The Ways of the Faeries Minor Faeries
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Canadian Guiding Badges and Insignia Brownie Six/Circle Emblems
Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems Following the introduction of the Brownie program to provide Guiding for younger girls, and after the decision to base the new program on The Brownie Story, a further decision was made in 1919 to subdivide a Brownie Pack into smaller groups consisting of six girls. These smaller groups within the Pack were known as Sixes and were identified by a Six emblem bearing the name of some mythical fairy- like person from folklore. [Reference: POR (British, 1919)] The original Six emblems were brown felt; later versions were brown cotton with the edges bound in brown. In 1995, the term “Sixes” was replaced by the term “Circles”, and the shape of the emblems was changed as well. In 1972, three of the original twelve Six emblems were retired and in 1995 four new ones were added. Page 1 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0001 SC0002 Bwbachod Badge Discontinued 1919- 19? 19? - 1972 SC0003 SC0004 Djinn Introduced 1994 1995-2004 1994 SC0005 SC0006 Dryad Introduced 1994 1995- 1994 Page 2 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0007 SC0008 SC0009 Elf 1919-19? 19? - 1995 1995- SC0010 SC0011 SC0012 Fairy 1919-19? 19? - 1995 1995- SC0013 SC0014 Ghillie Dhu Badge Discontinued 1919-19? 19? - 1972 Page 3 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0015 SC0016 SC0017 Gnome 1995- 1919-19? 19? - 1995 SC0018 SC0019 Imp Badge Discontinued 1919-19? 19? - 1995 SC0020 SC0021 SC0022 Kelpie (formerly called Scottish -
Leprechauns Are the Most Well-Known Elves (Fairies) of Ireland
Leprechauns are the most well-known elves (fairies) of Ireland. They live in the large green hills and in the forests of Furniture may be moved around the room, County Antrim. A leprechaun is an ugly and the whiskey or milk will be found to little creature with pointed ears. He have gone down overnight, and then to is about 40 centimetres tall. He likes have been replaced with water (especially being alone and avoids contact with the whiskey!). If all this begins to happen, humans or any other leprechauns or the family involved will know they must fairies. His job is to make shoes for the start leaving out presents of food and other fairies. Because they are a kind of drink to keep the cheeky little fairy happy. fairy, leprechauns are often invisible. Then, the leprechaun will go round the When they are not invisible, you can house at night finishing the jobs that the recognise a leprechaun because he has a people have no time to do. shoe in one hand and a hammer in the other. He also likes to smoke a pipe of Leprechauns guard the fairies' treasures tobacco which smells horrible! as they must prevent humans from stealing it. They hide the treasures in a 4-leaf Leprechauns are naughty, they like to shamrock garden called Lucky Charm cause mischief. They like to hide in garden. According to myth, Leprechauns trees and although they are small, they hate the rainbow, because it will show can usually move very fast and are nearly where the gold is hidden. -
Brae Lochaber Gaelic Oral Tradition and the Repertoire of John Macdonald, Highbridge
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] BRAE LOCHABER GAELIC ORAL TRADITION AND THE REPERTOIRE OF JOHN MACDONALD, HIGHBRIDGE Andrew Esslemont Macintosh Wiseman A thesis submitted in fulfilment of the requirements for the degree of Master of Philosophy Celtic Department Faculty of Arts The University of Glasgow October 1996 © A.E.M. Wiseman 1996 ProQuest Number: 10992213 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10992213 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. -
The Adorabyssal Oracle
THE ADORABYSSAL ORACLE The Adorabyssal Oracle is an oracle deck featuring the cutest versions of mythological, supernatural, and cryptozoological creatures from around the world! Thirty-six spooky cuties come with associated elements and themes to help bring some introspection to your day-to-day divinations and meditations. If you’re looking for something a bit more playful, The Adorabyssal Oracle deck doubles as a card game featuring those same cute and spooky creatures. It is meant for 2-4 players and games typically take 5-10 minutes. If you’re interested mainly in the card game rules, you can skip past the next couple of sections. However you choose to use your Adorabyssal Deck, it is my hope that these darkly delightful creatures will bring some fun to your day! WHAT IS AN ORACLE DECK? An Oracle deck is similar to, but different from, a Tarot deck. Where a Tarot deck has specific symbolism, number of cards, and a distinct way of interpreting card meanings, Oracle decks are a bit more free-form and their structures are dependent on their creators. The Adorabyssal Oracle, like many oracle decks, provides general themes accompanying the artwork. The basic and most prominent structure for this deck is the grouping of cards based on elemental associations. My hope is that this deck can provide a simple way to read for new readers and grow in complexity from there. My previous Tarot decks have seen very specific interpretation and symbolism. This Oracle deck opens things up a bit. It can be used for more general or free-form readings, and it makes a delightful addition to your existing decks. -
How the King of Elfhame
