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LITERARY CRITICISM of Longtime, and the magical worlds of Peg Maltby. The A Formidable History depth and breadth of Saxby’s knowledge allow for revealing links between eras, authors, titles, themes, approaches and characters. For example, he says of the fates of two characters Pam Macintyre created thirty-six years apart — Raylene in Brinsmead’s Beat of the City (1966) and Louise in Sonya Hartnett’s Maurice Saxby All My Dangerous Friends (1998), which treats a similar subject — ‘But [Raylene] was created in the sixties when Images of Australia: A History of Australian closure was more important than truth’, revealing much about Children’s Literature 1941–1970 the respective eras. Scholastic, $59pb, 848pp, 1 865 04456 3 The rôle of school and public libraries, the Children’s Book Council, educational practices, visionary personalities LTHOUGH HE ATTRIBUTES it to Walter McVitty’s such as Marjorie Cotton (do I detect a New South Wales Innocence and Experience (1981) and Brenda Niall’s bias?), publishers and editors, children’s bookshops, special- A Australia through the Looking Glass (1984), there ist collections, reviewing journals, and non-fiction and educa- is no doubt that Maurice Saxby’s pioneering A History of tional publishing are carefully acknowledged and weighted. Australian Children’s Literature (1969, 1971), along with More than 800 pages permit leisurely explorations of Marcie Muir’s Bibliography of Australian Children’s Books books, authors and genres, and the inclusion of carefully (1970, 1976), established the canon of Australian children’s chosen textual excerpts that resonate with contemporary literature. Images of Australia, along with his The Proof attitudes, venues and language.
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