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Ruth Park a Celebration
Ruth Park A CELEBRATION Ruth Park A Celebration Compiled and edited by Joy Hooton Friends of the National Library of Australia Canberra 1996 Acknowledgements All but one of the photographs in this volume were supplied by Ruth Park. The photograph facing page one was supplied by the Mitchell Library and is reproduced courtesy of the Australian Broadcasting Commission. Published with the assistance of Penguin Australia © Friends of the National Library of Australia National Library of Australia Cataloguing-in-Publication entry Ruth Park : a celebration. Bibliography. ISBN 0 646 29461 X. 1. Park, Ruth. 2. Women novelists, Australian—20th century. 3. Novelists, Australian—20th century. I. Hooton, Joy W. (Joy Wendy), 1935- II. National Library of Australia. Friends. A823.3 Publisher's editor: Annabel Pengilley. Designer: Kathy Jakupec. Printer: Goanna Print, Canberra. Cover photograph by Wesley Stacey Contents Joy Hooton surveys Ruth Park's life and work 1 Michael King a fellow New Zealander pays tribute to Ruth Park's influence in the country of her birth 14 Elizabeth Riddell writes on A Fence around the Cuckcoo 15 Marcie Muir pays tribute to Ruth Park's writing for children and young adults 17 Marion Halligan writes on Ruth Park's novels: Some Sorcery in the Subconscious' 20 A Select Bibliography 28 Awards 33 Ruth Park, aged 26 Joy Hooton surveys Ruth Park's life and work Ruth Park was born in Auckland, New Zealand, the daughter of a pioneering bridge builder and road maker, whose work took his family into the wild territory of North Auckland and the King Country. As a result she had a singular early childhood, growing up as 'a forest creature', familiar with the New Zealand bush rather than with the products of civilisation or with children of her own age. -
Disenchantment: a Novel for Young Adults with a Discussion of Representations of Indigenous Australians and Native Americans in Books for Children and Young Adults
Disenchantment: a novel for young adults With a discussion of representations of Indigenous Australians and Native Americans in books for children and young adults Rebecca Louise Hazleden BA (hons), (Leeds) MA, (Leeds Metropolitan University) PhD, (Exon) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 School of English, Media Studies and Art History 1 Abstract This thesis is in two parts. The first is the creative project, a love story called Disenchantment, which is a speculative fiction novel for young adults. The novel consists of the testimony of an imprisoned girl, indigenous to a fictitious island, explaining how she has ended up in a prison cell condemned to hang for a murder she did not commit. As she relates her story to a visitor, a tale emerges of love and betrayal set against a backdrop of colonialism and violence. At first, Neka is an awkward and fearful little child, suckled by a half-dead mother and weaned by a bitter old Healer. The adults remark what a pity it is that the bright light of her mother was snuffed out by such a dull child. But then she is chosen as assistant to Elu, the beautiful and vibrant rebel girl from another clan, who is to be the new Healer. They embark on their training together, drawing closer, learning the secrets of the clan, healing the sick, talking to the dead, encountering the god of lightning, and awakening the god of spring. Neka starts to find her place in the world, and her love blossoms – love for her land, her people, and most of all for Elu. -
The Development of Fantasy Illustration in Australian Children's Literature
