Reading Australia Resources for Teachers, by Teachers
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Westonian Magazine in THIS ISSUE: BEHIND the NUMBERS Annual Report for 2016–2017
WINTER 2018 The Westonian Magazine IN THIS ISSUE: BEHIND THE NUMBERS Annual Report for 2016–2017 The [R]evolution of Science at Westtown FIG. 1 Mission-Based Science Meets the 21st Century The Westonian, a magazine for alumni, parents, and friends, is published by Westtown School. Its mission is “to capture the life of the school, to celebrate the impact that our students, faculty, and alumni have on our world, and to serve as a forum for connection, exploration, and conversation.” We publish issues in Winter and Summer. We welcome letters to the editor. You may send them to our home address or to [email protected]. HEAD OF SCHOOL Jeff DeVuono James Perkins ’56 Victoria H. Jueds Jacob Dresden ’62, Keith Reeves ’84 Co-Associate Clerk Anne Roche CONNECT BOARD OF TRUSTEES Diana Evans ’95 Kevin Roose ’05 Amy Taylor Brooks ’88 Jonathan W. Evans ’73, Daryl Shore ’99 Martha Brown Clerk Michael Sicoli ’88 Bryans ’68 Susan Carney Fahey Danielle Toaltoan ’03 Beah Burger- Davis Henderson ’62 Charlotte Triefus facebook.com/westtownschool Lenehan ’02 Gary M. Holloway, Jr. Kristen Waterfield twitter.com/westtownschool Luis Castillo ’80 Sydney Howe-Barksdale Robert McLear Edward C. Winslow III ’64 vimeo.com/westtownschool Michelle B. Caughey ’71, Ann Hutton Brenda Perkins ’75, Maximillian Yeh ’87 instagram.com/westtownschool Co-Associate Clerk Jess Lord ’90 Recording Clerk WINTER 2018 The Westonian Magazine Editor Lynette Assarsson, Associate Director FEATURES of Communications Manager of The (R)evolution of Web Features Greg Cross, 16 Science at -
JM Coetzee and Mathematics Peter Johnston
1 'Presences of the Infinite': J. M. Coetzee and Mathematics Peter Johnston PhD Royal Holloway University of London 2 Declaration of Authorship I, Peter Johnston, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Dated: 3 Abstract This thesis articulates the resonances between J. M. Coetzee's lifelong engagement with mathematics and his practice as a novelist, critic, and poet. Though the critical discourse surrounding Coetzee's literary work continues to flourish, and though the basic details of his background in mathematics are now widely acknowledged, his inheritance from that background has not yet been the subject of a comprehensive and mathematically- literate account. In providing such an account, I propose that these two strands of his intellectual trajectory not only developed in parallel, but together engendered several of the characteristic qualities of his finest work. The structure of the thesis is essentially thematic, but is also broadly chronological. Chapter 1 focuses on Coetzee's poetry, charting the increasing involvement of mathematical concepts and methods in his practice and poetics between 1958 and 1979. Chapter 2 situates his master's thesis alongside archival materials from the early stages of his academic career, and thus traces the development of his philosophical interest in the migration of quantificatory metaphors into other conceptual domains. Concentrating on his doctoral thesis and a series of contemporaneous reviews, essays, and lecture notes, Chapter 3 details the calculated ambivalence with which he therein articulates, adopts, and challenges various statistical methods designed to disclose objective truth. -
Independent Scholar Shivaun Plozza the Troll Under the Bridge
Plozza The troll under the bridge Independent scholar Shivaun Plozza The troll under the bridge: should Australian publishers of young adult literature act as moral-gatekeepers? Abstract: In the world of Young Adult Literature, the perceived impact of certain texts on the moral, social and psychological development of its readers is a cause for debate. The question ‘what is suitable content for a pre-adult readership’ is one guaranteed to produce conflicting, polarising and impassioned responses. Within the context of this debate, the essay explores a number of key questions. Do publishers have a moral obligation to avoid certain topics or should they be pushing the boundaries of teen fiction further? Is it the role of the publisher to consider the impact of books they publish to a teenage audience? Should the potential impact of a book on its reader be considered