The Transmission of Photius, Cyril and Theodoret in Mid-Sixteenth
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An Annotated List of Italian Renaissance Humanists, Their Writings About Jews, and Involvement in Hebrew Studies, Ca
An annotated list of Italian Renaissance humanists, their writings about Jews, and involvement in Hebrew studies, ca. 1440-ca.1540 This list, arranged in chronological order by author’s date of birth, where known, is a preliminary guide to Italian humanists’ Latin and vernacular prose and poetic accounts of Jews and Judaic culture and history from about 1440 to 1540. In each case, I have sought to provide the author’s name and birth and death dates, a brief biography highlighting details which especially pertain to his interest in Jews, a summary of discussions about Jews, a list of relevant works and dates of composition, locations of manuscripts, and a list of secondary sources or studies of the author and his context arranged alphabetically by author’s name. Manuscripts are listed in alphabetical order by city of current location; imprints, as far as possible, by ascending date. Abbreviations: DBI Dizionario biografico degli Italiani (Rome: Istituto della enciclopedia italiana, 1960-present) Kristeller, Iter Paul Oskar Kristeller, Iter Italicum: A Finding List of Uncatalogued or Incompletely Catalogued Humanistic Manuscripts of the Renaissance in Italian and Other Libraries; Accedunt alia itinera, 6 vols (London: Warburg Institute; Leiden: E. J. Brill, 1963-1991) Simon Atumano (d. c. 1380) Born in Constantinople and became a Basilian monk in St John of Studion there. Bishop of Gerace in Calabria from 1348 until 1366, and Latin archbishop of Thebes until 1380. During his time in Thebes, which was the capital of the Catalan duchy of Athens, he studied Hebrew and in the mid- to late-1370s he began work on a polyglot Latin-Greek-Hebrew Bible dedicated to Pope Urban VI. -
Illinois Classical Studies
i 11 Parallel Lives: Plutarch's Lives, Lapo da Castiglionchio the Younger (1405-1438) and the Art of Italian Renaissance Translation CHRISTOPHER S. CELENZA Before his premature death in 1438 of an outbreak of plague in Ferrara, the Florentine humanist and follower of the papal curia Lapo da Castiglionchio the Younger left behind three main bodies of work in Latin, all still either unedited or incompletely edited: his own self-collected letters, a small number of prose treatises, and a sizeable corpus of Greek-to-Latin translations. This paper concerns primarily the last of these three aspects of his work and has as its evidentiary focus two autograph manuscripts that contain inter alia final versions of Lapo's Latin translations of Plutarch's Lives of Themistocles, Artaxerxes, and Aratus. In addition, however, to studying Lapo's translating techniques, this paper will address chiefly the complexities of motivation surrounding Lapo's choice of dedicatees for these translations. The range of circumstances will demonstrate, I hope, the lengths to which a young, little-known humanist had to go to support himself in an environment where there was as yet no real fixed, institutional place for a newly created discipline. Lapo and Translation: Patronage, Theory, and Practice Of the three areas mentioned, Lapo's translations represent the most voluminous part of his oeuvre and in fact it is to his translations that he owes his modem reputation. But why did this young humanist devote so much energy to translating? And why were Plutarch's Lives such an important part of his effort? An earlier version of this paper was delivered as an Oldfather Lecture at the University of Illinois at Urbana-Champaign on 8 November 1996. -
Images of Homeric Manuscripts from the Biblioteca Marciana1
