Story Time: Australian Children's Literature
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Jackie French Papers
A Guide to the JACKIE FRENCH PAPERS © Courtesy of Bryan Sullivan The Lu Rees Archives of Australian Children’s Literature The Library University of Canberra October 2013 JACKIE FRENCH PAPERS SCOPE AND CONTENT Jackie French donated her first collection of papers and manuscripts to the Lu Rees Archives under the Cultural Gifts Program in 2009, and this, her second Cultural Gifts donation, in 2012. The size of the current collection is seven standard archival boxes plus 14 oversized folders that together comprise 24 representative works from her more than 140 published works. The collection spans the years from 2008 to 2013 and features picture books, information books, historical fiction, science fiction, humorous recreations of historical events and characters, and an unpublished novel for adults. The papers comprise correspondence; readers’ reports; manuscripts in various drafts with comments from editors, book designers, and illustrators; style guides; suggestions for revision; draft text and accompanying preliminary illustrations for picture books which reveal their evolutionary process; galleys and proofs with editing and layout designs. The process of structural and copyediting of longer works is also evident. The work of the book designer is particularly well documented not only in picture books, but also in longer illustrated works. The collection provides an understanding of the collaborative art of the picture book, demonstrating how illustrations and text evolve and elaborate on each through the communication between author, illustrator, editor and book designer. Adaptation of her work, Shaggy Gully Times, into a musical theatre production includes sheet music, play script and DVDs of the performance. The papers were arranged and described by Dr Belle Alderman AM. -
100 Most Popular Picture Book Authors and Illustrators
Page i 100 Most Popular Picture Book Authors and Illustrators Page ii POPULAR AUTHORS SERIES The 100 Most Popular Young Adult Authors: Biographical Sketches and Bibliographies. Revised First Edition. By Bernard A. Drew. Popular Nonfiction Authors for Children: A Biographical and Thematic Guide. By Flora R. Wyatt, Margaret Coggins, and Jane Hunter Imber. 100 Most Popular Children's Authors: Biographical Sketches and Bibliographies. By Sharron L. McElmeel. 100 Most Popular Picture Book Authors and Illustrators: Biographical Sketches and Bibliographies. By Sharron L. McElmeel. Page iii 100 Most Popular Picture Book Authors and Illustrators Biographical Sketches and Bibliographies Sharron L. McElmeel Page iv Copyright © 2000 Sharron L. McElmeel All Rights Reserved Printed in the United States of America No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Libraries Unlimited, Inc. P.O. Box 6633 Englewood, CO 801556633 18002376124 www.lu.com Library of Congress CataloginginPublication Data McElmeel, Sharron L. 100 most popular picture book authors and illustrators : biographical sketches and bibliographies / Sharron L. McElmeel. p. cm. — (Popular authors series) Includes index. ISBN 1563086476 (cloth : hardbound) 1. Children's literature, American—Biobibliography—Dictionaries. 2. Authors, American—20th century—Biography—Dictionaries. 3. Illustrators—United States—Biography—Dictionaries. 4. Illustration of books—Biobibliography—Dictionaries. 5. Illustrated children's books—Bibliography. 6. Picture books for children—Bibliography. I. Title: One hundred most popular picture book authors and illustrators. -
Surprised by Joy: Children, Text and Identity