ahead of a book’s potential to sell and make money? This article analyses criticism and praise for two ‘controversial’ Australian Young Adult books: Sonya Hartnett’s Sleeping Dogs (1997) and John Marsden’s Dear Miffy (1997). It argues that ‘issues-books’ are necessary to the development of teens, and publishers should continue to push the envelope of teen fiction while ensuring they make a concerted effort to produce quality, sensitive and challenging books for a teen market. Biographical note: Shivaun Plozza is a project editor, manuscript assessor and writer of YA fiction. Her debut novel, Frankie, is due for publication by Penguin in early 2016. She has published short stories, poetry and articles in various journals, both online and print, and has won numerous awards and fellowships. -
Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
Ruth Park a Celebration
Ruth Park A CELEBRATION Ruth Park A Celebration Compiled and edited by Joy Hooton Friends of the National Library of Australia Canberra 1996 Acknowledgements All but one of the photographs in this volume were supplied by Ruth Park. The photograph facing page one was supplied by the Mitchell Library and is reproduced courtesy of the Australian Broadcasting Commission. Published with the assistance of Penguin Australia © Friends of the National Library of Australia National Library of Australia Cataloguing-in-Publication entry Ruth Park : a celebration. Bibliography. ISBN 0 646 29461 X. 1. Park, Ruth. 2. Women novelists, Australian—20th century. 3. Novelists, Australian—20th century. I. Hooton, Joy W. (Joy Wendy), 1935- II. National Library of Australia. Friends. A823.3 Publisher's editor: Annabel Pengilley. Designer: Kathy Jakupec. Printer: Goanna Print, Canberra. Cover photograph by Wesley Stacey Contents Joy Hooton surveys Ruth Park's life and work 1 Michael King a fellow New Zealander pays tribute to Ruth Park's influence in the country of her birth 14 Elizabeth Riddell writes on A Fence around the Cuckcoo 15 Marcie Muir pays tribute to Ruth Park's writing for children and young adults 17 Marion Halligan writes on Ruth Park's novels: Some Sorcery in the Subconscious' 20 A Select Bibliography 28 Awards 33 Ruth Park, aged 26 Joy Hooton surveys Ruth Park's life and work Ruth Park was born in Auckland, New Zealand, the daughter of a pioneering bridge builder and road maker, whose work took his family into the wild territory of North Auckland and the King Country. As a result she had a singular early childhood, growing up as 'a forest creature', familiar with the New Zealand bush rather than with the products of civilisation or with children of her own age. -
Relationships to the Bush in Nan Chauncy's Early Novels for Children
Relationships to the Bush in Nan Chauncy’s Early Novels for Children SUSAN SHERIDAN AND EMMA MAGUIRE Flinders University The 1950s marked an unprecedented development in Australian children’s literature, with the emergence of many new writers—mainly women, like Nan Chauncy, Joan Phipson, Patricia Wrightson, Eleanor Spence and Mavis Thorpe Clark, as well as Colin Thiele and Ivan Southall. Bush and rural settings were strong favourites in their novels, which often took the form of a generic mix of adventure story and the bildungsroman novel of individual development. The bush provided child characters with unique challenges, which would foster independence and strength of character. While some of these writers drew on the earlier pastoral tradition of the Billabong books,1 others characterised human relationships to the land in terms of nature conservation. In the early novels of Chauncy and Wrightson, the children’s relationship to the bush is one of attachment and respect for the environment and its plants and creatures. Indeed these novelists, in depicting human relationships to the land, employ something approaching the strong Indigenous sense of ‘country’: of belonging to, and responsibility for, a particular environment. Later, both Wrightson and Chauncy turned their attention to Aboriginal presence, and the meanings which Aboriginal culture—and the bloody history of colonial race relations— gives to the land. In their earliest novels, what is strikingly original is the way both writers use bush settings to raise questions about conservation of the natural environment, questions which were about to become highly political. In Australia, the nature conservation movement had begun in the late nineteenth century, and resulted in the establishment of the first national parks. -