2008 Annual Conference of CIDOC Athens, September 15 – 18, 2008 Christopher W. Blackwell IMAGES OF HOMERIC MANUSCRIPTS FROM THE BIBLIOTECA MARCIANA1 Christopher W. Blackwell Classics University or Organization: Furman University Address: 3300 Poinsett Highway Greenville, SC 29609 USA E-Mail: [email protected] URL: http://chs.harvard.edu/chs/homer_multitext Abstract This paper describes the manuscript Marcianus Graecus Z.454 (=822), the “Venetus A” and the work of capturing high-resolution digital images of its folios. The manuscripts is a masterpiece of 9th Century “information technology”, combing a primary text, the Homeric Iliad, with secondary texts in the form of scholiastic notes, and other metadata in the form of critical signs. Thus the images of this manuscript provide wide access to an invaluable window into two millennia of the history of the Homeric tradition. INTRODUCTION In May of 2007 an international team of Classicists, conservators, photographers, and imaging experts came together in the Biblioteca Marciana—the Library of St. Mark—in Venice, in order to bring to light a cultural treasure that had been hidden away for over 100 years. The Venetus A manuscript of the Iliad (Marcianus Gr. Z. 454 [=822]), the 1 The following paper is about a collaborative project, of which I am one of four primary editors. We have worked together to produce a number of presentations and publications connected to the project over the past year, including the forthcoming book: Recapturing a Homeric Legacy: Images and Insights from the Venetus A Manuscript of the Iliad. For this reason, this paper should be considered to be co-authored by Casey Dué, Mary Ebbott, and Neel Smith. -
Libraries: Architecture and the Ordering of Knowledge
Libraries: Architecture and the Ordering of Knowledge English text of March 29, 2009, by J. Connors for “Biblioteche: l’architettura e l’ordinamento del sapere,” with Angela Dressen, in Il Rinascimento Italiano e l’Europa, vol. 6, Luoghi, spazi, architetture, ed. Donatella Calabi and Elena Svalduz, Treviso-Costabissara, 2010, pp. 199-228. All the texts describing ancient libraries had been rediscovered by the mid-Quattrocento. Humanists knew Greek and Roman libraries from the accounts in Strabo, Varro, Seneca, and especially Suetonius, himself a former prefect of the imperial libraries. From Pliny everyone knew that Asinius Pollio founded the first public library in Rome, fulfilling the unrealized wish of Juliuys Caesar ("Ingenia hominum rem publicam fecit," "He made men's talents public property"). From Suetonius it was known that Augustus founded two libraries, one in the Porticus Octaviae, and another, for Greek and Latin books, in the temple of Apollo on the Palatine, where the sculptural decoration included not only a colossal statue of Apollo but also portraits of celebrated writers. The texts spoke frequently of author portraits, and also of the wealth and splendor of ancient libraries. The presses for the papyrus rolls were made of ebony and cedar; the architectural order and the revetments of the rooms were of marble; the sculpture was of gilt bronze. Boethius added that libraries were adorned with ivory and glass, while Isidore mentioned gilt ceilings and restful green cipollino floors. Senecan disapproval of ostentatious libraries, of "studiosa luxuria," of piling up more books than one could ever read, gave way to admiration for magnificent libraries. -
OGGETTO: Venezia – Ex Palazzo Reale
MINISTERO PER I BENI E LE ATTIVITA’ CULTURALI DIREZIONE REGIONALE PER I BENI CULTURALI E PAESAGGISTICI DEL VENETO Soprintendenza per i Beni Architettonici e Paesaggistici di Venezia e Laguna Palazzo Ducale, 1 V e n e z i a PERIZIA DI SPESA N. 23 del 2 luglio 2012 D.P.C.M. 10 Dicembre 2010 di ripartizione della quota dell’otto per mille dell’IRPEF a diretta gestione statale per l’anno 2010 RELAZIONE STORICA E RELAZIONE TECNICA CON CRONOPROGRAMMA VENEZIA – PIAZZA SAN MARCO LAVORI DI CONSERVAZIONE DELLA FACCIATA, DEL PORTICO E DELLE COPERTURE DELLE PROCURATIE NUOVE – Campate XI – XXXVI C.U.I. 13854 CUP F79G10000330001 Venezia, 2 LUGLIO 2012 IL PROGETTISTA Visto:IL SOPRINTENDENTE Arch. Ilaria Cavaggioni arch. Renata Codello IL RESPONSABILE DEL PROCEDIMENTO Arch. Anna Chiarelli Venezia - Procuratie Nuove o Palazzo Reale Intervento di conservazione della facciata principale e dalla falda di copertura (…) guardatevi dal voler comparire sopra le cose fatte: accomodatele, assicuratele, ma non aggiungete, non mutilate, e non fate il bravo. Giuseppe Valdier L’Architettura Pratica, III, p. 115 Relazione illustrativa con cenni sulla storia della fabbrica SOMMARIO 1. Introduzione 2. Cenni sulla storia della fabbrica 3. Caratteri stilistici 4. Caratteri costruttivi 5. La ricerca d’archivio 6. Stato di conservazione 7. Descrizione dell’intervento: linee guida e tecniche 8. Riferimenti bibliografici 1. Introduzione Molti degli aspetti descritti in questa relazione, relativi alla vicenda storica della fabbrica delle Procuratie Nuove, alle caratteristiche stilistiche e costruttive della facciata principale del palazzo, al suo stato di conservazione, ecc., si basano su ipotesi fondate sull’osservazione a distanza, ai piedi della fabbrica, sulla letteratura artistica consultata, su precedenti restauri documentati, su analogie con le Progetto definitivo 2 Venezia - Procuratie Nuove o Palazzo Reale Intervento di conservazione della facciata principale e dalla falda di copertura fabbriche coeve, sulle raccomandazioni dei manuali storici, ecc. -
