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2009 The G. Ross Roy Collection of Burns: An Illustrated Catalog Elizabeth Sudduth [email protected]

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The G. Ross Roy Colecion of Robert Burns Cameo portrait of Robert Burns, artist unknown, ca. 1840 z

The G. Ross Roy Colecion of Robert Burns An Illuyrated Catalogue

Compiled by Elizabeth A. Sudduth With the Assistance of Clayton Tarr [ Introduction by G. Ross Roy [ Foreword by Thomas F. McNally

The University of South Carolina Press Published in Cooperation with the Thomas Cooper Library, University of South Carolina © 2009 University of South Carolina

Published by the University of South Carolina Press Columbia, South Carolina 29208 www.sc.edu/uscpress

Manufactured in the of America

18 17 16 15 14 13 12 11 10 09 10 9 8 7 6 5 4 3 2 1

Library of Congress Cataloging-in-Publication Data

Sudduth, Elizabeth A. The G. Ross Roy Collection of Robert Burns : an illustrated catalogue / compiled by Elizabeth A. Sudduth with the assistance of Clayton Tarr ; introduction by G. Ross Roy ; foreword by Thomas F. McNally. p. cm. “Published in cooperation with the Thomas Cooper Library, University of South Carolina.” Includes bibliographical references and index. ISBN 978-1-57003-829-7 (cloth : alk. paper) 1. Burns, Robert, 1759–1796—Bibliography—Catalogs. 2. Roy, G. Ross (George Ross), 1924– —Library—Catalogs. 3. Thomas Cooper Library—Catalogs. I. Tarr, Clayton Carlyle. II. Roy, G. Ross (George Ross), 1924– III. Thomas Cooper Library. IV. Title. Z8135.S83 2009 [PR4331] 016.821'6—dc22 2008045164

This book was printed on Glatfelter Natures, a recycled paper with 30 percent postconsumer waste content. ] Contents

List of Illustrations vi Foreword ix Thomas F. McNally Introduction xiii G. Ross Roy ’s Note xix Elizabeth A. Sudduth

I. Manuscripts and Typescripts 1 II. Printed Materials, Books, and Sheet Music by Burns 20 III. Burnsiana 244 IV. Art, Prints, Posters, and Photographs 367 V. Sound, Film, and Video Recordings 372 VI. Realia and Cultural Objects 375

Index 379 ] Iluyrations

Cameo portrait of Burns frontispiece William Ormiston Roy, by Yousuf Karsh xiii Inscription from Charlotte Sprigings to W. Ormiston Roy xiv Holograph manuscript for “When I Sleep &c.” xxii

Following page 228 Burns’s porridge bowl and spoon Fore-edge painting of Burns birthplace, by Tom Valentine The first edition of Burns’s poems, binding by Rivière & Son First edition of Burns’s poems Holograph in Burns’s hand of “Leslie Baillie” Holograph letter from “Sylvander” (Robert Burns) to “Clarinda” (Agnes M’Lehose) The Merry Muses of Caledonia Elegy on the Year Eighty-Eight Large creamware jug made by W. Ridgeway Mauchlinware binding Miniatures Variants of the Henley-Henderson edition Henry Snell Gamley, bronze maquette of statue of Burns

Holograph letter from Burns to Thomas Campbell 1 Holograph letter from “Clarinda” to “Sylvander” 3 Holograph letter from 7 Lord Woodhouselee’s advice to Burns written on proof sheets of “Tam o’ Shanter: A Tale” 9 Inscription from Burns to Mrs. Dunlop in Zeluco 17 Burns’s inscription to Isabella McLeod in The Seasons 18 Burns’s copy of The World 19 Burns’s annotated copy of Poems, Chiefly in the Scottish Dialect 21 “Death and Dr. Hornbook: A True Story” 22 List of Illustrations / vii

Burns’s notes about Poems on the back of a letter from 22 “” from James Johnson’s The 23 The second American edition of Poems 24 The 1788 Philadelphia edition of Poems 25 “The Whistle” 27 “Red, Red Rose,” first published in Urbani’s Scots Songs 28 An early version of “Bruce’s Address” 29 “The Cotter’s Saturday Night” 31 Four variants of the Brash and Reid edition of Aloway Kirk 32 Elegy on the Year Eighty-Eight 34 The Kirk’s Alarm 36 The Works of Robert Burns, edited by 39 Poems, Chiefly in the Scottish Dialect 43 Letters Addressed to Clarinda, &c. 44 From a proof-sheet of Thomas Bewick’s illustrations for Poetical Works 51 Reliques of Robert Burns 52 Burns in German 94 Burns in French 97 Collection of miniatures including Burns’s Poems 161 Variant twentieth-century editions of The Merry Muses 181 Burns in Russian 209 Bilingual edition in Scots and Italian 212 Goodsir Smith’s A Choice of Burns’s Poems and Songs 219 McLean’s Scottish Rebel Songs 221 Burns in Swiss-German 223 Linocut by Axel Hertenstein from Tam vom Shanter 227 “Burns—the Scottish ” 264 ’s study of Burns 266 An extract from Frederick Douglass’s “A Fugitive Slave Visiting the Birth-Place of Robert Burns” 281 The first Burns biography 299 Special section of the Illustrated News celebrating the one-hundredth anniversary of the poet’s birth 303 The Lounger, edited by Henry Mackenzie 314 Proof of the program of the Leith Burns Club supper 316 A song sheet bound into The Burns Calendar 328 List of Illustrations / viii

Inscription in Robert Burns si no kenkyu 331 ’s A Letter to a Friend of Robert Burns 365 Portrait of Burns by Alasdair Gray 368 Burns’s silhouette of Clarinda 368 Archibald Skirving’s portrait of Burns 369 Max Beerbohm cartoon: “Robert Burns, Having Set His Hand to the Plough, Looks Back at Highland Mary” 370 ’s translation of “For a’ That” 371 ] Foreword

It is just twenty years since the first public announcement (on Burns Night, January 25, 1989) that the G. Ross Roy Collection was coming to the Univer- sity of South Carolina’s Thomas Cooper Library. It was a pivotal moment for the library—the first of several internationally significant research col- lections that would be acquired in the following decades, showing the new possibilities such collections can bring. In the twenty years since that announcement, it has also proved one of the most versatile of the library’s signature collections in supporting a wide variety of scholarship, exhibits and other programs. It gives the university unique research materials that cannot be found in other libraries and a distinctive research strength in Scot- tish literature that, we believe, is unrivaled in North America. It is a very big collection, both in number of volumes and in chronologi- cal range. The more than five thousand items in this catalogue are only those directly relating to Robert Burns and his works. Burns is certainly the heart of the Roy Collection, and the catalogue shows its extraordinary depth as a research resource, with manuscripts, first and later editions, music, books about Burns, portraits, statues, memorabilia, and other background mate- rial. But Burns and Burnsiana make up just over a third of the collection, which covers , particularly Scottish , from the early eighteenth century to the present day, with some important earlier materi- als. As the library’s on-line catalogue shows, the Roy Collection can support research in depth on a host of major Scottish writers, from to Hugh MacDiarmid and beyond. It is a collection that continues to grow. Even before the collection came to the library, Professor Roy’s own scholarship, both on Burns and in editing Studies in Scottish Literature, had made South Carolina well known in Scot- tish studies. The collection benefits from that reputation. Since “retiring” in 1990, he seems to have worked as hard as ever, and his network of contacts and friendships has made sure that the collection gets even better known and keeps growing. Both separately and with Director of Special Collections Patrick Scott, he has given numerous talks and presentations based on the Foreword / x

collection to academic conferences and Scottish societies. He checks through thousands of items each year in bookdealers’ catalogues, or on the Web, that might strengthen the collection, and each year for the past twenty years, he and Mrs. Roy have themselves donated many thousands of dollars in addi- tional items. Most recently, in January 2008, in a highlight of my own first months as interim dean, they transferred to the university their remaining Robert Burns manuscripts, letters, and memorabilia, including Burns’s por- ridge bowl. It is a collection that has won both wide interest and external support. The Roy Collection has drawn scholars and visitors to Columbia from around the world, both for individual research and for an extraordinary range of exhi- bitions and conferences, and this activity won the endorsement of outside- grant agencies and donors. Within a year of the first announcement, a conference on early Scottish literature drew participants to Columbia from thirteen different countries and twenty-three U.S. states. Since then confer- ences or symposia with related exhibits have followed, on , Thomas Carlyle, the Robert Burns bicentenary, and Burns and America (at Emory University), and stand-alone exhibits on Hugh MacDi- armid, James “” Macpherson, , Alasdair Gray, the Blackwoodians, Duncan Glen and Akros, and the post-MacDiarmid . Support for this activity has come from the National Endow- ment for the Humanities, the Humanities CouncilSC (repeatedly), the Geor- gia Humanities Council, the British Council, and the Scottish Arts Council. Cataloguing for the first phases of the collection was supported by a federal grant under Title II-C. Individual research visitors have come from as far away as and , and researchers in the collection have been supported by the British Academy and the Carnegie Trust for the Uni- versities of . Since 1990, also, the annual W. Ormiston Roy Fellow- ship, established by Ross and Lucie Roy in memory of Dr. Roy’s grandfather, has supported nineteen visiting fellows, often scholars from Scottish univer- sities, but also from Italy, , and several U.S. universities. The Roys’ own generosity has brought other gifts, from K. D. Kennedy Jr. to establish our first Scottish literature endowment, and from Frank and Susan Shaw to provide a conference room highlighting the Scottish collections in the new special collections building currently under construction. Much more than in the past, a unique collection in one library can now be known and accessed worldwide. It is amazing to remember that twenty years ago there was no World Wide Web, and even library research might still Foreword / xi involve card catalogues; the energetic new dean of libraries, the late Dr. George Terry, who in his first week shook hands with Dr. Roy on the origi- nal transfer, also presided over the library’s first on-line public-access cata- logue. The growth of special collections has gone hand in hand with the growth of technology. Now researchers can work from specialized descrip- tions of individual books and manuscripts even before they visit. The library’s Robert Burns bicentenary exhibit from 1996 was among the first large-scale Web exhibitions mounted from the university’s Rare Books and Special Collections, followed by similar exhibits on Carlyle, Stevenson, and MacDiarmid. This year the library’s Digital Projects group, established by my predecessor Paul Willis (dean, 2002–2007), is mounting several archival- quality on-line projects from the Roy Collection, including the Burns man- uscripts, the Burns chapbooks, and a full-text facsimile of Burns’s Letters to Clarinda (1802), with an introduction by Dr. Roy, in the library’s new AccessAble Books project with USC Press. A printed catalogue like this, however, remains of great significance, both as a convenient research tool and as a permanent scholarly record of the col- lection’s extraordinary strength. We are deeply indebted to Elizabeth Sud- duth, head of Special Collections Processing and Services, who has herself catalogued many of the materials described here, for undertaking this more- formal illustrated record in time for this year of special Burns celebrations. While this book is based on the on-line catalogue, it is much more than that, involving the reexamination of the original volumes, adding of new infor- mation, and extensive editing of entries. Dr. Roy himself has provided an introduction and additional annotations on many of the rarer items, and he and Mrs. Roy together have read the whole catalogue in proof. It has also been possible to include a large number of illustrations and a detailed index. Cataloguing the Roy Collection has been like photographing a moving target, but publication of the catalogue is, we believe, a landmark both for the library and for Burns scholarship, and we are very grateful to all who have made it possible. The story of the Roy Collection is extraordinary. So is the value of what it has brought to the university. It is a pleasure and a privilege for me to partic- ipate in this catalogue and to thank Dr. and Mrs. Roy for what this collection means to the university, in this 250th year since the birth of Robert Burns. Thomas F. McNally Interim Dean of Libraries

] Introduction

The beginning of the Roy Collection goes back to my grandfather W. Ormis- ton Roy, who left me his considerable library at his death in 1958. His collec- tion reflected his occupation (landscape architect) and his enthusiasms, including dogs, curling, and Scottish literature, especially Robert Burns. I gave away all the books except the Scottish literature and began the lengthy

William Ormiston Roy (1874–1958), by Yousuf Karsh Introduction / xiv

Inscription from Charlotte Sprigings, later Mrs. W. Ormiston Roy, to W. Ormiston Roy, Christmas 1890

task of sorting through the material that I had kept. The earliest personal item that I was able to identify was an edition of Burns inscribed at Christ- mas 1890 by Charlotte A. Sprigings to her friend W. Ormiston Roy. She was to become my grandmother. There may have been an edition of Burns that was brought over from Scotland by Ormiston Roy’s father, but I was not able to identify it, if indeed it had not gone to another member of . I was no stranger to Burns when I inherited my grandfather’s collection, because he had often recited Burns or talked about him when I lived with him while I was attending university. He told me that he had purchased a first edition of Burns, published in in 1786, while he was in Great Britain in 1939, but when World War II broke out he was obliged to go to Holland in order to get home, and he left without the precious volume. After the war he was unable to retrieve it. WOR was an unsystematic collector, and when I got his books sorted, I discovered that I had more than two hundred duplicate volumes of Burns and Burnsiana, including copies of the second edition of Burns published in in 1787. Rather than offer the duplicates to a dealer, I decided to sell them as a lot, and they went to the University of Nevada, which issued a catalogue of its acquisition. With the money I received from that university, plus a bit more, I was able to contact dealers, saying that I was interested in Introduction / xv

purchasing a Kilmarnock edition. By return mail I was offered two, and by 1962 I was the owner of one of them in a sumptuous Rivière binding (see the color illustration, following page 228). In 1964 J. W. Egerer’s monumental Bibliography of Robert Burns appeared, and I was able to check on which editions I had and, more important, which I did not have. For more than four decades, I have been on a chase to obtain a copy of every volume listed in Egerer, and though I realize that I shall never get them all, I also draw satisfaction when I find a volume that Egerer had not seen. Evidence of the strength of the materials that I have been able to amass is the fact that the Roy Collection possesses all but two of the books and seven of the chapbooks of the forty-six eighteenth-century items that Egerer lists. By far the most important eighteenth-century volume in the collection is the copy of The Merry Muses of Caledonia: A Collection of Favourite Scots Songs, Ancient and Modern, Selected for Use of the , to give the work its full title. This book is surrounded by controversy, much of it still unresolved. There had previously been only one known copy, the possession of the Earl of Rosebery (and now in the National Library of Scotland), but that copy has a torn title page, which is wanting the date—1799. It is known that Burns had a collection of bawdy poems and songs, and it has been argued that a copy of his manuscript is now in the . We are by no means certain, however, how many of the songs in The Merry Muses are by Burns; we know that twelve of them are by him, and we know that he col- lected nine others, but that leaves the other sixty-five in limbo. To celebrate the bicentenary of the publication of The Merry Muses, the University of South Carolina Press published for the Thomas Cooper Library a facsimile of this scarcest of all major Burns editions. We know from Burns’s letters that he was an avid reader and that he amassed a considerable library. Unfortunately, when this was auctioned off some years after his death, there was not a comprehensive list of its contents on the auction announcement. I have not bothered with items that he obvi- ously would have owned, but I have picked up more out-of-the-way items such as Arthur Murphy’s translation of Jean-François Marmontel’s Bélisaire. Of course the prize was to find one volume (of two) of John Moore’s Zeluco that Burns himself owned and annotated. While I did not set out to collect Burns manuscripts, fate has determined that a few have ended up in my possession. These were not included in the two phases of the gift/purchase that transferred virtually all my printed Introduction / xvi

Burns and Burnsiana to the University of South Carolina. This material be- came the G. Ross Roy Collection. I had inherited some excise lines in Burns’s hand from my grandfather, but the first manuscripts I bought were the two Sylvander letters to Clarinda, including the one with the famous teardrop statement. Two interesting letters came up for sale while I was working on my edi- tion of the poet’s letters. They were unknown, so I requested permission from the auction house that was handling the sale to copy them, but I was refused. I feared that this would be the end of it and that I should not be able to include them in my edition. To my surprise they did not meet the reserve, so I arranged an introduction to one of the directors of the firm and by adding a good sum to the reserve was able to take possession of them. I obtained another letter, to Burns’s friend Robert Cleghorn, enclosing a proof sheet of his poem “The Whistle,” in a roundabout way. A keen collec- tor of Walt Whitman learned that I had postcards from Whitman to John Burroughs, and he wrote to me asking if I would sell them. I replied that I was not interested in selling them, but if he could find an important Burns letter, I would exchange. He was obviously well connected: he soon offered me the letter, and the swap was agreed. By a piece of remarkable good for- tune several years later, a copy of the chapbook to which the poet was refer- ring was added to the collection. Another important letter in the collection is from Burns to John M’Murdo, who was chamberlain to the Duke of Queens- berry, sending him a “Collection of Scots Songs,” which was to become The Merry Muses. An attractive recent addition to the manuscripts in the collection is a 1792 song entitled “Lesley Bailie—A Scots .” It is the only known copy in Burns’s hand that has this explanatory note: “The foregoing Ballad was com- posed as I galloped from Cumbertrees to town, after spending the day with the Family of Mayfield.” The manuscript and typescript holdings also include the archive of Stud- ies in Scottish Literature (v. 1–34), of which I am the founding editor. This periodical began as a quarterly and then became an annual. It is devoted to all aspects of Scottish literature, and it contains, as one would expect, a num- ber of articles on Burns. I have always tried to obtain editions of Burns in their original bindings, but where the original cloth exists in more than one color, I have not tried to have a copy of an edition in different colors. I have collected variant bindings where they exist in distinctive states, as may be seen in the 1896–1897 edition Introduction / xvii

edited by W. E. Henley and T. F. Henderson. There are about twenty title- page variants of this edition, most of them in the Roy Collection, and they are housed in a variety of bindings. Although they are not listed in the catalogue, the Roy Collection has a number of songbooks. When Burns was preparing material for James John- son’s Scots Musical Museum and George Thomson’s Select Collection of Origi- nal Scotish [sic] Airs, Burns mined a number of works for airs to which he could append suitable words. The Roy Collection has a significant collection of music, including works Burns used, such as William Thomson’s Orpheus Caledonius (1733), as well as the extremely rare Musick for Allan Ramsay’s Col- lection of 71 Scots Songs (1720?). Another very rare item that Burns may well have known at first hand, or from some other collection that had copied it, is The British Musical Miscellany, or, The Delightful Grove: Being a Collection of Celebrated English, and Songs, by the Best Masters (1734–1737). Burnsiana in its broadest sense is a vast topic. There is almost always, for example, a printed program for the birthday celebration held by the six- hundred-odd worldwide. Not infrequently the proposer of the Immortal Memory had the talk printed for private distribution. No collec- tion in the world would have more than a sample of these. Then too there are newspaper clippings; here again the Roy Collection, like other collections, has a representative gathering of these. Of separately published books and pamphlets on Burns, the Roy Collection has genuine strength. No major work on Burns is missing from it. Realia is probably the most diverse area of Burnsiana, and every collector will decide for him- or herself what belongs and what is not worth keeping. I inherited Burns’s porridge bowl and horn spoon from my grandfather, and I have even eaten porridge out of the bowl. I was given a bottle of Scotch whiskey with a special Burns bicentenary label on it, and while I certainly appreciated its contents, I did not consider that the bottle should be listed in this catalogue. The same goes for postcards. I was happy to receive a copy of Peter J. West- wood’s The Deltiology of Robert Burns, the of Scotland: His Life and Works as Told Through the Media of the Illustrated Postcard (1994), but I do not myself collect them. No collection is ever complete, and so this catalogue, many years in the planning, is a listing of what the Roy Collection contains at this point in time, and it will commemorate two and a half centuries since the birth of Scotland’s Bard. But as I write these words, I shall also be scouring dealers’ Introduction / xviii catalogues and the Internet for more titles. Please note that items that are marked as in my private collection will be going to the Roy Collection at the University of South Carolina in due course. Finally, it is a pleasure to acknowledge the various types of help I have had from the following people in building the collection and preparing this catalogue. Their names appear in alphabetical order: Thomas Keith; K. D. Kennedy, Jr.; Tom McNally; Jonathan Pons; Patrick Scott; Frank and Susan Shaw; Elizabeth Sudduth; the late George Terry; and Paul Willis. G. Ross Roy ] Compiler’s Oote

The G. Ross Roy Collection of Robert Burns in the Thomas Cooper Library is part of a larger collection of Scottish literature acquired from G. Ross and Lucie Roy in two stages, in 1989 and in 1995. Since that time Dr. and Mrs. Roy and Dr. Patrick Scott, as director of Rare Books and Special Collections, have continued to add to the collection. In addition, special friends and Burnsians have donated books and a number of other items, with the gifts of Frank and Susan Shaw, Jonathan Pons, Esther Hovey, and Thomas Keith being the most notable. Over the course of the past eighteen years a number of librarians and staff have provided reference service for the collection and worked on accession- ing, cataloguing, and rehousing, materials in the Roy Collection. This group includes Mary Anyomi, Zella Hilton, Jamie Hanson, Jeffrey Makala, Sallie Marcil, and Paul Schultz. During the preparation of this bibliography, I was fortunate to have had the help of a number of graduate assistants and interns, in particular Clayton Tarr, a dedicated graduate student who came to work with us initially as Dr. Roy’s graduate assistant. However, it is the active interest of Dr. and Mrs. Roy that has encouraged this project and many others, and we are pleased that project could be completed in time for publi- cation in the year of the 250th anniversary of Robert Burns’s birth. The text of the catalogue is derived from the records in the University Libraries’ online catalogue and includes materials added to the collection through July 1, 2008. Many items have been added to the collection after July 1, 2008, and they can be found in the libraries’ online catalogue. Each entry in this print catalogue reflects the library cataloguing conventions in place at the time of cataloguing with minor editing and standardization of punctua- tion. Notes in each entry include simple binding descriptions and informa- tion about former owners and donors. In many cases, in particular for unique items and early editions, Dr. Roy has provided additional information. Some of the notes are drawn from the labels used when items were exhibited. The items in the catalogue are divided into six sections: Manuscripts and Typescripts; Printed Materials, Books, and Sheet Music by Burns; Burnsiana; Compiler’s Note / xx

Art, Prints, Posters, and Photographs; Sound, Film, and Video Recordings; and Realia and Cultural Objects. Each section is organized by date, with the exception of Burnsiana. The section containing printed materials by Burns is organized by date, then alphabetically by title, and then by place of publica- tion. The Burnsiana section is organized alphabetically by “main entry,” per- sonal author or corporate author, or, in cases where an entry does not have a personal or corporate author, by title. In cases where the author’s surname begins with M’ or Mc that entry is listed alphabetically as the author’s name appears, not as if the author’s name began with “Mac.” Punctuation, while derived from the current cataloguing rules, was simplified as much as possi- ble, and the number of abbreviations is small, being limited to those most people are used to seeing on an everyday basis.

Works Frequently Cited Citations to a number of standard bibliographies are included in many entries. Those resources are listed here for your convenience.

Burns, Robert. The Letters of Robert Burns. Edited by J. DeLancey Ferguson; second edition edited by G. Ross Roy. Oxford: Clarendon Press, 1985. ———. The Poems and Songs of Robert Burns. Edited by James Kinsley. Oxford: Oxford University Press, 1979. Egerer, J. W. A Bibliography of Robert Burns. Edinburgh: Oliver & Boyd, 1964 [1965]. , James. The Bibliography of Robert Burns. Kilmarnock: Printed by J. M’Kie, 1881. Keith, Thomas. “A Discography of Robert Burns: 1948–2002,” Studies in Scottish Lit- erature, v. 33, p. [387]–412. Mackay, James A. Burns A–Z: The Complete Word Finder. : James Mackay Pub., 1990, Appendix B: Dubious and Spurious Works. Memorial Catalogue of the Burns Exhibition Held in the Galleries of the Royal Institute of the Fine Arts . . . from 15th July till 31st October, 1896. Glasgow: W. Hodge & T. R. Annam, 1898. Mitchell Library. Catalogue of the Robert Burns Collection, the Mitchell Library, Glasgow. Glasgow: Glasgow City Libraries and Archives, 1996. Roy, G. Ross. “The ‘1827’ Edition of Robert Burns’s Merry Muses of Caledonia,” Burns Chronicle, 4th series, v. 11 (1986): 32–45. ———. “Henley & Henderson,” Burns Chronicle, 4th series, v. 12 (1987): 17–27. The G. Ross Roy Colecion of Robert Burns Holograph manuscript by Robert Burns, “When I Sleep &c.” (ca. 1790), first published in James Johnson’s Scots Musical Museum

I Manuscripts and Typescripts

1786 was contemplating emigrating from Burns, Robert. Scotland to Jamaica. Letter, 1786, August 19, New Thomas Campbell owned the small to Monsr. Thomas Campbell, Pencloe. estate of Pencloe in Glen Afton, about 1 item (1 s.); 16.7 x 18.7 cm. 2 mi. from New Cumnock Kirk. Written from “Mr J. Merry’s Saturday In blue folder, stamped in gold on spine morn.” with bookseller’s description and Farewell letter. Burns’s use of “this side transcription. of the ” suggests that the let- Letters, I, 48. ter was written during the period he

Holograph letter from Robert Burns to Thomas Campbell, August 19, 1786 The G. Ross Roy Collection of Robert Burns / 2

1787 “Elegy on Sir J. H[unter] Blair.” Burns, Robert. 3 l.; 30 cm. “Cuif, Crank, Claw, Crushin.” Holograph transcript in an unknown 1 fragment; 3 x 10.5 cm. hand, with notes added in Burns’s Holograph manuscript from the glos- hand, and addressed in Burns’s hand sary to Poems chiefly in the Scottish to , [ July 1787], with Dialect (Edinburgh, 1787). a printed copy of the same from an The words Burns chose to explain in unidentified edition of The Poems of his glossary indicate the kind of read- Robert Burns, p. 281–282. ership he expected. The glossary to Leaf 3 is addressed in Burns’s hand, the Kilmarnock edition, anticipating with the remnants of a seal. readers primarily from the southwest The Scottish financier, and former of Scotland, had been only five pages, Lord Provost of Edinburgh, Sir James but, on the advice of his friends, for Hunter Blair, Bt., died on July 1, 1787, the wider audience Burns and his aged 47. Like Burns, Hunter Blair was publisher could expect to purchase a freemason, and he had subscribed to the Edinburgh and London editions, eight copies of Burns’s Edinburgh Burns expanded the glossary to edition. Only two weeks after Blair’s twenty-five pages, even glossing quite death, Burns (who was in Mauch- simple variant Scottish spellings of line) wrote to his friend Robert Aiken words both to Scots and enclosing “rather an incorrect” copy English. of his elegy (presumably this copy) and commenting that “The melan- Burns, Robert. cholly occasion of the foregoing “Yon High Mossy Mountains, Sae Lofty Poem affects not only individuals but & Wide.” a Country. That I have lost a Friend [1787?]. is but repeating after Caledonia” 1 item (1 s.); 23 x 18.5 cm. Letters, I, 128. Title from first line of manuscript. Accompanied by a related letter of 1829. Tytler, Alexander Fraser. Short lyric published in 1792, in the Translation of a passage in the Third Scots Musical Museum, v. 2, with the Book of Lucan’s Pharsalia. altered first line “Yon wild mossy 1 sheet folded (4 s.); 23 x 18.4 cm. mountains” and other textual Holograph manuscript, with cover note changes. The accompanying auto- to Robert Burns, from George Square, graph letter signed dated 1829 from Edinburgh, March 10 [1787?]. J. E. Perochon ( Joseph Elias Pero- A recurrent fascination of Scottish chon, a French Royalist and son-in- was the relation between law of Mrs. Dunlop), outlines the primitive cultures and modern civi- provenance of the manuscript. He lization. Tytler, Professor of Universal recounts that Burns “sent this song History at Edinburgh University, sent to my wife in the first year he began Burns this extract (which concerns to compose his inimitable verses.” the ancient Druids and human Bound in full dark red morocco by sacrifice) to follow up a discussion Sangorski & Sutcliffe. they had the previous evening. Kinsley title: “Yon Wild, Mossy Moun- 1788 tains Sae Lofty and Wild,” 163. Burns, Robert. Letter, 1788 [ January 12], to Clarinda. Manuscripts and Typescripts / 3

3 items; 22 x 16.4 and smaller in green relating to the print runs for the two morocco binding measuring 29.3 cm. issues of the 1787 Edinburgh Poems. Bound with prints of silhouette por- M’Lehose, Agnes. traits of Burns and Clarinda. Letter, 1788, February 5. In the first months of 1788, Burns and 1 item (3 s.); 23.7 x 19.9 cm. Mrs. M’Lehose wrote to each other Unpublished love letter from “Clarinda” frequently, sometimes more than once to “Sylvander,” written in the third in a day. The published editions of person but signed “Clarinda.” their correspondence make clear that In this newly recovered letter, Clarinda some letters had gone missing or had writes, “I feel a sensation so delight- been omitted. full, so serene, as makes me almost This letter, the second that day from hope that Heaven itself approves our Sylvander to Clarinda. union.” The letter had briefly sur- Note the suspicious-looking mark on faced in 1928 (see Glasgow Herald, the paper where the poet has written, March 31, 1928: Burns Chronicle, 2nd “I have read yours again: it has blot- ser., IV, 1929), and then was again lost ted my paper.” It is left to the reader from scholarly awareness for nearly to decide whether or not he or she is 80 years. looking at the dried remains of a teardrop. Bound by G. Walters. Letters, I, 205. Burns, Robert. Letter, 1788, [February 14] to Clarinda. 1 item (2 s.); 22.4 x 20.4 cm. Autograph letter signed from Burns as “Sylvander” to “Clarinda” (Agnes M’Lehose). “Clarinda, matters are grown very seri- ous with us . . . I esteemed, I lov’d you at first sight . . . I esteem you, I love you, as a friend; I admire you, I love you, as a Woman, beyond any one in all the circle of Creation. . . . Expect me at eight . . . yours most entirely—Sylvander.” Bound by G. Walters. Holograph letter from “Clarinda” Letters, I, 234 (Agnes M’Lehose) to “Sylvander” MacKenzie, Henry. Burns, Robert. Letter, 1788, February 13, Brown Letter, 1788, June 23, to Square, to Robert Burns, at Mr. Robert Aisnlie, Edinburgh. Cruikshank’s. 1 item (2 s.); 18.2 x 22.7 cm. 1 item (4 s.); 19.4 x 13.5 cm. Illustrates Burns’s relationships with Autograph letter signed with manu- , Dr. Blacklock, Lord script jottings adding up a column Glencairn, and John Miers. Burns of numbers (1000, 500, 1500, 250 recommends the profile painter John for a total of 3250) by Robert Burns Miers to Ainslie. “Mr. Miers, Profile painter in your town, has executed a The G. Ross Roy Collection of Robert Burns / 4

profile of Dr. Blacklock for me; do Burns informs Ainslie of a suit between me the favor to call for it, and sit to Dr. Adam and Mr. Nicol regard- him yourself for me which put in the ing comments repeated by a lady, same size as the Doctor’s . . . I propose Mrs. Mc***se [Agnes M’Lehose or hanging Lord Glencairn, the Dr. & “Clarinda” of the Clarinda-Sylvan- you, in trio, over my new chimney- der correspondence]. He also asks piece that is to be.” The “chimney- Ainslie to inquire about a position piece” is a reference to Burns for William Burns, Robert’s brother, establishing his home with Jean in a saddler’s shop. Burns instructs Armour. Ainslie not to trouble himself with Robert Ainslie was a law student in Hamilton. In the letter he also refers Edinburgh when he first met Robert to Mr. Cruikshank’s role in the suit, Burns in 1787. Ainslie accompanied as well as Dr. Blacklock and Signior Burns on his border tour in 1787. He Dasti, Jr. later practiced law in Edinburgh and Letters, I, 309. is known as the author of several Mitchell Catalogue, no. 889996 works on agricultural, legal, and Burns, Robert. financial subjects, as well as A Father’s Letter, [1788, October 11], to Robert Gift to His Children and Reasons for the Ainslie. Hope that Is in Us. 1 item (2 s.); 11.5 x 19 cm. Letters, I, 288. Enclosed with an annotated copy of Burns, Robert. Poems, chiefly in the Scottish Dialect. Letter, 1788, July 18, to John Smith, Jr., Edinburgh: Creech, 1787. Annotated Bookseller, Glasgow. by Burns for his friend Robert Ainslie, 1 item (2 s.); 18.5 x 11.5 cm. with an autograph letter from Burns In the spring and early summer of 1788, to Ainslie, [October 11, 1788]. Con- Burns left Edinburgh for Mauchline, temporary sueded calf. In a leather married , took a lease on case by Sangorsky & Sutcliffe. the farm at Ellisland, and received a Burns met Robert Ainslie (1766–1838) commission in the Excise. It is hardly in early 1787 when the poet was in surprising that he was also trying to Edinburgh seeing a new edition of clear up outstanding debts owed to Poems, Chiefly in the Scottish Dialect him. Burns refers to “the nine Copies through the press, and Ainslie sub- sent from Kilmck” and mentions that scribed to two copies of the work. he will be in Glasgow in a month or Ainslie and Burns became intimate two. Six months later Burns had still friends and Ainslie accompanied not received this payment. Burns on the initial part of his Border One of only two known letters to the tour in May 1787. This is Ainslie’s Glasgow bookseller John Smith. copy of Poems with his signature on it. Letters, I, 298. Burns has filled blanks in over thirty places, giving the names of people Burns, Robert. referred to in the volume. In most Letter, 1788 August 23rd, Mauchline, cases Burns followed the practice of to Mr. Robert Ainslie, writer. giving the first initial, followed by the 1 sheet folded (4 s.); 23.7 x 37.4 cm. number of asterisks which represent Facsimile of holograph letter from the omitted letters, and ending with Robert Burns to Robert Ainslie, sent the last letter of the name in question. care of Mr. Ainslie, Bookseller, New- Local readers would have had little town, Edinburgh. difficulty filling in the blanks, but Manuscripts and Typescripts / 5

Edinburgh readers would not have yet unaccounted for, by John Glover, had the same familiarity with the Carrier to Mauchline [crossed subjects. “Death and Doctor Horn- through] Dumfries.” book” was written in early 1785 but Together with Burns’s July 18th 1788 was not included in the Ki1marnock letter above, one gets a sense of the edition of 1786. In this copy of the complexity and delay in settling Edinburgh edition Burns fully identi- accounts where both individual sub- fies the subject of his satire as John scribers and multiple booksellers were Wilson, schoolmaster at . involved. These are the only two To supplement his teaching salary letters known to the Glasgow book- Wilson operated a grocery shop where seller John Smith. he also sold medicines. At no cost to Letters, I, 355. his clients the schoolmaster would Burns, Robert. dispense medical advice and then sell “An Address to the Unco Guid.” them the required remedies. Tipped Holograph manuscript with headnote in to the front of this volume is a por- to John Leslie, dated June 1789, on the tion of a letter from Burns to Ainslie endpapers and blank preliminary postmarked Dumfries OC 18 [1788]. It pages of: Thomas Randall’s Christian seems most likely that a later owner Benevolence: A Sermon Preached before rather than Ainslie himself has tipped the Society in Scotland for Propagating in this fragment because the addressee Christian Knowledge, At Their Anniver- would have had the entire letter in his sary Meeting in the High Church of possession and would not, one sup- Edinburgh, on Monday, January 3. 1763. poses, have cut up the letter and 2nd edition. Edinburgh: Printed by tipped in only a portion of it. Murray and Cochrane and sold by Letters, I, 329. Mr. Gray; Edinburgh: J. Duncan; Burns, Robert. Glasgow: W. Anderson, and Fragment from an excise ledger in the other Booksellers, 1786. poet’s hand. In a running dispute the Reverend [1788–1796?]. , minister at Mauchline, 1 item (2 s.); 3.5 x 16.3 cm. charged Burns’s friend Gavin Hamil- 43 words in the poet’s hand. ton (1751–1805) with unnecessary absences from church, setting out on Burns, Robert. a journey on a Sabbath and habitual Fragment from an excise ledger in neglect of family worship. The Pres- the poet’s hand. bytery of Ayr found in Hamilton’s [1788–1796?]. favor, as did the Synod of Glasgow 1 item; 3.1 x 11.3 cm. and Ayr on appeal. The pitting of 6 words in the poet’s hand. Auld Licht (conservative) against 1789 New Licht (liberal) aroused consid- erable interest and animosity in the Burns, Robert. vicinity, and gave rise to Burns’s Letter, 1789, January 17 to John Smith, great satire “Holy Willie’s Prayer.” Jr., Glasgow. 1 sheet folded (4 s.); 23 x 18.6 cm. Burns sent a copy of Randall’s Christian Burns asks Smith to send him the value Benevolence to John Leslie with the of nine copies of “my book which I following inscription: “To Mr John sent you last from Kilmck. and are Leslie from Robt Burns, As a remem- brance of his interest in the Case The G. Ross Roy Collection of Robert Burns / 6

lately before Ayr Presbytery—June vauntie!” and confided his acceptance 1789.” Burns then transcribed the of a government job: “I’m turn’d a entire text of his poem “An Address Gauger.” While the manuscript was to the Unco Guid or the Rigidly made available to Burns’s biographer, Righteous,” signing the work Robt James Currie, no manuscript was Burns. This appears to be the only known to James Kinsley. The Roy known manuscript in the poet’s hand Collection version is the only known of the work. A collation with the first manuscript and constitutes unique printing of the poem, in the 1787 evidence from a friendship of crucial Edinburgh edition, shows several importance in establishing Burns’s minor differences and one major poetic reputation. variant. In seven, where Burns points out that “To step aside is 1790 human,” the last two lines read “And Burns, Robert. just as lamely can ye mark, / How far “When I Sleep &c.” perhaps they rue it.” The manuscript [ca. 1790]. version appears to make better sense 1 l.; 22 x 17.8 cm. with the word “plainly” in lieu of Date from Kinsley. “lamely.” Kinsley title: “Ay Waukin O,” (287.) This page gives two alternative drafts Blacklock, Thomas. (8 lines in all) for the third stanza of “Dr. Burns, Thou Brother of My Burns’s song “Ay waukin,” or “Sim- Heart.” mer’s a pleasant time,” first published 1 item (2 s.); 32.2 x 19.4 cm. as song 213 in Johnson’s Scots Musical August 24 1789, as printed with Burns’s Museum, volume III (Edinburgh, reply in Poems, Chiefly in the Scottish 1790), but without indication of Dialect. Transcribed with additional Burns’s authorship. The first version notes by Sarah Blacklock, the poet’s includes a variant line found in none niece. Burns’s decision in summer of the other extant manuscripts of 1786 to abandon his planned emigra- this song. In green morocco binding tion and instead go to Edinburgh by C. Walters. followed an encouraging letter from a blind clergyman-poet, Dr. Thomas Burns, Robert. Blacklock. An colleague had Portion of a letter. sent Blacklock, by then living in File copy of a letter from the Thornhill Edinburgh, a copy of the newly- Letter Book. published Kilmarnock edition, and [c. 1790]. Burns later wrote to Dr. John Moore 1 l.; 9 x 20 cm. that Blacklock’s letter of September Following the success of the Edinburgh 1786 “fired me so much that away I edition, Burns sought a government posted to Edinburgh without a single position as an officer in the Excise. He acquaintance in town.” (Letters, was commissioned on July 14, 1788, I, 145) In 1789, the two friends ex- and served until his death, first based changed rhyming epistles (initiated at the farm at Ellisland, and then, by this poem), and Blacklock, like from November 1791, in the town Burns, contributed songs to Johnson’s of Dumfries, where for a time in Scots Musical Museum. Burns’s 1794–1795 he served as Acting Super- response to Blacklock’s poem began visor. A “strong oak chest” containing “Wow, but your letter made me excise documents from the Thornhill Holograph letter from Thomas Blacklock, “Dr. Burns, Thou Brother of My Heart” The G. Ross Roy Collection of Robert Burns / 8

office (near Ellisland), purchased at a Tytler, Alexander Fraser. sale of Burns’s effects by the anti- Proof Sheets for “Tam o’ Shanter: A quary Joseph Train, was exhibited by Tale.” the Burns Club in 1859, and p. 199–201; 25 cm. pages from it in Burns’s handwriting “Tam o’ Shanter: A Tale” was published were among the relics displayed in the in , The Antiquities of Glasgow Memorial Exhibition in Scotland, second volume (London, 1896. In a case restored by Ethering- 1791). ton with a copy of the engraving From the library of Alexander Fraser “Robt Burns & Nanse Tinnock the Tytler, Lord Woodhouselee, with his hostess at Mauchline,” published marginal emendations. Among those Mar. 1, 1805, Vernor & Hood, etc. to whom Burns sent the separate off- prints of his poem was the lawyer and 1791 historian Alexander Fraser Tytler Burns, Robert. (1747–1813). Tytler wrote a detailed Promissory note, April 6, 1791, Dum- largely-appreciative response, but fries to Alexander Crombie, Dalswin- advised Burns to cut as out-of-place ton. the four lines Tytler has marked on 1 item (2 s.); 8.5 x 20 cm. this copy (“the hit at the lawyer and This record, carrying an official six- priest”), advice Burns took when penny tax stamp, for a loan of 20 reprinting “Tam o’ Shanter” in Poems, pounds that Burns gave to a local Chiefly in the Scottish Dialect (1793). mason indicates the way that in late Holograph note: “Burns left out these small towns, handwrit- four lines desire as being incongruous ten drafts and IOU’s substituted for with the other circumstances of pure more formal banking. The reverse horror.” shows that Burns subsequently endorsed the IOU over for repay- 1792 ment to a Dumfries architect, Burns, Robert. Thomas Boyd. Letter, [1792, February?], Dumfries to John McMurdo, Drumlanrig. Burns, Robert. 1 item (2 p.); 25.5 cm. Letter, 1791, [October?] to Robert With original envelope (one sheet Cleghorn. now unfolded) addressed to “John 1 item (4 s.); 19 x 12 cm. McMurdo Esq., Drumlanrig. With a With a proofsheet of The Whistle parcel.” Notation on envelope in enclosed. McMurdo’s (?) hand: “1792 Mr. Robert Cleghorn, of Saughton, was a Burns.” fellow-member of the Edinburgh Roy, 499A; Ferguson 604 (misdated club the Crochallan Fencibles. With 1793, corrected in MLN, Nov. 1951) this letter enclosing for Cleghorn one In the first section, Burns writes: of the author’s twelve proof-sheets of “. . . here is the six guineas [owed The Whistle, Burns hinted at confi- McMurdo]; I now don’t owe a dential personal problems on which shilling to man-or Woman either.” In he wished advice, and told Cleghorn the second section, Burns writes: “I that he was giving up the farm at think I once mentioned something to Ellisland. you of a collection of Scots songs I Letters, II, 112. have for some years been making. Alexander Fraser Tytler, Lord Woodhouselee’s advice to Burns written at the bottom of the proof sheets for “Tam o’ Shanter: A Tale” The G. Ross Roy Collection of Robert Burns / 10

I send you a perusal of what I have “The foregoing Ballad was composed as gathered. I could not conveniently I galloped from Cumbertrees to town, spare them above five or six days, & after spending the day with the Fam- five or six glances of them will pro- ily of Mayfied.” bably more than suffice you. When Not seen by Kinsley. you are tired of them, please leave them with Mr. Clint of the King’s 1794 Arms. There is not another copy of Burns, Robert. the collection in the world . . .” Letter, 1794, May, to Collector Syme, The “collection of Scots songs” to Reyedall. which Burns refers was his manu- 2 l. (2 s.); 20 x 16.5 cm. script of “The Merry Muses of Cale- Letter with poem “To Mr. Syme–with donia.” The songs included in this a present of a dozen of Porter,” collection were circulated to a few addressed to Collector Syme, with chosen friends. The manuscript dis- contemporary endorsement in appeared after Burns’s death, possibly another hand, dated May 1794. This removed from his papers by Dr. James extempore verse, annotated as written Currie. In 1799 a collection of songs at the “Jerusalem Tavern, Dumfries, appeared anonymously, but bearing Monday even,” was included by James Burns’s working title. The following Currie in his Works of Robert Burns year Currie included this letter in his (1800), but without Syme’s name in edition of Burns’s works, but added the title or in line 4 of the poem. a spurious sentence: “A very few of them [the poems] are my own.” (Liv- 1796 erpool, 1800). The extra sentence may Roscoe, William. have been intended to play down “Rear High Thy Bleak Majestic Hills.” Burns’s role in producing the collec- [1796]. tion of bawdy poems. 1 l.; 29 x 23.5 cm. and 1 engraving John McMurdo (1743–1803) was Cham- Holograph poem beginning “Rear high berlain to the Duke of Queensberry at thy bleak majestic hills . . . ,” dedi- Drumlanrig. He and Burns probably cated to the memory of the poet met in 1788 and remained friends Robert Burns, signed “From lines to until Burns’s death in 1796. the memory of Robert Burns—at the Burns’s poem “Bonnie Jean” was request of a friend, W. Roscoe.” With written about McMurdo’s younger an engraved portrait of the historian daughter. McMurdo became one of dated 1813. the trustees of the money raised for First published without a proper title, Burns’s widow and children. in Currie, 1800, v. 1. Burns, Robert. 1800 “Lesley Bailie: A Scots Ballad.” Burns, Robert. [1792?]. “What Ails You Now Ye Lousie—” 1 item (2 s.); 25.5 x 20.5 cm. 1 item; 30 x 18.4 cm. and smaller. Holograph in Burns’s hand of “Leslie Burns’s answer to “Epistle from a Baillie,” to be sung to the tune of “My Taylor to Robert Burns.” Bonie Lizie Bailie.” Manuscripts and Typescripts / 11

Holograph with emendations and other poems by Rennie). Rennie an unrecorded stanza, undated [ca. hoped Currie would add these to a 1800], in an unknown contemporary later edition of Burns. The first line of hand. Among the responses to the “The Blue Eyed Lassie” by Burns Kilmarnock edition was the censori- reads “I gaed a waefu’ gate, yestreen” ous “Epistle from a Taylor to Robert and the first line in Rennie’s version Burns,” by Thomas Walker of reads “Last night while glowed the , eliciting this rebuttal from lingering skies.” the poet. Burns himself never pub- lished the exchange, and no manu- 1808 script is recorded in Burns’s hand, Cromek, R. H. but both poems were printed together Letters to . after Burns’s death, in Poems Ascribed 1808. to Robert Burns (Glasgow: Stewart, 5 items 1801, Egerer, 57). Concerning Cromek’s Reliques of This contemporary manuscript copy Robert Burns. contains several variants from the In the private collection of G. Ross Roy. published text, including substituting [Poems]. a quite different stanza for the con- [between 1808 and 1837?]. clusion. See Kinsley 119A and 119B. 37 items.; 31 cm. and smaller Holograph note on verso “Poems Burns Several of the poems are about Robert in answ to Walker.” Typescript of a Burns and Sir . transcription with a single correction Manuscripts were given in 1952 to in red, in the hand of G. Ross Roy. Hamish Henderson by John Argo, Shepherd, William. husband of Gavin Grieg’s grand- To Dr. Currie, M.D., F.R.S.: holograph, daughter. Liverpool, 12 July 1800. Collection of 37 early 1 item (2 p.); 31.6 cm. Scottish poetic manuscripts, some in William Shepherd was a dissenting the hand of Alex. (Sandy) Scott of minister, schoolmaster and politician Peterhead. Others are inscribed to of Liverpool. Henderson. Previously owned by 39–line poem in the style of Robert Hamish Henderson. Burns commemorating Dr. James Currie’s edition of Burns’s works, 1830 Liverpool, 1800. [Memorial Verses on Robert Burns]. [ca. 1830]. 1803 1 item (12 p.); 14.4 cm. Rennie, John. Manuscript copies of five poems to Letter, 1803, September 24 to James Robert Burns. Currie. 1 sheet folded (4 s.); 32.5 cm. 1833 Contains poems (“Logan Water,” by Cunningham, Allan. John Mayne (1759–1836), the writer’s Letter, 1833, September 25, Belgrave own version of Burns’s “The Blue Place to Archibald Hastie. Eyed Lassie,” (Kinsley, 232) and two 1 item (1 s.); 18.5 x 12 cm. The G. Ross Roy Collection of Robert Burns / 12

Re. his Burns edition. Cunningham sure we never found you so . . . ” promises to call on Hastie, who had Asks if Mr. Pagan has the music for just come back from Scotland, to take “‘Come o’er the stream Charlie’ and “notes from the Burns Lease and the last song, written by Mr. Cun- Manuscripts” for the new biography: ningham which he sung? It was about “I am now well advanced in the great the sea, if he has got the music and Poet’s life and am writing it like a would lend it me for a day, I would true Scotchman and a lover of genius. esteem it a great favor.” I take for my motto ‘a mans [sic]a Mrs. Cunningham was the wife of Allan man for a that.’” Cunningham, Scottish poet and bio- grapher of Robert Burns. 1834 M’Lehose, Agnes. 1850 Letter, 1834 October 18, to Allan Morford, Henry. Cunningham. “To the Memory of Robert Burns.” 1 item (4 s.); 23 cm. [1850?]. Autograph letter signed from Agnes 2 s.; 26.7 x 17 cm. M’Lehose [Clarinda] to Allan Cun- Fair copy of an autograph poem ningham, of 18 Oct. 1834 laid in: attributed to Henry Morford with Correspondence between Burns and an engraved portrait of Burns after Clarinda, edited by W.C. M’Lehose Nasmyth by William Nicholson, (Edinburgh, 1843). 1819, signed in the plate “W.N. ft. In this letter Clarinda reiterates her 1819.” unwillingness to give Cunningham Henry Morford (1823–1881) was an access to Burns’s letters, mentioning American journalist, editor, novelist, that some of them were previously and poet. published without her permission. Bound in red morocco by Sangorski 1852 and Sutcliffe, with pages of the Begg, Isabella. printed text mounted on sheets 27.8 Letter, 1852 Sept. 28, to “My dear sir.” cm. Most pages measure 14.1 x 8.5 1 sheet folded; 19 x 11.5 cm. cm., with the title page measuring Letter written by Burns’s niece 18 x 10.5 cm. expresses an unflattering opinion of Burns’s wife Jean. This is the first 1842 time Roy has seen anything uncom- Hall, Anna Maria. plimentary about Jean from a mem- Letter to Mrs. Allan Cunningham, ber of the Burns family. [between 1842 and 1860?]. 1 item (4 s.); 18 cm. 1858 Autograph letter signed, in ink on light Kingsley, Charles. blue-gray paper. Mounted. Letter, 1858, March 20 to John Wilson, Thanks Mrs. Cunningham for her hos- Liverpool. pitality: “You Scottish folk, are so 1 sheet folded (4 s.); 11.3 x 9.2 cm. delightful in friendly intercourse. With envelope. I never could understand why the Autograph letter signed thanking world called you a ‘cold people.’ I am Wilson for a copy of his anthology Manuscripts and Typescripts / 13

regretting the omission of Thomas on the steamship Oceanic. This letter Moore, “next to Burns our greatest was acquired with a copy of a New English lyrist.” Guide to Ayr and the Land of Burns, owned by the Rev. Barrett. 1859 Shillaber, B. P. 1881 Burns Centenary Song: Sung at Parker Chambers, Robert. House. Letter, 1881, Decr. 10, 339 High 1859. Street, Edinburgh to Richard 1 item. Blimt Mitchell. A three-stanza 24–line occasional 1 item (1 sheet folded); 17.8 x 11.4 cm. Scottish dialect poem celebrating the “I have the pleasure of handing for 100th birthday of Robert Burns, your acceptance a copy of my late referred to as “Rob the Rhymer.” The father’s edition of Burns, together tribute concludes “Wide is his clan with a letter from the poet’s neice spreadin,’ wider is his clan, / They’re [sic] [underlined] Isabella Begg. This, found wherever men most nobly ac though I have not been able to get one the man; / Not those in tartan clad from Burns’ sister, may prove a not are they, nor those wi’ bonnets blue, / unfitting accomplishment to the But where the heart is tender and immortal verse of Scotia’s darling men are leal and true! / ’Tis nae tie bard.” o’blind, neebor, ’tis nae tie o’blind— / Martin, Theodore. His sang unites men everywhere in ae Letter, 1881 Oct. 25, Onslow Square, to braid brotherhood! / Sae honor [Sir George] Scharf. crown the time an’ rang [?] it fu’ of 1 item (3 p.); 18 cm. cheer, / Sin’ Burns the Ploughman Letter from Sir Theodore Martin, the Bard was born this day a hunder author and translator, to Sir George year.” Scharf, director of the National Por- Benjamin Penhallow Shillaber was an trait Gallery regarding Martin’s pur- American humorist, journalist, editor, chase of Archibald Skirving’s crayon and poet. He is best known as the cre- portrait of Robert Burns. ator of the character “Mrs. Parting- ton,” and editor of the Carpet-bag, a 1890 popular periodical that first published [Music manuscript]. Artemus Ward and Mark Twain. [ca. 1890]. In the private collection of G. Ross Roy. 1 item (40 p.): music; 29 cm. 1872 Manuscript score containing several poems set to music, including works Robertson, John. by Robert Burns, Lady Nairne, Sir Letter, 1872, June 2 to Miss [Isabella] Arthur Sullivan, and Alfred Lord Begg, Ellisland. Tennyson. 1 sheet folded (4 s.); 20 x 12.7 cm. Music exercise book with printed staffs, John Robertson’s letter of introduction published by De La Rue and Co., for a fellow Burnsian, Rev. George J. London. Original limp cloth. Barrett of Illinois, to Miss Isabella Begg, Robert Burns’s niece. Robert- son met the Rev. Barrett on their trip The G. Ross Roy Collection of Robert Burns / 14

1892 Immortal Memory. A newspaper Faed, John. account of Mr. J. E. Hannah’s Letter, 1892, September 26, Gatehouse Immortal Memory given in 1939 on Fleet to Rev. John Oliver, The is also included. The volume Manse, Maryhill, Glasgow. also includes a special card sent to 1 item (3 s.); 15.8 cm. members in 1901 canceling the Annual Holograph, signed, with stamped enve- Celebration due to the death of Queen lope. Victoria. Other special cards include Faed replies, in part, to the Rev. Oliver: an invitation with a poem about the “You are quite right in supposing my Russo-Japanese War in 1904. picture of ‘Auld mare Maggie’ was 1900 suggested by Burns. His beautiful poem of ‘The auld farmer’s New Drysdale, Learmont. Years salutation to His auld mare “Come Let Me Take Thee: Song.” Words Maggie’ and the first verse of which is by Robert Burns. the subject of my picture.” [1900?]. 1 manuscript score (5 p.); 31 cm. 1896 Drysdale, Learmont. MacCulloch, Hunter. “My Love is Like a Red, Red Rose.” Letter, 1896, June 29, The Writer’s Club Words by Robert Burns. of Brooklyn, N.Y. to W. Craibe Angus, [1900?]. Esq. 1 manuscript score (2 p.); 31 cm. 2 l.; 21.5 cm. Letter with envelope from MacCulloch Drysdale, Learmont. which accompanied a presentation “O Stay Sweet Warbling Woodlark, copy of his “Ode on the centenary Stay.” Words by Robert Burns. of Burns’s death.” MacCulloch had [1900?]. sent a copy to Angus for the exhibi- 1 manuscript score (2 p.); 31 cm. tion two weeks earlier but had since 1928 learned from James W. R. Collins “that besides having the honor of Ferguson, J. De Lancey. being one of the secretaries of the Correspondence File. Burns Exhibition, you also have the [1928–1963]. reputation of being the Burns author- 1 folder (approx. 75 l.) ity of the world . ..” File containing letters to Ferguson from, among others, Oxford Uni- 1897 versity Press, A. M. Donaldson, Burns Club. G. Legman (mostly about The Merry Minutes, 1897–1939. Muses), the Burns Federation. Also 1 v.; 34 cm. present are newspaper cuttings and Minute book of the Maybole Burns issues with reviews of Ferguson’s edi- Club with extra materials inserted tion of Burns’s Letters (1932), and including: lists of members, programs other Burns material. for the Annual Burns night supper, postcards, cards, programs, and greet- ings from other Burns Clubs, and the Manuscripts and Typescripts / 15

1930 Holograph copy made by B. Burleigh of Music Still as Siller. the Kilmarnock, Burns Federation [1930–1950?]. edition, 1911. 2 l.; 28 cm. Autograph letter signed from Burleigh Typescript. to Alex dated November 2, 1947 about Anonymous poem about Burns, with having completed the holograph copy, glossary. locating a small printer, and war time privations. 1938 Related materials in separate envelope. Gift of John Mehlberg. Thornton, Robert D. The Reading of Robert Burns as 1956 Reflected in His Letters and Poems: Foote, S. M. A Thesis Presented for Distinction “ Public Library and Robert in English. Burns.” [1938?]. [1956?]. 95, ii p.; 27.5 cm. 10 l.; 26.5 cm. Carbon of typescript. Typescript (mimeographed copy) Original black binder’s cloth. 1959 1940 Legman, Gershon. Thornton, Robert D. The Cunningham Manuscript. Notes on Robert Burns and Scottish 1959. Songs. 1 item (19 p.); 28 cm. [1940?]. Typescript dated 15 Sept. 1959. 1 v. (ca. 100 p.); 28 cm. At end of text: Cagnes-sur-Mer (A.M.) Typescript and holograph. . Includes “Outline History of Scottish Discussion of Allan Cunningham’s Literature,” texts of many songs rewriting and expurgation of Burns’s by Burns, extracts from Burns’s songs. letters, and prospectus for the author’s Master’s Thesis at Marshak, Samuil. Western Reserve University, 1940. To Robert Burns on His 200th birthday, Modern black boards. 25th January, 1959. [1959?]. 1947 1 item (1 l.); 25.4 cm. The Merry Muses of Caledonia: (Origi- Typescript, mimeographed. nal Edition) a Collection of Favourite Signed presentation copy from John Scots Songs Ancient and Modern. Gray, Hon. President, The Burns Selected for use of the Crochallan Federation. Fencibles a vindication of Robert 1963 Burns in connection with the above publication and the spurious editions Roy Research Archive for Burns’s which succeeded it. Letters. [1947?]. 1 box. 144, [1] l.; 32.4 cm. Contains photocopies and microfilm copies of almost every Burns letter. The G. Ross Roy Collection of Robert Burns / 16

Also contains a large number of versions vary substantially. This is the copies of poems. only known manuscript of this poem. 1965 Dowden, Edward. [Spring in Poetry]. Wright, Tom. Holograph manuscript from lecture There Was a Man. notes. [1965]. Dowden, Professor of English at Trinity 33 l.; 23 cm. College, Dublin, is now best-known Copy of typescript. as a Shakespearian but also wrote Tom Wright (1927–2002) was a poet, notably on Shelley, Browning, and dramatist, and television writer. With others. His chief published work copy of a typed letter signed from on Burns was in his lectures on the Sandra Breckon, Secretary to Robin in English litera- Richardson, Traverse Festival Produc- ture at Princeton in 1897, and these tions to G. Ross Roy, dated August 18, lecture notes contain extensive 1965, copy of the playbill signed by references to American writers, , the actor who played including Emerson and R. W. Glider. Robert Burns, and advertising mate- rial. Legman, Gershon. Letter, La Maisonette, Cagnes-sur-Mer 1970 (A.M.) France, to Mr. Bass, All Saints Thornton, Robert D. 59. James Currie’s Robert Burns: A Publish- 1 item (1 p.); 21 cm. ing History of the First Edition, Typed, signed holograph. 1797–1800. Mr. Bass’ holograph note in upper right [1970?]. corner “Replied 2nd Dec [illegible] [891] l.; 28 cm. with detailed pagination of the Typescript. Clement Shorter.” The only other copy of this work is in Discusses Legman’s discovery of a part the Mitchell Library. copy of the manuscript of Burns’ “Merry Muses of Caledonia,” which Undated Legman published in 1965 and also Burns, Robert. the scarcity of Clement Shorter’s edi- “As I walk’d by mysel, I said to mysel.” tion of “Why shouldna poor people n.d. mow?” or “A suppressed ballad.” Endorsed in later hands: “Burns’s Holo- Pons Bequest. graph [Autograph] Presented to Mr. Thomson, George. R. A. Smith by John Anderson, Letter, n.d., Antigua St., Edinburgh to Engraver, Edinbh, 22nd Novr 1820.” an unidentified friend. This short poem, the very last item (no. 1 l.; 18.4 x 11.4 cm. 686) in the Appendix to Kinsley first Autograph letter signed to a friend appeared in David Herd’s Ancient and writing: “In compliance with you Modern Scottish Songs, Heroic , request I send you a copy of my Scot- 2ed., 2v. (Edinburgh, 1776), II, 229. tish Songs in six volumes. ’Tis the only Burns knew Herd’s work, but the two copy that remains in my possession, Manuscripts and Typescripts / 17

except one that a friend has bespoke Burns’ son, W. N. Burns on front . . . Your messenger wanted an odd pastedown dated December 1860 volume, but I have it not . . .” presenting the book to E. Henderson. Included with this letter is a clipped The envelope addressed to Hender- signature of Thomson’s, tipped to a son, related newspaper clippings, and sheet from an Album, which has a a copy of a poem or fragment note in an unknown hand beneath it: identified as a Dumfries verse written “Presented by Mr. Laing, Bookseller by Burns pasted in. A pamphlet, Relics of Edinburgh. —Dec. 1832. J.R.G.” of Upwards of a Hundred in Number Thomson is known as a collector of loosely inserted. Bookseller’s descrip- Scottish music, and a friend of Robert tion in separate envelope. Burns, with whom he carried on an Ebenezer Henderson is the author of extensive correspondence. Thomson The Annals of Dunfermline and Vicinity issued three separate (folio) collec- from the Earliest Authentic Period to the tions of national airs; the Scottish Present Time, AD 1069–1878. portion, in six volumes, published Moore, John. between 1793 and 1841. It contained Zeluco: Various Views of Human Nature about 120 of Burns’s songs. Thomson Taken from Life and Manners, Foreign was also the father of Georgina Ho- and Domestic. garth, whose daughter Catherine was London: Printed for A. Strahan and the wife of Charles Dickens. T. Cadell, 1789. Burns Inscriptions 2 v.; 19.5 cm. Volume 1 only. Modern brown morocco, Cumberland, Richard. beveled boards, gauffered edges. The Observer: Being a Collection of Moral, Robert Burns’s copy, with his signa- Literary and Familiar . ture and penciled marginalia in his 2nd edition. hand. Given by Burns to Mrs. Dun- London: Printed for C. Dilly, 1788–1790. lop. Letters, II, 37, 270. Exhibited at 5 v.; 20 cm. the Burns Exhibition, Glasgow, 1896. Volume 4 without edition note. Lent by Mrs. Dunlop. See Memorial Title on slip case: Relic of Burns. Catalogue, no. 1205A. Volume 4 only. Contemporary calf. Lacking front free endpaper. In cus- tom blue straight-grain morocco slip- case. Robert Burns’s copy, signed by him on the title page in ink, with three holograph annotations in pencil on pages 102, 142 and 146. Passages on pages 17–18, 20, 22–24 are marked. Holograph annotations in pencil: “Bombastic” on p. 102, “Shakespeare Inscription from Robert Burns to . . .” [the rest is illegible] on p. 142, Mrs. Dunlop in volume 1 of John and “Stupid nonsense” on p. 146. A Moore’s Zeluco bookseller had previously interpreted the annotation on p. 102 to read Dr. John Moore was introduced to “Buonaparte.” Letter from Robert Burns’s poetry when Mrs. Frances The G. Ross Roy Collection of Robert Burns / 18

Dunlop sent him a copy of the As a boy Burns had read anthologized Kilmarnock edition. The two men texts from Thomson’s The Seasons, opened a correspondence, and one of and in both his poetry and letters, Burns’s letters was the famous long Burns expresses an admiration for autobiographical one of August 2, Thomson’s work. Burns wrote two 1787, which supplies important details poems to Isabella McLeod, daughter about the poet’s early life and reading. of the late laird of Raasay, “To Miss In his letters to the poet, Moore comes Isabella McLeod” (1787) and “Raving across as a bit pompous; he suggested winds around her blowing” (1788). to Burns that he use English rather Contemporary tree calf. In red cloth- than Scots, but as deferential as Burns covered box. Signature of Daniel was to Moore he wisely ignored his Macnee, F.S.A. advice. The doctor sent him a copy of his novel Zeluco, and on Christmas morning 1793, Burns wrote to Mrs. Dunlop exchanging copies of the work, with these works, “Tell me how you like my marks & notes through the Book. I would not give a farthing for a book, unless I were at liberty to blot it with my criticisms.” At one point Burns has written, “A glorious story!” The inscription to his friend reads: “My much esteemed Burns’s inscription to Isabella McLeod, Friend Mrs. Dunlop of Dunlop— in Thomson’s The Seasons (Perth, 1790) Robert Burns.” Thomson, James. The World. The Seasons. With his last corrections New edition. and improvements . . . , with the life Edinburgh: Alexander Donaldson, 1774. of the author and elegant copper- 209 v.; 18 cm. plates. No. 1 ( Jan. 4, 1753)-no. 209 (Dec. 30, Perth: Printed by R. Morison Junior 1765). for R. Morison and Son, Perth, and Volume 2. With Burns’s holograph G. Mudie, Edinburgh, 1790. annotations and his signature on 2 v. in 1: ill., port.; 14.7 cm. the title page, surrounded by the Inscription on front paste-down end- inscription, “The property of the paper, “To Miss Isabella from R. B. late Edmund Kean Bt. at the sale [Robert Burns].” 17 June 1834 at Robin’s Rooms.” Manuscripts and Typescripts / 19

An avid reader of contemporary news- papers and collections of essays, Burns wrote to Mrs. Dunlop, “I had often read & admired the Spectator, Adventurer, Rambler, & World . . .” although he regretted that they were “so thoroughly & entirely English.” In this volume of The World, Burns has written in the names of the authors of various entries. The Roy Collection has only volume 2 of the set. In another volume Burns wrote an eight-line poem on Robert Fergus- son, which opens, “Ill-fated genius! Heaven-taught Fergusson!” echoing, perhaps unconsciously, the lines Henry Mackenzie used to describe Burns in The Lounger, when he called him “this Heaven-taught plough- man.”

Burns’s copy with annotations and signature II Printed Materials, Books, and Sheet Music by Burns

1786 1787 Poems, Chiefly in the Scottish Dialect. The Calf: The Unco Calf’s Answer, Virtue— Kilmarnock: Printed by John Wilson, to a Mountain Bard, and The De’il’s 1786. Answer to His Vera Worthy Frien’ 240 p.; 20 cm. Robert Burns. Title within ornamental border. [S.l.: s.n., 1787?]. Although he had never published any- 8 p.; 16.1 cm. thing before, Burns decided in 1786 to Photocopy. publish a volume of his poems. Sub- Probably the first chapbook printing of scription bills were circulated and the any of Burns’s poems. printer John Wilson of Kilmarnock Modern marbled wrappers. agreed to produce the volume, which Egerer, 7. appeared on July 31 in an edition of “Extracts from : A Poem.” 612 copies. They evidently sold well, In: Scots Magazine, v. 49 (Feb., 1787), because on November 15 Burns was p. 88–89. able to send Mrs. only five of the six copies she had Poems, Chiefly in the Scottish Dialect. requested. The volume has become a Belfast: Printed and sold by James high spot in the world of books and is Magee, 1787. included in the “Grolier 100.” An x, [2], 274 p.: port.; 16.6 cm. informal census has located fewer Modern black morocco, gilt, by Bayn- than eighty extant complete copies. tun (Rivière); signature of W. Chi- Modern dark red morocco, elaborately chester. stamped in gold by Rivière & Son. Pirated edition. Piracies flourished in Dark green morocco doublures. the eighteenth-century in and Green watered-silk endpapers. In the United States. We are not sur- case. Previous green morocco slip- prised that publishers lost little time case by Rivière & Son accompanying. in producing a piracy of such a best- See color photograph. seller as Burns’s Poems. The earliest Egerer, 1. of these came from James Magee’s Belfast press and appeared on Sep- tember 24, 1787. Egerer, 3. Printed Materials, Books, and Sheet Music / 21

Burns’s annotated copy of the 1787 Edinburgh edition. The frontispiece portrait is engraved by John Beugo (1759–1841)

Poems, Chiefly in the Scottish Dialect. Egerer, 4; same as 1787 Belfast edition, Dublin: Printed for William Gilbert, with exception of title page. 1787. Poems, Chiefly in the Scottish Dialect. x, 274 p.: port.; 16 cm. Edinburgh: Printed for the author and William Gilbert of Dublin had an sold by William Creech, 1787. arrangement with Magee who xlviii, [9]–368 p.: port.; 21 cm. shipped printed sheets of the text to Includes the first print appearance of him. Things went well for the two “Death and Doctor Hornbook,” publishers, and they reissued their which although written in 1785 piracies in 1789 and 1790. When was not included in the Kilmarnock the 1793 edition of Burns’s poems edition. appeared in Edinburgh, Magee soon “A reprint of the Edinburgh edition, followed suit, and copies of the sec- for the London publishers: has several ond volume of his Belfast edition typographical errors; among others, were sent to Dublin and bound with in the “Address to a ,” the the first volume of the 1790 Dublin word ‘skinking’ (meaning watery), is imprint, making the full 1793 text printed ‘stinking.’ The misprint is also available there. found in a supplementary Edinburgh Copy 1. Modern dark blue-green edition of the same year, and both are morocco, by Rivière. known to collectors as the ‘Stinking Copy 2. Contemporary tree calf. Title edition.’”—Gibson, p. [5]. Encouraged page wanting. by the success of his Kilmarnock The G. Ross Roy Collection of Robert Burns / 22

edition, and especially by a letter Initially 1,500 copies of the Edinburgh from an Edinburgh minister, Dr. edition were to be printed, but the Thomas Blacklock, Burns gave up his number of pre-publication subscrip- planned emigration to Jamaica and set tions came in, Creech discovered that off for Edinburgh on November 27, a larger printing would be needed, so 1786. A review of his poems had the book was reset. On March 22, already appeared in the October issue 1787, Burns spoke of the two states of of the Edinburgh Magazine, but it was the edition as a “second and a third Henry Mackenzie’s review in The edition” adding “The whole I have Lounger of December 9 which made printed is three thousand.” (Letters, Burns a celebrity. A new edition was I, 102). But in fact the printing was agreed upon, with the bookseller probably 3,250 copies. See Manuscript William Creech. Using the same section. Numerous differences are title as for the Kilmarnock volume, to be seen between the two states; the expanded Edinburgh edition most notably the word “skinking” appeared on April 17, 1787. This copy (watery) in “Address to a Haggis” of the Edinburgh edition is exactly as became “stinking,” to the amuse- it was issued on April 17, 1787. Few ment of subsequent generations. The such remain because most owners had Edinburgh edition’s frontispiece, the book rebound, usually in leather. engraved by John Beugo, was based [Egerer, 2 (“skinking” issue)]. on Alexander Nasmyth’s first head- and-shoulders portrait. Egerer, 2 (“stinking” issue).

