A Half-Closed Book

Total Page:16

File Type:pdf, Size:1020Kb

A Half-Closed Book A HALF-CLOSED BOOK Compiled by J. L. Herrera TO THE MEMORY OF: Mary Brice AND WITH SPECIAL THANKS TO: Madge Portwin, Margaret Clarke, Isla MacGregor, Bob Clark, Betty Cameron, Ken Herrera, Cheryl Perriman, and sundry libraries, op-shops, and book exchanges INTRODUCTION Just one more ramble through unexpected byways and surprising twists and turns … yes, I think everyone is allowed to go out with neither bang nor whimper but with her eyes glued to the page … Poor dear, people can say, she didn’t see that bus coming … The difficulty of course is where to store everything; and finding room in my mind is sometimes as tricky as finding room in my bedroom. But was it a good idea to do a short writer’s calendar? A year instead of my usual three years. I had mixed feelings about it. It was nice to see a book take shape so (relatively) swiftly. But I also felt the bits and pieces hadn’t had time to marinate fully. That sense of organic development had been hurried. I also found I tended to run with the simpler stories rather than the ones that needed some research—and some luck, some serendipity. On the other hand, how long a soaking constitutes a decent marinade? Not being a good cook I always find that hard to decide … So this will be a book without a deadline. One which can just wander along in spare moments. Its date will have to wait. Even so, I hope that anyone who happens to read it some day will enjoy it as much as I always enjoy the compiling of books on writing and reading. And may your eyes never grow dim … J. L. Herrera Hobart …. 2009 PS. Speaking of serendipity it seems that the minute I finish a calendar and put it aside I find something which might’ve added to it. A greater sense of completeness perhaps. I thought of this when I came upon Joyce Maynard’s At Home in the World. As an eighteen-year-old she became involved with J. D. Salinger; a relationship I couldn’t help but see as damaging. When I began the book I found myself wishing I’d known about it sooner. When I finished it I was vaguely glad I hadn’t. 2 A HALF-CLOSED BOOK * * * * * January 1: Maria Edgeworth Caroline Jones January 2: Isaac Asimov Susan Wittig Albert January 3: J. R. Tolkien David Starkey January 4: Jacob Grimm * * * * * D. Scott Rogo wrote in The Poltergeist Experience, “Even the first scholars of history noted the existence and mystery of the poltergeist. Jacob Grimm in his Deutsche Mythologie cited an old German case. He reported how a house was bombarded by stones while blows erupted from its walls. These incidents occurred in A.D. 355.” And “Grimm, in his Teutonic Mythologie, records a case dating back to A.D. 856 in Kembden. Rappings, voices, and showers of stones plagued the unfortunate victim’s home.” * * * * * Puzzling as reports of ‘spontaneous combustion’ are I have never doubted that there is a natural and probably quite simple explanation. The medical and scientific establishments have pooh-poohed the whole thing; not questioning the fact that unfortunate people are found burned to death in their homes and gardens and sheds and cars—but arguing that they could not have combusted spontaneously and therefore the claim is absurd. On the surface this seems sensible. Human bodies are very damp things. Arthur Upfield wrote a short story called ‘Wisp of Wool and Disc of Silver’ in which a man manages to destroy the body of a neighbour by days of burning. This story later formed the basis for a real life attempt to destroy a murder victim in the same way. But even with plenty of space, plenty of time, and large amounts of heaped-on wood and brush, it proved to be an unsuccessful effort. The puzzle in cases of ‘spontaneous combustion’ is that people have been found by police still sitting in their almost undamaged armchairs but burnt to ashes. Even in horrifying collisions, housefires, plane crashes, and war zones horribly charred bodies have not been reduced to ash. Damon Wilson tells the story in Spontaneous Combustion of Charles Dickens and his use of the phenomenon … A case occurred in Germany in 1847 where the Countess von Gorlitz was found dead and partially burned in a locked bedroom. A doctor pronounced it as a case of spontaneous combustion but her man-servant Stauff admitted to killing her and heaping combustibles on her body. He got life imprisonment—which seems lenient for mid-19th century Germany—unless doubts remained. The defence had called famous chemist Baron von Liebig, inventor of the Liebig condenser, to prove that Stauff could not have burned her body like that because human bodies are very hard to burn. Therefore it could neither have been a case of Spontaneous Human Combustion nor could Stauff have burned the body