THE VENETUS T of PLATO by G. J. BOTER Codex Venetus Marcianus Graecus App. Class. IV, 1, Which Bears the Siglum T, Consists of F
THE VENETUS T OF PLATO BY G. J. BOTER Codex Venetus Marcianus graecus App. Class. IV, 1, which bears the siglum T, consists of four parts 1). The oldest part contains Plato's tetralogies I-VII completely, and tetr. VIII 1,2, breaking of suddenly at Rep. III 389d7. The rest of the Republic is added by a fifteenth-century hand; Timaeus has been added by Caesar Strategus and Timaeus Locrus et alia by joannes Rhosus, both at the end of the fifteenth century. The oldest part is the subject of this paper. * There are two problems concerning the old part of T, its age and its exemplar. The old official catalogue in the Biblioteca Marciana attributes T to the twelfth century, and this dating is accepted by many scholars2). Others have assumed that T is older3). Recently, A. Diller has published a note on T4), in which he submits that T has been written by Ephraim Monachus, who was active as a scribe in the middle of the tenth century. Diller mentions four mss. which bear his subscription; in the Biblioteca Marciana, I have compared one of these, namely Marcianus 201, which contains Aristotle's Organon s) , with T, and after a careful examination I believe that the 1) For a brief description of T, see E. R. Dodds, Plato Gorgias(Oxford 1959), 37f. For fuller information see M. Schanz, Uberden Platocodex in der Markusbibliothek in Venedig(Leipzig 1877), passim, esp. pp. 1-6; W. W. Waddell, The Parmenidesof Plato (Glasgow 1894), cxxii-cxxv. 2) Among others E. Chambry, Platon, La République(Paris 1932-4), tome 1, cxli f.; Dodds, l.c.; N. -
Lucretius Carus, Titus
Lucretius Carus, Titus. Addenda et Corrigenda* ADA PALMER (University of Chicago) The Addenda follow the order of the original article (CTC 2.349–65) and consist of a) additional material for the Fortuna, Bibliography and commen- taries, b) vernacular translations of the seventeenth century. New information on copyists, owners and annotators is included within the Fortuna, following the original structure. Fortuna p. 349a4. Add: A theory, now discredited, was much discussed in the fifteenth century that the surviving six-book poem was actually the middle or end of a twenty-one- book work. This confusion arose from a passage in M.T. Varro De( Lingua Latina * The author is grateful for the support and assistance of David Butterfield, Alison Brown, James Hankins and Michael Reeve. She owes much to the support given to her by the Villa I Tatti Harvard University Center for Italian Renaissance Studies, and the Mel- bern G. Glasscock Humanities Center at Texas A&M University. Gracious help was also provided by librarians at many institutions, including the Biblioteca Medicea Lauren- ziana, Biblioteca Nazionale and Biblioteca Berenson, Florence; Biblioteca Nazionale, Rome; Biblioteca Apostolica Vaticana, Vatican City; Biblioteca Marciana, Venice; Biblioteca Ambrosiana, Milan; Biblioteca Comunale A. Mai, Bergamo; Biblioteca Estense, Modena; Biblioteca Malatestiana, Cesena; Biblioteca Comunale Passerini- Landi, Piacenza; Biblioteca Capitolare, Padua; Biblioteca dell’Accademia Rubiconia dei Filopatridi, Savignano sul Rubicone; Biblioteca Nazionale, Naples; Bibliothèque Sainte-Geneviève and Bibliothèque Nationale, Paris; Öffentliche Bibliothek der Uni- versität, Basel; Österreichische Nationalbibliothek, Vienna; Cambridge University Library; Bodleian Library, Oxford; Harvard University’s Widener and Houghton Libraries, Cambridge, Mass.; Cushing Memorial Library & Archives, College Station, Tex.; and especially the British Library, London. -
The Hypnerotomachia Poliphili: Image and Text in a Renaissance Romance
