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Reading History in Early Modern England
READING HISTORY IN EARLY MODERN ENGLAND D. R. WOOLF published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011–4211, USA www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarco´n 13, 28014 Madrid, Spain © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeset in Sabon 10/12pt [vn] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Woolf, D. R. (Daniel R.) Reading History in early modern England / by D. R. Woolf. p. cm. (Cambridge studies in early modern British history) ISBN 0 521 78046 2 (hardback) 1. Great Britain – Historiography. 2. Great Britain – History – Tudors, 1485–1603 – Historiography. 3. Great Britain – History – Stuarts, 1603–1714 – Historiography. 4. Historiography – Great Britain – History – 16th century. 5. Historiography – Great Britain – History – 17th century. 6. Books and reading – England – History – 16th century. 7. Books and reading – England – History – 17th century. 8. History publishing – Great Britain – History. I. Title. II. Series. DA1.W665 2000 941'.007'2 – dc21 00-023593 ISBN 0 521 78046 2 hardback CONTENTS List of illustrations page vii Preface xi List of abbreviations and note on the text xv Introduction 1 1 The death of the chronicle 11 2 The contexts and purposes of history reading 79 3 The ownership of historical works 132 4 Borrowing and lending 168 5 Clio unbound and bound 203 6 Marketing history 255 7 Conclusion 318 Appendix A A bookseller’s inventory in history books, ca. -
Nobility in Middle English Romance
Nobility in Middle English Romance Marianne A. Fisher A dissertation submitted for the degree of PhD Cardiff University 2013 Summary of Thesis: Postgraduate Research Degrees Student ID Number: 0542351 Title: Miss Surname: Fisher First Names: Marianne Alice School: ENCAP Title of Degree: PhD (English Literature) Full Title of Thesis Nobility in Middle English Romance Student ID Number: 0542351 Summary of Thesis Medieval nobility was a compound and fluid concept, the complexity of which is clearly reflected in the Middle English romances. This dissertation examines fourteen short verse romances, grouped by story-type into three categories. They are: type 1: romances of lost heirs (Degaré, Chevelere Assigne, Sir Perceval of Galles, Lybeaus Desconus, and Octavian); type 2: romances about winning a bride (Floris and Blancheflour, The Erle of Tolous, Sir Eglamour of Artois, Sir Degrevant, and the Amis– Belisaunt plot from Amis and Amiloun); type 3: romances of impoverished knights (Amiloun’s story from Amis and Amiloun, Sir Isumbras, Sir Amadace, Sir Cleges, and Sir Launfal). The analysis is based on contextualized close reading, drawing on the theories of Pierre Bourdieu. The results show that Middle English romance has no standard criteria for defining nobility, but draws on the full range on contemporary opinion; understandings of nobility conflict both between and within texts. Ideological consistency is seldom a priority, and the genre apparently serves neither a single socio-political agenda, nor a single socio-political group. The dominant conception of nobility in each romance is determined by the story-type. Romance type 1 presents nobility as inherent in the blood, type 2 emphasizes prowess and force of will, and type 3 concentrates on virtue. -
Thesis Tirant Lo Blanc(H)
THESIS TIRANT LO BLANC(H): MASCULINITIES, PHALLOSOCIAL DESIRE, AND TRIANGULAR CONSTELLATIONS Submitted by Francisco Macías Department of English In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2011 Master’s Committee: Advisor: Roze Hentschell Ellen Brinks Fernando Valerio-Holguín Copyright by Francisco Macías 2011 All Rights Reserved ABSTRACT TIRANT LO BLANC(H): MASCULINITIES, PHALLOSOCIAL DESIRE, AND TRIANGULAR CONSTELLATIONS The introduction of this thesis provides a revised survey that examines the analysis of Tirant scholars to date, including evaluations of its sources and influences, theories concerning its circulation, its autobiographical aspects, and its genre, among other approaches to literary criticism. It draws attention to points of contention and highlights and rectifies those that have been overlooked or that have remained undisputed. “Chapter One: Queer Heterosexualities in the Tirant: Straight until Proven ‘Other’” addresses the issue of masculinities in the clergy, the chivalry, and the monarchy by mapping models of masculinity—conventional and competing—within a phallosocial context. And “Chapter Two: Bizarre Love Triangles in the Tirant: Consummation of Phallosocial Desire” traces phallosocial desire by analyzing the processes that lead to a symbolic consummation of same-sex relations by means of erotic triangles within a (mandatory) heterosexuality, where women become the (required) vessel by which phallosocial desire is reified and -
