Surprised by Joy: Children, Text and Identity
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Marjorie Barnard: a Re-Examination of Her Life and Work
Marjorie Barnard: a re-examination of her life and work June Owen A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales Australia School of the Arts and Media Faculty of Arts and Social Science Thesis/Dissertation Sheet Australia's Global UNSWSYDNEY University Surname/Family Name OWEN Given Name/s June Valerie Abbreviation for degree as give in the University calendar PhD Faculty Arts and Social Sciences School School of the Arts and Media Thesis Title Marjorie Barnard: a re-examination of her life and work Abstract 350 words maximum: (PLEASE TYPE) A wealth of scholarly works were written about Marjorie Barnard following the acclaim greeting the republication, in 1973, of The Persimmon Tree. That same year Louise E Rorabacher wrote a book-length study - Marjorie Barnard and M Barnard Eldershaw, after agreeing not to write about Barnard's private life. This led to many studies of the pair's joint literary output and short biographical studies and much misinformation, from scholars beguiled into believing Barnard's stories which were often deliberately disseminated to protect the secrecy of the affair that dominated her life between 1934 and 1942. A re-examination of her life and work is now necessary because there have been huge misunderstandings about other aspects of Barnard's life, too. Her habit of telling imaginary stories denigrating her father, led to him being maligned by his daughter's interviewers. Marjorie's commonest accusation was of her father's meanness, starting with her student allowance, but if the changing value of money is taken into account, her allowance (for pocket money) was extremely generous compared to wages of the time. -
Relationships to the Bush in Nan Chauncy's Early Novels for Children
Relationships to the Bush in Nan Chauncy’s Early Novels for Children SUSAN SHERIDAN AND EMMA MAGUIRE Flinders University The 1950s marked an unprecedented development in Australian children’s literature, with the emergence of many new writers—mainly women, like Nan Chauncy, Joan Phipson, Patricia Wrightson, Eleanor Spence and Mavis Thorpe Clark, as well as Colin Thiele and Ivan Southall. Bush and rural settings were strong favourites in their novels, which often took the form of a generic mix of adventure story and the bildungsroman novel of individual development. The bush provided child characters with unique challenges, which would foster independence and strength of character. While some of these writers drew on the earlier pastoral tradition of the Billabong books,1 others characterised human relationships to the land in terms of nature conservation. In the early novels of Chauncy and Wrightson, the children’s relationship to the bush is one of attachment and respect for the environment and its plants and creatures. Indeed these novelists, in depicting human relationships to the land, employ something approaching the strong Indigenous sense of ‘country’: of belonging to, and responsibility for, a particular environment. Later, both Wrightson and Chauncy turned their attention to Aboriginal presence, and the meanings which Aboriginal culture—and the bloody history of colonial race relations— gives to the land. In their earliest novels, what is strikingly original is the way both writers use bush settings to raise questions about conservation of the natural environment, questions which were about to become highly political. In Australia, the nature conservation movement had begun in the late nineteenth century, and resulted in the establishment of the first national parks. -
Sacs Secondary Reading Lists
Sacs Secondary Reading Lists ST ANDREW’S CATHEDRAL SCHOOL SECONDARY BOOK LISTS Aboriginal stories Action and adventure Biography and autobiography Christian Classics Crime Dystopian Fantasy Graphic novels Historical fiction Humorous stories Love and romance Middle School reading list Multicultural stories Non fiction Science fiction Senior reading list Short stories (online) Sports Thrillers War stories World literature St Andrew’s Cathedral School Secondary Reading Lists 2015 Page 1 ABORIGINAL STORIES Definition: fiction books written by Aboriginal authors. Author Title or Series Behrendt, Larissa Home Coleman, Dylan Mazin Grace Fran, Dobbie Whisper Paper bags and dreams Frankland, Richard J. Walking the boundaries Heiss, Anita Who am I? The diary of Mary Talence, Sydney, 1937 (or any other title) Leane, Jeanine Purple threads Lucashenko, Melissa Killing Darcy McDonald, Meme & My girragundji Prior, Boori The Binna Binna Man Njunjul the sun Mudrooroo (Johnson, Master of the ghost dreaming series Colin) Wild cat falling Norrington, Leonie The Barrumbi kids series Watson, Nicole The boundary Wharton, Herb Yumba days Wimot, Eric Pemulwuy: the Rainbow Warrior St Andrew’s Cathedral School Secondary Reading Lists 2015 Page 2 ABORIGINAL PICTURE BOOKS Definition: junior picture books written by Aboriginal authors. Author Title or Series Adams, Jeanie Going for oysters Pigs and honey Bancroft, Bronwyn Possum & Wattle or any other title Barunga, Albert About this little devil and this little fella Fry, Chris Nardika learns to make a spear Greene, -