The Hypnerotomachia Poliphili: Image and Text in a Renaissance Romance April Oettinger Winston-Salem, North Carolina B.A., Colgate University, 1994 M.A., University of Virginia, 1996 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy McIntire Department of Art University of Virginia May2000 To my parents, ever supportive guides in my ongoing discovery of the forestand the trees; To Carrie, my companionon those early journeys through the Dark Forest; and To Max, my Poliphilo. 11 © Copyright by April Oettinger AllRights Reserved May2000 ill Acknowledgments I am indebted to numerous friendsand colleagues who have guided and enriched my journey at every turn. My advisors Paul Barolskyand David Summers first encouraged me to pursue my studies of the Polifilo; their unflagging support sustained me throughout, and their example continues to inspire me to follow in Poliphilo's path. My other readers, Francesca Fiorani and David Van Der Muelen provided valuable suggestions andadvice on patronage, dedications, and incunabula. I also wish to expressmy gratitude to Anne Schutte, Alistair Fowler, Deborah Parker, Martin Colker, and Terry Bellanger for stimulating conversations and generous advice, and Martin Colker and Thomas Govero for their assistance with the translations of Leonardo Grassi's dedication of the Polifiloand Ludovico Odassio's dedication of the Comucopiae. I am also grateful to Linda Carroll, Wendy Steadman Sheard, Patricia Fortini Brown, Wolfgang Wolters, Louisa Matthews, Anne Barriault,Norman Land, Ralph Lieberman, DeborahHoward, Jurgen Schultz, Ann Markam Schultz, and Mark SamuelsLasner forthought-provoking conversations at home and abroad. A Dupont Fellowship fromthe University of Virginia in 1998-1999 and a Fulbright Fellowship in 1999-2000 enabled me to continue my research in Italy, where I was fortunate to explore the holdings of several marvelous libraries. -
Antonio Possevino's Nuova Risposta
Nuova Risposta Andreas Mazetti Petersson Antonio Possevino’s Nuova Risposta Papal Power, Historiography and the Venetian Interdict Crisis, 1606–1607 UPPSALA STUDIES IN CHURCH HISTORY 4 About the Series Uppsala Studies in Church History is a series that is published in the Department of Theology, Uppsala University. The series includes both works in English and in Swedish. The volumes are available open-access and only published in digital form. For information on the individual titles, see last page of this book. About the Author Andreas Mazetti Petersson is a PhD candidate in Church History in the Department of Theology, Uppsala University. Email: [email protected] Uppsala Studies in Church History 4 Andreas Mazetti Petersson Antonio Possevino’s Nuova Risposta Papal Power, Historiography and the Venetian Interdict Crisis, 1606–1607 Mazetti Petersson, Andreas. Antonio Possevino’s Nuova Risposta Papal Power, Historiography and the Venetian Interdict Crisis, 1606–1607. Uppsala Studies in Church History 4. Uppsala: Uppsala University, Department of Theology, 2017. ISBN 978-91-984129-3-2 Editorial Address: Uppsala Studies in Church History, Teologiska institutionen, Box 511, 751 20 UPPSALA. Email: [email protected] ContentsAns Mazetti Petersson 1. Introduction 4 1.1. The Interdict Crisis of 1606–1607 5 1.2. The Nuova Risposta 8 1.3. Purpose and Question 10 1.4. Sources, Prior Research, and Method 11 1.5. Central Concepts 14 1.6. Outline 18 2. The Myth of Venice 20 2.1. The Dual Role of the Doge of Venice 21 2.2. Definitions of the Myth of Venice 23 3. -
Recapturing a Homeric Legacy
Hellenic Studies 35 Recapturing a Homeric Legacy Images and Insights From the Venetus A Manuscript of the Iliad Other Titles in the Hellenic Studies Series Plato’s Rhapsody and Homer’s Music The Poetics of the Panathenaic Festival in Classical Athens Labored in Papyrus Leaves Perspectives on an Epigram Collection Attributed to Posidippus (P.Mil.Vogl. VIII 309) Helots and Their Masters in Laconia and Messenia Histories, Ideologies, Structures Recapturing a Archilochos Heros The Cult of Poets in the Greek Polis Master of the Game Competition and Performance in Greek Poetry Homeric Legacy Greek Ritual Poetics edited by Casey Dué Black Doves Speak Herodotus and the Languages of Barbarians Pointing at the Past From Formula to Performance in Homeric Poetics Homeric Conversation The Life and