The Seventh Royale Ormsby Martin Lecture 2000 Surprised by Joy: Children, Text and Identity Maurice Saxby The Royale Ormsby Martin Lecture is administered by the Anglican Education Commission, Diocese of Sydney (a division of Anglican Youthworks) on behalf of the trustees: the Archbishop of Sydney, the Dean of Sydney and the Director of Education 1 Maurice Saxby Maurice Saxby, who was trained at Balmain Teacher’s College but went on to complete an Honours Degree in English from Sydney University as an evening student, believes passionately in the power of literature to enhance life, both for children and adults. He has taught infants, primary and secondary school students, but his career has been mainly as a lecturer in tertiary institutions. He retired as Head of the English Department at Kuring-gai College of Advanced Education. He has lectured extensively in children’s literature both in Australia and overseas including England, America, Germany, Japan and China. Maurice was the first National President of the Children’s Book Council of Australia and has served on judging panels for children’s literature many times in Australia; and he is the only Australian to have been selected as a juror for the prestigious international Hans Andersen Awards. He has received the Dromkeen Medal, the Lady Cutler Award and an Order of Australia for his services to children’s literature. Maurice’s publications range from academic works such as Offered to Children: A History of Australian Children’s Literature 1841–1941; Give them Wings: The Experience of Children’s Literature and Teaching Literature to Adolescents. -
Book Design Awards
BOOK DESIGN AWARDS AUSTRALIAN BOOK PUBLISHERS ASSOCIATION JUDGES' REPORT COMMITTEE REPORT Overall, we agreed that the books This year saw the introduction of several entered in this year's competition were new awards and we had a record num not of as high a design standard as in ber of entries which led to an even more former years. It was also regrettable that onerous judging marathon held on 11 some books of which we were all aware December 1986 in the offices of tr,e were not entered in the competition, ABPA. particularly in the educational category. Thanks must go to the conscientious However, we were pleased with the judges who worked for such long hours: number of children's books entered and Garth Boomer, head of the Common appreciated the opportunity of being wealth Schools Commission, who was able to judge them separately. We were also a judge last year; John Witzig, a also pleased to note that the books freelance designer; John Sandeman, a entered in the paperback category were designer for John Fairfax & Sons; of a very high standard. Taken as a Michele Withers, a designer at Angus & whole, the submissions for this year's Robertson Publishers and winner of the design awards represented the various Joyce Nicholson Award in 1985; Jean facets of book publishing. Ferguson, President of the Australian You will note that the finalists for the Booksellers Association, who valiantly Griffin Press Award for the best came in at the last moment as a Illustrated Reference Book were, in the replacement. main, the winners in the overall compe Thanks must also go to the most tition as well. -
WAH Catalogue
Community Engaged Practice – An Emerging Issue for Australian ARIs 41 Contents Lisa Havilah Children, Creativity, Education& ARIs: Starting Young, Building Audiences 43 Claire Mooney The Feeling Will Pass... Space/Not Space 46 WAH Exhibition Documentation & Texts Brigid Noone The Feeling Will Pass… 2 The Subjectivity of Success 48 Brianna Munting Scot Cotterell We are (momentarily) illuminated 4 ARIs and Career Trajectories in the Arts 50 Georgie Meagher Lionel Bawden Exhibition Audience Survey Infographic Display 6 Money 52 Blood & Thunder Sarah Rodigari Tension Squared 10 ARIs in the National Cultural Policy 54 Cake Industries Tamara Winikoff The ooo in who? 12 Hossein Ghaemi WAH Debate It Was Never Meant To Last (BIG TIME LOVE) 16 The Half-Baked Notes of the First Speaker 57 Michaela Gleave Frances Barrett When there is no more anxiety, there is no more hope 20 Biljana Jancic WAH Essays I am here 22 We are...have been...here: Sebastian Moody a brief, selective look at the history of Sydney ARIs 62 Jacqueline Millner Unworkable Action 24 Nervous Systems A History of Sucess? 66 Din Heagney Path to the Possible: critique and social agency in artist run inititaives 27 Hugh Nichols Out of the Past: Beyond the Four Fundamental Fallacies of Artist Run Initiatives 70 Experiment 03: Viral Poster Experiment 30 Alex Gawronski S.E.R.I. (Carl Scrase) Dear friends, artists, and cultural workers 74 WAH Symposium: Presentations & Reflections Jonathan Middleton We Are Here – A View from the UK 79 We Are Here 34 Lois Keidan Welcome by Kathy Keele We Are Here 83 We were there. -
