I cannot stop smiling at all the people dancing, shaking their hands to the sky. Some spin in circles, while others just clap their hands smiling towards the heavens. Next to me an older woman in a simple church outfit with a zebra print scarf holds a JHS (Jesus Hominum Savitore) sign in one hand and reaches for the sky with her other hand, shuffling back and forth. -
Duccio Bonavia Berber (March 27, 1935-August 4, 2012) Ramiro Matos Mendieta Smithsonian Institution, [email protected]
Andean Past Volume 11 Article 9 12-15-2013 Duccio Bonavia Berber (March 27, 1935-August 4, 2012) Ramiro Matos Mendieta Smithsonian Institution, [email protected] Follow this and additional works at: https://digitalcommons.library.umaine.edu/andean_past Recommended Citation Matos Mendieta, Ramiro (2013) "Duccio Bonavia Berber (March 27, 1935-August 4, 2012)," Andean Past: Vol. 11 , Article 9. Available at: https://digitalcommons.library.umaine.edu/andean_past/vol11/iss1/9 This Obituaries is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Andean Past by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. DUCCIO BONAVIA BERBER (MARCH 27, 1935-AUGUST 4, 2012) Ramiro Matos Mendieta National Museum of the American Indian Smithsonian Institution Portrait of Duccio Bonavia Berber courtesy of the Bonavia family Duccio Bonavia Berber died at dawn, at the I can imagine that Duccio had a premoni- age of seventy-seven, on Saturday, August 4, tion of his death. During conversations in June, 2012, in Ascope, Department of Trujillo, Peru. less than two months before he died, uncharac- Death surprised him while he was carrying out teristically, he emphasized his worries about his the last phase of his field-work at Huaca Prieta, life, and the serious problems that Tom would Magdalena de Cao, on Peru’s north coast. His face if there were a death in the field, as well as research project at the emblematic site was co- those of his daughter and son, because of the directed with Tom Dillehay of Vanderbilt Uni- distance, and even the effect such an event versity. -
Of Coastal Ecuador
WASHINGTON UNIVERSITY Department of Anthropology Dissertation Examination Committee: David L. Browman, Chair Gwen Bennett Gayle Fritz Fiona Marshall T.R. Kidder Karen Stothert TECHNOLOGY, SOCIETY AND CHANGE: SHELL ARTIFACT PRODUCTION AMONG THE MANTEÑO (A.D. 800-1532) OF COASTAL ECUADOR by Benjamin Philip Carter A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2008 Saint Louis, Missouri Copyright by Benjamin Philip Carter © 2008 ii Acknowledgments For this research, I acknowledge the generous support of the National Science Foundation for a Dissertation Improvement Grant (#0417579) and Washington University for a travel grant in 2000. This dissertation would not exist without the support of many, many people. Of course, no matter how much they helped me, any errors that remain are mine alone. At Drew University, Maria Masucci first interested me in shell bead production and encouraged me to travel first to Honduras and then to Ecuador. Without her encouragement and support, I would not have begun this journey. In Honduras, Pat Urban and Ed Schortman introduced me to the reality of archaeological projects. Their hard- work and scholarship under difficult conditions provided a model that I hope I have followed and will continue to follow. While in Honduras, I was lucky to have the able assistance of Don Luis Nolasco, Nectaline Rivera, Pilo Borjas, and Armando Nolasco. I never understood why the Department of Anthropology at Washington University in St. Louis accepted me into their program, but I hope that this document is evidence that they made the right choice. -
Huaca Del Sol Y De La Luna (The Sun and Moon Monuments) - Moche Civilization
Huaca del Sol y de la Luna (The Sun and Moon Monuments) - Moche Civilization Entrance Sign: Huacas de Moche (Huacas del Sol y de la Luna), near Trujillo Link: Las Huacas del Sol y de la Luna http://www.huacas.com/ Cerro Blanco (White Mountain or Hill) in Background of archaeological area. Huaca de la Luna ("Temple/Shrine of the Moon") is a large adobe brick structure built mainly by the Moche people of northern Peru. It, with the Huaca del Sol, is part of Huacas de Moche, the remains of an ancient Moche capital city called Cerro Blanco by modern archaeologists. Sign: Centro de Investigacion y de Visitantes (Sponsors) Upper level of excavations (possible temple excavation?) Guide Wilmer shows a map of the Moche Civilization. This