Frostig Transition Resource Guide 10.09.20
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The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
2020-2021 Profile for Colleges
2020-2021 Profile for Colleges Brebeuf Jesuit Brebeuf Jesuit Preparatory School, located in Indianapolis, Indiana, 2801 W. 86th Street is one of 17 secondary school apostolates sponsored by the Indianapolis, IN 46268 Midwest Province of the Society of Jesus. Founded in 1962, Brebeuf 317.524.7050 Jesuit currently serves a co-educational student population of brebeuf.org 816 students with a faculty and staff of 131. School Code: 151653 • Student-Faculty ratio: 12:1 Carroll Easterday • Class of 2020 Mid-50% GPA: 3.41-4.17 Dir. of College Counseling • Class of 2020 Mid-50% SAT: 1150-1388 [email protected] • Class of 2020 Mid-50% ACT: 24-31 Lindsay Davis • Class of 2021 enrollment: 195 College Counselor [email protected] Mission Statement Myra Mariani Brebeuf Jesuit, a Catholic and Jesuit school, provides an excellent college College Counselor preparatory education for a lifetime of service by forming leaders who are [email protected] intellectually competent, open to growth, loving, religious, and committed Beth Newman to promoting justice. Fostering a culture of understanding and dialogue, College Counselor Brebeuf Jesuit seeks and welcomes students from diverse religious, ethnic [email protected] and socio-economic backgrounds. Students at Brebeuf Jesuit are called to Liz Otteson discover and cultivate the fullness of their God-given talents as a College Counselor responsibility and as an act of worship. [email protected] Kelly Shank Grading Scale College Counselor Brebeuf Jesuit uses a 4.0 grading scale, which is outlined on the [email protected] transcript. Advanced Placement and Dual Enrollment courses are weighted an extra 1.0 point and Honors courses are weighted an extra 0.5 point. -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
PCHS School Profile 2020-2021
2020-2021 Profile Principal: Roger Arbabi Mission: Park City High School Assistant Principals: Amie values integrity and academic Campbell, Tracy Fike, excellence in an inclusive Jamie Weekes Athletic Director: community. Jamie Sheetz Accreditation: AdvancED CTE Director: Lyndsay Huntsman COUNSELING STAFF: JenniFer Frink: Registrar Counseling CEEB Code 450290 Dara Smith: A-E Counselor OfFice: Heather Briley: F-La Counselor 435-645-5657 Community Liz Moskal: Le-Ri Counselor Founded May 17, 1915, Park City School District is nestled in the Kristen Hall: Ro-Z Counselor Fax: mountains oF the year-round resort town oF Park City, Utah. The Samantha Walsh: MSW, Intervention Counselor 435-645-5658 district’s mission is to inspire and support all students equitably to Mr. Shannon Hase: PCLC Counselor achieve their academic and social potential. Pepper Elliot: Scholarship Advisor Ashlee Jensen: Counseling Secretary There are four elementary schools (PreK-5), one middle school (grades 6-7), one junior high (grades 8-9), one alternative school COVID-19 Impact: School was closed quarter 4, school year 2019-2020. (grades 9-12), and one high school (grades 10-12) in the Park City Students completed the year with virtual classes. Grading included letter School District. Nearly 5,000 students attend Park City schools, grades and/or “P” For pass. No “F” grades given, only NG For “no grade”. including 20% Latinos, 8% English Language Learners, 7% with The options For this school year include in person learning or remote disabilities, and 22% Free or reduced lunch. learning, or a combination oF the two. No special grading For this school year. -
6363 Sunset Blvd. Hollywood, CA 90028 877 9LA FILM Lafilm.Edu Articulation Agreement Page 1
(Disclaimer: This institution is not regionally accredited. For more information see a counselor) Guaranteed Admission for Degree Completion This articulation agreement provides transfer admission opportunities for academically qualified students and graduates of Glendale Community College interested in completing their associate and/or bachelor’s degree through The Los Angeles Film School. Terms of Agreement: I. The Los Angeles Film School will guarantee admission to a candidate who has earned a grade point of average of 2.0 or better (based on a 4.0 scale) into the Bachelor of Science in Entertainment Business. The student must meet all specific admission and enrollment standards and requirements for the program. Student must complete an Associates degree in any subject and/or complete the IGETC/CSUGE requirement with 60 transferable units that include art, music, business, performance and/or courses related to entertainment.