The University of Tasmania "THE SHADOW LINE BETWEEN REALITY AND FANTASY": THE DEVELOPMENT OF FANTASY ILLUSTRATION IN AUSTRALIAN CHILDREN'S LITERATURE A dissertation submitted in partial fulfilment of the requirements of Degree for Master of Education. Centre of Education by Irene Theresa Gray University of Tasmania December 1985. Acknowledgments I wish to thank the following persons for assistance in the presentation of this dissertation: - Mr. Hugo McCann, Centre for Education, University of Tasmania for his encouragement, time, assistance and critical readership of this document. Mr. Peter Johnston, librarian and colleague who kindly spent time in the word processing and typing stage. Finally my husband, Andrew whose encouragement and support ensured its completion. (i) ABSTRACT The purpose of this study is to show that accompanying a development of book production and printing techniques in Australia, there has been a development in fantasy illustration in Australian children's literature. This study has identified the period of Australian Children's Book Awards between 1945 - 1983 as its focus, because it encompassed the most prolific growth of fantasy-inspired, illustrated literature in Australia and • world-wide. The work of each illustrator selected for study either in storybook or picture book, is examined in the light of theatrical and artistic codes, illustrative traditions such as illusion and decoration, in terms of the relationships between text and illustration and the view of childhood and child readership. This study. has also used overseas literature as "benchmarks" for the criteria in examining these Australian works. This study shows that there has been a development in the way illustrators have dealt with the landscape, flora and fauna, people, Aboriginal mythology and the evocation and portrayal of Secondary Worlds. -
Australians All by Nadia Wheatley Illustrated by Ken Searle
BOOK PUBLISHERS Teachers Notes by Dr Robyn Sheahan-Bright Australians All by Nadia Wheatley Illustrated by Ken Searle ISBN 978 1 74114 637 0 Recommended for readers 9 yrs and older Older students and adults will also appreciate this book. These notes may be reproduced free of charge for use and study within schools but they may not be reproduced (either in whole or in part) and offered for commercial sale. Introduction ........................................... 2 Use in the curriculum ........................ 2 Layout of the Book ............................ 2 Before reading ........................................ 3 SOSE (Themes & Values) ......................... 4 Arts .............................................. 26 Language & Literacy ........................ 26 Visual Literacy ................................ 26 Creative Arts .................................. 26 Conclusion .......................................... 27 Bibliography of related texts ................... 27 Internet & film resources ....................... 29 About the writers .............................. ....30 83 Alexander Street PO Box 8500 Crows Nest, Sydney St Leonards NSW 2065 NSW 1590 ph: (61 2) 8425 0100 [email protected] Allen & Unwin PTY LTD Australia Australia fax: (61 2) 9906 2218 www.allenandunwin.com ABN 79 003 994 278 INTRODUCTION ‘Historians sometime speak of our nation’s founding fathers and mothers, but it is the children of this country who – generation after generation – create and change our national identity.’ (p.241) In this significant -
The IBBY Honour List
The IBBY Honour List For this biennial list, National Sections of IBBY are invited to nominate outstanding recent books that are characteristic of their country and recommended for publication in different languages. One book can be nominated for each of the three categories: writing, illustration and translation. In 2016, for the first time IBBY Australia nominated a translator—John Nieuwenhuizen for Nine Open Arms. Writer: Emily Rodda—Rowan of Rin 1962 Writer: Nan Chauncy—Tangara 1996 1970 Writer: Patricia Wrightson—I Own the Illustrator: Peter Gouldthorpe—First Light Racecourse text by Gary Crew 1972 Writer: Colin Thiele—Blue Fin 1998 Writer: Peter Carey—The Big Bazoohley 1974 Writer: Ivan