Language Contact and Language Conflict
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Språknytt 4/2017
TEMA: 1917-rettskrivingen 100 år 45. ÅRGANG 4 I 2017 18 Språknytt Kari bisp side 6 Leder Innhold 4 I 2017 3 Nye navn i nye kommuner Språkprosjektet 5 Språkbrukeren som sette spor 6 Intervjuet I år er det 100 år sidan tilnærminga mellom dei to nor ske målformene for alvor starta, med rettskrivings reforma av 1917. I den nasjonale bølgja som prega landet den gongen, låg mykje til rette for at Noreg skulle få eit fellesnorsk skriftspråk. Både i riksmålsrørsla og blant målfolk var det mange som var positivt innstilte til å møtast «på midten». Men slik kom det ikkje til å gå. 10 Ord i grenseland 1917reforma la opp til ei forsiktig og gradvis til nærming mellom målformene. Som de kan lesa om i 12 Ordbøkene rett i lomma dette bladet, står ho i ettertida fram som ei på mange 13 Revisjon av ordbøkene måtar svært vellukka reform. Folket tok imot mange av 14 En verden av klarspråk til Norge dei lite radikale endringane med opne armar. Når det 15 Djuptloddande prisvinnar gjeld dei meir radikale forandringane, var saka ei anna. 16 Løype! Då desse vart obligatoriske med 1938reforma, vart 17 Med andre ord motstanden større enn ein trudde. Det er fleire grunnar til at samnorskprosjektet kol 18 Reformen som satte spor lapsa enn 1938reforma i seg sjølv. Likevel kan me læra 22 Intervjuer med Torp, for ettertida at grunnleggande og småe rettskrivings Guttu, Hoel og Munkvold endringar blir tekne betre imot enn store og radikale. I så måte er 1917reforma eit godt føredøme. -
Sprog I Norden
Sprog i Norden Titel: Knud Knudsen (1812–1895): norsk skole- og språkreformator og skandinavist Forfatter: Arne Torp Kilde: Sprog i Norden, 2012, s. 1-19 [i hæftet: s. 119-138] URL: http://ojs.statsbiblioteket.dk/index.php/sin/issue/archive © Dansk Sprognævn Betingelser for brug af denne artikel Denne artikel er omfattet af ophavsretsloven, og der må citeres fra den. Følgende betingelser skal dog være opfyldt: • Citatet skal være i overensstemmelse med „god skik“ • Der må kun citeres „i det omfang, som betinges af formålet“ • Ophavsmanden til teksten skal krediteres, og kilden skal angives, jf. ovenstående bibliografiske oplysninger. Søgbarhed Artiklerne i de ældre numre af Sprog i Norden (1970-2004) er skannet og OCR-behandlet. OCR står for ’optical character recognition’ og kan ved tegngenkendelse konvertere et billede til tekst. Dermed kan man søge i teksten. Imidlertid kan der opstå fejl i tegngenkendelsen, og når man søger på fx navne, skal man være forberedt på at søgningen ikke er 100 % pålidelig. Knud Knudsen (1812–1895): norsk skole- og språkreformator og skandinavist Arne Torp Ivar Aasen (1813–1896) og Knud Knudsen (1813–1896) er de to store navna i norsk språkhistorie på 1800-tallet, men Aasen er nok vesentlig bedre kjent både i Norge og ellers i verden enn Knudsen. Dette er heller ikke så merkelig: Aasen grunnla nemlig den ene av de to offisielle norske målformene, lands- målet eller nynorsken, men Knudsens andel i bokmålet eller riksmålet består i at han var den ivrigste pådriveren for å fornorske dansken, som det ble kalt. Utgangspunktet hans var da den uttalen av dansk skriftspråk som var vanlig i den norske overklassa, den såkalte dannede dagligtale. -
Germanic Languages 825 IV. NORWEGIAN STUDIES*
Germanic Languages 825 IV. NORWEGIAN STUDIES* LANGUAGE By Arne Kruse, Lecturer in Norwegian, School of European Languages and Cultures, University of Edinburgh 1. General A general presentation in German of the Norwegian language and current language situation is H. Sandøy’s contribution, pp. 865–905 in Nation und Sprache. Die Diskussion ihres Verha¨ltnisses in Geschichte und Gegenwart, ed. Andreas Gardt, Berlin, Mouton de Gruyter. Martin Skjekkeland, Tysk-danske la˚nord i nynorsk og i bygdema˚la. Om ein frisk debatt- og om ei gransking av ordtilfanget i to bygdema˚l (Forskningsserien no. 16), Agder College, 1999, 130 pp., contributes to the discussion about German/Danish loan-words in Nynorsk with an investigation into the actual usage of such words in two local dialects. Other contribu- tions to this debate are by G. Akselberg, pp. 25–35 of 7. Møde om Udforskningen