Acomparative Study of Middle English Romance and Modern Popular Sheikh Romance
DESIRING THE EAST: A COMPARATIVE STUDY OF MIDDLE ENGLISH ROMANCE AND MODERN POPULAR SHEIKH ROMANCE AMY BURGE PHD UNIVERSITY OF YORK WOMEN‟S STUDIES SEPTEMBER 2012 ABSTRACT This thesis comparatively examines a selection of twenty-first century sheikh romances and Middle English romances from the fourteenth and fifteenth centuries that imagine an erotic relationship occurring between east and west. They do so against a background of conflict, articulated in military confrontation and binary religious and ethnic division. The thesis explores the strategies used to facilitate the cross-cultural relationship across such a gulf of difference and considers what a comparison of medieval and modern romance can reveal about attitudes towards otherness in popular romance. In Chapter 1, I analyse the construction of the east in each genre, investigating how the homogenisation of the romance east in sheikh romance distances it from the geopolitical reality of those parts of the Middle East seen, by the west, to be „other‟. Chapter 2 examines the articulation of gender identity and the ways in which these romances subvert and reassert binary gender difference to uphold normative heterosexual relations. Chapter 3 considers how ethnic and religious difference is nuanced, in particular through the use of fabric, breaking down the disjunction between east and west. Chapter 4 investigates the way ethnicity, religion and gender affect hierarchies of power in the abduction motif, enabling undesirable aspects of the east to be recast. The key finding of this thesis is that both romance genres facilitate the cross-cultural erotic relationship by rewriting apparently binary differences of religion and ethnicity to create sameness. -
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«*X£- ttiolibom «^\^^£. THE NEW MEDIEVAL LIBRARY THE NHW MEDIEVAL LIUKARV THE CHATELAINE OKVERGI. Translaleil from ihe Middle- French by Ai.iCK Kkmp- Welch, with an Introduction by Professor L. M. IIkandin. {A itau and revised edition. THE BOOK OF THE DUKE OF TRUE LOVERS. Now first translated from the Middle- French, with Introduction and Notes, by Alice Kemf-Welch. The Ballads rendered into the original metres by Laukence BiNvoN and Kric Maci.agan. OF THE TUMBLER OF OUR LADY. Now first translated from the Middle-French, with Introdnction and Notes, by Alick Kemf-Wei.ch. THE LEGEND OF THE HOLY FINA. VIRGIN OF SANTO GIMINIANO. Now first trans- lated from the Fonrteenth-Cen- tury Manuscript of Fra Giovanni di Coppo, with Introduction and Notes, by M. Mansfield. THE BABEES' BOOK : Medieval Manners fou the Young. In modern English from Dr. Furnivall's texts, with Intro- duction and Notes, by Edith Ricicert. THE BOOK OF THE DIVINE CONSOLATION OF SAINT ANGELA DA FOLIGNO. Now translated from the Italian by Mary G. Steegmann, withan Introduction by Algar Thokold. Vn/'.ef'aration. Digitized by tine Internet Arcliive in 2008 witli funding from IVIicrosoft Corporation littp://www.arcliive.org/details/earlyenglisliromaOOrickuoft %^|?lf'i^^g/|^pif|^' i^i The title on the reverse of this page has been adapted by Miss Blanche C. Hunter from iJ.M. Harley MS. 2952, f. 126. EARLY ENGLISH RO- MANCES IN VERSE: DONE INTO MODERN ENGLISH BY EDITH RICKERT: ROMANCES OF LOVE CHATTO AND WINDUS : LONDON NEW YORK : DUFFIELD &" CO. 1908 A53 ,41/ ri<;hts reserved CONTENTS PAGE INTRODUCTION xi FLORIS AND BLANCHEFLODR SIR ORFEO LAY OF THE ASH . -
THE LUDIC(ROUS) AS UMPIRE by ANNIE LEE NARVER A
MAPPING HUMAN VIRTUE AND THE ETHICS OF DESIRE: THE LUDIC(ROUS) AS UMPIRE by ANNIE LEE NARVER A DISSERTATION Presented to the Department of English And the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2019 DISSERTATION APPROVAL PAGE Student: Annie Lee Narver Title: Mapping Human Virtue and the Ethics of Desire: the Ludic(rous) as Umpire This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Warren Ginsberg Chair Anne Laskaya Core Member Stephanie Clark Core Member David Wacks Institutional Representative and Janet Woodruff-Borden Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree Awarded June 2019. ii © 2019 Annie Lee Narver iii DISSERTATION ABSTRACT Annie Lee Narver Doctor of Philosophy Department of English June 2019 Title: Mapping Human Virtue and the Ethics of Desire: the Ludic(rous) as Umpire Building on the assumption that society constructs ideology through, according to Louis Althusser, “apparatuses,” this dissertation explores how medieval romances written from the twelfth through fourteenth century exploit alterity by repurposing the Chanson de Roland’s portrayals of Eastern others and women to negotiate the exigencies contemporary to them. The proof texts, in addition to the Oxford Roland, include martial romances, deemed martial because the hero serves a liege lord rather than a lady: Guy of Warwick and The Sowdone of Babylone. In these texts, knights prove themselves men by vanquishing a sensationalized Eastern foe. -