Southall—Josh Illustrator: John Winch—The Old Illustrator: Ted Greenwood—Joseph and Woman Who Loved to Read Lulu and the Prindiville House Pigeons 2000 Writer: Margaret Wild—First Day 1976 Writer: Patricia Wrightson—The Nargun and illustrations by Kim Gamble the Stars Illustrator: Graeme Base—The Worst Band Illustrator: Kilmeny & Deborah Niland— in the Universe Mulga Bill’s Bicycle by A.B. Paterson 2002 Writer: David Metzenthen—Stony Heart 1978 Writer: Eleanor Spence—The October Child Country Illustrator: Robert Ingpen—The Runaway Illustrator: Ron Brooks—Fox text by Punt text by Michael Page Margaret Wild 1980 Writer: Lilith Norman—A Dream of Seas 2004 Writer: Simon French—Where in the Illustrator: Percy Trezise and Dick World? Roughsey—The Quinkins Illustrator: Andrew McLean—A Year on Our 1982 Writer: Ruth Park—Playing Beatie Bow Farm text by Penny -
Custom Book List
Custom Book List School: Your District Name Goes Here MANAGEMENT BOOK AUTHOR LEXILE® POINTS WORD COUNT 'Tis The Season Martin, Ann M. 890 10 40,955 'Twas A Dark And Stormy Night Murray, Jennifer 830 4 4,224 ...Or Not? Mandabach, Brian 840 23 98,676 1 Zany Zoo Degman, Lori 860 1 415 10 Best Love Poems, The Hanson, Sharon 840 6 8,332 10 Coolest Dance Crazes, The Swartz, Larry 870 6 7,660 10 For Dinner Bogart, Jo Ellen 820 1 328 10 Greatest Accidental Inventi Booth, Jack 900 6 8,449 10 Greatest American President Scholastic 840 6 7,306 10 Mightiest Conquerors, The Koh, Frederick 900 6 8,034 10 Most Amazing Adaptations In Scholastic 900 6 8,409 10 Most Decisive Battles, The Downey, Glen 870 6 8,293 10 Most Defining Moments Of Th Junyk, Myra 890 6 8,477 10 Most Ingenious Fictional De Clemens, Micki 870 6 8,687 10 Most Memorable TV Moments, Downey, Glen 900 6 8,912 10 Most Remarkable Writers, Th Downey, Glen 860 6 9,321 10 Most Revolutionary Songs, T Cameron, Andrea 890 6 10,282 10 Most Tragic Romances, The Harper, Sue 860 6 9,052 10 Most Wondrous Ancient Sites Scholastic 900 6 9,022 10 P.M. Question, The De Goldi, Kate 830 18 72,103 10 Smartest Animals, The Downey, Glen 900 6 8,148 1000 Facts About Space Beasant, Pam 870 4 10,145 1000 Facts About The Earth Butterfield, Moira 850 6 11,721 1000 Questions And Answers Tames, Richard 890 9 38,950 101 Dalmatians, The Smith, Dodie 830 12 44,767 1777: A Year Of Decision Arnold, James R. -
The Children's Book Council of Australia Book of the Year Awards
THE CHILDREN’S BOOK COUNCIL OF AUSTRALIA BOOK OF THE YEAR AWARDS 1946 — CONTENTS Page BOOK OF THE YEAR AWARDS 1946 — 1981 . 2 BOOK OF THE YEAR: OLDER READERS . .. 7 BOOK OF THE YEAR: YOUNGER READERS . 12 VISUAL ARTS BOARD AWARDS 1974 – 1976 . 17 BEST ILLUSTRATED BOOK OF THE YEAR AWARD . 17 BOOK OF THE YEAR AWARD: EARLY CHILDHOOD . 17 PICTURE BOOK OF THE YEAR AWARD . 20 THE EVE POWNALL AWARD FOR INFORMATION BOOKS . 28 THE CRICHTON AWARD FOR NEW ILLUSTRATOR . 32 CBCA AWARD FOR NEW ILLUSTRATOR . 33 CBCA BOOK WEEK SLOGANS . 34 This publication © Copyright The Children’s Book Council of Australia 2021. www.cbca.org.au Reproduction of information contained in this publication is permitted for education purposes. Edited and typeset by Margaret Hamilton AM. CBCA Book of the Year Awards 1946 - 1 THE CHILDREN’S BOOK COUNCIL OF AUSTRALIA BOOK OF THE YEAR AWARDS 1946 – From 1946 to 1958 the Book of the Year Awards were judged and presented by the Children’s Book Council of New South Wales. In 1959 when the Children’s Book Councils in the various States drew up the Constitution for the CBC of Australia, the judging of this Annual Award became a Federal matter. From 1960 both the Book of the Year and the Picture Book of the Year were judged by the same panel. BOOK OF THE YEAR AWARD 1946 - 1981 Note: Until 1982 there was no division between Older and Younger Readers. 1946 – WINNER REES, Leslie Karrawingi the Emu John Sands Illus. Walter Cunningham COMMENDED No Award 1947 No Award, but judges nominated certain books as ‘the best in their respective sections’ For Very Young Children: MASON, Olive Quippy Illus. -