af Dansk Sprog, ed. Peter Widell and Mette Kunøe, Aarhus U.P., 1999, and among others, H. Sandøy, pp. 209–24 of the report Spra˚kbrukeren — fri til a˚ velge? Artikler om homogen og heterogen spra˚knorm, ed. Helge Omdal (Research series no. 17), Kristiansand, Agder College, 1999, 234 pp. The entire report focuses on theoretical and practical implications of restrictive vs. liberal norms for written Norwegian, and questions the validity of the claim that the many optional forms in Bokma˚l and Nynorsk are to the benefit of the user of written Norwegian. The three following books are published in the series ‘Publications of the Ivar Aasen Institute’: Ny-Noreg møter Svensk-Finland, ed. S. J. Walton, Volda, Volda College, 47 pp., is a compilation of five articles which compare the situations for Nynorsk and Swedish in Finland. -
Norsk Ordbok - the Crown of Nynorsk Lexicography?
Lars S. Vik0r, Sectionfor Norwegian Lexicography, University ofOslo Norsk Ordbok - the Crown of Nynorsk Lexicography? Abstract Norsk Ordbok 'Norwegian Dictionary' is a multi-volume dictionary of the Norwegian standard variety Nynorsk and the Norwegian dialects. It is one of the very few dictionaries which cover both a written standard language and the oral dialects on which this standard is based. It was initiated around 1930, based on dialect material collected by volunteers and stored in a vast card archive, and on a variety of written sources. At present, three oftwelve planned volumes have appeared, reaching into g. The paper gives a historical outline of the project, followed by a brief description of its structure and the types of information it gives. This is exemplified by the treatment of one particular word, bunad. Finally, some fundamental problems are briefly discussed: 1) the selection of lemmas, 2) the character of the sources, 3) the treatment of dialect forms, 4) the sequence of definitions. The full title of Norsk Ordbok is Norsk Ordbok. Ordbok over det norske folkemâlet og det nynorske skriftmâlet 'Norwegian Dictionary. A dic tionary of the Norwegian popular language [i.e. the Norwegian dialects], and the Nynorsk written language'. This title at once indicates the dual aspect of the dictionary: It gives integrated coverage of both oral dialects and a written standard language. This dual aspect is the most special distinguishing feature of Norsk Ordbok as a lexicographic work. Normally, dictionaries cover written standard languages or some aspect of them (or, in the case of pro nouncing dictionaries, oral standard language). -
SCANDINAVIAN LANGUAGES and LITERATURES Sara De Kundo 10 and Tom Kilton; July 1984
S 1-1 SCANDINAVIAN LANGUAGES AND LITERATURES Sara de Kundo 10 and Tom Kilton; July 1984 I. DESCRIPTION A. Purpose: To support the instructional and research programs of the Department of Germanic Languages and Literatures involving the literature and language studies of Old Norse/Icelandic, runes, and the historical and current literatures and languages of Iceland, Denmark, Norway, Sweden, and the Faeroe Islands. B. Hist0tY of Collection: In the early 20th century, Scandinavian studies were taught in the English Department. The collections were built up significantly by prominent professors, notably Henning Larsen and George Flom. The George Flom Library of over 2,000 valuable items was donated in 1941, and the Henning Larsen collection was purchased in 1971. Since 1959 Scandinavian language, literature and cultural studies have been offered regularly through the Department of Germanic Languages and Literatures. C. Estimate of Holdinis: 23,475 volumes. D. State. Reiional. and National Importance: The Scandinavian collections at Illinois are considered by most scholars to be outstanding and to rank among the top ten North American libraries with collections in these areas. E. Unit Responsible for Collectini: Modern Languages and Linguistics Library. F. Location of Materials: Reference works and a small core collection are held in Modern Languages and Linguistics Library. The majority of materials are in the Bookstacks , but many are in the Reference Room, the Rare Book and Special Collections Library, and the Undergraduate Library. G. Citations of Works Describini the Collection: Downs, pp. 113, 206. Major, p. 59. II. GENERAL COLLECTION GUIDELINES A. Lan&Ua&es: Primarily Old Norse/Icelandic, Danish, Norwegian, Swedish, and English, with selective acquisition of translations of primary source mate~ials as well as secondary criticism in other Western European languages. -