Miracles of Thekla Victim of the Muses Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History Amphoterōglossia A Poetics of the Twelfth Century Medieval Greek Novel Priene (second edition) Plato’s Symposium Issues in Interpretation and Reception Poetic and Performative Memory in Ancient Greece Heroic Reference and Ritual Gestures in Time and Space http://chs.harvard.edu/chs/publications Center for Hellenic Studies Trustees for Harvard University Washington, D.C. Distributed by Harvard University Press Cambridge, Massachusetts, and London, England 2009 Recapturing a Homeric Legacy : Images and Insights From the Venetus A Manuscript of the Iliad Edited by Casey Dué Copyright © 2009 Center for Hellenic Studies, Trustees for Harvard University All Rights Reserved. Published by Center for Hellenic Studies, Trustees for Harvard University, Washington, D.C. Distributed by Harvard University Press, Cambridge, Massachusetts and London, England Printed in Ann Arbor, MI by Edwards Brothers, Inc. -
Laboratoire D'excellence HASTEC
Laboratoire d’Excellence HASTEC Rapport d’activité final Contrat Post-doctoral Année universitaire 2017-2018 par Lucia Maddalena Tissi « La symphonie des savoirs dans le De perenni philosophia d’Agostino Steuco» Laboratoire de rattachement : LEM (Laboratoire d’études sur les monothéismes - UMR 8584 Correspondant scientifique : Brigitte Tambrun Programme Collaboratif 2 : « Savoir scientifique, savoir religieux, savoir sociaux » Sommaire Résumé du projet de recherche Le projet de recherche, que j’ai développé dans le cadre de mon post doctorat HaStec pour l’année 2017-2018, a porté sur la figure d’Agostino Steuco et, notamment, sur la symphonie des savoirs dans son ouvrage De perenni philosophia. Publié pour la première fois à Lyon en 1540 cet ouvrage a profité d’un remarquable succès dans les siècles suivants ayant été réimprimé à plusieurs reprises. Dans cet ouvrage les savoirs magiques et divinatoires sont assimilés à la rationalité d’un système théologique et philosophique. L’objectif de ma recherche était de déchiffrer l’opération culturelle de Steuco afin de mieux cerner les processus de (ré)constitution des savoirs anciens dans un contexte culturel, politique et social foncièrement différent. Le thème de la divination ancienne a bénéficié d’une extraordinaire fortune à la Renaissance. Elle émerge dans les traductions latines des sources grecques concernant les oracles comme par exemple celle de la Praeparatio evangelica d’Eusèbe (traduit en 1450 par Georges de Trébizonde et révisée en 1470 par Antoni Cornazzano) ou celle de l’ouvrage de Plutarque De defectu oraculorum (traduit par Adrien Turnèbe en 1556). On remarque aussi la publication des miscellanées recueillant du matériel oraculaire ancien, comme celle d’Alessandro Alessandri (Genialium dierum libri sex, Rome 1522 : Basel 1542) et de Ludovicus Caelius Rhodiginus, de son vrai nom Ludovico Ricchieri, Lectionum antiquorum libri XXX (Basel 1542). -
John Toland's Cicero Illustratus and Notions of Authority in the Early Enlightenment
East KA. Apocryphal Cicero: John Toland's Cicero Illustratus and Notions of Authority in the Early Enlightenment. International Journal of the Classical Tradition 2016, DOI: 10.1007/s12138-015-0385-z Copyright: ©The Author(s) 2015. This article is published with open access at Springerlink.com. This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. DOI link to article: http://dx.doi.org/10.1007/s12138-015-0385-z Date deposited: 01/02/2016 This work is licensed under a Creative Commons Attribution 4.0 International License Newcastle University ePrints - eprint.ncl.ac.uk Int class trad DOI 10.1007/s12138-015-0385-z ARTICLE Apocryphal Cicero: John Toland’s Cicero Illustratus and Notions of Authority in the Early Enlightenment Katherine A. East1 Ó The Author(s) 2015. This article is published with open access at Springerlink.com Introduction In 1712 John Toland, a man who had gained notoriety as the writer of radical and heterodox works, broke out of his established intellectual sphere to produce a work of Ciceronian scholarship, entitled Cicero illustratus.1 This treatise outlined in detail Toland’s plans for a new edition of Cicero’s complete works, in the hopes that funding for the project might be won from Cicero illustratus’ addressee, Prince Eugene of Savoy.