Submission to the Productivity Commission Re Copyright Restrictions on the Parallel Importation of Books
SUBMISSION TO THE PRODUCTIVITY COMMISSION RE COPYRIGHT RESTRICTIONS ON THE PARALLEL IMPORTATION OF BOOKS 14 January, 2009 As a peak Australian voluntary organisation whose membership represents authors, illustrators, publishers, booksellers, teachers, librarians, teacher-librarians and parents, the Children's Book Council of Australia would like to express its objection to changes to present provisions of the Copyright Act that restrict parallel importation. Australia has a vibrant book industry, including the publication of many books for children. We see these books as a major enculturating force – they help Australian children to discover and celebrate who we are and what is important to us; they tell us our own unique stories in our own language/s, asking us to critically examine ourselves and our way of life. Every year, in schools around Australia, tens of thousands of Australian children celebrate the best of Australian children's literature, culminating in the CBCA Book of the Year Awards followed by Book Week. Australian award-winning books are written by new as well as established authors. With some of these books, Australian publishers have taken a chance in their publication; a chance which may not have been taken if parallel importation restrictions had been lifted. Australian authors feature prominently in international awards and honour lists because of the high quality of their work. Before succeeding overseas, all of these authors have first been published by Australian publishers. Some (but not all) award- winning Australian -
A Writer's Calendar
A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive. -
Methods and Practice of First Nations Australian Representation in Young Adult Fiction
Write and Wrong: methods and practice of First Nations Australian representation in young adult fiction Thesis submitted for the Doctor of Philosophy in Communication degree of the University of Canberra Author: Sophie-Anne Edwina Stanton 31st January 2020 i Abstract Representations of Aboriginal and Torres Strait Islander (Indigenous) peoples by non- Indigenous writers in young adult fiction is a complex area of study made contentious by political and social tensions stemming from Australia’s colonial history. Representations can have harmful real-world effects (Lucashenko, 2009) rooted not only in their consumption but also in the methods of production. When writing about Indigenous Australian peoples, non-indigenous authors are faced with negotiating these tensions. This thesis documents and compares information about the writing practices and reflections of non-Indigenous authors in regard to their critically lauded works that contain representations of Indigenous peoples. In doing so, it indicates moments of tension, success, and possible pathways towards deeper intercultural understanding. Semi-structured interviews were conducted with ten writers, all of whom published young adult novels shortlisted by the Children’s Book Council of Australia between 2002 and 2016, in order to explore their experiences of writing across cultures. Their novels were analysed with reference to postcolonial theories and Indigenous criticisms of representation in writing. The writers’ responses to the interview questions were coded and analysed according to established social research methods to establish individuals’ motivations and methods, and examine their reflections on writing about Indigenous peoples. Discussion of the similarities and differences between the participants’ responses revealed three main themes relating to the research aims. -