Flores Och Blanzeflor and the Orient: Depicting the Other in Medieval Sweden Virgile Reiter
Flores Och Blanzeflor and the Orient: Depicting The Other In Medieval Sweden Virgile Reiter To cite this version: Virgile Reiter. Flores Och Blanzeflor and the Orient: Depicting The Other In Medieval Sweden. Tijdschrift voor Skandinavistiek, University of Amsterdam, 2017. hal-01937958 HAL Id: hal-01937958 https://hal.archives-ouvertes.fr/hal-01937958 Submitted on 28 Nov 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License FLORES OCH BLANZEFLOR AND THE ORIENT: DEPICTING THE OTHER IN MEDIEVAL SWEDEN Virgile Reiter EA 1853 LCE, Université Lyon II Lumière [email protected] Abstract This article aims to explore the representation of the Other in Flores och Blanzezflor , a 1312 translation of a French ‘“roman idyllique”’, Le conte de Floire et Blanchefleur . As most of the action takes place in the Orient and as many of the main characters are pagan, including one of the main protagonist, Flores, Flores och Blanzeflor offers an opportunity to analyze how the Other was depicted in medieval Scandinavia. I argue in the present article that, probably influenced by the Germanic tradition, the translator chose to depict both the Orient and its inhabitants in a rather positive light. -
The Reception of the Old French Floire Et Blancheflor in Medieval England
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Scienze del Linguaggio Tesi di Laurea Translating and Rewriting: the Reception of the Old French Floire et Blancheflor in Medieval England Relatore Prof. Massimiliano Bampi Correlatore Prof. Eugenio Burgio Laureanda Giulia Tassetto Matricola 822627 Anno Accademico 2013/ 2014 A Cinzia, Diego e Luca un grazie di cuore per avermi sempre supportata e incoraggiata. To Cinzia, Diego and Luca, heartfelt thanks for your constant support and encouragement. CONTENTS Acknowledgments ..................................................................................................................................................... 1 Preface ....................................................................................................................................................................... 2 Chapter 1 Translation Studies and Medieval Literature ....................................................................................10 1.1. Translation Studies: a new approach to translation ....................................................................................... 10 1.1.1. The Polysystem Theory and the Target-Oriented Approach .................................................................. 12 1.2. The practice of translation in The Middle Ages and the concept of textual “instability” ............................... 23 Chapter 2 The Romance of Floire et Blancheflor ...............................................................................................34 -
Dissertation Master Wilcox
Copyright by Rebecca Anne Wilcox 2009 The Dissertation Committee for Rebecca Anne Wilcox certifies that this is the approved version of the following dissertation: CULTURES OF CONQUEST: ROMANCING THE EAST IN MEDIEVAL ENGLAND AND FRANCE Committee: Geraldine Heng, Co-Supervisor Daniel Birkholz, Co-Supervisor Barbara Harlow Elizabeth Richmond-Garza William Kibler CULTURES OF CONQUEST: ROMANCING THE EAST IN MEDIEVAL ENGLAND AND FRANCE by Rebecca Anne Wilcox, B.A, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August, 2009 Acknowledgements I would like to thank the members of my dissertation committee for their insights, kindness, and patience over the last decade. I would also like my parents for their support, without which this project never could have been completed. And I would like to thank my fiancé for his generous gifts of time and understanding as this project came to completion. iv Cultures of Conquest: Romancing the East in Medieval England and France Publication No._____________ Rebecca Anne Wilcox, Ph.D. The University of Texas at Austin, 2009 Supervisors: Geraldine Heng and Daniel Birkholz Cultures of Conquest argues for the recognition of a significant and vital subcategory of medieval romance that treats the crusades as one of its primary interests, beginning at the time of the First Crusade and extending through the end of the Middle Ages. Many romances, even those not explicitly located in crusades settings, evoke and transform crusades events and figures to serve the purposes of the readers, commissioners, and authors of these texts. -