in the way he claimed, possibly under pressure to confess. Spontaneous Human Combustion became an idea of ridicule in the scientific and medical worlds and Stauff went to prison. But the real question no one had engaged with was: if not natural combustion, and if Stauff or anyone else could not have burned the body in that room—then how did the Countess die? “Within four years, Liebig’s opinion was being used as a stick to beat England’s most famous author, Charles Dickens. In his novel Bleak House (serialized between 1852-53), Dickens kills off the villainous miser Krook by Spontaneous Combustion. “The cat stands snarling – not at them; at something on the ground, before the fire. There is very little fire left in the grate, but there is a smouldering suffocating vapor in the room, and a dark greasy coating on the walls and ceiling. The cat remains where they found her, still snarling at the something 3 on the ground, before the fire and between the two chairs. What is it? Hold up the light. Here is a small burnt patch of flooring; here is the tinder from a little bundle of burnt paper, and here is – is it the cinder of a small charred and broken log of wood sprinkled with white ashes, or is it coal? O Horror, he is here!” “This grim scene affronted the senses of many of Dickens’s Victorian readers, but the scientific community was indignant for another reason. The noted rationalist George Henry Lewes lost no time in writing to The Leader magazine to say that he “objected to the episode of Krook’s death by Spontaneous Combustion as overstepping the limits of fiction and giving currency to a vulgar error.” Dickens replied in the introduction to the first edition of Bleak House, explaining: “I have no need to observe that I do not willfully or negligently mislead my readers and that before I wrote that description I took pains to investigate the subject.” He went on to mention that he had studied 30 cases, including that of Countess Bandi (1731), on whose death chamber he had based his description of Krook’s bedroom.” Wilson notes that Dickens as a junior reporter had covered the inquest into just such a death, the verdict being death by misadventure, which had convinced Dickens that SHC was a reality. But Lewes wasn’t interested in cases; reason dictated that human bodies simply couldn’t spontaneously combust. Dickens’ friend Forster accused Lewes in the Fortnightly Review of being “odious by intolerable assumptions of an indulgent superiority”. But even Dickens’s reputation, and his appeal to actual cases, failed to convince the medical profession. Lewes revealed that he was basing his opinion on Liebig’s conclusions, when he declared: “I believe you will not find one eminent organic chemist who credits Spontaneous Combustion.” “And, unfortunately, he was correct. From that day to this, Spontaneous Combustion has been dismissed as a scientific impossibility.” I think Dickens who had thoroughly looked into the mystery was right and the medical men who had dismissed it out of hand were wrong. But that does nothing to explain what actually happens. Alcohol was originally seen as the main culprit. And being fat was thought to add fuel to the fire. As Julian Jeffs wrote in ‘Imbiber, Beware!’ “The conditions leading to spontaneous combustion were ably summarized by Lair, and are as follows: firstly, the people concerned made abuse, over a long period, of spirituous liquors; secondly, they were nearly all women; thirdly, they were mostly aged; fourthly, they were generally fat. When disaster overtook them, the extremities of their bodies were generally spared, and water, instead of putting the fire out, sometimes only made it more violent.” But many cases did not fit the image. Children, teetotalers, very thin people, teenagers, and people careful of their health have died mysteriously. But the majority of cases do appear to occur in fairly sedentary people— which just might give weight to the idea that a build-up of abdominal gases is a key factor. Other possibilities have included static electricity and ball lightning. But Wilson also trawls another idea which is even more unlikely to be taken on board by the medical establishment: poltergeists. Unexplained fires are sometimes a feature of an outbreak of poltergeist activity. But this would not explain why combustion tends to happen, rarely fortunately, to older people. Yet if that kind of spirit possession can feed off adolescent energy and anger—can it also feed on the kind of frustration and anger that can occur later in life as horizons shrink too soon, too drastically, too much at the whim of other people? I’m not sure if there is anything in this idea … but it struck me that it was the term ‘spontaneous’ which was the sticking point for many people.