Relationships to the Bush in Nan Chauncy's Early Novels for Children
Relationships to the Bush in Nan Chauncy’s Early Novels for Children SUSAN SHERIDAN AND EMMA MAGUIRE Flinders University The 1950s marked an unprecedented development in Australian children’s literature, with the emergence of many new writers—mainly women, like Nan Chauncy, Joan Phipson, Patricia Wrightson, Eleanor Spence and Mavis Thorpe Clark, as well as Colin Thiele and Ivan Southall. Bush and rural settings were strong favourites in their novels, which often took the form of a generic mix of adventure story and the bildungsroman novel of individual development. The bush provided child characters with unique challenges, which would foster independence and strength of character. While some of these writers drew on the earlier pastoral tradition of the Billabong books,1 others characterised human relationships to the land in terms of nature conservation. In the early novels of Chauncy and Wrightson, the children’s relationship to the bush is one of attachment and respect for the environment and its plants and creatures. Indeed these novelists, in depicting human relationships to the land, employ something approaching the strong Indigenous sense of ‘country’: of belonging to, and responsibility for, a particular environment. Later, both Wrightson and Chauncy turned their attention to Aboriginal presence, and the meanings which Aboriginal culture—and the bloody history of colonial race relations— gives to the land. In their earliest novels, what is strikingly original is the way both writers use bush settings to raise questions about conservation of the natural environment, questions which were about to become highly political. In Australia, the nature conservation movement had begun in the late nineteenth century, and resulted in the establishment of the first national parks. -
Annual Report 2011–12 Annual Report 2011–12 the National Gallery of Australia Is a Commonwealth (Cover) Authority Established Under the National Gallery Act 1975
ANNUAL REPORT 2011–12 ANNUAL REPORT 2011–12 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Act 1975. Henri Matisse Oceania, the sea (Océanie, la mer) 1946 The vision of the National Gallery of Australia is the screenprint on linen cultural enrichment of all Australians through access 172 x 385.4 cm to their national art gallery, the quality of the national National Gallery of Australia, Canberra collection, the exceptional displays, exhibitions and gift of Tim Fairfax AM, 2012 programs, and the professionalism of our staff. The Gallery’s governing body, the Council of the National Gallery of Australia, has expertise in arts administration, corporate governance, administration and financial and business management. In 2011–12, the National Gallery of Australia received an appropriation from the Australian Government totalling $48.828 million (including an equity injection of $16.219 million for development of the national collection), raised $13.811 million, and employed 250 full-time equivalent staff. © National Gallery of Australia 2012 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publishing Department of the National Gallery of Australia Edited by Eric Meredith Designed by Susannah Luddy Printed by New Millennium National Gallery of Australia GPO Box 1150 Canberra ACT 2601 nga.gov.au/AboutUs/Reports 30 September 2012 The Hon Simon Crean MP Minister for the Arts Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the Council of the National Gallery of Australia, I have pleasure in submitting to you, for presentation to each House of Parliament, the National Gallery of Australia’s Annual Report covering the period 1 July 2011 to 30 June 2012. -
Jackie French Poster