First published in Great Britain in 2021 by HOT KEY BOOKS 80–81 Wimpole Street, London W1G 9RE Owned by Bonnier Books Sveavägen 56, Stockholm, Sweden www.hotkeybooks.com Copyright © Holly Black, 2020 Illustrations © Rovina Cai, 2020 Endpaper art by Kathryn Landis. Copyright © 2019 by Holly Black Map illustration by Kathleen Jennings. Copyright (c) 2018 by Holly Black. Drop cap letters copyright © Mednyanszky Zsolt/Shutterstock.com Running head ornament copyright © Gizele/Shutterstock.com All rights reserved. No part of this publication may be reproduced, stored or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the publisher. The right of Holly Black and Rovina Cai to be identified as author and illustrator of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act, 1988 This is a work of fiction. Names, places, events and incidents are either the products of the author’s imagination or used fictitiously. Any resemblance to actual persons, living or dead, is purely coincidental. A CIP catalogue record for this book is available from the British Library. ISBN: 978-1-4714-0999-8 Also available in audio Hot Key Books is an imprint of Bonnier Books UK www.bonnierbooks.co.uk For Brian and Drake, but mostly for Theo prince of Faerie, nourished on cat milk and contempt, born into a family overburdened with heirs, with a nasty A little prophecy hanging over his head—since the hour of Cardan’s birth, he has been alternately adored and despised. Perhaps it’s no surprise that he turned out the way he did; the only surprise is that he managed to become the High King of Elfhame anyway. -
Three Irish Legends
Read and listen. Three Irish Legends The Leprechaun Leprechauns, also known as ‘the little folk’, are very likeable and reflect the wonderful Irish sense of fun. Legend says that every leprechaun has a pot of gold which he must give to anyone who can catch him. But leprechauns are very clever and quick so there’s not much chance that you’ll be able to catch one! There are countless stories about leprechauns, like this one. A man was walking through a forest one day when a leprechaun jumped out in front of him. The man managed to grab him and he made the leprechaun take him to where his treasure was hidden. The man didn’t have a spade with him so he couldn’t dig it up, but he tied a red handkerchief to a bush so he could find it again. He went to get his spade but when he came back he couldn’t find the treasure, because there was a red handkerchief tied to every bush in the forest! New Horizons Digital 2 • Unit 5 pp.48–49 © Oxford University Press PHOTOCOPIABLE The Banshee Banshee is Irish (the language of Ireland) for fairy woman. If you hear the frightening crying of the banshee at night, it means that someone close to you has died. They say that sometimes she’s a mysterious white figure with long silver hair and a grey cloak. She’s tall and thin and her face is pale with eyes which are red from crying. At other times she’s able to appear as a lovely young girl with long red hair. -
Fairy Tales; Their Origin and Meaning
Fairy Tales; Their Origin and Meaning John Thackray Bunce The Project Gutenberg EBook of Fairy Tales; Their Origin and Meaning by John Thackray Bunce Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Fairy Tales; Their Origin and Meaning Author: John Thackray Bunce Release Date: June, 2005 [EBook #8226] [This file was first posted on July 3, 2003] Edition: 10 Language: English Character set encoding: iso-8859-1 *** START OF THE PROJECT GUTENBERG EBOOK, FAIRY TALES; THEIR ORIGIN AND MEANING *** E-text prepared by David Deley FAIRY TALES, THEIR ORIGIN AND MEANING With Some Account of Dwellers in Fairyland BY JOHN THACKRAY BUNCE INTRODUCTORY NOTE. The substance of this volume was delivered as a course of Christmas Holiday Lectures, in 1877, at the Birmingham and Midland Institute, of which the author was then the senior Vice-president. -
ML 4080 the Seal Woman in Its Irish and International Context
Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Darwin, Gregory R. 2019. Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42029623 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context A dissertation presented by Gregory Dar!in to The Department of Celti# Literatures and Languages in partial fulfillment of the re%$irements for the degree of octor of Philosophy in the subje#t of Celti# Languages and Literatures (arvard University Cambridge+ Massa#husetts April 2019 / 2019 Gregory Darwin All rights reserved iii issertation Advisor: Professor Joseph Falaky Nagy Gregory Dar!in Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context4 Abstract This dissertation is a study of the migratory supernatural legend ML 4080 “The Mermaid Legend” The story is first attested at the end of the eighteenth century+ and hundreds of versions of the legend have been colle#ted throughout the nineteenth and t!entieth centuries in Ireland, S#otland, the Isle of Man, Iceland, the Faroe Islands, Norway, S!eden, and Denmark. -
Nostalgia and the Irish Fairy Landscape