Recommended publications
  • The Tasmanian ABC Production Unit Is an Invaluable Part of Media in Tasmania
    The Tasmanian ABC Production Unit is an invaluable part of media in Tasmania. The following is an excerpt of the ABC Strategic Plan pertinent to the issue: ABC STRATEGIC PLAN 2010–13 page 9 Providing content and services of the highest quality lies at the heart of the ABC’s public purpose. Audiences expect the Corporation to offer experiences that are engaging, entertaining, informative and trustworthy; the ABC will meet these expectations. In particular, it remains committed to the creation and delivery of Australian content, services to local communities, the highest levels of editorial standards and multi-platform delivery of content. The Corporation’s ability to sustain and transform itself depends fundamentally on its processes and people. As a public service, it must constantly seek to maximise the efficiency and effectiveness of its operations, converting savings into its programs and services. At the same time, it is crucial that the ABC maintain and support a creative and adaptable workforce that is capable of meeting the demands of the future, and actively engage with the wider Australian creative community. The Production Unit in Tasmania fulfils all these criteria. Creation of local content that tells the unique stories of Tasmania. These stories can be made without the need to seek development funding. The ABC Production Unit is a highly qualified and experienced team – able to create quality content in a timely way that matches or betters private production. The ABC has long been an employer of emerging media people both in front of camera and in production. Camera/sound/editing. This is invaluable to support of media community in Tasmania.
    [Show full text]
  • (WA) from 1938 to 1980 and Its Role in the Cultural Life of Perth
    The Fellowship of Australian Writers (WA) from 1938 to 1980 and its role in the cultural life of Perth. Patricia Kotai-Ewers Bachelor of Arts, Master of Philosophy (UWA) This thesis is presented for the degree of Doctor of Philosophy at Murdoch University November 2013 ABSTRACT The Fellowship of Australian Writers (WA) from 1938 to 1980 and its role in the cultural life of Perth. By the mid-1930s, a group of distinctly Western Australian writers was emerging, dedicated to their own writing careers and the promotion of Australian literature. In 1938, they founded the Western Australian Section of the Fellowship of Australian Writers. This first detailed study of the activities of the Fellowship in Western Australia explores its contribution to the development of Australian literature in this State between 1938 and 1980. In particular, this analysis identifies the degree to which the Fellowship supported and encouraged individual writers, promoted and celebrated Australian writers and their works, through publications, readings, talks and other activities, and assesses the success of its advocacy for writers’ professional interests. Information came from the organisation’s archives for this period; the personal papers, biographies, autobiographies and writings of writers involved; general histories of Australian literature and cultural life; and interviews with current members of the Fellowship in Western Australia. These sources showed the early writers utilising the networks they developed within a small, isolated society to build a creative community, which welcomed artists and musicians as well as writers. The Fellowship lobbied for a wide raft of conditions that concerned writers, including free children’s libraries, better rates of payment and the establishment of the Australian Society of Authors.