Ideas for Your Classroom Year 1–2
TEACHER RESOURCES IDEAS FOR YOUR CLASSROOM YEAR 1–2 MONDAY 3 MAY 2021 YEARS 1–2 MONDAY 03 THE UNDERCROFT MAY SUBIACO ARTS CENTRE SESSION: TAKING FLIGHT 9.50AM – 10.35AM CURRICULUM LINKS: The smallest of things can thrive, all we need English: personal responses to literature, narrative writing, is a little imagination, patience and belief - a visual language truth that lies at the heart of Fremantle writer Design & Technology: designing ideas Meg McKinlay’s beautiful picture book How to Science: physical science, forces Make a Bird. In this delightful exploration of creativity from a favourite local storyteller, Health: feelings Meg shares her own creative process, following General capabilities: creative and critical thinking an idea from the very start to the moment it takes form in the world, and encouraging you to do the same. SESSION: ANIMAL TALES CURRICULUM LINKS: 11.00AM – 11.45AM Helen Milroy is Australia’s first Cross-curricular priorities: Aboriginal & Torres Strait Islander Indigenous doctor, the 2021 Western Australian (ATSI) histories & culture of the Year and a descendant of the Palyku English: literature & context, language features, people. Crafted in the Australian Aboriginal responding to texts tradition of teaching stories, her books Science: biological science, Australian animals encompass stars, whales, birds and bugs, but Themes: personal strengths, friendship, hope, belonging the themes of strength and friendship shine History & Geography: ATSI people are connected to places the brightest. Join Helen in celebrating the wonderful characteristics of Australia’s native fauna. SESSION: EVERY STONE HAS A STORY 12.30PM – 1.15PM Join Mark Greenwood, award CURRICULUM LINKS: winning author of The Book of Stone for a hands-on exploration of nature’s wonders - English: responding to literature, evaluating texts, purpose & from crystals, to fossils that hold clues to the audience of texts prehistoric past, birthstones and gemstones, to Science: earth science - geology meteorites from Mars and beyond. -
Different Drummers
Special Issue: Different Drummers March/April 2013 Volume LXXXIX Number 2 ® Features Barbara Bader 21 Z Is for Elastic: The Amazing Stretch of Paul Zelinsky A look at the versatile artist’s career. Roger Sutton 30 Jack (and Jill) Be Nimble: An Interview with Mary Cash and Jason Low Independent publishers stay flexible and look to the future. Eugene Yelchin 41 The Price of Truth Reading books in a police state. Elizabeth Burns 47 Reading: It’s More Than Meets the Eye Making books accessible to print-disabled children. Columns Editorial Roger Sutton 7 See, It’s Not Just Me In which we celebrate the nonconforming among us. The Writer’s Page Polly Horvath and Jack Gantos 11 Two Writers Look at Weird Are they weird? What is weird, anyway? And will Jack ever reply to Polly? Different Drums What’s the strangest children’s book you’ve ever enjoyed? Elizabeth Bird 18 Seven Little Ones Instead Luann Toth 20 Word Girl Deborah Stevenson 29 Horrible and Beautiful Kristin Cashore 39 Embracing the Strange Susan Marston 46 New and Strange, Once Elizabeth Law 58 How Can a Fire Be Naughty? Christine Taylor-Butler 71 Something Wicked Mitali Perkins 72 Border Crossing Vaunda Micheaux Nelson 79 Wiggiling Sight Reading Leonard S. Marcus 54 Wit’s End: The Art of Tomi Ungerer A “willfully perverse and subversive individualist.” (continued on next page) March/April 2013 ® Columns (continued) Field Notes Elizabeth Bluemle 59 When Pigs Fly: The Improbable Dream of Bookselling in a Digital Age How one indie children’s bookstore stays SWIM HIGH ACROSS T H E SKY afloat. -
Sonya Hartnett Author of the Children of the King HC: 978-0-7636-6735-1 • E-Book: 978-0-7636-7042-9 272 Pages • Age 10 and Up