* II. Students accepted to The Los Angeles Film School will receive academic credit for all College level courses successfully completed with a letter grade of C or better. Non-credit or remedial courses will not be accepted for transfer credit and/or graduation requirements. III. Students interested in transferring need to submit an application and official transcripts from Glendale Community College and any other educational institutions previously attended. IV. Prerequisite and/or general education courses required for the Bachelor of Science in Entertainment Business may be taken at The Los Angeles Film School. V. This agreement will be reviewed annually and may be revised by mutual consent. In addition, The Los Angeles Film School and Glendale Community College agree to notify one another in writing of program changes that might affect the transfer of students under this agreement. -
A History of Rhythm, Metronomes, and the Mechanization of Musicality
THE METRONOMIC PERFORMANCE PRACTICE: A HISTORY OF RHYTHM, METRONOMES, AND THE MECHANIZATION OF MUSICALITY by ALEXANDER EVAN BONUS A DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _____________________________________________________Alexander Evan Bonus candidate for the ______________________Doctor of Philosophy degree *. Dr. Mary Davis (signed)_______________________________________________ (chair of the committee) Dr. Daniel Goldmark ________________________________________________ Dr. Peter Bennett ________________________________________________ Dr. Martha Woodmansee ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________2/25/2010 *We also certify that written approval has been obtained for any proprietary material contained therein. Copyright © 2010 by Alexander Evan Bonus All rights reserved CONTENTS LIST OF FIGURES . ii LIST OF TABLES . v Preface . vi ABSTRACT . xviii Chapter I. THE HUMANITY OF MUSICAL TIME, THE INSUFFICIENCIES OF RHYTHMICAL NOTATION, AND THE FAILURE OF CLOCKWORK METRONOMES, CIRCA 1600-1900 . 1 II. MAELZEL’S MACHINES: A RECEPTION HISTORY OF MAELZEL, HIS MECHANICAL CULTURE, AND THE METRONOME . .112 III. THE SCIENTIFIC METRONOME . 180 IV. METRONOMIC RHYTHM, THE CHRONOGRAPHIC -
Exceptional Minds Studio Raises Autism Expectations to 128 Movies and Television Shows
Contact: Dee McVicker Grassroots Communications Gilbert, Arizona 480.545.7363 [email protected] Exceptional Minds Studio Raises Autism Expectations to 128 Movies and Television Shows The studio of working professionals on the spectrum started 2019 with 128 movies and television shows to its credit, including three of the five 2019 Oscar nominees in the visual effects category (Avengers: Infinity War, First Man, and Solo: A Star Wars Story) and two Best Picture nominees. Sherman Oaks, California – January 22, 2019 – The Exceptional Minds studio staffed by professionals on the autism spectrum started the new year with 44 television shows and 84 movie features to its credit, including three of the five 2019 Oscar nominated movies in the Visual Effects category and two in the Best Picture category announced today by the Academy of Motion Picture Arts and Sciences. A nonprofit with an innovative approach to gainful employment for people with autism, Exceptional Minds artists did visual effects for 2019 Academy Award nominees Avengers: Infinity War, Black Panther, First Man, Green Book and Solo: A Star Wars Story as well as for four 2019 Golden Globe nominees (Black Panther, Crazy Rich Asians, First Man and Green Book) and three of the five 2018 Oscar nominated movies in the Visual Effects category. “We get asked often how we can create job opportunities in the competitive entertainment industry for a population that has one of the lowest employment rates. There are many reasons—a great education program, for one—but I think the main reason is that we have raised our expectations. We challenge everyone who walks through these doors to reevaluate their expectations for people with autism, and you know what? They meet, if not exceed, our expectations every time,” said Dr. -
Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era. -
Academic Catalog