    [Show full text]
  • The Dark Lady of the Merchant of Venice
    3 The dark lady of The Merchant of Venice ‘The Sonnets of Shakespeare offer us the greatest puzzle in the history of English literature.’ So began the voyage of Alfred Leslie Rowse (1903–97) through the murky waters cloaking the identi- ties of four persons associated with the publication in 1609 of Shakespeare’s ‘sugared sonnets’: the enigmatic ‘Mr. W.H.’ cited in the forepages as ‘onlie begetter’ of the poems; the unnamed ‘fair youth’ addressed in sonnets 1–126; the ‘rival poet’ who surfaces and submerges in sonnets 78–86; and the mysterious ‘dark lady’ celebrated and castigated in sonnets 127–52.1 Doubtless, even as Thomas Thorpe’s edition was passing through George Eld’s press, London’s mice-eyed must have begun their search for the shadowy four; it has not slacked since. As to those nominated as ‘Mr. W.H.’, the list ranges from William Herbert to Henry Wroithesley (with initials reversed) to William Harvey (Wroithesley’s stepfather). In 1964 Leslie Hotson proposed one William Hatcliffe of Lincolnshire [!], while Thomas Tyrwitt, Edmond Malone, and Oscar Wilde all favoured a (fictional) boy actor, Willie Hughes. Among candidates for the ‘fair youth’, Henry Wroithesley, Earl of Southampton (1573–1624), appears to have outlasted all comers. Those proposed as the rival poet include Christopher Marlowe (more interested in boys than ladies dark or light); Samuel Daniel (Herbert’s sometime tutor);2 Michael Drayton, drinking partner of Jonson and Shakespeare; George Chapman, whose Seaven Bookes of the Iliades (1598) were a source for Troilus and Cressida; and Barnabe Barnes, lampooned by Nashe as ‘Barnaby Bright’ in Have with you to Saffron-Walden.
    [Show full text]
  • CLUNES Excel Print Copy.Xlsx
    Contents ART - FROM AROUND THE WORLD......................................................................................................................................................................... 2 AUSTRALIAN HISTORY .............................................................................................................................................................................................. 5 CINEMA .......................................................................................................................................................................................................................... 13 INDIGENOUS .................................................................................................................................................................................................................. 16 MILITARY ....................................................................................................................................................................................................................... 17 OTHER STATES - NSW, TAS, QLD, SA, WA, & NT ............................................................................................................................................... 21 AUSTRALIAN RAILWAYS ............................................................................................................................................................................................... 25 SKETCH BOOKS ............................................................................................................................................................................................................
    [Show full text]
  • MJT 5-1, Were Included As an Addendum in the Original Printed Version of This MJT 6-1
    Vol 6, No 1 April 1990 MELANESIAN JOURNAL OF THEOLOGY Editorial: Signs of the Times Christopher Garland How the Bible Came About: Old and New Testaments Jerome Crowe CP Firefly, and its Meaning in PNG Spencer Kombega Justice, Peace, and the Integrity of Creation Christopher Garland A Life of Love and Service: Marie-Therese Noblet AD Genevieve de Massignac AD Petition Form: (See article on “Justice, Peace, and Integrity of Creation”) Book Review Journal of the Melanesian Association of Theological Schools K3.00 The Melanesian Journal of Theology aims to stimulate the writing of theology by Melanesians for Melanesians. It is an organ for the regular discussion of theological topics at a scholarly level by staff and students of the member schools of the Melanesian Association of Theological Schools (MATS), though contributions from non-members and non-Melanesians will be considered. The Melanesian Journal of Theology is ecumenical, and it is committed to the dialogue of Christian faith with Melanesian cultures. The Editors will consider for publication all manuscripts of scholarly standard on matters of concern to Melanesian Christians, and of general theological interest. Manuscripts should be typed, double-spaced, and in duplicate. The Melanesian Journal of Theology appears twice yearly, in April and October. EDITORIAL ADDRESS:SUBSCRIPTIONS ADDRESS: Revd Christopher GarlandRevd Kasek Kautil Lecturer in TheologySecretary/Treasurer, MATS Newton CollegeMartin Luther Seminary PO Box 162PO Box 80 Popondetta, Oro ProvinceLae, Morobe Province Papua New GuineaPapua New Guinea SUBSCRIPTION RATES: DevelopingDeveloped CountriesCountries A.Overseas Surface mailUS$7.00US$10.00£7.00 Air mailUS$10.00US$13.00£10.00 Single copyUS$4.00 US$4.00 £4.00 B.PNG Surface mailK5.00 Air mailK6.00 Single copyK3.00 MATS membership K12.00 1 MELANESIAN JOURNAL OF THEOLOGY Journal of the Melanesian Association of Theological Schools EDITORIAL BOARD Esau Tuza B.D., M.A.