major archaeological site was built at the time of the Moche culture (100 BC-650 AD), just east of a prominent, freestanding hill, the Cerro Blanco (White Mountain), and next to a small tributary of the Moche River. It occupies a central location within the extensive Moche Valley. The complex sits about three miles inland, southeast of the modern city of Trujillo and is considered by many scholars to be the former capital of the Moche State. View of Huaca del Sol (Temple of the Sun) - across plaza between pyramids. The Huaca del Sol is an adobe brick temple built by the Moche civilization on the coast of what is now Peru. The temple is one of several ruins found near the peak of Cerro Blanco, in the coastal desert near Trujillo, Peru. -
Interpretations of Pre-Hispanic Ritual Violence at Tucume, Peru, from Cut Mark Analysis
University of Central Florida STARS Faculty Bibliography 2010s Faculty Bibliography 1-1-2011 Interpretations of Pre-Hispanic Ritual Violence at Tucume, Peru, From Cut Mark Analysis J. Marla Toyne University of Central Florida Find similar works at: https://stars.library.ucf.edu/facultybib2010 University of Central Florida Libraries http://library.ucf.edu This Article is brought to you for free and open access by the Faculty Bibliography at STARS. It has been accepted for inclusion in Faculty Bibliography 2010s by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Toyne, J. Marla, "Interpretations of Pre-Hispanic Ritual Violence at Tucume, Peru, From Cut Mark Analysis" (2011). Faculty Bibliography 2010s. 2007. https://stars.library.ucf.edu/facultybib2010/2007 INTERPRETATIONS OF PRE-HISPANIC RITUAL VIOLENCE AT TUCUME, PERU, FROM CUT MARK ANALYSIS J. Maria Toyne Archaeological residues of ritual are often ephemeral, and reconstructing the dynamics of performed actions that create deposits can be difficult. Rituals associated with the dead are common across many cultures since all human groups have specific means of disposing of corpses. Evidence of peri- and postmortem manipulation of human remains, such as cutting, dismemberment, or disarticulation can provide details of the sequence of actions performed related to the circumstances surrounding death and the possible social meaning of those behaviors. Cut marks observed on the upper chest and throat of93 percent of117 children and men found interred at the Temple of the Sacred Stone at Tiicume, Peru are consistent with three symbolic behaviors: cutting the throat, opening the chest cavity, and decapitation. -
An Overview of Peruvian Archaeology (1976-1986)
Annu. Rev. Anthropol. 1989. 18:37-69 Copyright ? 1989 by Annual Reviews Inc. All rights reserved AN OVERVIEW OF PERUVIAN ARCHAEOLOGY (1976-1986) Richard L. Burger Departmentof Anthropology, Yale University, New Haven, Connecticut 06520 NATIONALITY AND ARCHAEOLOGYIN PERU Peruvian archaeology is an internationalfield in which divergent schools of research coexist. The following is an overview of the various currents and accomplishments of research in Peruvian archaeology over the last decade (see also 138, 199, 279, 320, 336). Because of the different national tradi- tions of archaeologicalpractice in Peru, the situationis particularlycomplex. Most projects authorizedby Peru's InstitutoNacional de Culturaare initiated by investigators from the United States, but the archaeology carried out in Peru has remained resistant to many of the theoretical trends in processual Anglo-American archaeology. Nomothetic laws and ecological and evolu- tionary "explanations"of culture change never generated the enthusiasm in Peru that they did in the United States. The alleged dichotomy between "scientific archaeology" and historical inquiry championed by Binford and others likewise found little support among archaeologists working in Peru. As currently practiced, much of Peruvian archaeology has a distinctive characterderived from its unique subject matter, particularintellectual his- tory, political context, and the dominant figures who have shaped it. In his classification of regional archaeological traditions, Bruce Trigger (358) dis- tinguished between the imperialist type of archaeology, characteristicof the contemporaryUnited States and Britain, and the nationalistic type, wide- spread in the Third World. In Peru, as in Mexico, the foundationsof autoch- thonous archaeology were nationalist, and this traditioncontinues to shape much of the archaeologicalresearch. Ever since the pioneering work of Julio C.