Norway – Music and Musical Life
Norway2BOOK.book Page 273 Thursday, August 21, 2008 11:35 PM Chapter 18 Norway – Music and Musical Life Chapter 18 Norway – Music and Musical Life By Arvid Vollsnes Through all the centuries of documented Norwegian music it has been obvi- ous that there were strong connections to European cultural life. But from the 14th to the 19th century Norway was considered by other Europeans to be remote and belonging to the backwaters of Europe. Some daring travel- ers came in the Romantic era, and one of them wrote: The fantastic pillars and arches of fairy folk-lore may still be descried in the deep secluded glens of Thelemarken, undefaced with stucco, not propped by unsightly modern buttress. The harp of popular minstrelsy – though it hangs mouldering and mildewed with infrequency of use, its strings unbraced for want of cunning hands that can tune and strike them as the Scalds of Eld – may still now and then be heard sending forth its simple music. Sometimes this assumes the shape of a soothing lullaby to the sleep- ing babe, or an artless ballad of love-lorn swains, or an arch satire on rustic doings and foibles. Sometimes it swells into a symphony descriptive of the descent of Odin; or, in somewhat less Pindaric, and more Dibdin strain, it recounts the deeds of the rollicking, death-despising Vikings; while, anon, its numbers rise and fall with mysterious cadence as it strives to give a local habitation and a name to the dimly seen forms and antic pranks of the hol- low-backed Huldra crew.” (From The Oxonian in Thelemarken, or Notes of Travel in South-Western Norway in the Summers of 1856 and 1857, written by Frederick Metcalfe, Lincoln College, Oxford.) This was a typical Romantic way of describing a foreign culture. -
Ivar Aasen 1813 – 2013
Ivar Aasen 1813 – 2013 Ivar Aasen, født i Ørsta 1813 og død i Kristiania 1896, ville ha vore 200 år i år. Dette jubileet vil vi sjølvsagt markere. Aasen var landets største språkforskar. Han er kjend for forskinga si i norske dialektar og som skaparen av eit nytt norsk skriftspråk. Dette kalla han landsmål, ikkje bygdemål, ei offisiell norsk målform som vart heitande nynorsk. Ivar Aasen var òg skjønnlitterær forfattar. Med denne utstillinga markerer vi òg Språkåret 2013 – ei feiring av det norske språkmangfaldet, og at Det Norske Teatret er 100 år. Ivar Aasen og Bergen © Universitetsbiblioteket i Bergen, www.uib.no/ub Ein utstillingskatalog til 200-årsjubilanten Tekst: Jan Olav Gatland, Bibliotek for humaniora Formgjeving: Pedro Vásquez, Manuskript- og librarsamlingane Omslag: Ivar Aasen, byste av Arne Mæland reist i samband med Noregs Mållags 100-årsjubileum i 2006. Foto: Pedro Vásquez Foto neste side: Paul Mork, Nasjonalbiblioteket Bergen Katalogen er også tilgjengeleg på UBs heimeside. 2013 Første turen til Bergen Neumann var begeistra for grammatikken og bad Aasen skrive ein kort epistel om seg sjølv. Nokre dagar seinare kom sjølvbiografien på trykk i Bergens Stiftstidende Si første første lange reise heimanfrå gjorde Ivar Aasen til Bergen, ei reise som saman med utdrag frå innleiinga til sunnmørsgrammatikken. Gjennom Neumann skulle bli eit avgjerande vendepunkt i livet hans. 30. juli 1841 kom han til Bergen, kom Aasen i kontakt med F. M. Bugge, preses i Det Kongelige Norske og i bagasjen hadde han ei samling av 509 plantar, sirleg ordna etter Linné, og Videnskabers Selskab i Trondheim, som gav Aasen eit stipend til å granske manuskriptet til ein grammatikk, kalla Den søndmørske Dialekt. -
The Language Youth a Sociolinguistic and Ethnographic Study of Contemporary Norwegian Nynorsk Language Activism (2015-16, 2018)
The Language Youth A sociolinguistic and ethnographic study of contemporary Norwegian Nynorsk language activism (2015-16, 2018) A research dissertation submitteed in fulfillment of requirements for the degree of Master of Science by Research in Scandinavian Studies Track II 2018 James K. Puchowski, MA (Hons.) B0518842 Oilthigh Varsity o University of Dhùn Èideann Edinburgh Edinburgh Sgoil nan Schuil o School of Litreachasan, Leeteraturs, Literatures, Cànanan agus Leids an Languages and Culturan Culturs Cultures 1 This page intentionally left blank This page intentionally left blank 2 Declaration Declaration I confirm that this dissertation presented for the degree of Master of Science by Research in Scandinavian Studies (II) has been composed entirely by myself. Except where it is stated otherwise by reference or acknowledgement, it has been solely the result of my own fieldwork and research, and it has not been submitted for any other degree or professional qualification. For the purposes of examination, the set word-limit for this dissertation is 30 000. I confirm that the content given in Chapters 1 to 7 does not exceed this restriction. Appendices – which remain outwith the word-limit – are provided alongside the bibliography. As this work is my own, I accept full responsibility for errors or factual inaccuracies. James Konrad Puchowski 3 Abstract Abstract Nynorsk is one of two codified orthographies of the Norwegian language (along with Bokmål) used by around 15% of the Norwegian population. Originating out of a linguistic project by Ivar Aasen following Norway’s separation from Denmark and ratification of a Norwegian Constitution in 1814, the history of Nynorsk in civil society has been marked by its association with "language activist" organisations which have to-date been examined from historiographical perspectives (Bucken-Knapp 2003, Puzey 2011). -
Satirising the Norwegian Language Conflict: Gabriel Scott’S Babels Taarn Contextually Reconsidered
Scandinavica Vol 52 No 1 2013 Satirising the Norwegian Language Conflict: Gabriel Scott’s Babels taarn Contextually Reconsidered Frederick Hale North-West University Abstract Gabriel Scott’s comedy Babels taarn (Babel Tower), first performed at the National Theatre in Kristiania in 1911, satirises the language controversy that was raging in Norway at the time. The play is regarded as important in linguistic and literary terms, but has been largely forgotten. This article argues that Scott was disillusioned by the politicisation of the language controversy and regarded the advance of landsmål as an artificial and unwelcome phenomenon in the unfolding of Norwegian culture which failed to understand the complexities of inevitable cultural syncretism. Babels taarn is discussed as a means by which Scott critiqued the defenders of riksmål for their passivity. Finally, it is argued that Babels taarn is a scathing indictment of what Scott perceived as misdirected and shallow nationalism. Keywords Gabriel Scott, Babels taarn (play), Norwegian drama, landsmål, language politics 17 Scandinavica Vol 52 No 1 2013 For many decades the history of the Norwegian language controversy, or språkstriden, has attracted the attention of linguists and other scholars both in Norway and abroad. They have illuminated many facets of the endeavours by advocates of landsmål or nynorsk to place their form of the tongue on an equal footing with riksmål or bokmål, as well as the establishment and life of Det Norske Teatret, the politics of Riksmålsforbundet, and other dimensions of the protracted strife. Historians of the Nordic languages thus have at their disposal a moderate wealth of scholarly literature in which such works as Einar Haugen’s Language Conflict and Language Planning: The Case of Modern Norwegian (1966) and Egil Børre Johnsen’s Vårt eget språk (1987) figure prominently. -
Rees Ellen.Indd
