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Angriff Der Melancholie Malen, Anti-Kriegs-Demos, Fußball: Für Musik Haben Die Einst So Coolen Futuristen Von Massive Attack Nur Noch Wenig Zeit
Angriff der Melancholie Malen, Anti-Kriegs-Demos, Fußball: Für Musik haben die einst so coolen Futuristen von Massive Attack nur noch wenig Zeit. VON CHRISTOPH DALLACH Dummerweise hat das neue Album jede nur mögliche Werbung nötig. Denn so hoch die Erwartungen an das einstige Pop-Avantgarde-Genie wa- rfolg im Pop ist auch immer eine Frage des ren, so bitter werden sie nun enttäuscht: neun Moll-Electro-Hop-Balladen, Timings. Und was das betrifft, hat das pa- die grau und bedeutungsschwanger ohne jeden Pep dahinwummern. Auch Ezifistische britische Musiker-Kollektiv, das die üblichen Gastsänger wie Reggae-Veteran Horace Andy und die kurz- sich ganz martialisch Massive Attack nennt, kei- haarige Heulsuse Sinéad O’Connor helfen da nichts mehr. ne glückliche Hand. Als Anfang der neunziger Der Aussetzer der Bristoler Elektro-Stars zeigt, wie schwierig es ist, im Mu- Jahre die erste Single seines Debüt-Albums ãBlue sikgeschäft über mehrere Jahre innovativ zu bleiben. Das ist umso trauri- Lines“ erschien, verscheuchten die Amerikaner ger, als es der ganzen Branche derzeit an Innovationen mangelt. Dabei gerade Saddam Hussein aus Kuweit. Die Musiker waren Massive Attack mal eine Institution, die Ma§stäbe für die moderne beschlossen, zeitweilig die Attacke aus ihrem Na- Popmusik gesetzt hat. Ende der achtziger Jahre, hervorgegangen aus der men zu streichen. HipHop-DJ-Künstler-Gang Wild Bunch in der britischen Hafenstadt Bristol, In diesem Monat erscheint mit ã100th Window“ hatten Massive Attack prägenden Anteil an der Entstehung des so genann- (Virgin) das vierte Werk von Massive Attack, wie- ten TripHop. Einem Sound, der von gebremsten HipHop-Beats und ge- der gibt’s Krach zwischen dem Chef der Iraker pflegter Melancholie bestimmt wurde und bis heute in Cafés, Clubs und und den Vereinigten Staaten von Amerika, und Boutiquen nachhallt. -
Radiohead's Pre-Release Strategy for in Rainbows
Making Money by Giving It for Free: Radiohead’s Pre-Release Strategy for In Rainbows Faculty Research Working Paper Series Marc Bourreau Telecom ParisTech and CREST Pinar Dogan Harvard Kennedy School Sounman Hong Yonsei University July 2014 RWP14-032 Visit the HKS Faculty Research Working Paper Series at: http://web.hks.harvard.edu/publications The views expressed in the HKS Faculty Research Working Paper Series are those of the author(s) and do not necessarily reflect those of the John F. Kennedy School of Government or of Harvard University. Faculty Research Working Papers have not undergone formal review and approval. Such papers are included in this series to elicit feedback and to encourage debate on important public policy challenges. Copyright belongs to the author(s). Papers may be downloaded for personal use only. www.hks.harvard.edu Makingmoneybygivingitforfree: Radiohead’s pre-release strategy for In Rainbows∗ Marc Bourreau†,Pınar Dogan˘ ‡, and Sounman Hong§ June 2014 Abstract In 2007 a prominent British alternative-rock band, Radiohead, pre-released its album In Rainbows online, and asked their fans to "pick-their-own-price" (PYOP) for the digital down- load. The offer was available for three months, after which the band released and commercialized the album, both digitally and in CD. In this paper, we use weekly music sales data in the US between 2004-2012 to examine the effect of Radiohead’s unorthodox strategy on the band’s al- bum sales. We find that Radiohead’s PYOP offer had no effect on the subsequent CD sales. Interestingly, it yielded higher digital album sales compared to a traditional release. -
![Massive Attack, Karmacoma [Tricky]](https://docslib.b-cdn.net/cover/0893/massive-attack-karmacoma-tricky-100893.webp)
Massive Attack, Karmacoma [Tricky]
Massive Attack, Karmacoma [Tricky] You sure you want to be with me I've nothing to give Wont lie and say this lovin's best Well leave us in emotional pace Take a walk, taste the rest No, take a rest [3D] I see you digging a hole in your neighborhood Youre crazy but youre lazy I need to live and I need to Your troubles must be seen to see through Money like it's paper with faces i remember I drink on a daily basis Though it subtle cools my temper It never cools my temper [Tricky] Walking through the suburbs though not exactly lovers Youre a couple, 'specially when your bodys doubled Duplicate, then you wait for the next kuwait [Tricky & 3D] Karmacoma, jamaica' aroma [x4] [3D] You sure you want to be with me ive nothing to give Take a walk take a rest taste the rest Take a walk take a rest taste the rest Take a walk take a rest a taste of rest [Tricky] Don't want to be on top of your list Monopoly and properly kissed We overcome in sixty seconds With the strength we have to together But for now, emotional ties they stay severed When theres trust therell be treats And when we funk we'll hear beats [Tricky & 3D] Karmacoma, jamaica' aroma [x4] [3D] Deflowering my baby, aiyee my baby me I must be crazy, see i'm swazy Digging a hole in your neighborhood You're crazy but you're lazy, must be lazy [Tricky] Don't wanna on top of your list Monopoly and properly kissed [3D] Deflowering my baby, aiyee my baby me My baby Deflowering my baby, aiyee my baby me I must be crazy, you must be lazy [Tricky & 3D] Karmacoma, what?, jamaica aroma [x4] Massive Attack - Karmacoma w Teksciory.pl. -
Supporting Online Material
Supplementary Materials for Distinct regimes of particle and virus abundance explain face mask efficacy for COVID-19 Yafang Cheng†,*, Nan Ma*, Christian Witt, Steffen Rapp, Philipp Wild, Meinrat O. Andreae, Ulrich Pöschl, Hang Su†. * These authors contributed equally to this work. † Correspondence to: H.S. ([email protected]) and Y.C. ([email protected]) This PDF file includes: Supplementary Text S1 to S6 Figs. S1 to S7 Tables S1 to S7 1 Supplementary Text S1. Scenarios in Leung et al. (2020) Leung et al. (2020) reported an average of 5 to 17 coughs during the 30-min exhaled breath collection for virus-infected participants (10). Taking the particle size distribution given in Fig. 2, we calculate that one person can emit a total number of 9.31e5 to 2.72e6 particles in a 30 min sampling period. Note that particles > 100 µm were not considered here, and the volume concentrations of particles in the “droplet” mode (2.44e-4 mL, with 4.29e-5 to 2.45e-3 mL in 5% to 95% confidence level) overwhelm those in the “aerosol” mode (7.68e-7 mL, with 3.37e-7 to 5.24e-6 mL in 5% to 95% confidence level). S2. Virus concentration in Leung et al. (2020) Many samples in Leung et al. (2020) return a virus load signal below the detection limit (10). Thus we adopted an alternative approach, using the statistical distribution, i.e., percentage of positive cases, to calculate the virus concentration. Assuming that samples containing more than 2 viruses (Leung et al., 2020 used 100.3# as undetectable values in their statistical analysis) can be detected and the virus number in the samples follows a Poisson distribution, the fraction of positive samples (containing at least 3 viruses) can be calculated with pre-assumed virus concentration per particle volume. -
Massive Attack Blue Lines
Blue Lines Massive Attack [Tricky] Can't be with the one you love then love the one you're with Spliff in the ashtray, red stripe I pull the lid Her touch tickles, especially when she's gentle But I don't hear her words 'cause I slide the instrumental Keep the girl in the distance, moves are very hazy No sunshine in my life the way I deal is shady [3D] Skip hip data to get the anti-matter Blue lines are the reason why the temple had to shatter To the sound of silence surrounded by the mass Her face is on the paper not the strangers that I pass The ones that looking back to see if they are looking back at me [Daddy G] Are you predator or do you fear me [3D] Yeah while I'm doing this I know The place I really wanna go The one I love but never gets near me [Tricky] It's a beautiful day, well it seems as such Beautiful thoughts means I dream too much Even if I told you, you still would not know me Tricky never does, adrian mostly gets lonely How we live in this existence, just being English upbringing, background carribean [3D] It's the way that we ?bility? Sharing a soliloquy We cut the broken thread from flexibility Mi chiamo 3D si sono Inglese No sunshine in my life 'cause the way I deal is hazy And everyday's a daisy 'cause I'm on my toes While contemporaries of mine remaining comatose [Tricky] There's a looking glass she's looking through She hated me, but then she loved me too I'd lie not try so I lost faith Then turn to her to keep the faith She told me take an occupation or you lose your mind And on a nine to five lemon, looking for -
Universality and Diversity in Human Song Samuel A. Mehr1,2*, Manvir
This is a provisionally accepted manuscript. The published version will differ from it substantially. Please cite it as: Mehr, S. A., Singh, M., Knox, D., Ketter, D. M., Pickens-Jones, D., Atwood, S., Lucas, C., Egner, A., Jacoby, N., Hopkins, E. J., Howard, R. M., Hartshorne, J. K., Jennings, M. V., Simson, J., Bainbridge, C. M., Pinker, S., O'Donnell, T. J., Krasnow, M. M., & Glowacki, L. (forthcoming). Universality and diversity in human song. Science . Universality and diversity in human song Samuel A. Mehr 1,2*, Manvir Singh 3*, Dean Knox 4, Daniel M. Ketter 6,7, Daniel Pickens-Jones 8, Stephanie Atwood 2, Christopher Lucas 5, Alena Egner 2, Nori Jacoby 10, Erin J. Hopkins 2, Rhea M. Howard 2, Timothy J. O’Donnell 11, Steven Pinker 2, Max M. Krasnow 2, and Luke Glowacki 12* 1 Data Science Initiative, Harvard University 2 Department of Psychology, Harvard University 3 Department of Human Evolutionary Biology, Harvard University 4 Department of Politics, Princeton University 5 Department of Political Science, Washington University in St. Louis 6 Eastman School of Music, University of Rochester 7 Department of Music, Missouri State University 8 Portland, Oregon 9 Department of Psychology, University of California at Los Angeles 10 Max Planck Institute for Empirical Aesthetics 11 Department of Linguistics, McGill University 12 Department of Anthropology, Pennsylvania State University *Correspondence to [email protected] (S.A.M.), [email protected] (M.S.), and [email protected] (L.G.) Abstract What is universal about music across human societies, and what varies? We built a corpus of ethnographic text on musical behavior from a representative sample of the world’s societies and a discography of audio recordings of the music itself. -
Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms. -
Pt.BI ISHTAR ~IKAIBKRS
ASCAP "S 2006 DART CLADI Pt.BI ISHTAR ~IKAIBKRS WiD AFFILIATED FOREIG& SOCIETIKS 3 OLC&IE I OF III P U B L I S H E R .357 PUBLISHING (A) S1DE UP MUSIC $$ FAR BEYOND ENTERTAINMENT $3.34 CHANGE OF THE BEAST ? DAT I SMELL MUS1C 'NANA PUDDIN PUBL1SHING A & N MUSIC CORP A & R MUSIC CO A A B A C A B PUBLISH1NG A A KLYC 4 A A P PUBLISHING A AL1KE PUBLiSHING A ALIKES MUSIC PUBLISHING A AND F DOGZ MUSIC A AND G NEALS PUBLiSHER A AND L MUS1C A AND S MUSICAL WORKS AB& LMUSIC A B A D MUZIC PUBLISHING A B ARPEGGIO MUSIC ABCG I ABCGMUSIC A B GREER PUBLISH1NG A B REAL MUSIC PUBLISHING A B U MUSIC A B WILLIS MUS1C A BAGLEY SONG COMPANY A BALLISTIC MUSIC A BETTER HISTORY PUBLISH1NG A BETTER PUBL1SHING COMPANY A BETTER TOMORROM A BIG ATT1TUDE INC A BIG F-YOU TO THE RHYTHM A BILL DOUGLAS MUSIC A BIRD AND A BEAR PUBLISHING A BLACK CLAN 1NC A BLONDE THING PUBLISHING A BOCK PUBLISHING A BOMBINATION MUSIC A BOY AND HIS DOG A BOY NAMED HO A BRICK CALLED ALCOHOL MUSIC A BROOKLYN PROJECT A BROS A BUBBA RAMEY MUSIC A BURNABLE PUBLISHING COMPANY A C DYENASTY ENT A CARPENTER'S SON A CAT NAMED TUNA PUBLISHING A CHUNKA MUSIC A CIRCLE OF FIFTHS MUSIC A CLAIRE MlKE MUSIC A CORDIS MUSIC A CREATI VE CHYLD ' PUB L I SHING A CREATIVE RHYTHM A CROM FLIES MUSIC INC A .CURSIVE MEMDR1ZZLE A D D RECORDiNGS A D G MUSICAL PUBLISHING INC A D HEALTHFUL LIFESTYLES A D SIMPSON OWN A D SMITH PUBLISHING P U B L I S H E R A D TERROBLE ENT1RETY A D TUTUNARU PUBLISHING A DAISY IN A JELLYGLASS A DAY XN DECEMBER A DAY XN PARIS MUSIC A DAY W1TH KAELEY CLAIRE A DELTA PACIFIC PRODUCTION A DENO -
2 CITIES 4 PROJECTS Mercedes, İstanbul ONS İncek, Ankara Batı Dental, Ankara Köker, Ankara
Work Life, Architecture, Culture and Art December 2015 TIME MOMENTS OF TIME Faruk Malhan IN BETWEEN ART, CRAFT AND DESIGN Dilek Öztürk PRODUCTION OF TIME Özlem Sert 2 CITIES 4 PROJECTS Mercedes, İstanbul ONS İncek, Ankara Batı Dental, Ankara Köker, Ankara www.koleksiyoninternational.com Contents Prologue Koray Özsoy ‘Time’ is one of the words that we Speaking of time; maybe the Looking at micro level; we can All these varieties make us mention all are assumed to know very well famous painting ‘The Persistence define time as a plane formed by about a major ‘change’ from daily until it turns into a difficult matter to of Memory’ by Dali comes first to moments. A fourth dimension to things, needs to permanent habits explain when some one asks the our minds. Although the artist in his width, height and length in space! and traces that would settle for 26 real meaning behind. Referring to unique way that he was inspired But it cannot be undone and years, eras and influence societies. WORKS & NOTES basic dictionaries; time is described by the Camambert cheese melting controlled; there is only one direction Just like the creative-destructive as “a duration, period which uses under the sun on a hot August day, to go: forward (for now). Time is effects of time driving the change Salon 6 the regular and periodic celestial this piece of art is interpreted as a composed of subjective marks, or in objects and spaces... IN BETWEEN TIME, Alper Derinboğaz CRAFT AND DESIGN events of past, present and future”. protest against the concept of time ‘moments’, created individually by However; we need to be reading that is unquestionable, strict and each of us as we go forward. -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
Pablo Moses INTERVIEW