    [Show full text]
  • Surprised by Joy: Children, Text and Identity
    The Seventh Royale Ormsby Martin Lecture 2000 Surprised by Joy: Children, Text and Identity Maurice Saxby The Royale Ormsby Martin Lecture is administered by the Anglican Education Commission, Diocese of Sydney (a division of Anglican Youthworks) on behalf of the trustees: the Archbishop of Sydney, the Dean of Sydney and the Director of Education 1 Maurice Saxby Maurice Saxby, who was trained at Balmain Teacher’s College but went on to complete an Honours Degree in English from Sydney University as an evening student, believes passionately in the power of literature to enhance life, both for children and adults. He has taught infants, primary and secondary school students, but his career has been mainly as a lecturer in tertiary institutions. He retired as Head of the English Department at Kuring-gai College of Advanced Education. He has lectured extensively in children’s literature both in Australia and overseas including England, America, Germany, Japan and China. Maurice was the first National President of the Children’s Book Council of Australia and has served on judging panels for children’s literature many times in Australia; and he is the only Australian to have been selected as a juror for the prestigious international Hans Andersen Awards. He has received the Dromkeen Medal, the Lady Cutler Award and an Order of Australia for his services to children’s literature. Maurice’s publications range from academic works such as Offered to Children: A History of Australian Children’s Literature 1841–1941; Give them Wings: The Experience of Children’s Literature and Teaching Literature to Adolescents.
    [Show full text]
  • 13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
    13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V.
    [Show full text]
  • NUM DATA AUTORE TITOLO ART AUTORE TRA ARG CONTENUTO 1 01/01/1946 * [Soprattutto Per Noi Stessi...] Gal Editoriale Sull' Identità Del Gruppo E Della Rivista
    NUM DATA AUTORE TITOLO_ART AUTORE_TRA ARG CONTENUTO 1 01/01/1946 * [Soprattutto per noi stessi...] gal Editoriale sull' identità del gruppo e della rivista. 1 01/01/1946 FABRO NANDO Conversazione con Vittorini Vittorini Elio pol Risposta all'art. "Una nuova cultura" in «Politecnico», 29 sett. 1945 1 01/01/1946 FABBRETTI NAZARENO "A rebours", tr. di C. Sbarbaro Huysmans Joris Karl let Recensione e esemplificazione di esempi letterari sulla disperazione. 1 01/01/1946 DEL COLLE GHERARDO Vieni con me poe Lirica dedicata a Giannino Galloni. 1 01/01/1946 MARSANO GIACOMO 3 cose da niente pro Racconti brevi (tre) in tono di favola. 1 01/01/1946 BARILE ANGELO Gentile provincia gal Note in chiave di metafora sulla rivista di tendenza. 1 01/01/1946 GALLO (IL) Incontri gal Note a flash sulla storia del gruppo e il senso degli incontri. 2 01/02/1946 FABRO NANDO Nostra ignoranza soc Fondo sulle nuove esigenze di giustizia. 2 01/02/1946 * [Di fronte ai molti disillusi...] pol Nota sulla democrazia come lenta maturazione. 2 01/02/1946 FABBRETTI NAZARENO Pena dell'umanesimo fil Saggio breve. 2 01/02/1946 BARILE ANGELO Note sulla poesia 1. let Nota: elogio dell'opera corale e senza nome. 2 01/02/1946 GENTILE G.B. E' cessata la pioggia poe Lirica. 2 01/02/1946 DEL COLLE GHERARDO Porta chiusa poe Lirica. 2 01/02/1946 MARSANO GIACOMO 4 cose da niente pro Racconti brevi (quattro) in tono di favola. 2 01/02/1946 GALLO (IL) Incontri gal Note: tematiche e atteggiamenti nel gruppo.