PRESS RELEASE 29 January 2019 IBBY Australia Honour Books Annotated List 1962–2018
PRESS RELEASE 29 January 2019 IBBY Australia Honour Books Annotated List 1962–2018 IBBY Australia in partnership with the National Centre for Australian Children’s Literature (NCACL) is proud to announce the release of the IBBY Australia Honour Books List 1962–2018. This ground-breaking publication presents 48 outstanding books, from Tangara (1962) to The Bone Sparrow and Teacup (2018). Annotations that succinctly place each book in its context, and biographical information about the writers and illustrators, add to the value of this unique resource. It is unique, in that while there are many booklists serving many purposes, this list has a specific tale to tell, the tale of IBBY Australia’s choice of these books, every two years forwarded to IBBY headquarters in Switzerland, to become part of a selection of books ‘characteristic of their country and suitable to recommend for publication in different languages’. In October 2018 IBBY Australia Inc and the National Centre for Australian Children’s Literature (NCACL) launched an exhibition which opened in the Woden branch of Libraries ACT. The exhibition included copies of each of the IBBY Australia Honour Books, even those most elusive titles that had taken some sleuthing to track down, sitting on the shelves and inviting browsers to pick them up, to smile in recognition of old favourites and to explore those not encountered before. And alongside these Australian books was a collection, for the first time ever hosted in our country, of all the international IBBY Honour Books for 2018, its 191 books from 61 countries providing a snapshot of the best publications worldwide at this moment in time. -
Story Time: Australian Children's Literature
Story Time: Australian Children’s Literature The National Library of Australia in association with the National Centre for Australian Children’s Literature 22 August 2019–09 February 2020 Exhibition Checklist Australia’s First Children’s Book Charlotte Waring Atkinson (Charlotte Barton) (1797–1867) A Mother’s Offering to Her Children: By a Lady Long Resident in New South Wales Sydney: George Evans, Bookseller, 1841 Parliament Collection (Australian Printed) nla.cat-vn777812 Charlotte Waring Atkinson (Charlotte Barton) (1797–1867) A Mother’s Offering to Her Children: By a Lady Long Resident in New South Wales Sydney: George Evans, Bookseller, 1841 Ferguson Collection (Australian Printed) nla.cat-vn777812 Living Knowledge Nora Heysen (1911–2003) Bohrah the Kangaroo 1930 pen, ink and wash Original drawings to illustrate Woggheeguy: Australian Aboriginal Legends, collected and written by Catherine Stow (Pictures) nla.cat-vn1453161 Nora Heysen (1911–2003) Dinewan the Emu 1930 pen, ink and wash Original drawings to illustrate Woggheeguy: Australian Aboriginal Legends, collected and written by Catherine Stow (Pictures) nla.cat-vn1458954 Nora Heysen (1911–2003) They Saw It Being Lifted from the Earth 1930 pen, ink and wash Original drawings to illustrate Woggheeguy: Australian Aboriginal Legends, collected and written by Catherine Stow (Pictures) nla.cat-vn2980282 1 Catherine Stow (K. ‘Katie’ Langloh Parker) (author, 1856–1940) Tommy McRae (illustrator, c.1835–1901) Australian Legendary Tales: Folk-lore of the Noongahburrahs as Told to the Piccaninnies London: David Nutt; Melbourne: Melville, Mullen and Slade, 1896 Ferguson Collection (Australian Printed) nla.cat-vn995076 Catherine Stow (K. ‘Katie’ Langloh Parker) (author, 1856–1940) Henrietta Drake-Brockman (selector and editor, 1901–1968) Elizabeth Durack (illustrator, 1915–2000) Australian Legendary Tales Sydney: Angus and Robertson, 1953 Ferguson Collection (Australian Printed) nla.cat-vn2167373 Catherine Stow (K. -
Plainsong Or Polyphony?