Burns’s notes about the 1787 Poems on the back of a letter from Henry MacKenzie, dated February 13, 1788

Copy 1. Original boards, uncut. In clamshell box. “Skinking” issue. Copy 2. Modern tree calf. Bookplate of John Ord. “Skinking” issue. Copy 3. Original boards, uncut. Rebacked. In clamshell box. “Stink- Burns’s poem “Death and Dr. Hornbook: ing” issue. A True Story” was first published in the Copy 4. Early nineteenth-century pub- Edinburgh edition of 1787 lisher’s boards. “Stinking” issue. Printed Materials, Books, and Sheet Music / 23

“Auld Lang Syne” from James Johnson’s The Scots Musical Museum

Copy 5. Modern polished calf by Lloyd. Copy 1. Original light blue boards; in “Stinking” issue. blue clamshell box. Copy 6. Contemporary sueded calf. In a Copy 2. Original boards, rebacked with leather case by Sangorsky & Sutcliffe. calf. Typed paper label on spine. “Skinking” or first issue. Annotated Copy 3. Contemporary Russian leather. by Burns for his friend Robert Ainslie, Armorial bookplate of Samuel Rogers with accompanying als, [October 11, with inscription stating that the book 1788]. Burns filled in the blanks in was presented to him by his “respected over thirty places, naming people and venerable friend Mrs. Simpson.” referred to in the volume. Formerly in the “sentimental library” Egerer, 2 of Henry B. Smith. Copy 4. Modern dark green morocco, Poems, Chiefly in the Scottish Dialect. by Bayntun of Bath. 3rd edition. Copy 5. Modern red morocco. London: Printed for A. Strahan [etc.]; Copy 6. Modern green morocco, by Edinburgh: W. Creech, 1787. Bayntun of Bath. Signature of James xlviii, [13]–372 p.: port.; 21.1 cm. Paterson, 1801. The London edition of 1787 was copied Copy 7. Original boards, leather spine. from the “stinking” state, suggesting Lacks portrait. that the copies of the Edinburgh, Egerer, 5. which were used as copy text for the London edition, were from the end of The Scots Musical Museum. Humbly the print run. dedicated to the Catch Club instituted at Edinr June 1771. The G. Ross Roy Collection of Robert Burns / 24

The second American edition was published in New York. The frontispiece portrait was copied from the 1787 Edinburgh edition but is facing the opposite direction

Edinburgh: Printed and sold by J. John- Copy 2. 6 v. in 3. Bookplate of C. H. son, [etc., etc., pref. 1787–1803]. Wilkinson. All 6 volumes in this set 6 v.; 23 cm. have the presumed 1803 title page and Volume 3 has imprint: Edinr, Printed the later index. Modern dark green and sold by Johnson & Co. half morocco, marbled boards. Burns contributed largely to the work, Copy 3. Volume 1 only. Contemporary and Stephen Clarke prepared the half calf, marbled boards. Upper arrangements of most of the airs. cover wanting. Later title page, 1792? On completion of the sixth and last vol- State A of index. Signature of ume, in 1803, Johnson substituted a Thomas Ruddiman, Edinburgh. new set of title pages, dedicating the Copy 4. Volume 3 only. Original gray work “To the Society of Antiquaries boards, buff paper spine. First state of of Scotland.” title page. See Egerer, 8c. Egerer, 8. Copy 1. Volume 1, later title page, prob- 1788 ably 1792, state a of index. Volume 2, Poems, Chiefly in the Scottish Dialect. To intermediate title page not seen by which are added, Scots poems, Egerer, earliest issue of preface, state selected from the works of Robert a of index. Volume 3, earliest issue of Ferguson. preface, state a of index. Volume 4, New York: Printed by J. and A. M’Lean, state a of index. Volume 5, state a of Franklin’s Head, no. 41, Hanover- index. Volume 6, later issue of index. Square, 1788. Later purple cloth. Bookplate of Uni- 306 p.: port.; 20 cm. versity of , Tarradale House. Printed Materials, Books, and Sheet Music / 25

“Stinking” issue. must have been a small one because Engraved frontispiece by Scot, Philadel- copies are now rare. phia. Copy 1. Contemporary sheep. In brown The second American edition appeared quarter morocco slipcase. Presenta- in New York, in mid-December 1788. tion inscription to Mark Pringle, The paper in this edition is much dated 1788; ownership inscription superior to that of Philadelphia, and of Wm. A. Clendinen and Mary M. it may have been imported from Clendinen on front free endpaper. Great Britain. At the time of publi- Library label of Clendinen Thompson cation there was a brisk trade in inside upper cover. imported British books, perhaps Copy 2. Contemporary marbled calf. accounting for the apparently poor Library labels of Winston H. Hagen, sales of the New York edition; in 1799, Louis H. Silver and William Berrian unsold sheets were issued with a new on verso of front free endpaper. title page. Some copies of the 1788 Copy 3. Contemporary tree calf. Signa- edition have an engraved frontispiece ture of Roger Whittlesey, 1793. of Burns, which was probably copied Egerer, 10. from the 1787 Edinburgh portrait, with the result that the poet looks the opposite way (inwards) to the Edin- burgh likeness. Modern dark blue morocco, gilt, by Bradstreet. Leather library label of Hannah D. Rabinowitz. Egerer, 11. Poems, Chiefly in the Scottish Dialect. Philadelphia: Printed for, and sold by Peter Stewart and George Hyde, 1788. 304 p.; 15.7 cm. “A reprint of the Edinburgh edition, 1787, and the first edition printed in America.”—Gibson, p. 6. Perhaps because of its colloquial informality, perhaps because of Burns’s demo- cratic sentiments, perhaps because it evoked so strongly the home country that immigrants had left, Burns’s work quickly established a loyal American readership. In the eigh- teenth and nineteenth-centuries the United States did not recognize copy- right for books published in other countries and so American publishers had no difficulty printing editions of The 1788 Philadelphia edition is a reprint Burns’s works. The first of these of the Edinburgh edition of 1787 and appeared in Philadelphia, on July 7, the first edition printed in America 1788. It was printed on American paper of poor quality, hence the yel- lowing now visible. The printing The G. Ross Roy Collection of Robert Burns / 26

1789 In: Aberdeen Magazine, Literary Chronicle Poems, Chiefly in the Scottish Dialect. and Review, v. 4, no. 11, p. 688–689. Dublin: Printed for William Gilbert, Kinsley title: “On the Late Captain 1789. Grose’s Peregrinations thro’ Scotland, x, 274 p.; 16.2 cm. Collecting the Antiquities of that Contemporary calf. Signature of Kingdom,” 275. Marcus Cowland, Bush Hall, 1790. “Tam o’ Shanter.” Laid in: air letter from C. W. Black, City In: Grose, Francis. The Antiquities Librarian, Mitchell Library, Glasgow, of Scotland. London: Printed for to G. Ross Roy, commenting on the S. Hooper and Wigstead, 1789–1791, 1787 & 1789 Dublin editions of The v. 2, p. 191–201. Poems. Captain Francis Grose was already well Egerer, 13. known for his six-volume Antiquities “To the Author.” of and (1773–1787) In: Sillar, David. Poems by . when he came to Scotland to work on Kilmarnock: John Wilson, 1789, p. 53. a like project. Burns (who met Grose Modern green half morocco, marbled at Friar’s Carse) persuaded him to boards. include a drawing of Kirk, Egerer, 14. which Grose promised to do if Burns would supply him with a story 1790 to go with it. Burns sent him three Poems, Chiefly in the Scottish Dialect. stories of diablerie, one a prose pre- Belfast: Printed and sold by William cursor of “Tam o’ Shanter.” On Magee, 1790. December 1, 1790, he sent Grose the x, 274 p.: ill.; 16.9 cm. poem. It first appeared in The Edin- Title on spine: Burns’ Poems. burgh Herald for March 18, 1791, and Copy 1. Modern tree calf. Bookplate of somewhat later in volume II of William P. Sears, Jr. Grose’s Antiquities of Scotland. In this Copy 2. Modern tree calf. Portrait copy, the pages with the illustration of wanting. Title page mounted. Alloway Kirk and “Tam o’ Shanter” Egerer, 17. itself have been removed and sepa- rately bound. It belonged to the great Poems, Chiefly in the Scottish Dialect. ballad collector William Macmath, Dublin: William Gilbert, 1790–1793. who collaborated with Francis James 2 v. in 1, [1] leaf of plates: port.; 17 cm. Child. Contemporary red straight- V. 2 printed in Belfast by William grained morocco, stamped in gold Magee. and blind. Rehinged. Signature of Modern half-calf, contemporary William Macmath, 1916. boards. Egerer, 21. Kinsley, 321. Volume 1: Egerer, 18; Volume 2: Egerer, 26. See note p. 42–43. Verses to the Memory of James Thomson, Author of The Seasons. 1791 [S.l.: s.n., 1791]. “On the Late Captain Grose’s Peregri- 8 p.; 15 cm. nation.” Disbound. Kinsley title: “Address to the “Written by Mr. Burns, the Scots poet, Shade of Thomson on Crowning His when Capt. Grose was in Scotland in 1790 [or 1791].” Printed Materials, Books, and Sheet Music / 27

Bust at Ednam, Roxburgh-shire with Bays,” 331. The Whistle: A Poem. [Dumfries: s.n., 1791]. 8 p.; 14.8 cm. Among Burns’s closest neighbors when he moved to Ellisland in 1788 was Capt. Robert Riddell of Friar’s Carse. This is the rare chapbook form of Burns’s poem celebrating a drinking contest at Riddell’s house in 1789, won by Alexander Fergusson of Craig- paroch. Modern burgundy crushed morocco. In slipcase. Possibly a variant of Egerer, 22. Kinsley, 272. 1792 A Selection of Scots Songs. Harmonized Burns’s letter mentioning the drinking improved with simple and adapted contest in the poem “The Whistle” graces. Edinburgh: Urbani & Liston, [1792–1804]. 6 v.; 33.5 cm Books 1 and 2 for voice, 2 violins, viola, violoncello, and harpsichord; books 3 and 4 for voice, 2 violins, viola, violoncello, and fortepiano. Includes original compositions and arrangements of Scottish folksongs. Contains a number of Burn’s poems set to music. Book 1 issued in 1792; book 2, 1794; book 3, 1799; book 4, 1800–1; books 5 and 6, 1804 Books 2–3 only. 1793 “Cotter’s Saturday Night.” Contemporary tree calf. In: Roach’s Beauties of the of Great Britain. London: Printed by and for J. Roach, 1793–1795, v. 4, no. 21, Robert Burns’s “The Whistle” celebrates p. 53–60. a drinking contest at Friar’s Carse in Kinsley title: “The Cotter’s Saturday 1789, won by Alexander Fergusson of Night, Inscribed to R. A****, Esq.,” Craigparoch 72. The G. Ross Roy Collection of Robert Burns / 28

Poems, Chiefly in the Scottish Dialect. Belfast: Printed by William Magee, 1793. 2 v. in 1: port.; 17 cm. Copy 1. Contemporary tree calf. Copy 2. Contemporary calf, rebacked. Copy 3. Modern half calf marbled boards. Signature of L. Wilkie. Title page restored. Egerer, 26. Poems, Chiefly in the Scottish Dialect. 2nd edition, considerably enlarged. Edinburgh: Printed for T. Cadell, Lon- don, and William Creech, Edinburgh, 1793. 2 v.: port.; 19.2 cm. In April 1792 Burns answered a letter from William Creech, suggesting a new edition of poems in two volumes. To those poems already published by Creech, Burns said he could add A Selection of Scots Songs “about fifty pages” and would also “correct & retrench a good deal.” All he requested in return were books, as well as a few copies of the published work for gifts. The two-volume set was published on February 18, 1793, and consisted of the contents of the 1787 volume and eighteen poems pub- lished for the first time in book form. The best-known addition was, of course, “Tam o’ Shanter,” written for Francis Grose’s Antiquities of Scotland of 1791. See the “Tam o’ Shanter” proofsheet in the Manuscripts section. Copy 1. Armorial bookplate and signa- ture of Charles Mansfield Clarke. Contemporary mottled calf, rehinged. Copy 2. Contemporary mottled calf. Signature of William Baylis, Jun. Copy 3. Volume 2 only. Rebound in quarter calf, late 20th century blue marbled paper. Pages 273–276 are sup- plied in manuscript. Bound in at the “Red, Red Rose” was first published end of volume 2 copy 3 is a single in Urbani’s Scots Songs, 1794, to an sheet: “Burns’s Death-Bed Song,” ca. original tune 1810. This is actually Lady Nairne’s “I’m wearin’ awa, John.” Mackay (Burns A–Z, B78) gives 1876 as the Printed Materials, Books, and Sheet Music / 29

An early version of “Bruce’s Address” set to the tune “The Mill, Mill O,” published in George Thomson’s A Select Collection of Original Scottish Airs for the Voice

earliest date for this song but this Sophia Pleyel on title page and plate sheet is c.1810–1820. 12. Ownership signature of Sarah Egerer, 25. Dickin on rear pastedown. Egerer, 28. A Select Collection of Original Scotish [sic] Airs for the Voice. To each of which are 1794 added, introductory & concluding “Address to the Shade of Thomson, or symphonies, & accompanyments for Crowning His Bust with a Wreath of the violin & piano forte by Pleyel. Bays.” With select & characteristic verses by In: The Poetical Farrago: Being a Miscel- the most admired Scotish [sic] poets laneous Assemblage of Epigrams and adapted to each air; many of them other Jeux d’Esprit Selected from the entirely new: also suitable English Most Approved Writers. London: verses in addition to such of the songs Printed by G. Stafford for J. Deighton, as are written in the Scotish [sic] 1794, v. 1, p. 58–59. Volume 1 only. dialect. Marbled calf, stamped in gold. London: Printed & Sold by Preston & In the private collection of G. Ross Roy. Son, [1793]. Kinsley, 331. vi, [ii], 1–25 [1] p.: 25 plates (music); 34 cm. “The Cotter’s Saturday Night.” Double pagination. In: The Young Gentleman and Lady’s [Volume 1, set 1]. Preface dated “1st May Poetical Preceptor. Being a collection 1793.” of the most admired poetry selected Contemporary marbled boards, calf from the best authors. Coventry: spine. Engraved title page, signed by Printed and sold by M. Luckman, Thomson. Holograph signature of [1794], v. 4, no. 21, p. 283–284. The G. Ross Roy Collection of Robert Burns / 30

Kinsley title: “The Cotter’s Saturday Volume 2 Contains twenty-four songs Night, Inscribed to R. A****, Esq.,” by Burns, in whole or in part. 72. Contemporary block half-calf, marbled boards. Poems, Chiefly in the Scottish Dialect. A new edition, considerably enlarged. “.” Edinburgh: Printed for T. Cadell, Lon- In: The Young Gentleman and Lady’s don, and William Creech, Edinburgh, Poetical Preceptor. Being a collection of 1794. the most admired poetry selected 2 v.: port.; 17.9 cm. from the best authors. Coventry: Copy 1. Contemporary tree calf. Signa- Printed and sold by M. Luckman, ture of Eliza Sturt [sic] on title page. [1794], p. 244–246. Signature of Wm. Stuckley, 1795. Book- Kinsley title: “To a Mountain-Daisy, on seller’s ticket: George Gregory, book- Turning One Down with the Plough, seller to Queen Alexandra . . . Bath. in April 1786,” 92. Copy 2. 2 v. in 1. Contemporary tree “.” calf. Grahame’s poem on Burns and his Egerer, 29. translation of Burns’s “To a Mouse” A Select Collection of Original Scotish [sic] into Latin. Airs for the Voice. To each of which are In: Grahame, James. Poems in English, added, introductory & concluding Scotch, and Latin. Paisley: Printed by symphonies, & accompanyments for J. Neilson for the author, 1794, p. 130. the violin & piano forte by Pleyel. Modern blue boards, paper label on With select & characteristic verses by spine. the most admired Scotish [sic] poets, Kinsley title: “To a Mouse, on Turning adapted to each air: many of them Her Up in her Nest with the Plough, entirely new by Burns; also English November 1785,” 69. verses, in addition to such of the songs as are written in the Scotish 1795 [sic] dialect. Address to the People of Scotland, Respect- London: Preston & Son, [1794–1797]. ing Francis Grose. To which are added, 4 v. in 1; 37.5 cm. verses on seeing the ruin of an ancient Title and imprint vary slightly. magnificent structure. Engraved title pages. [S.l.: s.n., 1795]. Volume 1, 2nd edition. 8 p.; 16 cm. The music of volumes 2–3 by Kozeluch; Bookplate of John Gribbel. volume 4, chiefly by Kozeluch, partly Not the Brash and Reid printing of the by Pleyel. poem, which appeared in Poetry Origi- Each volume bears the autograph of the nal and Selected, v. 2, 5 [1797?]. editor on the title page. “On seeing the ruins of an ancient Contains sixty-seven songs by Burns. magnificent structure”: signed R.G. Contemporary quarter calf, marbled Modern dark green morocco by the boards. Imperfect wanting rear cover. Adams bindery. Signature of Mrs. Matchett on each Poetry: Original and Selected. title page. Glasgow: Printed for and sold by Brash A Selection of Original Scots Songs. In and Reid, [1795–1798?]. three parts the harmony by Haydn. 4 v.: ill.; 14.3 cm. London: Printed for W. Napier, [1794]. Poems by or about Burns in volume 1. 2 v.: ill.; 35 cm. Alloway Kirk; or Tam o’ Shanter— The Soldier’s Return—Domestic Printed Materials, Books, and Sheet Music / 31

Poems by or about Burns in volume 4. The Speech of King to his Troops—A Prologue to The Gentle Shepherd—The Tooth-ache— Ye Banks and Braes of Bonnie Doon— Washing Day. Collection of 265 pieces originally pub- lished and sold as 96 separate works; including selections by Burns, Smol- lett, Erskine, Ramsay, Goldsmith, Dibdin, Wolcot, Raleigh, Skinner, and others. Added collective title pages, engraved, with vignette. Later dark green half straight-grain morocco, cloth, by Kerr & Richard- son, Glasgow. Publisher’s prospectus for volume 1 Poetry, Original and Selected inserted. Egerer, 32 a, b, c, d 1796 Alloway Kirk: or, Tam o’ Shanter: A Tale. [Glasgow: Brash & Reid, 1796]. Burns’s “The Cotter’s Saturday Night” 8 p.; 16 cm. was included in the anthology Roach’s Copy 1. Modern wrappers. Title page Beauties of the Poets of Great Britain vignette. No imprint on title page. Copy 2. Variant printing. Title page Happiness Exhibited in John Ander- vignette. Imprint: Glasgow: Printed son, My Jo—Six Favourite Songs— by Chapman & Lang, for Brash & Elegiac Applicable to the Reid. Disbound. Untimely Death of . . . Robert Burns. Copy 3. Modern green half morocco, Poems by or about Burns in volume 2. cloth. Bound in first volume of four Monody on the Death of Robert volume set of Brash & Reid pam- Burns—Verses to the Memory of phlets. No imprint; device of star Robert Burns—Address to the People design at of title page. of Scotland—Seven Favourite Songs— Copy 4. Modern brown half morocco, The Echo of Friars-Carse Hermitage. marbled boards. First variant with Poems by or about Burns in volume 3. title: Aloway Kirk; or, Tam o’ Shanter. Ode to Temperance—Patie and Ralph, Printer’s ornament at foot of title An Elegiac on the Death of page made up of small slanted flow- Robert Burns / Robert Lochore—The ers. Ornament faded in this copy. Exile or the Banished Patriot. To Egerer, 32. Kinsley, 321. which Are Added An Inscription in an Hermitage and The Lovely Lass My Aine Kind Dearie. A favorite Scotish of —Caledonia / Robert [sic] air, arranged with variations for Burns—Colin, A Pastoral Elegy to the piano forte. the Memory of Robert Burns. London: Printed & Sold by Preston, at his Warehouses, 97 Strand, [1796?]. Four variants of the Brash and Reid edition of Aloway Kirk (1796) Printed Materials, Books, and Sheet Music / 33

1 score ([1], 3 p.); 36 cm. Sewn in modern blue and white Kinsley title: “The Lea-Rig,” 392. checked wrappers. Label: Ex Libris, J. L. Weir. The Tooth-Ache: A Poem. Ye Banks and Braes of Bonnie Doon: A Song. Another Poems, Chiefly in the Scottish Dialect. Song, to the Same Tune. And the Washing New edition, considerably enlarged. Day: A Poem. Edinburgh: Printed for T. Cadell, Glasgow: Printed for and sold by Brash Jun. and W. Davies, London and & Reid, [1796]. W. Creech, Edinburgh, 1798. 8 p.; 16 cm. 2 v.: port.; 21 cm. First separate edition. Copy 1. Early nineteenth-century Includes songs by Burns. gray-blue boards, uncut, rehinged. Modern marbled wrappers. In linen-covered clamshell box. Egerer, 32d. Kinsley title: “Address to Copy 2. Contemporary sheep. the Tooth-Ache,” 55. Egerer, 35. 1797 Poems, Chiefly in the Scottish Dialect. From the latest European edition. Poems, Chiefly in the Scottish Dialect. Two volumes in one. A new edition, considerably enlarged. Philadelphia: Printed by Patterson & Edinburgh: Printed for T. Cadell, Jun., Cochran, 1798. London, W. Davies, and William 302 p.; 16.8 cm. Creech, Edinburgh, 1797. Rebound in modern binder’s cloth. 2 v.: port.; 20 cm. Egerer, 36. Reprint of 1793 edition. Copy 1. Original blue-gray boards. Verses to the Memory of James Thomson, Hand-lettered spines. Rehinged. In Author of The Seasons, &c. blue clamshell box. Glasgow: Printed for and sold by Brash Copy 2. 2 v. in 1. Contemporary calf. & Reid, [1798]. Armorial bookplate of Alexander 8 p.; 14.3 cm. Davison, Swarland. Contemporary Disbound. In cloth-covered case. calf. Kinsley title: “Address to the Shade of Copy 3. Contemporary calf. Leather Thomson on Crowning His Bust at labels on spines. Armorial bookplate Ednam, Roxburgh-shire with Bays,” of P. G. Warren in volume 1. Pons 331. Bequest. Egerer, 34. 1799 “Bonny Lass of Ballochmyle.” Tam o’ Shanter: A Tale. Added engraved title page with vignette. [London: Printed for Hooper & Wig- The first appearance of “The Bonny stead, 1797]. Lass of Ballochmyle,” by Robert p. 199–202: ill.; 34 cm. Burns. Kinsley, 321. In: The Polyhymnia: Being A Collection of 1798 Poetry, Original and Selected. Glasgow: J. Murdoch, [1799], no. 18 of 20. Invocation to Melpomene: To which Are Contemporary tree calf. Manuscript Added, Winter, A Song and A Prologue to “Contents”: 3 leaves at end. the Gentle Shepherd. Egerer, 38. Kinsley title: “On Miss Glasgow: Printed for and sold by Brash W.A.,” 89. & Reid, [1798]. 8 p.; 14.5 cm. The G. Ross Roy Collection of Robert Burns / 34

“Bruce’s Address.” Holy Willie’s Prayer, Letter to John Goudie, In: Thomson, Alexander. from Kilmarnock, and, Six Favourite Songs: the Robbers. Edinburgh: Printed for Viz. Duncan Gray, The Lass That Made George Gray, 1799, p. 13–14. Bound the Bed to Me, A Man’s a Man for a’ with: Burns, Robert. Elegy on The Year That, Of a’ the Airts the Win’ can Blaw, Eighty-Eight. Edinburgh: Printed by Now Westlin Winds, I Gaed a Waefu’ David Willison for George Gray, 1799. Gate Yestreen. While there are several, inconsistent Glasgow: Printed by Chapman and accounts of when and how Burns Lang for Stewart & Meikle, [1799]. composed what has become (at least 16 p.; 14 cm. at football matches) the Scottish Includes the seven songs by Burns. national , two things are clear: Nineteenth-century purple cloth, first, that he composed it to the tune stamped in gold and blind. “Hey tutti tatie” (which may have Egerer, 41, unrecorded variant, with been Robert the Bruce’s march at title vignette. Bannockburn), and second, that it was composed against the background of government repression in the early , as British authorities reacted to the Reign of Terror in France. This poem’s stern call to “lay the proud usurper low,” in the name of “Lib- erty,” was not therefore wholly his- torical in reference. Full green morocco, in Scottish wheel design, gilt extra, by David Moncur. On upper cover: Burns. Grays Tracts. 1799. Egerer, 37, footnote 7. Kinsley title: “Robert Bruce’s March to Bannockburn,” 425. Elegy on The Year Eighty-Eight. Elegy on Puddin’ Lizzie, Colin Clout: A Pastoral, etc. etc. Edinburgh: Printed by David Willison . . . for George Gray, 1799. 16 p.; 16 cm. “Colin Clout” signed on p. 12: W.B. Bound with: Alexander Thomson’s Sonnets from The Robbers [and three poems by Burns] Edinburgh: George Elegy on the Year Eighty-Eight Gray, 1799. Green morocco in Scottish wheel The Inventory. The Dominie Depos’d (Con- design, by David Moncur. On upper cluded); Lines in the Palace of Scone; cover: Burns. Grays Tracts. 1799. The Comforts of Marriage; and, The Egerer, 37. Plundered Lark, &c. Kinsley title of “Elegy on the Year Glasgow: Printed by Chapman and Eighty-Eight” is “Elegy on the Year Lang for Stewart & Meikle, [1799]. 1788,” 250. Printed Materials, Books, and Sheet Music / 35

16 p.; 14 cm. Full green morocco, in Scottish wheel “The Dominie Depos’d” is attributed to design, gilt extra, by David Moncur. William Forbes, A.M. On upper cover: Burns. Grays Tracts. Disbound. 1799. See “Bruce’s Addresses” [1799] Includes the following song by Burns: above. “The Inventory,” p. 8–10. Egerer, 37, footnote 7. “This pamphlet, the sixth of Stewart Kinsley title: “On Miss W.A.,” 89. and Meikle’s tracts which contained The Merry Muses of Caledonia: A Collec- material by Burns, was probably pub- tion of Favourite Scots Songs Ancient and lished on 24 Aug. 1799”—Egerer, Modern Selected for the Use of the p. 63. Variant of Egerer, 43. Crochallan Fencibles. Kinsley, 86. [S.l.: s.n.], Printed in the year 1799 [i.e. The Kirk’s Alarm: A Satire: A Letter to a 1800?]. Taylor, The Deil’s Awa’ Wi’ The Excise- 127 p.; 17.1 cm. man, and An Unco Mournfu’ Tale & c. First edition. &c. Some of the gatherings are printed on Glasgow: Stewart & Meikle, [1799]. paper watermarked “1800.” See 15 p.; 14.2 cm. Roy, Merry Muses, 211–212. Includes the following songs by Burns: Publisher’s name removed from title “The Kirk’s Alarm,” p. [2]–5, “Robert page and verso of half-title. Burns’ Answer,” p. 7–10 and “Song This copy contained illustrations Written and Sung at a General Meet- after Thomas Rowlandson extracted ing of the Excise-Officers in Scot- from other works. These have been land,” p. 11–12. removed and bound separately. Page [16]: publisher’s advertisement for Nineteenth-century tree calf, rehinged. The Jolly Beggars and Holy Willie’s Half-title restored; final leaf mounted Prayer. and repaired. One of only two known Modern marbled wrappers. copies. Egerer, 40. Egerer, 51. Kinsley title: “The Kirk’s Alarm” is “Now Westlin’ Winds.” “The Kirk of Scotland’s Garland—A In: Ballads & Songs: Scotish [sic]. Lud- New Song,” Kinsley, 264. low: G. Nicholson, [1799], p. 49. Title “Robert Burns’ Answer,” Kinsley, 119b. page vignette by Thomas Bewick. Kinsley title: “Song Written and Sung at Ballads & Songs: Scotish [sic] also con- a General Meeting of the Excise- tains four poems by Allan Ramsay, Officers in Scotland” is “The De’il’s two attributed, p. 48 and 53; two Awa wi’ the Exciseman,” Kinsley, 386. unattributed, p. 44 and 51. “The Lass O’Ballochmyle.” Modern blue cloth. In: Thomson, Alexander. Sonnets from Kinsley title of “Now Westlin’ Winds” the Robbers. Edinburgh: Printed for is “Song —Composed in August,” 2. George Gray, 1799, p. 10–11. Bound with: Burns, Robert. Elegy on The Year Eighty-Eight. Edinburgh: Printed by David Willison for George Gray, 1799. The G. Ross Roy Collection of Robert Burns / 36

1800 The Ayrshire Garland: Containing a Few Celebrated Songs by R. Burns, viz. The Unfortunate Clown, Farewel to Ayrshire, The Banks of , Caledonian Laddie. : Ed. by T. Johnston, [1800]. 8 p.; 16 cm. The first and second songs are not by Burns, although the text of part of the second song is wanting. The third song “The Banks of Devon,” is by Burns, see Kinsley, 183, but again part of the text is wanting. The fourth song is spuri- ous. Apart from the third song the author of the other songs may be another Robert Burns, perhaps the one who published with Brash and Reid. “The Bonny Lass in Yon Town.” 8 p.; 16.2 cm. The poem appears on p. 4–5 in a frag- ment of an unidentified 8 p. chapbook. The Kirk’s Alarm: A Satire Includes six of the eight stanzas of (Glasgow: Stewart & Meikle, [1799]) Burns’s poem “O Wat ye Wha’s in Yon Poems, chiefly in the Scottish Dialect. To Town.” which are added, Scots poems, Kinsley, 488. selected from the works of Robert “Elegy on the Death of Sir James Ferguson [sic]. Hunter Blair.” New York: Printed and sold by John In: Charms of Literature: Consisting of Tiebout, 1799. Beautiful Pieces in Prose or Verse. New- v, [vi], [9],-306 p.: port.; 20 cm. castle on Tyne: Printed and sold by Portrait of Burns signed: Scot Philada. J. Mitchell, 1800, p. 31–32. Woodcuts Half morocco over marbled paper cov- by Bewick. ered boards, stamped in gold on spine. Contemporary quarter calf, marbled In the private collection of G. Ross Roy. boards. Binder’s title: Tracts. Book- Egerer, 46. plate of F. E. Dixon. Frontispiece “The ’s Soliloquy.” wanting. In: Thomson, Alexander. Sonnets from An Excellent New Song, Called Willie the Robbers. Edinburgh: Printed for Wastle: To which Are Added Henry’s Cot- George Gray, 1799, p. 14–15. Bound tage Maid, The Sheffield Prentice, Dif- with: Burns, Robert. Elegy on The Year ferent Humours, and My Love Is But a Eighty-Eight. Edinburgh: Printed by Lassie Yet. David Willison for George Gray, 1799. Haddington: Printed by G. Miller, 1800. Full green morocco, in Scottish wheel 8 p.; 16 cm. design, gilt extra, by David Moncur. Includes the following songs by Burns: On upper cover: Burns. Grays Tracts. “Sic a Wife as Willie Had,” p. 2–3 and 1799. See “Bruce’s Address” [1799] “My Love Is But a Lassie Yet,” p. 8. above. Bound with 20 other chapbooks in vol- Egerer, 37, footnote 7. ume with binder’s title: Old Ballads. Printed Materials, Books, and Sheet Music / 37

Nineteenth-century half calf, marbled A Garland of New Songs: The Death of boards. Nelson, Lochaber, The Yellow-hair’d “Sic a Wife as Willie Had” contains 16 of Laddie, Whistle and I’ll Come to 24 lines by Burns. Kinsley gives the You, My Lad, The Yorkshire title of the song as “Song—Sic a Wife Concert. as Willie’s Wife,” 328. Newcastle upon Tyne: J. Marshall, “My Love Is But a Lassie Yet” contains [1800]. 8 of 16 lines by Burns. Kinsley gives 8 p.; 16 cm. the title of the song as “My Love Includes the following song by Burns: She’s But a Lassie Yet,” 293. “Whistle and I’ll Come to You, My Lad,” p. 5. An Excellent New Song Called Wonderful Half-sheet, folded, uncut. Admiration!: To which Are Added Jenny’s Kinsley, 420. Bawbee, Remember Jack, and The Braw Lass of Gala Water. A Garland of New Songs: The Lass that Haddington: Printed by G. Miller . . . , Made the Bed to Me, Hope Told a Flat- [1800]. tering Tale, Bruce’s Address to His Army, 8 p.; 16.2 cm. My Lovely Mary, The Maid of Marli- “The Braw Lass of Gala Water” was vale, Good Night, The Wonders. probably inspired by Burns’s “Braw Newcastle upon Tyne: Printed by Lads of Galla Water.” J. Marshall, in the Old Flesh-Market, [1800–1820?]. Four Excellent New Songs: Duke of Gor- 8 p.; 16 cm. don’s Daughter, The Golden Glove, The Includes the following songs by Burns: Answer, The Caledonin [sic] Hunt “Bruce’s Address,” p. 4–5 and “The Delights. Lass that Made the Bed to Me,” p. 8. Edinburgh: J. Morren, [ca. 1800]. “Bruce’s Address to His Army” con- 8 p.; 15.4 cm. tains versions of last lines of each “The Caledonian Hunt Delights,” p. 8, stanza. See Letters, II, 582 & 584. includes 16 of 24 lines by Burns. Kinsley title of “Bruce’s Address” is Bound with twenty other chapbooks “Robert Bruce’s March to Bannock- in volume with binder’s title: Old Bal- burn,” 425. lads. Pages 3, 4, 6 cropped on lower Kinsley title of “The Lass that Made the margin with some loss of text. Nine- Bed to Me” is “The Bonie Lass Made teenth-century half calf, marbled the Bed to Me,” 571. boards. “The Caledonian Hunt Delights,” A Garland of New Songs: William and Kinsley, 328. Margaret, Mary’s Dream, Roy’s Wife of Aldivalloch, My Nannie [sic] O, Death A Garland of New Songs: Jessie the Flower or Liberty. o’ Dumblane [sic], O Stay My Love, Newcastle upon Tyne: J. Marshall, Lilies of the Valley, Sally Roy, Dear Maid [1800]. I Love Thee, Just Like Love, Green Grow 8 p.; 16 cm. the Rashes, O, Far, Far, at Sea. Includes the following song by Burns: Newcastle upon Tyne: Printed by “My Nannie [sic] O,” p. 7–8. J. Marshall, [1800]. Half-sheet, folded, uncut, as issued. 8 p.; 16 cm. Kinsley title: “Song” to the Tune of Includes the following song by Burns: “My Nanie, O,” 4. “Green Grow the Rashes, O,” p. 7–8. Half-sheet, folded, uncut. Garland of New Songs: Young Love among Kinsley, 657. the Roses, My Nanie, O, God Save the The G. Ross Roy Collection of Robert Burns / 38

King, Rule Britannia, Dear Is My Little Poems, Chiefly in the Scottish Dialect. Native Vole, General Wolfe’s Songs. Belfast: Printed by William Magee, Newcastle upon Tyne: Printed by 1800. J. Marshall, [1800–1820?]. 2 v. in 1; 16.8 cm. 8 p.; 16 cm. “Memoir of the life of the late Robert Includes the following song by Burns: Burns. Written by R. Heron,” 47 p. at “My Nanie O,” p. 3–4. end. Kinsley title: “Song” to the Tune of Copy 1. In this copy, Heron’s memoir “My Nanie, O,” 4. is bound in at the end of volume 2. Thus, the collation does not agree The Highland Piper’s Advice to Drinkers: with that in Egerer. Imperfect: Home, Sweet Sweet Home, Wallace’s p. iii–vi wanting. Contemporary Lament, Connel and Flora, Here Is the calf. Glen, Oh Hey Johny Lad, and Charlie Is Copy 2. Contemporary calf. Leather My Darling. label on spine. Bookplate of Sarah Airdrie: Printed by J. & J. Neil, [1800]. Elfreth on front paste down. Pons 8 p.; 16.3 cm. Bequest. Includes the following songs by Burns: Egerer, 47. “Here is the Glen,” p. 5–6 and “Char- lie Is My Darling,” p. 8. Poems, Chiefly in the Scottish Dialect. Copy 1. One half-sheet, folded, A new edition, considerably enlarged. unopened, uncut, as issued. Edinburgh: Printed by Adam Neill and Copy 2. One of a collection with Co. for T. Cadell, Jun. and W. Davies, binder’s title: Chap-Books and Penny London; and W. Creech, Edinburgh, Histories, second series. 1800. Copy 3. Green binder’s cloth, printed 2 v.: port.; 20 cm. paper label on spine. From the library Copy 1. Original gray-blue boards, of Hamish Henderson. rehinged. In blue linen-covered Copy 4. No. 11 in a bound collection of clamshell box. chapbooks with spine title: Quaint Copy 2. Full red morocco by the French Scottish Literature Chapbooks and Histo- Bindery. ries. Second series. Printed chiefly in Copy 3. Quarter red morocco, marbled Paisley and Glasgow. Green cloth, board. Marbled paper designed by printed paper label on spine. Cockerell. Volume 2. “M” gathering is Kinsley title of “Here is the Glen” is bound after “I.” “Banks of Cree,” 447. Egerer, 48. Kinsley title of “Charlie is My Darling” Scottish Songster. is “Charlie He’s My Darling,” 562. Newcastle-on-Tyne: Wm. R. Walker, The Lover’s Songster: A New Song Book, Printer, [1800–1810]. Being a Choice Collection of Celebrated 24 p.; 18 cm. Love Songs. Includes the following songs by Burns: Newcastle: Printed by J. Marshall, [ca. “The Deil’s Awa’ wi’ the Exciseman,” 1800]. p. 13, “Caledonia,” p. 19–20 [Kinsley, 24 p.; 16.6 cm. 253], and “Charlie is My Darling,” Includes the following song by Burns: p. 23 [Kinsley, 562]. “Green Grow the Rashes, O,” p. 13–14. Only three verses of “The Deil’s Awa’ Kinsley, 657. wi’ the Exciseman,” are included, not the chorus. See Kinsley, 386. Printed Materials, Books, and Sheet Music / 39

A Select Collection of Original Scotish [sic] Imprint varies slightly. Airs for the Voice. To each of which are The music of volumes 2 and 3 arranged added, introductory & concluding by Kozeluch; volume 4, chiefly by symphonies & accompanyments [sic] Kozeluch, partly by Pleyel. for the violin & piano forte, by Pleyel, Engraved title pages. with select & characteristic verses by Contemporary half calf, marbled the most admired Scotish [sic] poets, boards. Modern spine and corners. adapted to each air, many of them Leather labels on upper covers. entirely new by Burns; also English See Egerer Appendix II, p. 361–364. verses, in addition to such of the Three Excellent New Songs: Bonny Mally songs as are written in the Scotish Stewart, The Soldier’s Return, Answer [sic] 1786 dialect. to The Soldier’s Return. Edinburgh: J. Morren, [ca. 1800]. 8 p.; 16 cm. Includes the following song by Burns: “The Soldier’s Return,” p. 4–6. Bound with 20 other chapbooks in vol- ume with binder’s title: Old Ballads. Nineteenth-century half calf, mar- bled boards. Kinsley title of “The Soldier’s Return” is “When Wild War’s Deadly Blast Was Blawn,” 406. The Works of Robert Burns. With an account of his life, and a criticism on his writings, to which are prefixed, some observation on the character and conditions of Scottish peasantry. Liverpool: Printed by J. M’Creery, for T. Cadell, Jun., and W. Davies, Lon- don; and W. Creech, Edinburgh, 1800. 4 v.: port.; 23 cm. Dedication signed: J. Currie. Soon after Burns’s death it was decided that a collected edition of his works should be undertaken, but it was difficult to find anyone to shoulder , which eventually fell to Dr. James Currie, a native of Dum- friesshire who practiced medicine in The Works of Robert Burns. Edited by Liverpool. His main objective was to James Currie. (Liverpool: Printed by raise money for the poet’s family and J. M’Creery, 1800) so he felt he must not offend any of the people whom Burns had known London: Preston & Son, [1800]. or met. For this reason Currie delib- 4 v. in 2: fronts (v. 1, 3); 37 cm. erately omitted material from his Prefaces of volume 1 and 2 dated Octo- biography which would have resulted ber 1800. Volumes 3 and 4 undated. in a more rounded portrait of his The G. Ross Roy Collection of Robert Burns / 40

subject. The edition of 2000 copies First issued in a chapbook published in immediately became the standard 1789; reissued in a chapbook pub- biography and text for the poems and lished by Stewart & Meikle in 1799 letters of the poet. This inaccurate and included in Poems Ascribed to biography and mangled text gave the Robert Burns (Glasgow, 1801). world a woefully biased picture of Burns’s famous satire on self-deception Burns which persisted well into the and religious hypocrisy, targeting twentieth century. See Thornton, William Fisher, one of the Mauchline Robert D. “James Currie’s Robert parish elders, had been first published Burns: A Publishing History of the in pamphlet form in 1789. First Edition, 1797–1800,” typescript. Early nineteenth-century boards, Copy 1. Original blue-gray boards, hand-lettered cover. printed paper labels on spines. This slightly later chapbook is not Copy 2. Modern light brown binder’s recorded by Egerer. cloth. Kinsley, 53–54. Copy 3. Modern red half morocco, Humorous Pieces: Consisting of Prose, marbled boards. Bookplates of O. The Life of Mr. George Harvest, The St. J. Alexander and bookplate and Strolling Player, The Pilgrims and the signatures of Roger H. West. Auto- Peas. graph letter signed from William Newcastle on Tyne: J. Mitchell, 1801. Creech to Messrs. Cadell and Davis, 8 p.; 16 cm. dated June 30, 1800 with envelope Includes the following song by Burns: once pasted in Copy 3, volume 3 now “Tam o’ Shanter,” p. [1]–7. in separate pamphlet binder. Creech Woodcuts by Bewick. Binder’s title: expresses his disappointment at not Tracts. Bound with 7 other chapbooks having received the copies of Burns published by J. Mitchell. Contempo- he had ordered. rary quarter calf, marbled boards. Copy 4. Volume 2 only. Half green calf, Bookplate of F. E. Dixon. over green cloth. Kinsley, 321. First collected edition; Egerer, 50. Humorous Pieces: Epistle on Marriage, 1801 and The Cheese Present by Burns, The “The Answer.” Newspaper Editor, by Peter Pindar, The In: Scot, Elizabeth. Alonzo and Cora. Auctioneer, Etc. Poetry, Watty and Meg With other original poems, princi- Monsieur Tonson, Epigrams, by Anderson. pally elegiac, to which are added let- Newcastle on Tyne: J. Mitchell, 1801. ters in verse, by Blacklock and Burns. 8 p.; 15 cm. London: Printed and published by Includes the following poem by Burns: Bunney and Gold, 1801, p. 158–161. “Humorous Epistle to Mr. Cunning- Burns’s answer was a reply to Elizabeth ham after His Marriage,” p. [3]–8. Scot’s “The Guidwife of Waukhope Binder’s title: Tracts. Bound with 7 House to Robert Burns, the Airshire other chapbooks, published by Bard, Feb. 1787” which also appears J. Mitchell. in the volume. Contemporary quarter calf, marbled Contemporary mottled calf. boards. Bookplate of F. E. Dixon. Egerer, 60. Kinsley, 147a. Poems. With his life and character. Holy Willie’s Prayer and Epitaph. Edinburgh: Printed by Oliver & Co., Edinburgh: Printed by T. Oliver, 1801. 1801. 6, [2] p.; 14.6 cm. 2 v.: ill., port.; 15.4 cm. Printed Materials, Books, and Sheet Music / 41

Original blue-green boards, paper Poems, Chiefly in the Scottish Dialect. In spines. Rehinged. In blue linen-cov- two volumes. By Robert Burns. To ered clamshell box. Armorial book- which is prefixed the life of the plate of Ludovic Lindsay, Earl of author . . . All the poems and songs Crawford. that were in the edition printed at Volume 1 contains p. 31–36 (C4–6) con- Edinburgh in 1787, are in these two trary to Egerer’s claim that “pages volumes. 31–36 were purposely omitted.” Berwick upon Tweed: Printed for Egerer, 54. H. Richardson by J.Taylor, Book- seller, 1801. Poems. With his life and character. 2 v.; 15.5 cm. Edinburgh: Printed by Oliver & Co., Added engraved title page with vignette 1801. portrait. 2 v.: ill., port.; 14.4 cm. Later polished calf. Lacks added Variant not recorded by Egerer, but sim- engraved title page. Signature of ilar to variant 2. Imprint of volume James Henry Ronaldson in each 1: Oliver & Co., High Street. Sold by volume. Egerer, 53, variant 1. A. Guthrie, T. Brown and A. Mackay, Booksellers. Imprint of volume 2: Poems, Chiefly in the Scottish Dialect. By Oliver & Co., Fountain Well. Robert Burns. In two volumes. A new Frontispiece portrait of Burns after edition which includes all the poems Nasmyth. Engraving of “The Holy & songs that printed in Edinr. in 1787 Fair” in volume 1; “Tam o’ Shanter” under the authors [sic] own inspec- in volume 2. tion, also his life & an appendix, con- Volumes bound in one. Modern red- taining his other select pieces. dish-brown calf. Contemporary spine Berwick upon Tweed: Printed by label retained. H. Richardson, for J. White & Co., Egerer, 55. United States of America, 1801. Poems Ascribed to Robert Burns, the Ayr- 2 v.; 15.5 cm. shire Bard. Not contained in any edi- Added engraved title page, with vignette tion of his works hitherto published. portrait. Glasgow: Printed by Chapman & Lang Imprint of volume 1 “. . . Boston United for Thomas Stewart, 1801. States. America.” [94] p.; 22 cm. Imprint of volume 2 “. . . Boston United Copy 1. Original blue-gray boards. In States of America. 1801.” light gray-green box. Printed paper Contemporary tree calf. Signature of label on cover, text within wreath. Mary Ann T. Walker. Bookplate of Jacobus Bromley. Signa- Egerer, 53, variant 2. Table of Contents ture of Willm. Boswell. leaf follows dedication in volume 1 of Copy 2. Cover label has sun-ray design this copy; in volume 2 the Glossary is surrounding text. Short footnote on bound in following the Appendix. p. 75. In blue-gray box. Copy 3. Modern polished calf, by Rivière Poems, Chiefly in the Scottish Dialect. By & Son. In light brown slipcase. Cover Robert Burns. In two volumes. A new label has sun-ray design surrounding edition, which includes all the poems text. Bookplate of B. D. Colvill-Scott. & songs in that printed at Edinr. in Footnote, p. 75 in longer form. 20 cm. 1787 under the authors [sic] own Egerer, 57. Footnote, p. 75, in shorter inspection, also his life & an appen- form. dix, containing his other select pieces. The G. Ross Roy Collection of Robert Burns / 42

Berwick upon Tweed: Printed for Copy 3. Modern brown binder’s cloth. H. Richardson, & sold by David Both plates wanting. Egerer, 59, vari- Forbes Edinr., [1801]. ant 1 Copy 1. Contemporary quarter calf, Poems, Chiefly in the Scottish Dialect. To marbled boards. Imprint on added which are added several other pieces engraved title page. Egerer, 53, not contained in any former edition variant 3 of his poems and a life of the author. Copy 2. Contemporary half calf, mar- Glasgow: Printed and sold by Chapman bled boards. 2 v. in 1. Imprint on and Lang and Messrs. Vernor & Hood, added engraved title page: Berwick London, 1801. upon Tweed: Printed by H. Richard- xii, 360 p.: ill., port.; 18 cm. son, & sold by David Forbes, Edin., Copy 1. Modern quarter calf, marbled 1801. Egerer, 53, variant 3. boards. Has small plate inserted Poems, Chiefly in the Scottish Dialect. before p. A, “The house in which Edinburgh: James Robertson, 1801. Burns was born,” engraved by 2 v.: ill., port.; 10 cm. R. Scott for W. McLellan’s Editor Contemporary tree calf. of Burns poems. Egerer, 56. Copy 2. Armorial bookplate of J. R. Minnitt. Has large folded plate Poems, Chiefly in the Scottish Dialect. To inserted before p. a2, “The house in which are added several other pieces which Burns was born,” drawn on not contained in any former edition the spot by W. Score, published by of his poems and a life of the author. R. Chapman, Printer, Glasgow, Glasgow: Printed and sold by Chapman Acquatinted by R. Scott. and Lang, 1801. Egerer, 59, variant 4. xii, 360 p.; 18.5 cm. Later binding, calf shelfback stamped in Poems, Chiefly in the Scottish Dialect. gold, over cloth. Signature of Jean W. A new edition, considerably enlarged. Miller . . . Greenock. Glasgow: Printed by Thomas Duncan, Egerer, 59, variant 1. 1801. 353 p.; 16 cm. Poems, Chiefly in the Scottish Dialect. To Contemporary sheep. which are added, several other pieces, Egerer, 58. not contained in any former edition of his poems. Poems, Chiefly in the Scottish Dialect. Glasgow: Printed by Chapman & Lang Paisley: Printed by J. Neilson, for for William M’Lellan, 1801. R. Smith, 1801–1802. xii, 360 p., [2] leaves of plates: ill.; 17.4 2 v.: port.; 14 cm. cm. Added engraved title page with vignette, Copy 1. Contemporary tree calf. Imper- volume 1. fect: frontispiece portrait of Burns This set is apparently an early issue, wanting. Includes the plate “The issued in plain wrappers containing 18 House Where Burns Was Born,” leaves. engraved by R. Scott. “Sketch of the life and character of Copy 2. Contemporary sheep. Signature Burns” appears on A2-B5 (p. 3–23), of Thomas Mitchell, 1801. Frontis- whereas Egerer claims “The Life” piece portrait engraved by Mackenzie appears in volume 2. “The Life” is present, but plate of Burns’s cottage followed by a table of contents wanting. (p. 24–26). This is followed by text (p. 27–203) and a glossary Printed Materials, Books, and Sheet Music / 43

(p. [204]–216). There is no extra violoncello by Pleyel, Kozeluch & engraved title page as noted in Egerer. Haydn, with select & characteristic Volume 2 has an engraved frontispiece verses both Scottish and English portrait and an additional engraved adapted to the airs including upwards title page. The volume does not of one hundred new songs by Burns. appear to have been issued in parts. London: Printed and sold by T. Preston, The contents are as follows: A-S6. [1801]. [i]–vi; [7]–214; [215–216]. [1] tp; [ii] 4 v. in 1: ill., music; 36 cm. blank; [iii]–v Caledonian hunt; [vi] Double paged, continuous pagination. blank; [7]–214. Reissue of 1799 edition? Prefaces of vol- Volume 1. Sewn into contemporary buff umes 1, 3, and 4 dated Sept. 1801. Vol- wrappers. ume 2 lacking preface. Colophon of Volume 2. Apparently issued in paper volume 4 dated 1800. wrappers, each consisting of three Added engraved title page, printed titles gatherings of six leaves. In brown precede each volume. Title of volume cloth-covered fall down case. 2 lacking, remaining titles signed by Egerer, 63. Thomson. Later half roan, marbled boards. Upper cover wanting. The Works of Robert Burns. With an account of his life, and a criticism on his writings, to which are prefixed, some observations on the character and condition of the Scottish peas- antry. 2nd edition. London: T. Cadell, Jun. & W. Davies; [etc., etc.], 1801. 4 v.: port.; 21 cm. Illustrated title pages. Edited by J. Currie. A reprint of Currie’s 1st edition, with additions. Copy 1. Contemporary diced half calf, marbled boards. Signature of George Masters. Copy 2. Armorial bookplate of Edward Burrard Boyle. Later straight-grain morocco, gilt. Binder’s ticket: Back- house . . . Wells. Egerer, 61. Poems, Chiefly in the Scottish Dialect (Paisley: Printed by J. Neilson, The Works of Robert Burns. With an for R. Smith, 1801–1802) account of his life, and a criticism on his writings, to which are prefixed, some observations on the character A Select Collection of Original Scottish Airs and condition of the Scottish peas- for the Voice. With introductory & antry. concluding symphonies & accompa- niments for the piano forte, violin & The G. Ross Roy Collection of Robert Burns / 44

Philadelphia: Printed by Budd and Bar- 24 p.; 16.5 cm. tram for Thomas Dobson, 1801. Includes the following song by Burns: 4 v.: ill., port.; 18 cm. “Alloway Kirk or Tam o’ Shanter,” When James Currie published his four- p. [2]–8. volume Works of Robert Burns in 1800 Modern quarter calf, marbled boards, it was not long before an American leather label on upper cover. publisher followed suit. This first Kinsley, 421. American collected edition was Letters Addressed to Clarinda, &c. produced by Thomas Dobson of Glasgow: Printed by Niven, Napier and Philadelphia. It will be noted that Khull, for T. Stewart, Bookseller, Nasmyth’s portrait of Burns is now Trongate, 1802. facing outwards, as it was in the 48 p.; 16.1 cm. original Edinburgh edition, suggest- Modern dark green morocco, gilt. ing that this is a copy of a copy. As Egerer, 68. Presumed first issue. this copying continued, the likeness to the original became less and less Letters Addressed to Clarinda, &c. accurate. In later editions one can Glasgow: Printed by Niven, Napier and barely, if at all, recognize the subject. Khull, for T. Stewart, Bookseller, Modern half calf, marbled boards Trongate, 1802. bound by Thomas Valentine. Signa- 48 p.; 16.1 cm. ture of Rebecca C. McIlvaine, 1803, Copy 1. Original salmon-colored wrap- and Elizabeth Wallace, 1829. pers, uncut. Stabbed. Signature of Egerer, 64: First American collected Wm. Finnie, 1802. In brown cloth edition. case. 1802 Crerar’s Edition of Burns’ Poems. With his life and character. Embellished with beautiful engravings. : Printed by J. Crerar, 1802. 2 v.: ill.; 14 cm. Frontispiece “Mark Our Jovial Ragged Ring” drawn by A. Carse, engraved by R. Scott. Contemporary tree calf, red morocco labels stamped in gold. Inscribed by former owners, John Marshall, and Mitchell King, 1807. Volume lacks p. 219–220. Text of poem “My Mary, Dear Departed Shade,” p. 218 incom- plete. Photocopy of the poem from another edition is loosely inserted. Egerer, 70. Four Funny Tales: Alloway Kirk or Tam o’ Letters Addressed to Clarinda, &c. Shanter, Watty and Meg or The Wife Reformed, The Loss of the Pack, and The Copy 2. Modern polished calf by Riv- Monk and the Miller’s Wife. ière. Bookplate of Edwin B. Holden. Air [sic]: Printed by J. & P. Wilson, 1802. Egerer, 68. Presumed second issue. Printed Materials, Books, and Sheet Music / 45

The Merry Diversions of Halloween. Giv- engravings, to which is added, an ing an account of the pulling of the appendix, consisting of his correspon- kail stocks, burning nits, catching dence with Clarinda, &c. sweet-hearts in the stackyard, pulling Glasgow: Printed by Niven, Napier and the corn, winding the blue clue, win- Khull, for T. Stewart & A. Macgoun, nowing the corn, sowing hemp seed 1802. and the cutting of the apple, with the xxxvi, 348, 48 p.: 7 pl. (incl. frontispiece conclusion of these merry meetings, and added title page); 15 cm. by telling wonderful stories about Added engraved title page with vignette. witches and fairies by Robert Burns “Letters addressed to Clarinda, &c.” has the Ayrshire poet. special title page and separate paging. Stirling: C. Randall, 1802. “A reprint of the poems as issued 8 p.; 16 cm. weekly in tracts, by Stewart & Three stanzas omitted in this version; Meikle, 1799.”—Gibson, p. 12. final stanza contains five lines instead Copy 1. Contemporary calf. Egerer, 69. of nine. Copy 2. Later red morocco. Egerer, 69, Later quarter morocco, marbled boards. variant 1. Copy 3. Later half calf, marbled boards. Poems. With his life and character. Egerer, 69. : Printed by F. Ray, 1802. xxiv, 227 p.; 13.8 cm. The Works of Robert Burns. With an Modern green full morocco, gilt, by account of his life, and a criticism on Bayntun of Bath. his writings to which are prefixed, Egerer, 65 some observations on the character and condition of the Scottish peas- Poems, Chiefly in the Scottish Dialect. antry. Edinburgh: J. Robertson, 1802. 3rd edition. 2 v.: fronts. (v. 1, port.); 10 cm. London: T. Cadell, Jun. and W. Davies; Engraved title page. Edinburgh: W. Creech, 1802. Contemporary tree calf, rebacked. Sig- 4 v.: port.; 22 cm. nature of Harriet Susan Minty. Copy 1. Contemporary mottled calf. Egerer, 67, variant 2, with imprint: Copy 2. Contemporary tree calf. Signa- J. Robertson & Denholm and Dick. ture of Mary Mazure (?) and owner- The Poetical Works of the Late Robert ship stamp of J. A. McCracken. Burns. With an account of his life. Egerer, 71. A new edition containing many excel- lent pieces of the author’s that never 1803 made their appearance in the copy- “Bannock Burn: Robert Bruce’s Address right edition. to His Army.” Newcastle on Tyne: M. Angus, 1802. In: Balance, and The Columbian xliv, 451 p.: ill., port.; 16.5 cm. Repository, v. 3, no. 29 ( July 17, 1803), Engraved title page, with vignette. p. 232. Modern green morocco, by Bayntun of Kinsley title: “Robert Bruce’s March to Bath. Bannockburn,” 425. Egerer, 72. Poems, Chiefly in the Scottish Dialect. With Stewart’s Edition of Burns’s Poems. an account of his life. Including a number of original pieces Dublin: Gilbert and Hodges, 1803. never before published, with his life 2 v. in 1; 18 cm. and character, embellished with The G. Ross Roy Collection of Robert Burns / 46

Volume 2 imprint: Belfast, Printed by Goldsmith to Miss Harwood, May 4, William Magee, 1803. 1808. “The Life” is a reprinting of Robert Copy 3. Contemporary calf, gilt. Imper- Heron’s Memoir of the Life of the Late fect: portrait wanting. Library labels Robert Burns (1797). of Miss Harwood and Mr. Cloase. Contemporary rose-colored calf, top- Egerer, 77. edge gilt, other edges uncut. Bound by A Select Collection of Original Scottish Airs Zaehnsdorf. for the Voice. With introductory & Egerer, 75, 26. concluding symphonies & accompa- Poems, Chiefly in the Scottish Dialect. niments for the piano forte, violin & A new edition, which includes all the violoncello by Pleyel, Kozeluch & poems and songs, in that printed at Haydn, with select & characteristic Edinburgh, in 1787, under the verses both Scottish and English author’s own inspection. adapted to the airs including upwards London: A. Cleugh, 1803. of one hundred new songs by Burns. 224 p.; 15.6 cm. London: T. Preston, [1803]. Imprint variant not noted by Egerer: 1 score (4 v.): ill.; 37.6 cm. “A. Cleugh, No. 14, Ratcliff High- 2nd edition. Titles vary slightly, title of way: and Sold by the Principal Book- volume 3 includes only Haydn. sellers, 1803. J. Findlay, Printer, Double pagination. .” Incomplete: volume 3 only. Preface Copy 1. Egerer, 76. Armorial bookplate wanting, colophon dated 1803. of John Bruce Bruce, Esq., Duffryn, Contemporary half calf, marbled Aberdare, on front pastedown. Signa- boards. Upper cover wanting. ture of J. L. Knight on title page. Egerer, Appendix II, p. 361–364. Contemporary tree calf, upper cover “The Thorn.” nearly detached. In: Beauties of British Poetry. Selected by Copy 2. Egerer, 76, variant 2. Imprint Sidney Melmoth. Second edition. identical to copy 1. Contemporary red Huddersfield: Printed and sold by Brook half calf, marbled boards. and Lancashire; London: Sold also by Poems, Chiefly in the Scottish Dialect. With T. Hurst, Crosby & Co. and T. Ostell, a complete glossary, and life of the 1803, p. 300. author; embellished with a portrait First line: “From the white blossom’d by Robert Burns. sloe, my dear Chloris requested.” London: Printed by J. D. Dewick, Contemporary half morocco, over mar- Aldersgate-Street for R. Thurgood, 39, bled paper covered boards. Signature, Newgate-Street, 1803. bookplate, and stamp of F. Cyril F. 2 v.: col. port.; 10 cm. Parker. Repeated pagination (145–160) in sig- Kinsley title: “On Chloris Requesting natures L and M of volume 2. Me To Give Her a Spray of Sloe- Polychrome portrait in v. 1, publisher Thorn in Full Blossom,” 480. unknown. Copy 1. Later red half calf, marbled 1804 boards. “Despondency.” Copy 2. Uncolored portrait published In: The Wreath: Containing the Minstrel. by R. Thurgood. Signature of Ann London: Printed for W. Suttaby and Brooksbank and Mary Wolley. Later C. Corrall, 1804, p. 114–116. Contem- black half calf, marbled boards. Pre- porary mottled calf. 11.5 cm. sentation inscription from M. A. Printed Materials, Books, and Sheet Music / 47

Kinsley title: “Despondency, An Ode,” Poems, Chiefly in the Scottish Dialect. To 94. which are added, several other pieces, not contained in any former edition “John Anderson, My Jo.” of his poems, together with the life of In: Larkin, Samuel. The Nightingale: the author, written by himself, and A Collection of the Most Popular, elegant extracts from his letters. Ancient, and Modern Songs Set to Wilmington: Printed and Sold by Bonsal Music. : Printed for and Niles, 1804. William and Daniel Treadwell, Book- xxxv, 310 p.; 17 cm. sellers, 1804, p. 236–238. Imperfect: Contemporary calf. Bookseller’s label: torn title page resulting in loss of John G. Kidd & Son, Cincinnati on place and publication. Contemporary pastedown. tree calf. Ownership stamp of Budd Egerer, 86. Sterling. Kinsley, 302. The Poetical Works of Robert Burns. A new edition. Including the pieces Poems, Chiefly in the Scottish Dialect. published in his correspondence, with Cork: Printed by A. Edwards, 1804. his songs and fragments to which is 2 v. in 1: port.; 18.8 cm. prefixed, a sketch of his life. “A memoir of the life of the late Robert London: Printed for T. Cadell and Burns . . . by R. Heron,” v. 1, p. 1–47. W. Davies, 1804. “. . . Robert Bunrs [sic] . . .” on title page 3 v.: port.; 17 cm. of volume 2. Copy 1. Original boards, rebacked Copy 1. Modern tree calf by Zaehns- with ribbon-embossed cloth (ca. dorf. Rehinged, retaining original 1830–1840). In light brown linen- labels. Top edges gilt, other edges covered case. uncut. Mounted frontispiece portrait. Copy 2. Later red straight-grain Copy 2. Contemporary half sheep, mar- morocco. bled boards. Signature of Maria Egerer, 83. Isabella Stuart. Egerer, 79. A Select Collection of Original Scotish [sic] Poems, Chiefly in the Scottish Dialect. With Airs. With select and characteristic his life and character. Scotch & English verses the most part Edinburgh: Printed by John Turnbull, of which written by the celebrated High Street; for Cameron and Co., R. Burns, arranged for the voice with Booksellers, Trongate, Glasgow, 1804. introductory & concluding sym- xii, 222 p.: port.; 24 cm. phonies and accompaniments for the Contemporary brown marbled calf, pianoforte, violin and violincello, spine gilt, red morocco lettering label humbly dedicated by permission to on spine. her Grace, the Duchess of Bedford by Egerer, 81. P. Urbani. Poems, Chiefly in the Scottish Dialect. With Edinburgh: Urbani & Liston, [1804]. his life and character. iv, 59 [i.e. 108] p.; 37.7 cm. Glasgow: Printed by W. Lang, for Music and lyrics on facing pages, with Cameron & Co., Booksellers, the same pagination. Trongate, 1804. According to Mitchell Catalogue, this xii, 221 p.: port.; 14 cm. may be volumes 5–6 of Urbani’s A Contemporary sheep in protective case. Selection of Scots Songs Harmonized. Red leather label on spine. Modern quarter calf, marbled boards. Egerer, 82. Egerer, Appendix II, p. 361–364. The G. Ross Roy Collection of Robert Burns / 48

“Song of Death.” “Gin a Body Meet a Body [Comin’ In: The Anti-Gallican. [London: s.n.], thro’ the Rye],” p. 12. 1804. (London: Printed for Vernor Cover title. and Hood, Poultry; and J. Asperne, Stabbed pamphlet, repaired. Cornhill by J. and E. Hodson). 12 v.: “Epitaph on Mr. .” ill.; 22 cm., p. 235–236. Title from In: The Selector. Consisting of pieces caption. Modern half calf, marbled moral, literary, and humorous, boards. extracted from publications of merit; Kinsley, 330. together with original essays and The Works of Robert Burns. With an poems. Glasgow: Printed by Crawford account of his life, and a criticism on and MacKenzie for William Maver; his writings to which are prefixed, London: Vernor and Hood, Lacking- some observations on the character ton, Allen, and Co., and T. Ostell, and condition of the Scottish peas- 1805–1806, p. 124. antry. Imprint varies, volumes 2, 3, 4: Printed Philadelphia: W. Fairbairn, 1804. by Duncan Mackenzie. 3 v.: port.; 17.1 cm. Later quarter roan, marbled boards. Contemporary calf. Pons Bequest. A Garland of New Songs: O, How I Love Egerer, 85. Somebody, The Pretty Maid Milking Her 1805 Cow, Of a’ the Airts the Win’ Can Blaw, The Banks of Dee. Nelson’s Victory over the Com- Newcastle upon Tyne: Printed by bin’d Fleet of France & Spain off J. Marshall, [1805?]. Trafalgar, Oct. 21, 1805: with His Elegy, 8 p.; 15.7 cm. To which Are Added, The Ranting High- Contains a variant of Burns’s song, “Of land Man, , and a’ the Airts the Win’ Can Blaw.” Lovely Johnnie. [S.l.: s.n., ca. 1805]. A Garland of New Songs: Tweed Side, My 8 p.; 15.6 cm. Nanie O, Highland Laddie, Up in the Includes the following song by Burns: Morning Early, . “Bonny Lass Will Ye Go,” p. 5–6. Newcastle upon Tyne: Printed by Bound with twenty other chapbooks J. Marshall, [1805?]. in volume with binder’s title: Old Bal- 8 p.; 15 cm. lads. Nineteenth-century half calf, Includes the following songs by Burns: marbled boards. “My Nanie, O,” p. 3–4 and “Up in the Kinsley title of “Bonny Lass Will Ye Morning Early,” p. 6–7. Go” is “The Birks of Aberfeldey,” 170. Half sheet folded, uncut, unopened, as issued. Burns’ Celebrated Songs. Kinsley title of “My Nanie, O” is Edinburgh: Printed by J. Robertson, “Song,” 4. 1805. Kinsley, “Up in the Morning Early,” 16 p.; 16.7 cm. 200. Of the twelve songs in this collection, only six are by Burns, “Of a’ the A Garland of New Songs: Young Johnston, Airts the Win’ Can Blaw [My Lovely A Man’s A Man for A’ That, The Tin- Jean],” p. [2]–3, “Guid Forgi’e Me for ker, The Constant Shepherd, Hope Told a Liein’ [The Braw Wooer],” p. 3–4, Flattering Tale. “My Nannie O,” p. 4–5, “Bonnie Newcastle upon Tyne: Printed by Doon [The Banks o’ Doon],” p. 6, J. Marshall, [1805?]. “The Soger’s Return,” p. 6–8, and Printed Materials, Books, and Sheet Music / 49

8 p.; 15.5 cm. Contemporary tree calf. Binder’s title: Includes the following song by Burns: Polyhymnia. “A Man’s A Man for A’ That,” p. 3–4. “Robert Bruce’s Address to His Army.” Half sheet, folded, uncut, unopened, as In: Gleanings of Literature, or The Mis- issued. cellany of Taste. Dublin: P. Oulton, Kinsley title of “A Man’s A Man for A’ 1805, p. 544. That” is “Song—A Man’s A Man for Later half calf, marbled boards, over A’ That,” 482. original blue printed boards. “Lord Gregory.” Kinsley title: “Robert Bruce’s March to In: Gleanings of Literature, or The Mis- Bannockburn,” 425. cellany of Taste. Dublin: P. Oulton, 1805, p. 545. 1806 Later half calf, marbled boards, over The Auld Farmer’s New Year Morning original blue printed boards. Salutation to His Auld Mare Maggie: On Giving Her a Ripp of Corn to Hansel in Poems, Chiefly in the Scottish Dialect. the New Year. To which Is Added an Edinburgh: Printed for Denham & Address to a Scotch Haggis on New Dick, 1805. (London, 19 College Year’s Day by Robert Burns. Street: Thomas Oliver). Stirling: Printed by C. Randall, 1806. 220 p.: port.; 15 cm. 8 p.; 15.5 cm. Copy 1. Original gray-blue boards, cloth Includes the following songs by Burns: spine with printed paper label. Por- “The Farmer’s Salutation to His Auld trait facing away from title page, Mare Maggie,” p. [1]–6 and “Address signed by Nasmyth. “Robert Burns” to a Scotch Haggis on New-Year’s- in italics. Day,” p. [7]–8. Copy 2. Modern black straight-grain Modern red quarter morocco, marbled morocco, gilt by Root. Portrait facing boards. Binder’s title: Chapbooks. away from title page, signed by Nas- Burns. Each leaf mounted. One of a myth. collection of chapbooks from the Egerer, 88. library of J. L. Weir. Poetry, Original and Selected. Kinsley title of “The Farmer’s Saluta- Glasgow: Printed for and sold by Brash tion to His Auld Mare Maggie” is & Reid, [1805?]. “The Auld Farmer’s New-year- vii, [192] p. in various pagings; 15 cm. morning Salutation to His Auld Mare, “Supplemental” volume probably issued Maggie on Giving Her the Accus- in 1805, made up of unsold numbers tomed Ripp of Corn to Hansel in from approximately 1796 to 1800. the New-Year,” 75. This volume contains all three extra Kinsley title of “Address to a Scotch numbers, “The Downfall of the Pope Haggis on New-Year’s-Day” is “To of Rome,” “The Gypsy Lass,” and a Haggis,” 136. “Ode to Virtue.” Letters Addressed to Clarinda. Contents include the following titles by A new edition. Robert Burns: “Alloway Kirk, or Tam Belfast: L. Rae, 1806. o’ Shanter A Tale,” “Six Favourite 52 p.; 14 cm. Songs,” and “Invocation of Copy 1. Bound with English Bards and Melpomene” to which are added Scotch Reviewers / Byron. Glasgow, “Winter, A Song” and “O Wat Ye 1826; Douglas / Home. Edinburgh, Wha’s in Yon Town.” [ca. 1810?]; Burns’ Cotter’s Saturday The G. Ross Roy Collection of Robert Burns / 50

Night. London, 1823. Armorial book- The Poetical Works of Robert Burns. Col- plate of J. Dawson Brodie. lated with the best editions by Copy 2. Bound with: English Bards and Thomas Park. Scotch Reviewers / Byron. Edinburgh: London: Printed at the Stanhope Press, James Kay 1824; The Foundling / by Charles Wittingham, 103, Goswell Thomas Adams. 3rd edition. Kirkaldy: Street; for J. Sharpe; and sold by Printed for the author by Alex Mur- W. Suttaby, Stationers’ Court, ray, 1835; Report of the Trial of Duncan Ludgate Street, 1807. M’Innes and Peter M’Bride. Edin- 2 v.: ill.; 13 cm. burgh: Printed for the Booksellers, 2 volumes rebound in 1. Modern brown 1825; Tales in Verse . . . / Thomas polished morocco, spine lettered in Adams. Cupar: Printed for the author, gold. 1822. Early nineteenth-century half Egerer, 105. calf, marbled boards. The Poetical Works of Robert Burns. Egerer, 92. Together with an appendix and a Poems, Chiefly in the Scottish Dialect. With concise history of his life. his life and character. Philadelphia: Printed and sold by Peter London: Printed by Macpherson and Stewart, no. 34 South Second Street, Boyle, 1806. (Russell-Court, Covent- 1807. Garden). xxiv, 336 p.; 16.3 cm. xix, 220 p.: port.; 17.2 cm. Contemporary sheep. Contemporary quarter calf, marbled Egerer, 106. boards. Egerer, 97. Works of the Late Celebrated Robert Burns. The Works of Robert Burns. With an With a sketch of his life. account of his life, and a criticism on Edinburgh: Printed by John Johnstone, his writings, to which are prefixed, High Street, 1807. some observations on the character xii, [25]–252 p.; 89 mm. and condition of the Scottish peas- Page vi numbered 6. Later [ca.1850] antry. brown half calf, marbled boards, 5th edition. rebacked with red-brown morocco, London: Printed for T. Cadell and spine lettered in gold. Contemporary W. Davies, 1806. ownership inscription at head of title 4 v.: ill.; 21 cm. page: Amelia Poet. Presentation slip Copy 1. Contemporary half calf, mar- pasted to verso of front free endpaper: bled boards. “W. Ormiston Roy, Esq, with the Copy 2. Contemporary mottled calf. compliments of E. Lafleur.” Eugene Egerer, 98. Lafleur (1856–1930), a noted Cana- dian jurist, was Chairman of the 1807 International Boundary Commission Five Excellent Songs: Ye Mariners of En- which reached a resolution in the gland, The Trial of James Reily, Gragal boundary dispute between the ma Chree, The Soldier’s Dream, From United States and Mexico in 1911. Thee Eliza, &c. Egerer, 103. Paisley: Printed by J. Neilson, 1807. 1808 8 p.; 16.1 cm. Bewick, Thomas. Includes the following song by Burns: [A Sheet of Eight Proof Impressions of “From Thee Eliza I Must Go,” p. 8. Wood-Engravings]. By Thomas Kinsley, 9. Bewick after Thurston’s designs. Printed Materials, Books, and Sheet Music / 51

From a proof-sheet of Thomas Bewick’s illustrations for Burns’s Poetical Works, 1808

Alnwick: Catnach and Davison, 1808. 2 v.: ill.; 16 cm. 1 sheet folded: ill.; 408 x 332 mm. Volumes 1. vii, 276 p.; volume 2. viii, 266 Proof sheet of eight impressions from p. With 14 full-page wood engravings wood-engravings, printed two to a and 40 tailpieces. page and head to tail, for Robert Volume 2, p. 143 heading “Burns’” is Burns’ Poetical Works, Alnwick: Davi- incorrectly spelled “Bunr’s.” son, 1808. The woodcuts illustrate: In volume 2, leaf AA3 (p. 182 & 183) “Lammas Night,” “Willie Brew’d a cancelled. 4 p. cancellans, (*)AA, Peck o’ Maut,” “Tam o’ Shanter,” (1st 2 p. unnumbered; 3rd & 4th “Soldier’s Return,” “On a Bank of numbered 185 & 186) containing Flowers,” “Man Was Made to “Extempore on the late Mr. William Mourn,” “Big-Belly’d Bottle,” and Smellie” and “To a Mouse,” bound in “Tooth-Ache.” at end of volume. In blue cloth pamphlet binder. Modern brown binders’ cloth, lettering labels on spine. Stab-holes in both The Cabinet of the Scottish Muses. volumes, bound after being originally Selected from the works of the most issued in parts. esteemed bards of Caledonia. Egerer, 107. Edinburgh: Oliver & Boyd, 1808. 213 p., [1] leaf of plates: ill.; 13.7 cm. The Poetical Works of Robert Burns. With Each poem has special half-title page. his life. Ornamented with engravings Includes eight poems by Burns. on wood by Mr. Bewick, from origi- Contemporary red half morocco, nal designs by Mr. Thurston. marbled boards. Alnwick: Catnach and Davison, 1808. 2 v.; 17 cm. The Poetical Works of Robert Burns. With Imprint: Alnwick: Printed by Catnach his life. Ornamented with engravings and Davison, 1808. on wood by Mr. Bewick, from origi- Volume 1. vii, 276 p.; volume 2. viii, 266 nal designs by Mr. Thurston. p., some misnumbering. With 14 full- Alnwick: Printed by Catnach and Davi- page wood engravings and 40 en- son, 1808. graved tailpiece vignettes. The G. Ross Roy Collection of Robert Burns / 52

Contemporary half tan calf. Book- plates of B.C.T., Peter Isaac, and col- lection labels of S. Roscoe. See Egerer, 107, 108. The Poetical Works of Robert Burns. With his life. Ornamented with engravings on wood by Mr. Bewick, from origi- nal designs by Mr. Thurston. Alnwick: Printed by William Davison, 1808. 2 v.: ill., plates; 16 cm. Imprint v. 2, last leaf: Alnwick: Printed by W. Davison. Volume 1. xlii, 266 p.; volume 2. vi, 270 p. With 14 plates, 45 tailpieces. Later quarter black roan, gilt, orange glazed boards. Signature of Anne Pratt, English botanist. Egerer, 108. The Poetical Works of Robert Burns. With his life. Engravings on wood by Bewick from designs by Thurston. Alnwick: Printed by W. Davison, 1808. 2 v.; 16.6 cm. Imprint: Alnwick: Printed by Catnach and Davison, 1808 appears on final leaf of volume 2. Volume 1. vii, 276 p., volume 2. viii, 266 p., some misnumbering. With copper- engraved frontispiece in volume 1 and engraved title pages, both different, 14 full-page wood engravings and 45 engraved tailpiece vignettes. Volume 2, p. 143, “Burns’” in heading is incorrectly spelled “Bunr’s.” Inscribed presentation copy from the Volume 2, p. 183 is a cancel. author to the publisher William Creech Later full red morocco by Zaehnsdorf, original blue wrappers with printed Imprint: Alnwick: Printed by W. Davi- labels bound in. Bookplates of Peter son appears on final leaf of volume 2. Isaac and collection labels of Volume 1. xlii, 276 p., volume 2. ix, 270 S. Roscoe. p. With frontispiece portrait in vol- Egerer, 107, 108. ume 1, 14 full-page wood engravings and 48 engraved tailpiece vignettes. The Poetical Works of Robert Burns. With Contemporary marbled leather calf. his life. Engravings on wood by Mr. Bookplate of Peter Isaac in volume 1. Bewick from designs by Mr. Egerer, 107, 108. Thurston. Alnwick: Printed by William Davison, 1808. 2 v.; 16.1 cm. Printed Materials, Books, and Sheet Music / 53

Reliques of Robert Burns. Consisting upper cover. Fore-edge painting of chiefly of original letters, poems, and Burns’s cottage. critical observations on Scottish songs Egerer, 123. collected and published by R. H. The Works of Robert Burns. Cromek. A new edition. London: Printed by J. M’Creery for Edinburgh: Printed by Oliver & Boyd, T. Cadell, and W. Davies, 1808. 1809. xxiii, 453 p.; 22 cm. 214 p.: ill.; 82 mm. Egerer, 112. This work contains a sub- Woodcut frontispiece. stantial amount of unpublished Contemporary red morocco, gilt. Signa- material. ture of Jane Graham. An unrecorded Copy 1. Modern calf, bound by Robert variant of Egerer, 117. D. Thornton. Inscribed presentation copy from Cromek to William Creech, The Works of Robert Burns. With an Burns’s Edinburgh publisher. Thorn- account of his life, and a criticism on ton Bequest. his writings; to which are prefixed, Copy 2. Original blue-gray boards. some observations on the character Copy 3. Later diced calf. Binder’s title: and condition of the Scottish peas- Burns’ Works. Bookplate of Byam antry. Martin Davies. 6th edition. London: Printed for T. Cadell and 1809 W. Davies, Strand; Edinburgh: The Caledonian Musical Museum, Or, William Creech by J. M’Creery, Complete Vocal Library of the Best Scotch Black-Horse Court, Fleet Street, Songs, Ancient and Modern. Embell- 1809. ished with a portrait and facsimile of 4 v.: port.; 20.7 cm. the handwriting of Burns, and con- Signature of James Glencairn Burns, taining upwards of two hundred the poet’s son, in each volume, May 6, songs by that immortal Bard the 1811 with his annotations on the front whole edited by his son. paste-down of volume 200. London: Printed for J. Dick, 1809–1811. Inscription: “W. B. Playfair from J. G. 3 v.: port.; 17 cm. Burns” in each volume. Title varies. Signature of Robert Haldane Playfair, Volume 1 only. Modern boards, cloth 1852, in volume 1. spine with paper label. Title page of volume 1 imperfect. Egerer, 120. One p. of publisher’s advertisements following text of volume 4. Reliques of Robert Burns. Consisting Copy 1. Contemporary tree calf. chiefly of original letters, poems, and Copy 2. Contemporary diced calf, gilt. critical observations on Scottish Bookseller’s ticket: Marks & Co. songs. Collected and published by . . . London. Armorial bookplate of R. H. Cromek. Byam Martin Davies, Waltham Place. Philadelphia: Bradford and Inskeep; Egerer, 121. New York: Inskeep and Bradford; Baltimore: Coale and Thomas; 1810 Boston: Oliver C. Greenleaf, 1809. Bonie Doon. The words by Robert Burns. xx, 294 p.; 17 cm. Philadelphia: Published by G. E. Blake, Modern green morocco by Thomas [1810–1814]. Valentine, inlay portrait of Burns on 1 score ([2] p.); 33 cm. The G. Ross Roy Collection of Robert Burns / 54