The Art of Flowers, Silks, and Stones: Ekphrastic Literary Fashioning in Floire Et Blanche Or and Its Receptions in Later French and Italian Medieval Literature
Durham E-Theses The Art of Flowers, Silks, and Stones: Ekphrastic Literary Fashioning in Floire et Blancheor and its Receptions in Later French and Italian Medieval Literature SPENCER, CHARLOTTE,LOUISE How to cite: SPENCER, CHARLOTTE,LOUISE (2020) The Art of Flowers, Silks, and Stones: Ekphrastic Literary Fashioning in Floire et Blancheor and its Receptions in Later French and Italian Medieval Literature, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13427/ Use policy This work is licensed under a Creative Commons Attribution Non-commercial 3.0 (CC BY-NC) Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The Art of Flowers, Silks, and Stones: Ekphrastic Literary Fashioning in Floire et Blancheflor and its Receptions in Later French and Italian Medieval Literature Charlotte Louise Spencer MAR Thesis in the School of Modern Languages and Cultures at Durham University, 2019. Statement of Copyright: The copyright of this thesis rests with the author. No quotation from it should be published without the author's prior written consent and information derived from it should be acknowledged. 2 Table of Contents Abstract 4 Introduction. Threading the Needle, Measuring the Monument, and Sowing 5 the Seeds: Contextualising Floire et Blancheflor Chapter One. Ekphrastic Embroidery: Flower Imagery in ‘Li Conte de Floire 11 et Blancheflor’ and Poem as Text and Textile Chapter Two: The Tomb, the Tower, and the Tree of Love: Literary 35 Artefactuality Chapter Three. ‘Floire et Blancheflor’ and Guillaume de Lorris’ ‘Le Roman 93 de la Rose’: Artefactual Intertextuality Chapter Four. -
Lieux De Savoir in the Practice of Urban Cartography, 1340–1560." Le Foucaldien 7, No
Mapping Sites: Lieux de Savoir in the Practice of Urban Cartography, 1340–1560 RESEARCH KEITH D. LILLEY ABSTRACT CORRESPONDING AUTHOR: Keith D. Lilley The impacts and influences of Foucault's philosophies on geography and cartography Queen's University Belfast, GB are great. This paper takes a different approach to this "critical cartography," however, [email protected] by focusing not just on the map-image but on map-sites by exploring "the field" as a site of cartographic practice. It does so by drawing on Christian Jacob's idea of maps as lieux de savoir, and takes this in a new direction through placing maps within the KEYWORDS: landscape as a lieu de savoir. To do this the paper focuses on three English provincial maps; lieux de savoir; critical cities to situate the late-medieval and early-modern maps attributed to Ranulf Higden, cartography; medieval; Robert Ricart and William Cuningham. Through "excavating" the locales of map- early-modern; city; historical making and their sites of survey, connecting maps with landscapes historically and geography; archaeology geographically, what emerges is a critical intersectional approach, an "archaeology of of cartography; surveying; landscapes; England cartography." TO CITE THIS ARTICLE: Keith D. Lilley. "Mapping Sites: Lieux de Savoir in the Practice of Urban Cartography, 1340–1560." Le foucaldien 7, no. 1 (2021): 7, pp. 1–22. DOI: https://doi.org/10.16995/ lefou.96 1. INTRODUCTION: MAPPING THE FIELD Lilley 2 Le foucaldien As a "field of knowledge," the history of cartography has truly been shaped by the critical DOI: 10.16995/lefou.96 thinking of Michel Foucault. -
Neil Mcguigan Phd Thesis
NEITHER SCOTLAND NOR ENGLAND: MIDDLE BRITAIN, C.850-1150 Neil McGuigan A Thesis Submitted for the Degree of PhD at the University of St Andrews 2015 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/7829 This item is protected by original copyright This item is licensed under a Creative Commons Licence Neither Scotland nor England: Middle Britain, c.850–1150 Neil McGuigan This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews 26-01-2015 1. Candidate’s declarations: I, Neil McGuigan, hereby certify that this thesis, which is approximately 105,700 words in length, has been written by me, and that it is the record of work carried out by me, or principally by myself in collaboration with others as acknowledged, and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September 2008 and as a candidate for the degree of Doctor of Philosophy in Mediaeval History in September 2008; the higher study for which this is a record was carried out in the University of St Andrews between 2008 and 2015. Date ……………….. signature of candidate …………………………… 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Doctor of Philosophy in Mediaeval History in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree.