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(continued from inside) TEMECULA PUBLIC LIBRARY EASY READERS A Dream for A Princess (J ER Lagonegro) Melissa Lagonegro Princess Hearts (J ER Weinberg) Jennifer Liberts Weinberg Princess Tales: a Collection of Six Early Readers (J ER Disney) Temecula Public Library 30600 Pauba Road Book List Temecula, CA 92592 (951) 693-8900 Children around the world have always WWW.TEMECULALIBRARY.ORG WWW.RIVLIB.NET been enchanted with the tale of Cinderella. Versions of this classic tale are found in cultures all over the world. NON-FICTION The Persian Cinderella (J 398 CLI) Shirley Climo Abadeha: The Philippine Cinderella (J 398.2 DEL) Myrna J. De La Paz The Salmon Princess: An Alaskan Cinderella Story (J 398.2 DWY) Mindy Dwyer Adelita: a Mexican Cinderella Story (J 398.2097 DEP) Tomie DePaola Smoky Mountain Rose: An Appalachian Cinderella (J 398 SCH) Alan Schroeder Baba Yaga and Vasilisa the Brave (J 398.21 MAY) Marianna Mayer The Turkey Girl: A Zuni Cinderella Story (J 398.20899 POL) Penny Pollock Bigfoot Cinderella (J 398.2 JOH) Tony Johnston Walt Disney’s Cinderella (J 398.2 RYL) Cynthia Rylant La cenicienta (J SP 398.21 CIN) The Way Meat Loves Salt: A Cinderella Tale from the Jewish Tradition Cendrillon: A Caribbean Cinderella (J 398.20899 JAF) Nina Jaffe (J 398.2 SAN) Robert D. San Souci Yeh-Shen: A Cinderella Story from China Cinderella (J 398 LOU) Ai-Ling Louie (J 398.2 SAN) Ruth Sanderson Cinderella, or The Little Glass Slipper: CHAPTER BOOKS A Free Translation from the French of Charles Perrault (J 398 PER) Charles Perrault Cinderella (As If You Didn’t Already Know the Story) (J Ensor) Barbara Ensor Cinder-Elly (J 398 MIN) Frances Minters Cinderella: The Great Mouse Mistake (J O’Ryan) Ellie O’Ryan Cinderlily: A Floral Fairy Tale in Three Acts (J 398.2 ELL) David Ellwand Ella Enchanted (J Levine) Gail Carson Levine Domitila: A Cinderella from the Mexican Tradition (J 398 COB) Jewell Reinhart Coburn A Telling of Tales: Five Stories (J Brooke) William J. Brooke The Egyptian Cinderella (J 398.2 CLI) Shirley Climo Glass Slipper, Gold Sandal; A Worldwide Cinderella PICTURE BOOKS (J 398.2 FLE) Paul Fleischman All That Glitters The Golden Sandal: A Middle Eastern Cinderella Story (J EZ Bergen) Lara Bergen (J 398.20956 HIC) Rebecca Hickox Belinda and the Glass Slipper Hilary Knight’s Cinderella (J EZ Young) Amy Young (J 398.2 KNI) Hilary Knight Cinderella Jouanah, A Hmong Cinderella (J EZ Ehrlich) Amy Ehrlich (J 398.22089 COB) Jewell R. Coburn Dinorella: A Prehistoric Fairy Tale The Korean Cinderella (J EZ PBK Edwards) Pamela Duncan Edwards (J 398.2 CLI) Shirley Climo Ella’s Big Chance: A Jazz-Age Cinderella Little Gold Star: A Spanish-American Cinderella Tale (J EZ Hughes) Shirley Hughes (J 398.2 SAN) Robert D. San Souci The Gift of the Crocodile: A Cinderella Story Moss Gown (J EZ Sierra) Judy Sierra (J 398 HOO) William H. Hooks Mufaro’s Beautiful Daughters: An African Tale Once Upon a Princess (J EZ Steptoe) John Steptoe (J 398.2 ONC) Disney The Orphan: A Cinderella Story from Greece (J 398.2 MAN) Anthony Manna (list continued on back page).

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La Cenicienta En Las Artes Plásticas Y El Cine
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The Case for Cinderella Jenna Palme Cinderella is under attack in contemporary American media, and I won’t stand for it. Celebrities make headlines by announcing their children aren’t allowed to watch Cinderella because they believe the titular character represents misogynistic values, and they’re praised for it without question. They fear their daughters will mimic Cinderella’s actions and wait around for someone to save them instead of being progressive and saving themselves. When speaking out against Cinderella, many are only referring to the 1950 Disney film and not any other iterations. Even so, Cinderella is not a two-dimensional character who should be thrown in a pile of bad role models, never to be discussed again. Cinderella wasn’t a character created by Disney. It’s unknown when she was first created or by whom, but the story that most people know is from Charles Perrault’s “Cendrillion ou la petite pantoufle de verre” (Ribitsch 91), which differs only slightly from the Disney adaptation. Yet, Perrault didn’t write a single Cinderella story; he wrote two: “Donkeyskin” follows the same general tale type as “Cendrillion,” but the story greatly differs from the Cinderella story most people know. “Donkeyskin” may not be the story most people think of when they hear “Cinderella,” but the description of Cinderella that’s represented in popular culture because of Disney’s film comes from “Donkeyskin.” Perrault describes the girl with “lovely blond hair,” large blue eyes, ivory skin, and a “waist so small and fine that you could encircle it with two hands” (Perrault 161).
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