For two equal voices and piano, music Newcastle: Printed by J. Marshall, [ca. on three staffs. 1810]. Kinsley title: “The Banks o’ Doon,” 328. 8 p.; 15.5 cm. Includes the following song by Burns: The Cottager’s Saturday Night: A Poem “The Battle of Sherra-Muir,” p. 6. Containing a Very Pleasing and Affecting Later gray boards. Description of the Piety and Happiness of Kinsley, 308. a Cottager and His Family. Lancaster: Printed and sold by C. Clark, A Garland of New Songs: Muirland Willie, [1810?]. Maggy Lauder, As I Walk’d by Myself, 8 p.: ill.; 18 cm. Sandy O’er the Lee. Selected stanzas from Robert Burns’s Newcastle: Printed by John Marshall, Cotter’s Saturday Night. Text rewritten [ca. 1810]. in standard English. 8 p.; 15 cm. Kinsley title: “The Cotter’s Saturday Printed in two different sizes of type. Night, Inscribed to R. A****, Esq.,” Includes eight lines of the song, “As I 72. Walk’d by Mysel,’” attributed to Burns, p. 7. A Garland of New Songs: Highland Mary, Later gray boards. The Banks of Doon, The Beautiful Kinsley, 686. See Manuscript. Maid, The All of Life, Here’s a Health, The Soldier’s Adieu, Donald of Dundee. A Garland of New Songs: The Death of Newcastle upon Tyne: Printed by Nelson, Lochaber, The Yellow-Hair’d J. Marshall, [1810]. Laddie, Whistle, and I’ll Come to You, 8 p.; 15 cm. My Lad, The Yorkshire Concert. Includes the following songs by Burns: Newcastle: Printed by J. Marshall, “Highland Mary,” p. 6 and stanzas 1 [1810?]. and 2 of “The Banks of Doon,” p. 3 8 p.; 16 cm. are by Burns. Stanzas 3 and 4 are Includes the following song by Burns: spurious. Uncut, folded. “Whistle and I’ll Come to You, My “Highland Mary,” Kinsley, 389. Lad,” p. 5. “The Banks o’ Doon,” Kinsley, 328. Later gray boards. Kinsley title: “Song,” 420. A Garland of New Songs: Jessie the Flower o’ Dumblane, O Stay My Love, Lilies of Goulding D’Almaine Potter & Co.’s New the Valley, Sally Roy, Dear Maid, I Love & Correct Edition of Scottish Songs. Thee, Just Like Love, Green Grow the Arranged with accompaniments by Rashes, O, Fair Ellen. John Parry. Newcastle upon Tyne: Printed by 2nd edition. J. Marshall, [1810]. London: Goulding, D’Almaine, Potter, 8 p.; 15 cm. [1810]. Includes the following song by Burns: 1 score (145 p.); 34 cm. “Green Grow the Rashes,” p. 7–8. “Published in [36] numbers each con- Quarter sheet folded, uncut. Pages 4–5 sisting of two songs, one of which is lacking. harmonized for two, three, or four Kinsley, 45. voices.” Contains numerous songs by Burns. A Garland of New Songs: Lovely Kitty, Modern gray and blue boards. Printed Woo’d and Married, and A’ The Battle paper label on spine. of Sherra-muir, If He Will Take the Hint, By the Gaily Circling Glass. Printed Materials, Books, and Sheet Music / 55

The Poetical Works of Robert Burns. With 10/8/[18]80.” Penciled note inside the a complete glossary and life of the upper cover of each volume: “Sir author. John Swinburne’s Sale 2/8/[19]15, London: Printed for S. A. Oddy, 1810. No. 1965.” 2 v.: ill., port.; 16.8 cm. Poems by Robert Burns. With an account Added engraved title page in each of his life, and miscellaneous remarks volume. on his writings. Containing also many Original gray boards, rehinged. Origi- poems and letters, not printed in Doc- nal printed paper labels retained. tor Currie’s edition. Uncut. In brown linen-covered Edinburgh: Printed for the trustees of clamshell box. the late James Morison, by John Moir, Egerer, 126. 1811. Select Scotish [sic] Songs: Ancient and 2 v.: fronts. (v. 1: port) plates; 24.8 cm. Modern. With critical observations Copy 1. Original blue-gray boards, and biographical notices by Robert rebacked. Hand-lettered paper. Large Burns; edited by R. H. Cromek. paper copy, uncut. From the library London: Printed for T. Cadell and of Kilravock Castle. Labels on spines. W. Davies by J. McCreery, 1810. Copy 2. 2 v. bound as 1. Large paper 2 v.; 20 cm. copy, trimmed. Late nineteenth- Copy 1. Modern morocco. Bookplates century red half calf, marbled boards. of Alexander Bannatyne Stewart and Copy 3. Modern tan binder’s cloth. On Thomas B. Mosher. regular paper. Bookplate of Andrew J. Copy 2. Contemporary half calf, mar- Kirkpatrick. bled boards. Copy 4. Later purple quarter cloth, Egerer, 127. gray boards. Printed paper labels on spines. The Sodier’s [sic] Return: A Love Song. Egerer, 131. Boston: N. Coverly, [1810?]. 1 broadside; 21.2 cm. x 27.1 cm. The Poetical Works of Robert Burns in Two Woodcut. Volumes. With a complete glossary and life of the author. 1811 London: Printed for James Goodwin, The Northumbrian Minstrel: A Choice Jun., 1811. Selection of Songs [Number 1st]–Third. 2 v.: ill., port.; 16 cm. Alnwick: Printed by W. Davison, 1811. Added engraved title page. 3 v.: fronts.; 14 cm. Original boards. Without music. Egerer, 132. Contains poems by Robert Burns. The Poetical Works of Robert Burns. To Woodcuts by Thomas Bewick. which is prefixed his life, as written Original lavender-colored wrappers, by himself, and continued or com- printed in black. Lower wrapper of mented on by others. each volume lists “Books printed by Philadelphia: Printed for Benjamin & for W. Davison, Alnwick.” Number Chapman, A. Small, Printers, 1811. of each volume printed at head of lix, [1], 420 p.; 19 cm. upper wrapper. Volume number listed Page liii is misnumbered lii. at head of page of text in volumes 2 Contemporary tree calf. Signature of and 3. Hand-written label inside the William I. Thrusk. upper cover of each volume: “[Item] Egerer, 134. 528 The late W. E. Hays’ Sale The G. Ross Roy Collection of Robert Burns / 56

The Poetical Works of the Late Robert Alnwick: Printed by W. Davison, [1812]. Burns. With an account of his life. 2 v.: ill.; 14.7 cm. A new edition containing many excel- Engraved title page with vignette. lent pieces of the author’s that never Late nineteenth-century green half made their appearance in the copy- calf, marbled boards. Signature of right edition. Alex Mathews, February 7, 1816. Newcastle on Tyne: Printed by Egerer, 135. M. Angus, 1811. xliv, 507 p.: port.; 17.3 cm. 1813 Printed by M. Angus & Son & sold by The Poetical Works of Robert Burns. them and all the booksellers in town Including the pieces published in his & country. correspondence and reliques, with his Engraved title page with vignette. songs and fragments to which is Contemporary tree calf, rebacked. Sig- prefixed a sketch of his life. nature of Ph. Brown. London: Printed for T. Cadell and Egerer, 133. W. Davies, Strand; and W. Creech, at Edinburgh, 1813. A Select Collection of Original Scottish Airs [2], xii, xxvii, [1], 527 p.: ill.; 14.7 cm. for the Voice. With introductory & Added engraved title page with vignette. concluding symphonies & accompa- Frontispiece by J. Scott after T. Uwins. niments for the piano forte, violin & Original printed boards, uncut. In violoncello by Urbani, with select & brown fall-away box. Bookseller’s characteristic verses both Scottish and ticket: “T. Rae [Successor to J. Gra- English adapted to the airs including ham] . . . .” nearly one hundred new songs by One volume issue, Egerer, 149. Burns. Edinburgh: Printed and sold by Roc- The Poetical Works of Robert Burns. Col- head, [1811?]. lated with the best editions, by 1 score (2 v.): port.; 36.4 cm. Thomas Park. In two volumes. A re-issue (with some alterations) of London: Printed at the Stanhope the Selection of Scots Songs, Books 1–4— Press, by Whittingham and Row- Mitchell Catalogue, p. 142. land, 1813. Modern blue boards. Volume 1 only. 2 v. in 1: ill.; 12.8 cm. Egerer, Appendix II, p. 361–364. Separate title page for volume. Includes series title page. 1812 Contemporary brown half morocco, The Cottager’s Saturday Night. A poem marbled boards. containing a very pleasing and affect- Egerer, 148. ing description of the piety and hap- Reliques of Robert Burns. Consisting piness of a cottager and his family. chiefly of original letters, poems, and London: Printed and sold by Howard critical observations on Scottish songs and Evans, [1812?]. collected and published by R. H. 8 p.; 17.8 cm. Cromek. Chapbook version in English of The 2nd edition. Cotter’s Saturday Night, omitting London: Printed by J. M’Creery for stanzas 1, 19, and 21. T. Cadell, and W. Davies, 1813. The Poetical Works of Robert Burns. With xxiii, 453 p.; 20.7 cm. his life. Engravings on wood by Bewick from original designs by Thurston. Printed Materials, Books, and Sheet Music / 57

Late-nineteenth-century black half Translation into English of The Cotter’s calf, marbled boards. Saturday Night, omitting stanzas 1, 19, Egerer, 150. & 21. Kinsley title: “The Cotter’s Saturday The Works of Robert Burns. With an Night, Inscribed to R. A****, Esq.,” account of his life, and a criticism on 72. his writings, to which are prefixed, some observations on the character Letters Addressed to Clarinda, &c. and condition of the Scottish peas- A new edition. antry. Belfast: Printed for L. Rae, 1814. 7th edition. 48 p.; 19 cm. London: Printed for T. Cadell and Original boards. Laid in: later facsimile W. Davies, Strand; and W. Creech of a holograph poem by Burns. at Edinburgh by J. M’Creery, Black Egerer, 157. Horse Court, Fleet St., 1813. The Poetical Works of Robert Burns. With 4 v.: ill., ports.; 21.3 cm. a life of the author embellished with a Dedication signed: J. Currie. frontispiece and vignette. Copy 1. Later green straight-grain Edinburgh: Published by Oliver & morocco. Lyre design and portrait of Boyd, High Street, 1814. Burns in gold on upper and rear cov- 252 p., [1] leaf of plates: ill.; 13.3cm. ers of each volume. Engraved title page with vignette. Copy 2. Sections from volumes 3 and 4 Contemporary sprinkled calf. Contem- annotated by and then by porary presentation inscription, 1816. for the edition Egerer, 160. published by Archibald (Glasgow 1834–1836), comprising 1815 volume 4: 1–264, loose in binding The Irvine and County of Ayr Miscellany. (letters to George Thomson with From September, 1814—to July, songs for his Select Collection); volume 1815. 4: 343–400, loose in binding (other Irvine: Printed and published by songs, ballads and fugitive poems); J. Mennons & Sons, 1815. and volume 3: 387–422, sewn into 632 p.; 16.7 cm. binding (Gilbert’s Burns appendix to The issue for July 22, 1815, contains a Currie, and the glossary to poems), letter by Burns headed “Edinburgh, with brief annotations or instructions 11th Jan. 1787” which opens “My Dear to the printer together with inter- Sir,” on p. 602–603. The addressee is leaved pages bearing longer com- the Surgeon Dr. John Mackenzie of ments or additions. Additional Mauchline (Letters, I, 79). A poem annotations by Fullarton and some (p. 603) is entitled “To J. M. Esq. insertions from Peter Buchan. S—n, M—line.” This appears to be Egerer, 151. the first printing of both items. 1814 Later boards, paper label on spine. Kinsley, I, 270. The Cottager’s Saturday Night. A poem containing a very pleasing and affect- King Robert Bruce’s Garland: An Heroic ing description of the pity and happi- Ballad or, the History of the Famous ness of a cottager and his family. . London: Printed and sold by J. Evans & Falkirk: Printed by T. Johnston, 1815. Son, [c.1814–1817]. 24 p.; 16.5 cm. 8 p.: ill.; 18.5 cm. The G. Ross Roy Collection of Robert Burns / 58

Includes the following song by Burns: found in any other edition. Also, the “,” p. 13–24. author’s life written by himself, and This version of the poem includes the extracts from some of his letters. longer fourth line to each stanza, to Salem, N.Y.: Printed by J. P. Reynolds, which Burns objected. Sign of the , 1815. Kinsley title: “Robert Bruce’s Address to 2 v.; 14 cm. Bannockburn,” 425. Original blue paper-covered boards, printed in black. The Life and Works of Robert Burns. As Publisher’s advertisement on rear cover. edited by James Currie to which is Partially obliterated ownership prefixed a review of the Life of Burns, inscription: “Steele 1818” on inside and of criticisms on his character and cover and title page both volumes; writings by Alexander Peterkin. ownership inscription: “A. Tufts, Nov. A new edition. 9, 1818” on front free endpaper of Edinburgh: Printed by Michael Ander- each volume. Printed book label of son for Macredie, Skelly, and Muck- Charles A. Tufts, Apothecary, Dover, ersy, 52, Princes Street, 1815. NH, on inside cover of each volume. 4 v.: port.; 22 cm. Egerer, 177. Engraved frontispiece portrait by F. Mitchell after Nasmyth in volume 1; A Select Collection of Original Scottish Airs title page vignettes in all volumes. for the Voice. With introductory & “An exact reprint of Dr. Currie’s first concluding symphonies & accompa- edition [London, Cadell & Davies, niments for the piano forte, violin & 1800]”—Advertisement. violincello by Pleyel, Kozeluch & 4 v. bound in 2. Later [ca. 1840] brown Haydn; with select & characteristic half calf, marbled boards. verses both Scottish and English Egerer, 170. adapted to the airs including upwards of one hundred new songs by Burns. Poems, Chiefly in the Scottish Dialect. London: Printed & sold by T. Preston, Embellished with wood cuts. [1815–1818]. Baltimore: F. Lucas, Jun. and J. Cush- 5 v.: ill., music; 38 cm. ing, G. Palmer, Printer, 1815. Volumes 1–4, fifth edition. Prefaces xv, 325 p.: ill.; 13 cm. dated 1817, 1816, 1817, 1815; colophons Contemporary roan. Upper cover want- dated 1817, 1815, 1817, 1815. Volume 5, ing. Pons Bequest. first edition? Preface wanting, Egerer, 167. colophon dated 1818. The Poetical Works of Robert Burns. With Double pagination. his songs and fragments to which is Titles vary slightly. prefixed a sketch of his life. Contemporary half calf, marbled Edinburgh: Printed by W. Aitchison for boards. Leather labels on upper cover. J. Sawers, 1815. Autograph signature of George xxxii, 304 p.: ill.; 14.4 cm. Thompson on all titles. Original black-printed brown paper Egerer, Appendix II, p. 361–364. boards. Added engraved title page. The Works of Robert Burns. With an Publisher’s advertisements, undated, account of his life, and a criticism on on rear cover. his writings; to which are prefixed, Egerer, 172. some observations on the character The Poetical Works of Robert Burns. and condition of the Scottish peas- Including several poems not to be antry [by James Currie]. Printed Materials, Books, and Sheet Music / 59

Baltimore: Published by F. Lucas, Jun. Dublin: Printed for R. Lindsay, 1816. and J. Cushing, 1815. (G. Palmer, 48 p.; 17.7 cm. Printer). Reprint of the Belfast edition. Egerer’s 4 v.: fronts. (v. 1, port.); 13 cm. second “edition,” with signatures Added engraved title page with A-B12. vignettes. Modern olive quarter cloth, gray paper- Added engraved title pages for volumes covered boards. Paper label on upper 1 and 2 are dated 1814. cover. Bound in facsimile of a Burns Copy 1. Contemporary tree calf, manuscript poem “On reading, in a stamped in gold on spine. In the pri- Newspaper, the Death of J[ohn] vate collection of G. Ross Roy. M’[Leod] . . . ,” originally engraved Copy 2. Volumes 2–3 only. Contempo- for The Caledonian Musical Museum. rary sheep. Signature of William Egerer, 184. Fontaine, volume 2. Upper cover The Poetical Works of the Late Robert wanting, volume 3. Burns. With an account of his life. Copy 3. Volumes 2–3 only. Contempo- A new edition containing many excel- rary sheep. Signature of C. C. King lent pieces of the author’s that never on free front endpaper. made their appearance in the copy- Egerer, 168. right edition. The Works of Robert Burns. With an Edinburgh: Printed for J. Dick, 142 account of his life, and a criticism on High Street, 1816. his writings, to which are prefixed xxxviii, 507 p.: ill.; 18 cm. some observations on the character and Added engraved title page, with condition of the Scottish peasantry. vignette. London: Printed for Gale & Fenner, Imperfect: all illustrations except Oliver & Boyd, Edinburg; W. Turn- frontispiece wanting. , Glasgow; and John Cumming, Frontispiece probably from another Dublin, 1815. work, as there is no line in Burns: 4 v.: port.; 14 cm. “Here are we met three merry Contemporary calf. Bookseller’s ticket: boys.” James Robertson . . . Edinburgh. Book- Later half calf, marbled boards. plate of Hans P. Carl in each volume. Egerer, 187. Egerer, 173. The Poetical Works of Robert Burns. To 1816 which is prefixed the author’s life. Edinburgh: Published by Oliver & Letters Addressed to Clarinda, &c. Boyd, High Street, 1816. A new edition. xx, 304 p.: ill.; 14 cm. Belfast: Printed for L. Rae, 1816. Engraved frontispiece of “Tam o’ 48 p.; 19 cm. Shanter” by Bain after Clennel; added Modern red half morocco, red marbled engraved title page with vignette by Cockerell paper-covered boards. Bain after Uwins. Pages uncut. Bound in facsimile of Contemporary brown calf, lacking Burns manuscript poem, originally upper cover. engraved for the Caledonian Musical Egerer, 186: “Two editions, with . . . Museum. different engraved title pages.” Egerer, 181. The Poetical Works of Robert Burns. Letters Addressed to Clarinda, &c. Including all the poetry contained in New edition. Dr. Currie’s edition, and many other The G. Ross Roy Collection of Robert Burns / 60

pieces not printed in the copy-right London: T. Preston, [1814–1816]. edition, to which is prefixed a sketch 4 v. in 1: ill.; 36.7 cm. of his life. Double, continuous pagination. Glasgow: Printed by E. Khull for Prefaces of volumes 1–2 dated 1803 W. Sommerville, A. Fullarton, and 1816, prefaces of volumes 3–4 J. Blackie, 1816. undated. Colophons (volumes 1–4) xlvi, 560 p.: ill.; 17.3 cm. dated 1814, 1815, 1810, and 1812. Bookplate of Robert Scott on front paste- Title pages signed by Thomson. down. Contemporary half calf, mar- Contemporary quarter morocco, mar- bled boards. Spine stamped in gilt. bled boards. Leather ownership label Egerer, 190, variant 1. (“Mrs. Downward”) on upper cover. Egerer, Appendix II, p. 361–364. The Poetical Works of Robert Burns. With a complete glossary, and life of the The Works of Robert Burns. With an author. account of his life, and a criticism on London: Printed by W. Lewis, St his writings to which are prefixed, John’s-Square, for W. Lewis and Co., some observations on the character 9, Old Fish-Street, Doctor’s Com- and condition of the Scottish peas- mons, 1816. antry [by J. Currie]. 2 v.: fronts. (v. 1, port.) plates; 17 cm. Baltimore: Published by F. Lucas, Jun. Added engraved title page printed for and J. Cushing. G. Palmer, Printer, S. A. Oddy, Pickett St., London. 1816. “A reprint of Oddy’s edition, 1810.” xviii, 448 p.: ill.; 21.6 cm. —Gibson, p. 26. Added engraved title page, with Original grey paper-covered boards, vignette. unopened, printed paper labels on Contemporary mottled leather, red spines: “Burns Poems in two volumes leather label stamped in gold on with 8 engravings. Price 10s. 6d. spine. Boards. V. 1 [2].” Egerer, 179. Egerer, 192. 1817 The Prose Works of Robert Burns. Now Poems, Chiefly in the Scottish Dialect. first collected containing his letters Including a number of pieces some of and correspondence, . . . extracts which were never before published by from his journal and common-place Robert Burns. book; and amatory epistles, including Edinburgh: Printed by J. Findlay and letters to Clarinda, etc. Sold by the Principal Booksellers, Newcastle upon Tyne: J. Marshall, 1816. [1817]. x, 705 p.; 21 cm. viii, 362 p.: port.; 14 cm. Nineteenth-century brown half calf, Rebound, quarter dark calf, red leather marbled boards. label on spine, over marbled paper Egerer, 194. covered boards. Signature of G. B. A Select Collection of Original Scottish Airs. [Laws], former owner, on prelimi- For the voice, with introductory & nary page and title page; with the concluding symphonies & accompa- signature of Mrs. Robertson on blank niments for the piano forte, violin & page following text. violoncello by Pleyel, Kozeluch & Egerer, 183 variant 2. Haydn; with select & characteristic The Poetical Works of Robert Burns. verses both Scottish and English Including the pieces published in his adapted to the airs including upwards correspondence and reliques, with his of one hundred new songs by Burns. Printed Materials, Books, and Sheet Music / 61

songs and fragments; to which is Volume 1 & 2 only. Volume 1, fifth edi- prefixed a sketch of his life. tion. Preface dated October 1817, London: T. Cadell & W. Davies, 1817. colophon dated 1817. Preface of vol- xii, xxvii, 528 p.; 12.3 cm. ume 2 dated 1817, colophon dated Added engraved title page with vignette, 1820. dated 1816. Contemporary half calf, marbled Copy 1. Original tan printed boards. boards. Upper cover detached. Publisher’s advertisements on rear Egerer, Appendix II, p. 361–364. cover. Bookplate of Ernest Mason Santow. Pons Bequest. 1818 Copy 2. Contemporary stained calf, The British Poetical Miscellany. rehinged. 4th edition, enlarged. Egerer, 201. Huddersfield: T. Smart, 1818. 332 p.: ill.; 15.5 cm. Reliques of Robert Burns. Consisting Contains four poems attributed to chiefly of original letters, poems, and Burns, of which three are genuine. critical observations on Scottish Cf. Notes and Queries, v. 30, no. 3, June, songs. Collected and published by 1983, by G. Ross Roy, concerning this R. H. Cromek. edition. 4th edition. Nineteenth-century quarter calf, London: Printed by J. M’Creery for marbled boards. T. Cadell, and W. Davies, 1817. xxiii, 453 p.; 22 cm. The Miniature Museum of Scotch Songs Copy 1. Contemporary brown and gold- and Music. Written by Ramsay, Craw- stamped green calf. ford, Blacklock, Burns, Macniel [sic] Copy 2. Contemporary brown calf, re- Tannahill, Glass, Hogg, &c., with backed. Stamped in gold on upper co- & without symphonies, the whole ver: “Faculty of Procurators, Glasgow.” arranged for the voice and piano forte Copy 3. Contemporary brown calf, by the most eminent composers. embossed in gold on the upper cover: Edinburgh: Walker & Anderson, [1818]. “Faculty of Procurators, Glasgow.” 3 pts. in 1: ill., music; 17 cm. Copy 4. Rebound in modern leatherette, Contemporary half roan, marbled spine lettered in gold. boards. Egerer, 202. A Miscellaneous Collection of the Most A Select Collection of Original Scottish Airs Esteemed Ancient and Modern Songs. for the Voice. With introductory & Glasgow: Printed by Young, Gallie, & concluding symphonies & accompa- Co., for the Bonhill Musical Institu- niments for the piano forte, violin & tion, 1818. violincello by Pleyel, Kozeluch & 32 p.; 14.5 cm. Haydn, with select & characteristic Includes the following songs by Burns: verses both Scottish and English “Auld Lang Syne,” p. 31–32 and adapted to the airs including upwards “Somebody,” p. 31–32. of one hundred new songs by Burns. Original gray boards, morocco spine. London: Printed & sold by T. Preston, Bookseller’s ticket: William Ferris . . . [1817–1820]. Glasgow. 2 v. in 1: ill., music; 38 cm. The Poetical Works of Robert Burns. Autograph signature of George Thom- Including several valuable pieces not son on all titles. published in the original editions of The G. Ross Roy Collection of Robert Burns / 62

his poems with a comprehensive by Charles Heath, William Finden and sketch of the life of the author, the John Pye after the drawings of Richard whole illustrated with notes and a Westall. Contemporary dark blue complete glossary, embellished with straight grain morocco, tooled in gold eleven beautiful and highly finished and blind. Armorial bookplate of John engravings. Reily. Newcastle upon Tyne: Printed and pub- The Works of Robert Burns. With an lished by Mackenzie and Dent, St. account of his life, criticism on his Nicholas’s Church Yard, 1818. writings, &c., &c., &c., as edited by lxvi, 548, [10] p., 11 leaves of plates: ill.; James Currie, M.D. 20.5 cm. Edinburgh: Printed for James Robert- Extra engraved title page, vignette, dated son, Parliament Square and W. M. 1818. Frontispiece portrait of Burns. Nivison, North Bridge by W. Blair, Contemporary sheep, rebacked. Origi- James Court, 1818. nal leather label retained. Signature 4 v.: port.; 18 cm. of George Robertson, 1820. Imperfect: Late nineteenth-century half calf, dark several illustrations wanting. green cloth. Arms of Magdalen Col- Egerer, 209. Originally issued in parts. lege, Oxford. The Poetical Works of Robert Burns. With Egerer, 207, variant 4. an account of his life, and his corre- spondence with Mr. Thompson to 1819 which is added a new and complete Letters of Robert Burns. glossary. London: John Sharpe, 1819. Philadelphia: Benjamin Warner, 1818. 2 v.: port.; 14.2 cm. 2 v.: ill., port.; 12.5 cm. Engraved title page with portrait (vol- Added title pages. ume 1) and vignette (volume 2). Contemporary sheep. Modern tan half morocco, marbled Egerer, 210. boards. Egerer, 224. The Scottish Minstrel: Being a Complete Collection of Burns’ Songs. Together The Poems & Songs of Robert Burns. with his correspondence with Mr. With a life of the author, containing a Thomson, to which is added a new variety of particulars, drawn from and complete glossary. sources inaccessible by former bio- Philadelphia: Published by Benjamin graphers to which is subjoined, an Warner, Printed by Thomas W. appendix, consisting of a panegyrical Palmer, 1818. ode, and a demonstration of Burns’ xxiv, 312 p.; 13 cm. superiority to every other poet as a Includes songs by Burns. writer of songs, by the Rev. Hamilton Modern brown half calf, marbled Paul. boards. Pons Bequest. Air [sic]: Printed by Wilson, M’Cormick Egerer, 211. & Carnie, 1819. xii, xlvii, 312, [24]p.: port.; 19 cm. “To the Shade of Thomson.” Copy 1. Original yellow quarter cloth, In: Thomson, James. The Seasons. Lon- paper-covered boards, printed paper don: Printed for John Sharpe, Pic- lettering label on spine, uncut. In cadilly, by C. Whittingham, Chiswick, modern quarter morocco box. 1818, p. [1]. Assorted nineteenth and early twenti- Added title page, engraved with imprint eth century newspaper cuttings relat- date 1819, p. [1]. Engraved vignettes ing to Burns and his works loosely Printed Materials, Books, and Sheet Music / 63

inserted. Contemporary inscription rary dark brown panelled calf. Red on front free endpaper: “To Mr. A. leather label on spine. Colquhoun from A. Carnie, Ayr.” Egerer, 230. Copy 2. Later red binder’s cloth, The Prose Works of Robert Burns. Con- printed paper label on spine. taining his letters and correspon- Egerer, 214. dence, literary and critical, and The Poems of Robert Burns. To which is amatory epistles including letters to prefixed, the author’s life and a glos- Clarinda, &c., &c. Embellished with sary. nine beautiful and highly finished Dublin: Printed for William Pickering engravings. and Co., 1819. Newcastle upon Tyne: Printed and pub- 215 p.: ill., port.; 13.5 cm. lished by Mackenzie and Dent, St. Contemporary boards, quarter calf, Nicholas’ Churchyard, 1819. stamped in gold on spine. xi, [1], 610 p., 9 l. of plates: ill.; 21 cm. Egerer, 215. Engraved frontispiece and title page with vignette; illustrations engraved The Poetical Works of Robert Burns. To by A. Dick. which is prefixed the author’s life. Copy 1. Contemporary black half calf, Edinburgh: Oliver & Boyd, High Street, marbled boards. Book-plate of G.T L. 1819. (Edinburgh: Printed by Oliver Blenkinsopp. & Boyd). Copy 2. Modern brown quarter calf, 240 p.: ill.; 14 cm. marbled paper-covered boards. Lack- “. . . Sold also by all the Booksellers in ing plate 6: “The Cotter’s Saturday the .” Night.” Frontispiece and added letterpress title Egerer, 232. page, with vignette, dated 1819. “The Poems of Robert Burns, to which is The Works of Robert Burns.With an prefixed the author’s life . . . Edin- account of his life, criticism on his burgh: Oliver & Boyd, High Street writings, &c. &c. as edited by James [Price two shillings.]” printed on Currie. upper and rear cover. New edition. Original yellowish-beige printed paper- Edinburgh: Printed for James Robert- covered boards, contained in light son, and Stirling & , Parliament green buckram-covered slipcase. Square; Glasgow: Reid & Henderson; Uncut and unopened. London: G. & W. B. Whittaker, 1819. Egerer, 219. (Edinburgh: Printed by William Blair). The Poetical Works of Robert Burns. 4 v.: ill., ports.; 22 cm. Including the whole of the pieces Contemporary blind and gold-tooled published in his correspondence orig- brown calfskin. Plates principally inally edited by James Currie, M.D., after J. Burnett. with upwards of one hundred addi- Egerer, 222. tional poems, songs, and fragments. Montrose: Printed for J. Smith, Book- The Works of Robert Burns. With an seller, 1819. account of his life, criticism on his xx, 447 p.; 13.2 cm. writings, &c. &c. as edited by James Additional engraved title page. Currie. Signature of William Adamson, Leith, A new edition, in four volumes. 1865, on front endpaper. Contempo- The G. Ross Roy Collection of Robert Burns / 64

London: Printed for William Allason, A Garland of New Songs: Bess the Gawkie, no. 31 New Bond Street and J. May- Blythe Was She, Yorkshireman in Lon- nard, Panton Street, Haymarket; don, Pray Goody. Edinburgh: W. Blair, 1819. (Edin- Newcastle upon Tyne: J. Marshall, burgh: Printed by William Blair). [1820?]. 4 v.: ill., ports.; 22 cm. 8 p.; 14.2 cm. Contemporary red straight-grained Includes the following song by Burns: morocco, gilt. Ownership inscription: “Blythe Was She,” p. 4–5. “Macra” on title page of each volume. One of a collection with binder’s title: All plates dated 1814, with the imprint Chap-books and Penny Histories . . . of T. Cadell and W. Davies. Second Series. Egerer, 222 variant. Copy 1. Later green binder’s cloth, printed paper label on spine. 1820 Copy 2. Later gray boards. One of a col- Auld Lang Syne: Being Number Four of a lection of chapbooks printed by John Series of Caledonian Airs with Variations Marshall. for the Piano Forte. [Arranged by J. F. Kinsley title of “Blythe Was She” is Burrowes]. “Song Composed at Auchtertyre on London: Goulding, D’Almaine, Potter, Miss Euphemia Murray of Lentrose,” [ca. 1820]. 179. 7 p.; 34.5 cm. The Heaving Of The Lead: Lash’d To The Cover title. Helm, The Lass o’Arranteenie, Cauld Disbound. Stamp of J. McFadyen, Glas- Blaws the Wind, Dearest Ellen, From gow on upper cover. The White-Blossom’d Sloe. Kinsley, 240. Glasgow: Printed for the Booksellers, A Collection of Songs, &c.: Containing The [ca.1820]. Laird o’ Cockpen. The Row. John Ander- 8 p.; 14 cm. son, My Jo. Moggy Adair. Unfortunate Includes the following songs by Burns: Mary. And Sae Will We Yet. “Cauld Blows the Wind,” p. 5–7 and Edinburgh: Printed for the Booksellers, “The Thorn,” p. 8. [1820]. Modern red quarter morocco, marbled 8 p.; 15.2 cm. boards. One of a collection of chap- Includes the following song by Burns: books from the library of J. L. Weir. “John Anderson, My Jo,” p. 3. Binder’s title: Chapbooks. Burns. With five additional stanzas inserted Kinsley title of “Cauld Blows the Wind” between Burns’s original two. is “Up in the Morning Early,” 200. Sewn in contemporary wrappers. Kinsley title of “The Thorn” is “On Kinsley, 302. Chloris Requesting Me to Give Her a Spray of a Sloe-Thorn in Full Blos- The Election: A New Song. som,” 480. [Edinburgh: s.n., 1820]. 4 p.; 21 cm. The Highland Plaid: Irish Providence. The A skit on the election of Braw Wooer. I’ll Love Thee No More. 1795 or 1796. Glasgow: Printed for the Booksellers, Tune: “Fy Let Us a’ to the Wedding.” [ca. 1820]. Disbound. 8 p.; 15 cm. Kinsley, 492. Includes the following song by Burns: “The Braw Wooer,” p. 6–7. Printed Materials, Books, and Sheet Music / 65

Copy 1. Half sheet, folded, unopened, Edinburgh: Printed for the Booksellers, uncut as issued. [1820]. Copy 2. Modern red quarter morocco, 8 p.; 14 cm. marbled boards. One of a collection Includes the six songs by Burns of chapbooks from the library of J. L. One of a collection of chapbooks from Weir. Binder’s title: Chapbooks. Burns. the library of J. L. Weir. Kinsley title of “Last May a Braw A New Song Called Auld Scotia Free: To Wooer” is “Scottish Ballad,” 503. Which Are Added, O Helen Thou Art The Irish Maniac: To which Are Added My Darling, The Lovely Lass of Allan- Welcome Royal Charley, Mary Morrison Down, Will Ye Go To The Ewe Bughts, and De’il’s awa’ wi’ the exciseman. and a Lamentation for the Death of the Falkirk: R. Taylor, [ca. 1820]. Brave McKay. 8 p.; 14.5 cm. Airdrie: Printed by J. & J. Neil, [1820]. Includes the following songs by Burns: 8 p.;16.5 cm. “,” p. 6–7 and “Deil’s Includes the following song by Burns: Awa’ wi’ the Exciseman,” p. 7–8. “The Lovely Lass of Allan-Down,” Modern red quarter morocco, marbled p. 5–6. boards. Binder’s title: Chapbooks. Contains “Yestreen I had a pint o’ Burns. wine,” here called “The Lovely Lass One of a collection of chapbooks from of Allan-Down,” by Robert Burns, the library of J. L. Weir. with the 8–line postscript, but with “Mary Morison,” Kinsley, p. 30. the third line altered. One half-sheet, Kinsley title: “The De’il’s Awa’ wi’ the folded, unopened, uncut, as issued. Exciseman,” 386. Kinsley, 320. Letters Addressed to Clarinda, &c. &c Roslin Castle: Jackie To The Fair, To Mary New edition. in Heaven, Fortune, Duncan Gray. Glasgow: Printed by R. Chapman, Glasgow: Printed for the Booksellers, Trongate, 1820. [1820]. 64 p.; 20.6 cm. 8 p.; 14 cm. Nineteenth-century quarter sheepskin, Includes the following songs by Burns: blue paper-covered boards. “Duncan Gray,” p. 7–8. Egerer, 241. Cover title. Sewn in contemporary wrappers. Bound with nineteen other The Letters of Robert Burns. chapbooks. Boston: Wells and Lilly, 1820. Kinsley, 394. 2 v. in 1; 13 cm. “Two volumes in one”—Title page. Select Songs: Roslin Castle, & The Answer, Each part separately paged and pre- Gloomy Winter, The Braes o’ Gleniffer,. ceded by an added title page: The Let- Last May A Braw Wooer, My Nannie’s ters of Robert Burns, chronologically Awa,’ The Lass o’ Arranteenie. arranged from Dr. Currie’s collection. Dumfries: Printed for the Booksellers, Modern red-brown Fabriano paper [ca.1820?]. wrappers. 8 p.; 15.2 cm. Egerer, 234. Includes the following songs by Burns: “Last May A Braw Wooer,” p. 6–7 and My Bonnie Mary: It Was Upon A Lammas “My Nanie’s Awa,” p.7. Night, Tho’ Women’s Minds, Yestreen I Sewn in contemporary wrappers. Had A Pint o’ Wine, There’s Nought But Bound with 19 other chapbooks. Care On Ev’ry Hand, Ye Banks And Braes. The G. Ross Roy Collection of Robert Burns / 66

Kinsley title of “Last May A Braw Includes the following song by Burns: Wooer” is “Scottish Ballad,” 503. “Up in the Morning Early,” p. 3–5 and Kinsley, “My Nanie’s Awa,’” 472. “The Thorn,” p. 5. Binder’s title: Chapbooks. Burns. Modern Seven Select Songs: Willie Brew’d a Peck o’ red half morocco, marbled boards. Maut, This Is No My Ain Lassie, Willie One of a collection of chapbooks from Wastle, The Day Returns, Hey for A Lass the library of J. L. Weir. Wi’ a Tocher, I Gaed a Waefu’ Gate “Up in the Morning Early,” Kinsley, Yestreen, I Had a Wife o’ My Ain. 200. Edinburgh: Printed for the Booksellers, Kinsley title of “The Thorn” is “On [ca. 1820]. Chloris Requesting Me to Give Her a 8 p.; 14 cm. Spray of a Sloe-Thorn in Full Blos- Includes four songs by Robert Burns. som—,” 480. Modern red quarter morocco, marbled boards. Binder’s title: Chapbooks. The Works of Robert Burns. With an Burns. One of a collection of account of his life, and a criticism on chapbooks from the library of his writings, to which are prefixed J. L. Weir. some observations on the character and condition of the Scottish peas- Six Popular Songs: Coming through the antry by James Currie. Rye’ Say, My Heart, Why Wildly Beat- The 8th edition, to which are now ing, When I Was an Infant, Jackie to the added, some further particulars of the Fair, Katty O’Lynch, There Was a Jolly author’s life, new notes, illustrative of Miller. his poems and letters, and many other Kilmarnock: Printed for the Book- additions, by . sellers, [1820]. London: Printed for T. Caddell and 8 p.; 15.4 cm. W. Davies, Strand; Edinburgh: Includes the following song by Burns: A. Constable and Co.; Manners and “Comin Thro the Rye,” p. 2. Miller; Fairbairn and Anderson; Sewn in contemporary wrappers. A. Black; W. and C. Tait; Aberdeen: Bound with 19 other chapbooks. G. Clark, 1820. (London: J. M’Creery, Kinsley title: “Comin thro’ the Rye,” Black-Horse Court, Printer). 560. 4 v.: ill.; 22 cm. Tak Your Auld Cloke about Ye: To which Copy 1. Contemporary dark blue calf, Are Added, The Lass that Made the Bed tooled in gold and blind. Armorial to Me, Auld Robin Gray, and Saw Ye My bookplate of William Hay. Volume 1. Phely. Ca. 1820 engraving of birthplace at Glasgow: R. Hutchison, [1820?]. half-title. [2] p. manuscript “Extract 8 p.; 14 cm. from a letter of Lord Jeffery . . . 11th Includes the following song by Burns: November 1837.” inserted at p. 335. “The Lass that Made the Bed to Me,” Volume 2, portrait of the editor oppo- p. 6. site title page. Laid in volume 3, Reso- Kinsley, 571 lutions of a meeting relative to the erection of a mausoleum over the Tibby Fowler: Up in the Morning Early, grave of Robert Burns, Dumfries, Jan. The Thorn, Donnocht-Head, Fareweel to 6, 1814. Laid in volume 4, A news- . paper article, George Thompson’s Glasgow: Printed for the Booksellers, Vindication of Burns; letter in the [1820]. form of a death announcement of 8 p.; 13.5 cm. Printed Materials, Books, and Sheet Music / 67

George Thompson to William Hay, 18 “Stothard’s illustrated edition” on Feb., 1851. Also included: a letter to spine. William Hay from George Thompson Volume 5 is the fourth edition of concerning the construction of the Cromek, R. H. Reliques of Robert Burns. Burns monument. London: Printed by J. M’Creery for Copy 2. Spine title: Stothard’s Illustrated T. Cadell and W. Davies, 1817 and is Edition. Binding ca.1835, probably identified as volume 5 on the spine of indicating a late issue. The engravings the publisher’s binding. are not found in the other copies of Original brown cloth, stamped in gold this edition, all of which are appar- and blind. ently in original or contemporary The Works of Robert Burns. With an bindings. Blind-stamped purple pub- account of his life, and a criticism lishers’ cloth, spines lettered in gold. of his writings, to which are Pages uncut. prefixed, some observations on the Copy 3. Contemporary blind and gold- character and condition of the tooled green calfskin. Engraved fron- Scottish peasantry as edited by tispiece portrait after Nasmyth bound James Currie, M.D. in title page. A new edition. Copy 4. Original quarter cloth, Edinburgh: Printed for Ogle, Allardice grey paper-covered boards; paper & Thompson, and Stirling and Slade, lettering-label on spines. Pictorial 1820. (Edinburgh: Printed by W. bookplate of G. F. Stanley Atkinson Blair). inside the upper cover of each vol- 4 v.: port.; 16 cm. ume. Imperfect: frontispiece and portrait Copy 5. Contemporary brown calf, wanting in each volume. spines rebacked; stamped in gold on Contemporary brown half calf, marbled upper covers of volumes 2, 3, & 4: paper-covered boards. “Faculty of Procurators, Glasgow.” Egerer, 239, who states, “According to Egerer, 242. the Cambridge Bibliography, II.976, The Works of Robert Burns. With an there are two different editions of the account of his life, and a criticism on same date.” his writings, to which are prefixed some observations on the character 1821 and condition of the Scottish peas- The Poetical Works of Robert Burns. antry by James Currie. Chiswick: C. Whittingham, 1821. The 8th edition, to which are now 2 v.; 12.5 cm. added, some further particulars of Added engraved title pages, with the author’s life, new notes, illustra- vignettes. tive of his poems and letters, and Contemporary dark-brown, straight- many other additions, by Gilbert grain morocco. Burns. Egerer, 244. London: T. Cadell and W. Davies, The Poetical Works of Robert Burns. With Strand, and A. Constable and Co., the life of the author, and a complete Manners and Miller, Fairbairn and glossary. Anderson, A. Black; Edinburgh: London: C. Baynes, 1821. W. and C. Tait; Aberdeen: G. Clark, 2 v.: port.; 19 cm. c1820. Contemporary mottled calf, stamped 5 v.: ill., port., facsims.; 23 cm. in gold. Signature of Archb. D. Grant, The G. Ross Roy Collection of Robert Burns / 68

The , 7 Feby. [18]99 on Egerer, 251. preliminary page. Egerer, 249 1822 The Poems of Robert Burns. The Poetical Works of Robert Burns. With Chiswick: C. Whittingham, 1822. a life of the author. 2 v.; 17 cm. A new edition. The British Poets; v. 75–76 London: Printed and sold by Dean and Volume 2 only. Half calf over marbled Munday, Threadneedle Street, 1821. paper covered boards. 222 [i.e. 252] p.: ill.; 14.5 cm. Egerer, 255, variant. Added engraved title page, with vignette. The Poetical Works of Robert Burns. Contemporary half calf, marbled Including the pieces published in his boards. Signature of E. B. Norcliffe, correspondence and reliques, with his 1881. songs and fragments, to which are Egerer, 248. prefixed, a history of the poems, by his brother, Gilbert Burns, and a The Poetical Works of Robert Burns. sketch of his life. Including several valuable pieces not London: Printed for John Bumpus, published in the original editions of Holborn, 1822. his poems. With a comprehensive 2 v.: port.; 17 cm. sketch of the life of the author. The Copy 1. Large paper copy. Library labels whole illustrated with notes and a of B.C.T. and George Paton Hender- complete glossary. Embellished with son. eleven beautiful and highly finished Original buff boards, printed paper engravings. labels on spines. Newcastle upon Tyne: Printed and pub- Copy 2. Copy on regular paper. Original lished by Mackenzie and Dent, 1821. buff boards, printed paper labels on lxvi, 548, [10] p.: ill., port., facsim.; spines. Volume 1 rebacked. 22 cm. Copy 3. Later blue-green calf, stamped Added engraved title page dated 1818. in gold and blind. Engraved title page illustration and Egerer, 259. frontispiece portrait engraved by W. Davidson. The Poetical Works of Robert Burns. Contemporary speckled calf, red leather Including the pieces published in his title label, stamped in gold. correspondence and reliques, with his In the private collection of G. Ross Roy. songs and fragments, to which is Egerer, 252. prefixed a sketch of his life. London: Printed for T. Cadell in the The Works of Robert Burns. Including his Strand; and A. Constable and Co.; letters to Clarinda, and the whole of Manners and Miller; John Fairbairn; his suppressed poems: with an essay Adam Black; Edinburgh: W. Black- on his life, genius, and character. wood; Aberdeen: G. Clark, 1822. London: Printed for the editor, by (London: Tooks Court, Chancery Richards and Co., Grocers’ Hall Lane: J. M’Creery). Court, Poultry, 1821. xii, xxvii, 528 p., [1] leaf of plates: ill.; 4 v.: port.; 15 cm. 15 cm. Copy 1. Blue half calf, marbled boards. Added engraved title page, with Copy 2. Dark blue contemporary calf, vignette. gilt. Printed Materials, Books, and Sheet Music / 69

Copy 1. Contemporary full calf, gilt. margin. Bookseller’s description Library label of Lady Gomm. Egerer, loosely inserted. 260 an unrecorded variant. The Works of the British Poets. With lives Copy 2. Later tan embossed cloth, by of the authors edited by Robert Dunn & Wilson ca. 1968, with cloth Walsh. ca. 1840–1850. Egerer, 260 with vari- New York: James Eastburn, 1822. ant imprint. x, [2], 405 p.: ill.; 15.2 cm. The Poetical Works of Robert Burns. With Original plain paper wrappers, edges an account of his life, and his corre- uncut. Printed paper label on spine. spondence with Mr. Thomson to The Works of the British Poets. With lives which is added a new and complete of the authors edited by Robert glossary. Walsh. Philadelphia: M’Carty & Davis, no. 204, Philadelphia: Samuel F. Bradford for Market-Street, 1822. John Laval, 1822. 2 v.: ill., port.; 13.5 cm. xi, [2], 384 p.: ill.; 15.4 cm. Added engraved title page, with Original plain paper wrappers, edges vignettes. uncut. Printed paper label on Frontispieces in each volume engraved spine. by G. B. Ellis, Phil. Copy 1. Contemporary mottled calf. 1823 Signature of William Lea, 1828, in Bruce’s Address: To which is Added, each volume. My Love Is Like a Red, Red Rose, Copy 2. Contemporary marbled calf. The Ploughman, Robin Adair, Away Volume 1 imperfect: preliminaries with this Sadness, Highland Whisky. wanting. Portrait mounted on verso of Glasgow: R. Hutchison, 1823. title page. Signature of J. B. Durand, 8 p.; 16 cm. New Orleans in each volume. Includes the following songs by Burns: Egerer, 261. “Bruce’s Address,” p. 2–3, and “My Thomson’s Collection of the Songs of Burns, Love is Like a Red, Red Rose,” Sir Walter Scott, Bart. And Other Emi- p. 3–4. nent Lyric Poets Ancient & Modern. Uncut, folded. United to the select melodies of In the private collection of G. Ross Roy. Scotland and of Ireland & Wales Kinsley title of “Bruce’s Address” is with symphonies & accompaniments “Robert Bruce’s March to Bannock- for the piano forte by Pleyel, Haydn, burn,” 425. Beethoven &c. the whole composed Kinsley title of “My Love is Like a for & collected by George Thomson. Red, Red Rose” is “Red, Red Rose,” London: Preston and G. Thomson, 453. [1822–1824]. Burns’ Cotter’s Saturday Night. 6 v. in 2, [10] leaves of plates: ill., music, London: John Sharpe, 1823. port.; 27 cm. 36 p.; 16 cm. Contemporary half leather over mar- Engraved title page. bled paper covered boards. Presenta- Bound with: English Bards and Scotch tion copy to a member of the Sword Reviewers / Byron. Glasgow, 1824, family of Philadelphia. Some sectional Home. Edinburgh, [ca. 1810]. Letters to pages have the signature of George Clarinda / Burns. Belfast, 1806. Thomson (publisher) on the bottom The G. Ross Roy Collection of Robert Burns / 70

Modern polished calf, by Kerr and 8 p.; 14.6 cm. Richardson, Glasgow. Bookplate of Includes the following song by Burns: J. Dawson Brodie. “Auld ,” p. 7–8. Kinsley title: “The Cotter’s Saturday Modern red quarter morocco, marbled Night, Inscribed to R. A****, Esq.,” 72. boards. Binder’s title: Chapbooks. Burns. One of a collection of Dainty Davie: Sic a wife as Willie Had, chapbooks from the library of The Blue-eyed Lassie, The Rantin Dog J. L. Weir. the Daddie O’t, A Plague on All Musty Kinsley, 393. Old Lubbers, O My Love is Like the Red, Red Rose. Katharine Ogie: To Which is Added, John Glasgow: Printed for the Booksellers, Anderson, My Jo, Jean Anderson, My Jo, 1823. Maria. Glasgow: R. Hutchison, 1823. 8 p.; 14 cm. 8 p.; 15 cm. Includes the following songs by Burns: Includes the following song by Burns: “O, My Love is Like the Red, Red, “John Anderson, My Jo,” p. 3–5. Rose.” Seven stanzas of which only the first The poem “Nothing Like Grog,” first two are by Burns. line “A plague on all musty old lub- Kinsley, 302. bers,” is not by Burns. National . Modern red morocco, marbled boards. London: Steuart and Panton, 1823. Binder’s title: Chapbooks. Burns. Each xvi, 380 p.: ill.; 14.6 cm. leaf mounted. One of a collection of Unaccompanied lyrics. Includes many chapbooks from the library of J. L. pieces by Burns, Hogg, Scott, Ramsay, Weir. Tannahill, and others. Fac-simile of Burns’ Celebrated Poem: Advertisement for National Songs of Entitled The Jolly Beggars. From the Great Britain and Ireland, on back original manuscript in the possession cover, dated May, 1823. of Thomas Stewart. Original reddish-tan printed boards. Glasgow: James Lumsden & Son, [etc.], From the library of J. Geikie, Edin- 1823. burgh, with his stamp on front paste- 33 p.; 26.6 cm. down. Contemporary half calf, marbled The Poetical Works of the Late Robert boards, rebacked. Burns. The Fornicators Court. New edition, containing many excellent [S.l.: s.n., 1823]. pieces of the author’s that never made 8 p.; 22 cm. their appearance in the copy-right According to Egerer, James Maidment edition. had the poem printed, but it is not in Edinburgh: Printed by Thomas Turn- Stevenson. bull, for James Scott, Bookseller, 1823. Modern half calf, marbled boards. xii, 374, [1] leaf of plates: ill.; 16.5 cm. Egerer, 273. This is the variant issue, Added engraved title page, with lacking the apostrophe in “fornica- vignette. tor’s.” Frontispiece of Tam o’ Shanter engraved by W. & D. Lizars, Edin. The Jolly Beggar, Neil Gow’s Fareweel, Contemporary buff calico over boards. My Kimmer and I, Rob Morris. Egerer, 263, variant, James Scott’s name Glasgow: Printed for the Booksellers, in imprint. 1823. Printed Materials, Books, and Sheet Music / 71

The Poetical Works of Robert Burns. The Poetical Works of Robert Burns, the Including the pieces published in his Ayrshire bard. Including all the pieces correspondence and reliques; with his originally published by Dr. Currie songs and fragments to which is with various additions. prefixed a sketch of his life. A new edition, with an enlarged and London: Printed for T. Cadell, in the corrected glossary and a biographical Strand, and A. Constable and Co., sketch of the author. Manners and Miller, John Fairbairn, London: Jones and Co., 1823. (Glasgow: Adam Black, W. Blackwood, W. and C. Andrew & John M. Duncan, printers Tait; Edinburgh: J. Anderson, Junr., to the University). 1823. (London, Tooks Court, 2 v. in 1: port.; 21.6 cm. Chancery Lane: J. M’Creery). Bound with Poems by . 3 v.; 17 cm. Copy 1. Contemporary brown half calf, Spine title: Burns’ Poetical Works. boards. Signature of Jno. Wakefield, Later blue-green cloth, stamped in gold Ayton-Banks, 1828, on front free end- and blind. Remainder binding. One- paper. page list of books “lately published by Copy 2. Later half calf, marbled boards. T. Cadell” at end of volume 3. Portrait dated Jan. 1, 1824 Egerer, 266. Egerer, 267. The Poetical Works of Robert Burns. Queen Mary’s Lamentation: To which Including several pieces not inserted are Added, The Orange and Blue, Lord in Dr. Currie’s edition, exhibited Gregory, Tak’ Your Auld Cloke about Ye, under a new plan of arrangement and and, The Sailor’s Return. preceded by an original life of the Glasgow: Published and Sold by author and a critique upon his writ- R. Hutchison, Bookseller, 1823. ings with an enlarged glossary. 8 p.; 15.5 cm. London: Published by W. T. Sherwin, Includes the following song by Burns: Row, 1823. “Lord Gregory,” p. [5]. 2 v.; 12 cm. One half-sheet, uncut, unopened. “G. Sidney, printer, Northumberland Roy’s Wife of Aldivalloch: To which is Street, Strand.” Added, The Highland Plaid, Neil Contemporary blue straight-grained Gow’s Fareweel, John Anderson, My Jo, morocco, gilt. Inscribed on prelimi- Maria. nary leaf of volume 2: “Robert with Glasgow: Published and Sold, Wholesale love from Nanny Salthouse.” and Retail, by R. Hutchison, Book- Egerer, 265. seller, 1823. The Poetical Works of Robert Burns. With 8 p.; 16 cm. several pieces never before published, Contains a variant text of “John Ander- notes illustrative of his poems, and son, My Jo,” p. 5–7, by Robert Burns. definitions of all the Scottish words With 7 stanzas only 2 of which are by and phrases, to which is prefixed, an Burns. Kinsley, 302. account of his life, and also a view of Copy 1. Disbound. In natural colored his character by Gilbert Burns. cloth pamphlet binder, paper label on Philadelphia: Published by B. Chapman. spine. Abm. Small, printer, 1823. Copy 2. Green cloth, printed paper label 630 p.: ill.; 19.9 cm. on spine. Modern calf, cloth. One of a collection with binder’s title: Egerer, 272. Chap-books and Penny Histories . . . Second Series. The G. Ross Roy Collection of Robert Burns / 72

Copy 3. From the library of Hamish ownership signature of Ann McIlvern Henderson. at head of title page. Copy 4. Modern red quarter morocco, Egerer, 277. marbled boards. Interleaved. Binder’s Poems, Chiefly in the Scottish Dialect. title: Chapbooks. Burns.One of a col- London: Printed and sold by J. White, lection of chapbooks from the library 1824. of J. L. Weir. viii, 224 p.: port.; 16.8 cm. The Works of Robert Burns. With an Frontispiece is a portrait of Burns by account of his life and a criticism on Anderson of Perth. his writings &c. by James Currie. “Published as the Act directs by J. Find- A new edition, with many additional lay Arbroath”—Below frontispiece. pieces. Contemporary brown paper covered Montrose: Printed by David Hill and boards. Signatures of William and Sold by the Booksellers of London, Isaac Walker on endpapers. Edinburgh, Glasgow &c., 1823. Egerer, 276. 2 v.: ill.; 13.5 cm. The Poetical Works of Robert Burns. With Added engraved title page. a glossary and biographical sketch of Prize volumes awarded to James Boyd the author. by A. M. Hartley for elocution, May 1, London: Published by Jones & Com- 1824. pany, 3 Acton Place, Kingsland Road, Nineteenth-century blind-stamped calf, 1824. (Glasgow: Andrew & John M. gilt. Armorial bookplate of William Duncan, printers to the University). Boyd. 2 v.: port.; 93 mm. Egerer, 271. Volume 2 has imprint dated 1825. 1824 Engraved added title page, dated 1825, with statement: University edition. Burns. Uniform in size with Jones’ Diamond London: John Sharpe, 1824. Classics Series. 108, 36, 36, 36 p.; 14.6 cm. Contemporary blue calf, spines gilt. The British Anthology: Or Poetical Library stamp of F. Tapner in both Library; v. 8. volumes. 4 p. publisher’s catalog Half-title: Burns Songs Chiefly Scottish bound in at end of volume 2. Signa- This volume is comprised of four sec- ture of C. Lediard, volume 1. tions of Burns’s poems and songs. Egerer, 282. Original brown cloth-covered boards, lettering label on spine. Songs, Chiefly in the Scottish Dialect. London: Published by John Sharpe, Poems, Chiefly in the Scottish Dialect. Duke Street, Piccadilly, M DCCC London: Published by John Sharpe, XXIV. Duke Street, Piccadilly, 1824. vii, 264 p.: ill.; 17.5 cm. (Chiswick: C. Whittingham). Added engraved title page, with xii, 255 p.: ill.; 17 cm. vignette. Added engraved title page, with Original brown paper-covered boards, vignette. rebacked with brown paper; later Original brown paper-covered boards, manuscript lettering-label on spine. rebacked with brown paper. Later Pages uncut. Contemporary owner- manuscript lettering-label on ship signature of Anna McIlvern at spine. Pages uncut. Contemporary head of title page. Egerer, 278. Printed Materials, Books, and Sheet Music / 73

“To the Shade of Thomson.” This copy also contains title page for In: Thomson, James. The Seasons. Lon- Egerer, 281: The Poetical Works of don: Printed for John Sharpe, Pic- Robert Burns. London: Published by cadilly, by Charles Whittingham, Jones and Company, 1824. Chiswick, 1824, p. 1. Engraved Later half calf, marbled boards. Binder’s vignettes by Charles Heath after ticket: J. R. Rowe . . . Leicester. the drawings of Richard Westall. Egerer, 284. Contemporary red polished calf, elaborately blocked in gold; red 1825 morocco lettering labels on spine: A Garland of New Songs: Jessie the Flower contemporary bookseller’s label of o’ Dumblane, O Stay My Love, Lilies of Robinson’s, Liverpool, inside upper the Valley, Sally Roy, Dear Maid I Love cover. Ownership inscription of Pat S. Thee, Green Grow the Rashes, O, Far, Crawford, April 1898, on front free Far at Sea. endpaper. Newcastle-upon-Tyne: J. Marshall, ca. 1825. The Works of Robert Burns. To which is 8 p.; 15 cm. prefixed a life of the author by James Includes the following song by Burns: Currie, M.D. “Green Grow the Rashes, O,” p. 7–8. New edition. Kinsley, 45. London: Printed by Thomas Davison for Thomas Tegg, no. 73 Cheapside; The Melodist: A New Song Book Being a Rodwell and Martin, Bond Street; Rare and Choice Collection of the Most R. Jennings, Poultry; Dublin: R. Mil- Celebrated New Songs. liken, and J. Cumming; Glasgow: Newcastle: J. Marshall, [1825?]. R. Griffin and Co., 1824. Includes the following poems by Burns: 2 v.: port.; 20.5 cm. “The Deil’s Awa wi’ the Exciseman,” Copy 1. Nineteenth-century dark blue p. 17 and “Bonnie Leslye,” p. 17. calf, stamped in gold and blind. Copy 1. Half-sheet, folded, opened, Copy 2. Nineteenth-century red untrimmed, as issued. straight-grain morocco, stamped in Copy 2. Half-sheet, folded, unopened, gold and blind. untrimmed as issued. Bookseller’s ticket: Ingalton . . . Eton. Kinsley title: “The De’il’s Awa’ wi’ the Egerer, 283 variant. 2 v. in 1 lacking Exciseman,” 386. a second title page. Recto of leaf fol- The Peck o’ Maut: To which Are Added, lowing p. 374 reads instead “Part II. This Is No My Plaid, The Highland Poems, &c.” Courtship. The Works of Robert Burns. With an Stirling: W. Macnie, [ca. 1825]. account of his life and a criticism of 8 p.; 15 cm. his writings, to which are prefixed Includes the following song by Burns: some observations on the character “O, Willie Brew’d a Peck o’ Maut,” and condition of the Scottish peas- p. 2–4. antry by James Currie. Half sheet, folded, unopened, uncut, as A new edition, four volumes complete issued. in one with many additional poems Kinsley, 268. and songs and an enlarged and cor- The Sailor’s Tragedy: To which Are Added rected glossary. Highland Mary [and] The Irish Wedding. London: Published by Jones and Com- Stirling: Printed by W. Macnie, 1825. pany, 1824. 8 p.; 15 cm. xv, 180, x, 243 p.: port.; 21.5 cm. The G. Ross Roy Collection of Robert Burns / 74

Includes the following song by Burns: Thomson’s Collection of the Songs of Burns, “Highland Mary,” p. 6–8. Sir Walter Scott, Bart. and Other Emi- Copies 1–2. One half sheet, folded, nent Lyric Poets Ancient & Modern. uncut, unopened, as issued. United to the select melodies of Kinsley, 389. Scotland and of Ireland & Wales with symphonies & accompaniments The Sky-lark: A Choice Selection of the for the piano forte by Pleyel, Haydn, Most Admired Popular Songs, Heroic, Beethoven &c. The whole composed Plaintive, Sentimental, Humourous, and for & collected by George Thomson. Bacchanalian. Arranged for the violin, Second octavo edition. flute, and voice. London: Preston and G. Thomson, London: T. Tegg, [1825]. [1825]. xi, 322 p.: music; 20 cm. 6 v.: ill., music, port.; 26 cm. Includes the following songs by Burns: This edition not listed in Cecil Hop- “Auld Lang Syne,” p. 43, “John kinson and C. B. Oldman’s article Anderson, My Jo,” p. 300, and “Gin a “Thomson’s Collections of National Body Meet a Body,” p. 315. Song,” Transactions of the Edinburgh Original buff printed boards. Rebacked Bibliographical Society, v. 2, 1938–1945. in black roan. Publisher’s catalogue Original quarter cloth over tan boards, for R. Griffin & Co., Glasgow, 12 printed labels on spines. pages, bound in before title page. “Auld Lang Syne,” Kinsley, 240. 1826 “John Anderson, My Jo,” Kinsley, 302. Allan Tine O’Harrow: To which Are Added, Kinsley title of “Gin a Body Meet a Highland Laddie, Bonnie Wood of Body” is “Comin thro’ the Rye,” 560. Craigie Lea. The Songs and Ballads of Robert Burns. Stirling: Printed and sold wholesale and Including ten never before published retail by W. Macnie, Bookseller, with a preliminary discourse, and [1826]. illustrative prefaces. 8 p.; 15.2 cm. London: Printed for Joseph White, 1825. Includes the following song by Burns: 320 p.: port.; 16 cm. “Highland Laddie,” p. 6–7. Contemporary boards, leather label Bound with other chapbooks in nine- stamped in gold. Library stamp of teenth-century maroon quarter roan, H. G. Doggett. Some annotations. marbled boards. Kinsley, 578. Tam o’ Shanter: A Tale. Paisley: G. Caldwell, 1825. The Beauties of Burns. Consisting of 8 p.; 15.5 cm. selections from his poems and letters Copy 1. Modern blue wrapper, uncut. by Alfred Howard, Esq. Copy 2. Bound in volume containing London: Printed by T. Davison, for another printing of Tam o’ Shanter Thomas Tegg, R. Griffin, and and Rabbie Burns and his friends by J. Cumming, [1826]. H. MacDonald. 1901. Newspaper arti- 212 p.: port.; 14 cm. cles and illustrations relating to the Later calf, stamped in gold and poem bound in. Modern green quar- blind. ter cloth, marbled boards. Bookplate The Bonny Lassie’s Plaidy Awa, Flora’s of William Harvey. Lament for Charlie, To which Are Kinsley, 321. Printed Materials, Books, and Sheet Music / 75

Added, The Banks of the Dee, Go Plain- Letters Addressed to Clarinda, &c. tive Sounds, The Lass of Ballochmyle. A new edition. Stirling: Printed and sold wholesale and Glasgow: Printed by J. Carmichael, retail by W. Macnie, Bookseller, [1826]. Hutchesontown, for William Fal- 8 p.; 14.4 cm. coner, 1826. Includes the following song by Burns: 52 p.; 14 cm. “The Lass o’ Ballochmyle,” p. 7–8. From the library of William Craibe Bound with other chapbooks in Angus, the Burns bibliographer, with nineteenth-century maroon quarter his bookplate and a lengthy ms. note roan, marbled boards. on front free endpaper discussing the Kinsley title of “The Lass o’ Bal- scarcity of this edition. Note dated lochmyle” is “On Miss W.A.,” 89. 1898. Modern gray boards. Excellent New Songs: Viz. The Soldier’s Egerer, 302. Return, The Heaving of the Lead, Hal the Woodman, The Banks o’ Doon. The Poetical Works of Robert Burns. Care- Alnwick: W. Davison, [1826]. fully collated, with original explana- 8 p.; 14.5 cm. tory notes. Includes the following songs by Burns: London: Printed by J. F. Dove, for the “The Soldier’s Return,” p. 2–4 and Booksellers of England, Scotland, and “The Banks o’ Doon,” p. 7–8. Ireland, 1826. Bound with other chapbooks in xvi, 428 p.: ill.; 12.1 cm. nineteenth-century maroon quarter Dove’s English Classics. roan, marbled boards. Added illustrated title page with title: Kinsley title of “The Soldier’s Return” Burns’ Poems and Songs. is “When Wild War’s Deadly Blast Was Contemporary blind and gold-tooled Blawn,” 406. brown calf, rebacked; black morocco “Banks o’ Doon,” Kinsley, 328. lettering label on spine. From the collection of J. L. Weir with his Hills o’ Gallowa: To which Are Added, Last book label inside upper cover. May a Braw Wooer, Green Grow the Egerer, 303. Rashes, O, Sweet the Rose Blaws, [Sic a Wife as Willie Had]. The Poetical Works of Robert Burns, the Stirling: W. Macnie, 1826. Ayrshire Bard. Including all the pieces 8 p.; 15.1 cm. originally published by Dr. Currie; Includes the following songs by Burns: with various additions. “Last May a Braw Wooer,” p. 3–5, New edition, with an enlarged and cor- “Green Grow the Rashes, O,” p. 5–6, rected glossary and a biographical and “Sic a Wife as Willie Had,” p. 6–7. sketch of the author. Bound with other chapbooks in London: Jones, 1826. nineteenth-century maroon quarter xv, 243, [1], 180 p.: ill., port.; 22 cm. roan, marbled boards. Frontispiece portrait of Burns. Kinsley title of “Last May a Braw Original blind-stamped brown cloth. Wooer” is “Scottish Ballad,” 503. Egerer, 305. “Green Grow the Rashes, O,” Kinsley, The Poetical Works of Robert Burns. 657. Including several pieces not inserted Kinsley gives the title of the song as in Dr. Currie’s edition; exhibited “Song—Sic a Wife as Willie’s Wife,” under a new plan of arrangement, 328. and preceded by a life of the author, and a complete glossary. The G. Ross Roy Collection of Robert Burns / 76

New York: William Borradaile, 1826. Sixth edition. Egerer, Appendix II, 2 v.: fronts. (v. 1, port.); 10.8 cm. p. 361–364. Frontispiece engraved by O. H. Throop. The Works of Robert Burns. With an “Advertisement” signed: J.T. account of his life, and a criticism on Volume 1. Contemporary calf, black his writings, to which are prefixed, label on spine, stamped in gold on some observations on the character spine and upper cover. Signature of and condition of the Scottish peas- John Brown. antry by James Currie. Volume 2. Contemporary calf, black A new edition, four volumes complete label on spine, stamped in gold on in one. With many additional poems spine. Signature of Harold S. Brew- and songs, and an enlarged and cor- ster on preliminary page. rected glossary. From the last London Egerer gives title as Works of Robert edition of 1825. Burns. Cf. Egerer, 308. New York: Wm. Borradaile, 1826. Sair, Sair Was My Heart: To Which Are [iii]–xv, 180, x, 258 p.: port.; 22 cm. Added The Hero’s Orphant Girls, The Contemporary leather. 21.5 cm. Lass o’ Ballochmyle, Allister M’Allister, Variant of Egerer, 308. Signatures are The Highland Plaid. continuous but pagination is not. Stirling: W. Macnee, 1826. 8 p.; 15.2 cm. 1827 Includes the following song by Burns: The Poetical Works of Robert Burns. With “The Lass o’ Ballochmyle,” p. 4–5. a glossary and a biographical sketch of Bound with other chapbooks in the author. nineteenth-century maroon quarter London: Jones, 1827. roan, marbled boards. 2 v.; 9.2 cm. Kinsley title of “The Lass o’ Bal- Diamond Poets. lochmyle” is “On Miss W.A.,” 89. Original rose-colored raised ripple- grained silk, black paper spine labels A Select Collection of Original Scottish Airs lettered in gold. for the Voice. With introductory and concluding symphonies and accompa- The Poetical Works of Robert Burns. With niments for the piano forte, violin, or a glossary and biographical sketch of flute & violoncello by Pleyel, Haydn, the author. Weber, Beethoven &c. With select & London: Jones, 1827. characteristic verses both Scottish & 2 v. in 1: port.; 98 mm. English adapted to the airs including Added engraved title page. upwards of one hundred songs by On added title page: University edition. Burns the whole collected Contemporary quarter calf, marbled by G. Thomson. boards. New edition, 1826; with many additions The Poetical Works of Robert Burns, the and improvements. Ayrshire Bard. Including all the pieces London: Preston, 1826. originally published by Dr. Currie; 5 v. in 2: ill., music.; 37 cm. with various additions. Imperfect: volume 5 wanting. A new edition, with an enlarged and Later quarter morocco, marbled boards. corrected glossary and a biographical Signed by the compiler. Bookseller’s sketch of the author. ticket: “Sold at J & H Banks Musical London: Jones and Company, no. 3 War- Repository, Church Street, Liver- wick Square, 1827. (Glasgow: Andrew pool.” Printed Materials, Books, and Sheet Music / 77

& John M. Duncan, Printers to the Lass o’ Ballochmyle, Auld Rob Morris, University). Wandering Willie, For a’ That and a’ xv, iv, 180, [v]–x, 243 p.: port.; 21.1 cm. That, Meg o’ the Mill. Printed in double columns. Glasgow: Printed for the Booksellers, Late nineteenth-century half morocco, 1828. cloth. Spine tooled in gilt and blind. 8 p.; 15 cm. Armorial bookplate of Peter Kirk Includes five songs by Burns. Matthew. Library label of Charles Binder’s title: Chapbooks. Burns. Spence, Dundee. Modern red half morocco, marbled Egerer, 310. boards. In a collection of chapbooks from the library of J. L. Weir. The Works of Robert Burns. With an account of his life, and criticism on The Letters of Robert Burns. Chronologi- his writings; to which are prefixed cally arranged. Comprehending the some observations on the character whole of Dr. Currie’s collection, and and condition of the Scottish peas- the most valuable portion of antry by James Currie, M.D., with Cromek’s Reliques. many additional poems and songs and Glasgow: Printed for R. Griffin & an enlarged and corrected glossary. Co.,1828. A new edition, four volumes complete 376 p.: port.; 16.1 cm. in one. Contemporary green half calf, marbled Philadelphia: J. Crissy, 14 South Seventh boards. Street, 1827. Egerer, 317. xv, 180, x, 258 p.: ports.; 22.5 cm. “On Poverty.” Added engraved title page, with In: The Common-place Book of Prose. vignette. First series, consisting of an original Contemporary marbled calf. Signature selection of eloquent and interesting of T. W. Clay. pieces including several never seen 1828 before published with contributions and remarks by the editor. 3rd edition. John Anderson My Jo: Low Down in the Edinburgh: John Anderson; London: Broom, It Was Upon a Lammas Night, Thomas Tegg, 1828, p. 427–428. The Banks of Doon, Land of the Leal, Later black half calf, marbled boards. Lubin Is Away. Signature of W. Taylor. Glasgow: Printed for the Booksellers, 1828. The Poems and Songs of Robert Burns. 8 p.; 15.2 cm. With a life of the author, and a glos- Includes the following songs by Burns: sary. “John Anderson, My Jo,” p. 2–3, “It Alnwick: Printed and published by Was Upon a Lammas Night,” p. 5–6, W. Davison, 1828. and “The Banks of Doon,” p. 6. viii, 336 p.: ill.; 13.8 cm. Half sheet, folded, unopened, uncut, Engraved title page with vignette. as issued. Later half sprinkled calf, red leather “John Anderson, My Jo,” Kinsley, 302. spine label, Spanish marbled paper Kinsley title of “It Was Upon a Lammas boards. Bookplate of George Skelly of Night” is “Song,” 8. Alnwick, in the style of Bewick. “Banks o’ Doon,” Kinsley, 328. Egerer, 312. The Poetical Works of Robert Burns, the Ayrshire Bard. Including all the pieces The G. Ross Roy Collection of Robert Burns / 78

originally published by Dr. Currie songs and an enlarged and corrected with various additions. glossary, from the last London edition A new edition, with an enlarged and of 1825. corrected glossary and a biographical Philadelphia: J. Crissy and J. Grigg, sketch of the author. 1828. London: Jones & Company, 3 Acton xv, 180, x, 258 p.: port.; 21.2 cm. Place, Kingsland Road,1828. (Glas- Added engraved title page with vignette. gow: Hutchison & Brookman, Contemporary marbled calf. Printers). Egerer, 321. xv, 243, x, 180 p.: port.; 22.5 cm. Two pages of publisher’s advertise- 1829 ments bound in following p. 243. Hurrah for the Bonnets of Blue. Pray Modern green boards. Goody, Donald of Dundee, The Cypress Egerer, 320. Wreath, I’d Be a Butterfly, Oh Say Not Women’s Love is Bought, He’s o’er the “[Portions of ] Robert Burns New Year Hills that I Lo’e Weel, The Captive Letter, Addressed by Burns to Mrs. Maniac. Dunlop, Ellisland, New-Year’s Day Glasgow: Printed for the Booksellers, Morning, 1789,” p. 326–327. 1829. In: The Mirror of Literature, Amusement, 8 p.; 16 cm. and Instruction, No. 312 (May 17, Includes the following song by Burns: 1828). “Hurrah for the Bonnets of Blue,” Letters, I, 293. p. 2. The Vulture: Being a Choice Collection, Sixteen of the forty line poem by Burns Newest Songs Now Singing. “Here’s a Health to them that’s [London]: Pitts Printer Toy and Marble Awa,’” here titled “Hurrah for the Warehouse, [1828]. Bonnets of Blue.” 1 broadside: ill.; 26.5 cm. Copy 1. One half-sheet, folded, Printed in three columns. unopened, uncut, as issued. At head of text: “The lad with his car- Copy 2. No. 7 in a bound collection of rotty poll.” chapbooks with spine title: Quaint Printer’s ornament of a bird and flow- Scottish Literature Chapbooks and Histo- ers at the head of the center column. ries. Second series. Printed chiefly in Contains 6 songs. Paisley and Glasgow. Green cloth, The version of Highland Mary on this printed paper label on spine. songsheet contains an additional two Kinsley, 391. eight-line stanzas. These are not The Poetical Works of Robert Burns, The noted in James Mackay’s compilation Ayrshire Bard. Including all the pieces of ‘Dubious and spurious works’ in originally published by Dr. Currie his Burns A–Z: The Complete Word with various additions. Finder. A new edition, with an enlarged and The Works of Robert Burns. With an corrected glossary and a biographical account of his life, and criticism on sketch of the author. his writings, to which are prefixed London: Published by Jones & Com- some observations on the character pany, Temple of the Muses (late and condition of the Scottish peas- Lackington’s), Finsbury Square, 1829. antry by James Currie. [Glasgow: Hutchison & Brookman, New edition, four volumes complete in Printers]. one with many additional poems and xv, 243, x, 180 p.: port.; 21.2 cm. Printed Materials, Books, and Sheet Music / 79