Ellen Rees University of Oslo [email protected] Bjerregaard’s (and Thrane’s, Wergeland’s, Aasen’s, Ibsen’s, Bjørnson’s, and Garborg’s) Fjeldeventyret (1825, 1844, 1853, 1857, 1865, and 1925) In 1825 the cultural elite in Christiania hailed Henrik Anker Bjerregaard and Waldemar �rane’s Fjeldeventyret as the �rst Norwegian national drama. In the century that followed concerted efforts were made to maintain this light musical drama’s status as a foundational national text, yet today it has all but disappeared from the canon. �is paper explores the ways in which major literary �gures such as Henrik Wergeland, Henrik Ibsen, Bjørnstjerne Bjørnson, Ivar Aasen, and Arne Garborg attempted to rework and frame the text. I will consider two modes of translation or adaptation: on the one hand Bjerregaard’s in�uential transformation of certain topographical features into consciously nationalist literary motifs, and on the other hand the strategies that the other authors employed to strengthen the status of Fjeldeventyret as a foundational text. Writing in 1966, Knut Nygaard argues that “Fjeldeventyrets litteratur- historiske betydning ligger ikke bare i det at det var det første full- stendige norske scenestykke skrevet etter 1814 som ble fremført i �alias tempel. Det var også det første levedyktige norske dikterverk med norsk natur og folkeliv, norsk språktone og norske mennesketyper”.1 Bjerregaard built his national drama on eighteenth-century models, particularly Holberg’s comedies and Ewald’s Fiskerne, with a keen sense of both the nuances of social status and the cultural divide between country and city dwellers. �e play serves as a primer that instructs urban viewers and readers, who were otherwise culturally oriented toward Copenhagen, in what aspects of the rural landscape and culture they should embrace as symbols for their emerging Norwegian identity. -
DOMINANT ETHNIC GROUPS in EUROPE, 1850-1940 · Ethnic Groups and Language Rights Volume III
COMPARATIVE STUDIES ON GOVERNMENTS AND NON 1/ .f:( - DOMINANT ETHNIC GROUPS IN EUROPE, 1850-1940 · Ethnic Groups and Language Rights Volume III ~., i . 1 . Edited by { SERGIJ VILFAN in collaboration with 1 GUDMUND SANDVIK and LODE WILS 1. f' 1 ~... ,' Non-existent Sami Language Rights in Norway, 1850--1940 GUDMUND SANDVIK European Science Foundation NEW YORK UNIVERSITY PRESS DARTMOUTH 128 .., 13 Non-existent Sami Language Rights in Norway, 1850-1940 GUDMUND SANDVIK Background The Samis are an ethnic minority in the Nordic countries and in Russia. According to more or less reliable censuses, they number today about 40 000 in Norway (1 per cent of the total population), 20000 in Sweden (0.25 per cent), 4500 in Finland (0.1 per cent) and 2000 on the Kola peninsula in Russia. Only Finland has had a regular ethnic census. The Samis call themselves sapmi or sabmi. It is only recently (after 1950) that this name has been generally accepted in the Nordic countries (singular same, plural samer). Tacitus wrote about fenni;1 Old English had finnas;2 Historia NorvegitE (History of Norway) written about P80 had finni,3 and the Norse word was {imzar. 4 In medieval Icelandic and Norwegian literature, Finnmork was the region in northern Scandinavia where the Samis lived. The northern most Norwegian fylke (county) of today, Finnmark, takes jts name from the huge medieval Finnmork. But Samis of today still use the name S4pnzi for the entire region where they live (See Map 13.1, ;].. which "shows S4pmiwith state frontiers and some Sami centres). 'Finner' is accordingly an authentic Norwegian name. -
Fiction of Scandinavian Women and the American Prairie
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2012 No Place Like Home: Fiction of Scandinavian Women and the American Prairie Rebecca Frances Crockett [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Crockett, Rebecca Frances, "No Place Like Home: Fiction of Scandinavian Women and the American Prairie. " Master's Thesis, University of Tennessee, 2012. https://trace.tennessee.edu/utk_gradthes/1144 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Rebecca Frances Crockett entitled "No Place Like Home: Fiction of Scandinavian Women and the American Prairie." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. Mary E. Papke, Major Professor We have read this thesis and recommend its acceptance: Charles Maland, William Hardwig Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) No Place Like Home: Fiction of Scandinavian Women and the American Prairie A Thesis Presented for The Master of Arts Degree The University of Tennessee, Knoxville Rebecca Frances Crockett May 2012 Copyright © 2012 by Rebecca Frances Crockett i Dedication This thesis is dedicated to my parents, Doug and Patricia Crockett, who taught me early the value of good books.