The land of heart’s desire: Nostalgia and the Irish fairy landscape Hannah Claire Irwin BA (Media and Cultural Studies), B. Media (Hons 1) Macquarie University This thesis is presented for the degree of Doctor of Philosophy in Media and Cultural Studies. Faculty of Arts, Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney August 2017 2 Table of Contents Figures Index 6 Abstract 7 Author Declaration 8 Acknowledgments 9 Introduction: Out of this dull world 1.1 Introduction 11 1.2 The research problem and current research 12 1.3 The current field 13 1.4 Objective and methodology 14 1.5 Defining major terms 15 1.6 Structure of research 17 Chapter One - Literature Review: Hungry thirsty roots 2.1 Introduction 20 2.2 Early collections (pre-1880) 21 2.3 The Irish Literary Revival (1880-1920) 24 2.4 Movement from ethnography to analysis (1920-1990) 31 2.5 The ‘new fairylore’ (post-1990) 33 2.6 Conclusion 37 Chapter Two - Theory: In a place apart 3.1 Introduction 38 3.2 Nostalgia 39 3.3 The Irish fairy landscape 43 3 3.4 Space and place 49 3.5 Power 54 3.6 Conclusion 58 Chapter Three - Nationalism: Green jacket, red cap 4.1 Introduction 59 4.2 Nationalism and the power of place 60 4.3 The wearing of the green: Evoking nostalgia for Éire 63 4.4 The National Leprechaun Museum 67 4.5 The Last Leprechauns of Ireland 74 4.6 Critique 81 4.7 Conclusion 89 Chapter Four - Heritage: Up the airy mountain 5.1 Introduction 93 5.2 Heritage and the conservation of place 94 5.3 Discovering Ireland the ‘timeless’: Heritage -
Document Template
Chatterbooks Eva Ibbotson Activity Pack About this Pack Here are eight fantastic books by Eva Ibbotson and one by her son Toby Ibbotson, full of ghosts, ghouls, ogres and all kinds of magical creatures and monsters. Some are beautiful, some are weird and grotesque, some are horribly scaring, but all of them are in some way are endearing, funny and friendly. In each book there’s a wonderfully ghostly mix of magic and mayhem, hard-hearted villains – and resourceful children seeking a happy ending. These books are perfect for children aged 8 years and upwards. They are exciting magical adventures told with wit, charm and perceptiveness – and with a deep concern for the natural world and its survival. This pack gives information and tasters from all the books, suggestions for more reading (including further titles by Eva Ibbotson), and lots of discussion and activity ideas for your Chatterbooks reading groups. It’s brought to you by The Reading Agency and their Children’s Reading Partner, Macmillan Children’s Books www.panmacmillan.com Chatterbooks [ www.chatterbooks.org.uk] is a reading group programme for children aged 4 to 14 years. It is coordinated by The Reading Agency and its patron is author Dame Jacqueline Wilson. Chatterbooks groups run in libraries and schools, supporting and inspiring children’s literacy development by encouraging them to have a really good time reading and talking about books. The Reading Agency is an independent charity working to inspire more people to read more through programmes for adults, young people and Children – including the Summer Reading Challenge, and Chatterbooks. -
Inside Passages
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2011 Inside Passages Keema Waterfield The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Waterfield, eema,K "Inside Passages" (2011). Graduate Student Theses, Dissertations, & Professional Papers. 581. https://scholarworks.umt.edu/etd/581 This Professional Paper is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. INSIDE PASSAGES By KEEMA MARIE WATERFIELD-CARLSON BFA, University of Alaska, Anchorage, Alaska 2006 Professional Paper presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Nonfiction The University of Montana Missoula, MT Summer 2011 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School Associate Professor Judy Blunt, Chair Department of Creative Writing Associate Professor Nancy Cook, Co-Chair Department of English Associate Professor Jody Pavilack, Co-Chair Department of History Inside Passage We wait for the all clear to board on a black night, the moon stitching a diamond pattern on the Gastineau Channel, the white rails of the Matanuska ferry glinting like a carnival ride. I want to be out there walking a dog, stretching my legs between rows of idling cars like the young couple holding hands and strolling slowly while their yellow lab pees on every third tire. -
Stories of Fairies Ebook, Epub
STORIES OF FAIRIES PDF, EPUB, EBOOK Anna Lester,Teri Gower | 48 pages | 26 May 2006 | Usborne Publishing Ltd | 9780746069547 | English | London, United Kingdom Stories of Fairies PDF Book Print Cite. The word has been overused to describe a supernatural being. Baobhan Sith A Scottish version of a female vampire or a succubus. It was this tradition as household spirits, that the elves were later given in Germanic and Celtic folklore traditions. They were often identify with pwca of Welsh tradition. Here, she foretold the defeat of the Fomorians. Both the Lady of the Fountain and the Lady of the Lake were thought to be originally goddesses of the water. They often sit outside any rational explanation and this is why they end up discarded. He was the According to legend, the abducted human children are given to the devil or used to strengthen fairy stock. Details if other :. We can only imagine the distress and anguish of parents looking for a child or family member. Email address. Mary Miller rated it liked it Feb 19, They were RED. I have encountered a gnome in my garden. The Fool is to be especially avoided on the month of June. But be patient—you could be waiting hours just for one glimpse. I was so Surprised and excited i tried to grab it but it disappeared into my mirror, it was very quick. These antecedent of the bean nighe are the Irish goddess Morrigan and the Welsh goddess Modron. Escape the Present with These 24 Historical Romances. Maybe, I have seen this thing twice in our Bath room — it is very pretty and it kind a take one back- am I going nuts? This website does not share personal information with third- parties nor do we store any information about your visit to this blog other than to analyze and optimize your content and reading experience through the use of cookies.