Two pages of publishers’ advertisements Kinsley title: “Here’s a Health to Them following p. 180. That’s Awa,” 391. Later polished calf. Ownership inscrip- Favourite Songs: Loch na Gar, On wi’ the tion of Thomas Thomson, 1840. Tartan, Oft in the Stilly Night, Charlie is Egerer, 326. My Darling, The Last Rose of Summer, ’Twas on the Morn of Sweet May Day: To Farewell Thou Fair Day, Alice Gray, Oh which Are Added, Lovely Jean, Haluket no! We Never Mention Her, O, Come to Meg, Blythe, Blythe, an’ Merry Are We. Me When Daylight Sets, The King’s Glasgow: Printed by and for J. Neil, Anthem. 1829. -Stewart: J. M’Nairn, [1830]. 8 p.; 15 cm. 8 p.; 15 cm. Includes the following songs by Burns: Includes the following song by Burns: “Lovely Jean,” p. 3–5. “Charlie Is My Darling,” p. [4]–5. Half sheet, folded, unopened, uncut, as p. [4]–5. In volume with 23 other chap- issued. books. Modern quarter calf, marbled Kinsley title of “Lovely Jean” is “I Love boards. From the library of J. L. Weir. My Jean,” 227. Abridged. Kinsley title of “Charlie Is My Darling” 1830 is “Charlie He’s My Darling,” 562. An . With explana- Five Excellent Songs: Old Towler, Pease- tory notes. Illustrated by 11 first rate Strae, Blythe Was She, Fairest of the engravings on wood, after designs by Fair, We’ll Meet beside the Dusky Thomas Landseer. Glen. London: William Kidd, 1830. Newton-Stewart: J. M’Nairn, [1830]. 23, 8 p., [8] l. of plates: ill.; 18 cm. 8 p.; 15.5 cm. Added engraved title page. Includes the following song by Burns: Copy 1. Original card wrappers. Upper “Blythe, Blythe and Merry Was She,” cover dated 1830. Crown-of-thorns p. 4–5. engraving, bordered by Egyp- Modern quarter calf, marbled boards. tianesque figures. From the library of J. L. Weir. Copy 2. Original card wrappers. Variant Kinsley title: “Song—Composed at engraving of a devil. London: Auchtertyre on Miss Euphemia Orlando Hodgson, 10, Cloth Fair, Murray of Lentrose,” 179. West Smithfield, on upper cover. Five Excellent Songs: The Flower o’ Dum- Eight Favorite Songs: Hurra for the Bon- blane, The Yellow Hair’d Laddie, The nets o’ Blue, A Soldier’s Gratitude, Thou Meeting of the Waters, Life is like a Hast Left Me ever, Jamie, Had I a Heart Summer Flower, Bruce’s Address. for Falsehood Framed, Up in the Morn- Newton-Stewart: J. M’Nairn, [ca. 1830]. ing Early, On Belividerea’s Bosom Lying, 8 p.; 15.5 cm. Away with Melancholy, It Is Not So. Includes the following song by Burns: Newton-Stewart: J. M’Nairn, [1830]. “Bruce’s Address,” p. 2. 8 p.; 15 cm. First line: Scot’s wha hae wi’ Wallace “Hurrah for the Bonnets of Blue.” bled. p. [2]. Abridged. Modern quarter calf, marbled boards. In volume with 23 other chapbooks. From the library of J. L. Weir. Modern quarter calf, marbled boards. Kinsley title: “Robert Bruce’s Address to From the library of J. L. Weir. Bannockburn,” 425. The G. Ross Roy Collection of Robert Burns / 80

Five Favourite Songs: Royal Charlie, John Birks of Aberfeldy,” p. 5–6 and “For Anderson, My Jo, Whistle and I’ll Come a’ That and a’ That,” p. 6–7. to You, My Lad, Love and Glory, Nobody In volume with 23 other chapbooks. Coming to Marry Me. Modern quarter calf, marbled boards. Newton-Stewart: J. McNairn, [1830]. From the library of J. L. Weir. 8 p.; 15.5 cm. “Blue-Eyed Lassie,” Kinsley, 232. Includes the following song by Burns: “The Birks of Aberfeldy,” Kinsley, 170. “John Anderson, My Jo,” p. 3–5 and “For a’ That and a’ That,” Kinsley, 482. “O Whistle and I’ll Come to You, My Little Warbler. Vol. I: Scottish Songs. Lad,” p. 5–6. Edinburgh: Oliver & Boyd, [1830]. In volume with 23 other chapbooks. 3 v.; 62 mm. Modern quarter calf, marbled Contains numerous songs by Burns. boards. From the library of J. L. Original marbled wrappers, in slip case. Weir. This version has two additional spurious stanzas. My Heart’s in the Highlands. Kinsley, 302. [S.l.: s.n., 1830]. 1 l.: ill.; 14.8 x 8.8 cm. Five Songs: Abraham Newman, The Three Possibly a proof for a single chapbook Brothers of Dundee, The Birken Tree, leaf. Trimmed. The Harper of Mull, The Lass o’ Bal- The last two lines of the last stanza are lochmyle. not present. Newton-Stewart: J. M’Nairn, [1830]. Kinsley, 301. 8 p.; 15 cm. Includes the following song by Burns: The Poetical Works of Robert Burns. With “Lass o’ Ballochmyle,” p. 6. a sketch of his life, by James Currie; Abridged. with many additional poems and In volume with 23 other chapbooks. songs, and an enlarged and corrected Modern quarter calf, marbled boards. glossary Robert Burns. From the library of J. L. Weir. London: G. Jones & Co., 1830. Kinsley title: “Song. On Miss W.A.” 2 v.: plates, ports.; 11 cm. Added engraved title page dated 1829. Four New Songs: Daft Jamie, The Two Original calf, handwritten spine labels Emigrants, The Lea Rig, Irish Hafts for over modern binder’s tape. 10.4 cm. English Blades. Egerer, 331 Newton-Stewart: J. M’Nairn, [1830]. 8 p.; 15 cm. The Poetical Works of Robert Burns. Includes the following song by Burns: London: William Pickering, 1830. (Lon- “The Lea Rig,” p. 8. don: Charles Whittingham). In volume with 23 other chapbooks. 2 v.: port.; 16.8 cm. Modern quarter calf, marbled boards. The Aldine Edition of the British Poets. From the library of J. L. Weir. Portrait of Burns in volume 2. Kinsley, 392. Original blue-green cloth, paper letter- ing labels on spines. Bookseller’s label Four Songs: Annandale Robin, The Blue of M. Paterson, Bookseller & Sta- Eyed Lassie, The Birks of Aberfeldy, For tioner, Edinburgh, inside upper a’ That and a’ That. cover of volume 1. Newton-Stewart: J. M’Nairn, [1830]. Eight page catalogue and prospectus of 8 p.; 15 cm. the Aldine edition of the English Includes the following songs by Burns: poets, 1830, bound in at beginning “Blue-Eyed Lassie,” p. 4–5, “The of volume I; four page catalogue of Printed Materials, Books, and Sheet Music / 81

Pickering publications bound in at Kinsley title if “The Bonnie Wee Wife” beginning of volume 2. is “My Wife’s a Winsome Wee Thing,” Egerer, 330. 388. The Poetical Works of Robert Burns. With Seven Favourite Songs: Blink Bonniely, his life, a critique, glossary, etc. Thou E’ening Star, The Despairing London: Joseph Smith, 193, High Hol- Goatherd, See the Moon o’er Cloudless born, 1830. Jura, I Gaed a Waefu’ Gate Yestreen, The 2 v. in 1: port.; 14 cm. Maid of Arundel, Sweet Evening Bells, Added title page, with vignette and Life Let Us Cherish. imprint: “London: Printed 1828 for Newton-Stewart: J. M’Nairn, [ca. 1830]. J. Smith, 193, High Holborn.” 8 p.; 15 cm. Contemporary brown half-calf, brown Includes the following song by Burns: paper-covered boards. Ownership “I Gaed a Waefu’ Gate Yestreen,” inscription of Alexander Barrie, p. 7–8. Haddington, 1859, on front free Kinsley title of “I Gaed a Waefu’ Gate endpaper. Yestreen” is “Blue-Eyed Lassie,” 232. Egerer, 332. Six Excellent Songs: Clarinda, The High- Seven Excellent Songs: Fair Eliza, Helen’s land Plaid, Musing on the Roaring Tomb, Strathallan’s Lament, The Land Ocean, A Red, Red Rose, The Young o’ the Leal, To the Evening Star, The Highland Rover, A Mother’s Lament Banks of Nith, Bonnie Doon. for the Death of Her Son. Newton-Stewart: J. M’Nairn, [1830]. Newton-Stewart: J. M’Nairn, [1830]. 8 p.; 15.5 cm. 8 p.; 15.5 cm. Includes the following songs by Burns: Contains five songs by Burns. “Bonnie Doon,” p. 3–4, “Fair Eliza,” In volume with 23 other chapbooks. p. 5–6, “Hurrah for the Bonnets of Modern quarter calf, marbled boards. Blue,” p. 7–8, and “Here’s a Health From the library of J. L. Weir. [Abridged],” p. 8. Six Excellent Songs: Farewell, Drucken In volume with 23 other chapbooks. Jenny Din, The Gallant Weaver, John Modern quarter calf, marbled boards. Anderson My Jo, The Nightingale, Scot- From the library of J. L. Weir. land’s Hills for Me. Kinsley title of “Bonnie Doon” is “The Newton-Stewart: Printed for the Book- Banks o’ Doon,” sellers by J. McNairn, [ca. 1830]. Kinsley title of “Here’s a Health” is 8 p.; 15.5 cm. “Here’s a Health to Them That’s Contains the following songs by Burns: Awa.” “John Anderson, My Jo,” p. 6 and Seven Favourite Songs: A Scots Song, The “Gallant Weaver,” 5–6. Song of the Olden Time, Candran Side, Modern quarter calf, marbled boards. Roy’s Wife, The Bonny Wee Wife, From the library of J. L. Weir. Tweedside, Rule Britannia. “John Anderson, My Jo,” Kinsley, 302. Newton-Stewart: J. M’Nairn, [1830]. “Gallant Weaver,” Kinsley, 380. 8 p.; 15 cm. Six Excellent Songs: It Was upon a Lam- Includes the following song by Burns: mas Night, How Cruel Are the Parents, “The Bonnie Wee Wife,” p. 6. The Bonnie Wee Thing, O Condescend In volume with 23 other chapbooks. Dear Charming Maid, Thine Am I, Why, Modern quarter calf, marbled Why Tell Thy Lover. boards. From the library of J. L. Weir. The G. Ross Roy Collection of Robert Burns / 82

Newton-Stewart: J. M’Nairn, [1830] Ten Favourite Songs: Loch na Gar, On wi’ 8 p.; 15.5 cm. the Tartan, Oft in the Stilly Night, Char- Includes five songs by Burns. lie is My Darling, The Last Rose of In volume with 23 other chapbooks. Summer, Farewell Thou Fair Day, Alice Modern quarter calf, marbled boards. Gray, Oh no! We Never Mention Her, O, From the library of J. L. Weir. Come to Me When Daylight Sets, The King’s Anthem. Six Songs: Braes of Galloway, Mine Ain Newton-Stewart: J. M’Nairn, [1830]. Dear Somebody, Oh! Send Me Lewis 8 p.; 15 cm. Gordon Hame, Bonny Winsome Mary, Includes the following song by Burns: Why Unite to Banish Care, Wat Ye Wha’s “Farewell Thou Fair Day,” p. [4]–5. in Yon Town. Abridged. In volume with 23 other Newton-Stewart: J. M’Nairn, [1830]. chapbooks. 8 p.; 15 cm. Modern quarter calf, marbled boards. Includes the following song by Burns: From the library of J. L. Weir. “Wat Ye Wha’s in Yon Town,” p. 7–8. Kinsley title of “Farewell Thou Fair In volume with 23 other chapbooks. Day” is “Orananaoig, or a Song of Modern quarter calf, marbled boards. Death.” From the library of J. L. Weir. Kinsley title: “Song.” First line: “O wat Three Favourite Songs: As I Stood by Yon ye wha’s in yon town.” Roofless Tower, John Barlyecorn, Hus- band, Husband, Cease Your Strife. Tam o’ Shanter and Souter Johnny: A Poem. Newton-Stewart: J. M’Nairn, [1830]. Illustrated by Thomas Landseer. 8 p.; 15 cm. London: Marsh and Miller, 1830. Includes the following songs by Burns: 16 p., [5] leaves of plates: ill.; 19 cm. “A Vision,” p. 3, “,” Copy 1. Original buff wrappers lettered p. 3–6 and “Husband, Husband, Cease in black. Bookplate of John Needles Your Strife,” p. 7–8. Chester. First line of “A Vision” is “As I Stood by Copy 2. Modern limp black morocco, Yon Roofless Tower.” gilt. Bookplate of James A. Wilson. In volume with 23 other chapbooks. 17.7 cm. Modern quarter calf, marbled Kinsley title: “Tam o’ Shanter, A Tale,” boards. From the library of J. L. 321. Weir. Tam o’ Shanter and Souter Johnny: A Song Kinsley title of “A Vision” is “Song,” of Mony Counsels Sweet, Dedicated to 555. Gentlemen. . . . The words by C. But- Kinsley title of “Husband, Husband, ler; the music arranged by J. Smith; Cease Your Strife” is “English Song,” with the poem of “Tam o’ Shanter,” 441. as written by Robert Burns. Three Favourite Songs: Highland Lad and 2nd edition. Lowland Lass, Bonnie Jean, The Storm. London: Willis and Co., [1830]. Newton-Stuart: J. M’Nairn, [1830]. 1 score (5 p.): ill.; 33 cm. 8 p.; 15 cm. For voice and piano. Includes the following songs by Burns: Original wrappers. Stamp with former “Highland Lad and Lowland Lassie,” owner’s name on cover. 32.6 cm. p. 2–6 and “Bonnie Jean,” p. 7–8. Kinsley, 321. Modern quarter calf, marbled boards. From the library of J. L. Weir. Printed Materials, Books, and Sheet Music / 83

Kinsley title of “Bonnie Jean” is “A Copy 2. Later maroon morocco. Ballad.” Copy 3. Later purple cloth, stamped in Kinsley title of “Highland Lad and gold and blind. Lowland Lassie” is “Highland Egerer, 341. Laddie.” The Works of Robert Burns. With an The Works of Robert Burns. With an account of his life, and criticism on account of his life, and criticism on his writings to which are prefixed, his writings, to which is prefixed, some observations on the character some observations on the character and condition of the Scottish peas- and condition of the Scottish peas- antry by James Currie. antry by James Currie. A new edition, four volumes complete A new edition, four volumes complete in one. With many additional poems in one, with many additional poems and songs, and an enlarged and cor- and songs, and an enlarged and cor- rected glossary. From the last London rected glossary, from the last London edition of 1825. edition of 1829. Philadelphia: J. Crissey and J. Grigg, New York: S. & D. A. Forbes, Printers, 1831. no. 29 Gold Street, 1830. 2 v. in 1: ill.; 21.9 cm. 4 v. in 1: port.; 17.7 cm. Added title page, engraved, with Added engraved title page, with vignette. vignette. Advertisements, [4] p. follow text. Pagination recommences only once Contemporary calf, black leather label following half-title. stamped in gold on spine. Bookplate Contemporary sheep, gilt. of Josephine N. Maitland, former Egerer, 333. owner. Bookseller’s label: Johnston & Stockton. 1831 Egerer, 345. The Complete Works of Robert Burns. With an account of his life and criti- 1832 cism on his writings with observa- An Address to the Deil. With explanatory tions on the character and conditions notes. Illustrated by eleven first rate of the Scottish peasantry and a copi- engravings on wood, after designs by ous glossary by James Currie, M.D. Thomas Landseer. New York: Printed and published by London: James Gilbert, 1832. Solomon King, 1831. 23 p., [7] p. of plates: ill.; 17.9 cm. 168, 163 p.: port.; 18.4 cm. Cover title. Added engraved title page with vignette. Added engraved title page. “Four volumes complete in one.” Copy 1. Contemporary half-calf, mar- Contemporary sheep. Egerer, 344. bled boards, original card wrappers bound in. Upper cover dated 1832. The Works of Robert Burns. Including his Crown-of-thorns engraving, bordered letters to Clarinda, and the whole of by Egyptianesque figures. Stamp of his suppressed poems with an essay on William’s Library, Cheltenham. his life, genius, and character. Copy 2. Original card wrappers. Upper London: Printed for W. Clark, 1831. cover dated 1832. Crown-of-thorns 480 p.: port.; 18 cm. engraving, bordered by Egyp- Copy 1. Original green cloth, lettered in tianesque figures. Pons Bequest. gold. The G. Ross Roy Collection of Robert Burns / 84

The Poetical Works of Robert Burns. With Spine title: Lockhart’s Burns. Armor- an account of his life, and an enlarged ial bookplate and signature of James and corrected glossary. R. Fergusson. Edinburgh: Thomas Nelson and Peter Copy 2. Contemporary calf. Library Brown, 1832. label of James H. Hammond; signa- xxviii, 452 p.: port.; 13.3 cm. tures of Mrs. C. E. Hammond, C. E. Printed by Hutchinson & Brookman, Hammond and E. S. Hammond, 1896. Printers to the University, Glasgow. Copy 3. Contemporary sprinkled calf. Original quarter calf, embossed cloth. Egerer, 350. Egerer, 348. The Works of Robert Burns. With an The Works of Robert Burns. With an account of his life, and criticism on account of his life, and criticism on his writings, to which are prefixed, his writings. To which are prefixed, some observations on the character some observations on the character and condition of the Scottish peas- and condition of the Scottish peas- antry by James Currie. antry by James Currie. New edition . . . with many additional A new edition, with many additional poems and songs, and an enlarged and poems and songs, from the latest corrected glossary, from the last Lon- London editions, embellished with don edition of 1825. thirty-three engravings on wood. Philadelphia: J. Crissy and J. Grigg, New York: Printed by J. Booth and 1832. Sons, 1832. xv, 180, x, 258 p.: port.; 22.5 cm. 2 pts. in 1 v.: ill.; 22 cm. Added engraved title page. Contemporary tree calf, gilt. “Four volumes complete in one.” Egerer, 351. Later black half morocco, marbled boards. Signature of James Milne, The Works of Robert Burns. Containing Caleb Milne, Jr. and Caleb Milne, 3d. his life by John Lockhart, the poetry Egerer, 352, reissue of 1826 New York and correspondence of Dr. Currie’s edition, published by Borradaile. edition, biographical sketches of the poet by himself, Gilbert Burns, Pro- 1833 fessor Stewart, and others, essay on The Poetical Works of Robert Burns. Care- Scottish poetry, including The Poetry fully collated, with original explana- of Burns, by Dr. Currie: Burns’s tory notes. Songs, from Johnson’s Musical London: Printed for Scott and Webster Museum, and Thompson’s Select (successors to Mr. Dove) 36 Charter- Melodies: Select Scottish Songs of the house Square, [1833]. Other Poets, from the Best Collections, xxii, 479 p., [1] leaf of plates: ill.; 13.5 with Burns’s Remarks . .. cm. New York: Printed by William Pearson, English Classic Library. 60 Cliff Street and sold by all the Added engraved title page: Burns’ Poems principal booksellers in the United and Songs. Carefully collated. London, States, 1832. engraved for Dove’s English Classics. 425, [13] p., 1 folded leaf: port., facsim.; Printed by A. Sweeting, 15 Bartlett’s 21.6 cm. Buildings. Facsimile of a letter from Burns to Nineteenth-century purple calf, gilt. Robert Ainslie between p. 308–309, Letters, I, 286. The Poetical Works of Robert Burns. With Copy 1. Later half calf, marbled boards. his life, a critique, glossary, &c. Printed Materials, Books, and Sheet Music / 85

London: Joseph Smith, 193 High Hol- Added title page: “Engraved for the En- born, 1833. glish Classics.” 288, 280 p.: port.; 13.7 cm. Edited by Alexander Laing. Original light purple-brown cloth. Prefatory “Advertisement” dated Oct., Printed paper label on spine. 1834. Egerer, 357. Reissue of 1824 London edi- Contemporary blind-stamped calf. Gilt- tion published by Allman. stamped leather label on spine. The Thistle: Or, Caledonian Songster. The Poetical Works of Robert Burns. Comprising a select collection of Including several pieces not inserted modern Scotch songs, including the in Dr. Currie’s edition: exhibited most admired ballads of Burns, Allan under a new plan of arrangement, Ramsay, and other celebrated Scottish and preceded by a life of the author bards. and a complete glossary. London: H. Gray, 1833. Boston: J. B. Dow, 1834. 144 p.; 14.5 cm. 2 v.; 12 cm. Contains numerous songs by Burns. Reprinted from the London edition of Original blue-green boards, printed 1819. paper label on upper cover. Rebacked. Volume 1 only. Contemporary leather Signature of former owner, Frederick shelfback, marbled paper covered Stelling, on pastedown. boards, stamped in gold on spine. Former owner’s signature on paste- The Works of Robert Burns. With an down. account of his life, and criticism on Egerer, 359. his writings to which are prefixed, some observations on the character The Poetical Works of Robert Burns. As and condition of the Scottish peas- edited by James Currie, M.D. antry, by James Currie, M.D. A new edition. With many additional A new edition, four volumes complete pieces, and a life of the author. in one with many additional poems Dundee: Printed and published by and songs, and an enlarged and cor- David Hill, and sold by William Liv- rected glossary. ingstone, Bookseller, Dundee, 1834. Philadelphia: J. Crissy and J. Grigg, 1833. 2 v.; 13 cm. xv, 180, x, 258 p.: port.; 21.8 cm. Frontispieces and engraved title pages Added engraved title page with vignette, with vignettes, designed and engraved “The Works of Robert Burns in Prose by W. & D. Lizars, Edinburgh, in and Verse.” both volumes. Contemporary sheep, rebacked. Signa- Contemporary dark blue sheepskin, ture of William Saderock. spines lettered in gold. Penciled own- Egerer, 358. ership inscription and notes of Roger Senhouse on verso of front free end- 1834 paper of volume 1. The Complete Poetical Works of Robert Egerer, 362. Burns. With explanatory and glossar- The Songs of Burns. With a biographical ial notes; and a life of the author by preface, notes, and glossary. James Currie. London: William Clark, 1834. Abridged. New Edition. 184 p.: ill.; 9 cm. London: Printed for Scott and Webster Green ribbon bookmark. Contemporary (successors to Mr. Dove), [1834]. red morocco, gilt edges. xxiv, 60, 564 p.: ill.; 13.2 cm. The G. Ross Roy Collection of Robert Burns / 86

The Works of Robert Burns. With his life Copy 2. Original green embossed cloth. by Allan Cunningham. Bookplates of Hugh Croft, volumes Boston: Hilliard, Gray and Co., 2–8. 1834–1835. (Cambridge: Manson and Egerer, 368. Grant, Printers). 4 v.: ill.; 16 cm. 1835 Engraved frontispiece in each volume. The Entire Works of Robert Burns. With Original light brown diagonal fine an account of his life, and a criticism ribbed grain cloth, blind stamped on his writings. To which are with overall pattern of fleur-de-lis. prefixed, some observations on the Spine gilt. character and condition of the Scot- Egerer, 360. tish peasantry by James Currie, M. D. The four volumes complete in one, The Works of Robert Burns. Edited by with an enlarged and corrected the Ettrick Shepherd and William glossary. Motherwell. Diamond edition, embellished with an Glasgow; Edinburgh: Archibald Fullar- original design from the Cotter’s Sat- ton, 1834–1836. urday Night. 5 v.: ill.; 16.5 cm. London: Allan Bell & Co.; Simpkin & Added engraved title page, with Marshall; Edinburgh: Oliver & Boyd; vignettes. Dublin: W. Curry, Jun. & Co.; Man- Volume 5 contains the first publication chester: Banks & Co., 1835. of Hogg’s Memoir of Burns. xvi, 323 p.: ill.; 14.3 cm. Volumes 1–2: 1834; volumes 3–4: 1835; Printed by George Brookman, Villafield, volume 5: 1836. Glasgow. Copy 1. Modern polished calf. Added engraved title page, with Copy 2. Late nineteenth-century half vignette. calf, marbled boards. 4 v. in 2. Imper- Copy 1. Original blind-stamped - fect: volume 5 and title page of vol- patterned purple cloth, rebacked in ume 4 wanting. modern purple binders’ buckram, Egerer, 365. preserving original paper lettering The Works of Robert Burns. With his life, label on spine. by Allan Cunningham. Copy 2. Contemporary brown calf, London: Cochrane and McCrone, 11 black leather lettering label on Waterloo Place, 1834. ( Johnson’s spine. Court, Fleet Street: Baylis and Contains extra engraved title page but Leighton). lacks illustrations. Ownership 8 v.: ill., ports., fold. facsim.; 18 cm. inscription of A. Anderson, 82nd On title pages, volumes 1–5: “In six Regiment, Cork, 1836, at head of title volumes.” page. Presentation inscription from New title pages to volumes 3–6 bound A. Anderson to C. I. Anderson, in at end of last volume. Toronto, 1849. Publisher’s catalogues following text of Egerer, 377. volumes 1, 3, 4, 5, 6 and 8. My Nannie O! A celebrated Scotch ballad Copy 1. Original blue-gray cloth, spines as sung with enthusiastic applause by lettered in gold. Engraved armorial Mr. Dempster; the poetry by Robert bookplate of Hugh Croft inside upper Burns; newly arranged by John cover of volume I. Parry. Printed Materials, Books, and Sheet Music / 87

Philadelphia: George Willig; New Added title page, engraved, with Orleans: For sale by E. Johns & Co., vignette. [1835?]. [2] p. of publisher’s advertisements fol- 1 score; 36 cm. lowing text. Stamp of E. P. Nash & Co., Petersburg. Late nineteenth-century brown half Kinsley, 4. calf, marbled boards. Signature of Clementina Jameson, Berne, 1835. The Poetical Works of Robert Burns. With Egerer, 375. his life, a critique, glossary, &c. Two vols. in one. The Works of Robert Burns. With his life London: Joseph Smith, 1835. by Allan Cunningham. 2 v. in 1: port.; 14 cm. 2d edition. Frontispiece portrait by L. How. London: James Cochrane and Co., 11 Original black cloth, paper label on Waterloo Place, 1835. (London: John- spine. Pencil note on verso. son’s Court, Fleet Street: John Egerer, 378. Leighton). 8 v.: ill., port.; 16.5 cm. The Tragicall History of Gill Morice, an Only volume 1 is re-set and bears the Ancient Ballad: To Which is Added words 2nd edition, 1835; volumes 2–8 Highland Mary. are dated 1834; volume 5 only reads Falkirk: Printed for the Booksellers, “in 6 volumes.” [1835]. Later dark green half calf, dark green Includes the following song by Burns: cloth. Binder’s ticket: Martin, Book- “Highland Mary,” p. 8. Stanzas 1 and binder, Calcutta. Signature of Charles 4 only. Cover vignette of a soldier. In Archer, 1868. the private collection of G. Ross Roy. Egerer, 379. Re-issue of second issue of The Works of Robert Burns. With an Cunningham’s edition of 1834. account of his life, and a criticism on The Works of Robert Burns. With an his writings. To which are prefixed, account of his life and criticism on his some observations on the character writings. To which are prefixed some and condition of the Scottish peas- observations on the character and antry by James Currie, M.D. condition of the Scottish peasantry Edinburgh: T. Nelson and P. Brown, by James Currie. 1835. A new edition four volumes complete in xcviii, [2], 260 p.: port.; 22 cm. one with additional poems and songs Reprint of the 1831 edition. and an enlarged, corrected glossary Copy 1. Later half calf, marbled boards. from the London edition of 1825. Copy 2. Original brown cloth, printed Philadelphia: J. Crissy, 1835. paper label on spine. Frontispiece xv, 180, x, 258 p., [1] leaf of plates: port.; portrait. 22 cm. Egerer, 371. Added engraved title page, with The Works of Robert Burns. With selected vignette. notes of Allan Cunningham, a biogra- Contemporary sheep. phical and critical introduction and a Egerer, 381. comparative etymological glossary to The Works of Robert Burns. With an the poet by Dr. Adolphus Wagner. account of his life, and criticism on Leipsic: Printed for Frederick Fleischer, his writings. To which is prefixed 1835. (B. G. Teubner, Printer). some observations on the character xxviii, 610 p.: port.; 23.5 cm. The G. Ross Roy Collection of Robert Burns / 88

and condition of the Scottish peas- Burns; composed and arranged by antry by James Currie. William Clifton. Philadelphia: John Locken, 1835. New York: Thomas Birch, 1836. 2 pts. in 1 v.; 19 cm. 1 score (5, [1] p.): port.; 34 cm. Front board and spine lacking. Back The Poetical Works of Robert Burns. With board contemporary leather, gilt. Sig- an account of his life, and an enlarged nature of Chas. P. Hough, former and corrected glossary. owner, on free front endpaper. Edinburgh: T. Nelson and P. Brown, 1836. Egerer, 382. xxviii, 452 p.; 13.8 cm. 1836 Original diamond-grained tan cloth. Later endpapers. The Entire Works of Robert Burns. With Egerer, 383, variant. an account of his life, and a criticism on his writings. To which are The Poetical Works of Robert Burns. With prefixed, some observations on the a memoir of the author’s life and a character and condition of the Scot- glossary. tish peasantry by James Currie, M.D. Halifax: Printed for H. Pohlman, 1836. The four volumes complete in one, with xvi, 368 p.: ill.; 12.2 cm. an enlarged and corrected glossary. Nineteenth-century half black calf over 5th diamond edition. Embellished with blue-green cloth, stamped in gold on fourteen illustrations from original spine. In the private collection of designs by Mr. Stewart. G. Ross Roy. London: A. Bell & Co., 1836. Egerer, 386. xii, 323 p.: ill.; 13.3 cm. The Poetical Works of Robert Burns. With Added engraved title page, with a sketch of his life by James Currie, vignette. M.D.; with many additional poems Copy 1. Later dark green morocco. and songs, and an enlarged and cor- Copy 2. Original brown vertically- rected glossary. grained cloth. Rear cover detached. New York: C. Wells, 1836. Printed paper label on spine. 2 v. in 1: ill.; 11 cm. Egerer, 388. Imprint date on title page, volume 2. The Entire Works of Robert Burns. With Added engraved title page, with an account of his life, and a criticism vignette. on his writings. To which are Contemporary boards, rebacked in prefixed, some observations on the modern cloth. character and condition of the Scot- Egerer, 393. tish peasantry by James Currie, M.D. The Works of Robert Burns. Edited by The four volumes complete in one, with the Ettrick Shepherd and William an enlarged and corrected glossary. Motherwell. 6th diamond edition. Glasgow: Archibald Fullarton and Co., London: A. Bell & Co., 1836. 34 Hutcheson Street; and 6, Roxburgh xii, 323 p.: ill.; 13 x 8 cm. Place, Edinburgh, 1836–1837. Added engraved title page, dated 1838. 5 v.: fronts., plates, ports.; 16.3 cm. Contemporary purple cloth, stamped in Added engraved title pages, with gold and blind. vignettes. The added title page and Egerer, 388, variant. See note. title page for volume 5 have the date My Bonnie, Bonnie Dearie. A favorite 1836. All other title pages have the song and trio written by Robert date 1837. 1836 Fullarton edition, Egerer, 384. Printed Materials, Books, and Sheet Music / 89

Contemporary blue half calf, spines gilt, 1837 marbled boards. Ownership inscrip- The Poetical Works of Robert Burns. tion of Frances McK. Marshall, Complete with a sketch of his life, March 29, [18]44, inside each volume. and an original introductory essay The Works of Robert Burns. Including his on his character and writings. letters to Clarinda, and remarks on Belfast: Printed by Simms and M’In- Scottish songs and ballads; illustrated tyre, Donegall Street, [1837]. with historical and critical notes, bio- xvi, 128 p.; 14.5 cm. graphical notices, and a glossary of With correspondence and photocopies the Scottish language with the life of from Mitchell Library relating to the author and an essay on his genius Belfast/Edinburgh editions. and writings. Rebound in modern green binder’s Glasgow: Duncan Mackenzie, 48, Nel- cloth. Original glazed cream-colored son Street, 1836. wrapper with variant imprint, xiv, [2], 520, 30 p.: facsim., port.; 23 cm. “Belfast, Simms & M’Intyre. Glas- Bound with The Poetical Works of Robert gow, Francis Orr & Sons.” Tannahill. Glasgow, 1836. Egerer, 395, variant issue without date Fourteen lines from “Epistle to Davie, a on title page. Brother Poet” in a near-contempo- The Poetical Works of Robert Burns. With rary hand bound in before p. 1. a memoir of the author’s life, and a Contemporary brown half calf, marbled glossary. With twelve illustrations. paper-covered boards. Signature of London: Printed for the Booksellers, by W. Rollo, 22nd Regiment on title page. W. Milner, Halifax, 1837. Bookplate of General Rollo, Strat- xvi, 368 p., 11 p. of plates: ill.; 12.7 cm. hearn House, Bournemouth, inside Original brown cloth, spine lettered in upper cover; pictorial bookplate of gold. Rehinged, with new endpapers. Rosalind Rollo on front free endpaper. Lacks all illustrations. Egerer, 385. Egerer, 401. The Works of Robert Burns. Containing The Works of Robert Burns. With an his life by John Lockhart, Esq., the account of his life, and a criticism on poetry and correspondence of Dr. his writings. To which are prefixed, Currie’s edition; biographical sketches some observations on the character of the poet by himself, Gilbert Burns, and condition of Scottish peasantry Professor Stewart, and others; essay by James Currie. on Scottish poetry, including the Complete in one volume. poetry of Burns, by Dr. Currie; Edinburgh: Peter Brown, 1837. Burns’s songs, . . . select Scottish 260 p.: ill., port.; 21.8 cm. songs of other poets, from the best Contemporary half black morocco, collections, with Burns’s remarks. marbled paper-covered boards. Hartford: Judd, Loomis, 1836. Egerer, 398. xv, clxvi, 425, 13 p.: port., facsim.; 21.4 cm. The Works of Robert Burns. Edited by Modern quarter calf, marbled boards. the Ettrick Shepherd and William Imperfect: p. 13 wanting, facsimile Motherwell. torn, port. wanting. Egerer, 387. Reis- Glasgow: Archibald Fullarton and Co., sue of 1832 New York edition, pub- 110 Brunswick Street; and 6, Rox- lished by Pearson. burgh Place, Edinburgh, 1837–1838. 5 v.: ill., ports.; 16.3 cm. The G. Ross Roy Collection of Robert Burns / 90

Added title pages engraved, with some observations on the character vignettes. and condition of the Scottish peas- Later half calf, marbled boards. antry by James Currie, M.D., the four Egerer, 410. volumes complete in one with an enlarged and corrected glossary. The Works of Robert Burns. Containing 6th Diamond Edition embellished with his Life; by John Lockhart, Esq. The fourteen illustrations from original poetry and correspondence of Dr. designs by Mr. Stewart. Currie’s edition, biographical sketches London: Allan Bell, 1838. of the poet by himself, Gilbert Burns, xii, 323 p.: ill.; 13 cm. Professor Stewart, and others, essay Added engraved title page, with on Scottish poetry, including the vignette: The Complete Works of Robert Poetry of Burns, by Dr. Currie; Burns by James Currie, M.D. Burns’ songs, from Johnson’s Musical Copy 1. Later calf. Museum, and Thompson’s Select Copy 2. Contemporary blind-stamped Melodies; select Scottish songs of the morocco. other poets, from the best collections, Egerer, 412. Reissue of 1833 Chambers with Burns’ remarks. Forming, in edition. one work, the truest exhibition of the man and the poet and the fullest edi- Fac-simile of Burns’ Celebrated Poem tion of his poetry and prose writings Entitled The Jolly Beggars from the hitherto published. Original Manuscript. Hartford: Judd, Loomis, 1837. Glasgow: Lumsden, 1838. clxvi (i.e. cxlvi), 425, 13 p.: port.; 23 cm. 8 p. [17] l. of facsims.; 27.7 cm. Contemporary calf. Advertisement signed: W.W. Egerer, 399. Reprint of 1823 ed.? Original sage-green cloth, stamped The Works of Robert Burns. With an in gold and blind. Bookplate of account of his life and criticism on his Johnston. writings to which are prefixed some observations on the character and Fac-simile of Burns’ Celebrated Poem condition of the Scottish peasantry, Entitled The Jolly Beggars from the including additional poems extracted Original Manuscript. from the late edition edited by Allan Glasgow: James Lumsden, [1838?]. Cunningham. 8 p., 16 leaves: ill.; 27 cm. Philadelphia: J. Crissy, 1837. Facsimile printed on one side of leaf 258, 18 p.: port.; 22 cm. only. “Additional poems, extracted from the Original brown and blue plaid-pat- late edition of Burns’s Works, edited terned wrappers. Blue printed label by Allan Cunningham,” 18 p. at end. on upper cover: Facsimile of the orig- Added engraved title page, with vignette inal manuscript of Burns’ Jolly Beg- “The birth-place of Burns.” gers. Contemporary black half calf, purple The Melodies of Scotland. With sym- embossed cloth. Signature and own- phonies and accompaniements for ership stamp of Edward G. Lee. the piano forte, violin, etc., by Pleyel, Egerer, 404. Haydn, Beethoven, Weber, Hummel, 1838 etc, the poetry chiefly by Burns the whole collected by G. Thomson. The Entire Works of Robert Burns. With London: T. Preston, 1838–1841. an account of his life, and a criticism 6 v.: ill.; 39 cm. on his writings, to which are prefixed Printed Materials, Books, and Sheet Music / 91

Volume 6: 1841. green cloth-covered boards. Owner- On upper cover of each volume: “New ship inscriptions of John Cook and edition, 1831.—With many improve- Elizabeth Wilson Carmichael at head ments.” of title page. Spine title: Scottish Frontispiece dated 1816–1826. poems. Original green printed boards. Copy 2. Contemporary dark blue half calf, marbled boards, spine gilt. Original Scottish Airs for the Voice. With Printed book label of Robert Cook introductory and concluding sym- inside upper cover. phonies and accompaniments . . . by Egerer, 407. Pleyel, Haydn, Weber, Beethoven, &c. With select & characteristic The Poetical Works of Robert Burns. verses both Scottish & English Complete with a sketch of his life and adapted to the airs including up- an original introductory essay on his wards of one hundred songs by character and writings. Burns. Edinburgh: Fraser & Co., 1838. London: Coventry & Hollier, 1838–1841. xvi, 128 p., [1] leaf of plates: ill.; 14.5 cm. New edition 1838; with many additions Added engraved title page, with and improvements. vignette. Imprint: Belfast: Simms & 6 v. in 3: ill., music; 36.5 cm. McIntyre [1837]. Modern half roan, cloth. Original brown double-line diced-grain cloth, blind-stamped with portraits of The Poems, Letters, and Land of Robert Burns on upper and rear covers. Burns. Illustrated by W. H. Bartlett, Egerer, 409. T. Allom, and other artists. With a new memoir of the poet, and notices, The Poetical Works of Robert Burns. With critical and biographical of his works, a memoir of the author’s life and a by Allan Cunningham. glossary. London: G. Virtue, [1838–1840]. London: Published by the Booksellers, 2 v. in 5 parts: ill., port.; 27 cm. 1838. Paged continuously. xvi, 368 p.: ill.; 12.8 cm. Added engraved title pages (dated 1838 Original sage-green fine-ribbed-grain and 1840, respectively): Pictures and cloth, stamped in gold and blind. Portraits of the Life and Land of Burns. Egerer, 415. Reissue of Egerer, 386. Five parts intended to be bound in 2 The Works of Robert Burns. With an volumes. account of his life, and a criticism on Original light green glazed pictorial his writings; to which are prefixed boards. Maroon roan spines. some observations on the character Egerer, 1074, variant. and condition of the Scottish peas- The Poetical Works of Robert Burns. To antry by James Currie, M.D. which are now added, notes, illus- Complete in one volume. trating historical, personal, and local Edinburgh: Peter Brown, 1838. allusions. xcviii, 260 p.; 21 cm. Edinburgh: W. and R. Chambers, 1838. Contemporary half calf, brown 148 p.; 27 cm. cloth. Copy 1. Bound with Currie, James. The Life of Robert Burns. With a criticism 1839 of his writings. Edinburgh, 1838. Burns’ Songs and Anderson’s Cumberland Contemporary brown quarter cloth, Ballads. The G. Ross Roy Collection of Robert Burns / 92

Newcastle upon Tyne: Printed and pub- by Mr. and Mrs. David Phillips. Sig- lished by W. Stewart, [1839]. nature of Angelica Singleton Van 24 p.: ill.; 17.5 cm. Buren, volume 1. Includes twelve songs by Burns. Egerer, 418. Portrait of Burns on cover. The Poetical Works of Robert Burns. The Complete Works of Robert Burns. London: W. Smith, 1839. Containing his poems, songs, and xix, 393 p.; 16 cm. correspondence illustrated by W. H. Copy 1. Original purple cloth, stamped Bartlett, T. Allom, and other artists, in gold and blind. 16 pages of pub- with a new life of the poet, and lisher’s advertisements following text. notices, critical and biographical, Armorial bookplate of Curlingford. by Allan Cunningham. Copy 2. Contemporary green gilt- London: G. Virtue, [1839]. decorated morocco. Edges gilt. 2 v.: ill., ports.; 27.5 cm. Armorial bookplate of the Eccle Reissue of 1838 Poems, Letters, and Land Riggs Library. Bookseller’s ticket: of Burns, with slightly different J. Haddock, Warrington. Presentation arrangement of material and 96 p. inscription, 8 Dec. 1839 on prelimi- on land of Burns omitted. nary page. Original dark green fine-ribbed-grain Copy 3. Original purple cloth, stamped cloth, lettered in gold on spine. Signa- in gold and blind. ture of John Sherman, 1839. Egerer, 419 Egerer, 1064 The Prose Works of Robert Burns. With The New Fashionable Songster. the notes of Currie and Cromek. Haddington: Neill and Sons, Edinburgh: William and Robert [1838–1839?]. Chambers, 1838. Includes five songs by Burns. 134 p.; 24.5 cm. Contemporary red morocco, covers Copy 1. Contemporary brown quarter ruled in gilt, inner dentelles in blind, cloth, green cloth-covered boards. gilt spine. Ownership inscriptions of John Cook and Elizabeth Wilson Carmichael at The Poetical Works of Robert Burns. head of title page. Spine title: Scottish London: W. Pickering, 1839. poems. 3 v.: port.; 17 cm. Copy 2. Contemporary dark blue half The Aldine Edition of the British Poets. calf, marbled boards, spine gilt. “Memoir of Burns,” by Sir Harris Printed book label of Robert Cook Nicolas, p. xiii–lxxiii. inside upper cover. Copy 1. Mid 19th-century brown calf. Booksellers’ label of Willis & The Scotish [sic] Musical Museum. Con- Sotheran, Charing Cross, London, sisting of upwards of six hundred inside upper cover of volume III. songs, with proper basses for the Armorial bookplate of A. C. Maclean, pianoforte. Originally published by Heremere, Sussex, inside the upper James Johnson; and now accompanied covers of volumes I & II. with copious notes and illustrations of Copy 2. Original dark purple cloth, the and music of Scot- cream colored paper label on land, by the late William Stenhouse. spine. With some additional illustrations . .. Copy 3. Volume 2 wanting. Contempo- Edinburgh: W. Blackwood and Sons, rary red morocco. Bookseller’s ticket: [etc., etc.], 1839. Lockwood’s . . . New York. Donated 6 v.: fold. facsim.; 22 cm. Printed Materials, Books, and Sheet Music / 93

Paged continuously. green cloth, printed paper label on The facsimile is a letter from Burns to spine. Johnson. Copy 3. One of a collection of chap- Burns contributed 184 songs, wrote books from the library of J. L. Weir. most of the prefaces to the different Modern red quarter morocco, mar- volumes, and may be said to have bled boards. Binder’s title: Chapbooks. edited the 1st edition. The arrange- Burns. Each leaf mounted. ments of the airs were prepared Copy 4. No. 26 in a bound collection of chiefly by Stephen Clarke. Cf. Dictio- chapbooks with spine title: Quaint nary of Natural Biography, v. 30, p. 16. Scottish Literature Chapbooks and Histo- Preface, volume 1, signed: David Laing. ries. Second Series. Printed chiefly in Notes added to Stenhouse’s “Illustra- Paisley and Glasgow. Green cloth, tions” by C. K. Sharpe. printed paper label on spine. Contains, as added title pages, the title Copy 5. Folded, sewn, but uncut. pages of 1st edition (2d issue): The Burns’ Songs Illustrated. Scots Musical Museum . . . humbly Glasgow: Printed for the Booksellers, dedicated to the Society of Antiquar- [1840]. ies of Scotland . . . 24 p.: ill.; 15 cm. Stenhouse’s “Illustrations” published Contains 24 songs by Burns. separately, 1853. Half sheet, folded, uncut, unopened, as Original red cloth, stamped in gold issued. and blind. Spines defective. Imperfect lacks engraved title page, volume 1; Fac-simile of Burns’ Celebrated Poem of music p. 166–169, volume 2; all after the Cotter’s Saturday Night. From the p. 416, volume 4 music, p. 457–460, original manuscript the property of volume 5; music, p. 617–620, volume the Irvine Burns’ Club. 6 and some printed content, lists. Irvine: M. Dick, 1840. From the collection of Burns 6 p.; 34.5 cm. scholar Robert Dewar with his Cover title. annotations. Original blue printed wrappers. Egerer, 417A. Reissue in final form of Kinsley title: “The Cotter’s Saturday 1788–1803 ed. Night, Inscribed to R. A****, Esq.,” 72. 1840 Four Excellent Songs: Highland Harry, Bonnie Doon: A Song or Duet. Arranged The Storm, The Boatie Rows, Bonny with an accompaniment for the piano Jean. forte. Glasgow: Printed for the Booksellers, New York: William Hall, [ca. 1840]. [ca. 1840]. 1 score (2 p.); 33.5 cm. 8 p.; 15.5 cm. Disbound. Includes the following song by Burns: Burns’ Popular Songs. “Bonny Jean,” p. 8. Paisley: Printed by G. Caldwell, [1840]. Four Excellent Songs: The Wonderful Wig. 24 p.: port.; 16 cm. Meg o’ the Mill. The Rantin’ Dog. The Copy 1. One sheet, folded, unopened, Daddie o’t. Gilderoy. uncut, as issued. Glasgow: Printed for the Booksellers, Copy 2. One of a collection with [ca. 1840]. binder’s title: Chap-Books and Popular 8 p.; 14.8 cm. Histories . . . Second Series. Modern The G. Ross Roy Collection of Robert Burns / 94

Includes the following song by Burns: xvi, 368 p.: ill.; 13 cm. “Meg o’ the Mill,” p. 4 and “The Original brown ribbed-grain cloth, Rantin’ Dog,” p. 4–5. stamped in blind. Rebacked. Egerer, Modern red quarter morocco, marbled 428. boards. Binder’s title: Chapbooks. Burns. Each leaf mounted. One of a collection of chapbooks from the library of J. L. Weir. Four Popular Songs: Viz.—Alice Gray, My Mither Men’t My Auld Breeks, Will the Weaver, and, O Wat Ye Wha’s in Yon Town. Stirling: E. Johnstone, [1840]. 8 p.; 15 cm. Includes the following song by Burns: “O Wat Ye Wha’s in Yon Town,” p. 7–8. Cover title. Copy 1. Half sheet, folded, unopened, uncut, as issued. Copy 2. One of a collection with binder’s title: Chap-Books and Penny- Histories . . . Second series. Green binder’s cloth, printed paper label on spine. Copies 3–4. From the library of Hamish Henderson. Burns in German Copy 5. Folded, uncut. Pons Bequest. Kinsley, 488. The Poetical Works of Robert Burns. With an account of his life, and an enlarged Lieder und Balladen des Schotten Robert and corrected glossary. Illustrated Burns. Übertragen von Heinrich with fine engravings. Julius Heinze. Mit dem Bildniß und Newcastle-upon-Tyne: W. Stewart, einem kurzen Lebensabriß des [1840?]. Dichters nebst erläuternden xxviii, 384 p.; 15 cm. Anmerkungen. Copy 1. Original brown cloth, rebacked, Braunschweig: George Westermann, title stamped in blind on backstrip. 1840. Copy 2. Original brown patterned xxviii, 284 p.: port.; 19 cm. cloth, paper label on spine, yellow Original purple cloth, stamped in gold endpapers. Gift inscription on verso and blind. Signature of Anna Mathea of frontispiece. The end of “Stewart” Aagaard. in the printing information on p. 384 Egerer, 1194. is on the yellow endpaper, probably The Poetical Works of Robert Burns. With from glue used during the binding a memoir of the author’s life and a process. glossary. Egerer, 1142. Halifax: Printed and published by Tam o’ Shanter: Illustrated. A reduced William Milner, 1840. facsimile of the original manuscript Printed Materials, Books, and Sheet Music / 95

with rendering into English by 351 p.: port.; 12.5 cm. Isabella K. Gough. Added title page, engraved, with Glasgow: David Bryce & Son, [1840]. vignette. 64 p.: ill.; 11 x 13.5 cm. Copies 1–2. Original brown, blind- Bound in volume containing 1825 print- stamped cloth. ing of “Tam o’ Shanter” and news- Egerer, 439, variant. paper articles and illustrations The Works of Robert Burns. Edited by the relative to the poem and its locale. Ettrick Shepherd [pseud.] and Modern green quarter cloth, marbled William Motherwell. boards. Bookplate of William Harvey. Glasgow [etc.]: Archibald Fullerton & Kinsley, 321. Co., 1841. The Works of Robert Burns. With life by 5 v.: ill., ports.; 16.2 cm. Allan Cunningham, and notes by Added title pages, engraved, with Gilbert Burns, Lord Byron, Thomas vignettes. Campbell, Thomas Carlyle, [etc]. Hogg’s “Memoir of Burns,” in volume [2d edition]. 5, p. 1–263. London: T. Tegg, Cheapside; C. Daly, Nineteenth-century dark green calf, Red Lion Square, 1840. gilt. Bound by Nutt of Cambridge. xxiv, 820 p.: facsim., port.; 23 cm. Egerer, 435 Added engraved title page. The Works of Robert Burns. With an Original black morocco, stamped in account of his life and criticism on his gold and blind. Library label of T. L. writings. To which are prefixed some Davison. observations on the character and Egerer, 432. condition of the Scottish peasantry by 1841 James Currie including additional poems, extracted from the late edition The Poetical Works of Robert Burns. With edited by Allan Cunningham. a life of the author and an essay on Philadelphia: J. Crissy, 1841. the genius and writings of Burns by xv, 258, 18 p.; 23 cm. E. Cunningham, carefully revised and Contemporary calf, black leather title rendered perfectly intelligible to the label on spine. In the private collec- general reader by a copious glossary. tion of G. Ross Roy. London: Published by Charles Daly, 19, Red Lion Square, 1841. 1842 xxxii, 352 p., [2] leaves of plates: port.; The Complete Works of Robert Burns. 11 cm. Containing his poems, songs, and Added engraved title page: Burns’s correspondence. Illustrated by W. H. Poetical Works. Bartlett, T. Allom, and other artists. Mitchell Library Catalogue (p. 25) sug- With a new life of the poet, and gests that the initial E. with the name notices, critical, and biographical, Cunningham may be in error. by Allan Cunningham. Gold-blocked red calf. Ownership London: G. Virtue, [1842]. inscription of W. Ormiston Roy, 1932. 2 v. in 1: ill., ports.; 24 cm. Egerer, 437. Added engraved title pages. The Poetical Works of Robert Burns. With Paged continuously. a memoir of the author’s life, and a Original brown calf, gilt. Ownership glossary. inscription of Sarah Cooke, 1852. Newcastle: W. & T. Fordyce, 1841. Engraved title page dated 1842. Egerer, 1064. The G. Ross Roy Collection of Robert Burns / 96

The Entire Works of Robert Burns. With Later half calf, cloth. Formerly in the an account of his life, and a criticism collection of the Islington Public on his writings. To which are prefixed Library. Reissue of 1840 London edi- some observations on the character tion, published by Tegg and Daly. and condition of the Scottish peas- Egerer, 442. antry by James Currie, M.D. The four 1843 volumes complete in one, with an enlarged and corrected glossary. The Correspondence Between Burns and 7th diamond edition, embellished with Clarinda. With a memoir of Mrs. M’Le- fourteen illustrations from original hose (Clarinda). Arranged and edited designs by Mr. Stewart. by her grandson, W. C. M’Lehose. London: Andrew , Skinner Edinburgh: W. Tait [etc., etc.], 1843. Street, 1842. xi, 297 p.: ill.; 20 cm. xii, 323 p.: ill.; 13.5 cm. The first authorized edition of Letters to Added engraved title page, with Clarinda, containing 23 letters from vignette: The Complete Works of Robert Burns to Agnes M’Lehose not previ- Burns, by James Currie, M.D. A new ously published. edition. 1841. Original blind-stamped purple ribbed Original blind-stamped grey-green cloth, cloth, spine lettered in gold. spine lettered in gold. Egerer, 449. Egerer, 443. The Correspondence Between Burns and The Poetical Works of Robert Burns. With Clarinda. With a memoir of Mrs. M’Le- a memoir of the author’s life, and a hose (Clarinda). Arranged and edited glossary. by her grandson, W. C. M’Lehose. London: J. S. Pratt, 1842. New York: R. P. Bixby, [1843]. 352 p.; 13 cm. xii, 293 p.; 17.7 cm. Original black cloth, stamped in gold on First, unauthorized, American printing spine. Former owners’ signatures. of the text of the 1843 Edinburgh edi- Egerer, 444. tion. The preface contains documents proving the editor’s change of name The Poetical Works of Robert Burns. in 1842. London: William Smith, 1842. Copy 1. Modern salmon wrappers. xxix, 393, 7 p., [17] leaves of plates: ill., Copy 2. Original blind-stamped purple port.; 15.8 cm. cloth, spine lettered in gold, gold- Original yellow-brown morocco, with stamped portrait of Burns on upper design in red, blue, green, and yellow cover. Inscription on preliminary leaf: and stamped in gold. Identical design “Jane Sedgwick from her affectionate on upper and rear covers. Contempo- sister Louisa Minot, Jan’y 1st., 1848.” rary presentation inscription, 1850. Egerer, 454. Egerer, 445. Poésies complètes de Robert Burns. The Works of Robert Burns. With life by Traduites de l’écossais par M. Léon de Allan Cunningham and notes by Wailly, avec une introduction du Gilbert Burns, Lord Byron, Thomas même. Campbell, Thomas Carlisle [sic], [etc.]. Paris: Charpentier, 1843. London: Henry G. Bohn, 1842. xl, 356 p.; 17.7 cm. xxiv, 820 p.: port., fold. facsims.; 23 cm. Contemporary half calf, marbled Added engraved title page, with boards. vignette. Egerer, 1187, variant, with “Charpen- Pages 138–39 on “The Excellence of tier” imprint. Burns” by Thomas Carlyle. Printed Materials, Books, and Sheet Music / 97

Paris: Adolphe Delahays, Libraire, rue Voltaire, 4 et 6, 1843. xl, 356 p.; 18.3 cm. Bibliothèque d’un homme de goût. Cover title page dated 1857. Copy 1. Original yellow printed wrap- pers. List of titles in the Bibliothèque d’un homme de goût series on lower wrapper. Pages uncut. Copy 2. Late 19th century yellow quar- ter calf, marbled boards. Egerer, 1187. The Works of Robert Burns. With Dr. Currie’s Memoir of the poet, and an essay on his genius and character by Professor Wilson. Also numerous notes, annotations, and appendices. Embellished by eighty-one portraits and landscape illustrations. Glasgow; Edinburgh; London: Blackie and Son, 1843–1844. 2 v.: fronts., plates, fold. facsims.; 26 cm. Added engraved title page, borders. “On the genius and character of Burns,” p. xi–cxxxiii. Original red morocco, red watered silk endpapers. Bookplate of Henrietta Sophia Butler, 1900. Presentation copy from Donald Sinclair to John W. Parker, with special lithographed presentation leaf, October 1843. Egerer, 450. The Works of Robert Burns. Containing his life by John Lockhart, Esq., the poetry and correspondence of Dr. Currie’s edition; biographical sketches of the poet, by himself, Gilbert Burns, Professor Stewart, and others; essay on Scottish poetry, including the poetry of Burns, by Dr. Currie, Burns in French Burns’s songs, from Johnson’s Musi- cal Museum, and Thompson’s Select Poésies complètes de Robert Burns. Melodies, select Scottish songs of the Traduites de l’écossais par M. Léon other poets, from the best collections, de Wailly, avec une introduction du with Burns’s remarks. même. New York: C. Wells & Co., [1843]. xv, clxvi, 425, 13 p.; 22.3 cm. The G. Ross Roy Collection of Robert Burns / 98

Preface dated: 1832; a reprint of Pear- Added engraved title page, with a son’s edition of 1832. vignette of the birthplace of Burns. Contemporary dark green straight- Frontispiece of Tam o’ Shanter. grained morocco. Original brown blind-stamped cloth. Egerer, 1168. Bookseller’s ticket: J. Campbell . . . Glasgow. 1844 Egerer, 997. The Complete Poetical Works of Robert Burns. With explanatory and glossar- 1845 ial notes and a life of the author by The Complete Works of Robert Burns. James Currie. Containing his poems, songs and 2nd complete American edition. correspondence illustrated by W. H. New York: D. Appleton; Philadelphia: Bartlett, T. Allom, and other artists, Geo. S. Appleton, 1844. with a new life of the poet and xxxiv, 60 l., 575 p.: ill.; 16.6 cm. notices, critical and biographical Original dark green morocco, stamped by Allan Cunningham. in gold. London: James S. Virtue, [1845]. Egerer, 466. [7–20], [1]–422 p., [32] leaves of plates: ill.; 24.4 cm. The Entire Works of Robert Burns. With Added engraved title page, undated. an account of his life, and a criticism Later red morocco. Binder’s ticket: on his writings. To which are S. C. Treacher, Brighton. prefixed, some observations on the Egerer, 1064, variant with address: City character and condition of the Scot- Road and Ivy Lane in imprint. tish peasantry by James Currie. The four volumes complete in one, The Poetical Works of Robert Burns. With with an enlarged and corrected a memoir of the author’s life and a glossary. glossary. Diamond edition, embellished with an Halifax: Printed and published by original design from the Cotter’s Sat- William Milner, Cheapside, 1845. urday Night. xvi, 368 p.: ill.; 12 cm. Manchester: S. Johnson and Son, Added engraved title page, with 1844. vignette. xii, 323 p., [13] l. of plates: ill.; 12.8 cm. Original dark green cloth, stamped in Diamond Cabinet Library. gold and blind. Inscribed to Jane Heely Added title page with vignette. from her sister Mason, May, 1845. Half title: Complete Works of Robert Burns Egerer, 474. Original dark brown morocco, stamped The Poetical Works of Robert Burns. With in gold on spine, stamped in gold and the life and portrait of the author. blind on covers. Blue ribbon book- Leipzig: Bernhard Tauchnitz, 1845. mark. Bookseller’s description loosely xxiv, 366 p., 1 l. of plates: port.; 15.4 cm. inserted. Collection of British Authors; v. 90. Egerer, 464. Copy 1. Late Victorian vellum, spine The Poetical Works of Robert Burns. With lettered in gold. a memoir of the author’s life, and a Copy 2. Later 19th century green quar- glossary. ter morocco, marbled paper-covered Derby; London; Dublin: Thomas boards. Richardson & Son, [1844]. Armorial bookplate of a member of the 339 p.: ill.; 12.5 cm. Sands family, pasted over the book Printed Materials, Books, and Sheet Music / 99

label of C. E. Sands inside upper xcviii, 260 p.: port., ill.; 25 cm. cover. Lacking half-title page. Pub- Added engraved title page. lisher reads: Bernh. Tauchnitz Jun. Original brown cloth, stamped in gold Egerer, 475. and blind. Egerer, 488. The Works of Robert Burns. With life by Allan Cunningham, and notes by The Poetical Works of Robert Burns. Gilbert Burns . . . [et al.] Including several pieces not inserted New edition. in Dr. Currie’s edition; exhibited London: Henry G. Bohn, 1845. under a new plan of arrangement, xxiv, 820 p., [33] leaves of plates: ill., and preceded by a life of the author ports., fold. facsims.; 24 cm. and a complete glossary. Pages bordered by double lines, text in Boston: T. Bedlington, 1846. double columns. 2 v. in box; 11.7 cm. Includes facsimile of Burn’s letter to Original buff pictorial boards. Capt. Patrick Miller, Jr. (Letter #613) Egerer, 482. enclosing “Bruce’s address to his The Works and Correspondence of troops at Bannockburn” with a Robert Burns. Including his letters to facsimile of the poem. Clarinda; remarks on Scottish songs Modern brown binder’s cloth. Reissue and ballads, illustrated with historical of 1844 Bohn edition. and critical notes, biographical notices Egerer, 477. &c. &c. With an extensive glossary of The Works of Robert Burns. With an the Scottish language; a life of the account of his life, and criticism on author [by James Currie] and an essay his writings: to which are prefixed on his genius and writings. some observations on the character Glasgow: Mackenzie, White, 1846. and condition of the Scottish peas- xiv, 520, [30] p.: port., ill.; 25 cm. antry by James Currie, including Added engraved title page with vignette. additional poems, extracted from the With: Tannahill, Robert. The Poetical late edition edited by Allan Cunning- Works of . Glasgow: ham. Mackenzie, White, 1846. Philadelphia: Crissy, 1845. Contemporary half mottled calf, over 2 pts. in 1 v.: port.; 22.3 cm. green cloth. Presentation leaf bound in. Added engraved title page: The Works of Egerer, 486. Robert Burns. Philadelphia: J. Crissy, The Works of Robert Burns. Containing 1835. his life by John Lockhart, Esq., the Later sheep. Stamp of G. Tracy, Utica, NY, poetry and correspondence of Dr. Bookseller. Re-issue of 1836 edition. Currie’s edition; biographical sketches Egerer, 480. of the poet, by himself, Gilbert Burns, 1846 Professor Stewart, and others, essay on Scottish poetry, including the The Complete Works of Robert Burns. With poetry of Burns, by Dr. Currie; an account of his life, and a criticism Burns’s songs, from Johnson’s Musi- on his writings, to which are prefixed cal Museum, and Thompson’s Select some observations on the character Melodies, select Scottish songs of the and condition of the Scottish peas- other poets, from the best collections, antry by James Currie, with an with Burns’s remarks. Forming, in enlarged and corrected glossary. one work, the truest exhibition of Halifax: William Milner, 1846. the man and the poet, and the fullest The G. Ross Roy Collection of Robert Burns / 100

edition of his poetry and prose Original green cloth, stamped in gold writings hitherto published. and blind. Bookplate of William Boston: Otis, Broaders, and Company, Soderberg. Reissue of edition pub- 1846. lished Boston, 1846, by Bedlington. xv, clxvi (i.e. cxlvi), 425, 13 p.: port.; Egerer, 497. 22.9 cm. The Poetical Works of Robert Burns. Preface to the first edition (p. [cxliii]– Complete with a sketch of his life and cxliv) has been misbound following remarks on the general character of title page. the Scottish peasantry. Original blind-stamped purple cloth, Edinburgh: Robert Martin, 1847. spine lettered in gold. xxi, 336 p.; 17 cm. Egerer, 483. Original purple wavy-grained cloth, 1847 stamped in blind. Bookseller’s ticket: W. Campbell . . . Glasgow. The Complete Works of Robert Burns. Egerer, 501. With an account of his life, and a criticism on his writings, to which are The Poetical Works of Robert Burns. With prefixed some observations on the a memoir of the author’s life and a character and condition of the Scot- glossary. tish peasantry by James Currie, with London: Published by J. S. Pratt, 1847. an enlarged and corrected glossary. (Stokesley, Yorkshire: J. S. Pratt, Halifax: William Milner, 1847. Printer). 2, xcviii, 260 p.: port.; 22.5 cm. 20 p.: port.; 12.3 cm. Added engraved title page. Added engraved title page, with Original brown cloth, spine stamped in vignette. gold. Original sage-green cloth, stamped in Egerer, 503. gold and blind. Library label of Roger Senhouse. The Complete Poetical Works of Robert Egerer, 504. Burns. With explanatory and glossar- ial notes and a life of the author by The Works of Robert Burns. With an James Currie. account of his life, and criticism on 2nd complete American edition. his writings: to which are prefixed New York: D. Appleton, 1847. some observations on the character xxxiv, 60, 575 p.: ill.; 17 cm. and condition of the Scottish peas- Original red cloth, stamped in gold antry by James Currie, M.D., includ- and blind. ing additional poems, extracted from Egerer, 509. the late edition, edited by Allan Cun- ningham. The Poetical Works of Robert Burns. Cincinnati: J. A. & U. P. James, Walnut Including several pieces not inserted St., bet. Fourth & Fifth, 1847. in Dr. Currie’s edition. Exhibited xvi, 340 p.: port.; 24 cm. under a new plan of arrangement, “Stereotyped by James & Co.” and preceded by a life of the author Copy 1. Contemporary cloth-covered and a complete glossary. boards, black leather lettering label on Boston: Phillips and Sampson, 110 spine. Mid-late 19th century illustra- Washington Street, 1847. tions pasted to upper and rear covers. vii, [9]–190, vii, [9]–182: ill.; 19 cm. Copy 2. Contemporary calf, rebacked, Black line borders. label retained. Four pages of adver- “Advertisement” signed: J. T. London, tisements follow text. Feb. 25, 1819. Egerer, 499. Printed Materials, Books, and Sheet Music / 101

The Works of Robert Burns. With a com- 1848 plete life of the poet, and an essay on The Complete Works of Robert Burns. his genius and character, by Professor With an account of his life, and a Wilson, also numerous notes, annota- criticism on his writings, to which are tions, and appendices. prefixed some observations on the Glasgow: Blackie, 1847. character and condition of the Scot- 2 v.: ill., ports.; 24.7 cm. tish peasantry by James Currie. Added engraved title page. A new and complete edition, with an Original black morocco, stamped in enlarged and corrected glossary. gold. Reissue of 1843 Glasgow edition. Aberdeen: George Clark; Ipswich: J. M. Egerer, 502. Burton, 1848. Works of Robert Burns. With life by Allan xx, 600 p.; 18.6 cm. Cunningham, and notes by Gilbert Original brown diamond-grained cloth, Burns, Lord Byron . . . [et al.] stamped in blind. Ownership signa- New edition. tures on front endpapers. London: Henry G. Bohn, 1847. Egerer, 510. xxiv, 820 p.: ill.; 22.8 cm. The Poetical Works of Robert Burns. With Added engraved title page with date a copious glossary to which is 1842. prefixed a sketch of his life. Original brown morocco stamped in Glasgow: Francis Orr, 1848. gold. Reissue of London 1840 edition, 238, 284, 21 p., [1] leaf of plates: ill.; 12 cm. published by Tegg and Daly. Original olive-green binder’s cloth. Egerer, 506. From the library of J. L. Weir, with The Works of Robert Burns. Edited by his bookplate. the Ettrick Shepherd and William Egerer, 513. Motherwell. The Poetical Works of Robert Burns. London: A. Fullarton and Co., 1847. London: Chapman and Hall, 1848. 5 v.: ill., ports.; 17.4 cm. xxix, 393 p. [15] leaves of plates: ill., Volumes 1–3 dated 1847; volumes 4–5 port.; 17 cm. dated 1848. Cabinet Classics. Original red cloth, stamped in gold and Frontispiece portrait of Burns after blind. Nasmyth. Added engraved title page Egerer, 505. with vignette. The Works of Robert Burns. With an Original brown blind-stamped cloth. account of his life, and criticism on Egerer, 516. his writings, to which are prefixed The Works of Robert Burns. Containing some observations on the character his life by John Lockhart, Esq. The and condition of the Scottish peas- poetry and sketches of the poet, by antry by James Currie; including himself, Gilbert Burns, Professor additional poems, extracted from the Stewart, and others; essay on Scottish late edition of Allan Cunningham. poetry, including the poetry of Burns, Philadelphia: Crissy & Markley, 1847. by Dr. Currie; Burn’s songs, from 1 v. (various pagings): port.; 24 cm. Johnson’s Musical Museum, and Added engraved title page dated 1835. Thompson’s Select Melodies; select Original brown cloth, stamped in gold Scottish songs of the other poets, on spine. from the best collections, with In the private collection of G. Ross Roy. Burns’s remarks. Forming in one work, the truest exhibition of the The G. Ross Roy Collection of Robert Burns / 102

man and the poet, and the fullest edi- Copy 2. One of a collection of chap- tion of his poetry and prose writings books from the library of J. L. Weir. hitherto published. Modern red quarter morocco, mar- Boston: Otis, Broaders, and Co., 1848. bled boards. Binder’s title: Chapbooks. clxvi, 425, [14] p.: port.; 24 cm. Burns. Each leaf mounted. Frontispiece portrait engraved by The Poetical Works of Robert Burns. O. Pelton after A. Nasmyth. Including several pieces not inserted Original green cloth, stamped in gold in Dr. Currie’s edition . . . , preceded and blind. Bookseller’s label: Brown’s by a life of the author; with notes and Cheap Book Store, Philadelphia, on a complete glossary. pastedown. Boston: Phillips, Sampson, and Com- Egerer, 512. pany, 110 Washington Street, 1850. 1849 524 p. (1 leaf of plates): ill.; 19.2 cm. Text within double line border. The Works of Robert Burns: With an Publisher’s catalogue, undated, at end. Account of His Life and Criticism on His Original red cloth, stamped in gold. Writings. Egerer, 528. To which is prefixed some observations on the character and condition of the The Poetical Works of Robert Burns. Scottish peasantry by James Currie, London: Newman & Co.; Aberdeen: M.D. Clark & Son, 1850. A new edition, from the last London xvi, 256 p.: port.; 12.5 cm. edition. [1] p. of advertising for “Choice new Philadelphia: Published by John novels” precedes title page. Locken, 1849. Original brown cloth, spine stamped 4 v. in 1: ill.; 20 cm. in gold. Original brown cloth, stamped in gold Egerer, 535 and blind. Bookplate of Peggy J. E. Robert Burns. Shaw, former owner. In the private London: Collins; Glasgow: Clear-Type collection of G. Ross Roy. Press, [1850–1899?]. Egerer, 526. 45, [1] p., [6] leaves of plates: col. ill.; 1850 19.4 cm. With the Immortals. Gems of Scottish Songs. Chiefly by Burns. Illustrations on endpapers. [S.l.: s.n., 1850]. Original boards, stamped in gold on 24 p.; 15 cm. spine and upper cover. Pictorial on Includes fourteen songs by Burns. upper cover. Bookseller’s label: Mac- Original buff wrappers. neur & Bryden on front pastedown. Jim Crow: Hey for a Lass wi’ a Tocher, The Scottish Minstrel: Containing a Selec- Mary of Castlecary, Haud awa frae me tion of the Most Popular Songs of Scot- Donald, This Is No My Plaid, Of a’ the land as Sung by Wilson, Templeton, &c. Airts the Wind Can Blaw, Auld Langsyne. Glasgow: Printed for the Booksellers, Glasgow: Printed for the Booksellers, 1850. [1850?]. p. 69–90; 15 cm. Includes the following songs by Burns: Includes a number of songs by Burns. “Hey for a Lass wi’ a Tocher,” p. 3–4. “Of a’ the Airts the Wind Can Blaw,” The Select Songs of Robert Burns. With p. 7, and “Auld Langsyne,” p. 8. music by Robert Burns. Copy 1. Disbound. Glasgow: , [1850–1890?]. 48, [8] p.: music; 18 cm. Printed Materials, Books, and Sheet Music / 103

John Cameron’s Popular Series. Egerer, 543. Advertisements follow text. Original wrappers. The Life and Works of Robert Burns. Edited by Robert Chambers. The Works of Robert Burns. With life by Edinburgh: William and Robert Cham- Allan Cunningham, and notes by bers, [ca. 1851]. Gilbert Burns . . . [et al.] 4 v. in 2; 17.5 cm. New edition. Frontispiece portrait of Burns “from London: Henry G. Bohn, 1850. Beugo’s approved engraving.” xxiv, 820 p.: ill., port., fold. facsim.; Original black- and gilt-stamped blue 23.4 cm. cloth. Added engraved title page with vignette, Egerer, 1010. dated 1842. Later polished calf. The Life and Works of Robert Burns. Egerer, 536. Reissue of 1840 edition. Edited by Robert Chambers. Edinburgh: William and Robert Cham- The Works of Robert Burns. Edited by bers, 1851–1852. the Ettrick Shepherd and William 4 v.; 18.3 cm. Motherwell. Original red vertically-grained cloth, London; Edinburgh; Dublin: A. Fullar- stamped in gold and blind. ton, [1850]. Egerer, 540 5 v.: ill., ports.; 17 cm. In each volume: added engraved title The Life and Works of Robert Burns. page, with vignettes. Volume 5 is Edited by Robert Chambers. James Hogg’s “Memoir of Burns.” London; Edinburgh: W. and R. Cham- Copy 1. Contemporary dark green half bers, 1851–1854. morocco, cloth. 4 v.; 19 cm. Copy 2. Original gilt- and blind- Volume 1, 1853; Volume 2, 1851; Volume stamped red cloth. Egerer variant 3, 1852; Volume 4, 1854. with “Fullarton, McNab & Co., New Volumes 2–3 in original red cloth, vol- York” in the imprint of volume 1. umes 1, 4 are rebound in modern red Added engraved title page, with binder’s cloth. vignettes in each volume. Order of The Poetical Works of Robert Burns. illustrations vary. Including several pieces not inserted Egerer, 1135. Egerer variant without in Dr. Currie’s edition, exhibited New York in imprint. under a new plan of arrangement, and preceded by a life of the author, 1851 with notes and a complete glossary. The Complete Works of Robert Burns. With Boston: Phillips, Sampson and Com- an account of his life, and a criticism pany, 110 Washington Street, 1851. on his writings, to which are prefixed 524 p.: port.; 18.9 cm. some observations on the character Text within double line border. and condition of the Scottish peasantry Original black cloth, stamped in gold by James Currie, M.D., with an and blind. Publisher’s catalogue, enlarged and corrected glossary. undated, bound in at end. Halifax: Milner and Sowerby, 1851. Reprint of Egerer, 528. xcviii, [2], 260 p.: port.; 21.5 cm. Added engraved title page, with The Works of Robert Burns. Edited by vignette. the Ettrick Shepherd and William Original red cloth, stamped in gold and Motherwell. blind. Re-issue of 1842 Halifax edition. London; Edinburgh; Dublin: A. Fullar- ton, 1851. The G. Ross Roy Collection of Robert Burns / 104