is a full-time writer who lives in rural NSW. She writes columns in the print media, and sometimes presents on radio and on Burke’s Back- yard. Her books for children include Rain Stones, shortlisted for the CBC Children’s Book of the Year Award for Younger Readers, 1991; Walking the Boundaries, a Notable Book in the CBC Awards, 1994; and Somewhere Around the Corner, an Honour Book in the CBC Awards, 1995. In 2000, Hitler’s Daughter won the CBC Younger Readers Award and the WOW! Award in the UK in 2001. How to Guzzle Your Garden was also shortlisted for the 2000 CBC Eve Pownall Award for Information. Most recently, Jackie won the 2002 ACT Book of the Year Award for In the Blood; her successful picture book Diary of a Wombat was named an Honour book in the 2003 CBC Awards and also won the 2003 Nielsen Book Data/ABA Book of the Year Award. Baby Wombats Week New Release Fair Dinkum Histories Diary of a Wombat Shipwrecks, Sailors and 60, 000 years before 1788 Gold Graves and Glory 1850-1880 Emily and the Big Bad Bunyip Grim Crims and Convicts 1888-1820 Nation of Swaggies and Diggers 1880-1920 Josephine Wants To Dance Rotters and Squatters 1820-1850 Weevils, War and Wallabies 1920-1945 Pete the Sheep Shaggy Gully Times, The Too Many Pears Big Burps, Bare Bums and Other Bad Mannered Blunders Rocket Your Child Into Reading Book of Challenges Secret World Of Wombats Beyond the Boundaries The fascinating History of Your Lunch Stamp, Stomp, Whomp The Book of Unicorns How high Can a Kangaroo Hop? To The Moon and Back Dark Wind Blowing Daughter of -
Talking Books for Children – Ausgewählte Untersuchungen Zum Hörbuchangebot Für Kinder in Australien
Talking books for children – Ausgewählte Untersuchungen zum Hörbuchangebot für Kinder in Australien Diplomarbeit im Fach Kinder- und Jugendmedien Studiengang Öffentliche Bibliotheken der Fachhochschule Stuttgart – Hochschule der Medien Daniela Kies Erstprüfer: Prof. Dr. Horst Heidtmann Zweitprüfer: Prof. Dr. Manfred Nagl Bearbeitungszeitraum: 15. Juli 2002 bis 15. Oktober 2002 Stuttgart, Oktober 2002 Kurzfassung 2 Kurzfassung Gegenstand der hier vorgestellten Arbeit ist das Hörbuchangebot für Kinder in Austra- lien. Seit Jahren haben Gesellschaften für Blinde Tonträger für die eigenen Bibliothe- ken produziert, um blinden oder sehbehinderten Menschen zu helfen. Hörmedien von kommerziellen Produzenten, in Australien ist ABC Enterprises der größte, sind in der Regel gekürzte Versionen von Büchern. Bolinda Audio arbeitet kommerziell, veröffent- licht aber nur ungekürzte Versionen. Louis Braille Audio und VoyalEyes sind Abteilun- gen von Organisationen für Blinde, die Tonträger auch an Bibliotheken verkaufen und sie sind auch im Handel erhältlich. Grundsätzlich gelten öffentliche Bibliotheken als Hauptzielgruppe und ihnen werden spezielle Dienstleistungen von den Verlagen selbst oder dem Bibliothekszulieferer angeboten. Die britische und amerikanische Konkurrenz ist im Kindertonträgerbereich besonders groß. Aus diesem Grund spezialisieren sich australische Hörbuchverlage auf die Produktion von Büchern australischer Autoren und/ oder über Australien. Bei Kindern sind die Autoren John Marsden, Paul Jennings und Andy Griffiths sehr beliebt. Stig Wemyss, ein ausgebildeter Schauspieler, hat zahl- reiche Bücher bei verschiedenen Verlagen erfolgreich gelesen. Musik bzw. Lieder wer- den auf Hörbüchern nur vereinzelt verwendet. Es gibt aber einige Gruppen, z.B. die Wiggles, und Entertainer, z.B. Don Spencer, die Lieder für Kinder schreiben und auf- nehmen. Da der Markt für Kindertonträger in Australien noch im Aufbau ist, lohnt es sich, die Entwicklungen weiter zu verfolgen. -
Emily Rodda GOLDEN DOOR
Emily Rodda’s first book, Something Special, was published in 1984. It marked the beginning of a career that has seen her become one of the most successful, prolific and versatile writers in Australia. She has written or co-authored well over fifty books for children, and as Jennifer Rowe (her real name) she writes popular mystery novels for adults. Her children’s books range from picture books to novels for teenagers, and include the award-winning Rowan series and the out- standingly successful Deltora Quest fantasy series. Winner of the Children’s Book Council of Australia’s Book of the Year (Younger Readers) Award a record five times, she seems to know instinctively what children want to read. 1. Forests of Silence, The 1. Cavern of Fear 1. Dragon’s Nest 2. Lake of Tears, The 2. Isle of Illusion, The 2. Shadowgate 3. City of Rats 3. Shadowlands, The 3. Isle of the Dead 4. Shifting Sands, The 4. Sister of the South, The 5. Dread Mountain 6. Maze of the Beast, The 7. Valley of the Lost, The 8. Return to Del Deltora Book of Monsters, the How To Draw Deltora Dragons How To Draw Deltora Monsters 1. Rowan of Rin Secrets of Deltora 2. Rowan and the Travellers Tales Of Deltora 3. Rowan and the Keeper of the Crystal Ultimate Deltora Quiz Book 4. Rowan and the Zebak 5. Rowan of the Bukshah 1. Key To Rondo 2. Wizard of Rondo 3. Battle for Rondo Best Kept Secret 1. Old Bun and the Burglar Bob the Bulider and the Elves 2. -