A conversation with sonya hartnett author of the Children of the King HC: 978-0-7636-6735-1 • E-book: 978-0-7636-7042-9 272 pages • Age 10 and up Q: You start with a scary opening scene. If I hadn’t been told that this was a “mild ghost story,” I might not have gotten past it. Some of your other writing can be very unsettling. What made you decide that this story would be more mild? A: Questionsofmildnessnevercameintoit.Anideacomestoyou,anditbringswithititsown spirit—someareeerie,somearequiet,someareloud,someareslinky,somearestrange.Iknew thiswouldbeastoryforchildrensetduringthewar.Theagegroupcreatescertainlimitsaround whatyoucanandcan’twrite.IneverthoughtofitasbeingaghoststoryasIwroteit,soIdidn’t spendanytimemakingtheboysscary.Iwantedthemtobeabletobemistakenforrealchildren bythereader,soIkeptalidontheirscariness.Theopeningsceneis,I’mtold,alittlescary.Ithink abookshouldstartwithabang,andsothesceneisakindofbang.IusedtoplayMurderinthe Darkasakid;itterrifiedme.Iplayitwithmydogsometimes;itstillterrifiesme. Q: What inspired you to write the story-within-the story, weaving the tale of a family evacuating from London to a country estate during World War II with the mystery of the missing princes, nephews of King Richard? How do those two elements, World War II and the mystery of the princes, resonate for you, if they do? A: I’vealwaysbeeninterestedinthestoryofRichardandtheprinces,andI’vealludedtoitafew timesinvariousnovels,butIalwayswantedtowritesomethingmoresubstantialaboutit—to reallylookinsidethecharacters’heads.I’vealsoalwaysfoundthewholeevacuationsagatobe -
Submission to the Productivity Commission Re Copyright Restrictions on the Parallel Importation of Books
SUBMISSION TO THE PRODUCTIVITY COMMISSION RE COPYRIGHT RESTRICTIONS ON THE PARALLEL IMPORTATION OF BOOKS 14 January, 2009 As a peak Australian voluntary organisation whose membership represents authors, illustrators, publishers, booksellers, teachers, librarians, teacher-librarians and parents, the Children's Book Council of Australia would like to express its objection to changes to present provisions of the Copyright Act that restrict parallel importation. Australia has a vibrant book industry, including the publication of many books for children. We see these books as a major enculturating force – they help Australian children to discover and celebrate who we are and what is important to us; they tell us our own unique stories in our own language/s, asking us to critically examine ourselves and our way of life. Every year, in schools around Australia, tens of thousands of Australian children celebrate the best of Australian children's literature, culminating in the CBCA Book of the Year Awards followed by Book Week. Australian award-winning books are written by new as well as established authors. With some of these books, Australian publishers have taken a chance in their publication; a chance which may not have been taken if parallel importation restrictions had been lifted. Australian authors feature prominently in international awards and honour lists because of the high quality of their work. Before succeeding overseas, all of these authors have first been published by Australian publishers. Some (but not all) award- winning Australian -
A Writer's Calendar
A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive. -
Reading Group Notes
TEXT PUBLISHING melbourne australia Reading Group Notes Truth Peter Temple PAPERBACK ISBN 978-1-921520-71-6 RRP AUS $32.95, NZ $37.00 HARDBACK ISBN 978-1-921520-91-4 RRP AUS $45.00, NZ $50.00 Fiction Praise for Truth colleagues scheme and jostle, he finds all the certainties ‘[Temple] is the man who has transfigured the crime of his life are crumbling. novel and made it the pretext for an art that repudiates Truth is a novel about a man, a family, a city. It is about genre.’ Peter Craven, Weekend Australian violence, murder, love, corruption, honour and deceit. ‘Truth succeeds as...one of the best pieces of modern And it is about truth. Australian fiction this decade, if not for many decades.’ Courier Mail Truth is a companion piece of sorts, to Temple’s The Broken Shore. The protagonist here is Detective ‘Truth is a novel of rare power and much of that potency Inspector Stephen Villani, friend and former colleague of lies in its silences. The blank spaces occupy almost as The Broken Shore’s hero Joe Cashin. much of its pages as the print. The dialogue conveys only that which is necessary, sometimes not even that. Set predominantly in Melbourne, the ongoing theme The bareness of the bones reveals the soul. Propelled is that there is something rotten in the state of Victoria, forward by the momentum of the story, we cling to and in Villani’s life. It begins with Villani driving between fragments of veracity from which it is engineered.’ two shocking cases, and ends in devastating bushfire.