5 v.: ill., ports.; 17.7 cm. with notes and a complete glossary. Volume 2 dated 1848; volume 5 dated 1850. Boston: Phillips, Sampson, 1852. Added title page, illustrated, with 524, [6] p.: ill.; 19 cm. vignettes. Advertisements follow text. Original red cloth, stamped in gold and Original red cloth, stamped in gold on blind. spine and covers. Former owner’s Reissue of Egerer, 365. See note, p. 168. signatures on front free endpaper. Egerer, 551. 1852 The Works of Robert Burns. With a com- The Entire Works of Robert Burns. With plete life of the poet, and an essay on an account of his life, and a criticism his genius and character by Professor of his writings, to which are prefixed Wilson, also notes, annotations and some observations on the character appendices, embellished by eighty-one and condition of the Scottish peas- portraits and landscape illustrations. antry by James Currie, the four Glasgow: Blackie, 1852. volumes complete in one, with an 2 v.: ill., ports.; 26 cm. enlarged and corrected glossary. Contemporary red half morocco, mar- Edinburgh: Alexander Gunn, [1852]. bled boards. 4 v. in 1: ill.; 15.6 cm. Possibly Egerer, 556, originally issued in Added engraved title page: The Complete parts. Works of Robert Burns, by James Currie. Copy 1. Contemporary dark blue cloth, The Works of Robert Burns. Edited by the stamped in gold and blind. Rehinged. Ettrick Shepherd [ James Hogg] and Original wrappers bound in. William Motherwell. Copy 2. Original gilt- and blind- London: A. Fullarton and Co., 1852. stamped red cloth. 5 v.: ill., ports.; 18 cm. Egerer, 1009. Original red cloth, stamped in gold and blind. Engraved library label of The Life and Works of Robert Burns. , Faversham, inside the Edited by Robert Chambers. upper cover of each volume. Volume 5 New York: Harper & Brothers, Publish- dated 1851. ers, 82 Cliff Street, 1852–1854. Egerer, 559; does not note edition is in 5 4 v.; 18.7 cm. volumes. Volumes 2–4 dated 1854; imprints read: Harper & Brothers, Publishers, 329 & 1853 331 Pearl Street, Franklin Square. The Complete Works of Robert Burns. Volume 1: Original green cloth, stamped Containing his poems, songs, and in gold and blind. Pencil inscription correspondence. With a new life of on front free endpaper of volume 1: the poet, and notices, critical and “Presented to A. Becker by his son biographical, by Allan Cunningham. William Becker.” Boston: Phillips, Sampson, 1853. Volumes 2–4: Original black cloth, ix, 61–542 p.: ill.; 25 cm. stamped in gold and blind. Original brown cloth. Egerer, 561; Egerer does not mention an Egerer, 564. 1854 imprint. The Complete Poetical Works of Robert The Poetical Works of Robert Burns. Burns. With explanatory and glossar- Including several pieces not inserted ial notes and a life of the author by in Dr. Currie’s edition, exhibited James Currie, M.D. under a new plan of arrangement New edition. and preceded by a life of the author, London: Printed for Adam Scott, 1853. Printed Materials, Books, and Sheet Music / 105 xxxiv, 60, 575 p., [1] leaf of plates: ill.; Later quarter roan, green cloth. 13.4 cm. Egerer, 567A. The main text is a litho- Added engraved title page, with graphic reproduction of the text of vignette. the 1787–1803 edition of The Scots Contemporary green morocco. Musical Museum rather than a new Egerer, 572. Reissue of 1837 edition. impression from the original plates The Cottar’s Saturday Night. Illustrated (Cf. Laing’s Preface, p. xx). by John Faed, R.S.A. The Works of Robert Burns. With an [Edinburgh]: For the members of the account of his life, and criticism on Royal Association for the Promotion his writings, to which are prefixed of the Fine Arts in Scotland, 1853. some observations on the character 12 leaves incl. 8 leaves of plates: ill.; and condition of the Scottish peas- 34.5 x 44 cm. antry by James Currie, M.D., includ- Original limp rose-colored cloth, ing poems extracted from the late lettered in gold. edition edited by Allan Cunningham. The Scots Musical Museum: Consisting of Cincinnati: J. A. & U. P. James, 1853. upwards of Six Hundred Songs, with 340 p.: ill.; 23 cm. Proper Basses for the Pianoforte. Origi- Similar to the 1853 Crissy & Markley nally published by James Johnson, edition but continuously paged. and now accompanied with copious Contemporary sheep. Stamp of J. F. notes and illustrations of the lyric Thornton on front endpaper. poetry and , by the Egerer, 566. late William Stenhouse, with addi- The Works of Robert Burns. With a com- tional notes and illustrations. plete life of the poet, and an essay on New edition. his genius and character by Professor Edinburgh; London: W. Blackwood Wilson, also numerous notes, annota- and Sons, 1853. tions and appendices, embellished by 4 v.: ill.; 22 cm. eighty-one portraits and landscape Volumes 1–3 paged continuously. illustrations. The facsimile is a letter from Burns to Glasgow; London: Blackie and Son, 1853. Johnson. 2 v.: plates, port., facsim.; 24.8 cm. Burns contributed 184 songs, wrote First published in parts in 1846. most of the prefaces to the different Added title page: Works of Robert Burns. volumes, and may be said to have With notes and illustrations. edited the 1st edition. The arrange- Plates engraved by various artists. ments of the airs were prepared Contemporary green half calf, marbled chiefly by Stephen Clarke. Cf. Dictio- boards. Gilt-stamped leather labels on nary of National Biography, v. 30, p. 16. spine. Binder’s ticket: Charles Thur- Preface, volume 1, signed: David Laing, man & Sons, Carslisle. dated 1839. Notes added to Sten- Re-issue of Egerer, 450 (1843 Glasgow, house’s “Illustrations” by David Blackie). Egerer, 569. Laing and C. K. Sharpe. Contains, as added title pages, the title The Works of Robert Burns. With an pages of 1st edition (2nd issue): The account of his life, and criticism of Scots Musical Museum . . . humbly his writings to which are prefixed dedicated to the Society of Antiquar- some observations on the character ies of Scotland . . . and condition of the Scottish peas- Stenhouse’s “Illustrations” published antry by James Currie, M.D., includ- separately, 1853. ing poems, extracted from the late edition edited by Allan Cunningham. The G. Ross Roy Collection of Robert Burns / 106

Philadelphia: Crissy & Markley; Poems and letters inserted in the mem- Thomas Cowperthwait & Co., 1853. oir in chronological order. xv, 180, [i–iii], v–x, 258, 18 p.: ill., port.; Contemporary blue quarter calf, marbled 23 cm. paper-covered boards. Bookplate of Added engraved title page, with Marion L. Moxham inside the upper vignette, dated 1835. cover of each volume. Separately paginated, with additional Egerer, 582. title pages: “The life of Robert Burns, The Poetical Works of Robert Burns. With with his general correspondence; also a memoir of the author’s life, and a criticism on his writings and obser- copious glossary. vations on the Scottish peasantry.” Glasgow: G. & J. Cameron, 1854. “Additional poems extracted from 288 p.; 12 cm. the late edition of Burns’s Works.” Modern red binder’s cloth. From the Original gilt-decorated blue cloth. library of J. L. Weir, with his book- 1854 plate. Imperfect: glossary wanting. Intended to supplement The Songs and The Complete Works of Robert Burns. Ballads of 1854, a reissue of Egerer, 555. Containing his poems, songs, and cor- respondence with a new life of the The Songs and Ballads of Robert Burns. poet, and notices, critical and bio- Including a number of pieces not to graphical by Allan Cunningham. be found in any other copy. Boston: Phillips, Sampson, 1854. New and improved edition. lx, 542 p.: ill., port.; 23.8 cm. Glasgow: G. & J. Cameron, 1854. Added engraved title page, with viii, 168 p.; 12 cm. vignette. 16-page publisher’s catalogue bound in Contemporary black half calf, cloth. at end. Egerer, 576. Modern red binder’s cloth. From the li- brary of J. L. Weir, with his bookplate. The Complete Works of Robert Burns. Reissue of Egerer, 555. With an account of his life, and a criticism on his writings, to which are The Works of Robert Burns. With life prefixed some observations on the by Allan Cunningham, and notes by character and condition of the Scot- Gilbert Burns, Lord Byron, Thomas tish peasantry by James Currie; with Campbell, [et al.]. an enlarged and corrected glossary. New edition. Halifax: Printed and published by Mil- London: Henry G. Bohn, 1854. ner and Sowerby, 1854. xxiv, 820 p.: port., facsim.; 23.8 cm. xcviii, 260 p.: port.; 23 cm. Added engraved title page, with Added engraved title page, with vignette, dated 1842. Engraved dedi- vignette. cation page. Copy 1. Original red cloth, stamped in With facsimile of the manuscript of gold and blind. “Scots Wha’ Hae.” Copy 2. Original blind-stamped red Original brown blind and gilt stamped cloth, gilt spine. Edges gilt. cloth. Egerer, 579. Egerer, 581. The Life and Works of Robert Burns. 1855 Edited by Robert Chambers. The Complete Poetical Works of Robert Philadelphia: Lippincott, Grambo & Burns. With explanatory and glossar- Co., 1854. ial notes; and a life of the author by 4 v.; 17.6 cm. James Currie. Printed Materials, Books, and Sheet Music / 107

New York: D. Appleton and Company, Copy 1. Original brown cloth, stamped 1855. in gold and blind. xxxiv, 60, 575 p., [5] leaves of plates: ill.; Copy 2. Original red cloth, stamped in 17 cm. gold and blind. Signature of Annie B. “The only complete American edition.” Willson, 1862. Original half morocco, over brown Egerer, 583. Reissue of 1850 edition. marbled paper covered boards, The Poetical Works of Robert Burns. stamped in gold on spine. Gift in- New edition, with memoir and scription “Mrs. Louisa S. Ainsworth glossary. from her friend R. T. M. Lewis, Wash- London; Glasgow: Richard Griffin, ington, D.C., Jan., 1868.” [1855]. Egerer, 589. ix, [i], 128 p.; 24 cm. The Complete Works of Robert Burns. Engraved title page. Original gray- Containing his poems, songs, and cor- green wrappers, modern maroon respondence with a new life of the cloth jacket. poet, and notices, critical and biogra- Egerer, 1093. phical by Allan Cunningham. The Poetical Works of Robert Burns. With Boston: Phillips, Sampson, 1855. an account of his life, and an enlarged lx, 542 p.: ill., port.; 24 cm. and corrected glossary. Added engraved title page, with portrait London: E. Lacey, [1855]. and vignette by Oliver Pelton. xxviii, 384 p.: port.; 12.3 cm. Rebound in modern binder’s cloth. Original green diagonal-ripple-grain The Poetical and Prose Works of Robert cloth, lettered in gold on spine. Burns. With life, notes and correspon- Egerer, 1105 dence by A. Cunningham, Esq., with Tam o’ Shanter. original pieces from the collection of [Edinburgh]: For the members of the Sir Egerton Brydges, Bart. and illus- Royal Association for the Promotion trations. of the Fine Arts in Scotland, 1855. London: Charles Daly, [1855]. 5 numbered leaves: 5 plates; 44 cm. xiii, [5], 559 p.: ill., port.; 18 cm. Engraved title page, with vignette. Added engraved title page, with Illustrated by John Faed. vignette. Copy 1. Original white glazed boards Publisher’s advertisements: p. [560]. printed in blue. Blue cloth spine. Copy 1. Original red cloth, stamped in Blind stamp of D. Bolongaro, Book- gold and blind. Ticket: Weemys. seller, Manchester. Copy 2. Original gilt-decorated green Copy 2. Original brown cloth, stamped cloth displaying Burns’s (“Woodnotes in gold and blind. wild”) seal. Copy 3. Original white glazed boards. Egerer, 1077, see note, p. 307. Gift of Jerry A. Kay. The Poetical Works of Robert Burns. Kinsley, 321. Including several pieces not inserted Tam o’ Shanter. Illustrated for the piano in Dr. Currie’s edition, exhibited [by] George William Warren. under a new plan of arrangement, New edition. and preceded by a life of the author, New York (547 Broadway, New York): with notes, and a complete glossary. Wm. A. Pond & Co., c1855. Boston: Phillips, Sampson, 1855. 8 p. of music; 33 cm. 524 p.: port.; 19 cm. March. The G. Ross Roy Collection of Robert Burns / 108

Title page illustration: Tam o’ Shanter 4 v. in 1: ill.; 17 cm. pursued by the witches. Added illustrated title page, with Original pictorial wrappers. vignette. Kinsley, 321. Original dark green ripple-grain cloth, stamped in gold and blind. The Works of Robert Burns. Containing Egerer, 1009. his life by John Lockhart, the poetry and correspondence of Dr. Currie’s The Life and Works of Robert Burns. edition. Edited by Robert Chambers. New York: Leavitt & Allen, 1855. Library edition. [v], 425, 13 p.: port.; 24 cm. Edinburgh; London: W. & R. Chambers, Original brown cloth, stamped in gold [1856]–1857. and blind. 4 v.: ill., port.; 22.5 cm. Egerer, 591. Poems and letters inserted in the life, in chronological order. 1856 Volume 4 dated 1857. The Complete Poetical Works of Robert Copy 1. Original purple cloth, stamped Burns. With explanatory and glossar- in gold and blind. Volumes 1 and 2 ial notes, and a life of the author by lack half title page. Plaid endpapers. James Currie. Copy 2. Contemporary gold-stamped New York: D. Appleton and Company, green morocco. Harp design on upper 1856. and rear covers of each volume. All xxxiv, 60, 575 p., [5] leaves of plates: ill.; volumes have half-title pages. Volume 17 cm. 1 is inscribed “To John Struthers from “The only complete American edition.” his friend W. D. Gardiner with every Original red cloth, stamped in gold and good wish. September 1857.” blind. Signature of A. G. Robinson, Egerer, 594, an extended version of the U.S. Army. Stamp of W. P. Griffith, Chambers edition of 1851. Bookseller & Stationer, Norfolk, VA. The Poetical Works of Robert Burns. 16.2 cm. Including several pieces not inserted Egerer, 599. in Dr. Currie’s edition, exhibited The Complete Works of Robert Burns. under a new plan of arrangement, Containing his poems, songs, and cor- and preceded by a life of the author, respondence with a new life of the with notes, and a complete glossary. poet and notices, critical and biogra- Boston: Phillips, Sampson, and Com- phical by Allan Cunningham. pany, 1856. Elegantly illustrated. 524 p.: port.; 19 cm. Boston: Phillips, Sampson, and Com- Text inside a double ruled border. pany, 1856. Advertisements inside covers. lx, [61]–542 p.: port.; 25 cm. Original red cloth, stamped in gold and Original tooled leather stamped in gold. blind. In the private collection of G. Ross Roy. In the private collection of G. Ross Roy. The Entire Works of Robert Burns. With The Poetical Works of Robert Burns. an account of his life, and a criticism Including several pieces not inserted on his writings, to which are prefixed in Dr. Currie’s edition, exhibited some observations on the character under a new plan of arrangement, and condition of the Scottish peas- and preceded by a life of the author, antry by James Currie. with notes, and a complete glossary. Edinburgh: A. Gunn, [1856]. Printed Materials, Books, and Sheet Music / 109

Boston: Phillips, Sampson, and Com- New York: D. Appleton and Company, pany, 1856. 346 & 348 Broadway, 1857. 524 p.: port.; 20 cm. xxxiv, 60, 575 p., [6] leaves of plates: ill.; Text inside a double rule border. 16.2 cm. Original brown cloth, stamped in gold “The only complete American edition.” and blind. Bookseller’s label: From Original red cloth, stamped in gold and Adams’ Book Store, Warren, Ohio. blind. Ownership inscription of Egerer, 593. Edwd. Hill, Detroit, Jan 1, 1858, on front free endpaper. The Poetical Works of Robert Burns. With Egerer, 608. memoir, critical dissertation and ex- planatory notes, by George Gilfillan. O Wert Thou in the Cauld Blast: Volkslied. Edinburgh: J. Nichol, 1856. [Music by] M. Bartholdy. 2 v.; 22 cm. New York: Wm. A. Pond & Co., [ca. Spine title: Burns’ Poetical Works. 1857]. Original blue-green cloth, stamped in 1 score (5, [1] p.); 35 cm. gold and blind. Two part songs with English and Egerer, 595. German words. For two voices and piano. The Poetical Works of Robert Burns. With Gift of Betsy Miller. a memoir of the author’s life, and a copious glossary. The Poetical Works of Robert Burns. Glasgow: John Cameron, 1856. Including several pieces not inserted xvi, 288 p.; 12.2 cm. in Dr. Currie’s edition, exhibited With this copy is bound: The Songs and under a new plan of arrangement, Ballads of Robert Burns. New and and preceded by a life of the author: improved edition. Glasgow: John with notes and a complete glossary. Cameron, 1856. Boston: Phillips, Sampson, 1857. Modern dark green binder’s cloth. 524 p.; 19 cm. From the library of J. L. Weir, with Imperfect. Wanting: added title page, his bookplate. decorated in colors. Egerer, 596. Advertisement (dated London, 1819) signed: J.T. The Poetical Works of Robert Burns. Original black cloth, stamped in gold. Edited by the Rev. Robert Aris Will- Egerer, 601. Reissue of Boston 1850 edi- mott. Illustrated by John Gilbert. tion. London: George Routledge and Sons, [1856]. The Soldier’s Return. Illustrated by John lxiii, 478 p., [6] l. of plates: ill., port.; Faed, R.S.A. 17 cm. [Edinburgh]: For the members of the Routledge’s British Poets. Royal Association for the Promotion Date from Preface. of the Fine Arts in Scotland, 1857. Contemporary tree calf, raised bands, 1 v. (unpaged): VI pl. including fron- gilt. Prize book awarded by Eton, 1877. tispiece; 42.5 cm. Other Routledge editions are discussed Copy 1. Original red cloth, stamped in by Egerer on p. 314. gold and blind. Copy 2. Original red cloth, stamped in 1857 gold and blind. Pons Bequest. The Complete Poetical Works of Robert The Works of Robert Burns. With a com- Burns. With explanatory and glossar- plete life of the poet and an essay on ial notes, and a life of the author by his genius and character by Professor James Currie. The G. Ross Roy Collection of Robert Burns / 110

Wilson, also numerous notes, annota- gold. Bookseller’s ticket: Leighton tions, and appendices, embellished by Son & Hodge on inside rear cover. an extensive series of portraits and Egerer, 615. landscape illustrations. Poems and Songs. Illustrated with Glasgow; Edinburgh; London: Blackie, numerous engravings. 1857. New York: D. Appleton & Co., 1858. 2 v.: ill.; 24.5 cm. xvi, 272 p.: ill.; 21.3 cm. Contemporary half calf, marbled Printer’s statement, verso of title page: boards. Reissue of 1843–44 edition. “Printed by Richard Clay, See Egerer, 450, note. Street Hill, London.” The Works of Robert Burns. Containing Contemporary dark blue calf. Prize his life by John Lockhart, Esq., the volume awarded to Edward Elling- poetry and correspondence of Dr. ton, Hill Grammar School, Currie’s edition, biographical sketches Christmas, 1861. of the poet, by himself, Gilbert Burns, Egerer, 619. Reissue. Sheets of 1858 Lon- Professor Stewart, and others; essay don edition, published by Bell and on Scottish poetry, including the Daldy, with New York title page. poetry of Burns, by Dr. Currie, The Poetical Works of Robert Burns. With Burns’s songs, from Johnson’s a memoir of the author’s life and a Musical Museum, and Thompson’s glossary. Select Melodies, select Scottish songs Halifax: Milner and Sowerby, 1858. of the other poets, from the best xvi, 368 p.; 14 cm. collections, with Burns’s remarks. Added engraved title page. New York: Leavitt & Allen, no. 379 Advertisements on endpapers. Broadway, 1857. Original brown cloth, stamped in gold xiii, [2], clx [i.e. cxliv], 425, 13 p.: port.; and blind. Signature of former owner 23.4 cm. on preliminary pages. 12.6 cm. Spine title: Burns’ Poetical Works. Egerer, 614. Original gold-stamped blue cloth over beveled boards; gold-stamped portrait The Poetical Works of Robert Burns. of Burns in inset diamond-shaped London: Groombridge, 1858. frame on upper and rear covers. xxix, 393 p.: port.; 17 cm. Egerer, 610. Added engraved title page, with vignette. 1858 Original purple cloth, stamped in gold Poems and Songs. and blind. Binder’s ticket: Westley’s London: Bell and Daldy, 1858. . . . London. 24-page publisher’s xvi, 272 p.: ill.; 24 cm. catalogue at end, undated. Copy 1. Original blind-stamped Egerer lists a Groombridge edition in blue cloth over beveled boards, 1857 only. upper cover and spine stamped in The Poetical Works of Robert Burns. With gold. Engraved library labels of life, notes, and glossary by A. Cun- Thomas Freer Ash and Mary ningham, Esq., with many illustra- Louisa Ash, and T. F. Ash inside tions on steel. upper cover. New York: Leavitt & Allen, 1858. Copy 2. Original blind-stamped red- x, 494 p.: ill., port.; 18.8 cm. brown cloth over beveled boards, Original red cloth. upper cover and spine stamped in Egerer, 620. Printed Materials, Books, and Sheet Music / 111

Select Songs of the Ayrshire Bard, Robert [Edinburgh], 1859. Burns. [12] leaves incl.[5] leaves of plates: ill.; Glasgow: John Cameron, [1858]. 32.5 cm. 64 p.; 13.9 cm. Original dark green bead-grain cloth, John Cameron’s Popular Series. stamped in gold and blind. Cover title: Select Songs & Ballads of Complete Poetical and Prose Works of Robert Burns. Robert Burns. With life, notes, and Original pictorial wrappers. [8] p. of correspondence by Allan Cunning- advertisements following text. ham, with original pieces from the Songs and Poems. collection of Sir Egerton Brydges. People’s Penny Library Edition. New York: S. A. Rollo & Co., 1859 Manchester; London: Ireland & Co., xii, 559 p., [14] p. of plates: ill., port.; [1858]. 24 cm. v, 119, [4] p.: ill.; 23 cm. Added engraved title page. Original gold and blind-stamped red Original blue cloth, stamped in gold. cloth. Stamped “Property of J. M. Robin- son,” with gift inscription “Miss The Works of Robert Burns. With a com- Charlotte Robinson from her father, plete life of the poet and an essay on December 25th 1867” and a pencil his genius and character by Professor “deathbed” note from Lottie “W—?” Wilson, also numerous notes, annota- to her parents dated Aug. 31, 1874. tions, and appendices, embellished by Egerer, 634. an extensive series of portraits and landscape illustrations. The Complete Works of Robert Burns. Glasgow; Edinburgh; London: Blackie, Containing his poems, songs, and cor- 1858. respondence. With a new life of the 2 v.: ill.; 25 cm. poet, and notices, critical and bio- Later half calf, cloth. Signature of John graphical, by Allan Cunningham. Wylie on front pastedown of each Boston: Phillips, Sampson, 1859. volume. 542 p.: plates, port.; 24 cm. Reissue of 1843–44 edition. Plates by J. M. Wright. See Egerer, 450, note. Added engraved title page. Original black fine-ribbed cloth, The Works of Robert Burns. With life by stamped in gold and blind. Allan Cunningham, and notes by Egerer, 622. Gilbert Burns, Lord Byron [et al.]. New edition. The Complete Works of Robert Burns. London: Henry G. Bohn, 1858. With an account of his life, and a xxiv, 820 p.: ill., port., facsim.; 23 cm. criticism on his writings. To which Added engraved title page, with are prefixed some observations on the vignette, dated 1842. character and condition of the Scot- Modern half calf, marbled boards. tish peasantry by James Currie, M.D. Egerer, 617. Probably a reissue of the with an enlarged and corrected glos- 1840 London edition. sary. Halifax: Printed and published by 1859 Milner and Sowerby, 1859. Auld Lang Syne. Illustrated by George xcviii, 260 p.: port.; 22.3 cm. Harvey. For the members of the Added engraved title page. Royal Association for the Promotion Copy 1. Original red cloth, stamped in of the Fine Arts in Scotland. gold and blind. The G. Ross Roy Collection of Robert Burns / 112

Copy 2. Signature of Isaac Watson, 1859. Information printed vertically in two Reissue of 1842 edition. Egerer, 629. lines, the first being printed on the last page of one gathering, the second Fac-simile of “Scots Wha Hae Wi’ Wallace on the first page of the following Bled.” gathering. [S.l.]: Maclure, Macdonald, & Macgre- Copy 1. Original dark purple cloth, gor, 1859. stamped in gold and blind. On spine: 1 sheet; 28 x 44.6 cm. Burns’ Poetical Works. 2/6. “Lithographed and presented by Mac- Copy 2. Contemporary red half roan, lure, Macdonald, & Macgregor in marbled boards. commemoration of the centenary of Egerer, 1084. the birth of the poet. 25th January, 1859.” The Poetical Works of Robert Burns. Single sheet. Pons Bequest. London: Groombridge, 1859. Kinsley title: “Robert Bruce’s Address to xxix, 393 p.; 16.2 cm. Bannockburn,” 425. Added engraved title page, with vignette. Lieder von Robert Burns. Übertragen von Contemporary red morocco, stamped in Georg Pertz, mit einer biographi- gold. schen Skizze von Albert Traeger und Egerer, 632. dem Portrait von Burns. Leipzig; Heidelberg: C. F. Winter, 1859. The Poetical Works of Robert Burns. lvi, 90, [2]: ill., port.; 16 cm. Edited by the Rev. Robert Aris Will- Original gilt-stamped brown cloth. mott. Illustrated by John Gilbert. Egerer, 1201. New edition. London: Routledge, Warnes, and Rout- The Poetical Works of Robert Burns. With ledge, 1859. a memoir of the author’s life and a lxiii, 478 p., [8] leaves of plates: ill., glossary. port.; 16 cm. Halifax: Milner and Sowerby, 1859. Routledge’s British Poets. xvi, 368 p.; 13 cm. Original dark brown morocco. Gauf- Added engraved title page. fered edges. Bookplate of Henry H. Advertisements on endpapers. Ficken. Original dark blue cloth, stamped in Cf. Egerer, no. 633, who lists gold and blind. Bookseller’s stamp: a “Routledge, Warne and Routledge” W. R. McPhun, Glasgow, on free front issue of 1859, London only, with a endpaper. variant including the New York Egerer, 630. address, noting “This also came out The Poetical Works of Robert Burns. in ‘Routledge’s British Poets . . .’ The A new and complete edition, including Weekly Scotsman, 27 Oct. 1934, claims many poems not extant in any other this to be a new edition. I think not”; collection. it is more likely, however, that this is London: J. H. Green, [1859]. the sole form in which Routledge viii, 374 p.; 15.3 cm. issued the work in 1859, and that On title page: London: Printed for the Egerer was misled by the Burns Booksellers. Memorial Catalogue, no. 584 et seq. On inner margin of several gatherings: Text identical to 1st issue, 1856, except: The poetical works of Robert Burns. preface reset, omitting last sentence Complete in 12 numbers. One penny and type signature; table of contents each. London: J. H. Green . . . and rearranged alphabetically; erratum, may be had of all booksellers. p. xvii, omitted and error at p. 1, note 3, corrected (now reading “Busy”). Printed Materials, Books, and Sheet Music / 113

The Poetical Works of Robert Burns. The Works of Robert Burns. With a com- Edited by the Rev. Robert Aris Will- plete life of the poet, and an essay on mott. Illustrated by John Gilbert. his genius and character by Professor New edition. Wilson, also, numerous notes, anno- London; New York: Routledge, Warnes, tations, and appendices. and Routledge, 1859. Glasgow [etc.]: Blackie, 1859. lxiii, 478, [2] p., [7] leaves of plates: ill., 2 v.: ill., plates, ports., fold. facsims.; port.; 17 cm. 24.6 cm. Routledge’s British Poets. Added engraved title page, with Advertisements follow text. vignette. Original blue cloth, stamped in gold Contemporary purple half calf, cloth. and blind. Egerer, 626. Variant of Egerer, 633. 1860 Robert Burns’ Gedichte. Übertragen H. The Complete Works of Robert Burns. Julius Heintze; mit erläuternden Containing his poems, songs, and cor- Anmerkungen. respondence, with a new life of the Leipzig: Carl Fr. Fleischer, 1859. poet, and notices, critical and bio- xxx, 264 p.: ill.; 14 cm. graphical by Allan Cunningham, Original gilt-stamped green cloth. Pons elegantly illustrated. Bequest. Boston: Crosby, Nichols, Lee & Co., Egerer, 1200. 1860. Robert Burns’ Scotch Songs. With sym- 542 p., [6] leaves of plates: ill.; 24 cm. phonies and pianoforte accompani- Added engraved title page, with ments by W. H. Montgomery. vignette. London: Published at the “Musical Contemporary brown calf. Bouquet” Office, [1859]. Egerer, 636. 116 p.; 23.7 cm. The Complete Works of Robert Burns. With Original red cloth, stamped in gold and an account of his life, and a criticism blind. on his writings, to which are prefixed The Songs of Robert Burns: With Music. some observations on the character Glasgow: John Cameron, [1859]. and condition of the Scottish peas- 128 p.: music; 14.7 cm. antry by James Currie . . . , with an Later half calf, marbled boards. enlarged and corrected glossary. London: Milner, [1860]. The Songs of Robert Burns: With Music. xcviii, [2], 260 p.: port.; 22 cm. Centenary edition. Original red cloth, stamped in gold and Glasgow: D. Jack, for the Proprietors, blind. 1859. Egerer, 1057, variant. 128 p.; 15.1 cm. Additional lithographed title page, with The Complete Works of Robert Burns. vignette, and publisher’s address: 174. Containing his poems, songs, and cor- Argyle St. respondence illustrated by W. H. Unaccompanied melodies for 1–3 voices. Bartlett, T. Allom, and other artists Original blind-stamped red cloth, let- with a new life of the poet and tered in gold on spine and upper notices, critical and biographical by cover. Allan Cunningham. Egerer, 628. London: George Virtue, [1860]. 18, l, 422, [1], [12] p.: port.; 25 cm. The G. Ross Roy Collection of Robert Burns / 114

Extra engraved title page with vignette. Original brown cloth, stamped in gold Imprint date from inscription. on spine. Volume 1 only. Bookplate Original dark brown moire horizontal with the “Parker City Oil Exchange fine-ribbed-grain cloth, stamped in Library rules” on pastedown. Ex lib- gold and blind. ris Gonzaga University Reference Library. Fac-similes of Letters and M.S.S. of Robert Burns, 1784–1790. [Collected Poems & Songs. by Robert Chambers]. London: W. & Co. (late D. Bogue), [S.l.: s.n., ca. 1860]. 86, Fleet Street, 1860. [11] pieces; 22.8–34.4 cm. xvi, 272 p.: ill.; 22.2 cm. “A collection of facsimiles of letters and Frontispiece and title page with wood- manuscripts of Robert Burns, col- engraved vignette within ornamental lected by Robert Chambers in the border. process of compiling his edition of “. . . includes such of [Burns’s] Poems The Life and Works of Robert Burns” as may with propriety be given in a (Manuscript note on preliminary leaf volume intended for the drawing- by C. Chambers). room . . .” Cover title. Contemporary red pebble-grain Several of the facsimiles are annotated, morocco, gilt. Presentation inscrip- probably by Chambers. Others are tion on preliminary leaf: “F. C. accompanied by clippings and notes Prentice with A. St. B. Wickham’s giving details of publications, obitu- best love. August 9th 1860.” aries of the addressees, etc. Egerer, 640 Contemporary maroon embossed cloth, The Poetical Works and Letters of Robert lettered in gold. Bookplate of Charles Burns. With copious marginal expla- E. S. Chambers. nations of the Scotch words, and life. The Life and Works of Robert Burns. London; Edinburgh: Gall & Inglis, Edited by Robert Chambers. [1860]. London; Edinburgh: William and xxxii, 642 p., 6 l. of plates: ill.; 19 cm. Robert Chambers, 1860. Added engraved title page, with 4 v.; 18.2 cm. vignette. Poems, songs, and letters, arranged Text bordered in red. chronologically. Original red cloth, stamped in black, Original blind-stamped red cloth, gilt- gold, and blind. White paper or vel- lettered spines. lum shield-shaped onlay, stamped Reprint of Egerer, 540. in green and gold, beveled boards. Egerer, 1015. So-called “Family edi- The Life and Works of Robert Burns. tion.” Page 259: “O” is last word of Edited by Robert Chambers. last line; engraved title page lacks London; Edinburgh: William and address as found in “Edinburgh Robert Chambers, 1860. state,” with London added, making 4 v. in 2: port.; 17.5 cm. imprint line off-center. Nineteenth-century half calf, cloth. Egerer, 540, variant. The Poetical Works and Letters of Robert Burns. With copious marginal expla- The Life and Works of Robert Burns. nations of the Scotch words, and life. Edited by Robert Chambers. Edinburgh; London: Gall & Inglis, New York: Harper & Brothers, 1860. [1860–1890?]. 4 v.; 19 cm. xxxii, 642 p.; 19 cm. “Six engravings on steel”—Title page. Printed Materials, Books, and Sheet Music / 115

Issued without frontispiece and illustra- Scottish Melodies. Arranged for the tions. pianoforte by A. C. Mackenzie. Original blue cloth, stamped in black London: Paterson; New York: Boosey, and gold. Stamp of Alexandria Ban- [1860]. ning Kimball on pastedown. 60 p. of music; 34 cm. Music only. Poetical Works of Robert Burns. With a Contains several songs by Robert Burns. complete glossary. Original bright blue cloth, stamped in New edition. gold and blind. Edinburgh: William P. Nimmo, [1860]. v, 318 p.: ill.; 17 cm. Songs and Ballads of Robert Burns. [4] p. of publisher’s advertisements Including a number of pieces not following text. to be found in any other copy. Original gilt- and blind-stamped red New and improved edition. cloth. Edges gilt. Bookseller’s ticket: Glasgow: John Cameron, 1860. Campbell’s . . . Glasgow. viii, 168, 8 p.; 12 cm. Egerer, 1020. Egerer suggests a date Advertisements follow text. between 1860–1865. Bound with: The Poetical Works of Robert Burns. Glasgow: John Cameron, 1860. The Poetical Works of Robert Burns. With Modern red binder’s cloth. From the a memoir of the author’s life, and a library of J. L. Weir, with his book- copious glossary. plate. Glasgow: John Cameron, 1860. xvi, 288 p.; 12 cm. The Works of Robert Burns. Containing With this is bound: The Songs and Bal- his life by John Lockhart, Esq., the lads of Robert Burns. New and poetry and correspondence of Dr. improved edition. Glasgow: John Currie’s edition, biographical sketches Cameron, 1860. of the poet, by himself, Gilbert Burns, Modern red binder’s cloth. From the Professor Stewart, and others, essay library of J. L. Weir, with his book- on Scottish poetry, including the plate. poetry of Burns, by Dr. Currie, Burns’s songs from Johnson’s Musical The Poetical Works of Robert Burns. With Museum and Thompson’s Select life, notes, and glossary by A. Cun- Melodies, select Scottish songs of the ningham, Esq., with many illustra- other poets. tions on steel. New York: Leavitt & Allen, [1860]. Philadelphia: Published by Jas. B. Smith iv, clx [i.e. cxliv], 425, [1], 13 p.: port.; & Co., 1860. 24 cm. x, 494 p., [2] leaves of plates: port.; Preface dated 1832. 18 cm. Original bright blue bead bead-grain Added engraved title page. cloth, stamped in gold and blind. The only illustrations are a portrait of Orange and green paper onlays on Burns and engraved title page; vari- spine, with title and portrait of Burns. ous editions of Cunningham edition Signature of William Slater, Jr., have illustrated statement on title Thomaston, Maine, at sea, Dec. 6, page, but may or may not have 1860. “many” illustrations. Cf. National Egerer, 1166. Union Catalog, Pre-1956. Red morocco stamped in gold on spine 1861 and covers. Illustrated Songs of Robert Burns. With a Egerer, 643. portrait after the original by Nasmyth. The G. Ross Roy Collection of Robert Burns / 116

[Edinburgh]: For the members of the Contemporary brown calf, stamped in Royal Association for the Promotion gold and blind. Egerer, 645. Re-issue of the Fine Arts in Scotland, 1861. of Egerer, 450. 2 p. l., [10] p.: ill., port.; 43.5 cm. Copy 1. Original green cloth, stamped in 1862 gold and blind. The Principal Songs of Robert Burns. Copy 2. Original brown cloth, stamped Translated into mediaeval Latin in gold and blind. verse, with the Scottish version collated by Alexander Leighton. Poems & Songs. Edinburgh: William P. Nimmo, St. London: W. Kent & Co., 1861. David Street, MDCCCLXII. xvi, 272 p.: ill.; 22.4 cm. 111 p.; 19.5 cm. Title and frontispiece within ornamen- Original gold-stamped green cloth, tal border. beveled boards. “. . . includes such of [Burns’] Poems as Egerer, 1225. may with propriety be given in a vol- ume intended for the drawing-room The Works of Robert Burns. With life by ...” Allan Cunningham, and notes by Original dark red cloth, stamped in gold Gilbert Burns, Lord Byron, Thomas and blind. Beveled edges. Campbell . . . [and others]. Egerer, 647. Reissue of Egerer, 640. New edition. London: Henry G. Bohn, York Street, The Poetical Works of Robert Burns. Covent Garden, 1862. Including several pieces not inserted [4], xxiv, 820 p.: port., fold. facsim.; in Dr. Currie’s edition, exhibited 23.4 cm. under a new plan of arrangement, Engraved frontispiece portrait and and preceded by a life of the author, added title page with vignette; with notes, and a complete glossary. engraved dedication page to Robert Boston: Crosby, Nichols, Lee & Com- Wallace of Kelly following title page. pany, 1861. Contemporary green calf, gilt. Inscrip- 524 p.: port.; 16 cm. tion on preliminary leaf: “Mar- Advertisement signed [ J.T.], dated Feb- maduke Head Best with the best ruary 25, 1819. wishes of Robert Sheppard Routh. Added chromolithographic page. Lacks On his leaving Eton. 1864.” frontispiece portrait. Egerer, 650. Original blind-stamped blue cloth, spine lettered in gold. 1863 Egerer, 644 The Complete Works of Robert Burns. The Works of Robert Burns. With a com- With an account of his life, and a plete life of the poet [by James Currie] criticism on his writings, to which are and an essay on his genius and char- prefixed some observations on the acter, also, numerous notes, annota- character and condition of the Scot- tions, and appendices by Professor tish peasantry by James Currie, with Wilson. an enlarged and corrected glossary. Glasgow: Blackie and Son, 1861. Halifax: Milner and Sowerby, 1863. 2 v., [48] leaves of plates: ill., facsims. xcviii, 260 p.: port.; 21.3 cm. (some folded), ports.; 24.5 cm. Added engraved title page, with Added engraved title page, with vignette. vignette. Contemporary brown half-morocco, brown cloth covered boards. Printed Materials, Books, and Sheet Music / 117

Signature of Andrew Wallace, dated Original blue cloth, stamped in gold and 1885 on front endpaper. blind. Stamped “William B. Sprague, Egerer, 654. Albany” on free front endpaper. “Christmas 1863 Albany” noted in The Lyric Gems of Scotland: A Collection of pencil on preliminary page. Scottish Songs Original and Selected with Egerer, 651, unrecorded variant. Music. Second series. The Poetical Works of Robert Burns. With Glasgow: Morrison Kyle; Edinburgh: a sketch of the author’s life. Oliver & Boyd; London: Richard Boston: Little, Brown and Company, Griffin, [1863]. 1863. viii, 280 p.; 14.8 cm. 3 v.: ill.; 17 cm. The music consists of unaccompanied Poems as “arranged and edited by melodies. Robert Chambers [1856],” with por- Dated from presentation inscription. tions of Chambers’ biography used as Contains songs by Robert Burns. prefaces to “individual pieces.” Mem- oir from Encyclopaedia Britannica, 8th The Poems of Robert Burns. edition.—Advertisement. London: Bell and Daldy, 1863. Original blind-stamped green cloth, 416, [4] p.; 14 cm. spines lettered in gold. 8 p. catalog: “This edition . . . is printed from the last New and standard publications of Aldine edition, carefully revised; all Little, Brown and Company, bound the copyright pieces, which belong to before text of volume 1. the proprietors of that edition exclu- Egerer, 652. sively, are included in this; they con- sist of some entire poems, several Poetical Works of Robert Burns. With a additional stanzas, printed from MSS, memoir of the author’s life and a in the handwriting of Burns himself, glossary. collected at considerable expense by Halifax: Milner and Sowerby, 1863. the late Mr. Pickering. Both in this, xvi, 368 p.; 12 cm. and in the corresponding volume of Modern dark blue binder’s cloth. From the “Songs” of Burns, the editor has the library of J. L. Weir, with his strictly adhered to the poet’s own text bookplate. Egerer lists only The Com- . . .” p. [i]. plete Works of Robert Burns, Halifax, Advertisements follow text. 1863. Original green cloth, stamped in gold Egerer, 654, reissue. on spine. Signature of former owner, The Poetical Works of Robert Burns. W. Leech, dated April 1924 on Edited by the Rev. Robert Aris preliminary page. Wilmott. Illustrated by John Gilbert. Egerer, 655, unrecorded variant. New edition. The Poetical Works of Robert Burns. London; New York: Routledge, Warne, Including several pieces not inserted and Routledge, 1863. in Dr. Currie’s edition, exhibited lxiii, 478 p., [7] leaves of plates: port.; under a new plan of arrangement, 16.5 cm. and preceded by a life of the author Library label of W. Frank Morgan, with notes, and a complete glossary. Warminster. Boston: Crosby and Nichols, 1863. Original bright blue cloth, stamped 524 p.: ill.; 16 cm. in gold and blind. Binders’ ticket Added engraved title page. of Hanbury and Co. Signature of Edward Wansey, 1861 [sic]. Egerer, 656. Reissue of Egerer, 598. The G. Ross Roy Collection of Robert Burns / 118

The Songs of Robert Burns. of the British Poets. In forty-two London: Bell and Daldy and Sampson, volumes. Volumes XXXIII and Low and Son, and Co., 1863. XXXIV. 319 p.; 14 cm. Original blind-stamped purple cloth, Original green cloth, stamped in gold rebacked, spines lettered in gold. on spine. Egerer, 662. The Works of Robert Burns. With a com- The Poetical Works of Robert Burns. With plete life of the poet, and an essay on memoir, prefatory notes, and a com- his genius and character, by Professor plete marginal glossary. Wilson. Also numerous notes, annota- Glasgow: J. S. Marr, [1864]. tions and appendices. 597 p.: ill., port.; 16.3 cm. Glasgow; Edinburgh; London: Blackie Added illustrated title page, with and Son, 1863. vignette. 2 v. in 1: fronts., plates, ports., fold. fac- Estimation of dates for this work range sims.; 24.5 cm. from 1864 to 1870. Added title page, engraved, with Later half calf, cloth. vignette. See Egerer, 1041. Contemporary dark green half calf, The Songs of Robert Burns. cloth. London: Bell and Daldy, 1864. Egerer, 657. [v], 319 p.; 16.2 cm. 1864 Original dark green cloth, stamped in gold. The Ballads and Songs of Robert Burns. Egerer, 665. With a lecture on his character and genius by Thomas Carlyle. Tam o’ Shanter and Souter Johnny: A Poem. London: Charles Griffin, 1864. Illustrated by Thomas Landseer. xvi, 224 p.: ill., ports.; 16.4 cm. Philadelphia: Maas & Vogdes, 1864. “Lecture on the Character and Genius 16 p., [6] leaves of plates: ill.; 19.4 cm. of Burns by Thomas Carlyle,” “Printed and donated to the Great Cen- p. 1–12. tral Fair by Mass & Vodges.” Copy 1. Contemporary green cloth, gilt, Original buff pictorial wrapper. beveled boards. Portrait of Burns Kinsley, 321. stamped on upper cover. Copy 2. Later red morocco. In red board 1865 slipcase. Fore-edge painting of Friars A Book of Favourite Modern Ballads. Carse, the home of Robert Riddell Illustrated with fifty engravings from from Grose’s Antiquities of Scotland, drawings by the first artists. 1789–91. London: Henry G. Bohn, [1865]. Egerer, 664. 167 p.: ill.; 23.7 cm. Contains four poems by Robert Burns: The Poetical Works of Robert Burns. With “Afton Water,” “Bonnie Jean,” “John memoir, critical dissertation, and Barleycorn,” and “Duncan Gray.” explanatory notes, by the Rev. George This version of “John Barleycorn” Gilfillan. The text edited by Charles has only 12 of the 15 stanzas. Cowden Clarke. Original bright blue cloth, stamped in Edinburgh: James Nichol, gold and blind. M.DCCC.LXIV. 2 v.; 22.1 cm. The Complete Poetical Works of Robert Half-title page: Nichol’s Library Edition Burns. With an original memoir by Printed Materials, Books, and Sheet Music / 119

William Gunnyon, with portrait an New York: D. Appleton, [1865]. illustrations on wood by eminent 542 p.: ill., port.; 24 cm. artists. Original brown morocco, stamped in 3rd edition. black and gold. Added engraved title Philadelphia: J. B. Lippincott & Co., page, with vignette and imprint: [pref. 1865]. Boston: Crosby, Nichols, Lee & Co. 17, cxlviii, 523 p., [16] p. of plates: ill., The first Crosby, Nichols, Lee edition port.; 17.4 cm. was 1860. Egerer, 636. Added title page with vignette. The only Appleton edition of The Com- Original green cloth, stamped in gold plete Works of Burns is dated 1882. and blind. Egerer, 814. The Complete Works of Robert Burns. The Complete Works of Robert Burns. Including his correspondence, etc. Containing his poems, songs, and With a memoir by William Gunnyon. correspondence, with a new life of The text carefully printed, and illus- the poet, and notices, critical and trated with notes. biographical by Allan Cunningham. Edinburgh: William P. Nimmo, 1865. New York: Oliver S. Felt; Boston: 12 p., 2 l., lxxviii, 405 p.: port., plates; Crosby & Ainsworth, 1865. 23.5 cm. lx, 542 p., [8] leaves of plates: ill.; Original green cloth, beveled boards, 23.5 cm. spine lettered in gold. Publisher’s Text inside black border. monogram “JLB & Co” at foot of Copy 1. Original embossed leather, spine. Inscription on front free endpa- stamped in gold. Bookplate of Mrs. per: “Presented to Mrs. E. K. Smedley Stoud on front free endpaper. “From by her friend T. R. May 23d 1867;” R. B. S. Dow” on reverse of frontis- ownership note: “Howard Smedley piece. July 1, 1883” on preliminary leaf. Copy 2. Original calf, raised bands, Egerer, 670; but has dated preface men- black leather title label. tioned in 668. The Poetical Works of Robert Burns. With The Complete Works of Robert Burns. a sketch of the author’s life. Containing his poems, songs, and cor- Boston: Little, Brown, 1865. respondence. Illustrated by W. H. 3 v.: port.; 17 cm. Bartlett, T. Allom, and other artists. The British Poets. With a new life of the poet, and Original green quarter cloth, red notices, critical and biographical by boards. Printed paper label on spine. Alan Cunningham. No. 33/100 copies. London: Virtue & Co., [1865]. Egerer, 667. 422 p.: ill., ports.; 25.4 cm. The Poetical Works of Robert Burns. Apparently a reissue of the edition of Edited from the best printed and 1839. manuscript authorities, with glossar- Original green cloth, stamped in gold. ial index and a biographical memoir Signature of William J. McClure. by Alexander Smith. Egerer, 1064, second variant. London: Macmillan and Co., 1865. The Complete Works of Robert Burns. 2 v.: ill., port.; 15.7 cm. Containing the poems, songs, and Golden Treasury Series. correspondence with a new life of Original gold-stamped green cloth. the poet and notices, critical and bio- Binder’s ticket: Burn, 37 & 38 Kirby graphical by Allan Cunningham. St. Bookseller’s ticket: Js. McKelvie, The G. Ross Roy Collection of Robert Burns / 120

Greenock. Library label of Thos. Most Authentic Sources, with Brief Drummond M’Murich in each volume. Notices. John Gilchrist, editor. Egerer, 678. Edinburgh: J. Stillie, 1865. xx, 416 p.: port.; 20 cm. The Poetical Works of Robert Burns. Copy 1. Original rose-colored cloth, Edited by the Rev. Robert Aris black-printed lettering label on spine. Wilmott, illustrated by John Gilbert. Untrimmed pages. New edition. Copy 2. Original red cloth, stamped in London: Routledge, Warne, and Rout- gold on spine. Untrimmed pages. ledge, 1865. Bookplate of William Macmath on lxiii, 478 p., [1] leaf of plates: port.; 16.3 pastedown. Note on [4] prefatory cm. page: “This copy has the cancelled Routledge’s British Poets. leaf, with the original title of The Original red cloth, stamped in gold and Leith Miscellany &c.” Receipt and blind. Bookseller’s ticket: Chancellor notes in separate envelope. . . . Shrewsbury. Signatures of Miss Lupton and Scott. 1866 Egerer, 679. Reissue of Egerer, 598. The Complete Poetical Works of Robert The Popular Songs of Robert Burns. Words Burns. Edited by John S. , and music, as sung by the most emi- with an original memoir by William nent vocalists and representatives of Gunnyon. Scottish character. Edinburgh: William P. Nimmo, [1866]. Glasgow: John S. Marr, [1865]. cxlviii, 523 p.: ill., port.; 16.3 cm. iv, 64 p.; 14 cm. Added engraved title page. Original wrappers, printed in blue. Pre- “Preface to 4th edition” dated 1866. viously owned by William Angus. Original green cloth, stamped in gold and blind. Bookseller’s ticket: K. Bur- The Works of Robert Burns. Containing den . . . Islington. his poems, songs, and correspondence Egerer, 1003. with life and notes, critical and bio- graphical, by Allan Cunningham. The Complete Poetical Works of Robert Edinburgh: James Inglis, [1865]. Burns. Edited by John S. Roberts, 2 v.: ill.; 24.3 cm. with an original memoir by William Contemporary black morocco, stamped Gunnyon, with portrait and illustra- in gold and blind. tions on wood by eminent artists. Egerer, 672. 15th thousand. New York: The American News Com- The Works of Robert Burns. Illustrated by pany, 1866. an extensive series of portraits and cxlviii, 523 p.: ill.; 16.6 cm. authentic views with a complete life Added engraved title page. of the poet, an essay on his genius Original green cloth, stamped in gold and character by Professor Wilson, and blind. numerous notes, annotations, and Egerer, 696. appendices. London: Blackie, 1865. The Complete Poetical Works of Robert 2 v.: ill.; 24.4 cm. Burns. Containing his poems, songs, Contemporary half calf, cloth. and correspondence, with a new life of Egerer, 680. the poet, and notices, critical and biog- raphical by Allan Cunningham. Scottish Songs: Ancient and Modern, Care- New York: Oliver S. Felt; Boston: fully Collated and Corrected from the Crosby & Ainsworth, [1866]. Printed Materials, Books, and Sheet Music / 121 lx, 542 p., [6] leaves of plates: ill.; 25 cm. Poetical Works of Robert Burns. Added engraved title page. Advertisements follow text. Contemporary calf, black leather label Original green cloth, stamped in gold stamped in gold, raised bands, mar- and blind. bled endpapers. The Complete Works of Robert Burns. Identical to Egerer, 697 but without a Containing his poems, songs, and cor- date. respondence. With a new life of the The Complete Poetical Works of Robert poet, and notices, critical and biogra- Burns and Sir Walter Scott. Illus. with phical by Alan Cunningham. fine steel portraits, and a facsimile of New York: Oliver S. Felt, 1866. a characteristic letter of Burns to Mrs. lx, 542 p.: ill.; 23.3 cm. Riddell. Rebound in green modern binder’s New edition. cloth, stamped in gold. London: James Blackwood, [1866]. Gems of Scottish Song: A Collection of the 423 p.: ill.; 23 cm. Most Beautiful Scotch Ballads, Set to Blackwood’s Universal Library of Stan- Music. Arranged and compiled from dard Authors. the very best sources and latest Original dark green cloth, stamped in revivals of the authors’ works. black and gold. Boston: O. Ditson, 1866. Egerer, 1052. 200 p.: music; 28.7 cm. The Complete Works of Robert Burns. Contains several songs by Robert Burns. With an account of his life and a criti- Copy 1. Original blue-green printed cism on his writings to which are boards. prefixed some observations on the Copy 2. Original brown cloth, stamped character and condition of the Scot- in gold. tish peasantry by James Currie, with The Illustrated Family Burns. With an an enlarged and corrected glossary, original memoir. and eight engravings on steel. Glasgow: W. MacKenzie, [1866]. Halifax: Milner and Sowerby, 1866. xxxii, 463, 72, ii, vi p.: ill., port.; xc, 658, 16 p., [8] leaves of plates: ill.; 24.2 cm. 17 cm. Contemporary green half morocco, cloth. Added engraved title page, with Egerer, 1033. vignette. Original dark green cloth. Armorial The National Edition of the Works of bookplate of W. W. Arkwright. Pub- Robert Burns. Comprising the poems, lisher’s catalogue: 16 p. at end. songs, and letters, with the biog- raphies of Currie and Lockhart, and The Complete Works of Robert Burns. a general introduction edited by With an account of his life and a criti- , illustrated with cism on his writings to which are twenty-four full-page plates. prefixed some observations on the London; Paris; New York: Cassell, character and condition of the Scot- Petter, Galpin, [1866]. tish peasantry by James Currie, with 2 v.: ill., ports.; 25 cm. an enlarged and corrected glossary, Original red half morocco, cloth. and eight engravings on steel. Egerer, 1069. London; Halifax: Milner and Sowerby, 1866. The Poetical Works of Robert Burns. xc, 658, 16 p., [8] leaves of plates: ill.; Including several pieces not inserted 17 cm. in Dr. Currie’s edition, exhibited Added engraved title page with title: under a new plan of arrangement and The G. Ross Roy Collection of Robert Burns / 122

preceded by a life of the author with New edition. notes and a complete glossary. London; New York: George Routledge Boston: Crosby & Ainsworth; New and Sons, 1866. York: Oliver S. Felt, 1866. lxii, [i], 478 p., [7] leaves of plates: ill., 524 p.: port.; 16.7 cm. port.; 16 cm. Contemporary half morocco, marble Frontispiece portrait of Burns and his paper covered boards. house. Egerer, 682. Publisher’s advertisements: [2] p. fol- lowing text. The Poetical Works of Robert Burns. Later red cloth, gilt-stamped spine. London: Bell and Daldy, 1866. Egerer, 692, variant. 3 v.; 19.2 cm. Aldine edition of the British Poets. The Works of Robert Burns. Illustrated by Copy 1. Original red cloth, paper label an extensive series of portraits and on spine. Number 33 of 250 large authentic views. With a complete paper copies printed for subscribers in life of the poet, a essay on his genius the United States. and character by Professor Wilson, Copy 2. Original purple cloth, stamped numerous notes, annotations, and in gold. appendices. Egerer, 690. London: Blackie, 1866. 2 v.: ill.; 24.3 cm. The Poetical Works of Robert Burns. With Added engraved title pages, with a memoir of the author’s life and a vignette. glossary. Contemporary half calf, cloth. London: Milner, [1866]. Reissue of 1843 Glasgow edition, xvi, 368 p.: col. ill.; 12.5 cm. Egerer, 695. Original gray-green cloth, stamped in black. 1867 Egerer, 1107. Reissue of 1840 Halifax The Beauties of Robert Burns. A selection edition. of his popular songs as sung by the The Poetical Works of Robert Burns. Edited most distinguished Scottish vocalists. by the Rev. . Glasgow: John S. Marr & Sons, [ca. 1867]. New edition, with numerous additions. 64, 16 p.; 12 cm. London: George Routledge and Sons, Advertisements (16 p.) following text. Broadway, Ludgate Hill, 1866. Original pale violet pictorial wrappers. lv, [1], 299, [1] p., [1] leaf of plates: port.; The Complete Poetical Works of Robert 15 cm. Burns With explanatory and glossarial Note to preface signed: P.A.N. [i.e., P. A. note, and a life of the author by James Nuttall]. Currie, M.D. Frontispiece portrait engraved by J. B. New edition. Hunt after A. Nasmyth. Glasgow: John Cameron, 1867. Original blind-stamped blue cloth, xxxiv, 575 p.; 17 cm. spine lettered in gold. Presentation Text in black borders. inscription from E. Pugh to Edward Original blind-stamped reddish-orange E. Atherton, June 1875, on front free cloth. Bookplate of William M. Flem- end paper. ing. Egerer, 691. Egerer, 699. The Poetical Works of Robert Burns. The Complete Prose Works of Robert Burns. Edited by the Rev. Robert Aris Will- Edinburgh: W. P. Nimmo, [1867]. mott, illustrated by John Gilbert. Printed Materials, Books, and Sheet Music / 123 x, 461 p.: port.; 16.7 cm. Life and Works of Robert Burns. By Publisher’s catalogue, dated “6.67,” P. Hately Waddell, enriched with 24 p. at end. portraits and numerous illustrations Original brown cloth stamped in gold in color, from original designs. and blind. Glasgow: David Wilson, 1867. Egerer, 1004. Reissue of 1865 (?) 2 v.: ill. (part col.) ports. (part col.), Nimmo edition. fascim.; 28.5 cm. Copy 1. Original bright blue cloth, The Complete Works of Robert Burns. stamped in gold and blind. Including his correspondence and the Copy 2. Original red cloth, decorated in poetical works of Sir Walter Scott gilt and blind. Black and white illus- illustrated with portraits and numer- trations only. ous steel engravings. Egerer, 701, variant. Glasgow; London: Williams Collins, 1867. 2 v.: ill., ports.; 24 cm. Life and Works of Robert Burns. By Added engraved title page, with P. Hately Waddell, enriched with por- vignettes: volume 1. traits, and numerous illustrations in Volume 2 also contains The Works of color, from original designs. James Thomson. Glasgow: David Wilson, 1867. Original half morocco, cloth. 2 v. in 1.: col. ill., map, facsims., 1 fold.; Egerer, 700. 28.5 cm. Originally issued in parts. The Complete Works of Robert Burns. Original dark yellow wrappers bound Including his correspondence, etc. in at end. “A new edition by P. Hately The text carefully printed and illus- Waddell” on the upper cover of each trated with notes. With portrait and wrapper. illustrations on wood by eminent Contemporary dark red cloth. Pub- artists. lisher’s prospectus for certain parts Philadelphia: J. B. Lippincott, 1867. mounted on wrappers. Article about 12, [4], lxxviii, 405 p., [10] p. of plates: P. Hately Waddell from Glasgow Her- ill., port.; 24 cm. ald, 1/21/28 laid in. Added engraved title page. Egerer, 701. Original brown cloth, stamped in gold on spine. Life and Works of Robert Burns. By Egerer, 710. P. Hately Waddell, enriched with por- traits, and numerous illustrations in The Cotter’s Saturday Night. Illustrated color, from original designs. by F. A. Chapman. Glasgow: David Wilson, 1867. New York: Scribner, 1867. lxiv, 440, 240, cx p., [30] p. of plates: ill. 47 p.: ill., 4 pl.; 20.8 cm. (some col.), ports., facsims.; 29 cm. Printed on one side of leaf only. Original half calf stamped in gold, Added engraved title page. over brown cloth. Copy 1. Original light brown morocco, Egerer, 701, but imperfectly described, stamped in gold and darker brown. see pagination above. Copy 2. Original dark brown morocco, stamped in gold and black. The Poems and Songs of Robert Burns. Copy 3. Original dark green cloth, Illustrated by about one hundred stamped in gold and blind. Front free engravings by Birket Foster, Harrison endpaper lacking. Weir, etc. Kinsley title: “The Cotter’s Saturday London; New York: Routledge, 1867. Night, Inscribed to R. A****, Esq.,” 72. xiii, 463, vi p.: ill.; 24.6 cm. The G. Ross Roy Collection of Robert Burns / 124

Original dark green cloth, stamped in Poems & Songs. With original illustra- gold and blind. Bookseller’s ticket: tions by R. Herdman. Henry Southeran . . . London. “Edina” edition. Egerer, 706. Edinburgh: William P. Nimmo, 1868. xviii, [2], 336 p.: ill.; 23 cm. Poems, Chiefly in the Scottish Dialect. Original purple cloth, stamped in gold, Kilmarnock: James M’Kie, 1867. black, and blind. Portrait medallion 240 p.; 28 cm. of Burns inlaid on upper cover. No. 47/50 copies on large paper, signed Beveled edges. by the publisher. Egerer, 711. Original boards. Egerer, 702 lists only the regular paper Poems, Songs, and Letters. Being the com- edition. plete works of Robert Burns edited from the best printed and manuscript Poems, Chiefly in the Scottish Dialect. authorities, with glossarial index and Kilmarnock: J. M’Kie, 1867. a biographical memoir, by Alexander 240 p.; 23 cm. Smith. “Reprint and fac-simile of the original Globe edition. Kilmarnock edition [ J. Wilson, 1786]” London: Macmillan, 1868. “Limited to 600 copies . . .” xlvii p., 636 p.; 18 cm. Original boards. No. 558/650 copies Later Russian leather. Signature of signed by edition James M’Kie. Pub- E. G. Thomson. lisher’s presentation copy to James Egerer, 715. First printing of this issue. Stewart. Egerer, 702. The Poetical Works of Robert Burns. Including several pieces not inserted The Poetical Works. in Dr. Currie’s edition, exhibited New York: James Miller, 1867. under a new plan of arrangement and 2 v.; 15 cm. preceded by a life of the author with Half calf over marbled paper covered notes and a complete glossary. boards. Signature of E. H. Davis, Boston: Crosby & Ainsworth; New dated March 1884, on title pages. York: Oliver S. Felt, 1868. “Robert Burns to Clarinda.” 524 p.: port.; 16.7 cm. In: How To Write: A Pocket Manual of Original dark green cloth, stamped in Composition and Letter-Writing. Glas- gold and blind. Presentation copy to gow: John S. Marr; London: Houlston W. Ormiston Roy, 1955. & Wright, [1867], p. 109–110. Probable reprint of Egerer, 682. 1868 The Poetical Works of Robert Burns. With his life and character, and a critique The Complete Poetical Works of Robert on his writings, a glossary, etc. Burns. With explanatory and glossar- Halifax: W. Nicholson; London: S. D. ial notes, and a life of the author by Ewins, 1868. James Currie. 415, [1] p.: col. ill.; 12.2 cm. New York: D. Appleton, 1868. [1] p. of publisher’s advertisements 612 p., [5] leaves of plates: ill., port.; following text. 16.7 cm. Original blue cloth. Spine stamped in Copy 1. Original glazed yellowish- gold. Publisher’s advertisements on cream wrappers, lettered in dark blue. endpapers. Copy 2. Original dark green buckram, Egerer, 713. stamped in gold and blind. In the pri- vate collection of G. Ross Roy. Printed Materials, Books, and Sheet Music / 125

The Poetical Works of Robert Burns. Com- 612 p.; 18 cm. plete with numerous illustrations. Original dark leather shelfback, over London: John Dicks, 1868. green cloth, stamped in gold. Signa- xxxvii, 218, ix p., [9] leaves of plates: ture of Wm. Forsyth, former owner, ill.; 17.7 cm. on pastedown. Bound with The Poetical Works of Lord The Complete Works of Robert Burns. Byron. London: John Dicks, [1869]. Containing his poems, songs, and cor- Contemporary dark green cloth, by respondence. With a new life of the D. L. Pollock, Greenock. Ownership poet, and notices, critical and biogra- stamp of William M. Ramsay. phical by Alan Cunningham. Egerer, 716. New York: Felt & Dillingham; Boston: The Poetical Works of Robert Burns. Com- Woolworth, Ainsworth, & Co., plete with numerous illustrations. [1869?]. London: John Dicks, 1868. lx, [61]–542 p.: ill.; 25 cm. xxxvii, 218, ix,[6] p., [9] leaves of Added engraved title page by O. Pelton plates: ill.; 19 cm. with imprint Boston: Crosby, Nichols, Original pictorial wrappers, with Ltd. & Co. advertisements. In the private collec- Appears to have some relationship to tion of G. Ross Roy. Egerer, 697 (New York, 1866). Egerer, 716. Poems, Chiefly in the Scottish Dialect. Tam o’ Shanter. With illustrations by Poems as they appeared in the early E. H. Miller; photographed by Edinburgh editions by Robert Burns. Gardner. Kilmarnock: Printed by James M’Kie, New York: W. J. Widdleton, Publisher, 1869. 1868. viii, [v]–xlviii, [9]–224 p.: port.; 23 cm. 20, [3] leaves, [8] leaves of plates: ill., Original boards, partially unopened. port.; 26.7 cm. One of 600 copies, signed by the pub- Original gold-stamped purple cloth, lisher. beveled boards. Egerer, 724. Kinsley, 321. Poems, Chiefly in the Scottish Dialect: The Works of Robert Burns. Illustrated Posthumous Poems. by an extensive series of portraits and Kilmarnock: J. M’Kie, 1869. authentic views, with a complete life xii, 370 p.; 23 cm. of the poet, an essay on his genius Original boards. Signed by James and character, by Professor Wilson, M’Kie. numerous notes, annotations, and The Poetical Works and Letters of Robert appendices. Burns. Including several pieces not London: Blackie & Son, 1868. inserted in Dr. Currie’s edition, exhib- 2 v.: ill.; 24.3 cm. ited under a new plan of arrangement Later half calf, cloth. and preceded by a life of the author Egerer, 719. with notes and a complete glossary. 1869 Boston: Woolworth, Ainsworth & Co., 1869. The Complete Works of Robert Burns. With 524 p.; 16 cm. explanatory and glossarial notes, and a Added engraved title page in color. life of the author by James Currie. Original blue cloth, stamped in gold and New York: D. Appleton & Company, blind. 1869. The G. Ross Roy Collection of Robert Burns / 126

The Poetical Works and Letters of Robert xiv, 396, xxvi p.; 23 cm. Burns. With copious marginal expla- Original boards. Unopened. Signed by nations of the Scotch words, and life. editor, James M’Kie. Engravings on steel. Egerer, 725. Edinburgh: Gall & Inglis, [1869]. [iii]–xxii, [3]–642 p., [6] p. of plates: 1870 ill.; 16.5 cm. The Complete Poetical and Prose Works of At head of title: Family edition. Robert Burns. With life, notes, and Added engraved title page, with correspondence by A. Cunningham, vignette. with original pieces from the collec- A reprint of the “purged” edition of tion of Sir Egerton Brydges, Bart., 1865. Gibson, p. 89. and illustrations. Original dark red pictorial cloth. New York: Leavitt and Allen, [1870]. Egerer, 1017, one of several reprints of xiii, 559 p., [16] leaves of plates: ill., this edition. port.; 16.7 cm. All plates except frontispiece wanting. The Poetical Works of Robert Burns. Copy 1. Rebound in modern dark green Including several pieces not inserted binder’s cloth. in Dr. Currie’s edition, exhibited Copy 2. Original dark red pictorial under a new plan of arrangement, cloth. and preceded by a life of the author, Egerer, 1144. with notes, and a complete glossary. New York: T. Y. Crowell, [1869]. The Complete Poetical Works of Robert 524 p.; 17.5 cm. Burns. With an enlarged and cor- Copy 1. Original green cloth, stamped in rected glossary. black, gold and blind. Signature of London: Milner & Co., [ca. 1870]. Eliza G. Tait, Paisley. xiii, 404, 14 p.; 18.4 cm. Copy 2. Original black-stamped red 14 p. publisher’s catalogue following cloth. Blind stamp of Joseph F. text. O’Connell. Date suggested by catalogue. Possibly Egerer, 1152. Original red pictorial cloth. Egerer, 1057. The Poetical Works of Robert Burns. Con- taining his poems, songs, and corre- Complete Works of Burns. With a memoir spondence. With a new life of the of the author & a glossary of the poet, and notices, critical and bio- Scottish dialect, &c. graphical by Allan Cunningham. Glasgow; Edinburgh: William Macken- New York: Felt & Dillingham; Boston: zie, [1870]. Woolworth, Ainsworth, & Co., [1869]. 1 volume in 17 parts, 32 leaves of plates: lx, [61]–542 p.: ill.; 25 cm. ill., port., facsim.; 26 cm. Added engraved title page by Oliver Pel- Engraved title page. Frontispiece por- ton with imprint Boston: Crosby, trait of Burns. Nichols, Ltd. & Co. Parts 9–17 postmarked 1870–71. Modern green binder’s cloth, stamped Original pictorial wrappers. Advertise- in gold on spine. ments on each part. Appears to have some relationship to The Complete Works of Robert Burns. Egerer, 697 (New York, 1866). Edited by Allan Cunningham. Songs, Chiefly in the Scottish Dialect. Edinburgh: Thomas C. Jack, Grange Kilmarnock: J. M’Kie, 1869. Publishing Works, [1870]. 2 v. in 4: ill., ports., music; 24.5 cm. Printed Materials, Books, and Sheet Music / 127

Probably originally issued in parts Contemporary half calf, cloth. Extra intended to be bound as 2 volumes portrait of Burns laid in. when complete. Illustrations bound at Egerer, 734, reissue of 1867 editor. front of each volume added engraved Poems, Chiefly in the Scottish Dialect. title page, with vignettes, volumes 1 American edition. and 3, the latter stating: “volume 2.” Kilmarnock: James M’Kie, 1870. Original red cloth, stamped in black and 240 p.; 23 cm. gold. Original boards. Signed by the editor, Egerer, 1006. James M’Kie. The Complete Works of Robert Burns. Egerer, 738, variant 2. Chronologically arranged with life Poems, Chiefly in the Scottish Dialect. and notes critical and biographical American edition. by Allan Cunningham; and numerous Kilmarnock: James M’Kie, 1870. notes by Lord Byron, Thomas Camp- 240 p.; 23 cm. bell, Thomas Carlyle, Lord Jeffery, “Printed for J. Campbell, Toronto.” T. Landseer, Lockhart, Sir Walter Original boards. Signed by the editor Scott, Professor Wilson, Words- James M’Kie. worth. Egerer, 738, variant 3. Glasgow: John McGready, [1870]. 2 v.: ill., port.; 26 cm. Poems, Chiefly in the Scottish Dialect. Original black cloth. Kilmarnock: Printed by J. Wilson, 1786. Egerer, 1031. (Newport, R.I.: Kilmarnock Printed, J. Brown & Co., 1870). The Complete Works of Robert Burns. viii, [9]–240 p.; 23 cm. Containing his poems, songs, and cor- “Reprint and fac-simile of the original respondence with a new life of the Kilmarnock edition. Printed at Kil- poet, and notices, critical and bio- marnock, Scotland, in 1870, by James graphical by Allan Cunningham M’Kie. American edition.” New York: F. B. Felt; Cincinnati: Original boards. Signed by the editor R. Clarke, [1870]. James M’Kie. 542 p.; ill.; 23.6 cm. Egerer, 738, variant 4. Original brown morocco, stamped in black and gold. Poems, Chiefly in the Scottish Dialect. Kilmarnock: Printed by J. Wilson, 1786. Cotter’s Saturday Night. (; Kilmarnock: Printed, Philadelphia: Porter & Coates, [187-?]. R. Worthington, 1870). [27] l.: ill.; 20 cm. viii, [9]–240 p.; 23 cm. Original off white boards, stamped in “Reprint and fac-simile of the original silver and gold. Bookplate of Jay Kilmarnock edition. Printed at Kil- Louis, Enid, Oklahoma. marnock. Scotland, in 1870, by James In the private collection of G. Ross Roy. M’Kie. American edition. Printed for Kinsley title: “The Cotter’s Saturday R. Worthington . . . Montreal.” Night, Inscribed to R. A****, Esq.,” 72. Original boards. Unopened. Signed by Life and Works of Robert Burns. the editor James M’Kie. Signature of Critical and analytical edition by Nathan Cleaves, former owner, dated P. Hately Waddell. 1874. Glasgow: Printed and published by Egerer, 738, similar to variant 5, but: David Wilson, 1870. “Printed for J. Worthington, Great St. 2 v. in 1: ill., ports., facsim.; 27.5 cm. June St., Montreal.” Volume 2 has half-title only. The G. Ross Roy Collection of Robert Burns / 128

Poems, Songs and Letters. Being the com- 240 p.; 16.2 cm. plete works of Robert Burns edited The Poetical Library. from the best printed and manuscript Original terra-cotta cloth, stamped in authorities, with glossarial index and gold and blind. Signature of Annie a biographical memoir, by Alexander Haworth and Whittaker Haworth. Smith. The Poetical Works of Robert Burns. Globe edition Complete, with numerous illustra- London: Macmillan, 1870. tions. lxii, 636 p.: port.; 17.5 cm. London: John Dicks, [1870]. Four page publisher’s catalogue at end. xliii, 218, ix p.: ill.; 18.5 cm. Copy 1. Original green cloth, stamped in Printed in double columns. gold and blind. Original red cloth, stamped in black and Copy 2. Contemporary dark red gold. Signature of Martha Brownlee. straight-grain morocco. Egerer, 1091. Egerer, 739. The Poetical Works of Robert Burns. With The Poetical Works of Robert Burns. critical and biographical notices by Glasgow: R. Forrester, [1870]. Allan Cunningham and a glossary xiv, [2], 158 p.: ill.; 13 cm. elegantly illustrated by Schmolze. Universal Library: Cabinet Edition of Philadelphia: E. H. Butler, 1870. the Poets. x, 604 p., [11] p. of plates: ill.; Original dark green cloth, stamped in 20.8 cm. gold and blind. Added engraved title page. The Poetical Works of Robert Burns. With Original terra cotta colored cloth, memoir, prefatory notes, and a com- stamped in black and gold. News- plete marginal glossary edited by John paper clipping of Robert G. Ingersoll’s & Angus Macpherson. “The Birthplace of Burns” loosely Glasgow: John S. Marr, [1870]. inserted. 596 p.: ill., port.; 17 cm. The Poetical Works of Robert Burns. With Added title page, illustrated. critical and biographical notices by Publisher’s catalogue: 10 p. at end, Allan Cunningham, and a glossary, undated. elegantly illustrated by Schmolze. Original limp orange pictorial cloth. Philadelphia: Porter & Coates, [1870]. Signature of May Arthur. x, [25]–604 p., [5] leaves of plates: ill.; Egerer, 1041, reprint. 24 cm. The Poetical Works of Robert Burns. Imperfect: added title page and all but London: Bell and Daldy, 1870. one plate lacking. 3 v.; 16.8 cm. Copy 1. Original brown pictorial cloth. Aldine Edition of the British Poets. Signature of T. W. Lauderdale. Volumes 1–2 lack imprint date. Egerer, 1174 variant, lacking pub- “Memoir of Burns, by Sir Harris Nico- lisher’s address in imprint. las”: v. 1, p. [xvii]–lxxiv. Copy 2. Contemporary calf. Hinges Original green pictorial cloth. Book- repaired with modern green cloth. seller’s ticket: George’s . . . Bristol. Imperfect: lacking added title page. Signature of Peter Wordie, 1871. Publisher’s address in imprint. Egerer, 741. Egerer, 1174. The Poetical Works of Robert Burns. The Poetical Works of Robert Burns. London: Cameron and Ferguson, Philadelphia; Porter & Coates, [187-?]. [1870]. 288 p.: ill.; 15 cm. Printed Materials, Books, and Sheet Music / 129