MAGAZINE #3 - December 2010 Rootz Underground Live in Kingston Horace Andy & Scientist Tippy Lloyd Brown Don Chandler Glen Washington Duane Stephenson Pablo Moses INTERVIEW * Israel Vibration * Sadiki * Cornadoor * Clinark * Alpheus * * Trojan * Buju Banton * Gappy Ranks * Special Delivery * J Boog * * Lloyd Brown * Frenchie * Pow Pow * Konshens * United Reggae Mag #3 - December 2010 Want to read United Reggae as a paper magazine? In addition to the latest United Reggae news, views andNow videos you online can... each month you can now enjoy a free pdf version packed with most of United Reggae content from the last month.. SUMMARY 1/ NEWS •Lloyd Brown - Special Delivery - Own Mission Records - Calabash J Boog - Konshens - Trojan - Alpheus - Racer Riddim - Everlasting Riddim London International Ska Festival - Jamaican-roots.com - Buju Banton, Gappy Ranks, Irie Ites, Sadiki, Tiger Records 3 - 9 2/ INTERVIEWS •Interview: Tippy 11 •Interview: Pablo Moses 15 •Interview: Duane Stephenson 19 •Interview: Don Chandler 23 •Interview: Glen Washington 26 3/ REVIEWS •Voodoo Woman by Laurel Aitken 29 •Johnny Osbourne - Reggae Legend 30 •Cornerstone by Lloyd Brown 31 •Clinark - Tribute to Michael Jackson, A Legend and a Warrior •Without Restrictions by Cornadoor 32 •Keith Richards’ sublime Wingless Angels 33 •Reggae Knights by Israel Vibration 35 •Re-Birth by The Tamlins 36 •Jahdan Blakkamoore - Babylon Nightmare 37 4/ ARTICLES •Is reggae dying a slow death? 38 •Reggae Grammy is a Joke 39 •Meet Jah Turban 5/ PHOTOS •Summer Of Rootz 43 •Horace Andy and Scientist in Paris 49 •Red Strip Bold 2010 50 •Half Way Tree Live 52 All the articles in this magazine were previously published online on http://unitedreggae.com.This magazine is free for download at http://unitedreggae.com/magazine/. -
Order Form Order Form
CD: £9.49 (Samplers marked* £6.49) LP: £9.49 ORDER FORM Postage &Packing: Jamaican Recording/ Kingston Sounds 1 x CD = 0.95p + 0.35p for every additional item PO BOX 32691 London W14 OWH 1 x LP = £1.95 + .85p for every additional item JAMAICAN www.jamaicanrecordings.com Total x 2 for Europe Total x 3 for Rest of the World (ROTW) RECORDINGS [email protected] If mixed please contact us. CAT NO. TITLE VINLY (QTY) CD (QTY) SUB TOTAL £ JR001 KING TUBBY 'LOST TREASURES' £ JR002 AUGUSTUS PABLO 'DUBBING WITH THE DON' £ JR003 THE REVOLUTIONARIES AT CHANNEL 1 £ JR004 LEE PERRY 'SKANKING WITH THE UPSETTER' £ JR005 THE AGGROVATORS 'DUBBING IT STUDIO STYLE' £ JR006 SLY & ROBBIE MEET BUNNY LEE AT DUB STATION £ JR007 HORACE ANDY'S DUB BOX 1973 - 1976 £ JR008 JAMAICAN RECORDINGS 'DUB SAMPLER' £ JR009 'DUBBING AT HARRY J'S 1970-1975 £ JR010 LINVAL THOMPSON 'DUB STORY' £ JR011 NINEY THE OBSERVER AT KING TUBBY'S £ JR012 BARRY BROWN 'STEPPIN UP DUB WISE' £ JR013 DJ DUBCUTS 'DUBBING WITH THE DJS' £ JR014 RANDY’S VINTAGE DUB SELECTION £ JR015 TAPPA ZUKIE ‘DUB EM ZUKIE’ £ JR016 KING TUBBY ‘DUB MIX UP’ £ JR017 DON CARLOS ‘INNA DUB STYLE’RARE DUBS 1979 - 1980 £ JR018 JAMAICAN RECORDINGS 'DUB SAMPLER' VOL 2 * £ JR019 TREASURE ISLE IN DUB – RARE DUBS £ JR020 LEROY SMART – MR SMART IN DUB £ JR021 MAX ROMEO – CRAZY WORLD OF DUB £ JR022 SOUL SYNDICATE – DUB CLASSICS £ JR023 AUGUSTUS PABLO MEETS LEE PERRY/WAILERS £ JR024 RONNIE DAVIS – ‘JAMMIN IN DUB’ £ JR025 KING JAMMY’S DUB EXPLOSION £ JR026 PROFESSIONALS MEETS THE AGGRAVATORS AT JOE GIBBS £ JR027 DYNAMIC ‘DUBBING AT DYNAMIC SOUNDS’ £ JR028 DJ JAMAICA ‘INNA FINE DUB STYLE’ £ JR029 SCIENTIST - AT THE CONTROLS OF DUB ‘RARE DUBS 1979 - 1980’ £ JR030 JAMAICAN RECORDINGS ‘DUB SAMPLE VOL.