    [Show full text]
  • Author Alex Kerekes in Mexico
    FINDING LOST CIVILIZATIONS AUTHOR ALEX KEREKES IN MEXICO Finding Lost Civilizations Alex Kerekes Park Place Publications Pacific Grove, california Finding Lost Civilizations Alexander Kerekes [email protected] Copyright © 2008 Alexander Kerekes All rights reserved under International and Pan-American copyright conventions. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. ISBN 978-1-877809-12-5 Printed in the U.S.A. First U.S. Edition: July 2008 Published by PARK PLACE PUBLICATIONS PACIFIC GROVE, CALIFORNIA www.parkplacepublications.com 2 Preface ome people have asked me, “Is this story true?” The an- Sswer is, mostly yes. I am not an anthropologist document- ing scientific observations. What I am is a witness to history, a storytelling accidental tourist on a path less traveled, and a protector of rascals and innocents encountered during my journey into Mexico. Sit back, relax, and enjoy the excite- San Pedro Lagunillas ment I truly did experience. Oscar Wilde said something to the effect that the storyteller recognizes that recreation, not instruction, is the aim of conversation, and the storyteller is Zacualpan * * a far more civilized being than the blockhead who loudly expresses his disbelief in a story that is told for the amuse- ment of the company. I hope my story is both amusing and educational. Read on and judge for yourself. State of Nayarit, Mexico. 1 CHAPTERS Preface .................................................................................. 1 Sacred Hot Springs and Deer Roasts .................................... 65 The Thirteen Stations of the Cross .......................................... 5 The Treasures of El Conde ...................................................
    [Show full text]
  • Relationships to the Bush in Nan Chauncy's Early Novels for Children
    Relationships to the Bush in Nan Chauncy’s Early Novels for Children SUSAN SHERIDAN AND EMMA MAGUIRE Flinders University The 1950s marked an unprecedented development in Australian children’s literature, with the emergence of many new writers—mainly women, like Nan Chauncy, Joan Phipson, Patricia Wrightson, Eleanor Spence and Mavis Thorpe Clark, as well as Colin Thiele and Ivan Southall. Bush and rural settings were strong favourites in their novels, which often took the form of a generic mix of adventure story and the bildungsroman novel of individual development. The bush provided child characters with unique challenges, which would foster independence and strength of character. While some of these writers drew on the earlier pastoral tradition of the Billabong books,1 others characterised human relationships to the land in terms of nature conservation. In the early novels of Chauncy and Wrightson, the children’s relationship to the bush is one of attachment and respect for the environment and its plants and creatures. Indeed these novelists, in depicting human relationships to the land, employ something approaching the strong Indigenous sense of ‘country’: of belonging to, and responsibility for, a particular environment. Later, both Wrightson and Chauncy turned their attention to Aboriginal presence, and the meanings which Aboriginal culture—and the bloody history of colonial race relations— gives to the land. In their earliest novels, what is strikingly original is the way both writers use bush settings to raise questions about conservation of the natural environment, questions which were about to become highly political. In Australia, the nature conservation movement had begun in the late nineteenth century, and resulted in the establishment of the first national parks.