Copy 1. Original green cloth, stamped in colored paper onlay mounted on gold, blind stamping on back cover. upper cover. Copy 2. Original brown cloth, stamped Reissue of Egerer, 668. in gold, without blind stamping on The Complete Poetical Works of Robert back cover. Burns. Arranged in the order of their The Works of Robert Burns: Poetical and earliest publication . . . with a memoir Prose. Arranged and edited by of the poet, on a plan now first adopted, “Gertrude” [i.e. Jane Cross Simpson]. and new annotations, introductory Household illustrated edition, specially notices, &c written expressly for the prepared for family reading. recent work by William Scott Douglas. Glasgow; London: W. R. M’Phun, 1870. Kilmarnock Popular Edition. 2 v.: ill.; 25 cm. Kilmarnock: James M’Kie, 1871. Added title page, engraved, with 2 v.: port.; 20 cm. vignette. Frontispiece portrait. Edition statement at head of title. Added title page: Family edition. Original dark blue cloth, stamped in Later black half-morocco, green cloth. gold and blind. Gilt-stamped spine. Egerer, 744. Egerer, 737 The Complete Prose Works of Robert The Works of Robert Burns. Illustrated Burns. by an extensive series of portraits and Edinburgh: W. P. Nimmo, 1871. authentic views. With a complete life of x, 461 p.: port.; 16.5 cm. the poet, an essay on his genius and Twenty-four page publisher’s catalogue character by Professor Wilson. Numer- at end. ous notes, annotations and appendices. Original brown pictorial cloth. London: Blackie, 1870. Probably a reissue of Nimmo’s 1865 (?) 2 v.: ill.; 23.9 cm. edition. Added engraved title pages, with Egerer, 743. vignettes. The Complete Works of Robert Burns. Later green half morocco, marbled Including his correspondence, etc. boards. with a memoir by William Gunnyon, Egerer, 739. the text carefully printed, and illus- 1871 trated with notes, with portrait and illustrations on wood by eminent The Complete Poetical Works of Robert artists. Burns. With a memoir by William Edinburgh: William P. Nimmo, [1871]. Gunnyon. 12, [4], lxxviii, 405 p., 8 leaves of plates: Edinburgh: William P. Nimmo, [1871]. ill., port.; 24 cm. cxlviii, 523 p.: ill., ports.; 16 cm. Added engraved title page. Added title page illustrated, with Twenty-four page publisher’s cata- vignette. Imprint: Edinburgh: logue, dated 1871, following text. William P. Nimmo; London: Original green cloth. Fredrick Warne. Copy 1. Original dark red-brown cloth, The Complete Works of Robert Burns. stamped in black, gold, and blind. Containing his poems, songs, and Copy 2. Added title page in color. Set- correspondence, with a new life of ting of title page varies slightly. 24- the poet, and notices, critical and page publisher’s catalogue at end, biographical by Allan Cunningham. dated 1871. Original dark green cloth, New York: D. Appleton and Company, stamped in black and gold. Round 1871. The G. Ross Roy Collection of Robert Burns / 130 lvii, 59–542 p.: port.; 24.1 cm. Black border around text. Contemporary calf, black leather label, “Selections from Cassell, Petter, & stamped in gold on spine. Galpin’s Catalogue,” 16 p. follows In the private collection of G. Ross Roy. text. Original terra-cotta colored cloth, The Poetical Works of Robert Burns. With stamped in black, gold, and blind. a sketch of the author’s life. “Burns” in gold on blue background Boston: J. R. Osgood, 1871. on upper cover. 3 v.: port.; 16.5 cm. British Poets. The Complete Works of Robert Burns. Contemporary half calf, marbled Including his correspondence and the boards. Binder’s title: British Poets. poetical works of Sir Walter Scott. Glasgow; London: W. Collins, [1872]. The Select Songs of Burns and Tannahill. 2 v.: ill., ports.; 23.6 cm. Chronologically arranged with Added title page, with vignettes. memoirs. Original black half morocco, cloth. Glasgow: Maurice Ogle, 1871. vi, 98 p.; 18 cm. The Cotter’s Saturday Night. Illustrated Added half-title and title page: Gems of by F. A. Chapman. Scottish Poetry and Song. Philadelphia: Porter & Coates, [c1872]. With: The Jacobite Songs of Scotland. [47] p.: ill.; 22.3 cm. Glasgow: Maurice Ogle, 1871; Ramsay, Printed on one side of leaf only. Allan. The Gentle Shepherd. Glasgow: Added illustrated title page. Maurice Ogle, 1871; Hogg, James. The Original brown cloth, stamped in gold, Queen’s Wake. Glasgow: Maurice Ogle, black, and blind, beveled edges. Book- 1871. plate of the St. Bernard’s Seminary Original blue cloth, stamped in gold and Library. blind. On upper cover: Gems of Scot- Kinsley title: “The Cotter’s Saturday tish Poetry and Song. Ramsay, Burns, Night, Inscribed to R. A****, Esq.,” Tannahill, Hogg. 72. 1872 The Cotter’s Saturday Night. Illustrated by F. A. Chapman. The Complete Poetical Works of Robert Philadelphia: J. C. Winston, c1872. Burns. With an original memoir 27 leaves: ill.; 19.7 cm. by William Gunnyon. Added illustrated title page. Edinburgh: William P. Nimmo, Stanzas are not in order. [ca. 1872]. Printed on one side of leaf only. cxlviii, 523 p., [16] leaves of plates: ill. Original red cloth shelfback, over holly (1 col.), port.; 16.3 cm. patterned paper covered boards. On spine: Burns. Kinsley title: “The Cotter’s Saturday Original green morocco, stamped in Night, Inscribed to R. A****, Esq.,” gold and blind, pictorial onlay of 72. Robert Burns on upper cover. Egerer, 1003. The Merry Muses. A choice collection of favourite songs gathered from many The Complete Poetical Works of Robert sources by Robert Burns, to which is Burns. [sic] added two of his letters and a London: Cassell, Petter, and Galpin, poem—hitherto suppressed—and [ca. 1872]. never before printed. 17, [xix]–cxlviii, 523, 16 p., [16] p. of [London: John Camden Hotten], 1827 plates: ill., port.; 17 cm. [i. e. 1872]. Printed Materials, Books, and Sheet Music / 131 x, 125 p.; 16 cm. Added engraved title page. Modern red half morocco, marbled [10] p. publisher’s catalogue following boards. One of 99 copies. text. Original green cloth. Några dikter af Robert Burns. Stockholm: Klemmings Antiquariat, The Poetical Works of Robert Burns. 1872. Edited, with a critical memoir by 78 p.; 17.7 cm. William Michael Rossetti, illustrated Original red quarter cloth, cream- by John Moyr Smith. colored printed board. London: E. Moxon, [1872]. Egerer, 1236. xxxii, 512 p.: ill., port.; 18 cm. Added title page with vignette. The Poetical Works of Robert Burns. Edited Publisher’s catalogue: 12 p. at end, by the Rev. Robert Aris Willmott. dated 1872. New edition, with numerous additions. Copy 1. Original red-brown cloth, Boston: Lee and Shepard, Publishers; stamped in black and gold. New York: Lee, Shepard and Dilling- Copy 2. Original gilt decorated glazed ham, 1872. white card, white calf spine. Edges lv, 299, [1] p.: ill., port.; 15 cm. gilt. Note to preface signed P.A.N. Egerer, 1108, note. Frontispiece portrait engraved by J. B. Hunt after A. Nasmyth with addi- Robert Burns’ Common Place Book. tional illustrations by various artists, Printed from the original manuscript most signed by the engraver Patter- in the possession of John Adam, Esq., son; plate for “The twa dogs” dated Greenock. 1867. Edinburgh: Privately printed, 1872. This text was also issued in the same vii, 54 p.; 24 cm. year by the same publishers with Preface dated Greenock, Jan. 25, 1872, plates by John Gilbert, i.e. those first signed: C.D.L. used in Willmott’s original edition Copy 1. Original dark blue boards, (London; New York: Routledge, paper spine. Bookplates of James 1856), illustrating different poems. Wylie Guild and G. A. Dunlop. “Diamond edition” —Cover. Copy 2. Red half morocco, with Original purple cloth, stamped in gold. marbled boards and thistle Egerer, 750. motif. The Poetical Works of Robert Burns. With 1873 memoir, prefatory notes, and a com- The Complete Works of Robert Burns. plete marginal glossary. Containing his poems, songs, and cor- Glasgow: J. S. Marr, [1872]. respondence, with a new life of the 596 p.: ill., port.; 18.3 cm. poet, and notices, critical and bio- Added title page, illustrated in color. graphical by Allan Cunningham. Original bright blue cloth, stamped in Boston: Lee and Shepard; New York: black, gold, and blind. Lee, Shepard & Dillingham, 1873. Egerer, 1041. 542 p.: port., plates; 24 cm. The Poetical Works of Robert Burns. With Added engraved title page, with memoir, prefatory notes, and a com- vignette. plete marginal glossary. Contemporary sheep. Library label and London: James Blackwood and Co., stamp of Louis Sherfesee. [1872]. 597 p.: port. plates.; 17 cm. The G. Ross Roy Collection of Robert Burns / 132

The Complete Works of Robert Burns. explanatory notes, the text edited by Boston: Lee and Shepard; New York: . Lee Shepard & Dillingham, [1873]. London; New York: Cassell, Petter, and 12, [3], lxxviii, 405, 32 p., [10] p. of Galpin, [1873]. plates: ill., port.; 25 cm. 2 v.; 19.2 cm. “Catalogue of popular and standard On spine: Burns’ Poetical Works. books . . . published by William P. Copy 1. Original brown cloth, stamped Nimmo,” dated August 1872, 32 p., in gold. follows text. Copy 2. Original brownish-red cloth, Original green morocco, raised stamped in black, gold, and blind. 2 v. bands, stamped in gold. Signature of in 1, with separate title pages, con- former owner, Gracie E. Ryan, Ogd. tents, and pagination. [Ogdensburg?], N.Y., April 12, 1873” Egerer, 1085. on preliminary page. The Poetical Works of Robert Burns. The Complete Works of Robert Burns. Edited, with a critical memoir by Including his correspondence, etc. William Michael Rossetti, illustrated with a memoir by William Gunnyon, by John Moyr Smith. the text carefully printed, and illus- London: E. Moxon, 1873. trated with notes, with portrait and xxxii, 512 p.: ill., ports.; 18 cm. illustrations on wood by eminent Contemporary green morocco, stamped artists. in black and gold. Prize volume pre- Edinburgh: William P. Nimmo, 1873. sented to T. Kitching, Montpelier lxxviii, 402, 16 p., [8] leaves of plates: House, Blackheath, July 30, 1873. ill., ports.; 23.7 cm. Egerer, 1108. Added engraved title page. Frontispiece The Poetical Works of Robert Burns. portrait. Reprinted from the best editions, with Title and text within black border. Text explanatory glossary notes, memoirs, printed in double columns. &c. Copy 1. Contemporary calf. Covers London: F. Warne, [1873]. detached. xxvi, 614 p.: port., plates; 17.8 cm. Copy 2. Contemporary blind- and gilt- The Lansdowne Poets. stamped brown morocco. Edges gilt. Original blue pictorial cloth. Copy 3. Contemporary green morocco, Egerer, 1126. Red line edition. stamped in gold on spine. Pons Bequest. The Poetical Works of Robert Burns. Reprinted from the best editions, with The Poetical Works of Robert Burns. explanatory glossary notes, memoirs, Edited by Robert Aris Willmott. &c. New edition with numerous additions. London: Frederick Warne and Co.; New Boston: James R. Osgood, 1873. York: Scribner, Welford, and Co., lv, 299 p.; 13.5 cm. [1873?]. On cover: Diamond Edition. xxvi, 614 p., [6] p. of plates: ill., port.; Original purple cloth, lettered in gold. 18 cm. Signature of S. B. Gould. Original red pictorial cloth. Egerer, 755, calls the Lee, Shepherd edi- Unrecorded variant of Egerer, 1126. tion of 1873 the “Diamond Edition.” Lacks red line borders. The Poetical Works of Robert Burns. With The Poetical Works of Robert Burns. With memoir, critical dissertation, and his life and character and a critique on his writings, a glossary, &c. Printed Materials, Books, and Sheet Music / 133

Wakefield: Nicholson and Sons; Contemporary brown half-morocco, London: S. D. Ewins & Co., [1873]. marbled paper-covered boards. 415 p.: ill.; 14 cm. Egerer, 767, variant. Advertisement for Nicholson’s ‘Star The Works of Robert Burns. Illustrated by Library’ series ([1] p.) following text. an extensive series of portraits and Original orange cloth, stamped in gold authentic views. With a complete life and black. Colored frontispiece of of the poet [by Dr. Currie], an essay Tam o’ Shanter. on his genius and character by Profes- Egerer, 1176. sor Wilson. And numerous notes, 1874 annotations and appendices. London: Blackie & Son, 1874. Burns traduit de l’écossais avec préface par 2 v.: ill., ports.; 25 cm. Richard de la Madelaine. Original dark green half calf, cloth Rouen: E. Cagniard, 1874. boards. xli, 96 p.: ill.; 20.3 cm. Egerer, 766 Prose translation of Burns’s poems. Original blue-gray printed wrappers. The Works of Robert Burns: Poetical and Translator’s signed presentation copy Prose. to Adam Wilson. The household illustrated edition Egerer, 1188 specially prepared for family reading. Arranged and edited by “Gertrude” The Complete Works of Robert Burns. [i.e. Jane Cross Simpson]. Including his correspondence, etc. Glasgow; London: W. R. M’Phun, 1874. With a memoir by William Gunnyon. 2 v.: ill.; 25.4 cm. The text carefully printed and illus- Half title: Family edition. The Works of trated with notes. With portrait and Robert Burns. With Lockhart’s and illustrations on wood by eminent Currie’s lives. artists. Added engraved title page, with portrait London; Edinburgh: W. P. Nimmo, vignette. 1874. Original morocco, stamped in gold and 12, [3], lxxviii, 402 p.: port., plates; blind. 16.4 cm. Egerer, 762. Nimmo’s Popular Poets. Added title page, with vignette. 1875 Series title chromolithographed in The Complete Works of Robert Burns. color. Containing his poems, songs, and Original red-brown cloth, white, red, correspondence with life and notes, blue, and gold printed paper onlay. critical and biographical, by Allan Egerer, 765. Reissue of 1865? Nimmo Cunningham, and many notes by edition. Lord Byron, Thomas Campbell . . . The Poetical Works of Robert Burns. With with illustrations. critical and biographical notices by Edinburgh: Thomas C. Jack, [1875]. Allan Cunningham, and a glossary, lxi, 18, 422, [14] p.: ill.; 24.7 cm. elegantly illustrated by Schmolze. Added engraved title page, with Philadelphia: Porter & Coates, 1874. vignette. x, 604 p., 3 leaves of plates: ill., port.; Copy 1. Original red-brown cloth, 23.5 cm. stamped in black, gold and blind. Added engraved title page. Copy 2. Original dark green cloth, stamped in gold and blind. The G. Ross Roy Collection of Robert Burns / 134

Variant of Egerer, 1005 bound as one Poems and Songs. With original illustra- volume. Reprint of 1840 edition. tions by R. Herdman, R.S.A., Walter H. Paton, R.S.A., Samuel Bough, The Complete Works of Robert Burns. A.R.S.A., Gourlay Steell, R.S.A., D. O. Containing his poems, songs, and Hill, R.S.A., John M’Whirter, A.R.S.A. correspondence illustrated by W. H. and other eminent Scottish artists. Bartlett, T. Allom, and other artists, Engraved by R. Paterson. with a new life of the poet, and The “Edina” edition. notices, critical and biographical, London; Edinburgh: W. P. Nimmo, by Allan Cunningham. 1875. London: Virtue, [1875]. xviii, 336 p.: ill.; 22.5 cm. lxi, 18, 422, [14] p.: ill.; 24.7 cm. Original bright blue cloth, stamped in Added engraved title page, with black and gold. Beveled edges. vignette. Egerer, 770. Original bright blue pictorial cloth. Egerer, 1064. Unrecorded variant. Poems, Songs, and Letters. Being the Imprint: Virtue and Co., limited. complete works of Robert Burns City Road and Ivy Lane. edited from the best printed and manuscript authorities with glossarial The Complete Works of Robert Burns. index and a biographical memoir by Including his correspondence, etc. Alexander Smith. with a memoir by William Gunnyon; New edition. the text carefully printed, and illus- London: Macmillan, 1875. trated with notes; with portrait and lxii, 636, 4 p.; 19 cm. illustrations on wood by eminent At head of title: Globe edition. artists. Advertisements follow text. Philadelphia: J. B. Lippincott & Co., Original green cloth, stamped in gold 1875. and blind. 402 p.: ill., port.; 24 cm. Added engraved title page, with vignette. The Poetical Works of Robert Burns. In double columns. Edited by the Rev. Robert Aris Contemporary calf. Signature of Ezra Willmott. Andrews, 1881, on endpapers. Hinges New edition, with numerous additions. weak. Boston: James R. Osgood and Co., late Egerer, 775. Ticknor & Fields and Fields, Osgood & Co., 1875. The Life and Works of Robert Burns. [2], liv, [4], 299 p., [16] p. of plates: ill., Edited by Robert Chambers. port.; 15 cm. Library edition in four volumes. Text outlined in red. Edinburgh; London: W. & R. Chambers, Original terra-cotta colored cloth, [ca 1875]. stamped in gold. Burns poem begin- 4 v. in 2: ill., port.; 22 cm. ning: “I long have thought my wor- Poems and letters inserted in chrono- thy friend . . .” written in pencil on logical order. preliminary page. Signature of for- Date from inscription. mer owner, James Reid, Buffalo, Later suede. Original spine and cover Dec. 25, 1880. device of the Burns monument affixed. The Poetical Works of Robert Burns. Unrecorded variant of Egerer, 1011, London: Bell and Daldy, 1875. with “W. & R. Chambers” for 3 v.; 17 cm. “William and Robert” in imprint. The Aldine Edition of the British Poets. Printed Materials, Books, and Sheet Music / 135

Original green cloth, stamped in gold The Complete Works of Robert Burns. and black. With an account of his life, and a Egerer, 771. Reissue of 1866 Bell and criticism on his writings, to which Daldy edition. are prefixed some observations on the character and conditions of the Scot- Poetical Works of Robert Burns. tish peasantry by James Currie, with A new edition, with a complete glossary. an enlarged and corrected glossary. London; Edinburgh: William P. London: Milner, [1876]. Nimmo, 1875. xcviii, [2], 260 p.: ill., port.; 21.5 cm. v, 318 p.: col. ill.; 14.1 cm. Original orange cloth, stamped in black Publisher’s catalogue (12 p.) following and gold. text. Egerer, 1057. One of several reprints of Original green cloth, stamped in black. this edition. Egerer, 773 Poems Selected from the Works of Robert The Poetical Works of Robert Burns. With Burns. Edited with life of the author, explanatory glossary, notes, memoirs, notes, and glossary by Alexander M. etc. Portrait and original illustrations. Bell. London: R. & A. Suttaby, [1875]. London: Rivingtons, 1876. xxvi, 614 p.: ill., port.; 18 cm. 174 p.; 16.4 cm. Lansdowne Poets. English School-Classics. Contemporary sheep, rebacked, with Original dark blue cloth, stamped in new upper cover of tree calf. gold and blind. The Poetical Works of Robert Burns. Re-edited from the best editions with 1877 explanatory notes, glossarial notes, The Burns Birthday Book. [Edited by memoir, etc., etc. James Gibbon]. London: Frederick Warne and Co.; New : Arthur Guthrie; London: York: Scribner, Welford, and Arm- Houlston, 1877. strong, [1875]. 277 p.: port.; 12.3 cm. xxvi, 614 p., [6] p. of plates: ill., port.; Original dark brown cloth, stamped in 18 cm. black, gold and blind. Imperfect: Lansdowne Poets. front free endpaper wanting. Printed “London: Woodfall and The Complete Poetical Works of Robert Kinder”—P. 614. Burns. With an original memoir by Original red cloth, stamped in gold, William Gunnyon. black, and blind. Glasgow: James McGeachy, 1877. Variant of Egerer, 1126. cxlviii, 523 p., 15 leaves of plates: ill., 1876 port.; 16.3 cm. Added engraved title page. The Complete Poetical Works of Robert Original blind-stamped plum-colored Burns. Arranged in the order of their cloth. Catalogue of William P. earliest publication. Edited by Nimmo, undated, (16 p.) following William Scott Douglas. text. Kilmarnock: M’Kie & Drennan, 1876. Egerer, 785. 2 v.: port.; 17.9 cm. At head of title: Kilmarnock Edition, in The Complete Poetical Works of Robert two volumes, revised and extended. Burns. With an original memoir by Original dark blue pictorial cloth. William Gunnyon. Egerer, 779. London; Edinburgh: William P. Nimmo, 1877. The G. Ross Roy Collection of Robert Burns / 136 cxlviii, 523 p.: ill.; 16.4 cm. The Poetical Works of Robert Burns. With Nimmo’s Popular Poets. a sketch of the author’s life. Added title page, chromolithographed. Boston: J. R. Osgood, 1877. Also contains title page from 1876 3 v.: port.; 17 cm. Nimmo edition. British Poets. Copy 1. Contemporary red morocco. Original dark brown cloth, stamped in Upper cover detached. gold and blind. Copy 2. Original brown pictorial cloth. Egerer, 781. Publisher’s 16 p. catalogue at end of The Works of Robert Burns. text. [New library edition]. Egerer, 782. Edinburgh: Paterson, 1877–1879. The Complete Works of Robert Burns. 6 v.: ill. (incl. music) maps (part dou- Including his correspondence, etc., ble) facsims. (part double); 24 cm. with a memoir by William Gunnyon, Copy 1. Original light blue boards. the text carefully printed and illus- 24 cm. trated with notes, with portrait and Copy 2. Original yellow-brown cloth, illustrations on wood by eminent stamped in gold. Variant binding. artists. From the library of Burns scholar Excelsior edition. Robert Dewar, heavily annotated. London; Edinburgh: William P. Copy 3. Original tan cloth, stamped in Nimmo, 1877. gold and blind. 12, [4], lxxviii, 402, 8 leaves of plates: Egerer, 783. ill., port.; 24 cm. The Works of Robert Burns. Illustrated Added engraved title page. by an extensive series of portraits and Undated publisher’s catalogue (16 p.) authentic views with a complete life following text. of the poet, an essay on his genius and Copy 1. Original green cloth decorated character of Professor Wilson, and in gilt and black. Newspaper clipping numerous notes, annotations, and pasted to front endpaper. appendices. Copy 2. Original blue cloth decorated in Commemorative edition. gilt and black. This copy was awarded London: Blackie, 1877. to Charles Watt as first prize for 16 pts.: ill., ports.; 26 cm. proficiency in Animal Physiology, Original buff pictorial wrappers. 1877–1878. Egerer, 788. Reissue of 1843 Glasgow Egerer, 784. edition. Egerer, 450. Poems, Chiefly in the Scottish Dialect. The Works of Robert Burns. Illustrated Peoples’ Statue edition. by an extensive series of portraits and Kilmarnock: M’Kie & Drennan, 1877. authentic views with a complete life xviii, 132 p.; 19.2 cm. of the poet, an essay on his genius and “A reprint of the first Kilmarnock character of Professor Wilson, and edition, published in 1786, with numerous notes, annotations, and fac-simile title page, and notes by appendices. William Scott Douglas; also, notice of Commemorative edition. the movement for the erection of the London: Blackie, 1877. statue.” 1 v. (various pagings): ill., ports.; 25 cm. Contemporary half-calf, brown cloth. Original green cloth, stamped in black Leather label on spine. and gold. Egerer, 786 Egerer, 788. Reissue of 1843 Glasgow edition. Egerer, 450. Printed Materials, Books, and Sheet Music / 137

The Works of Robert Burns. Copy 3. Imperfect: pt. 5, 8–9, 11–20, 23. [New Library Edition]. Includes 2 copies of pts. 5, 13, and 15. Edinburgh: Paterson, 1877–1879. Egerer, 1070. 6 v.: ill., (incl. music), maps (part dou- The National Burns. Edited by George ble), facsims. (part double); 24 cm. Gilfillan. Copy 1. Original light blue boards. London: Mackenzie, [1878–1880]. Copy 2. Variant binding. Original 2 v.: ill.; 24.6 cm. yellow-brown cloth, stamped in gold. Illustrated title page. From the library of Burns scholar Original half morocco, cloth. Volume 1 Robert Dewar, heavily annotated. dated in ink on title page: 1878. Copy 3. Original tan cloth, stamped in Egerer, 1070. gold and blind. Egerer, 783. The Poetical Works of Robert Burns. With a memoir. 1878 Riverside edition. The Complete Poetical Works of Robert New York: Hurd and Houghton; Cam- Burns. With an original memoir by bridge: Riverside Press, 1878. William Gunnyon. 3 v. in 1: port.; 20 cm. Edinburgh: W. P. Nimmo, Hay, & British Poets. Mitchell, [1878]. Original purple cloth, stamped in gold. cxlviii, 523 p.: ill., port.; 18.7 cm. “Should Auld Acquaintance Be Forgot Added illustrated title page. And The Days of Auld Lang Syne?” Text bordered in red. Philadelphia: Lea & Walker, 1878. Copy 1. Contemporary black half 1 vocal score (3 p.); 35.2 cm. morocco, marbled boards. Dated from Cover title. publisher’s advertisement; not present Complimentary copy given to K. F. in this copy. Searle, with his signature. Presenta- Copy 2. Original blue cloth, stamped in tion copy from Kane to black and gold. In the private collec- G. Ross Roy. tion of G. Ross Roy. Egerer, 1007. The Works of Robert Burns. Illustrated by an extensive series of portraits and The Complete Prose Works of Robert Burns. authentic views. With a complete life London; Edinburgh: William P. of the poet [by Dr. Currie], an essay Nimmo, 1878. on his genius and character, by Pro- x, 454 p.: port.; 18 cm. fessor Wilson. And numerous notes, Nimmo edition. annotations, and appendices. Original brown pictorial cloth. London [etc.]: Blackie & Son, 1878. Egerer, 791, re-issue “Red Line Edi- 2 v in 4 pts.: ill., ports.; 25 cm. tion” of 1865(?). Added engraved title page, with The National Burns. Edited by George vignettes. Gilfillan. Issued in 4 “half-volumes,” each having London: Mackenzie, [1878–1880]. a separate title page, undated. 2 v. in 30 pts.: ill., ports.; 25.5 cm. Original dark green cloth, stamped in Illustrated title page. black and gold. Prospectus bound in Copy 1. Original light blue pictorial before half-title, volume 1, dated 1877. wrappers. Copy 2. Advertisements vary. 1879 The Complete Poetical Works of Robert Burns. Edited by John S. Roberts, The G. Ross Roy Collection of Robert Burns / 138

with an original memoir by William Publisher’s sample copy of Mackenzie’s Gunnyon; with portrait and illustra- National Burns, 1879–1880. tions on wood by eminent artists. Contains partial text, sample plates, Edinburgh: William P. Nimmo, [1879]. illustrated title page, and original cxlviii, 523 p.: ill., port.; 18 cm. wrappers of parts issue and prospec- Nimmo’s Crown Library. tus, upper cover and spine of cloth Original dark green cloth, stamped in issue. gold and blind. Publisher’s catalogue: Original dark brown roan, stamped in 16 p. at end, undated. gold. “Specimen” on upper cover. Egerer, 1003, note. Egerer, 1070. The Complete Works of Robert Burns. Poems, Songs, and Letters. Being the Including his correspondence, etc. complete works of Robert Burns, with a memoir by William Gunnyon, edited from the best printed and the text carefully printed and illus- manuscript authorities, with glossar- trated with notes. ial index and a biographical memoir London; Edinburgh: William P. by Alexander Smith. Nimmo, 1879. New edition. 12, lxxviii, 402 p.: ill., port.; 23.3 cm. London: Macmillan and Co., 1879. Added engraved title page, with lxii p. 1 l., 636 p.; 17 cm. vignette. At head of title: The Globe Edition. Original dark green cloth. Signature of Contemporary half calf, marbled C. M. Scrimgeour. boards. Bookseller’s ticket: William Not in Egerer’s list of reprints of the Findlay . . . Glasgow. 1865 Nimmo edition. Egerer, 670. Egerer, 798. The Illustrated Family Burns. With an The Poetical Works of Robert Burns. With original memoir. a memoir. New York: P. F. Collier, [1879]. Riverside edition. [2], xxxii, 463, [1], 72, ii, vi p.: port. ill., Boston: Houghton, Osgood, 1879. 24 pl.; 27 cm. 3 v. in 1 (1 leaf of plates): port.; 19.3 cm. Copy 1. Original brown pictorial cloth, Original purple-brown cloth, lettered beveled boards. in gold. Copy 2. Original green pictorial cloth. Egerer, 797, variant, not recorded. Publication information on title page The Poetical Works of Robert Burns. in smaller font. Edited from the best printed and Copy 3. Original green pictorial cloth. manuscript authorities, with glossar- Publication information on title page ial index and a biographical memoir in larger font. by Alexander Smith. Egerer, 1147 & 1033, variant. London: Macmillan, 1879. The National Burns. Edited by the Rev. 2 v.: ill., port.; 17 cm. George Gilfillan, including the airs “Five hundred copies of this edition of all the songs and an original life were printed, May 1st, 1879.” of Burns by the editor. Copy 1. Original blue-gray boards, London; Glasgow; Edinburgh: William printed paper label on spine. Mackenzie, [1879]. Copy 2. Original red morocco by viii, 16 p., [20] leaves of plates: ill., Rivière, marbled endpapers. ports. (1 fold.); 26 cm. Egerer, 800, variant. Printed Materials, Books, and Sheet Music / 139

The Poetical Works of Robert Burns. In the private collection of G. Ross Roy. Edited with a critical memoir by The Jolly Beggars: A Cantata by Burns. William Michael Rossetti, with full Set to music by Sir Henry R. , page illustrations. edited by James Yorkston, with a London; New York: Ward, Lock, [1879]. preface by William Scott Douglas. xxxii, 512 p.: ill., port.; 18.4 cm. Edinburgh: Ernest Kohler, [1880]. Original light blue-gray pictorial cloth. 1 score (27 p.); 28 cm. On upper cover: Moxon’s popular Cover title. poets. For voice and piano. Egerer, 801. Reissue of 1871 London. Reprint of the 1818 edition. Moxon edition. Original buff printed wrappers. 1880 The Life and Works of Robert Burns. The Complete Works of Robert Burns. Edited by Robert Chambers. Including his correspondence, etc. Library edition. with a memoir by William Gunnyon, Edinburgh; London: W. & R. Chambers, the text carefully printed and illus- 1880. trated with notes. 4 v. in 2: port.; 21.8 cm. Edinburgh: William P. Nimmo, 1880. Copy 1. Original red cloth, stamped in 12, lxxviii, 402 p.: ill., port.; 23.3 cm. gold and blind. Bookseller’s ticket: Original dark green cloth. A. & R. Milne, Aberdeen. Not in Egerer’s list of reprints of the Copy 2. Contemporary half calf over 1865 Nimmo edition. (Egerer, 670.) marbled paper covered boards, raised bands, gilt. Gift inscription “To The Cotter’s Saturday Night. Richard Blunt Mitchell, a gift from : Fleming H. Revell; London: the editor’s son Robt. Chambers, John Walker, [1880]. Edinburgh, Dec. 10, 1881.” [24] p.: ill.; 18.5 cm. Original pictorial wrappers. A Man’s a Man for a’ That. Kinsley title: “The Cotter’s Saturday London: John Walker, [1880]. Night, Inscribed to R. A****, Esq.,” [12] p.: ill.; 13.2 cm. 72. “Designed in London & printed in Holland.” The “Deil’s Reply” to Robert Burns. Original buff wrappers, printed in Reprinted from “The Greenock brown. News” . . . [S.l.: s.n., 1880–1910?]. The Merry Muses: A Choice Collection of 1 sheet; 35.5 x 25.5 cm. Favorite Songs. Verses supposed to have been written by London: Printed for the Booksellers, Burns, which appeared originally in 1843 [i.e. 1880]. The Greenock News, a journal pub- 108 p.; 20.5 cm. lished during his lifetime. Printed on laid paper watermarked Not in Mackay, Burns A–Z, H. M. Geville Turket Mill, not pro- Appendix B. duced before 1873. Modern black morocco, marbled Highland Gems. Illustrated by H. C. Fox. boards. Bookplate of Oriental Club Munich; New York: Art Lith. Pub. Co., Library. [1880–1899?]. [12] p.: ill.; 16.8 cm. The Merry Muses: A Choice Collection of Original pictorial wrappers, sewn Favourite Songs Gathered from Many binding. Sources. The G. Ross Roy Collection of Robert Burns / 140

To which is [sic] added two of his letters The Poetical Works of Robert Burns. and a poem—hitherto suppressed— Edited with introductory biography and never before printed. and notes by Charles Kent. [London: John Camden Hotten,] 1827 London; New York: G. Routledge, [i.e. 1880]. [1880]. viii, 124 p.; 14.6 cm. xii, 500 p.: ill., port.; 21 cm. One of 99 copies. Original dark green cloth. Range of possible publication dates Egerer, 1116, variant with New York in based on note in Roy, G. Ross, The imprint. “1827” edition of Robert Burns’s The The Poetical Works of Robert Burns. With Merry Muses of Caledonia, Burns photographic illustrations by G. W. Chronicle, 1986, p. 35. Wilson. Contemporary crimson pebbled London: Suttaby, [1880]. morocco, stamped in gold, marbled xxvi, 614 p.: ill., port.; 18 cm. endpapers. Bookplate of Daniel Henry Illustrations are mounted photographs. Holmes Ingalls. Bookseller’s slip Original green padded morocco. loosely inserted. Roy, Merry Muses, 2. The Poetical Works of Robert Burns. With memoir, notes and a complete glos- The Poetical Works of Robert Burns. sary. Edited by the Rev. Robert Aris New York: American News Company, Willmott. [1880]. New edition, with numerous additions. xxxi, 479 p., 6 leaves of plates: ill.; Boston: Houghton, Osgood and Co.; 20 cm. Cambridge: Riverside Press, 1880. Red-line edition. lv, 299 p.: port. plates; 15 cm. Publisher’s advertisement [6] p. at end, Preface signed, P. A. N. undated. “Diamond edition”—Cover. Copy 1. Original terra-cotta colored Reissue of the edition published by J. R. pictorial cloth. Signature of H. W. Osgood and Co., Boston, 1875. Adams. Original terra-cotta colored cloth, Copy 2. Original green colored pictorial stamped in black on upper cover, in cloth. Signatures of Mrs. M. E. Har- black and gold on spine. Stamp of wood and Tom and Gayle DeGregori, J. D. Hotchkiss, former owner. former owners, on preliminary pages. Egerer, 803. Egerer, 1148. The Poetical Works of Robert Burns. With The Poetical Works of Robert Burns. With a memoir of the author’s life, and a all the correspondence and notes by copious glossary. Allan Cunningham. Glasgow: J. P. Forrester, [1880]. New York: Arundel, [188-?]. 10 l., 288, 168 p.: ill., port.; 17 cm. 584 p.: ill., port.; 20 cm. “The songs and ballads of Robert Burns Original brown cloth, stamped in gold . . . new and improved edition,” 168 p. and black. Signature of E. C. Vaukrik, at end with special title page. dated Oct. 30, 1882, on free front end- [8] p. of published advertisements, paper. undated, at end. Copy 1. Original red-brown cloth, The Poetical Works of Robert Burns. stamped in black, gold and blind. New York: Thomas Whittaker, [ca. Copy 2. Original gray-brown cloth, 1880]. stamped in black, gold and blind. 554 p.; 21.5 cm. Egerer, 1039. The Apollo Poets. Printed Materials, Books, and Sheet Music / 141

Original quarter vellum, dark red cloth. 2 v.: ill.; 27.7 cm. Egerer, 1164, variant with publisher’s Cover title: The Critical Edition of the address in imprint. Life & Works of Robert Burns. Original brown cloth, decorated in gilt Select Scottish Songs. Arranged by G. H. and black. Edges gilt. Macfarren. Egerer, 804 London; Glasgow: Bayley & Ferguson, [1880?]. The Merry Muses: A Choice Collection of 241 p.: music; 35 cm. Favourite Songs Gathered from Many Words and music. Sources. To which are added two of Contains several songs by Robert Burns. his lettres [sic] and a poem—hitherto suppressed—never before printed. 1881 [S.l.: s.n.], 1827 [i.e. 1881]. Auld Acquaintance: A Birthday Book of the 90 p.; 17 cm. Wise and Tender Words of Robert Burns. Copy 1. Roy, Merry Muses, 3, state 1. Compiled by James B. Begg. “Scottish” not present as heading on Edinburgh: William P. Nimmo and Co., 1st page of text. Modern dark blue 1881. half moro-cco, marbled boards. 416, [2] p.: ill.; 13 cm. Bookplate of H. Fane Sewell. One Advertisements follow text. page of notes laid in. Original red pictorial cloth, stamped in Copy 2. Roy, Merry Muses, 3, state 2. black and gold. Some entries filled in. “Scottish” has been added on 1st page List of family and Christian names of text. Contemporary dark blue in separate envelope. morocco, marbled boards. The Complete Poetical and Prose Works of Poems of Robert Burns. With a glossary. Robert Burns. With life, notes, corre- London: W. Kent, 1881. spondence and glossary by A. Cun- 2 v.; 10.5 cm. ningham; with original pieces from Copy 1. Original dark brown cloth. the collection of Sir Egerton Brydges. Copy 2. Original printed vellum. New York: R. Worthington, 1881. Egerer, 805. xiii, 559 p., [4] leaves of plates: ill., The Poetical Works and Letters of Robert ports.; 18.5 cm. Burns. With copious marginal expla- Original red pictorial cloth. nations of the Scotch words, and Egerer, 807. life . . . The Complete Poetical Works of Robert London [etc.]: Gall & Inglis, [1881]. Burns. With an original memoir by xxxii, [3]–642 p.: ill.; 18.5 cm. William Gunnyon. The Landscape Series of Poets. Edinburgh: W. P. Nimmo, 1881. Ornamental borders. cxlviii, 523 p.: ill.; 18.3 cm. Copy 1. Original glazed wooden boards, On spine: Burns’ Poetical Works. illustrated with portrait and scenes of Added title page, with vignette. Burns’s life. Red morocco spine. Original brown pictorial cloth. Prize Copy 2. Original light blue pictorial volume awarded to Mary Muir, F. C. cloth. Glazed paper lozenge-shaped Normal School, Glasgow, 1882–3. floral onlay, upper cover. Blind-stamp of Mrs. George F. Rubelmann; signa- Life and Works of Robert Burns. Critical ture of Alma Weisgard, 1886. and analytical edition by P. Hately Egerer, 1016. Waddell. New edition, revised with additions. The Poetical Works and Letters of Robert Glasgow: D. Wilson, 1881. Burns. With copious marginal The G. Ross Roy Collection of Robert Burns / 142

explanations of the Scotch words, and Original black cloth, stamped in gold on life. Four engravings on steel. spine. Gift inscription on preliminary Family edition. page. London; Edinburgh: Gall & Inglis, The Illustrated Family Burns. With an [1881?]. original memoir. [iii]–xxii, [3]–642 p.: ill.; 16.5 cm. New York: P. J. Kenedy, [1882]. Added engraved title page, with xxxii, 463, 72 p.: ill., port.; 25.4 cm. vignette. Copy 1. Original red cloth, decorated in Perhaps a reprint of the “purged” gilt and black. Edges gilt. Date from edition of 1865. inscription, Christmas 1882. Signature of Lizzie J. Quick, dated June Copy 2. Original reddish brown cloth, 1st, 1882. decorated in gilt and black. Edges gilt. Egerer, 1017, one of several reprints of this edition. Poems & Songs. With original illustra- tions by R. Herdman [et al.]. The Poetical Works of Robert Burns. With Edina edition. all the correspondence and notes by Edinburgh: William P. Nimmo, 1882. Allan Cunningham. xviii, 336 p.: ill.; 23 cm. New York: J. Wurtele Lovell, 1881. Copy 1. Original dark brown gilt 584 p., [5] leaves of plates: ill.; 18.5 cm. morocco. Edges gilt, ribbon marker. Red line edition. Copy 2. Original red cloth, stamped in On spine: Burns Illustrated. black and gold. Edges gilt. Copy 1. Original brown cloth stamped Egerer, 810. in gold and black. Copy 2. Original blue cloth, stamped in The Poems of Robert Burns. gold and black. Gift inscription on London: George Bell, 1882. free front endpaper. 416 p.; 13 cm. Egerer, 808. Original dark blue cloth. Egerer, 811. The Poetical Works of Robert Burns. With all the correspondence and notes by The Poetical Works of Robert Burns. Allan Cunningham. Edited by the Rev. Robert Aris Philadelphia: J. B. Lippincott, 1881. Willmott. 584 p.: ill.; 19 cm. New edition, with numerous additions. Red line edition. Boston: Houghton, Mifflin, 1882. Copy 1. Original dark green pictorial lv, 299 p.; 13.9 cm. cloth, stamped in gold and black. “The Riverside Press, Cambridge.” Copy 2. Original brown cloth, stamped Preface signed P.A.N. in gold. Reissue from the plates of the edition published by J. R. Osgood and Co., 1882 Boston, 1875, but without the red line The Complete Works of Robert Burns. border. Including his correspondence, etc. Original gilt- and black-stamped brown with a memoir by William Gunnyon, cloth. Stamp of D. H. Hart on front the text carefully printed and illus- endpaper. trated with notes. Egerer, 809. Edinburgh: William P. Nimmo, 1882. The Works of Robert Burns. Edited by 12, [2], lxxviii, 402 p.: ill., port.; the Ettrick Shepherd, and William 24 cm. Motherwell, Esq. Added engraved title page. Edinburgh; London: A. Fullarton, “Nimmo’s Standard Library”—Spine. [1882]. Printed Materials, Books, and Sheet Music / 143

5 v. in 15 parts, 9 leaves of plates: ill.; cloth, thistle and clover on upper 18 cm. cover. Added engraved title page, with vignette Copy 2. Original terra-cotta colored for each volume. cloth, thistle and clover on upper Imprint varies: Volumes 4–5: Edin- cover. Gift inscription: “M. A. Smith, burgh, London, and Dublin. with Mattie’s Love,” on free front Date from advertisement for John endpaper. List of other books and Keltie’s History of the Scottish High- advertisement loosely inserted. lands and Highland Clans, published Egerer, 815. in 1882. The Poetical Works of Robert Burns. Original printed wrappers. Part 2 in Edited from the best printed and sections. Part 10 wanting. manuscript authorities, with glossar- 1883 ial index and a biographical memoir by Alexander Smith. The Complete Poetical Works of Robert London: Macmillan, 1883. Burns. 2 v.: ill., port.; 18 cm. A new and revised edition from the best Original dark olive-green cloth, printed authorities, with memoir, stamped in gold. glossary, etc. Egerer, 819. Variant without Cambridge New York: T. Y. Crowell & Co., 1883. in imprint. 776 p.: ill.; 18.2 cm. Text and title within red line border. The Poetical Works of Robert Burns. Copy 1. Original dark red pictorial Edited with introductory biography cloth. and notes by Charles Kent. Copy 2. Original blue pictorial cloth. London; New York: G. Routledge and Signature of Mamie Coates, former Sons, 1883. owner, on pastedown. Gift of Jack xii, 500 p.: ill., port.; 19.3 cm. Trimble. The Blackfriars Poets. Copy 3. Original green cloth, stamped Contemporary half morocco, cloth. in black and gold. Egerer, 820. Reissue of 1878 London edition. The Cotter’s Saturday Night and Other Poems. The Poetical Works of Robert Burns. With New York: John B. Alden, 1883. all the correspondence, and notes by p. [29]–56, [4]; 15.3 cm. Allan Cunningham. The Elzevir Library; v. 1, no. 26 New York: John B. Alden, 1883. Dated March 30, 1883. 584 p.; 19 cm. Advertisements follow text; advertise- Original brown cloth, stamped in black ments inside covers. and gold. Free front endpaper and Original wrappers, stapled gathering. half-title page lacking. In the private collection of G. Ross Roy. Egerer, 821. Kinsley title: “The Cotter’s Saturday The Poetical Works of Robert Burns. With Night, Inscribed to R. A****, Esq.,” 72. all the correspondence, and notes by The Poetical Works of Robert Burns. With Allan Cunningham. all the correspondence, and notes by Philadelphia: J. B. Lippincott & Co., Allan Cunningham. 1883. Boston: D. Lothrop, 1883. 584 p., [2] l. of plates: ill.; 19 cm. 584 p., [1] leaf of plates: ill.; 20 cm. Red line borders. Copy 1. Original dark green pictorial Original green cloth, stamped in black and gold, gilt edges. The G. Ross Roy Collection of Robert Burns / 144

1884 Each work has an individual title page. The Complete Poetical Works of Robert Contains: The Poetical Works of Robert Burns. With an original memoir by Burns. Edited with notes by Charles William Gunnyon. Kent. New York: John B. Alden, 1884. Edinburgh: W. P. Nimmo, Hay, & Original brown cloth, stamped in black Mitchell, 1884. and gold. Signatures of Gay McNulty cxlviii, 523 p.: ill.; 18 cm. (in pencil) and Joseph M. Takser of Added title page with vignette. Hartford, Conn., former owners, on Text within red-line border. free front endpaper. Original dark green cloth, stamped in The Poetical Works of Robert Burns. With gold and black. Free front endpaper all the correspondence, and notes by wanting. Allan Cunningham. Egerer, 824. Reissue of 1865 Edinburgh Boston: De Wolfe, Fiske & Company, edition. 1884. The Complete Works of Robert Burns. 584 p.: ill., port.; 21.7 cm. Edited from the best printed and Original dark green pictorial cloth. manuscript authorities, with glossar- The Poetical Works of Robert Burns. With ial index and a biographical memoir, all the correspondence and notes by by Alexander Smith, illustrated by Allan Cunningham. Illustrated. Garrett, Hill, Hassam, Shire, and Chicago; New York: Belford, Clarke, & Taylor. Co., 1884. New York: T. Y. Crowell, c1884. 584 p.: port.; 24.2 cm. lxii, 636 p.: ill.; 20 cm. Contemporary calf, black leather label, Original brown cloth, decorated in stamped in gold. gold. Given by Thom Johnson in In the private collection of G. Ross Roy. memory of Elizabeth M. Harns- berger. The Poetical Works of Robert Burns. With all the correspondence and Language of Flowers. Illustrated by Kate notes by Allan Cunningham. Greenaway, printed in colors by Illustrated. Edmund Evans. Chicago; New York: Belford, Clarke, & London: George Routledge and Sons, Co., 1884. [1884]. 584 p.: port.; 18.3 cm. 80 p.: col. ill.; 14.8 x 11.8 cm. Copy 1. Original blue decorated cloth, Illustrated title page, in color. stamped in red, green, and gold. This Includes seven poems by Burns. is an unrecorded earlier edition of Holy Willie’s Prayer. Egerer, 829. From the private collec- Kilmarnock: Printed for the Kil- tion of G. Ross Roy. marnock Burns Club, [1884?]. Copy 2. Original brown cloth, decorated 4 p.; 22.5 cm. in brown, gold, and green. Cover title. Poetical Works of Robert Burns. Chrono- “This ms. differs materially from all logically arranged with notes, glos- published editions of the poem.” saries, and index. The Poetical Wonder-Book: Poetical Works Edinburgh: William Paterson, [1884]. of Scott, Burns, Moore. 3 v.: ill. (v. 1: port.); 16.8 cm. New York: John B. Alden, 1884. Original dark red cloth. 1 v. (various pagings); 27 cm. Reissue of Egerer, 783, William Pater- son, 1877. Egerer, 1023. Printed Materials, Books, and Sheet Music / 145

Poetical Works of Robert Burns. Edited Contains several songs by Robert Burns. with notes by Charles Kent. Original brown morocco. New York: John B. Alden, c1884. 294 p.; 26 cm. 1885 Original purple cloth, stamped in The Complete Works of Robert Burns. black. Signature of Wm. O Roser, Including his correspondence, etc. Lakeville, P.E.I., July 1888 on with a memoir by William Gunnyon, preliminary page. the text carefully printed and illus- trated with notes, with portrait and The Poetical Works of Robert Burns. illustrations on wood by eminent New York: R. Worthington, 1884. artists. 339 p.: ill.; 20 cm. Edinburgh: W. P. Nimmo, Hay & Original reddish brown cloth, stamped Mitchell, 1885. in black and gold. 12, lxxviii, 402 p.: ill., port.; 23.4 cm. Tam o’ Shanter: A Comic Drama, in Two Original dark green cloth. Acts. First performed at Drury Lane Egerer, 830. Reissue of 1865 edition. Theatre, Tuesday, Nov. 25, 1834 by The Complete Works of Robert Burns. Henry Robert Addison. With an account of his life, and a London: J. Dicks, [1884?]. criticism of his writings, to which 8 p.; 19 cm. are prefixed some observations on the Dick’s Standard Plays; no. 532. character and condition of the Scot- Loosely based on the poem by Burns. tish peasantry by James Currie, with Copy 1. Original salmon-colored an enlarged and corrected wrappers, lettered in black. glossary. Copy 2. Original pink wrappers. London: Milner and Sowerby, [1885]. Imprint and advertisements vary. xcviii, [2], 260 p.: port.; 21.5 cm. Tam o’ Shanter: A Tale in Verse. Illus- Added title page, with vignette. trated by George Cruikshank. Original red cloth, stamped in gold, London: Griffith, Farran, Okeden, & black, and blind. Signature of Marian Welsh, 1884. Potter. 3 [2], 48 p.: col. ill.; 30 cm. Egerer, 1057, variant. The illustrations are by George Cruik- Poems of Robert Burns. With a prefatory shank the younger, Cf. BM 46:640. notice, biographical and critical by Copy 1. Original light gray pictorial . cloth. London; New York: Walter Scott, Copy 2. Original pictorial boards, [1885]. rebacked. 356 p.; 13.2 cm. Kinsley, 321. Canterbury Poets. The Vocal Melodies of Scotland. Sym- Copy 1. Original dark green cloth. phonies and accompaniment, by Copy 2. Original yapp-edged red suede, Finlay Dun and John Thomson . . . edges gilt. complete in one volume. Egerer, 832 Revised edition. The Poetical Works of Robert Burns. With Edinburgh: Paterson, 1884. all the correspondence and notes by viii, 548: facsim.; 30.2 cm. Allan Cunningham. At head of title: “The Queen’s edition Chicago: Belford, Clarke & Co., [1885]. . . .” 584 p.: plates, port.; 19 cm. The G. Ross Roy Collection of Robert Burns / 146

Modern blue cloth. Songs of Robert Burns. With a prefatory Variant of Egerer, 829, with no date on notice, biographical and critical, by title page. Joseph Skipsey. London; New York: W. Scott, Limited, The Poetical Works of Robert Burns. [pref. 1885]. Edited with introductory biography 354 p.; 13.7 cm. and notes by Charles Kent. The Canterbury Poets, edited by London; New York: George Routledge, W. Sharp. 1885. [10] p. of advertisements at end. xii, 500 p.: ill.; 19 cm. Original dark red cloth. Red line edition. Egerer, 832. Original red cloth, stamped in gray, black, and gold. 1886 Egerer, 831. Birthday Chimes from Burns: Selections The Poetical Works of Robert Burns. from His Poems, Songs, and Ballads. Poems with a prefatory notice, bio- Edinburgh: W. P. Nimmo, Hay, & graphical and critical by Joseph Mitchell, [1886]. Skipsey. [252] p. [1] leaf of plates: port.; 10.8 cm. London: Walter Scott, 1885. Original dark red padded roan. Some 356 p.; 14.3 cm. contemporary signatures. Title page printed in red and black. Burns’ Merry Muses: A Choice Collection Text inside red border. of the Favourite Songs. Original blue cloth. Printed paper label Edinburgh: Printed for Private Circula- on spine. tion, 1886. Egerer, 832. iii, 124 p.; 20.4 cm. The Poetical Works of Robert Burns: Limited to 200 copies. Poems. With a prefatory notice, bio- Original light gray cloth. This copy graphical and critical by Joseph unnumbered. Pons Bequest. Skipsey. The Complete Poetical Works of Robert London; Newcastle-on-Tyne: Walter Burns. Arranged in the order of their Scott, 1885. earliest publication, edited by William 354, [2] p.; 14 cm. Scott Douglas. Canterbury Poets. Kilmarnock Centenary edition, revised Text inside red border. and extended. Publisher’s advertisements, including Kilmarnock: J. M’Kie, 1886. advertisements for the Canterbury 2 v.: port.; 18.5 cm. Poets Series, follow text. Original brown cloth, stamped in black Original brown cloth, stamped in black and gold. and gold. Egerer, 835 Variant of Egerer, 832. The Complete Works of Robert Burns. The Poetical Works of Robert Burns. With Including his correspondence, etc. with a memoir. a memoir by William Gunnyon, the New York: Thomas R. Knox & Co., text carefully printed, and illustrated 1885. with notes, with portraits and illustra- 2 v.; 16 cm. tions on wood by eminent artists. Volume 2 only. Original padded Edinburgh: W. P. Nimmo, Hay & leatherette. Edges gilt. Mitchell, 1886. Possibly a dated variant of Egerer, 1156. 402 p.: ill., port; 23.2 cm. Added title page, with vignette. Printed Materials, Books, and Sheet Music / 147

On cover: Excelsior Edition. original life of Burns, by the Rev. Original brown printed cloth. George Gifillan. Re-issue of 1865 Edinburgh Edition, London: William Mackenzie, [1886]. Egerer, 833. 2 v. in 4 divisions: ill., ports., facsims.; 24.5 cm. The Complete Works of Robert Burns “Centenary of first edition of Burns, (Self-Interpreting). Illustrated with celebrated at Kilmarnock, August 7, sixty etchings and wood cuts, maps 1886”: and facsimiles. p. [cxxix]–cxxxvi. New York: E. R. Dumont, [1886]. Copy 1. Original gilt-stamped dark 6 v. in 12: ill., plates, ports., fold. map, green cloth. Gilt- and red-stamped fold. Facsims.; 22.5 cm. portraits of Burns on upper cover of “This edition is limited to one thousand each division. Frontispiece portrait of registered and numbered sets, of Burns in div. 1. Life of Burns in div. 1. which this is no. 390.” Copy 2. Original gilt-stamped green Original brown half morocco, marbled cloth. Gilt- and red-stamped portrait boards. Gift of Walter Hazard, of the Muse on upper cover of each Georgetown, So.Ca. volume. Illustrated title page. Adver- The Complete Works of Robert Burns tising prospectus bound in at front of (Self-Interpreting). Illustrated with div. 1. Illustrations bound in different sixty etchings and wood cuts, maps order. Life of Burns bound in parts in and facsimiles. each division. Philadelphia: Gebbie & Co., [1886]. Egerer, 1070. 6 v.: fronts., illus., plates, ports., fold. Poems, Chiefly in the Scottish Dialect. map, fold. facsims.; 24 cm. Kilmarnock: James M’Kie, 1886. Contains music. 240 p.; 23 cm. Volume 1: modern light brown binder’s “No. 120/120 copies.” cloth; volumes 2–6: contemporary Original boards. brown half calf, marbled boards. Egerer, 836. The Complete Works of Robert Burns Poems of Robert Burns. With a glossary. (Self-Interpreting). Illustrated with London; Paris; New York; Melbourne: sixty etchings and wood cuts, maps Cassell & Company, [1886–1890?]. and facsimiles. 2 v.; 10.5 cm. Éd. de luxe. Original blue cloth, stamped in gold. Philadelphia: Gebbie & Co., Egerer, 1071. [1886–1887]. In the private collection of G. Ross Roy. 6 v.: ill.; 25 cm. Contains music. The Poetical Works of Robert Burns. “One thousand copies of this Edition Edited by Wm. Scott Douglas, illus- . . . have been printed for sale . . . trated with portraits and engravings no. 303.” after Sam Bough . . . [et al.]. Original leather shelfback, over brown Edinburgh: W. Paterson, 1886. cloth, marbled endpapers. Leather 3 v.: ill., ports.; 23.3 cm. spine labels in envelope in volume. Contains music. Egerer, 838. Original dark yellow cloth, stamped in gold and blind. Unopened. The National Burns. Including the airs of Egerer, 834. all the songs in the staff and tonic sol- fa notations edited, with an The G. Ross Roy Collection of Robert Burns / 148

1887 New York: T. Y. Crowell, [1887]. The Complete Poetical Works of Robert lxii, 636 p.: ill.; 21 cm. Burns. Arranged in chronological Original light green cloth, stamped in order . . . (published in author’s life- white, brown, and gold. Gift inscrip- time) with new annotations, biogra- tion on preliminary page: “Hart from phical notes, etc., by William Scott Herbert . . . Dec. 25, 1896.” Douglas. The Complete Works of Robert Burns. Kilmarnock edition. Edited from the best printed and London: Swan Sonnenschein, Lowry, manuscript authorities, with glossar- 1887. ial index and a biographical memoir, 2 v.: port.; 22.4 cm. by Alexander Smith. Reissue of 1876 Kilmarnock edition New York: Thomas Y. Crowell & Co. published by M’Kie & Drennan. [1887]. Copy 1. Original dark red cloth, lettered lxii, 636, [4] p.: ill.; 19 cm. in gold. Armorial bookplate of George [Crowell’s Red Line Poets]. John Armytage. Text within red line borders. Copy 2. Original maroon half-morocco, Advertisements follow text. marbled boards. Bookplate of John Original green cloth, stamped in black Stewart, Dunblane. and gold. Egerer, 841. Egerer, 1143. The Complete Works of Robert Burns. The Cotter’s Saturday Night: A Poem. Edited from the best printed and With illustrations drawn by F. A. manuscript authorities, with glossar- Chapman; engraved by J. Filmer. ial index and a biographical memoir, Philadelphia: Porter & Coates, [1887]. by Alexander Smith. 1 v. (unpaged): ill.; 19.5 cm. New York; Boston: T. Y. Crowell & Co., Illustrated title page. 1887. Date from inscription. lxii, 636 p.: ill., port.; 25 cm. Copy 1. Original buff cloth. Text in black borders. Copy 2. Original blue velvet. Pages Original gilt-stamped brown cloth. loose. The Complete Works of Robert Burns. Copy 3. Original gilt- and silver-deco- Edited from the best printed and rated mustard-colored cloth. Edges manuscript authorities, with glossar- gilt. ial index and a biographical memoir, Copy 4. Original buff cloth. Pages loose. by Alexander Smith. Kinsley title: “The Cotter’s Saturday New York; Boston: T. Y. Crowell & Co., Night, Inscribed to R. A****, Esq.,” 1887. 72. lxii, 636 p.: ill., port.; 25 cm. The Letters of Robert Burns. Selected and Title page printed in red and black, text arranged, with an introduction, by not inside black border. J. Logie Robertson. Original olive cloth, stamped in gold. London: W. Scott, 1887. The Complete Works of Robert Burns. xxi, 350 p.; 18 cm. Edited from the best printed and The Series. manuscript authorities, with glossar- Original olive-green cloth, lettered in ial index and a biographical memoir, gold. by Alexander Smith. Egerer, 843. Printed Materials, Books, and Sheet Music / 149

The Letters of Robert Burns. Selected and Copy 1. Original brown pictorial cloth. arranged, with an introduction, by Ownership stamp of J. E. McCarten. J. Logie Robertson. Copy 2. Gift of John Shannon, given in London: Walter Scott, 1887. memory of Smarr Shannon xxi, 350 p.; 18 cm. from her children. Original dark blue The Scott Library. pictorial cloth. Advertisements follow text. Egerer, 846. Copy 1. Original red cloth, stamped in The Poetical Works of Robert Burns. blind. Bookplate of Helen Munro. Reprinted from the best editions, with Copy 2. Original blue cloth, paper label . . . notes, memoir. on spine. Pons Bequest. New York: Worthington, 1887. Egerer, 843. 614 p.: ill., port.; 20 cm. The Poetical Works of Robert Burns. Red-line Edition. Edited from the best printed and Copy 1. Original olive cloth, stamped in manuscript authorities, with glossar- red, black, and gold. Frontispiece is ial index and a biographical memoir “Scots wha hae” and plate on p. 122 by Alexander Smith. “Tam o’ Shanter.” London; New York: Macmillan, 1887. Copy 2. Original tan cloth, stamped in 2 v.: ill.; 17.5 cm. brown, black, and gold. Frontispiece Original dark olive-green cloth stamped is a portrait of Robert Burns. Other in gold. Bookseller’s ticket: W. B. plates include “Tam o’ Shanter” on Clarke . . . Boston. p. 122, “Scots wha hae” on p. 374, and Egerer, 845, with variant imprint: New “Cotter’s Saturday Night” on p. 476. York instead of Cambridge. Egerer, 847. The Poetical Works of Robert Burns. With The Poetical Works of Robert Burns Songs. a prefatory notice, biographical and With a prefatory notice, biographical critical, by Joseph Skipsey. and critical, by Joseph Skipsey. London; Newcastle-on-Tyne: Walter London: Walter Scott, 1887. Scott, 1887. 354 p.; 14.2 cm. 2 v.; 14.2 cm. The Canterbury Poets. The Canterbury Poets. Title page printed in red and black. Text within red line border. Text within red line border. [8] p. of publisher’s advertisements fol- Original dark green cloth. Printed paper lowing text of volume 1. [2] p. fol- label on spine. Signature of W. Percy lowing text of volume 2. Ashby. Original dark blue cloth. Printed paper Robert Burns’ Lieder und Balladen für labels on spine. deutsche Leser. Ausgewählt und frei Egerer, 844. bearbeitet von L. G. Silbergleit. The Poetical Works of Robert Burns. Leipzig: Philipp Reclam, [1887]. Edited by Alexander Smith, with 134 p.; 14 cm. glossarial index and biographical Copy 1. Original buff printed wrappers. memoir. Copy 2. Publisher’s advertisements on Family edition. Fully illustrated with wrappers vary. new wood carvings. With border by Egerer, 1202. One of variant issues, C. A. Vanderhoff. undated. New York: F. A. Stokes, 1887. xxxiii, 362 p.: ill., port.; 24.3 cm. The G. Ross Roy Collection of Robert Burns / 150

The Select Songs of Scotland. With the Presentation inscription on prelimi- melodies to which they are sung, nary page: presented by the teachers arranged with accompaniments and of the Blue Coat Boys School, Stock- introductory and concluding sym- ton-on-Tees . . . as a mark of the phonies for the pianoforte. respect and esteem gained during Edinburgh; London: Gall and Inglis, his apprenticeship. Jany. 1890.” [1887?]. Egerer, 850. 1 piano-vocal score; 35.7 cm. The Cotter’s Saturday Night and Other Added title page, illustrated in color. Poems. Date from presentation inscription. New York: J. B. Alden, 1888. Original dark green half morocco, p. 23–45; 18 cm. green cloth. Elzevir Library; v. 7, no. 359. The Works of Robert Burns. With a series Cover title. of authentic pictorial illustrations, Six pages of publisher’s advertisements marginal glossary, numerous notes, following text. and appendixes, also the life of Burns, Original wrappers. Signatures of Mrs. by J. G. Lockhart; and essays on the J. H. Hunt and Unie E. Gibson. genius, character, and writings, of Kinsley title: “The Cotter’s Saturday Burns, by Thomas Carlyle and Pro- Night, Inscribed to R. A****, Esq.,” fessor Wilson. Edited by Charles 72. Annandale. The Cotter’s Saturday Night and Other Standard edition. Poems. With prefatory and explana- London: Blackie & Son, [pref. 1887]. tory notes. 5 v.: ill.; 23 cm. New York: Effingham Maynard & Co., Appendix includes: Manual of religi- [1888?]. ous belief . . . compiled by William 31 p.; 17 cm. Burnes. A painter’s tribute to Burns. English School Classics. Poems written in memory of Burns. English Classic Series; no. 6. Biographies of Burns. List of princi- Original wrappers, stapled gathering. pal editions of Burns’s works. 16.8 cm. Laid in: newspaper clippings relating to Kinsley title: “The Cotter’s Saturday Burns. Night, Inscribed to R. A****, Esq.,” Original red pictorial cloth, stamped in 72. black and gold. Egerer, 1134. Poems & Songs. By Robert Burns, with original illustrations by R. Herdman 1888 [et al.]. The Complete Poetical Works of Robert Edina edition. Burns. With an original memoir by Edinburgh: William P. Nimmo, 1888. William Gunnyon. xviii, 336 p.: ill.; 2.5 cm. Edinburgh: Nimmo, Hay & Mitchell, Original red cloth, decorated in 1888. gold and black. Edges gilt. cxlviii, 523, 16 p.: ill.; 20 cm. Egerer, 849. “A selection from the catalogue of books The Poetical Works of Robert Burns. published by W. P. Nimmo, Hay, & Edited with introductory biography. Mitchell, suitable for school prizes Complete edition. and general presentation, Edinburgh, London; Glasgow; New York: George 1889,” 16 p. bound in. Routledge, 1888. Original wine colored cloth, gold xii, 500 p.: port.; 19 cm. stamped black leather labels on spine. Printed Materials, Books, and Sheet Music / 151

Routledge’s Excelsior Series of Stan- Kinsley, 321. dard Authors. The Works of Robert Burns. With a series Advertisements for series and Rout- of authentic pictorial illustrations, ledge’s Standard Library and Red- marginal glossary, numerous notes, Line series on lining paper. and appendixes also the life of Burns Original bright blue cloth, lettered in by J. G. Lockhart, and essays on the gold. genius, character, and writings of Egerer, 1116, variant. Burns by Thomas Carlyle and Profes- The Poetical Works of Robert Burns. sor Wilson, edited by Charles Annan- Reprinted from the best editions with dale. explanatory glossary, notes, memoir, London: Blackie, 1888. etc. 5 v.: ill.; 22 cm. London; New York: F. Warne, 1888. xxvi, 614 p.; 20 cm. 1889 Chandos Classics. Burns Holograph Manuscripts in the Kil- At head of title: The “Albion” Edition. marnock Monument Museum. With Original red gold-stamped pictorial notes. Compiled and edited by David cloth. Sedona. Egerer, 855. Kilmarnock: Printed by D. Brown & Co., 1889. The Poetical Works of Robert Burns. viii, 147 p.; 20.9 cm. Reprinted from the best editions with Original dark green cloth, stamped in explanatory glossary, notes, memoir, gold and blind. Editor’s signed pres- etc. entation copy to James Miller. London; New York: Frederick Warne Egerer, 858. and Co., 1888. xxvi, 614 p.; 19 cm. Burns: Selected Poems. Edited with intro- Chandos Classics. duction, notes, and a glossary by Copy 1. Original green cloth, green J. Logie Robertson, M.A. leather label on spine. Oxford: The Clarendon Press, 1889. Copy 2. Original black cloth, printed xxxi, 292 p.; 19.3 cm. paper label on spine. Clarendon Press Series. Egerer, 855. Copy 1. Original dark blue cloth, stamped in gold. On cover: Selections The Poetical Works of Robert Burns. from Burns. Signature of Marvin Reprinted from the best editions with Ormond. explanatory glossary, notes, memoir, Copy 2. Original gilt-stamped green etc. Portrait and original illustrations. cloth. Bookplate of the Edinburgh New York: Worthington, 1888. Ladies College. xxvi, 614 p.: ill.; 18.6 cm. Red line edition. Complete Works of Robert Burns. Edited Does not include a portrait. from the best printed and manuscript Original brown decorated cloth, authorities, with glossarial index and stamped in red, black, and gold. a biographical memoir by Alexander In the private collection of G. Ross Roy. Smith. New York: Thomas Y. Crowell & Co., Tam o’ Shanter. An old tale by Robert [1889?]. Burns, illustrated by John C. Duncan. lxii, 636 p.: port.; 19 cm. London: John Walker, [1888]. Date from inscription. [30] p.: ill.; 12.2 cm. Text within red line border. Original red cloth, stamped in gold. The G. Ross Roy Collection of Robert Burns / 152

Original tan cloth, stamped in black and The Poetical Works of Robert Burns. gold. Signature of R. L. Graham, for- Reprinted from the best editions. mer owner, dated Sept. 26, 1889 on With explanatory glossary, notes, pastedown. 18 cm. memoir, etc. Egerer, 1143. New York: Worthington, 1889. xxvi, 614 p.: port.; 19 cm. The Poetical Works of Robert Burns. Red line edition. With memoir, notes and a complete “Portrait and other illustrations”—Title glossary. page. Boston: D. Lothrop, [1889]. However, this edition contains only a xxxi, 4[7]9 p.: ill.; 19 cm. frontispiece and no other illustrations. Page 479 misnumbered 4 9. Original terra cotta cloth, stamped in Original dark blue cloth. black and gold. Reissue of Egerer, 815. The Poetical Works of Robert Burns. The Poetical Works of Robert Burns. With Newcastle-on-Tyne: Printed and pub- explanatory glossary, notes, memoir, lished by G. Handyside, 1889. etc. 124 p.; 21.7 cm. London; Sydney: Griffith, Farran, Oke- Text in double columns. den & Welsh, [1889]. Advertisements for Handyside’s cures xxvi, 614 p.; 18.7 cm. on cover and throughout text. Original maroon morocco, stamped in Original pink wrappers, printed in gold. black. Pages 108–109 on different Egerer, 1098. stock. From the library of William The Poetical Works of Robert Burns. Craibe Angus. Edited with introductory biography Egerer, 860. and notes by Charles Kent. London; Glasgow; New York: George 1890 Routledge, 1889. Auld Lang Syne. xii, 500 p.; 19 cm. London: Castillo Brothers; New York: Series advertisements on endpapers. E. & J. B. Young & Co., [1890]. Original dark red cloth. [12] p.: col. ill.; 11 x 16 cm. Egerer, 1116, without “complete edi- Copies 1–2. Original pictorial wrappers, tion” on title page. Lacks portrait. tied with ribbon. 10.5 x 15.5 cm. The Poetical Works of Robert Burns. The Complete Poetical and Prose Works of Edited with introductory biography Robert Burns. With life, notes, corre- and notes by Charles Kent. spondence and glossary by A. Cun- Complete edition. ningham with original pieces from London; Glasgow; Manchester; New the collection of Sir Egerton Brydges. York: George Routledge, [1889]. New York: Hurst & Co., [1890–1899?]. xii, 500 p.; port.; 18.3 cm. xiii, 559, [3] p.; 16.8 cm. Routledge’s Poets for the People. Advertisements follow text, advertise- Copy 1. Original red cloth, lettered in ment on back pastedown. gold. Original light brown cloth, stamped in Copy 2. Original red-brown cloth. black and gold. “Routledge’s Hearth and Home In the private collection of G. Ross Roy. Library” blind-stamped on upper The Complete Poetical Works of Robert cover. Burns. With a glossary and life of the Egerer, 1116, variant. author by James Currie. Including Printed Materials, Books, and Sheet Music / 153

additional poems extracted from The Complete Works of Robert Burns. the late edition edited by Allan Cun- Edited from the best printed and ningham. manuscript authorities, with glossar- Chicago: Donohue, Honeyberry & Co., ial index and a biographical memoir, [189-?]. by Alexander Smith. xxxix, 551 p.; 16 cm. New York: T. Y. Crowell, [1890–1899?]. Original terra-cotta colored cloth, lxii, 636 p.: ill.; 19 cm. stamped in silver. Signature of Mrs. Original maroon cloth, stamped in gold William Galloway, Whitehall, N.Y., and blind. 18 cm. former owner, on free front endpaper. Egerer, 1143. The Complete Poetical Works of Robert The Deil’s Reply to Robert Burns: A Poem Burns. Arranged in chronological / James Ditchburn. order, with new annotations, bio- Kirkcaldy: John Davidson & Son, graphical notices, etc., by William [189-?]. Scott Douglas. 8 p.; 28.4 cm. Kilmarnock edition. Preface signed: A. Ernest Parry. London: Swan Sonnenschein, 1890. Poem signed: James Ditchburn Ushaw 2 v.: port.; 21.7 cm. Moor. Original dark blue cloth. Gilt-stamped “The following poem is dated from spine. Lumley Den, Forfarshire, September Egerer, 865. 6, 1793”—p. [1]. Close variant of London edition, ca. 1900. The Complete Works of Robert Burns. Original blue wrappers, printed in Including his correspondence, etc. black, stapled gathering. From the With a memoir by William Gunnyon, library of Angus Craibe. the text carefully printed, and illus- trated with notes; with portrait and The Fornicator’s Court. illustrations on wood by eminent [S.l.: s.n., c.1890]. artists. 8 p.; 22.2 cm. Edinburgh: W. P. Nimmo, Hay & Modern blue boards, cloth spine. Mitchell, [1890]. Leather label on upper cover. Original 12, [1], [1], 1xxviii, 402 p.: ill., port.; 23.3 buff wrappers bound in. Bookplate of cm. F. E. Dinshaw. Edinburgh Library of Standard Authors. Gala Water. Added title page, with vignette. Glasgow: James Mitchell, [189-?]] Original pictorial terra-cotta colored 1 card: ill., music; 7.3 x 10.8 cm. cloth. Song card, steel engraving. Egerer, 1007, with advertisement at end. Kinsley, 397. The Complete Works of Robert Burns. The Kilmarnock Edition of the Poetical Containing the poems and letters with Works of Robert Burns. Arranged in glossarial index and a biographical chronological order with new anno- memoir by Alexander Smith. tations, biographical notices, etc. New York: A. L. Burt, Publishers, edited by William Scott Douglas. [1890]. 7th edition. x, 716 p.: port.; 19.2 cm. Edinburgh; Glasgow: J. Menzies; Copy 1. Modern red half morocco, mar- Kilmarnock, D. Brown, 1890. bled boards. 32 v. in 1. port.; 18.8 cm. Copy 2. Original green cloth. Variant On cover: Burns’ Complete Works. with publisher’s address in imprint. Kilmarnock edition. The G. Ross Roy Collection of Robert Burns / 154