Apocalypse and Australian Speculative Fiction Roslyn Weaver University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2007 At the ends of the world: apocalypse and Australian speculative fiction Roslyn Weaver University of Wollongong Recommended Citation Weaver, Roslyn, At the ends of the world: apocalypse and Australian speculative fiction, Doctor of Philosophy thesis, Faculty of Arts, University of Wollongong, 2007. http://ro.uow.edu.au/theses/1733 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] AT THE ENDS OF THE WORLD: APOCALYPSE AND AUSTRALIAN SPECULATIVE FICTION A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by ROSLYN WEAVER, BA (HONS) FACULTY OF ARTS 2007 CERTIFICATION I, Roslyn Weaver, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Faculty of Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Roslyn Weaver 21 September 2007 Contents List of Illustrations ii Abstract iii Acknowledgments v Chapter One 1 Introduction Chapter Two 44 The Apocalyptic Map Chapter Three 81 The Edge of the World: Australian Apocalypse After 1945 Chapter Four 115 Exile in “The Nothing”: Land as Apocalypse in the Mad Max films Chapter Five 147 Children of the Apocalypse: Australian Adolescent Literature Chapter Six 181 The “Sacred Heart”: Indigenous Apocalypse Chapter Seven 215 “Slipstreaming the End of the World”: Australian Apocalypse and Cyberpunk Conclusion 249 Bibliography 253 i List of Illustrations Figure 1. -
The Development of Fantasy Illustration in Australian Children's Literature
The University of Tasmania "THE SHADOW LINE BETWEEN REALITY AND FANTASY": THE DEVELOPMENT OF FANTASY ILLUSTRATION IN AUSTRALIAN CHILDREN'S LITERATURE A dissertation submitted in partial fulfilment of the requirements of Degree for Master of Education. Centre of Education by Irene Theresa Gray University of Tasmania December 1985. Acknowledgments I wish to thank the following persons for assistance in the presentation of this dissertation: - Mr. Hugo McCann, Centre for Education, University of Tasmania for his encouragement, time, assistance and critical readership of this document. Mr. Peter Johnston, librarian and colleague who kindly spent time in the word processing and typing stage. Finally my husband, Andrew whose encouragement and support ensured its completion. (i) ABSTRACT The purpose of this study is to show that accompanying a development of book production and printing techniques in Australia, there has been a development in fantasy illustration in Australian children's literature. This study has identified the period of Australian Children's Book Awards between 1945 - 1983 as its focus, because it encompassed the most prolific growth of fantasy-inspired, illustrated literature in Australia and • world-wide. The work of each illustrator selected for study either in storybook or picture book, is examined in the light of theatrical and artistic codes, illustrative traditions such as illusion and decoration, in terms of the relationships between text and illustration and the view of childhood and child readership. This study. has also used overseas literature as "benchmarks" for the criteria in examining these Australian works. This study shows that there has been a development in the way illustrators have dealt with the landscape, flora and fauna, people, Aboriginal mythology and the evocation and portrayal of Secondary Worlds. -
APPENDIX ALCOTT, Louisa May
APPENDIX ALCOTT, Louisa May. American. Born in Germantown, Pennsylvania, 29 November 1832; daughter of the philosopher Amos Bronson Alcott. Educated at home, with instruction from Thoreau, Emerson, and Theodore Parker. Teacher; army nurse during the Civil War; seamstress; domestic servant. Edited the children's magazine Merry's Museum in the 1860's. Died 6 March 1888. PUBLICATIONS FOR CHILDREN Fiction Flower Fables. Boston, Briggs, 1855. The Rose Family: A Fairy Tale. Boston, Redpath, 1864. Morning-Glories and Other Stories, illustrated by Elizabeth Greene. New York, Carleton, 1867. Three Proverb Stories. Boston. Loring, 1868. Kitty's Class Day. Boston, Loring, 1868. Aunt Kipp. Boston, Loring, 1868. Psyche's Art. Boston, Loring, 1868. Little Women; or, Meg, Jo, Beth, and Amy, illustrated by Mary Alcott. Boston. Roberts. 2 vols., 1868-69; as Little Women and Good Wives, London, Sampson Low, 2 vols .. 1871. An Old-Fashioned Girl. Boston, Roberts, and London, Sampson Low, 1870. Will's Wonder Book. Boston, Fuller, 1870. Little Men: Life at Pluff?field with Jo 's Boys. Boston, Roberts, and London. Sampson Low, 1871. Aunt Jo's Scrap-Bag: My Boys, Shawl-Straps, Cupid and Chow-Chow, My Girls, Jimmy's Cruise in the Pinafore, An Old-Fashioned Thanksgiving. Boston. Roberts. and London, Sampson Low, 6 vols., 1872-82. Eight Cousins; or, The Aunt-Hill. Boston, Roberts, and London, Sampson Low. 1875. Rose in Bloom: A Sequel to "Eight Cousins." Boston, Roberts, 1876. Under the Lilacs. London, Sampson Low, 1877; Boston, Roberts, 1878. Meadow Blossoms. New York, Crowell, 1879. Water Cresses. New York, Crowell, 1879. Jack and Jill: A Village Story. -
A Half-Closed Book