    [Show full text]
  • Ideas for Your Classroom Year 1–2
    TEACHER RESOURCES IDEAS FOR YOUR CLASSROOM YEAR 1–2 MONDAY 3 MAY 2021 YEARS 1–2 MONDAY 03 THE UNDERCROFT MAY SUBIACO ARTS CENTRE SESSION: TAKING FLIGHT 9.50AM – 10.35AM CURRICULUM LINKS: The smallest of things can thrive, all we need English: personal responses to literature, narrative writing, is a little imagination, patience and belief - a visual language truth that lies at the heart of Fremantle writer Design & Technology: designing ideas Meg McKinlay’s beautiful picture book How to Science: physical science, forces Make a Bird. In this delightful exploration of creativity from a favourite local storyteller, Health: feelings Meg shares her own creative process, following General capabilities: creative and critical thinking an idea from the very start to the moment it takes form in the world, and encouraging you to do the same. SESSION: ANIMAL TALES CURRICULUM LINKS: 11.00AM – 11.45AM Helen Milroy is Australia’s first Cross-curricular priorities: Aboriginal & Torres Strait Islander Indigenous doctor, the 2021 Western Australian (ATSI) histories & culture of the Year and a descendant of the Palyku English: literature & context, language features, people. Crafted in the Australian Aboriginal responding to texts tradition of teaching stories, her books Science: biological science, Australian animals encompass stars, whales, birds and bugs, but Themes: personal strengths, friendship, hope, belonging the themes of strength and friendship shine History & Geography: ATSI people are connected to places the brightest. Join Helen in celebrating the wonderful characteristics of Australia’s native fauna. SESSION: EVERY STONE HAS A STORY 12.30PM – 1.15PM Join Mark Greenwood, award CURRICULUM LINKS: winning author of The Book of Stone for a hands-on exploration of nature’s wonders - English: responding to literature, evaluating texts, purpose & from crystals, to fossils that hold clues to the audience of texts prehistoric past, birthstones and gemstones, to Science: earth science - geology meteorites from Mars and beyond.
    [Show full text]
  • Annual Report 2016–2017 National Library of Australia Annual Report 2016–2017
    ANNUAL REPORT 2016–2017 REPORT ANNUAL NATIONAL LIBRARY OF AUSTRALIA OF AUSTRALIA LIBRARY NATIONAL ANNUAL REPORT 2016–2017 NATIONAL LIBRARY OF AUSTRALIA ANNUAL REPORT 2016–2017 NATIONAL LIBRARY OF AUSTRALIA NATIONAL LIBRARY OF AUSTRALIA 4 August 2017 Senator the Hon. Mitch Fifield Minister for the Arts Parliament House CANBERRA ACT 2600 Dear Minister National Library of Australia Annual Report 2016–2017 The Council, as the accountable authority of the National Library of Australia, has pleasure in submitting to you for presentation to each House of Parliament its annual report covering the period 1 July 2016 to 30 June 2017. Published by the National Library of Australia The Council approved this report at its meeting in Canberra on 4 August 2017. Parkes Place Canberra ACT 2600 The report is submitted to you in accordance with section 46 of the Public T 02 6262 1111 Governance and Performance and Accountability Act 2013. F 02 6257 1703 National Relay Service 133 677 We commend the Annual Report to you. nla.gov.au/policy/annual.html Yours sincerely ABN 28 346 858 075 © National Library of Australia 2017 ISSN 0313-1971 (print) 1443-2269 (online) National Library of Australia Mr Ryan Stokes Dr Marie-Louise Ayres Annual report / National Library of Australia.–8th (1967/68)– Chair of Council Director-General Canberra: NLA, 1968––v.; 25 cm. Annual. Continues: National Library of Australia. Council. Annual report of the Council = ISSN 0069-0082. Report year ends 30 June. ISSN 0313-1971 = Annual report–National Library of Australia. 1. National Library of Australia–Periodicals. 027.594 Canberra ACT 2600 Prepared by the Executive and Public Programs Division T +61 2 6262 1111 F +61 2 6257 1703 Printed by Union Offset Hearing or speech impaired-call us via the National Relay Service on 133 677 nla.gov.au ABN 28 346 858 075 Cover image: M.H.
    [Show full text]