Original dark blue cloth, stamped in gold. This copy has the poem “Afton Water” Signature of Robert L. Peacock, 1891. printed on p. xvi. Original olive-green cloth. Poems. Egerer, 1107. New York: Hurst, [189-?]. 255 p.; 16 cm. The Poetical Works of Robert Burns. Original light brown morocco shelfback, Edited by the Rev. Robert Aris Will- over marbled paper covered boards. mott, illustrated by Sir John Gilbert. In the private collection of G. Ross Roy. London; New York: George Routledge, [1890]. The Poetical Works of Robert Burns. With lxii, [2], 478 p.: ill.; 17.8 cm. a memoir. Routledge’s Red Line Poets. Boston: Houghton, Mifflin, [1890]. Copy 1. Original black and red roan, 3 v. in 1; 19.4 cm. gilt. Original dark red cloth. Copy 2. Original brown cloth, decorated Egerer, 990 with a gilt and green floral motif. The Poetical Works of Robert Burns. Egerer, 1117 variant 7: “New York: 9 Glasgow: Grand Coliseum Warehouse, Lafayette Place” at foot of imprint. [1890]. Copy 3. Original red brown cloth, xvii, [1], 512 p.; 18.2 cm. stamped in black and gold. Egerer, Original red-brown cloth, stamped in 1117, variant. gold and blind. The Poetical Works of Robert Burns. Egerer, 1040. Edited with a critical memoir by The Poetical Works of Robert Burns. William Michael Rosetti, with full Edited, with a critical memoir, by page illustrations. William Michael Rossetti, illustrated London: John Walker & Company, by John Moyr Smith. [189-?]. London; Glasgow; Edinburgh: William xxxii, 512 p., [6] l. of plates: ill., port.; Collins & Sons, [1890]. 19 cm. xxxii, 512 p.: port.; 19 cm. Not illustrated by John Moyr Smith. Grosvernor Poets. Copy 1. Original green padded cloth, Text inside a decorative red line border. stamped in gold on spine and upper Original maroon padded morocco, cover. stamped in gold, gilt edges. With gift Copy 2. Original blue padded cloth, inscription to “W. Ormiston Roy, stamped in gold on spine and upper from his friend, Charlotte A. Sprig- cover. Bookseller’s label: J. K. ings, Xmas, 1890.” Cranston . . . Galt on pastedown. Egerer, 1124. The Poetical Works of Robert Burns. With explanatory glossary, notes, memoir, Poetical Works of Robert Burns. etc. Reprinted from the best editions with London: Henry Frowde, Oxford Uni- explanatory glossary, notes, memoir, versity Press Warehouse, 1890. etc. xxvi, 614 p.; 18.6 cm. London; New York: Frederick Warne Original red leatherette. Edges gilt. and Co., 1890. xxii, 614 p.: ill., port.; 19 cm. The Poetical Works of Robert Burns. With At head of title: The “Lansdowne” a memoir of the author’s life and a poets. glossary. Original green cloth, stamped in black London: Milner, [1890]. and gold. xvi, 368 p.; 12.2 cm. Egerer, 859. Printed Materials, Books, and Sheet Music / 155

Poetical Works of Robert Burns. Edited Burns by Thomas Carlyle and Professor from the best printed and manuscript Wilson, edited by Charles Annandale. authorities, with chronological table of London: Blackie, 1890. his life and works and glossarial index. 5 v.: ill.; 22 cm. New York: Hurst & Co., [1890]. Volumes 3–5 undated. 584 p.: port.; 17.8 cm. Volume 2 dated 1888. Copy 1. Original quarter black cloth with Original red cloth, stamped in black and pictorial boards, stamped in red and gold. gold. Egerer, 864. Copy 2. Original white pictorial cloth. 1891 Egerer, 1154. Complete Poetical Works of Robert Burns. Sapphires from Burns. With an original memoir by William Boston: De Wolfe, Fiske & Co., [1890]. Gunnyon. [34] p.: col. port. col. ill.; 17.7 cm. Edinburgh: W. P. Nimmo, Hay, & Engraved title page, marginal ornaments. Mitchell, 1891. Copies 1–3. Original white pictorial cxlviii, 523 p.: port.; 18 cm. cloth, padded. Added engraved title page with frontis- piece portrait of Burns. A Selection of Scottish Songs. Arranged as Red line edition. duets for two equal voices. Original padded morocco. Gift inscrip- Glasgow: Wm. Hamilton, et al, [189-?]. tion on verso of free front endpaper. 48 p.; 18 cm. Egerer, 868. Includes thirteen songs by Burns. The Complete Poetical Works of Robert Tam o’ Shanter: A Tale. Burns. With an original memoir by Dundee; Edinburgh: Valentine & Sons, William Gunnyon. [189-?]. Edinburgh: W. P. Nimmo, Hay, & 1 v. (unpaged): ill., port.; 13 x 11 cm. Mitchell, 1891. Original tartan covers. Gift inscription cxlviii, 523 p.: port.; 18 cm. on preliminary page: “With best Frontispiece portrait of Burns. wishes from Aunt Jeannie” and in ball Original red limp leather, stamped in point pen “To Cathie.” gold. Kinsley, 321. Variant of Egerer, 868. Tam o’ Shanter: A Tale. 6 illustrations Complete Works of Robert Burns. Edited after John Faed. from the best printed and manuscript [London]: William Teacher & Sons, authorities, with glossarial index and [ca. 1890]. a biographical memoir by Alexander [16] p.: ill.; 13 x 19 cm. Smith. Cover title. New York; Boston: Thomas Y. Crowell “With Wm. Teacher & Sons’ compli- & Co., [1891?]. ments”—Preliminary page. lxii, 636 p.: port.; 19 cm. Original boards, printed in red and Text within red line border. black. 11.8 x 18.2 cm. Advertisements follow text, [2] p. Kinsley, 321. Copy 1. Original tan shelfback stamped The Works of Robert Burns. With a series in gold, printed paper covered boards of authentic pictorial illustrations, decorated with violets. Inscribed to marginal glossary, numerous notes, Gertrude B. Hood, Christmas 1894. and appendixes, also the life of Burns Copy 2. Original green cloth, stamped by J. G. Lockhart and essays on the in black and gold. Transferred from genius, character, and writings of stacks. The G. Ross Roy Collection of Robert Burns / 156

Copy 3. Original brown cloth, stamped tions made by Currie and others.”— in black and gold. Prefatory note. Variant of Egerer, 1143, includes Boston Copy 1. Original dark red cloth, lettered address on title page. in gold. Beveled edges. Copy 2. Original full vellum. “Arbor The Life and Works of Robert Burns. Scientia, Arbor Vita” device on upper Edited by Robert Chambers. cover. Edinburgh; London: W. & R. Chambers, Copy 3. Original full vellum. “Arbor 1891. Scientia, Arbor Vita” device on upper 4 v. in 2, [1] leaf of plates: port.; 22 cm. cover. Contemporary green half calf, green cloth. Egerer, 869. Selections from Burns: With Illustrations. London: Marcus Ward, [1891]. Poems, Songs and Letters. Being the com- 30 p.: ill.; 21.5 x 25 cm. plete works of Robert Burns, edited Copies 1–2. Original boards. Tartan from the best printed and manuscript (Royal Stewart) woolen spine. authorities, with glossarial index and a biographical memoir by Alexander The Works of Robert Burns. Smith. London: W. Paterson, 1891. London; New York: Macmillan, 1891. 6 v.: ill., ports., maps, facsim.; 23.5 cm. lxii, 637 p.; 18 cm. Original dark blue cloth, stamped in “First edition, 1868; reprinted . . . 1891.” gold and blind. One of 500 copies. The Globe edition of 1868 was a Egerer, 872. “reprint of the Golden treasury edi- tion, by the same publishers, 1865”— 1892 Gibson, p. 78. Birthday Wishes from Burns. At head of title: The Globe Edition. Edinburgh: W. P. Nimmo, Hay, & Original dark green cloth, stamped in Mitchell, 1892. gold and blind. Prize volume, pre- 1 v. (unpaged); 11 cm. sented to James H. Chadwick, Easter, Original dark green cloth. In dust jacket. 1900, as First on List, Borough Road The Complete Works of Robert Burns. College, Isleworth. Including his correspondence, etc., Egerer, 870. with a memoir by William Gunnyon, Poetical Works of Robert Burns. Chrono- the text carefully printed, and illus- logically arranged with notes, glos- trated with notes; with portrait and saries, and index. illustrations on wood by eminent London: J. Walker, [1891]. artists. 3 v.; 16.7 cm. Edinburgh: Nimmo, Hay, & Mitchell, Contemporary black half-calf, marbled 1892. boards. 12, [3], lxxviii, 402 p.: ill., port.; 23.6 cm. Added title page, with vignette. Selected Poems of Robert Burns. With an Original terra-cotta colored cloth, introduction by . brown cloth spine. London: Kegan Paul, Trench, Trübner Egerer, 874, unrecorded variant with & Co., 1891. the standard library on upper cover. 223 p.; 16.3 cm. Title in red and black. The Cotter’s Saturday Night and Other “The text of the poems in this selection Poems. is in accordance with the earliest texts New York: Maynard, Merrill, & Co., of Kilmarnock, of Edinburgh, and 1892. of the scattered tracts and the addi- 31 p.; 16.6 cm. Printed Materials, Books, and Sheet Music / 157

English Classic Series; no. 9. New York: A. L. Burt Co., [1892]. New Series; no. 41. viii, [3]–378 p.: port.; 18.5 cm. Original wrappers, stapled gathering, Original maroon cloth. portrait of Burns on upper cover. The Poetical Works of Robert Burns. With In the private collection of G. Ross Roy. a memoir. Kinsley title: “The Cotter’s Saturday New York: Dodd, Mead, [1892]. Night, Inscribed to R. A****, Esq.,” 2 v.; 19 cm. 72. Original red cloth, paper labels on Love-songs of Robert Burns. Selected by spine. Signature and bookplate of Sir George Douglas, with an intro- William Aspenwall Bradley, 1892. duction and notes. Original maroon cloth. London: T. Fisher Unwin, 1892. Egerer, 1150. 118 p.: port.; 19 cm. Selected Poems of Robert Burns. With Cameo Series. biographical sketch and notes by Copy 1. Original dark green morocco, Nathan Haskell Dole. gilt. One of 30 copies on Japanese paper. New York; Boston: Thomas Y. Crowell Copy 2. Original boards. & Company, c1892. Love-songs of Robert Burns. Selected by vii, 303 p.: ill.; 14.9 cm. George Douglas, with an introduction Selected Poems of Robert Burns. With and notes. biographical sketch and notes by New York: Cassell, 1892. Nathan Haskell Dole. 118 p.: port.; 18.8 cm. New York; Boston: Thomas Y. Crowell Cameo Series. & Company, c1892. Original green boards, white paper vii, 303 p.: ill.; 15.2 cm. spine. Signature of S. B. Johnson. Copy 1. Original gray padded cloth Poetical Works of Robert Burns. Chrono- covered boards with fossil pattern, logically arranged with notes, glos- title in gold on green, stamped in gold saries, and index. on spine. Free front endpaper and London: William Paterson, 1892. half-title page removed. 3 v.: ill.; 17 cm. Copy 2. Original white shelfback deco- Original dark red cloth. rated in gold, over floral paper cov- Egerer, 876. ered boards. Gift inscription: “For Aunt Patty with a ‘Merry Xmas’ from The Poetical Works of Robert Burns. With Dorothy, 1898.” explanatory glossary, notes, memoir, Copy 3. Original white cloth shelfback, etc. stamped in gold, over floral paper The “Albion” edition. covered boards. In the private collec- London; New York: Frederick Warne, tion of G. Ross Roy. 1892. Copy 4. Original green shelfback, over xxvi, 614 p.: port.; 19.3 cm. paper covered boards with a wood Original black quarter morocco, cloth. grain pattern, paper label on upper Bookseller’s ticket: W. Mullan . . . cover. In the private collection of Belfast. G. Ross Roy. Egerer, 877, unrecorded variant. Scots Minstrelsie: A National Monument The Poetical Works of Robert Burns. With of Scottish Song. Edited and arranged notes, glossary and chronological by John Greig . . . In six volumes, table of his life and works, with bio- with original coloured illustrations by grapaical [sic] memoir, by Alexander J. Michael Brown. Smith. The G. Ross Roy Collection of Robert Burns / 158

Edinburgh: T. C. & E. C. Jack, logical order with new annotations [1892–1895]. edited by William Scott Douglas. 1 score (6 v.); 31.5 cm. Edinburgh; Glasgow: J. Menzies; Kil- Each frontispiece is accompanied by a marnock: D. Brown, 1893. guard sheet with descriptive letter- 2 v. in 1: port.; 18.6 cm. press. Title page lacking. Contains songs by Robert Burns. Original green cloth, stamped in gold. Volume 3 only. Original pictorial boards, Inscribed on preliminary page: “To cloth spine. David Douglas Percival Roy, from his brother Willie, on the occasion of his 1893 leaving home, 28th May 1895.” With Burns’s “Chloris”: A Reminiscence. With a newspaper clipping of the poem facsimile of poem “The Song of “Write Them a Letter To-Night,” Death” in the poet’s handwriting / pasted underneath. David Douglas James Adams. Percival Roy (1878–1931) was Glasgow: Morison Brothers, 1893. a brother of W. Ormiston Roy 187 p.: fold. facsim.; 17.5 cm. (1874–1958). First appeared in the Glasgow Herald. Cf. In the private collection of G. Ross Roy. Pref. Poems, Songs and Letters. Being the com- Copy 1. Original pictorial wrappers. plete works of Robert Burns edited Copy 2. Contemporary red half from the best printed and manuscript morocco, with marbled boards. authorities with glossarial index and a The Complete Poetical Works of Robert biographical memoir by Alexander Burns. With an original memoir by Smith. William Gunnyon. London; New York: Macmillan, 1893. Edinburgh: W. P. Nimmo, Hay, & lxii, 636 p.; 20 cm. Mitchell, 1893. Half-title: The Complete Works of Robert 523 p.: port.; 18 cm. Burns. Original red roan. Probable reissue of Globe edition, first Egerer, 878. Reissue of 1865 edition. published in 1868. Original dark blue-green cloth, stamped The Cottar’s Saturday Night. Inscribed to in gold. Signature of Katherine R. Cur- Robert Aiken, Esq. illustrated with an tis. Bookplate of Henry Hill Pierce. introduction by Rev. John Hall. London; New York: M. Ward, [1893]. Poetical Works of Robert Burns. Com- 22 l.: ill.; 20.3 x 25 cm. plete, chronologically arranged, with Original dark blue cloth. Illustrated notes, glossaries, and index, by wood panel mounted on upper cover. W. Scott Douglas. Edinburgh edition. Isaure: and Other Poems. Edited by Edinburgh: J. Thin, 1893. Ross. 3 v.: fronts. (v. 1: port.); 16.7 cm. London: W. Stewart, [1893?]. Original maroon cloth. 96 p.; 18.2 cm. Egerer, 879. Original light brown pictorial cloth. Signed presentation copy from Robert The Poetical Works of Robert Burns. Hogg to Robert Reid, author of Edited with a memoir by George A. “Moorland .” Aitken. London: George Bell & Sons, 1893. Kilmarnock Edition of the Poetical Works 3 v.: port.; 17.3 cm. of Robert Burns. Arranged in chrono- Aldine Edition of the British Poets Printed Materials, Books, and Sheet Music / 159

Copy 1. Original red cloth, lettered in verso of half-title page. Signature of gold on spine. Bookseller’s ticket: Alexander Sinclair Lauries, former Chas. E. Lauriat . . . Boston. owner, on verso page. Copy 2. Contemporary calf by John Egerer, 885. Bumpus. Robert Burns’ Gedichte in Auswahl. Copy 3. Original blue-green cloth, Deutsch von Gustav Legerlotz. stamped in white and gold. 2. Aufl. Egerer, 881. Leipzig: O. Spamer, 1893. The Poetical Works of Robert Burns. xxiv, 188 p.: port.; 17.5 cm. Edited with a prefatory memoir, Original dark green cloth, stamped in notes, and glossary by J. R. Tutin. black, gold and green. London: Griffith, Farran, [1893]. Egerer, 1205, note. xl, 708 p.; 18 cm. The Works of Robert Burns. The Newberry Classics. Edinburgh: James Thin, 1893. Original dark green cloth, stamped in 6 v.: ill., ports.; 18 cm. black and gold. One of 500 copies. Reprint of Egerer, 1098. Original maroon cloth. The Poetical Works of Robert Burns. Reissue of Egerer, 783, published by Edited with introductory biography W. Patterson, 1877? and notes by Charles Kent. London; Manchester; New York: 1894 G. Routledge, 1893. A Nicht wi’ Burns: A Popular Reading / xii, 500 p.: port.; 19 cm. H. C. Shelley. With musical illustra- Sir John Lubbock’s hundred books. tions from the poet’s songs. Original red cloth, lettered in gold on London; Glasgow: Bayley & Ferguson, spine. [1894]. Egerer, 884. 48 p.: music; 22 cm. For four voices. The Poetical Works of Robert Burns. With Texts by Robert Burns; arrangements explanatory glossary, notes, memoir, by various authors. etc. Date from the National Library of Albion edition. Scotland. London; New York: Frederick Warne, Includes twenty songs by Burns. 1893. Copy 1. Original wrappers. xxvi, 614 p.: port.; 18.6 cm. Copy 2. Original wrappers. Music Imperfect: portrait wanting. printed in a variant style of notation, Original red cloth, lettered in gold. resembling small letteral notation. Egerer, 885, variant 1. Reissue of the 1888 London edition. Poems. The Poetical Works of Robert Burns. Boston: Estes and Lauriat, [c.1894]. Reprinted from the best editions. 584 p.: port.; 19 cm. With explanatory glossary, notes, Date from Kilgour, R. L. Estes and Lau- memoir, etc. riat: A History 1872–1898. Ann Arbor, London; New York: Frederick Warne 1957. and Company, 1893. Original maroon cloth. xvi, 614 p.; 19 cm. The Poetical Works of Robert Burns. With Chandos classics. memoir, prefatory notes, and a com- Original blue cloth, stamped in gold. plete marginal glossary edited by John Poem in pencil with first line “Oh, and Angus Macpherson. Rabbie! Once comes around” on The G. Ross Roy Collection of Robert Burns / 160

London: W. Scott, [1894]. Riverside Literature Series; no. 77. 597 p.: ill.; 18.4 cm. Copy 1. Original printed wrappers, Added illustrated title page. Fron- stapled gathering. Gift of H. W. and tispiece. Carolyn Matalene. Reissue of Glasgow edition of 1859. Copy 2. Original green cloth, stamped [10] p. of publisher’s advertisements in black. In the private collection of following text. G. Ross Roy. Copy 1. Original dark blue cloth. Gilt Copy 3. Original printed wrappers, sta- floral design on upper cover. pled gathering. Former owner’s name Copy 2. Original purple cloth. [18] p. of on preliminary page. publisher’s advertisements following Kinsley title: “The Cotter’s Saturday text. Extra advertisement for “The Night, Inscribed to R. A****, Esq.,” Million Library” tipped in at front. 72. Lacking added title page, frontispiece. Love Poems. By famous authors. Copy 3. Original green cloth. Added Philadelphia: Rodgers, c1895. illustrated title page. Frontispiece. 238 p., [7] leaves of plates: ill.; 15 cm. [16] p. of publisher’s advertisements Added engraved title page. following text. Original green cloth. Original half olive-green cloth, pat- Egerer, 1119. terned cloth, stamped in gold. The Poetical Works of Robert Burns. John Shaw Billings Collection. Reprinted from the best editions, with The Lyric Poems of Robert Burns. Edited explanatory glossary, notes, memoir, by Ernest Rhys. etc. London: J. M. Dent, 1895. London; New York: Frederick Warne, xxiv, 243 p., [1] leaf of plates: port.; 1894. 16 cm. xxvi, 614 p.; 19 cm. The Lyric Poets. Owner’s marginal marks throughout. Illustrated title page. Original green cloth. Original blue cloth, stamped in gold. Egerer, 888. The Midget Library. The Poetical Works of Robert Burns. Illus- Glasgow: David Bryce & Sons, [1895]. trated with photographs by Valentine 12 v. in case; 780 x 550 mm. & Sons. 12 volumes in metal case with glass London: Thomas Yardley, [1894]. front, resembling a miniature book- xxvi, 614 p.: port.; 19 cm. case in original box, title and imprint Date from gift inscription. from box, miniature magnifying glass Original maroon padded roan. in slot at foot. Inscribed “To Jeanie from her Volumes related to Burns: Old English, Father.” Scotch, and Irish Songs, which includes Probably an unrecorded variant of two songs by Burns (“Auld Lang- Egerer, 1127. syne” and “My Bonnie Mary”), 1895 56mm. and Poems, Chiefly in the Scottish Dialect [miniature facsimile of the The Cotter’s Saturday Night, and Other Kilmarnock edition], 56mm. Poems. With a biographical sketch and Each volume is bound in red morocco, explanatory notes and a glossary. stamped in gold. Original front panel Boston: Houghton, Mifflin; Cambridge: of glass was broken and replaced but Riverside Press, 1895. was retained in the metal case in the iv, 95 p.: ill.; 19 cm. Printed Materials, Books, and Sheet Music / 161

A rare collection of miniatures which includes a volume of Robert Burns’s Poems published by David Bryce of Glasgow. From the collection of Lillian Roy, sister of W. Ormiston Roy

box. From the library of Lillian Roy, Harriet M. Brownell and H. W. sister of W. Ormiston Roy. Wright. Egerer, 1159. Poems, Chiefly in the Scottish Dialect. Glasgow: David Bryce, [1895]. The Poetical Works of Robert Burns. 240 p.; 28 mm. With memoir, notes, and a complete “Reduced facsimile first edition.” glossary. Original limp red calf. New York: New York Pub., [1895]. xxxi, 479 p.; 19 cm. The Poetical Works of Robert Burns. Lettered on back: Empire edition. Reprinted from the best editions, “Illustrated” on title page; however this with explanatory glossary, notes, edition lacks illustrations. memoir, etc. Original wine colored cloth, stamped London: Frederick Warne, 1895. in gold and blind. Signature of J. F. xvi, 614 p.; 18.8 cm. Waitington on free front endpaper. Original black cloth, lettered in gold. Egerer, 892. Reissue of 1888 London The Poetical Works of Robert Burns. edition. With memoir, notes, and a complete glossary. The Poetical Works of Robert Burns. New York: New York Pub., 1895. With a memoir. xxxi, 479 p.; 19 cm. Aldine edition. “Illustrated” on title page; however this New York: James Miller, [1895]. edition lacks illustrations. 2 v.; 18 cm. Half calf over marbled paper covered British Poets. boards, marbled edges. Gift of Alex Original dark red cloth. Date from Gillon. ownership inscription. Signature of The G. Ross Roy Collection of Robert Burns / 162

Robert Burns: Selected Poems and Songs. Each volume separately paginated, London: Review of Reviews Office, with separate title pages. 1895. Original green cloth. 58 p.; 18 cm. The Complete Works of Robert Burns. The Masterpiece Library; 5. With an account of his life, and a Copy 1. Original orange cloth. On upper criticism on his writings, to which are cover: A literary supplement to “Our prefixed some observations on the Poet’s Corner.” character and condition of the Scot- Copy 2. Original orange wrappers. tish peasantry by James Currie, with Copy 3. Original dark yellow cloth. an enlarged and corrected glossary. Selected Poems and Songs. London: Milner, [1896]. London: Review of Reviews Office, 1895. xix, xc, 658 p.: ill., port.; 18.5 cm. 58 p.; 19 cm. Added engraved title page, with The Penny Poets; v. 5. vignette, has title: The Poetical Works Masterpiece Library. of Robert Burns. At end: vi pages of advertisements. Original dark blue-green cloth, Original orange wrappers, lettered in stamped in gold. black. Egerer, 1057. One of several issues of this title, all reprints of 1842 Halifax The Works of Robert Burns. edition. Edinburgh: James Thin, 1895. 6 v.: ill., facsims, music; 24 cm. Edinburgh Illustrated Edition of the Poems Preface signed: “Wm. Scott Douglas; and Songs of Robert Burns Complete. Edinburgh, 19th Feb. 1877.” Chronologically arranged notes, glos- Original dark red cloth, stamped in gold. saries, and index by W. Scott Douglas, Egerer, 890. and life by Professor Nichol, with twelve photogravures after drawings 1896 by Marshall Brown. Burns’ Lieder und Balladen. Aus dem Edinburgh: J. Thin, 1896. Englischen von Karl Bartsch. 4 v.: fronts. (v. 4: port.), 10 pl.; 17.8 cm. Leipzig; Wien: Bibliographisches Each volume has also special title page. Institut, [1896]. Original dark red cloth, stamped in 291 p.; 17.8 cm. gold. Copy 1. Original sage-green smooth Egerer, 894. cloth, stamped in black and gold. In Memory of Robert Burns: Selected Edges plain. Unrecorded variant Poems and Songs. With an introduction reissue of Egerer, 1198. by Richard Le Gallienne. Copy 2. Original brown ribbed-grain London; Belfast; New York; Sydney: cloth, stamped in black and gold. All M. Ward & Co., Limited, 1896. edges marbled. Egerer, 1198, variant 3. 90 p.: port., facsim.; 19 cm. The Complete Poetical Works. With notes, Title in red and black. glossary, index of first lines and Original green cloth, stamped in silver. chronological list edited by J. Logie Egerer, 901, unrecorded variant. Robertson. Lieder und Balladen von Robert Burns: Oxford miniature edition. nebst einer Auswahl der Gedichte. London; New York: Henry Frowde, Herausgegeben von Wilhelmine Oxford University Press Warehouse, Prinzhorn. 1896. Halle: Otto Hendel, [1896]. 3 v. in 1; 10.6 cm. xl, 335 p.: ill., port.; 17.6 cm. Printed Materials, Books, and Sheet Music / 163

Original red cloth, decorated in gilt and Poetical Works Complete. Chronologically black. Edges gilt. Bookseller’s ticket: arranged, with notes, glossaries, and F. Bauermeister . . . Glasgow. index by W. Scott Douglas. Egerer, 1196. Edinburgh edition. Edinburgh: J. Thin, 1896. The Life and Works of Robert Burns. 3 v. in 1: (various pagings); 16.6 cm. Edited by Robert Chambers. 3 v. in 1, each volume with separate title [New edition] revised by William page. Wallace. Original green cloth, stamped in gold. Edinburgh: W. & R. Chambers, [1896]. Signature of , 1934, on 4 v.: ill.; 22 cm. front free endpaper. Contains nearly fifty poems [etc.] which Possibly a variant of Egerer, 894. did not appear in the original edition. This edition is limited to 250 copies. The Poetical Works of Robert Burns. With Signed by W. & R. Chambers, Limited. memoir, prefatory notes, and a com- Original dark blue cloth. ’s plete marginal glossary edited by John copy, with his annotations. No. & Angus MacPherson; with portrait 101/250. and illustrations. Egerer, 893. Edinburgh: and John Men- zies; London: Simpkin, Marshall, The Life and Works of Robert Burns. 1896. Edited by Robert Chambers, revised 597 p.: ill., port.; 19.4 cm. by William Wallace. Added engraved title page, with London: The Waverley Book Company, vignette. by arrangement with W. & R. Cham- [11] p. catalogue of John Grant, bers, [1896]. Bookseller, following text. 4 v.: ill.; 20 cm. Original black-stamped red cloth. Original red cloth. Egerer, 895. The Poems and Songs of Robert Burns. The Poetical Works of Robert Burns. Edited with introduction, notes and Edited by John Fawside. glossary by Andrew Lang assisted by Edinburgh; London: Sands, [1896]. W. A. Craigie. 555 p.: port.; 21.3 cm. London: Methuen & Co., 1896. Portrait faces title page. xlvi, 667, [1] p.: port.; 23 cm. 4-page publisher’s catalogue, undated, Copy 1. Original red cloth, lettered in at end. gold. On spine: Methuen’s Colonial Copy 1. Original purple cloth. Signature Library. Bookseller’s tickets A. T. of W. W. Henderson. Chapman . . . Montreal. Copy 2. Original dark blue cloth. Copy 2. Original dark red cloth, lettered Portrait faces half-title. in gold. Copy 3. Original purple cloth. Egerer, 902. Variant of Egerer, 1024, with different The Poems and Songs of Robert Burns. publisher. Edited with introduction, notes and The Poetical Works of Robert Burns. With glossary by Andrew Lang assisted by brief memoir, complete index com- W. A. Craigie. bining titles and first lines, glossary. New York: Dodd, Mead, 1896. Illustrations by Faed, Harvey, Erskine xlvi, 667 p.: port.; 22.4 cm. Nicol, Arches, Burr, Macculloch. Original red cloth, printed paper label Glasgow: D. Bryce & Son, 1896. on spine. Egerer, 907. The G. Ross Roy Collection of Robert Burns / 164 xxix, 409 p.: port. 14 pl.; 20 cm. New York: Longmans, Green, and Co., Copy 1. Original gray-green boards. 1896. Black and white tweed wrappers with 555, [1] p.: port.; 22.4 cm. printed paper label on spine. Printed in Great Britain. Copy 2. Original bright blue cloth, Original red cloth. Signature of Ann R. lettered in gold on spine. Morse, 1899. Egerer, 899. Poetical Works of Robert Burns. With all The Poetical Works of Robert Burns. the correspondence and notes by Alan Edited by John Fawside, with a fron- Cunningham. tispiece by Alexander Nasmyth. New York: J. W. Lovell, [1896]. London: Bliss, Sands and Foster, c1896. 584 p., [5] leaves of plates: ill.; 18.5 cm. 555, [1] p.: port.; 21 cm. Red line edition. Copy 1. Original dark blue cloth, Original brown pictorial cloth stamped stamped in gold. in gold. Copy 2. Original dark blue cloth, Variant of Egerer, 1157. stamped in gold. p. 15–16 torn. The Poetical Works of Robert Burns. With Egerer, 903. a memoir. The Poetical Works of Robert Burns. With New York: Merrill and Baker, [1896]. notes, glossary, index of first lines, 2 v.: ill.; 17.5 cm. and chronological list; edited by Original light green cloth, printed paper J. Logie Robertson. labels on spines. London: New York; H. Frowde, 1896. Egerer, 1158. xx, 635 p.; 19 cm. The Poetical Works of Robert Burns, Com- Copy 1. Original brown cloth, stamped plete. Chronologically arranged, with in gold and blind. notes, glossaries, and index by Copy 2. Original dark blue smooth W. Scott Douglas. cloth, stamped in gold and blind. Edinburgh: J. Thin; Philadelphia: J. B. Egerer, 900. Lippincott, 1896. The Poetical Works of Robert Burns. 3 v.: port.; 16.8 cm. Edited, with copious notes and “Edinburgh edition.” notices, critical and explanatory, Original dark red cloth. Volume 4, by William Michael Rossetti. Burns’s biography missing. London: Kilburn Bon Marche, The Poetical Works of Robert Burns, Com- W. Roper, [1896]. plete. Chronologically arranged, with xvii, 512 p.; 17.6 cm. notes, glossaries, and index by Original rose-colored pictorial cloth. W. Scott Douglas. Egerer, 1102, unrecorded variant. Edinburgh: James Thin, 1896. The Poetical Works of Robert Burns. 3 v. in 1; 16.6 cm. London: Richard Edward King, 1896. “Edinburgh edition.” xii, 500 p.: port.; 18.3 cm. Original green cloth, stamped in gold. Original dark red cloth. Signature of David Daiches, dated Egerer, 1103. Imprint varies: Curtain 1934 on free front endpaper. Road, London, E.C. The Poetry of Robert Burns. Edited by The Poetical Works of Robert Burns. W. E. Henley and T. F. Henderson, Edited by John Fawside, with a with etchings by William Hole. frontispiece by Alexander Nasmyth. Edinburgh: T. C. and E. C. Jack, 1896. 1 v. (various paging): ill.; 22 cm. Printed Materials, Books, and Sheet Music / 165

Publisher’s dummy of the Centenary Copy 2. Imprint: “The Caxton Publish- edition. Contains advertisements ing Company Limited, Clun House, and order form, reviews, samples Surrey St., W.C.” Roy, Henley Hen- of binding, preface, table of contents, derson, 11. dedication through p. 16, and ledger Copy 3. Mixed set: volumes 1–2, Caxton sheets for subscriber’s signatures. Publishing Co.; volumes 3–4, T. C. & Original black cloth. Gift of Bill E. C. Jack. Volume 4 extensively Dawson. annotated, with a hand-drawn map of the Burns’ country and biographi- The Poetry of Robert Burns. Edited by cal and historical information about W. E. Henley and T. F. Henderson; Burns and his era. with etchings by William Hole, F.S.A. Copy 4. Original blue cloth, stamped in Illustrated edition. gold. Imprint: “The Caxton Publish- Edinburgh: T. C. and E. C. Jack, 1896. ing Company Limited, Clun House, 4 v.: ill.; 23 cm. Surrey St., W.C.” In the private col- No. 57/90, signed by the editor. Armor- lection of G. Ross Roy. Egerer, 896, ial bookplate of Sir George White, variant. Roy, Henley Henderson, 10A. Bart. Original buff cloth, stamped in gold. “Ninety copies on large paper.” The Poetry of Robert Burns. Edited by Egerer, 896, note. William Ernest Henley and Thomas Roy, Henley Henderson, 4. F. Henderson. Library edition. The Poetry of Robert Burns. Edited by Edinburgh: T. C. and E. C. Jack, W. E. Henley and T. F. Henderson; 1896–1897. with numerous illustrations. 4 v.: ill., ports., facsims.; 22 cm. Centenary edition. Limited to 600 copies for the United Edinburgh: T. C. and E. C. Jack, [1896]. Kingdom and 150 for America, signed 4 v.: ill.; 28 cm. by the publisher. “No. 324.” Volumes 1, 3–4 have imprint T. C. and Tipped in before half-title: “Possessors E. C. Jack, volume 2 has the Caxton, of Burns manuscripts, letters, or London imprint. poems will greatly oblige the editors Original green cloth, stamped in gold by communicating with them c/o the and blind. “T. C. & E. C. Jack” publishers.” stamped in gold at the foot of the Errata slip tipped in before Contents. spine for volumes 1, 3–4, “Centenary Copy 1. Original quarter buff cloth, Edition” stamped at the foot of the gray boards, paper labels on spines. spine of volume 2. Unopened. Roy, Henley Henderson, In the private collection of G. Ross Roy. 1A, easliest state. The Poetry of Robert Burns. Edited by Copy 2. Henley’s own set, marked W. E. Henley and T. F. Henderson, “Editor’s copy,” having a few pencil with numerous illustrations. corrections in the text. Bookplate of Centenary edition. W. E. Henley, designed by William London: The Caxton Publishing Co., Nicholson. Laid in: Letter, June 16, [1896]. 1897, to Henley from Henderson con- 4 v.: ill., part col., ports.; 21.8 cm. cerning Robert Burns, Maria Riddell, Illustrated title pages. and others. Copy 1. Original olive-green cloth, The Poetry of Robert Burns. Edited by stamped in gold and blind. Imprint: William Ernest Henley and Thomas “The Caxton Publishing Co., 84, 85, F. Henderson. and 86 Chancery Lane,W.C.” [Centenary edition]. The G. Ross Roy Collection of Robert Burns / 166

Edinburgh: T. C. and E. C. Jack, Lees, and introduction & historical 1896–1897. notes by H. C. Shelley. 4 v.: ports.; 23 cm. [Centenary edition]. Copy 1. Original buff cloth, stamped in Glasgow: J. Hedderwick, 1896. gold. Publisher’s complimentary copy xxxii, 252 p.: ill., music, ports.; 35 cm. to Alex. Young. Egerer, 896. Roy, For voice and piano; includes tonic Henley Henderson, 3. sol-fa notation. Copy 2. Original terra-cotta colored Contemporary purple half morocco cloth, printed paper label on spine. binding, green cloth-covered boards. With separate errata slip. Egerer, 896. The Songs of Burns. With symphonies Roy, Henley Henderson, 1A and accompaniments by John Kenyon The Poetry of Robert Burns. Edited by Lees, and an introduction and histor- W. E. Henley and T. F. Henderson; ical notes by H. C. Shelley. with etchings by William Hole. New and revised edition. Edinburgh: T. C. and E. C. Jack, Cause- London: Glasgow: Bailey & Ferguson, wayside, [1896–1897]. [1896]. 4 v.: ill., port., facsim.; 22 cm. xxi, [3], 197 p.: ill., port.; 27.8 cm. Original buff cloth, stamped in gold. “Centenary edition . . .” Roy, Henley Henderson, 6. Similar to Original light green wrappers. Presen- regular edition, but without dates on tation copy to W. Ormiston Roy, 1937. title pages. The Songs of Burns. With symphonies Robert Burns’ Poetical Works. and accompaniments by John Kenyon National edition with glossary, notes, Lees, and introduction & historical memoir, etc. notes by H. C. Shelley. London; New York: F. Warne, 1896. [Centenary edition]. xxvi, 614 p.; 19 cm. London: Bayley & Ferguson, 1896. On spine: Burns’ Centenary. xxxvi, 246 p.: ill., music, ports.; 35 cm. Original buff cloth. For voice and piano; includes tonic Egerer, 905. sol-fa notation. Original quarter cloth, boards. Signed Robert Burns: The Poems, Epistles, Songs, presentation copy from Rodger and Epigrams & Epitaphs. Edited by Jas. A. Beth Tarr to G. Ross and Lucie Roy, Manson, with notes, index, glossary, 1969. and biographical sketch. London: C. Wilson, 1896. The Songs of Burns. With symphonies 2 v.; 18 cm. and accompaniments by John Kenyon Original dark blue cloth. Signature of Lees, and introduction and historical A. E. Harper. notes by H. C. Shelley. Egerer, 906. Newcastle-on-Tyne: Newcastle Chroni- cle Offices, 1896. Selected Poems of Robert Burns. With an xxxii, 252 p.: ill., port.; 34.4 cm. introduction by Andrew Lang. Brown pebbled cloth, stamped in gold. London: K. Paul, Trench, Trübner, & Co., 1896. 1897 223 [1] p.; 16 cm. Auld Lang Syne and Other Songs. With Contemporary dark green morocco. numerous original illustrations by Prize volume awarded to Francis C. Moore Smith. Walter Jekyll, Eton, 1897. New York: Frederick A. Stokes Com- The Songs of Burns. With symphonies pany, c1897. and accompaniments by John Kenyon 124 p.; 13.8 cm. Printed Materials, Books, and Sheet Music / 167

Collection of “Masterpieces.” The Poetical Works of Robert Burns. Original red cloth, stamped in gold. Edited by Alexander Smith, with In the private collection of G. Ross glossarial index and biographical Roy. memoir. New York: Frederick A. Stokes, [1897]. The Complete Poetical Works of Robert xxxiii, 362 p.: ill.; 18.3 cm. Burns. Original gray-green pictorial cloth. Cambridge edition. Egerer lists only a dated 1897 edition. Boston; New York: Houghton, Mifflin Egerer, 911. and Company, [c1897]. lxvi, 397, [1] p.: ill., port.; 20.8 cm. Representative Poems of Robert Burns with Engraved title page, with vignette. Carlyle’s Essay on Burns. Copy 1. Original dark blue cloth, Edited with introductions, notes, and stamped in gold. vocabulary by Charles Lane Hanson. Copy 2. Original dark blue cloth, Boston; New York; Chicago; London, stamped in gold. Black endpapers. etc.: Ginn and Company, c1897. Half title and card page wanting. xii, 84, [6] p.: port.; 16.9 cm. Egerer, 908. Standard English Classics. Advertisements follow text. O, Whistle and I’ll Come to You My Lad = Original green cloth, stamped in black. O pfeif’ und ich komme mein Bursch, zu Annotated. dir. In the private collection of G. Ross Roy. Helen Hopekirk, words by Robert Burns, Deutsch von Joh. V. Lossl. Scottish Songs and Poems. Edited by Alan Boston: Oliver Ditson Company; New Reid. York: Chas. G. Ditson & Co.; Chicago: London: Review of Reviews Office, Lyon & Healy, c1897. [1897?]. 1 score (5 p.); 34 cm. 57 p.; 18.2 cm. Penny Poets; LXI. The People’s Edition of the Poetical Works Includes the following songs by Burns: of Robert Burns. In chronological “Scots, Wha Hae Wi’ Wallace Bled,” order of publication as arranged p. 56–57 and “Should Auld Acquain- and annotated by the late W. Scott tance Be Forgot,” p. 57. Douglas. Revised, corrected and Original orange wrappers, lettered in condensed by D. M’Naught, Kil- black. maurs. 2nd edition. The Scottish Students’ Song Book. Editor- Edinburgh; Glasgow: John Menzies; in-chief, A. G. Abbie. Kilmarnock: D. Brown, 1897. London: Published for the Scottish xii, 327 p.: ill., port.; 19 cm. Students Song Book Committee by Original red cloth. Bayley & Ferguson, [1897]. Egerer, 909. 1 score (356 p.); 28 cm. Contains several songs by Robert The Poetical Works of Robert Burns. Burns. London: Bliss, Sands & Co., [1897]. Original gray-green pictorial cloth. 555, [1] p.: port.; 21.7 cm. 27.7 cm. The Apollo Poets. Original dark red cloth. Black cloth Select Poems of Robert Burns. Arranged in onlay, with design of Muses stamped chronological order with introduction, in gold. notes, and a glossary by Andrew J. Egerer, 1083. Reissue of 1896 edition. George. London: Isbister, 1897. The G. Ross Roy Collection of Robert Burns / 168 xxxviii, 370 p.: ill., port.; 19 cm. Night, Inscribed to R. A****, Esq.,” Original light blue cloth. 72. 1898 The Poems of Robert Burns. London: J. M. Dent, 1898. Burns’ Poems. With glossary, notes and xii, 331 p.: port.; 15 cm. memoir Robert Burns. The Temple Classics. Edited by W. A. Chicago; New York: Henneberry, Craigie. [1898]. Title page in red and black. lix, 334 p.: port.; 18.3 cm. Original olive-green calf, stamped Illustrated title page. in gold. Original red cloth, stamped in gold and blind. The Poetical Works of Robert Burns. Edited with an introductory biogra- The Complete Poetical Works of Robert phy and notes by Charles Kent. Burns. With an original memoir by London; New York: George Routledge, William Gunnyon. [1898]. London: Thomas Yardley, [1898]. xii, 500 p.; 18.2 cm. cxlviii, 523 p.: port.; 18 cm. Sir John Lubbock’s Hundred Books. Date from presentation inscription, Contemporary dark red half morocco, “With Mrs. Brownlee’s best wishes marbled boards. to Dedis, Christmas 1898.” Egerer, 1117, variant [6]. Reissue of 1878 Original maroon roan. edition. Egerer, 1061. The Poetical Works of Robert Burns. The Complete Works of Robert Burns, Edited by John Fawside; with a (Self-Interpreting). [Edited by George frontispiece by Alexander Gebbie]. Nasmyth. Imperial edition. London: Sands and Co., 1898. Philadelphia: Gebbie Pub. Co., 1898– 555 p.: port.; 22 cm. 6 v. in 12: ill., facsims., maps, ports.; Original gilt- and blind-stamped green 22.7 cm. cloth. Prize volume. Awarded to Title from volume 5, pt. 2 title page. Robert Turnbull of Canonmills Public Original maroon cloth. Wedding gift to School, Edinburgh. James McNaught and Susie McDon- Egerer, 903, unrecorded variant. ald from William Brown, 1907. The Poetical Works of Robert Burns. The Cotter’s Saturday Night: And Other Edited, with copious notes and Poems. notices, critical and explanatory, New York: Maynard, Merrill & Co., by William Michael Rossetti. 1898. London: Ward, Lock & Bowden, 31 p.: port.; 16.4 cm. [1898]. Maynard’s English Classic Series; no. 9. xvii, 512 p.; 18.2 cm. “With prefatory and explanatory notes” Moxon’s Standard Poets. —Title page. Prize volume, awarded to Edward “New series, no. 34. February 16, 1898 Moseley, Broughton P.S.A., 1898. . . .” at foot of title page. Fourteen pages of published advertise- Original green wrappers. ments, undated, at end. Kinsley title: “The Cotter’s Saturday Printed Materials, Books, and Sheet Music / 169

Original dark blue cloth, floral design in New York; Cincinnati [etc.]: American split-duct colors in green, yellow, Book Company, [1898]. maroon, and orange. 96 p.: port.; 17.9 cm. Eclectic English Classics. The Poetical Works of Robert Burns. Original green shelfback, over gray Reprinted from the best edition, with paper covered boards, stamped in explanatory glossary, notes, memoir, dark blue. etc. In the private collection of G. Ross Roy. London; New York: Frederick Warne, 1898. The Songs of Robert Burns. xxvi, 614 p.; 18 cm. London: J. M. Dent and Co., 1898. Copy 1. Original dark red-brown roan. xvi, 368 p.: port.; 15.3 cm. Copy 2. Original blue cloth, stamped in The Temple Classics, edited by I. Gol- red, yellow, and gold. Pages 613–614 lancz. and back endpapers lacking. Gift of Title in red and black within ornamen- Alex Gillon. tal border. Edited by W. A. Craigie. Robert Burns and Mrs. Dunlop. Corre- Early state with different frontispiece of spondence now published in full for Mrs. Burns with grandchild. the first time, with elucidations, by Original dark blue cloth, stamped in William Wallace. gold and blind. On spine: Edited by London: Hodder and Stoughton, 1898. W. J. [sic] Dent. Bookseller’s ticket: xxxi, 434 p.: ill., port., 2 facsims.; 21 cm. W. W. Curtis . . . Coventry. Signature Copy 1. Original light blue cloth. of Fred Smith, Coventry, 1904. Copy 2. Original green cloth. Robert Burns and Mrs. Dunlop. Corre- 1899 spondence now published in full for The Poems and Songs of Robert Burns. the first time, with elucidations, by Edited with introduction, notes and William Wallace. glossary by Andrew Lang. New York: Dodd, Mead and Company, 2d ed. 1898. New York: Dodd, Mead, 1899. 2 v.: fronts. (ports.) pl., facsims.; xlvi, 667 p.: port.; 22 cm. 19.4 cm. Copy 1. Contemporary green half calf, Copy 1. Original dark red cloth, printed marbled boards. paper labels on spines. Copy 2. Contemporary dark red cloth, Copy 2. Original dark red cloth, printed paper label on spine. Former owner’s paper labels on spines. Binding vari- gift inscription: “A Merry Christmas ant. Pons Bequest. to Dad from his son. Dec. 25, 1902.” Egerer, 914, note. The Poetical Works of Robert Burns. Selections from the Poems of Robert Burns. Glasgow: D. Bryce and Son, [1899]. Edited with introduction, notes, and 2 v. (499 p.): ill.; 84 mm. vocabulary by John G. Dow. Volume 2 has also special title: Songs. Boston: Ginn & Company, 1898. Original padded tartan-patterned cloth. xcvi, 287 p.: port.; 18.5 cm. Imperfect: volume 1 only. Athenaeum Press Series. Poetical Works of Robert Burns. Chrono- Original light green cloth. logically arranged with notes, glos- Selections from the Poems of Robert Burns. saries, and index. Edited by W. H. Venable. The G. Ross Roy Collection of Robert Burns / 170

“Empyreal” edition. Nimmo, Hay, & Mitchell’s Birthday New York; London: White & Allen, Books at end. Pons Bequest. [1899]. The Complete Poetical and Prose Works of 3 v.: ill., port.; 17 cm. Robert Burns. With life, notes, corre- Original quarter blue cloth, floral pat- spondence and glossary by A. Cun- terned boards. ningham with original pieces from Egerer, 1163, variant edition in 3 vol- the collection of Sir Egerton Brydges. umes. New York; Chicago: Butler Brothers, 1900 [1900–1903?]. xiii, 559, [2] p.: port.; 18 cm. Auld Lang Syne. Advertisements follow text. London: Ernest Nister; New York: E. P. Original red pictorial cloth, stamped Dutton & Company, [1900?]. in black and gold. Gift of H. W. and 47 p.: ill.; 15 cm. Carolyn Matelene. Original white cloth shelfback, over light brown boards decorated in light The Complete Poetical and Prose Works of blue and red. Robert Burns. With life, notes, corre- spondence and glossary by A. Cun- Auld Lang Syne. ningham with original pieces from New York: Cupples & Leon, [1900]. the collection of Sir Egerton Brydges. [14 p.]: col. ill.; 17 cm. New York; Chicago: Butler Brothers, Copies 1–2. Original glazed pictorial [1900–1910?]. boards. xiii, 559, [2] p.: port.; 18 cm. Auld Lang Syne. Advertisements follow text. New York: The Lovell Company, Original red pictorial cloth, stamped [1900]. in black and gold. Gift of H. W. and [2] p., 7 l.; 17 cm. Carolyn Matelene. The Series; [no. 19]. The Complete Poetical Works of Robert Words and music. Burns. With biographical introduc- Original beige crinkled-paper wrappers. tion, notes and glossary. Sewn. Pons Bequest. New York: T. Y. Crowell & Co., [1900]. Autograph Copy of Tam o’ Shanter. xxxviii, 442 p.: port.; 18.4 cm. [S.l.: s.n., 1900]. Added title page within ornamental [9] p.: facsim.; 39 cm. border. Cover title. Reprint of 1892 edition. Facsimile of original manuscript. Nine Copy 1. Original dark green cloth, pages mounted on boards. stamped in black and gold. Original red cloth, stamped in gold and Copy 2. Original wine colored cloth, blind. stamped in gold. Signature of Brad- Kinsley, 321. ford B. Hitchens, former owner, on free front endpaper. Birthday Chimes from Burns. Selections from his poems, songs, and ballads. The Complete Poetical Works of Robert New York: Thomas Whittaker, [ca. 1900]. Burns. With biographical introduc- 1 v. (unpaged): port.; 10.5 cm. tion, notes and glossary. 365 extracts from the poems of Robert New York: T. Y. Crowell & Co., 1900. Burns. xxxviii, 442 p.: port.; 18.2 cm. Original gilt- and white-stamped green Added title page within ornamental cloth. [1] p. advertisement for border. Printed Materials, Books, and Sheet Music / 171

Stamped “Astor edition” in blind on The Complete Poetical Works of Robert upper cover. Burns. With biographical sketch by Copy 1. Original red cloth. Ownership Nathan Haskell Dole. stamp of Bernard J. Ludwig. New York: T. Y. Crowell & Co., c1900. Copy 2. Original red cloth. xxxviii, 442 p.: port.; 18.2 cm. Original limp suede with art nouveau The Complete Poetical Works of Robert decoration on upper cover. Burns. With biographical introduc- tion, notes and glossary. The Complete Poetical Works of Robert New York: T. Y. Crowell & Co., 1900. Burns. With biographical introduc- xxxviii, 442 p.: port.; 18.2 cm. tion, notes and glossary. Added title page within ornamental New York: T. Y. Crowell, [1900]. border. 2 v.: ill.; 19 cm. Original blue cloth, stamped in gold and Original olive-green cloth, stamped blind. in gold. Bookplate of Waldorf and Nancy Astor, Cliveden. Signature The Complete Poetical Works of Robert of Nancy L. Shaw (Astor). Burns. With biographical introduc- tion, notes and glossary. Daisies from Robert Burns. New York: T. Y. Crowell & Co., 1900. Buffalo; New York: Hayes Lithographic xxxviii, 442 p.: port.; 18.2 cm. Co., [1900–1910?]. Added title page within ornamental 1 v. (unpaged): ill., port.; 18 cm. border. Original padded white morocco with Copy 1. Original brown patterned a pictorial of daisies, lettered in gold. padded boards, stamped in gold. Gift The Deil’s Reply to Robert Burns. inscription in honor of the recipient’s London: [s.n., 1900]. success at an oratorical contest in [8] p.; 16 cm. Little Rock on February 14, 1910. Verses supposed to have been written Copy 2. Original green padded boards, by Burns, which appeared originally stamped in gold. Bookplate of in The Greenock News, a journal pub- Craig. Stamped lished during his lifetime. Arthur R. Craig. Gift of Thomas Modern wrappers. Signature of Dr. Craig Moore, Jr. Fullarton, Lamlach. The Complete Poetical Works of Robert The Divinity of Blunders: A Suppressed Burns. With biographical introduc- Poem. tion, notes and glossary. Glasgow: David Baxter, [1900]. New York: T. Y. Crowell & Co., [2] p.; 21.5 cm. 1900. “Ingersoll’s tribute to Burns”: p. [2]. xxxviii, 442 p.: port.; 18.2 cm. Not in Mackay, Burns A–Z. Added title page within ornamental border. Gems from Burns: Selections from the Original light blue shelfback, paper Poetry of Robert Burns. covered illustrated boards featuring London; Paris; New York: Raphael an idealized depiction of the cottage Tuck, [1900?]. in which Burns was born on the [8] p.: ill., port.; 15.7 cm. upper cover. Date from gift inscription. In the private collection of G. Ross Original die-cut pictorial wrappers, Roy. sewn gathering. Inscribed: Evan L. Strawn, Christmas 1900, L.E.B. The G. Ross Roy Collection of Robert Burns / 172

Heather Bells. 95 p.; 9.7 cm. London; Paris; New York: Raphael Original green leather. Tuck & Sons, [ca. 1900]. In the private collection of G. Ross Roy. 64 p.: col. ill.; 11 cm. Poems, Chiefly in the Scottish Dialect. Crystal Thoughts from the Poets. [Glasgow: Gowans and Gray, 1900]. Frontispiece: “The Bairn’s breakfast,” 240 p.; 30 mm. by H. J. Dobson, RSW. Miniature facsimile of the 1786 Original paper-covered boards. Kilmarnock edition. Highland Mary. B. E. Spence, sculptor; Original limp green calf. Edwin Roffe, engraver. Poems, Songs and Letters. Being the com- Copy of an engraving of the statue with plete works of Robert Burns edited copy of the poem. from the best printed and manuscript Detached. authorities with glossarial index and 2 l.; 29 x 21 cm. a biographical memoir by Alexander “My Luve’s Like a Red, Red Rose.” Smith. In: The Poesy of Love. London; Glasgow: The Globe Edition. Collins’ Clear-Type Press, [1900]. London: Macmillan, 1900. 1 v. (unpaged). lxii, 636 p.; 19.4 cm. Original pictorial wrappers. Original dark green diaper-grained cloth, stamped in gold and blind. The Poems and Letters of Robert Burns. Egerer, 917. Reissue of 1868 London edi- Chicago: W. B. Conkey Co., [1900?]. tion. 247, [7] p.: ill.; 19 cm. Title page printed in red and black. The Poetical Works of Robert Burns. Advertisements for the “Oxford and Pearl edition. Homewood Series” and a “Complete Glasgow: David Bryce, [1900]. list of the poetic and prose works of 512 p.: ill., port.; 86 mm. Ella Wheeler Wilcox” follows text. Copy 1: Original bright blue cloth, Original gray buckram shelfback, over stamped in gold. light blue cloth, color portrait of Copy 2: Original black cloth spine, Burns inset on upper cover. Gift stamped in gold. Mauchlinware inscription: Emma F. Rue, Cleveland, boards, with illustration of “Tam o’ Ohio, Xmas, 1904, C. W. Brown and Shanter & Souter Johnny” on the signature of another former owner, upper cover. Pages 511–512 lacking. Lucy Stone, on free front endpaper. 84 mm. Egerer noted editions issued by David The Poems and Letters of Robert Burns. Bryce from 1896 to 1902, all dated. Reprinted from the original editions with explanatory notes. The Poetical Works of Robert Burns. With Chicago: Homewood Publishing Co., introduction by W. M. Rossetti. [ca. 1900]. London; Melbourne; Toronto: Ward [33]–314 p.; 19 cm. Lock, [1900]. Copy 1. Original gilt-stamped green 583 p.: port.; 18.3 cm. cloth. Copy 1. Original red morocco. Book- Copy 2. Variant binding printed on seller’s ticket: G. A. Pratt . . . poorer paper. . Copy 2. Original green cloth stamped Poems and Songs. and blind. New York: Little Leather Library Cor- Egerer, 1125, unrecorded variant. poration, [1900]. Printed Materials, Books, and Sheet Music / 173

The Poetical Works of Robert Burns. Words are by Burns, music from Reprinted from the best editions with various sources. explanatory glossarial notes, memoir, Original cloth with gold lettering on &c. upper cover. London: Frederick Warne, [1900]. Selected Songs of Burns. Arranged with xxvi, 614 p.: ill., port.; 18.8 cm. symphonies and accompaniments for Chandos Poets. the pianoforte. Contemporary red morocco. Presen- Glasgow: Mozart Allan, [1900]. tation binding. Arms of Hereford 94 p.: ill., music; 28.1 cm. Cathedral Choristers on upper cover. Words are by Burns, music from Prize volume, Hereford Cathedral various sources. Choristers, presented to D. K. Watt, Original blue and green pictorial Sept. 11, 1921. wrappers, with photograph of Robert Egerer, 1126 Burns and the cottage on upper wrap- The Poetical Works of Robert Burns. With per and photograph of George Square, explanatory glossary, notes, memoir, Glasgow on lower wrapper. etc. Selections from Robert Burns. London; New York: Frederick Warne & Limited edition. Co., [1900]. Paris: Garnier, Ostard and Cie, xxvi, 614 p.; 18.5 cm. [ca. 1900]. Chandos Classics. 12 leaves: ill., port.; 16.6 cm. Original blue cloth, stamped in gold on Copy 1. Original green cloth. Printed spine. paper label on upper cover. Egerer, 1126, variant. Copy 2. Original green cloth. Printed The Poetical Works of Robert Burns. With paper label on upper cover. Pons a memoir by J. Loughran Scott. Bequest. Elzevir edition de luxe. Tam o’ Shanter and Other Poems. Philadelphia: John D. Morris & Com- Boston: H. M. Caldwell Co., [1900]. pany, [1900]. 71, [1] p.: ill.; 14 x 9 cm. 3 v.: port.; 16 cm. Original pictorial wrappers. Color illus- Original red limp morocco, stamped in trations on endpapers. Gift inscription gold, red ribbon bookmarks. on preliminary page, with note “One In the private collection of G. Ross Roy. of your Grandmother Allen’s books.” Robert Burns’ Creed. Two Hundred and Twenty Popular Scottish [S.l.: s.n., ca. 1900]. Songs: Words and Music Sol-fa Notation. 1 broadside; 21.5 x 18 cm. Glasgow: Mozart Allan, [1900]. “The following poem was printed in 194 p.; 18.5 cm. first volume of his poems published in Contains several songs by Robert Burns. Kilmarnock and never printed again.” Original buff wrappers, lettered in dark Not in MacKay’s list of spurious poems blue. in Burns A–Z. Selected Songs of Burns. Arranged with 1901 symphonies and accompaniments for The Life and Works of Robert Burns. the pianoforte. Edited by Robert Chambers; revised Glasgow: Mozart Allan, [1900]. by William Wallace. 94 p.: ill., music; 26.7 cm. Holland Paper Edition. Songs with piano. The G. Ross Roy Collection of Robert Burns / 174

Edinburgh: W. & R. Chambers; New samples of binding, preface, table of York: Croscup & Sterling, 1901. contents, and ledger sheets for sub- 4 v. in 8: ill.; 24.5 cm. scriber’s signature. Original cloth, printed paper labels Salesman’s dummy. on spine. Volumes numbered 1–8 on Original black cloth. Stamp of Alexan- spine. Number 8 of 50 copies printed der Deane & Co. . . . Glasgow on title for America. page. Reissue of 1896 edition. See Egerer, 893. Selections from Burns’ Poems and Songs. Love Songs of Scotland: Jewels of the Ten- With an introduction and notes and der Passion Selected from the Writings glossary. of Burns, Tannahill, Scott, Ramsay, Chicago: Ainsworth, 1901. Lady Nairne, Macneill, Jamieson, ix, 102, 107 p.: ill.; 17.8 cm. Hogg, Douglas Allan & others. With Lakeside Series of English Readings. a glossary, selected and edited by Includes Thomas Carlyle’s Essay on Robert W. Douglas. Burns. New York: New Amsterdam Book Original green cloth. Company, 1901. Songs. xv, 214 p.: ill.; 21 cm. London: Astolat Press, 1901. Poetical Works of Robert Burns. 62, [1] p.; 10 cm. Chicago: Henneberry Co., 1901. Title page printed in black and red, lix, 334 p.; 19 cm. with publisher’s device printed in red. Original wine colored cloth, stamped in Original white quarter linen, gold- gold and blind. stamped blue-grey paper-covered beveled boards. Printed on Japon The Poetry of Robert Burns. Edited by vellum. Lacks front free endpaper. William Ernest Henley and Thomas F. Henderson. Songs by Burns. Edinburgh: T. C. and E. C. Jack, 1901. [Edinburgh: O. Schulze and Company, 4 v.: ports.; 18.5 cm. 1901]. The Centenary Burns. 99 p.: ill.; 22 x 18 cm. Copy 1. Original dark blue cloth. Colophon: This edition of “Songs of Copy 2. Original olive green cloth, Burns,” limited to 500 copies, on stamped in gold. Bookplate of Whatman paper, was printed by Buchanan, volume 3. Roy, Henley George Robb and Company, for Otto Henderson, 7. Schulze and Company, 20 Frederick Copy 3. Original light red cloth, Street, Edinburgh, and published in stamped in gold on spine only. Roy, November 1901. Henley Henderson, 8 Frontispiece and title page with orna- Roy unrecorded variant. Egerer, 918. mental borders; initials. Reissue, without facsimile and miss- Blue-green full morocco, by Zaehns- ing most of the portrait. dorf, gilt, with thistle motif. Armorial bookplate of Christine Alexander The Poetry of Robert Burns. Edited by Graham. W. E. Henley and T. F. Henderson; Egerer, 1025. with numerous illustrations. London: The Caxton Publishing Co., 1902 [c.1901]. Burns’ Tam o’ Shanter. xviii, 16, [448]–464, 5–12 p.: ill. (part [London]: E. Arnold; New York: col.); 22 cm. S. Buckley, 1902. Contains reviews, some illustrations, Printed Materials, Books, and Sheet Music / 175

12 p.: ill.; 18.8 cm. lii, 790 p.: port.; 15.7 cm. Printed by Essex House Press. New Century Library. Original blind-tooled vellum. Hand- Added title page: The Poetical Works of colored initial letters, some high- Robert Burns. lighted with gold. Bookplate of Louis Original olive-green cloth, stamped in Hauswirth. No. 148/150 copies. gold and blind. Kinsley, 321. Egerer, 925. A Century of Sonnets. [Compiled] by S. B. The Complete Poetical Works of Robert Herrick. Burns. With a glossary. New York: R. H. Russell, 1902. London; Edinburgh; New York: xxix, 100 p., 1 l., [7] p.; 20 cm. Thomas Nelson and Sons, 1902. Title in red and black within ornamen- xxii, 790 p.; port.; 15.6 cm. tal border; initials. New Century Library. Printing history: “First impression Added title page: The Poetical Works of October, 1902.” Robert Burns. Text contains sonnets by Robert Burns, Without the “Appreciation by Lord p. 43. Rosebery,” or the “Biographical Original white pictorial boards. From sketch.” the books of Margaret Meriwether. Original green cloth, stamped in gold. Presentation inscription dated Christ- The Complete Poetical Works of Robert mas, 1901. Burns. With a glossary and life of Egerer, 925, variant. the author by James Currie, M.D., including additional poems extracted Love Poems of Burns. from the late edition edited by Allan London; New York: John Lane, 1902. Cunningham. xi, 120 p.; 13 cm. Chicago: Geo. M. Hill Co., [1902]. Lover’s Library. xxxix, 551 p.; 14.8 cm. “Edited by Francis Chapman.” Original tan decorated cloth. Owner’s Illustrated endpapers. inscription, dated 3 Sept. 1902, on Original gilt-stamped purplish-brown front endpaper. cloth. Complete Poetical Works of Robert Burns. The Poems and Songs of Robert Burns. With memoir, prefatory notes, and a With notes and glossary. complete marginal glossary edited by London: George Newnes Ltd., 1902. John and Angus Macpherson. lxxii, 578 p.: ill.; 17 cm. Edinburgh: J. Grant and Oliver & Boyd; Original gilt-stamped limp leather, London: Simpkin, Marshall, 1902. ribbon marker. Illustrated endpapers. 597 p.: port.; 18.5 cm. Egerer, 927. On cover: “The People’s centenary The Poems of Robert Burns. edition.” 2d edition. Added illustrated title page. London: J. M. Dent, 1902. Original limp orange pictorial cloth. 331 p.: port.; 15.3 cm. Egerer, 923. The Temple Classics. The Complete Poetical Works of Robert Copy 1. Original dark blue cloth. Signa- Burns. With an appreciation by Lord ture of Fred Smith, Coventry. Rosebery, and a glossary. Copy 2. Original limp olive-green calf, London; Edinburgh; New York: stamped in gold. Thomas Nelson and Sons, 1902. Egerer, 926. The G. Ross Roy Collection of Robert Burns / 176

The Poetical Works of Robert Burns. Copy 2. Original dark blue blind- Glasgow: D. Bryce and Son, 1902. stamped cloth. 272 p.: ill.; 9 cm. Tam o’ Shanter: A Tale in Verse. Original tartan-patterned silk. Glasgow: William Lyon, 1902. Egerer, 924. [17] p.: ill.; 14.2 x 16.5 cm. Poetical Works of Robert Burns. With life Illustrated by John Faed. and notes by William Wallace, LL.D. Original gray wrappers lettered in gilt. With twenty-one illustrations from Portrait of Tam and Souter Johnny original drawings by W. D. M’Kay . . . mounted on upper wrapper. Pons C. Martin Hardie . . . G. O. Reid . . . Bequest. R. B. Nisbet . . . and G. Pirie. Kinsley, 321. London; Edinburgh: W. & R. Chambers, Limited, [1902]. 1903 xxvi, 553 p., 21 l. of plates: ill., port.; Guid Bits frae Robert Burns. Witty, 20 cm. humorous, serious, pathetic & pithy, Original yellow-brown cloth. glossary. Twenty-five original illustra- Egerer, 928. This printing undated. tions by W. Fulton Brown, R.S.W. Glasgow: D. Bryce & Son; New York: Poetical Works of Robert Burns. With life F. A. Stokes Co., [1903]. and notes by William Wallace, with vi, 217, [1] p.: ill., port.; 15.8 cm. illustrations from original drawings Copy 1. Original black calf. by W. D. M’Kay, C. Martin Hardie, Copy 2. Original tartan-patterned cloth. G. O. Reid, R. B. Nisbet, and G. Pirie. Pons Bequest. London; Edinburgh: W. & R. Chambers, 1902. The Kilmarnock Edition of the Poetical xxvi, 553 p.: ill.; 20.5 cm. Works of Robert Burns. Arranged in Copy 1. Original bright blue cloth, chronological order with new anno- stamped in gold. tations, biographical notices, etc. Copy 2. Original red morocco-grained edited by the late William Scott cloth, stamped in gold and blind. Date Douglas. overprinted with printer’s ornament. 11th edition. Portrait of Burns on upper cover. Edinburgh; Glasgow: J. Menzies & Co., Egerer, 928. [etc., etc.], 1903. 2 v. in 1: port.; 19 cm. Representative Poems of Robert Burns. With reproduction of title page of With Carlyle’s Essay on Burns edited Kilmarnock edition of 1786. with introductions, notes, and vocab- “Popular edition.” ulary by Charles Lane Hanson. Original olive-green cloth stamped in Boston: Ginn, 1902. gold. Inscribed to William S. Melville xii, 90, xv, 84 p.: port.; 18.3 cm. from D. Campbell, January 1, 1912. Standard English Classics. Egerer, 930. Reissue of 1876 “Kil- Original light olive-green cloth. marnock” edition by M’Kie & Dren- The Songs of Robert Burns. nen, and called “11th ed.” London: J. M. Dent and Co., 1902. The Merry Muses: A Choice Collection of xvi, 368 p., 1 l. of plates: port.; 15.3 cm. Favourite Songs Gathered from Many The Temple Classics. Sources. To which are added two of Edited by W. A. Craigie. his letters and a poem—hitherto sup- Copy 1. Original blind-stamped dark pressed—never before printed. blue cloth. Printed Materials, Books, and Sheet Music / 177

[S.l.: s.n.], 1827 [i.e., c. 1903]. Poetical Works. vi, [9]–90 p.; 17 cm. [London; Glasgow: Collins’ Clear-Type Copy 1. Original light brown cloth. Roy, Press, 1903]. Merry Muses, 4, state 1A, with p. 34 & xii, 627 p.: ill.; 18 cm. 35 transposed with 22 & 23. Original red cloth. Copy 2. Pages v and vi are both num- The Poetical Works and Letters of Robert bered ‘vi’ on the inner corner. The Burns. With introductory, notes, and text follows the swash-initial edition glossary by Robert Ford. of 90 p. [1881] page for page. Later London: Collins’ Clear-Type Press, dark blue half calf, marbled boards. [1903]. Roy, Merry Muses, 4, state 1. xxix, 337 p.: ill., port.; 19 cm. Copy 3. Pagination corrected, but print- Original bright blue cloth. ing errors remain. Modern half calf, marbled boards by Arthur S. Colley. Robert Burns: Born January 25, 1759–Died Roy, Merry Muses, 4, state 1B. July 21, 1796. Edited by William Stead, Copy 4. Modern red half calf, cloth, by Jr. Bayntoun of Bath. Roy, Merry Muses, London: Henry Stead, 1903. 4, state 2, with printing errors cor- xii, 191 p.; 15 cm. rected, printed on inferior paper. Little Masterpieces. Original green cloth. The People’s Edition of the Poetical Works of Robert Burns. In chronological The Songs of Robert Burns Now First order of publication as arranged and Printed with the Melodies for which annotated by the late W. Scott Dou- They Were Written. A study in tone- glas. Revised, corrected, and con- poetry with bibliography, historical densed by D. M’Naught, . notes, and glossary, by James C. Dick. Edinburgh; Glasgow: J. Menzies; Kil- London; New York [etc.]: H. Frowde, marnock: D. Brown, 1903. 1903. xii, 327 p.: ill., port.; 19 cm. xliii, [1], 536 p.: 4 facsim.; 23 cm. Original red cloth. Signed by editor. Copies 1–2. Original green cloth, spine Egerer, 929. lettered in gold. Egerer, 932. The Poems and Songs of Robert Burns. With notes and glossary by Robert The Songs of Robert Burns Now First Ford. Printed with the Melodies for which London: Simpkin, Marshall, Hamilton, They Were Written. A study in tone- Kent, [1903]. poetry with bibliography, historical lxxii, 580 p.: ill.; 16.7 cm. notes, and glossary by James C. Dick. “An essay on Burns, by Thomas Car- London; New York [etc.]: H. Frowde, lyle”: p. xvii–lxxii. 1903. Original light brown cloth, lettered in 2 v. (xliii, [i], [8] 536 p.): 4 facsim.; black. 23 cm. Egerer, 1073, unrecorded variant. “Twenty-five copies only are printed on hand-made paper.” Poetical Works. Original maroon cloth, printed paper London; Glasgow: Collins Clear-Type labels on spines. No. 14. Editor’s Press, [1903]. autograph signature on title page 648 p.: ill., port.; 16 cm. verso. Bookplate of John Sawers on Library of Classics. a pastedown. Original dark morocco-grained limp Egerer, 932. cloth. The G. Ross Roy Collection of Robert Burns / 178

1904 The Poems of Burns. A selection, with an Birthday Chimes from Burns: Selections introduction by Neil Munro. from His Poems, Songs, and Ballads. London; Paris; New York; Melbourne: London [etc., etc.]: Eyre & Spottis- Cassell and Company, Limited, 1904. woode, [1904]. 192 p.: ill., port.; 15.7 cm. [253] p.; 10 cm. Cassell’s National Library; [20]. Cover title: Burns Birthday Book. Original dark red morocco. Stamp of Original dark green pictorial cloth. John M. Cooper. Burns: Selected Poems. Edited with intro- Poems, Songs and Letters. Being the com- duction, notes, and a glossary by plete works of Robert Burns, edited J. Logie Robertson. from the best printed and manuscript Oxford: The Clarendon Press, 1904. authorities with glossarial index and a xxxi, 292 p.; 17 cm. biographical memoir by Alexander Clarendon Press Series. Smith. Reprint. Globe edition. Original green-blue cloth. Signature of London: Macmillan, 1904. Mabel H. Straw. lxii, 636 p.; 19.2 cm. “First ed., 1868. Reprinted . . . 1904.” The Complete Poetical Works of Robert Original green cloth. Signature of G. P. Burns. With an appreciation by Lord Tuttle, 1905. Rosebery; and a glossary. Egerer lists Globe edition published in London: Thomas Nelson, 1904. 1900. lii, 790 p.; 15.4 cm. New Century Library. The Poetical Works of Robert Burns. With Title page in red and black. notes, glossary, index of first lines, [2] p. of publisher’s advertisements fol- and biographical note. lowing text. Edinburgh: W. P. Nimmo, Hay, & Original red limp leather, on Mitchell, [1904]. paper. xvi, 559 p., [1] leaf of plates: port.; Egerer, 934. 18.3 cm. At head of title: Complete edition. The Complete Poetical Works of Robert Copy 1. Original red and black pictorial Burns. With an appreciation by Lord cloth. Rosebery and a glossary. Copy 2. Original limp roan, gilt. London: Thomas Nelson, [1904]. Egerer, 1018, unrecorded variant. lii, 790 p.: port.; 16 cm. Original dark blue limp cloth, on India The Poetical Works of Robert Burns. With paper. notes, glossary, index of first lines and Egerer, 934. chronological list edited by J. Logie Robertson. The Poems and Songs of Robert Burns. London; Edinburgh: Henry Frowde, Edited with introduction, notes and 1904. glossary by Andrew Lang assisted by xx, 635 p.: port.; 18 cm. W. A. Craigie. Oxford complete edition. New York: Dodd, Mead, 1904. Original limp morocco. xlvi, 667, [1] p.: port.; 23 cm. Egerer, 935. Original red cloth, paper label on spine. Printed Materials, Books, and Sheet Music / 179