A HALF-CLOSED BOOK Compiled by J. L. Herrera TO THE MEMORY OF: Mary Brice AND WITH SPECIAL THANKS TO: Madge Portwin, Margaret Clarke, Isla MacGregor, Bob Clark, Betty Cameron, Ken Herrera, Cheryl Perriman, and sundry libraries, op-shops, and book exchanges INTRODUCTION Just one more ramble through unexpected byways and surprising twists and turns … yes, I think everyone is allowed to go out with neither bang nor whimper but with her eyes glued to the page … Poor dear, people can say, she didn’t see that bus coming … The difficulty of course is where to store everything; and finding room in my mind is sometimes as tricky as finding room in my bedroom. But was it a good idea to do a short writer’s calendar? A year instead of my usual three years. I had mixed feelings about it. It was nice to see a book take shape so (relatively) swiftly. But I also felt the bits and pieces hadn’t had time to marinate fully. That sense of organic development had been hurried. I also found I tended to run with the simpler stories rather than the ones that needed some research—and some luck, some serendipity. On the other hand, how long a soaking constitutes a decent marinade? Not being a good cook I always find that hard to decide … So this will be a book without a deadline. One which can just wander along in spare moments. Its date will have to wait. Even so, I hope that anyone who happens to read it some day will enjoy it as much as I always enjoy the compiling of books on writing and reading. -
Chapter 1 Douglas Stewart
CHAPTER 1 DOUGLAS STEWART: THE EARLY YEARS 1925-1938 Throughout the many scholarly works that focus on Stewart’s place in Australian literature, the word that recurs in respect of Douglas Stewart’s creative work is ‘versatile’. One of its first appearances is in Nancy Keesing’s Douglas Stewart, which begins with the precise statement: ‘Douglas Stewart is the most versatile writer in Australia today ⎯ perhaps the most versatile who ever lived in this country. He is a poet whose poetry and nature as a poet are central to everything in which he excels’.93 Stewart was not only a poet whose early philosophy that the closer one moves towards nature the closer one moves towards the spirit of the earth, developed as a line of continuity which contributed to his total philosophy; this chapter focuses on Stewart’s life and poetic ambition in New Zealand until his move to Australia as an expatriate in 1938. As a mature poet he was then concerned to apply this pantheism to modern responses regarding humans and their experiences. The purpose of the introductory part of this chapter is to clarify the theme of the dissertation ⎯ Douglas Stewart’s creative impulse; the second part involves a discussion of the poet’s visit to England where he met poets Powys and Blunden. At this time he also journeyed to his ancestral home in Scotland. Upon his return to Australia in 1938 he was offered a position with Cecil Mann at the Bulletin. Stewart was also a distinguished verse dramatist, a successful editor, particularly of the Red Page of the Bulletin from 1940 to 1960,94 and a participant of some repute in journalism and publishing. -
The Children's Book Council of Australia Book of the Year Awards
THE CHILDREN’S BOOK COUNCIL OF AUSTRALIA BOOK OF THE YEAR AWARDS 1946 — CONTENTS Page BOOK OF THE YEAR AWARDS 1946 — 1981 . 2 BOOK OF THE YEAR: OLDER READERS . .. 7 BOOK OF THE YEAR: YOUNGER READERS . 12 VISUAL ARTS BOARD AWARDS 1974 – 1976 . 17 BEST ILLUSTRATED BOOK OF THE YEAR AWARD . 17 BOOK OF THE YEAR AWARD: EARLY CHILDHOOD . 17 PICTURE BOOK OF THE YEAR AWARD . 20 THE EVE POWNALL AWARD FOR INFORMATION BOOKS . 28 THE CRICHTON AWARD FOR NEW ILLUSTRATOR . 32 CBCA AWARD FOR NEW ILLUSTRATOR . 33 CBCA BOOK WEEK SLOGANS . 34 This publication © Copyright The Children’s Book Council of Australia 2021. www.cbca.org.au Reproduction of information contained in this publication is permitted for education purposes. Edited and typeset by Margaret Hamilton AM. CBCA Book of the Year Awards 1946 - 1 THE CHILDREN’S BOOK COUNCIL OF AUSTRALIA BOOK OF THE YEAR AWARDS 1946 – From 1946 to 1958 the Book of the Year Awards were judged and presented by the Children’s Book Council of New South Wales. In 1959 when the Children’s Book Councils in the various States drew up the Constitution for the CBC of Australia, the judging of this Annual Award became a Federal matter. From 1960 both the Book of the Year and the Picture Book of the Year were judged by the same panel. BOOK OF THE YEAR AWARD 1946 - 1981 Note: Until 1982 there was no division between Older and Younger Readers. 1946 – WINNER REES, Leslie Karrawingi the Emu John Sands Illus. Walter Cunningham COMMENDED No Award 1947 No Award, but judges nominated certain books as ‘the best in their respective sections’ For Very Young Children: MASON, Olive Quippy Illus.