Academic Catalog 6363 Sunset Blvd Hollywood, CA 90028 323.860.0789 www.lafilm.edu August 31, 2016 TABLE OF CONTENTS OUR HISTORY ..................................................................................................................................................................................... 4 OUR MISSION ..................................................................................................................................................................................... 4 OUR CAMPUS ..................................................................................................................................................................................... 4 ACCREDITATION, LICENSING AND APPROVALS .......................................................................................................................... 4 CATALOG POLICIES .......................................................................................................................................................................... 4 CAMPUS DEGREE PROGRAMS ........................................................................................................................................................ 6 COMPUTER ANIMATION, ASSOCIATE OF SCIENCE ................................................................................................................... 6 ANIMATION, GAME ART CONCENTRATION, BACHELOR OF SCIENCE .................................................................................... 7 ANIMATION, VISUAL EFFECTS -
PRESS Graphic Designer
© 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer . -
Exceptional Minds Receives Prestigious Sesame Street Award
Contact: Dee McVicker Grassroots Communications Gilbert, Arizona 480.545.7363 [email protected] For Immediate Release Exceptional Minds Receives Prestigious Sesame Street Award School and working studio for young adults on the autism spectrum exemplify the individuality and employability of people with autism. New York, NY – June 2, 2016 – Sesame Street guests, friends and Muppets gathered at Sesame Workshop’s annual benefit dinner last night at the Cipriani 42nd Street to celebrate the amazing in all children and to recognize the achievements of a few amazing individuals. Among them were two young adults with autism and their program director from Exceptional Minds, who received the evening’s prestigious Joan Ganz Cooney Award for their animated video demonstrating both the individuality of children with autism as well as the employability of people with autism. Exceptional Minds, a school and working studio for young men and women on the spectrum pursuing careers in digital animation and visual effects, is the first non-profit to receive the award named after the Children’s Television Workshop co-founder. “Thank you so much for the incredible honor…For many of us, Big Bird and Snuffleupagus and Oscar were our first friends,” said Michael Yochim who, along with fellow Exceptional Minds visual artist Shane McKaskle and program director Ernie Merlán, accepted the award on behalf of the other students at Exceptional Minds who contributed to Sesame Workshop’s 2015 US social impact initiative, Sesame Street and Autism: See Amazing in All Children. “I feel like we are a part of history and most importantly for me, I get to put Sesame Street on my resume!” added McKaskle. -
Applied Research Project Master of Public Administration Deron J
An Ideal Model for Transitional Programs for Autistic Youth: Evaluating the High School to Employment Programs for Autistic Youth in Georgetown, TX. By Deron J. Reinders Applied Research Project [email protected] Submitted to the Department of Political Science Texas State University-San Marcos In Partial Fulfillment for the Requirements for the Degree of Master of Public Administration Spring 2016 Abstract Purpose: The purpose of this applied research project is threefold. First, it describes the ideal components of an effective transitional program for youth with ASD transitioning from high school to employment in a community. Second, it assesses the transitional programs from high school to employment for youth with ASD who reside in Georgetown, TX. Third, it provides recommendations for improving the transitional programs for youth with ASD who reside in Georgetown, TX. Methodology: The components of an effective transitional program for youth with ASD transitioning from high school to employment identified in the literature led to the development of a conceptual framework. This framework allowed the researcher to develop an assessment tool designed to gauge the transitional programs for youth with ASD from high school to employment in Georgetown, TX. An assessment is accomplished through the use of a case study approach employing multiple methods. The methods used to collect data include interviews, document analysis, nonparticipation observations of public presentations, and survey research. Findings: Results indicate that the Georgetown Independent School District (GISD) has an outstanding transitional program/process for youth with ASD. There were only a few recommendations for GISD, such as having a self-determination curriculum, having a policy requiring transition meeting facilitators to use person-centered-planning (PCP), and training general education teachers on how to best work with students with ASD.