7-9 Booklist by Title - Full
7-9 Booklist by Title - Full When using this booklist, please be aware of the need for guidance to ensure students select texts considered appropriate for their age, interest and maturity levels. This title also appears on the 9plus booklist. This title is usually read by students in years 9, 10 and above. PRC Title/Author Publisher Year ISBN Annotations 5638 1000-year-old boy, The HarperCollins 2018 9780008256944 Alfie Monk is like any other pre-teen, except he's 1000 years old and Welford, Ross Children's Books can remember when Vikings invaded his village and he and his family had to run for their lives. When he loses everything he loves in a tragic fire and the modern world finally catches up with him, Alfie embarks on a mission to change everything by finally trusting Aidan and Roxy enough to share his story, and enlisting their help to find a way to, eventually, make sure he will eventually die. 22034 13 days of midnight Orchard Books 2015 9781408337462 Luke Manchett is 16 years old with a place on the rugby team and the Hunt, Leo prettiest girl in Year 11 in his sights. Then his estranged father suddenly dies and he finds out that he is to inherit six million dollars! But if he wants the cash, he must accept the Host. A collection of malignant ghosts who his Necromancer father had trapped and enslaved! Now the Host is angry, the Host is strong, and the Host is out for revenge! Has Luke got what it takes to fight these horrifying spirits and save himself and his world? 570824 13th reality, The: Blade of shattered hope Scholastic Australia 2018 9781742998381 Tick and his friends are still trying to work out how to defeat Mistress Dashner, James Jane, but when there are 13 realities from which to draw trouble, the battle is 13 times as hard. -
Financial Report 2017
Arts Law Centre of Australia ABN 71 002 706 256 Financial Report For the Year Ended 31 December 2017 Arts Law Centre of Australia ABN 71 002 706 256 Contents For the Year Ended 31 December 2017 Page Financial Report Directors' Report 1 Auditors Independence Declaration 5 Statement of Profit or Loss and Other Comprehensive Income 6 Statement of Financial Position 7 Statement of Changes in Equity 8 Statement of Cash Flows 9 Notes to the Financial Statements 10 Directors' Declaration 25 Independent Audit Report 26 Disclaimer 29 Schedules 30 Arts Law Centre of Australia ABN 71 002 706 256 Directors' Report 31 December 2017 The directors present their report on Arts Law Centre of Australia for the financial year ended 31 December 2017. 1. General information Information on directors The names of each person who has been a director during the year and to the date of this report are: The Hon. Justice Margaret Beazley AO President Qualifications LLB (Hons), LLD, University of Sydney Experience Admitted to the New South Wales Bar 1975; Queens Counsel 1989; Judge of the Federal Court of Australia 1993; first woman appointed to New South Wales Court of Appeal 1996 -currently its President; Officer in the Order of Australia. President of Arts Law since 2011. Special responsibilities Member of Risk & Governance Committee Andrew Wiseman Appointed as Vice President on 28 Feb 2016. He was a previous director. Qualifications LLB (Hons), LLM Experience Intellectual property and technology lawyer with over 25 years’ experience. He has built his reputation through his work for high- profile international and domestic clients across many industries on copyright, piracy, licensing, marketing, confidentiality, trade mark and is one of Australia’s leading music industry lawyers; partner of Allens-Linklaters since 1995.