Plainsong or Polyphony? Australian Award‐Winning Novels of the 1990s for Adolescent Readers. Heather Voskuyl Thesis submitted for the Degree of Doctor of Philosophy 2008 Certificate of Authorship / Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of the requirements for a degree. I also certify that the thesis has been written by me. Any help that I have received in my research and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information resources and literature used are indicated in the thesis. Signature of Candidate _____________________________________________________ i Acknowledgements I would like to thank two people for the contributions they have made to this thesis, my supervisor Rosemary Ross Johnston for challenging me and encouraging me to persist, and my husband Hans for his patience and support. I would also like to acknowledge the support and encouragement given to me by my employer, Queenwood School for Girls. ii Contents: Chapter 1: Introduction 1 Voice 6 Theoretical Perspectives 10 Adolescent Readers 22 Australian YA Novels 28 Addressing a Dear Child or a Becoming Adult? 35 Chapter 2: Who Speaks? 40 Omniscient Narrators 43 Multiple Narrators 48 Reliable Adolescent Narrator/Protagonists 54 Unreliable Adolescent Narrator/Protagonists 58 An Eclectic Mix? 60 Dangerous Spaces in Between 70 Chapter 3: Who Speaks to Whom? 76 Narratees 77 Subordinate Adolescent Characters – Friends and Foes 92 Chapter -
A Critical Dissertation on Time-Distort Fiction and the Serpent House, A
‘New Takes on Time ’: A critical dissertation on time-distort fiction and The Serpent House , a novel for children. Barbara Henderson A thesis submitted in partial fulfilment of the requirements for the degree of PhD Supervisors: Professor Kimberley Reynolds Professor Jackie Kay School of English Literature, Language and Linguistics Faculty of Arts and Humanities 2012 ABSTRACT This project consists of a reappraisal of children’s hist orical time-distort literature and a children’s novel within the genre, entitled The Serpent House , aimed at readers aged 9 -12. The submission consists therefore of a critical piece of academic research into the genre, which reflects throughout on how th e two pieces of work have informed each other. The research component of the project argues that the critical consensus, which s uggests that children’s historical literature employing time -distort elements is prone to conservatism and convention, misrepresents this body of writing. As I show from its earliest examples, it has been a genre at least as progressive as any other in children’s literature. An overview and two detailed case studies demonstrate these innovative elements. The chronological overview and the texts that make up the case studies illustrate ways in which writing of this kind has been and continues to be experimental at a variety of levels. Jane Yolen’s The Devil’s Arithmetic (1988) was chosen for its challenging content and Gary Crew’s Strange Objects (1990) for its experimental form . Analysing the primary texts and the related scholarship was part of the process by which I shaped my aspirations and creative decisions while writing The Serpent House and so the academic submission leads into a reading of my children’s novel, which forms 70 per cent of the submission. -
Bibliography Primary Texts
Bibliography Primary Texts Baillie, A. (1985). Little Brother. Melbourne, Vic: Nelson. Baillie, A. (1986). Riverman. Melbourne: Nelson. Baillie, A. (1987). Creature. North Ryde, N.S.W.: Methuen Australia. Baillie, A. (1988). Megan's Star. Melbourne: Nelson. Baillie, A. (1993). Rebel! Sydney: Ashton Scholastic. Baillie, A. (1996). Secrets ofWalden Rising. Ringwood, Vic: Puffin Books Australia. Baillie, A. (1997). The Last Shot. Norwood, S. Aust: Omnibus Books. Balderson, M. (1968). When Jays Fly to Barbmo. London: Oxford University Press. Balderson, M. (1975). A Dog Called George. London: Oxford University Press. Brinsmead, H. F. (1964). Pastures of the Blue Crane. London: Oxford University Press. Brinsmead, H. F. (1965). Season of the Briar. London: Oxford University Press. Brinsmead, H. F. (1967). A Sapphire for September. London: Oxford University Press. Brinsmead, H. F. (1969). Isle of the Sea Horse. London: Oxford University Press. Brinsmead, H. F. (1970). Listen to the Wind. London: Oxford University Press. Brinsmead, H. F. (1972). Echo in the Wilderness. London: Oxford University Press. Brinsmead, H. F. (1977). The Wind Harp. Stanmore, N.S.W.: Cassell Australia. Brinsmead, H. F. (1981). Time for Tarquinia. Sydney: Hodder and Stoughton. Brinsmead, H. F. (1982). Longtime Dreaming. Sydney: Angus & Robertson. Brinsmead, H. F. (1985). The Sandforest. Sydney: Angus & Robertson. Brinsmead, H. F. (1986). Someplace Beautiful. Sydney: Hodder and Stoughton. Bruce, M. G. (1910). A Little Bush Maid. London: Ward, Lock. Bruce, M. G. (1913). Norah ofBillabong. London: Ward, Lock. Bruce, M. G. (1921). Back to Billabong. London: Ward, Lock. Carroll, L. (1889). Sylvie and Bruno (1988 Facsimile edition). New York: Dover Publications, Inc. Chauncy, N.