The Poetical Works of Robert Burns. With 1905 a memoir by J. Loughran Scott. Auld Lang Syne. Alloway edition. London: E. Nister; New York: E. P. Philadelphia: D. McKay, [1904]. Dutton, [1905]. 3 v.: ill., port.; 15 cm. [16] p.: col. ill.; 17.5 cm. “Introduction to poems by Charles Kent Original white glazed pictorial boards, and others.”—Publisher’s Trade List white paper spine. Annual. Illustrated titles, in red and black. Beauties of Burns. Selections from Original smooth olive green calf. the poems and letters of Robert Egerer, 1173. Burns. London: The Library Press, [1905]. The Poetical Works of Robert Burns. With 174 p.; 16 cm. glossary and index of first lines. Cameo Classics; no. 13. Unabridged edition. Original red cloth, stamped in silver. Stirling: John H. Craig, 1904. x, 220 p.; 18 cm. The Complete Works of Robert Burns Original tartan-patterned paper- (Self-Interpreting). Illustrated with covered boards. sixty etchings and wood cuts, maps and facsimiles. Tam o’ Shanter. Illustrated by Philadelphia: Gebbie, 1905. W. Ralston. 6 v.: ill.; 24 cm. Ayr: [s.n.], [1904]. Original light green linen, leather labels [14] p.: ill.; 12 x 18.5 on spine. Signature of Charlotte “Published in aid of the Ayrshire Sana- Elizabeth Campbell. torium for Consumptives.” Original light green cloth, stamped in The Cotter’s Saturday Night. Illustrated gold. by A. S. Boyd. Kinsley, 321. London: Chatto & Windus, 1905. 94 p.: ill.; 21.5 cm. A Unique Relic of Burns (Circa 1800). Copy 1. Original dark red pictorial Being a carefully collated manuscript cloth. copy of a collection of Scots songs, Copy 2. Signed presentation copy from particulars of which will be found on John Campbell to Sir Harry Lauder, the pages next following, together 1915. Two holograph poems, “In with a transcript (from the holograph Robbie Burns o’ deathless fame” and copy in the British Museum) of that “Address to Harry Lauder,” inscribed rare item, “The Court of Equity,” of on preliminaries. which only ten copies were printed Reissue of edition published by Gebbie (1823). in 1886, “a doctored-up version of London, 1904. Scott Douglas’s edition of 1877,” 127 p.; 27.4 cm. (Egerer, p. 261) Transcribed in script from the single Kinsley title: “The Cotter’s Saturday remaining copy of the original ed., ca. Night, Inscribed to R. A****, Esq.,” 1800, of The Merry Muses of Caledonia. 72. Original black half morocco, maroon cloth. For a’ That & a’ That: A Poem. Original prospectus bound in. One of a Isle of Wight County, Va.: Imprinted limited ed. of 50 copies. Pages 123–127 by Hand by Harvey Lord & Willis bound in the front of the book. Physioc at the Physioc Press, 1905. [4] l.; 16.7 cm. The G. Ross Roy Collection of Robert Burns / 180

“Twenty copies of this poem were pr- New York: Collegiate Society, 1905. inted and illuminated. This is number 4 v.: col. ill., port., maps; 20 cm. 17 & was illuminated by Jay Johnson.” Edition de luxe, limited to one thou- Suede covered boards. sand numbered copies, of which this In the private collection of G. Ross Roy. is copy no. 235. Original brown half morocco, marbled Lyrics and Love Songs. boards. London; Glasgow: Collins Clear-Type Press, [ca. 1905]. Robert Burns. Frontispiece in color by [20] p.: col. ill.; 14.7 cm. A. E. Becher. Title page illustrations in colors. New York: Co-operative Publication Copy 1. Original glazed pictorial wrap- Society, [1905]. pers. x, 714 p.: col. ill.; 20 cm. Copy 2. Original pictorial boards. Library of Poetical Literature. Original gray-green cloth, stamped in The Merry Muses: A Choice Collection of green and white. Favourite Songs Gathered from Many Sources. To which are added two of Selected Poems of Robert Burns. With an his letters and a poem hitherto sup- introduction by Andrew Lang. pressed—never before published. London: K. Paul, Trench, Trübner & [S.l.: s.n.,] 1905. Co., Ltd., 1905. 122 p.; 18 cm. 223 p.: ill., port.; 15.2 cm. Title page in red and black. The Dryden Library. Original imitation vellum. “The text of the poems . . . is in accor- Roy, Merry Muses, 5. dance with the earliest texts of Kil- marnock of Edinburgh and of the The Merry Muses: A Choice Collection of scattered tracts and the additions Favourite Songs Gathered from Many made by Currie and others.”—Pref. Sources. To which is added two of Copy 1. Original dark green calf, his letters and a poem hitherto sup- stamped in gold. pressed—and never before published. Copy 2. Original maroon cloth. [S.l.: s. n. ], 1827 [i.e., c.1905]. Copy 3. Original maroon cloth. vii, 124 p.; 17 cm. Portrait of Burns on first page of text. Seventy Scottish Songs. Edited with Copy 1. Original purple cloth, blind accompaniments by Helen Hope- stamped. Signature of W. Phillips, kirk. 1910. Boston: Oliver Ditson; New York: Copy 2. Original maroon roan, C. H. Ditson & Co., [etc., etc., c1905]. rebacked. Title page and half-title 1 score (xi, 189 p.): port.; 31.5 cm. restored. Roy, Merry Muses, 6. Musicians Library, [XX]. Edition for high voice. The Merry Muses of Robert Burns. Contains fourteen songs by Burns. North Tonawanda, N.Y.: Waverly Original quarter cloth, card wrappers. Company, 1905. In dust jacket. Gift of Jerry A. Kay. 128 p.; 18.8 cm. On title page: “First edition.” 1906 Imprint and date may be spurious. Colossi I: A lyric anthology; edited under Original red cloth, stamped in white. the direction of the Institute of P. & The Poetry of Robert Burns. Edited L. Board of editors: William Roger by William Ernest Henley and Greeley, Whitmell Pugh Tunstall, Thomas F. Henderson. Malcolm Dean Miller, Edward Examples of four variant twentieth-century editions of The Merry Muses with the date “1827” on title page The G. Ross Roy Collection of Robert Burns / 182

Hatton Davis, Rayne Adams, Barry London: Blackie, [1906]. Macnutt. iii–xvi, 245 p.: port.; 16 cm. [Cambridge, Mass.: The Riverside Red Letter Library. Press], 1906. Title and frontispiece within ornamen- 202 p.; 20 cm. tal border. Includes the following poems by Burns: “First printed in November, 1906.” “O My Luve’s Like a Red, Red Rose,” Original limp suede. The Poems of Burns p. 34 and “To a Mouse,” p. 35–36. stamped on spine in gold. Original dark gray boards. The Poems of Burns. With an introduc- Old Scotch Gems in Song & Scenery. tion by Neil Munro. Glasgow: David Bryce & Son, [1906?]. London; Paris; New York; Melbourne: lxiv p. of music; 19.5 cm. Cassell, 1906. Copy 1. Original padded tartan- 192 p.: port.; 15 cm. patterned cloth. Original brown suede, yapp edges. Copy 2. Original gilt-stamped green The Poetical Works of Robert Burns. cloth. London: Henry Frowde, 1906. Poems. With an introduction by Neil xxiii, 607 p.; 15.4 cm. Munro. The World’s Classics; xxxiv. London: Blackie, [1906]. “Second impression.” iii–xvi, 245 p.: ill., port.; 16 cm. Original blue cloth. Red Letter Library. The Poetical Works of Robert Burns. With Title and frontispiece within ornamen- notes, glossary, index of first lines and tal border. chronological index edited by J. Logie “First printed in November, 1906.” Robertson. Original limp suede. 15.2 cm. Oxford Complete Edition. The Poems and Songs of Robert Burns. London; Edinburgh; Glasgow: Henry London: J. M. Dent; New York: E. P. Frowde, 1906. Dutton, 1906. xx, 636 p.: port.; 19 cm. xxviii, 562 p., [1] leaf of plates: port.; Copy 1. Original red cloth, stamped in 17 cm. gold and blind. Signature of L. B. Engraved title page with vignette, and Chant. frontispiece. Copy 2. Original gilt-stamped padded Introduction by James Douglas. red cloth. Edges gilt, ribbon marker. Original green limp morocco, lettered First printing of this edition 1896. in gold. See Egerer, 900. Egerer, 937. Robert Burns’ Poems. Selected and edited The Poems and Songs of Robert Burns. with notes by T. F. Henderson. London: Methuen, 1906. Heidelberg: C. Winter, 1906. lii, 500 p.; 19 cm. xxxv, 170 p.; 20.5 cm. Methuen’s Standard Library. Englische Textbibliothek, hrsg. von Copy 1. Original tan cloth, stamped in J. Hoops, 12 gold. Original buff wrappers. Unopened. Copy 2. Original light red fine diaper- Tam o’ Shanter. Illustrated by Monro S. grain cloth, stamped in gold and Orr. blind. London; Edinburgh: T. C. & E. C. Jack, Egerer, 939. [ca. 1906]. Poems by Robert Burns. With an intro- 32 p.: col. ill.; 14.7 cm. duction by Neil Munro. Printed Materials, Books, and Sheet Music / 183

“Note on Tam o’ Shanter by W. E. Hen- C. Martin Hardis . . . G. O. Reid . . . ley and T. F. Henderson from The R. B. Nisbet . . . and G. Pirie. Centenary Burns,” p. 5–18. London [etc.]: W. & R. Chambers, Original limp vellum. Colored illustra- Limited, 1907. tion mounted on upper cover. xxvi, 553 p.: ill., port.; 21 cm. Unopened. Original dark olive-green cloth, Kinsley, 321. stamped in gold and blind. Prize vol- ume awarded to David Donaldson for 1907 regular attendance P.S.A., John Ker An Evening with Burns. Memorial U.F. Church, 1907. Rochester, N.Y.: Sherwin Cody School The Poetical Works of Robert Burns. of English, 1907. Unabridged edition with glossary 128 p.; 14 cm. and index of first lines. Nutshell Library. London: Maclaren, [1907]. Original patterned paper wrappers. x, 220 p.; 18.2 Pons Bequest. Original buff limp cloth. Is There for Honest Poverty; Jack in the Egerer, 1106. Pulpit. The Poetical Works of Robert Burns. With Taylorville, Ill.: C. M. Parker, 1907. explanatory glossary, notes, memoir, 8 p.; 19 cm. etc. Parker’s Penny Classics; 5th ser., no. 11. London; New York: Frederick Warne, Cover title. [ca. 1907]. Gift of Joel Myerson. xxvi, 614 p.; 17.3 cm. The Jolly Beggars: A Cantata. Original red padded cloth. Date from London: Siegle, Hill & Co., [1907]. presentation inscription, Christmas 27 p.: ill.; 14.9 cm. 1907. The Langham Library of Humour; Possibly a variant of Egerer, 1126, not no. 2. noted by the bibliographer. Original cream-colored boards, The Selected Works of Robert Burns. stamped in gold and blind. Edited by Rhona Sutherland. Letters to Clarinda. Paisley: A. Gardner, 1907. London: Sisley’s, [1907]. lxii, 368 p.: ill., port; 21.6 cm. ix, 11–227 [127] p.; 17 cm. Original light brown cloth, printed Page 127 misnumbered 227. paper label on spine. Unopened. Original red cloth. Bookplate of G. A. Songs by Robert Burns. With biographical Dunlop. introduction by Hannaford Bennett. Poems. With index and glossary. London: John Long, 1907. Glasgow: David Bryce & Son; New 126 p.: ill.; 16 cm. York: Frederick A. Stokes, 1907. Original limp blue morocco, stamped in x, 409 p.: ill.; 17.7 cm. gold. Gift inscription: D. H. Robinson, Text within red line border. Esq. from P.J. on free front endpaper. Original dark green calf. Egerer, 943. Egerer, 940. Reissue of 1884 edition. 1908 Poetical Works of Robert Burns. With life The Bells of Shandon by Francis Sylvester and notes by William Wallace, LL.D. Mahoney. The Solitary Reaper by With twenty-one illustrations from William Wordsworth. Stars by Barry original drawings by W. D. McKay . . . The G. Ross Roy Collection of Robert Burns / 184

Cornwall. My Heart’s in the Highlands original letter, to the owner of the by Robert Burns. book, the Rev. Dr. Alexander Geddes, Taylorville, Ill.: C. M. Parker, 1908. afterwards Bishop Geddes. 8 p.; 19.4 cm. The “Introductory” encloses a concise Parker’s Penny Classics; 6th ser., no. 16. history of the volume by one of the Includes the following poem by Burns: former owners, Mr. in “My Heart’s in the Highlands,” p. 8. Detroit, up to the time it came into Gift of Joel Myerson. his possession. Contemporary brown calf. In glassine Birthday Chimes from Burns: Selections dust jacket. In original slipcase. Pons from his Poems, Songs, and Ballads. Bequest. London: Finch, Pooley, [1908]. Egerer, 944. [253] p.: port.; 11 cm. Original black padded roan. Cover title: Notes on Scottish Song. By Robert Burns; Burns Birthday Book. written in an interleaved copy of The Scots Musical Museum with additions The Cotter’s Saturday Night. Frontispiece by Robert Riddell and others, edited by Arthur Rackham. by the late James C. Dick. London: James Hewetson, [1908]. London: Henry Frowde, 1908. 15, [2] p., [1] leaf of plates: ill.; 17 cm. liii, 134 p.; 20 cm. Little Parchment Library; no. 2. Copy 1. Original green cloth in dust Illustrated cover and end-papers by wrapper. Copy no. 168/255 copies. M. Webb. Copy 2. Original green cloth. Copy no. “The Queen’s Quartos”—Colophon. 213/255 copies. Copy 1. Original white paper-covered Egerer, 945. boards, printed in green with a design by M. Webb. Poems and Letters in the Handwriting of Copy 2. Original green suede, yapp Robert Burns. Reproduced in facsimile edges. through the courtesy of William K. Kinsley title: “The Cotter’s Saturday Bixby and Frederick W. Lehmann by Night, Inscribed to R. A****, Esq.,” the Burns Club of St. Louis; with an 72. introduction and explanatory notes, by Walter B. Stevens. . Saint Louis: Printed for the Burns Club Boston: The Bibliophile Society, 1908. [Woodward & Tiernan Printing Com- 26 p., xlviii, 368 p.: port., facsims.; 23 cm. pany], 1908. A portrait, not in the original, is 104 p.: ill., ports., facsims.; 38 cm. inserted loose. “Three hundred copies of this book, Coat of arms of Bishop Geddes repro- for members of the Burns Club have duced in facsimile on the inside of the been printed on Dutch hand-made cover. paper, of which this is number 266.” Original title page: Poems, Chiefly in the Copy 1. Original boards. Signed presen- Scottish Dialect. By Robert Burns. tation copy to Edward T. Newell, Edinburgh, printed for the author, 1917. and sold by William Creech, 1787. Copy 2. “No. 159.” Signed presentation “This edition is limited to 473 copies copy to Sir Harry Lauder, 1919. printed for members only.” Egerer, 947. Facsimile of a copy of the first edition of Burns’ poems, including twenty- The Poems and Songs of Robert Burns. seven closely written pages in the London; Paris; New York: Cassell, 1908. handwriting of the poet, besides his 546 p.; 18.5 cm. Printed Materials, Books, and Sheet Music / 185

The People’s Library. Copy 2. Variant binding. Dark green Original green cloth. Library stamp of cloth, thistle design on spine. Florence Dollaway. The Poetical Works of Robert Burns. With Egerer, 946. notes, glossary, index of first lines and Poems, Chiefly in the Scottish Dialect. chronological list edited by J. Logie Edinburgh: Printed for the author and Robertson. sold by William Creech, [1787]. London: Henry Frowde, Oxford Uni- (Boston: The Bibliophile Society, versity Press, 1908. 1908). xx, 635 p.: ill.; 18 cm. vlviii, [9]–368 p.: ports., facsims. Copy 1. Original red cloth, stamped in (1 fold.); 21.8 cm. gold and blind. Signature of Thomas A portrait, not in the original, is Guthrie, Mar. 1, 1910. inserted loose. Copy 2. Original black morocco, let- Coat of arms of Bishop Geddes repro- tered in gold. Spine repaired. Prize duced in facsimile on the inside of volume presented to Alexander P. the cover. Nisbet by the Stockbridge P.S.A. Original title page: Poems, Chiefly in Brotherhood, Winter session 1910, the Scottish Dialect. By Robert Burns. for regular attendance. Edinburgh, printed for the author, Tam o’ Shanter. Decorations by Harry L. and sold by William Creech, 1787. Miller. “This edition is limited to 473 copies Akron, Ohio; New York; Chicago: printed for members only.” Saalfield, c1908. Facsimile of a copy of the first edition [18] l.: ill.; 24 cm. of Burns’s poems, including twenty- Original green pictorial cloth. seven closely written pages in the Kinsley, 321. handwriting of the poet, besides his original letter, to the owner of the 1909 book, the Rev. Dr. Alexander Geddes, Comin’ thro’ the Rye. Pictures by afterwards Bishop Geddes. Clarence F. Underwood, decorations The “Introductory” encloses a concise by Earl Stetson Crawford. history of the volume by one of the Indianapolis: Bobbs-Merrill, 1909. former owners, Mr. James Black in [26] p., [6] leaves of plates: col. ill.; 23.4 Detroit, up to the time it came into Includes Burns’s poem “Comin’ thro’ his possession. the Rye.” Copy 1. Original calf. In slipcase, as Original dark red cloth, colored illus- issued. tration mounted on upper cover. Copy 2. Portrait, prospectus, and coat of arms wanting. The Complete Works of Robert Burns. Gebbie self-interpreting edition. Poetical Works of Robert Burns. With life New York: Charles C. Bigelow, and notes by William Wallace. [c1909]. London; Edinburgh: W. & R. Chambers, 6 v.: ill., ports., music; 21.4 cm. 1908. From the 1886 plates. Volume 1, p. 131, xxvi, 553 p., 21 leaves of plates: ill., port.; paragraph 3, line 8, the word “intro- 20.3 cm. duced” has a broken “n.” Title page in red and black. Original green cloth, paper labels on This edition first published in 1902. spine. On spine: Edition de luxe. Copy 1. Original green cloth, stamped in Unopened. gold. Lettering only on spine. The G. Ross Roy Collection of Robert Burns / 186

Variant of Egerer, 950 and Mitchell New York: Fine Arts Pub. Co., c1909. 508473 with different imprint. [32] p.: col. ill.; 18 cm. Original pictorial boards. Gift inscrip- The Complete Works of Robert Burns. tion on free front endpaper. Gebbie Self-Interpreting Edition. New York: Bigelow, Brown & Co., The Poetical Works of Robert Burns. [c1909]. Edited with biographical introduction 6 v.: ill.; 22 cm. by Charles Annandale, music harmo- From the 1886 plates. Volume 1, p. 131, nized by Harry Colin Miller; picture paragraph 3, line 8, the word “intro- by Claude A. Shepperson. duced” has a broken “n.” London: Gresham, [ca. 1909]. Original blue cloth, stamped in gold on 4 v.: ill., port. col., port., music; 23.3 cm. spine. Bookplate of William Eustace Volume 1 contains sketch of the poet’s Bevin. life by Charles Annandale. Original red cloth, stamped in gold. The Complete Works of Robert Burns. Egerer, 949. Gebbie Self-Interpreting Edition. New York: Edinburgh Fraternity, Poetry. Edited by Henry Van Dyke. [c1909]. New York: Published by Doubleday, 6 v.: ill.; 24 cm. Page, & Company for the Review of “Ellisland edition de luxe.” Edited by Reviews Company, 1909. George Gebbie and James Hunter. Cf. xii, 324 p.: port.; 16 cm. Publishers’ preface. Library of Little Masterpieces; v. 21. The music is given with many of the Title page in red and black. poems. Original red cloth, stamped in gold and From the plates used in 1909 Bigelow, blind. Brown & Co. edition, volume 1, p. 131, In the private collection of G. Ross Roy. paragraph 3, line 8, word “intro- duced” contains a broken “n.” 1910 Original half green morocco over green Auld Lang Syne. Words by Robert Burns, cloth. Chronological and topical table traduction de Benjamin Sulte. of all known editions of Burns was [S.l.: s.n., 1910]. annotated by a former owner. No. 1 broadside; 19.3 cm. x 26.4 cm. 180/1000 copies. French and English in parallel columns. The Complete Works of Robert Burns: Burns: Selected Poems. (Self-Interpreting). Illustrated with London: Gay and Hancock, 1910. sixty etchings and wood cuts, maps vii, 87 p.; 14 cm. and facsimiles. Bibelots (New Series). Philadelphia: Gebbie, c1909. “Selected by J. Potter Briscoe.” 6 v.: ill.; 23.2 cm. Original green cloth, printed in red. Contains music. A Burns Treasury. “The Ayrshire Edition de Luxe limited Edinburgh: Nimmo, Hay & Mitchell, to one thousand numbered copies of [1910]. which this is #672.” 155 p.; 8.4 cm. Original brown half morocco, marbled The Miniature Series. boards. Copy 1. Original green suede. Yapp Reissue of Egerer, 838, published in 1886. edges. Endpapers illustrated in color. Gems from Burns: [Selections from the Copy 2. Original morocco, stamped in Poems and Ballads] gold. Green marbled endpapers. Printed Materials, Books, and Sheet Music / 187

Bookseller’s label: S. Irvine and Sons, The Merry Muses: A Choice Collection of Ayr. Pons Bequest. Favourite Songs gathered from Many Sources. To which is [sic] added two The Complete Works of Robert Burns. of his letters and a poem—hitherto Containing the poems and letters with suppressed and never before printed. glossarial index and a biographical [S.l.: s.n.] 1827 [i.e. c1910]. memoir by Alexander Smith, and xi, 126; 16 cm. illustrations from the works of cele- One of 90 copies. brated artists. Original dark blue cloth. New York: A. L. Burt, [1910]. Variant of Roy, Merry Muses, 7, having vii, 378 p.: ill.; 19.8 cm. number on p. 17 placed in inner mar- On spine: Burns’ Poetical Works. gin and no page number on p. 35. Original green cloth stamped in gold. Gutter width is significantly wider The Cotter’s Saturday Night. Illustrated suggesting a different impression of by Gordon Browne, R.I. Roy, Merry Muses, 7. Half-title fol- London: E. Nister; New York: E. P. lows title page, smaller than Roy, Dutton, [ca. 1910]. Merry Muses, 7. 47 p.: ill.; 14.2 cm. The Merry Muses of Robert Burns. Laurel Wreath Series. [S.l.: s.n., 1910]. “No. 2805.” 119 p.: port.; 18.8 cm. Original pictorial wrappers. “Made in fac-simile of original edition. Kinsley title: “The Cotter’s Saturday Privately printed. (Not for sale).” Night, Inscribed to R. A****, Esq.,” Copy 1. Original boards, cloth spine. 72. One of 500 copies. Roy, Merry Muses, The Court of Equity: An Episode in the 9. Life of Robert Burns. Copy 2. Contemporary green half Edinburgh: Printed for the editor for morocco green cloth. Variant of Roy, private circulation [by G. Wilson], Merry Muses, 9. 1910. Copy 3. Original half morocco over 25 p.; 22.7 cm. blue cloth. Ornament on the spine, Edited by Duncan McNaught. matches the ornament on the spine Original gray wrappers lettered in of copy 2. Pons Bequest. black. Editor’s signed presentation Copy 4. Original black cloth, stamped in copy to W. Ormiston Roy, 1912. gold on spine. Pons Bequest. Roy, Egerer, p. 147 Merry Muses, 9. The Merry Muses: A Choice Collection of The People’s Penny Burns: Selected Poems. Favourite Songs gathered from Many Dundee; London: John Leng, [ca. 1910]. Sources. To which is [sic] added two of 48 p.; 24.1 cm. his letters and a poem—hitherto sup- Original wrappers. Upper cover portrait pressed and never before printed. of Burns. Ads for “People’s Journal [S.l.: s.n.], 1827 [i.e. c.1910]. Handbooks” on rear cover. xi, 126 p.; 16 cm. The Poems and Songs of Robert Burns. Half-title precedes title page. London: J. M. Dent; New York: E. P. One of 90 copies. Dutton, 1910. Original red cloth. xxxii, 649 p.; 17.3 cm. Roy, Merry Muses, 7. Everyman’s Library. The G. Ross Roy Collection of Robert Burns / 188

“First issue of this edition, March 1906. chronological list edited by J. Logie Reprinted . . . September 1910.” Robertson. Original olive-green cloth. Presentation Oxford Edition. copy to W. Ormiston Roy, with his London: Henry Frowde, Oxford Uni- signature. versity Press, 1910. xx, 635 p., [1] leaf of plates: port.; 18 cm. The Poems and Songs of Robert Burns. Original roan. One of several reissues New York: Little Leather Library of 1904 Oxford edition. Corp., [1910]. Egerer, 935, notes. Little Leather Library. Cover title: Poems. The Poetical Works of Robert Burns. With “Redcroft edition.” critical bibliographical notices by Original blind-stamped limp Allan Cunningham and a glossary. leatherette. Gift of Mrs. Emert Philadelphia; Chicago; Toronto: John C. Rice. Winston Co., [1910?]. x, 25–604 p.; 24 cm. The Poems of Robert Burns. Date taken from pencil note “Sunday, London: Robert Rivière, [1910]. May 3, 1910” on pastedown. xxvi, 614 p.; 18 cm. Original green cloth, stamped in black Thin-paper edition. and gold. Original dark brown morocco, gilt. The Poetry of Robert Burns. Edited by Poems, Songs, and Letters. Being the W. E. Henley and T. F. Henderson, complete works of Robert Burns with numerous illustrations. edited from the best printed and Centenary edition. manuscript authorities, with glossar- London: The Caxton Publishing Co., ial index and a biographical memoir, [1910]. by Alexander Smith. 4 v.; 21.8 cm. London: Macmillan, 1910. Illustrated title pages. lxii, 636 p.; 19.4 cm. Imprint: “The Caxton Publishing Com- At head of title: “The Globe Edition.” pany Limited, Clun House, Surrey Reissue of 1868 edition. St., W.C.” Advertisements follow text. Label dates inscribed in each volume. Copy 1. Original dark green cloth. Volumes 1 and 4: Original buff wrap- Ownership stamp of J. Falkner. pers, backed in green cloth. Printed Copy 2. Original light green cloth, paper label on spine with dates stamped in gold. Signature of “1912” (volume 1) and “1910” Dorothy W. Wright, former owner, (volume 4). on free front endpaper. Gift of John Volumes 2 and 3: Original buff printed Heaton and Amy Neeley. wrappers, duplicating title page The Poetical Works of Robert Burns. With backed in green cloth. Printed paper explanatory glossary, notes, memoir, label on spine dated “1914” (volume etc. 2) and “1911” (volume 3). Roy, Merry London: James Finch, [1910?]. Muses, 11, variant, without fron- xxvi, 614 p.: port.; 19.3 cm. tispieces or illustrations. Original dark green cloth. Bookplate Selections from Robert Burns. By R. A. S. of F. Barclay. Rankin. The Poetical Works of Robert Burns. With London: Leopold B. Hill, [1910?]. notes, glossary, index of first lines and vi, 114 p.; 15.7 cm. Printed Materials, Books, and Sheet Music / 189

Original dark gray wrappers. Library [Kilmarnock]: Burns Federation, 1911. label of Malcolm of Portalloch. 135 p.; 23.7 cm. Copy 1. Original dark red cloth. Tam o’ Shanter and Other Poems. Embell- Copy 2. Original dark red quarter roan. ished with pictures by S. B. Pearse. Unopened. New York: James Pott, [ca. 1910]. Copy 3. Later black quarter morocco, 71, [1] p.: col. ill.; 13 cm. gray-green cloth. Original gilt-stamped light blue cloth. Egerer, 311e. Based on the original 1799 Pons Bequest. edition of The Merry Muses. Kinsley, 321. Egerer, 311e. With: Separate leaf 1911 (p. 137–138) containing suppressed letter by Burns. The Burns Birthday Book. Edited by Albert E. Sims. The Poetical Works of Robert Burns. With New York: Thomas Y. Crowell, 1911. biographical notes, illustrations in 104 p., 104 leaves; 16.4 cm. photogravure. Selections from the works of Robert London; Glasgow: Collins’ Clear-Type Burns with facing blank pages. Press, [1911?]. Original red cloth. Pons Bequest. xlvi, 648 p.: ill., port.; 15.2 cm. Copy 1. Original dark red limp cloth. Burns Poems Published in 1786. Copy 2. Original green limp cloth, London: H. Frowde [Oxford: Reprinted stamped in gold, ribbon bookmark. in type-facsimile by Horace Hart], Bookseller’s label: William Porteous, 1911. Glasgow. Pons Bequest. viii, 240 p.; 18 cm. Original green cloth, stamped in gold. The Poetical Works of Robert Burns. With 17.2 cm. introduction by W. M. Rossetti. London; Melbourne; Toronto: Ward, The Merry Muses of Caledonia: A Collec- Lock, 1911. tion of Favourite Scots Songs, Ancient xxii, 583 p.: port.; 19 cm. and Modern, Selected for Use of the Original maroon cloth, stamped in gold Crochallan Fencibles. on spine. [S.l.: s.n., 1911]. xxxi, [2], 34–143 p.; 23.5 cm. Selected Poems and Songs of Robert Burns. Privately printed for subscribers only. Edinburgh: W. P. Nimmo, Hay, & Reprint of Burns Club edition. Mitchell, [1911?]. Copy 1. Original dark red half cloth, 128 p.: col. ill.; 14.9 cm. buff boards, paper label on spine. No. Colored illustrations on lining papers. 364/750 copies printed for America. Imprint varies. Copies 2 and 3: Edin- Copy 2. Original dark red half cloth, burgh and London. buff boards, paper label on spine. Copy 1. Original red suede, stamped Unnumbered. In the private collec- in gold and blind. Yapp edges. Fron- tion of G. Ross Roy. tispiece illustration from Cottar’s Sat- urday Night. The Merry Muses of Caledonia: (Original Copy 2. Original green suede, stamped edition) A Collection of Favourite Scots in gold and blind. Yapp edges. Design Songs Ancient and Modern, Selected on upper cover varies. for use of the Crochallan Fencibles. A Copy 3. Original red suede, stamped in vindication of Robert Burns in con- gold and blind. Yapp edges. Fron- nection with the above publication tispiece illustration from Tam o’ and the spurious editions which suc- Shanter. Same cover design as copy 2. ceeded it. The G. Ross Roy Collection of Robert Burns / 190

Copy 4. Frontispiece portrait of Burns. publisher’s addresses in imprint, and Original olive-green cloth, stamped variant printer’s mark. On thicker in gold. Cover design same as that of paper with engraved portrait on matt copy 1. paper. Variant of Mitchell Catalogue 598473, Copy 2. Original dark green cloth. published as Tam o’ Shanter and Other Remainder binding. Poems. The Poetical Works of Robert Burns. With Songs and Lyrics of Robert Burns. Selected introduction by W. M. Rossetti. and edited by William McDonald, London: Ward, Lock, 1912. with illustrations by W. Russell Flint 583 p., [1] leaf of plates: port.; 19.5 cm. and R. Purves Flint. Title page in red and black. London: P. L. Warner, 1911. Original dark green padded morocco, xxviii, 220 p.: col. ill.; 23 cm. stamped in gold. Original dark red cloth, lettered in gold. Scottish Songs: Illustrated. Edited by 1912 Alfred W. Tomlyn. 8th edition. The Kilmarnock Edition of the Poetical Edinburgh: Anderson, [1912?]. Works of Robert Burns: Arranged in xv, 112 p.: ill., port.; 24 cm. Chronological Order with New Additions, At head of title: Gem selection. Biographical Notices, etc. Edited by the Contains several selections by Burns. late William Scott Douglas. Original padded tartan-patterned cloth. 12th edition. Edinburgh; Glasgow: John Menzies; Selected Poems and Songs of Robert Burns. Kilmarnock: D. D. Brown, 1912. Edited with notes and an introduc- xcii, 478 p.: port.; 19 cm. tion by Philo Melvyn Buck, Jr. Original brown cloth, stamped in gold. New York: The Macmillan Company, 1912, c1908. The Poetical Works of Robert Burns. lvi, 323, [3] p.: ill., port.; 15 cm. Edited by John Fawside, with a Macmillan’s Pocket American and frontispiece by Alexander Nasmyth. English Classics. Greyfriars edition. Original green cloth. Signature of Edinburgh: Edward Stephenson, F. Marion McBroom on pastedown. [ca. 1912?]. 555 p.: port.; 20.7 cm. The Songs & Poems of Robert Burns. Original green cloth. Ownership signa- With appreciation by The Right Hon. ture, dated 1912, on front endpaper. The Earl of Rosebery and containing Reissue of Egerer, 903, 1896. Egerer, 1024. forty-six illustrations in colour from pictures by many of the most eminent The Poetical Works of Robert Burns. With Scottish artists. notes, glossary, index of first lines and Scottish edition. chronological list edited by J. Logie London; Edinburgh: T. N. Foulis, 1912. Robertson. xxvi, 652 p.: col. ill., port.; 22 cm. Oxford edition. Mounted illustrations. London: Henry Frowde, Oxford Uni- Original light brown linen, lettered in versity Press, 1912. gold. xx, 635 p.: port.; 18.5 cm. Egerer, 953. Copy 1. Original dark blue cloth, stamped in gold and blind. Variant Tam o’ Shanter and Other Poems. Illus- printing without “Oxford edition” at trated in colour by Alice Ross. head of title, reset title page with Edinburgh: W. P. Nimmo, Hay, & Mitchell, [1912]. Printed Materials, Books, and Sheet Music / 191

64 p., 3 leaves of plates: ill. (col.); Poems, Chiefly in the Scottish Dialect. 14.8 cm. Edinburgh: Bell, Fowler, [1913?]. Date from the National Library of 240 p.; 23.5 cm. Scotland. “Facsimile of the first Kilmarnock Original wrappers. edition of Burns’ Poems ...” Kinsley, 321. Facsimile of Burns’s bookplate. Original dark blue wrappers, unopened. 1913 In original box. Laid in: 2 p. leaflet Burns: Poems Published in 1786. (The describing Burns’s coat of arms. Kilmarnock edition). With an intro- The Poetical Works of Robert Burns. duction and notes, by M. S. Cleghorn. Edited with biographical introduction Oxford: Clarendon Press, 1913. by Charles Annandale, music harmo- xxxii, viii, [9]–280 p.: incl. facsim.; nized by Harry Colin Miller, pictures 17.5 cm. by Claude A. Shepperson. Original dark blue cloth, gilt-stamped London: Gresham, 1913. spine. 4 v.: ill., port., music; 22.5 cm. “This volume aims at producing a The Afton Burns. critical edition of that published in Title pages in red and black. 1786, at Kilmarnock, under the title Volumes 2–4 without date. of Poems, Chiefly in the Scottish Dialect, Volume 4 has subtitle: Songs with by Robert Burns.”—Pref. music. Egerer, 955. Original light red cloth, stamped in The People’s Edition of the Poetical Works gold. of Robert Burns. In chronological Selected Poems of Robert Burns. order of publication as arranged and London: George G. Harrap, [ca. 1913?]. annotated by the late W. Scott Dou- 157, [1] p.: ill.; 14 cm. glas. Revised, corrected, and con- King’s Treasury of Literary Master- densed by D. M’Naught. pieces. 4th edition. Original gilt-stamped green suede, gray Edinburgh; Glasgow: John Menzies; ribbon bookmark. Illustrated end- Kilmarnock: D. Brown, 1913. papers. Bookseller’s ticket: Allan’s xii, 327 p.: ill., ports.; 18 cm. Library, Middlesbro & Stockton. Pre- Contains facsimile of the original title sentation inscription on preliminary page. page. Original gray-blue pictorial cloth. Egerer, 954. Probable reissue of 1876 A Selection from Burns in Praise of Kilmarnock edition. Woman. London: Simpkin, Marshall, Hamilton, The Poems and Songs of Robert Burns. Kent, [1913]. London: J. M. Dent; New York: E. P. 28 p.: col. ill.; 14.4 cm. Dutton, 1913. The Women of the Poets Series. xxviii, 562 p.; 18 cm. Original pictorial wrappers. Colored Everyman’s Library. illustration mounted on upper “First issue of this edition: January, cover. 1905.” Original sage-green cloth, gilt. Laid in: The Songs & Poems of Robert Burns. With bookplate “in memory of Judge appreciation by the Right Hon. the Samuel J. Holderman presented by Earl of Rosebery, K.T., and contain- Dr. James B. Holderman.” ing forty-six illustrations in colour The G. Ross Roy Collection of Robert Burns / 192

from pictures by many of the most accompanying typed letter signed eminent Scottish artists. laid in. London; Edinburgh: T. N. Foulis, 1913. Egerer, 956 xxvi, 652 p.: col. ill.; 22.5 cm. The Jolly Beggars: A Cantata. With intro- “Published November 1912.” duction by William Marion Reedy. Reissue of 1912 Foulis printing. Portland: Printed for Thomas Bird Original tan cloth. Unopened. Mosher, 1914. Tam o’ Shanter: A Tale. xxiii, 106 p.: ill.; 18.3 cm. Portland, Me.: Mosher Press, 1913. “Some aspects of Robert Burns” by R L. 29 p.; 17.6 cm. Stevenson, p. [53] -106. “Five hundred copies of this book have Rebound in black morocco, gilt. Col- been privately printed.”—Colophon. ored thistle motifs in each corner. Includes “To Robert Burns,” “reprinted One of 750 copies. from letters to dead authors,” Songs and Ballads of Robert Burns. With p. [9]–16. illustrations by Monro S. Orr. Original buff wrapper, lettered in red London; Edinburgh: T. N. Foulis, and black. Unopened. [1914?]. Kinsley, 321. x, 222 p.: col. ill.; 26.5 cm. 1914 Copy 1. Original quarter cloth, boards. Pictorial dust jacket. Fifty best poems of England. New York: Copy 2. Original quarter cloth, boards. Little Leather Library, [1914?]. Includes the following poem by Burns: 1915 “Banks o’ Doon,” p. 35–36. The Cotter’s Saturday Night. Copies 1–5. Original limp leatherette. Boston: The Bibliophile Society, 1915. Kinsley, 328. 18 leaves; 27.8 cm. The Glenriddell Manuscripts of Robert One of 475 copies. Burns. “The text and illustrations of this work Philadelphia: John Gribbel, 1914. are printed from original copperplate 2 v.: ill., ports.; 25.4–27.3 cm. engravings, designed and engraved “Printed not published.” by Mr. Arthur N. Macdonald for the Facsimile reprint of the Glenriddell Bibliophile society.” The explanatory collection of Burns manuscripts in leaf at the beginning is not engraved. which “each of the volumes has a On Japanese vellum. manuscript title, and in each is Copy 1. Original red morocco. In red inserted an impression of the Beugo cloth-covered slipcase. Blind-stamp of engraving of Burns. The volume American Antiquarian Society, of Letters is entirely in Burns’ auto- Worcester, MA. graph; the Poems are partly in his and Copy 2. Original red morocco. In red partly in that of an amanuensis.” cloth-covered slipcase. Pons Bequest. Prefatory matter by John Gribbel. Kinsley title: “The Cotter’s Saturday One of 150 copies printed, after which Night, Inscribed to R. A****, Esq.,” the plates were destroyed. 72. Copy 1. Original pigskin. Inscribed by The Poetical Works of Robert Burns. John Gribbel to Edward Bok. London; Edinburgh: Humphrey Copy 2. Original pigskin. Inscribed to Milford, Oxford University Press, John Howell from Gribbel, with 1915. Printed Materials, Books, and Sheet Music / 193 xxiii, 607 p., [1] leaf of plates: port.; Copy 1. Original buff boards, lettered in 15 cm. gold. 24.2 cm. The World’s Classics; XXXIV. Copy 2. Original buff boards, lettered in Fourth impression. gold. Pons Bequest. 24.2 cm. Added title page, printed in olive-green and black. 1917 Copy 1. Original green cloth, stamped in A Burns Treasury. gold and blind. Patterned end-papers, Edinburgh: Nimmo, Hay & Mitchell, “World’s Classics” design. [1917?]. Copy 2. Original green cloth, stamped 254, 159 [1] p.: ill., port.; 8.4 cm. in gold and blind. Patterned end- The Miniature Series. papers, “World’s Classics” design. On upper cover: The Knapsack Burns. Pons Bequest. Endpaper illustrations in color. With, as issued: Songs of Burns. Edin- “An Unpublished Poem by Burns.” burgh. [1917?]. [S.l.: s.n., 1915?]. Original red-brown cloth. 1 sheet; 15.2 x 21.5 cm. First printed in The Aberdeen Evening Carlyle’s Essay on Burns. With The Cotter’s Express, January 25th, 1912. Saturday Night and Other Poems Mackay, Appendix B, p. 750–751. from Burns. Edited with notes and an introduction by Willard C. 1916 Gore. The Poetical Works of Robert Burns. With New York: Macmillan; London: notes, glossary, index of first lines and Macmillan, 1917, c1900. chronological list edited by J. Logie xlix, 186, [6] p.: port.; 13.9 cm. Robertson. Macmillan’s Pocket Classics. Oxford edition. “Set up and electrotyped August, 1900. London; New York: Humphrey Mil- Reprinted . . . June 1917.” ford, Oxford University Press, 1916. [6] p. of publisher’s advertisements at xx, 635 p.: port.; 19 cm. end. Contemporary red coarse-grain Original brown cloth, stamped in gold morocco. and black. A Suppressed Ballad. The Poetical Works of Robert Burns. With [England?]: Printed by Clement Shorter notes, glossary, index of first lines and for private circulation, 1916. chronological list edited by J. Logie [12] p.: 1 facsim.; 22.8 cm. Robertson. Imprint date surmised from date at Oxford edition. close of foreword, “March 1st, 1916,” London; New York: H. Milford, Oxford p. [8]. University Press, 1917. “Of this set of verses 25 copies only have xx, 635 p.: ill.; 18.5 cm. been printed . . .” Copy 1. Original blue cloth. In buff dust Original green wrappers lettered in jacket. black. In green cloth case. Armorial Copy 2. Original blue cloth. Dust jacket bookplate of William Marchbank. wanting. To Mary in Heaven. With facsimile, and 1918 introduction by William K. Bixby. Army Song Book. Issued by the War Boston: Bibliophile Society, 1916. Department Commission on Training 26 p.: fold. facsim.; 25 cm. Camp Activities and compiled with The G. Ross Roy Collection of Robert Burns / 194

the assistance of the National Com- xxviii, 562 p.; 17 cm. mittee on Army and Navy Camp “First issue of this edition”: January, Music. Washington, D.C.: War Dept., 1906. 1918. Original blue cloth. 1 score ([2], 90, [4] p.): ill.; 10 x 14 cm. The Poems and Songs of Robert Burns. Includes the following songs by Burns: Introduction by James Douglas. “Auld Lang Syne,” p. 30 and a “Scots, London; Toronto: J. M. Dent; New Wha Hae wi’ Wallace Bled,” York: E. P. Dutton, 1919. p. 33. xxviii, 562 p.; 17 cm. Joseph M. Bruccoli Great War Collec- Everyman’s Library, Poetry and tion (Thomas Cooper Library). Drama; 94. The Service Song Book (Abridged). Pre- “Reprinted . . . May, 1919.” pared by the International Committee Original blue cloth. Signature of Nina of Young Men’s Christian Associa- Abercromby. tions for the men of the Army and Egerer, 937. Navy. The Poetical Works of Robert Burns. With New York: Association Press, 1918, numerous illustrations. c1917. London; Glasgow: Collins’ Clear-Type 92 p.; 13 cm. Press, [1919?]. Includes the following song by Burns: 648 p.: col. ill.; 15 cm. “Auld Lang Syne,” p. ___. Date from presentation inscription. “Seven-hundredth thousand.” Original brown suede, yapp edges. YMCA symbol on front cover. Gift of Edward Madden. The Poetical Works of Robert Burns. Joseph M. Bruccoli Great War Collec- London; New York: Humphrey Mil- tion (Thomas Cooper Library). ford, Oxford University Press, 1919. xxiii, 607 p., [1] leaf of plates: port.; Tam o’ Shanter and the Merry Masons. 14.8 cm. Dundee: T. M. Sparks & Sons, 1918. The World’s Classics; XXXIV “Fifth Includes the following song by Burns: impression.” “Tam o’ Shanter,” p. 14. Added title page printed in olive-green Original blue gray wrappers, stapled and black. gathering. 12 cm. Publisher’s catalogue: 8 p. at end. Kinsley, 321. Copy 1. Original olive-green cloth, 1919 stamped in gold and blind. Plain end-papers. Carlyle’s Essay on Burns: With The Cotter’s Copy 2. Original dark red morocco. Pat- Saturday Night and Other Poems from terned end papers: “marbled” design. Burns. Edited with notes and an Lacks portrait and added title page. introduction by Willard C. Gore. New York; London: Macmillan, 1919. 1920 xlix, 186 p.: ports.; 13.8 cm. Carlyle’s Essay on Burns: With The Cotter’s Macmillan’s Pocket English Classics. Saturday Night and Other Poems from Original brown cloth. Signature of Burns. Edited with notes and intro- J. Taylor. duction by Willard C. Gore. The Poems and Songs of Robert Burns. New York; London: Macmillan, 1920. London: J. M. Dent, 1919. xlix, 186 p.: port.; 13.9 cm. Printed Materials, Books, and Sheet Music / 195

Macmillan’s Pocket English Classics. The Poems and Songs of Robert Burns. Original brown cloth. New York: Robert K. Haas, [1920?]. 96 p.; 9.5 cm. Fifty Selected Songs of Burns. Little Leather Library. Glasgow: Mozart Allan, [1920?]. Publisher identified on title page as 54 p.; 12.2 cm. “formerly Little Leather Library Without the music. Corp.” Copy 1. Original light gray wrappers, Copies 1–2. Original red blind-stamped lettered in dark blue. Price 4d. morocco. Copy 2. Possibly a later printing. Origi- nal pictorial wrappers. Price 6d. Poems, Chiefly in the Scottish Dialect. [Glasgow: R. Gibson, 1920?]. The Merry Muses: A Choice Collection of 240 p.; 24 cm. Favourite Songs Gathered from Many Facsimile of: Poems, Chiefly in the Scottish Sources. By Robert Burns; to which Dialect. Kilmarnock, 1786. are added two of his letters and a Dated inscription on prelim, January poem—hitherto suppressed—never 1920. before printed. Issued in a white card case with cover [S.l.: s. n., 1827 ca, i.e. 1920?]. title: Fac-simile of the Kilmarnock 90 p.; 16 cm. edition of Burns’ poems, 1786. Color “Contents,”: p.[1]–iii—misbound fol- reproduction of Burns’s seal tipped lowing p.[viii]. inside. Burns’ bookplate mounted Original dark green cloth. inside front cover. The Merry Muses: A Choice Collection of Original blue wrappers, in case, as Favourite Songs Gathered from Many issued. With a wax facsimile of Sources. By Robert Burns; to which is Burns’s seal. [sic] added two of his letters and a The Poems of Robert Burns. Selected and poem—hitherto suppressed—and arranged by John Irvine. never before printed. Belfast: Derrick MacCord, [1920?]. [S.l.: s.n., 1827, i.e., c.1920] 61 p.; 11.6 cm. xi, 126 p.; 16 cm. Seymour Series. Original half imitation vellum, paste- Copy 1. Original brown cloth. In green paper boards. and yellow pictorial dust-jacket. Roy, Merry Muses, 11. Copy 2. Original dark blue cloth. Poems. With an introduction by Neil In green and yellow pictorial Munro. dust jacket. Signature of James London: Gresham, [1920?]. MacGlone. xvi, 245 p.: port.; 15.7 cm. The Poems of Robert Burns. With notes, Copy 1. Original gilt-stamped blue- glossary, index of first lines and green cloth. chronological list edited by J. Logie Copy 2. Original gilt-stamped blue- Robertson. green cloth. New York: Walter J. Black Co., Copy 3. Original blue-green cloth, [192-?]. lettered in gold. xx, 635 p.: port.; 19 cm. Poems. Frontispiece portrait from the engrav- New York [etc.]: Gold Medal Library, ing by Rogers, after the painting by [ca. 1920?]. Nasmyth. 98 p.; 11.9 cm. Original limp red boards, stamped in Original gold-stamped brown gold on spine, red ribbon bookmark. leatherette. Gift of Joel Myerson. The G. Ross Roy Collection of Robert Burns / 196

Stamped “McMickin, Beaumont, and chronological list edited by Texas” on endpapers. J. Logie Robertson. London; Edinburgh: H. Milford, The Poems of Robert Burns, The Poet of Oxford University Press, 1921. Religion, Democracy, Brotherhood and xx, 635 p.: port.; 18.5 cm. Love. Edited by James L. Hughes. “Oxford edition.” Toronto: The Ryerson Press, 1920. Original dark blue cloth. Blind-stamp 292 p.: ill., port.; 22 cm. of Taylor and Colbridge, Doncaster. Original buff cloth. One of the 16 reprintings of this Selected Poems. edition, first published in 1904. Chicago; New York: Scot, Foresman See Egerer, 935. and Company, [c1920]. Selections from Burns. Edited by 352 p.; 16.5 cm. J. Hunter Craig. The Lake English Classics. London; Toronto: J. M. Dent; New Copy 1. Original light blue cloth, York: E. P. Dutton, [1921?]. lettered in black. 192 p.: port.; 16 cm. Copy 2. Original gray cloth, lettered Original green cloth. Crest of Oxford in black. Preparatory School on upper cover. Selected Poems and Songs of Robert Prize volume, Oxford Preparatory Burns. Edited with notes and an School, presented to J. Lambert, introduction by Philo Melvyn 1921. Buck, Jr. New York: Macmillan, 1920. 1922 lvi, 323 p.: ill., port.; 14 cm. Autograph Poems and Letters of Robert Macmillan’s Pocket American and Burns in the collection of R. B. Adam. English Classics. Buffalo: Printed privately, 1922. Original gilt-stamped brown cloth. 107 leaves: port.; 30.2 cm. Original buff boards, cloth spine. Songs and Lyrics of Robert Burns. Selected Unopened. and edited by William MacDonald, Egerer, 960 with illustrations by W. Russell Flint and R. Purves Flint. Carlyle’s Essay on Burns: With The Cotter’s Boston: Philip Lee Warner, 1920. Saturday Night and Other Poems xxviii, 220 p.: col. ill., col. plates; from Burns. Edited with notes and 22.8 cm. an introduction by Willard C. Original dark red cloth. In gray dust Gore. jacket. New York: Macmillan, 1922, c1900. xlix, 186 p.: port.; 14 cm. 1921 Macmillan’s Pocket Classics. The Burns Birthday Book. With 6 illus- “Set up and electrotyped August, 1900.” trations in colour by H. J. Dobson. This printing 1922. London; New York: R. Tuck, [1921]. Original brown cloth. Signature of 1 v. (unpaged): ill.; 19 cm. Edith Scribner Faircloth. Original brown paper covered wrap- Poems of Robert Burns. pers, portrait of Burns inset into Girard, Kan.: Haldeman-Julius, [1922?]. upper cover. 64 p.; 12.6 cm. The Poetical Works of Robert Burns. With Ten Cent Pocket Series; no. 284. notes, glossary, index of first lines, Little Blue Book; no. 284. Printed Materials, Books, and Sheet Music / 197

Advertised 26 August 1922, Appeal to 255 p.: port.; 12.2 cm. Reason, p. 6. Original blue cloth. Signature of Violet Series title changed to “Little Blue Cordie, the aunt of G. Ross Roy, 1923. Book” in Nov. 1923. Dikt av Robert Burns. Umsette fraa Later series title on upper wrapper. ‘Ten engelsk av Olav Nygard. Cent Pocket Series’ (series name from Oslo: Norske Samlaget, 1923. Apr. 1922–Sept. 1923) at head of title 60 p.; 19.5 cm. page. Norwegian translation. Later issue. Upper wrapper imprint Original cream-colored wrappers, let- lacking. Upper wrapper series number tered on brown. Unopened. in large type. Title page series number Egerer, 1227. in small type. Cf. Johnson & Tanselle, PBSA, v. 64, n. 1 (1970). The Kilmarnock Edition of the Poetical Copies 1–2, 4–5. Single stapled gather- Works of Robert Burns. Arranged in ing, original light blue printed wrap- chronological order with new anno- pers. tations, biographical notices, etc. Copy 3. Single stapled gathering, origi- edited by the late William Scott nal light blue printed wrappers. Pons Douglas. Bequest. 13th edition. Edinburgh; Glasgow: John Menzies; The Poems of Robert Burns. Kilmarnock: D. Brown, 1923. London: Humphrey Milford, Oxford 2 v. in 1: ill., ports.; 18 cm. University Press, 1922. Original dark blue-violet cloth. xxiii, 607 p.; 15 cm. Egerer, 961, reissue of 1876 edition pub- The Worlds Classics; XXXIV. lished in Kilmarnock by M’Kie & “First printed in The World’s Classics’ Drennan. in 1903, and reprinted in . . . 1922.” Original olive-green cloth. Bookseller’s The Poetical Works of Robert Burns. ticket: J. J. Banks . . . Cheltenham. Edited by J. Logie Robertson. London; New York: H. Milford, Oxford The Poetical Works of Robert Burns. With University Press, 1923. notes, glossary, index of first lines, xx, 635 p.: port.; 18.4 cm. and biographical note. Original blue cloth. Bookplate of Irene Complete edition. Margareta Dewar. Edinburgh: W. P. Nimmo, Hay & Mitchell, [1922?]. Songs and Ballads of Robert Burns. With xvi, 559, [1] p.: port.; 18.4 cm. illustrations by Nora England. Copy 1. Original quarter vellum, red London: Hodder and Stoughton, [1923]. cloth. x, 222 p. [10 l. of plates]: ill.; 25.8 cm. Copy 2. Original blue cloth, stamped Original quarter cloth, boards. Printed in gold. Gift inscription on front paper label on upper cover. free endpaper. Tam o’ Shanter. Egerer, 1018, variant. New York: Barse & Hopkins, [1923?]. 1923 51 p.: col. ill.; 10.7 cm. “Note . . . by W. E. Henley and T. F. The Burns Birthday Book. From the Henderson”: p. 5–26. writings of Robert Burns. Copy 1. Original brown suede in the London; Melbourne: Ward, Lock, Roycroft style. In original green [1923]. box. The G. Ross Roy Collection of Robert Burns / 198

Copy 2. Original paper-covered boards. biographical memoir by Alexander Tied. With original box. Pons Smith. Bequest. Globe edition. Kinsley, 321. London: Macmillan, 1924. 636 p.; 17.7 cm. 1924 Original brown calf. The Complete Poetical Works of Robert See Egerer, 715. Reprint of 1868 edition. Burns. Songs. With biographical introduction Boston; New York: Houghton Mifflin, by Hanneford Bennett. 1924. London: John Long, 1924. 346 p.: ill., port.; 1924. 126 p.; 15 cm. Fireside Poets. Carlton Classics. Original blind-stamped black cloth. Original red cloth, stamped in black. The Complete Works of Robert Burns. Apparently a reprint of the 1907 edition, Gebbie Self-Interpreting edition. Egerer, 943. New York: McKinley, Stone & MacKenzie, 1924, c1909. 1925 6 v.: ill., music, ports.; 20.4 cm. Burns’ Poetical Works. With an introduc- On spine: Edition De Luxe. tion by W. H. Davies. The music is given with many of the London; Glasgow: Collins, [1925?]. poems. xvi, 624 p., [1] leaf of plates: port.; Original buff cloth. Printed paper labels 19 cm. on spines. Half-title: Poetical Works of Robert Burns. The Northern Muse: An Anthology of Scots Original maroon cloth. Vernacular Poetry. Arranged by John Buchan. The Complete Poetical Works of Robert London; New York, etc.: Thomas Burns. With an appreciation by Lord Nelson and Sons, 1924. Rosebery, and a glossary. xxxii, 547 p.; 18.5 cm. London; Edinburgh; New York: Copy 1. Original red calf, stamped in Thomas Nelson, 1925. gold. “First impression, October lii, 790 p.: port.; 16 cm. 1924.” New Century Library. Copy 2. Original green cloth, stamped Additional title page with title The Poet- in gold. “First impression, October ical Works of Robert Burns. 1924.” Contemporary ownership Original green limp morocco, stamped signature on free endpaper. in gold, ribbon bookmark. Former Copy 3. Original green cloth, stamped in owner’s signature on free front end- gold. “Second impression, December paper. 1924.” The Merry Muses: A Choice Collection of Copy. 4. Original green cloth, stamped Favorite Songs Gathered from Many in gold. Inscribed by John Buchan to Sources. To which are added two of C. M. Grieve [Hugh MacDiarmid] his letters and a poem never before Aug. 15, ’26. printed. Poems, Songs and Letters. Being the com- [London?]: For myself and my friends, plete works of Robert Burns edited [1925?]. from the best printed and manuscript 82 p.; 17.2 cm. authorities with glossarial index and a Printed Materials, Books, and Sheet Music / 199

“Verbatim reprint of the MDCCCXXVII 1926 edition.” Burns and the Bible: A Series of Parallels Modern quarter calf, marbled boards. to Show Lovers of Burns the Inspiration Roy, Merry Muses, 12. He Found in the Bible, and To Show The Poems of Robert Burns. Lovers of the Bible How Much of Its London: H. Milford, Oxford University Spirit They Will Find in Burns. Selected Press, 1925. by W. D. Fisher. 607 p.; 15 cm. Glasgow: W. McLellan, 1926. Original olive-green cloth. 48 p.; 21.7 cm. Publisher’s prospectus laid in. Robert Burns: Chapters of Self-Revelation. Original dark blue wrappers lettered in [London]: Printed for private circula- gold. Glassine dust jacket. tion, Cassell, 1925. 32 p.: ill.; 25 cm. The Complete Writings of Robert Burns. Personal sketches found in the letters [Boston; New York: Houghton Mifflin and poems which Burns sent to inti- Company, 1926–1927]. mate friends. Cf. p. 5. 10 v.: fronts. (v. 1: port.) plates, fold. Original buff wrappers. facsims.; 23 cm. Original red quarter cloth, buff boards. Scottish Poems of Robert Burns in His Unopened. No. 424/1000 copies. Native Dialect. Egerer, 965. London: H. Milford, Oxford University Press, 1925. The Poems and Songs of Robert Burns. 364 p.; 22.6 cm. Edited with introduction, notes and Copy 1. Original light green cloth. glossary by Andrew Lang assisted by Signed presentation copy from editor W. A. Craigie. James Wilson to Charles Murray. 4th edition. Copy 2. Robert D. Thornton’s copy with London: Methuen & Co., 1926. his annotations. xlvi, 667, [1] p.: port.; 22.4 cm. Egerer, 964. “First published . . . 1896 . . . fourth edition 1926.” Songs. Selected by A. E. Coppard; with Copy 1. Original red cloth, gilt-lettered wood engravings by Mabel M. spine. Annesley. Copy 2. Original red cloth, gilt-lettered [Waltham Saint Lawrence]: The Golden spine. Cockerel Press, MCMXXV. xvi, 112 p., 2 l.: ill.; 22.5 cm. The Poems and Songs of Robert Burns. Bibliography of the Golden Cockerel Edited with introduction, notes and Press, Chanticleer 28. glossary by Andrew Lang assisted by Copy 1. Original blue paper boards, W. A. Craigie. white cloth spine stamped in gold. 4th edition. Title page in black and gold. No. New York: Dodd, Mead, 1926. 112/450 copies. xlvi, 667 p.: port.; 22.3 cm. Copy 2. Original blue paper boards, Original red cloth. Paper label on spine. white cloth spine stamped in gold. The Poetical Works of Robert Burns. With Title page in black and gold. No. notes, glossary, index of first lines, 77/450 copies. and chronological list edited by J. Logie Robertson. The G. Ross Roy Collection of Robert Burns / 200

London: H. Milford, Oxford University James D. Low, July 1927. Pons Press, 1926. Bequest. xx, 635 p.: port.; 18.2 cm. Burns’ Readings and Recitations. Selected Original dark blue cloth. Buff dust and arranged with notes and glossary jacket. On upper cover: Oxford by Alex. S. Morton. Edition of Standard Authors. Castle-Douglas; Stranfaer: J. H. Robert Burns. Maxwell, 1927. London: E. Benn, [1926]. 61 p.: port.; 21.3 cm. iv, 5–31 p.; 21.8 cm. Original buff printed wrappers. Prefatory notice signed: C. M. Grieve. The Complete Poetical Works of Robert Original buff wrappers, lettered in Burns. With an appreciation by Lord black. Rosebery and a glossary. 1927 London: Thomas Nelson, [1927?]. lii, 658 p.: port.; 16 cm. The Bonie Lass That Made the Bed to Me. Original dark blue limp cloth. : Printed for William Andrews Clark by John Henry Nash, The Complete Writings of Robert Burns. 1927. Large-paper edition. [9] p.; 36 cm. London: Waverly, 1927. “Three verses were composed on an 10 v.: ill.; 21.7 cm. amour of Charles II when skulking Half-title. in the North about Aberdeen, in the Each volume has also special title page. time of the usurpation. He formed “The text of the poems, with the excep- une petite affaire with a daughter of tion of those hitherto uncollected, the House of Port Letham, who was is that of the Centenary edition, the bonie lass that made the bed to edited by William Ernest Henley him.” and Thomas F. Henderson.”—Cf. Original blue wrappers. Printer’s copy. Publisher’s note in volume. One of 50 copies printed for private “This edition is strictly limited to two distribution. Nash, John Henry, hundred and fifty copies for Great 1871–1947. Pons Bequest. Britain and seven hundred and fifty copies for the United States of Amer- Burns and the Bible. Selected by W. D. ica. This is copy number 198 of the Fisher. edition for Great Britain.” New and enlarged edition. Original quarter morocco, cloth. Glasgow: William McLellan, 1927. Egerer, 966. 64 p.; 22 cm. Copy 1. Original blue wrappers. Pub- An Evening with Burns. lisher’s prospectus and 2 copies of Rochester, N.Y.: Sherwin Cody School order form for 2nd edition laid in. of English, 1927. Editor’s signed presentation copy to 128 p.; 13 cm. Dr. Sir J. Crichton-Browne, January, Nutshell Library. 1928. Original light brown embossed Copy 2. Original blue wrappers. Edi- wrappers. tor’s signed presentation copy to Printed Materials, Books, and Sheet Music / 201

Journal of a Tour in the Highlands Made Robert Burns: The Poems, Epistles, Songs, in the Year 1787 by Robert Burns. Epigrams & Epitaphs. Edited by Reproduced in facsimile from his Charles S. Dougall; with notes, original manuscript in the possession index, glossary, and biographical of William K. Bixby, with introduc- sketch. tion and transcript by J. C. Ewing. London: A. & C. Black, 1927. London: Gowans & Gray, 1927. xxiv, 711 p.; 18.8 cm. 17, 29 p.: ill., facsims.; 26 cm. Original light blue cloth, stamped in Copy 1. Original dark blue cloth boards. gold. White pictorial dust jacket. Copy 2. Inscribed to Mr. John Gowie, Egerer, 969 Dec 31, 1927, from the editor. 1928 The One Hundred and One Best Songs for Burn’s Poetical Works. With introduction Home, School and Meeting. by W. J. [sic] Davies. Revised 29th edition. London: Collins’ Clear-Type Press, Chicago: The Cable Company, [1927]. [1928?]. 1 v. (unpaged): music; 22 cm. xx, 627 p.; 19 cm. Includes the following songs by Burns: Illustrated title page. “My Heart’s in the Highlands,” Introduction signed W. H. Davies. no. 31; “Auld Lang Syne,” no. 64; Original limp black morocco. and “Oh, Wert Thou in the Cault Blast,” no. 66. The Complete Works and Letters. Intro- Original brown wrappers, printed in duction by William Harvey . . . , brown. oration by the Earl of Rosebery and Midlothian . . . , a short life of Burns Poems, Chiefly in the Scottish Dialect. by Robert Ford, introduction to the London: T. Werner Laurie, 1927. letters by R. W. Mackenna. 240 p.; 23 cm. Masonic edition. Facsimile of: 1st ed. Kilmarnock: London: British Books, [1928?]. Printed by John Wilson, 1786. lxviii, 555, xiii, 335 p.: ill., ports., Original light gray wrappers. In slip- facsims.; 21 cm. case, as issued. Unopened. Publisher’s Map, partially colored, tipped in on prospectus laid in. 22.5 cm. back free end-paper. Poems, Songs and Letters: Being the Com- The Fornicators Court. plete Works of Robert Burns. Edited Metuchen, N.J.: [s.n.], 1928. from the best printed and manuscript [3], 8 p.; 25 cm. authorities, with glossarial index and Known also as the “Court of Equity.” a biographical memoir, by Alexander “Has never found a place in any edition Smith. of the poet’s works.”—W. C. Angus, London: Macmillan, 1927. Printed Works of Robert Burns: A Bibli- lxii, 636 p.; 18.5 cm. ography, p. 114. “First ed., 1868; reprinted . . . 1927.” “Less than two hundred copies . . . have At head of title: The Globe Edition. been reprinted for Charles F. Heart- Copy 1. Original dark green cloth. man in Metuchen, New Jersey, to be Copy 2. Original pictorial padded cloth. Gift of Patrick G. Scott. The G. Ross Roy Collection of Robert Burns / 202

presented to his friends and a few Aberdeen: Printed at the Bon Accord others as a Yuletide greeting.” Press, 1928. Apparently a photo-offset facsimile of 16 p.; 21.3 cm. the first edition. Original buff wrappers, lettered in Copies 1–2. Original buff wrappers. brown. Paper label on upper cover. Robert Burns: Selected Poems. Edited by The Letters of Robert Burns. Selected G. D. H. & M. I. Cole. with an introduction by R. Brimley London: Noel Douglas, 1928. Johnson. 61 p.; 17 cm. London: John Lane; New York: Dodd, The Ormond Poets; no. 13. Mead and Co., [1928]. Original orange cloth. ix, 188 p.; 20 cm. Original blue cloth in printed green 1929 dust wrapper. Signature of John Burns Poetry & Prose. With essays by Byers. Mackenzie, Jeffrey, Carlyle, and oth- ers with an introduction and notes by The Letters of the Poet. Introduction by R. Dewar. R. W. Mackenna. Oxford: Clarendon Press, 1929. London: Collins’ Clear-Type Press, xx, 203 p.: port.; 18.4 cm. [1928?]. Original dark blue cloth. Buff dust xv, 281 p., [7] leaves of plates: ill.; 20 cm. jacket. Original dark green cloth. In buff dust Egerer, 971. jacket with illustration mounted on upper cover. The Concert Edition of Scottish Songs. Edited and arranged by Hugh S. The Poetical Works of Robert Burns. With Roberton. notes, glossary, index of first lines, Glasgow: Bayley & Ferguson, c1929. and chronological list edited by 2 v. of music; 27.7 cm. J. Logie Robertson. Includes the following song by Burns: London; New York: H. Milford, Oxford “A Man’s A Man for A’ That,” University Press, 1928. p. 6–7. xx, 635 p.: port.; 18.5 cm. Original tan wrappers. Reprint of complete Oxford edition of 1904. Epistle to Davie (A Brother Poet). On verso of title page: O.P. San Francisco: Bruce Brough Press, Copy 1. Contemporary dark blue 1929. morocco. [11] p., [1] leaf of plates: port.; 30 cm. Copy 2. Original dark blue cloth. Por- The “Davie” of the poem is David Sillar. trait on glazed paper, smaller size. Original blue boards, buff paper spine. On verso of title page: O.S.A. Printed paper label on upper cover. Copy 3. Original dark blue cloth. Por- No. 180/400 copies printed. Pub- trait on glazed paper, smaller size. lisher’s complimentary copy. On verso of title page: O.S.A. In the A Grade Poet: Robert Burns. private collection of G. Ross Roy. In: Prose and Poetry: 5th Year. By Fannie Robert Burns, Born Jan. 25, 1759, Died July L. Avery and others; illustrated by 21, 1796: Some Gems from His Songs and Guy Brown Wiser. Syracuse, N.Y.: Poems. Selected for the Rotary Club of Singer, c1929. Original orange cloth, London, January 25, 1928. stamped in black. Stamped “Marshall High School” with holograph note Printed Materials, Books, and Sheet Music / 203

“Mr. Holmes reading circle, Bk. “My Heart’s in the Highlands.” Gr. 10.” In: Bonnie Scotland in Verse and Picture. By “Allan Junior.” Dundee; London: The Poetical Works of Robert Burns. With Valentine, [1930?], p. 16. numerous illustrations. Original pictorial wrappers. London; Glasgow: Collins’ Clear-Type Press, [1929?]. The Poems and Songs of Robert Burns. 648 p.: ill., port.; 15 cm. London: J. M. Dent & Co.; New York: Issued in box. Title on upper cover: E. P. Dutton & Co., 1930. Collins’ Tartan Books. xxviii, 562 p.; 17.1 cm. Date from presentation inscription. Everyman’s Library. Frontispiece portrait of Burns. Title within ornamental border. Original tartan cloth. “First published in this edition, 1906; reprinted . . . 1930.” 1930 Introduction by James Douglas. An Anthology of : Dryden Original green cloth, gilt-stamped to Blake. Compiled by Kathleen spine. Illustrated endpapers. Campbell. The Poems and Songs of Robert Burns. London: T. Butterworth, 1930. London: Little Blue Book Company, 252 p.; 16.4 cm. [1930?]. The Home University Library of 63 p.; 16.5 cm. Modern Knowledge; [no. 146]. Little Blue Book Library; no. 8. Contains sixteen poems by Burns. Original blue wrappers, stapled gather- Original yellow pictorial wrappers. ing. Burns’ Poems. With illustrations. In the private collection of G. Ross Edinburgh: Andersons, [1930?]. Roy. xxiv, 256 p.: ill.; 84 mm. The Poems and Songs of Robert Burns. The Thistle Library. With notes and glossary. Original tartan-patterned padded cloth. London: Simpkin, Marshall, Hamilton, In box, as issued. Kent; New York: Charles Scribner’s The Merry Muses: A Choice Collection of Sons, [1930?]. Favourite Songs Gathered from Many lxxii, 580 p.: ill.; 16.8 cm. Sources. To which is [sic] added two Original light brown cloth. of his letters and a poem—hitherto Egerer, 1073. suppressed and never before printed. The Poetical Works of Robert Burns. With London: [s.n.], 1930. numerous illustrations. xv, 126 p.; 15.3 cm. London; Glasgow: Collins’ Clear-Type “Privately printed.” Press, [1930?]. Reprint of the privately printed 1827 648 p.: ill., (1 col.); 15 cm. edition. Original light red cloth. At head of title: “Not for maids, minis- ters, or striplings.” The Poetical Works of Robert Burns. With Copy 1. Modern blue half calf, gilt, by explanatory glossary, notes, memoir, “Aquarius.” No. 60/100 copies. etc. Copy 2. Original imitation vellum, yapp London: Eyre & Spottiswoode (Bible edges. No. 79/100 copies. Warehouse), [1930?]. Roy, Merry Muses, 13. xxvi, 614 p.; 18 cm. Date from presentation inscription. The G. Ross Roy Collection of Robert Burns / 204

Original black padded morocco. Book- Mitchell, Collector of the District plate of G. Ross Roy. and friend of Burns, to whom Burns addressed “Friend of the poet, tried Representative Poems of Robert Burns. and leal.” With Carlyle’s Essay on Burns, edited, In: The Illustrated London News, Jan. 24, by Charles Lane Hanson. 1931. [Boston; New York, etc.: Ginn and Company, c1930]. [Tam o’ Shanter in Welsh] viii, 230 p.: ill., port.; 18.3 cm. In: Burns ac Ingoldsby yn Gymraeg: Tri Original olive-green cloth. darn. Gan John Jones (Talhaiarn); wedi eu newid gan J. Glyn Davies. Wrecsam: 1931 Hughes A’I Fab, 1931, p. 31–47. The Jolly Beggars. Original light green wrappers. Pons Girard, Kan.: Haldeman-Julius Publica- Bequest. tions, c1931. 32 p.; 13 cm. 1932 Little Blue Book; no. 1669. Burns’ Songs. Original blue wrappers, stapled gather- Edinburgh: Andersons, [1932?]. ing. 12.5 cm. 245 p.: ill., port.; 11.3 cm. Original tartan-patterned cloth. The Letters of Robert Burns. Edited Egerer, 974. from the original manuscripts by J. DeLancey Ferguson. Burns’ Songs: With Illustrations. Oxford: Oxford University Press, 1931. Dundee: Valentine, [1932?]. 2 v.: ill., ports., facsims.; 23 cm. 240 p., [12] leaves of plates: ill., port.; Copy 1. Original maroon cloth, stamped 8.3 cm. in gold. Inscribed to G. Ross Roy by The Thistle Library. J. DeLancey Ferguson, 12 August 1959. Copies 1–2. Original tartan-patterned Extensively annotated by G. Ross Roy cloth. in preparation for his new edition of Egerer, 1001. the letters. In the private collection of Poems of Robert Burns. Selected by G. Ross Roy George Ogilvie. Copy 2. Original maroon cloth, stamped London; Edinburgh: W. & R. Chambers, in gold. Editor’s signed presentation 1932. copy to Robert D. Thornton, 1940. 96 p.: port.; 18.7 cm. Annotated by Thornton. Thornton Copy 1. Original blue limp cloth. Bequest. Copy 2. Original blue limp cloth. Copy 3. Original maroon cloth, stamped “Edinburgh District Burns Clubs in gold. Volume 1 only. Association, School Competition, Copy 4. Original maroon cloth, stamped 28th January 1944, Qualifying Sec- in gold. Pons Bequest. tion” pasted inside front cover. “The “Scheme of the District.” Burns Federation Scottish Literature p. 151; 37.4 cm. Competition, Primary VII Classes” for Facsimile of the holograph from the 1938–1941, 1945, 1947–1951, 1953. archive of John Walker & Sons, Poems, Songs, and Letters: Being the Com- Limited. plete Works of Robert Burns. Edited This leaf from a page of Burns’s excise from the first printed and manuscript book belongs to the period when authorities, with glossarial index and Burns was acting temporarily as a biographical memoir by Alexander Supervisor. Also signed by John Smith. Printed Materials, Books, and Sheet Music / 205

London: Macmillan, 1932. The Kilmarnock Edition of the Poetical lxii, 636 p.; 18.6 cm. Works of Robert Burns. Arranged in At head of title: The Globe Edition. chronological order with new anno- First printed 1868. tations, biographical notices, etc. Original dark green. In gray dust jacket. Edited by William Scott Douglas. Egerer, 237 Special presentation edition. Glasgow: Scottish Daily Express, 1935. 1934 2 v. in 1: ill., port.; 19 cm. The Poetical Works of Robert Burns. With Original black cloth. numerous illustrations. Egerer, 976. London: Collins’ Clear-Type Press, The Poems of Robert Burns. [1934]. Oxford: Oxford University Press; 648 p., [5] leaves of plates: ill.; 15 cm. London: Humphrey Milford, 1935, Illustrated title page. c1903. Red binder’s cloth. xxiii, 607, 16 p.; 14.9 cm. Egerer, 1086. The World’s Classics; 34. “Tam o’ Shanter.” Original blue cloth, stamped in gold, In: Bliss, Douglas Percy, 1900– comp. ribbon bookmark. In dust jacket. The Devil in Scotland: Being Four Great Signature of Maurice Kelley, noted Scottish Stories of Diablerie. Along with Milton scholar. an introductory essay and thirty-nine In the private collection of G. Ross original wood engravings, by Douglas Roy. Percy Bliss. London: A. MacLehose, 1934. 1936 107 p.: ill.; 26 cm. Izbrannaia lirika. Perevod s angliı˘skogo Original black quarter cloth, marbled T. A. Shchepkinoı˘-Kupernik; red., boards. In buff pictorial dust-jacket. predislovie i kommentarii S. Babukha. Kinsley, 321. Moskva: Gos. izd-bo “Khudozh. lit-ra,” 1936. 1935 158 p.: ill., port.; 20 cm. The Cottar’s Saturday Night. Title page lacking. Stirling: Stirling Tract , Errata slip inserted. [1935?]. Original light green cloth, stamped in 14, [2] p.: ill., port.; 18.3 cm. gold and green. Inscribed “As a keep- Original cream-colored pictorial wrap- sake to Mr. John Campbell, head of pers. Scotland-USSR Friendship Society Kinsley title: “The Cotter’s Saturday from the members of the English Night, Inscribed to R. A****, Esq.,” 72. Club, School 112, , USSR, May 17, 1957. Grigori Dorf.” With an addi- Guid Bits frae Robert Burns: Witty, tional inscription: “Excuse my pre- Humourous, Serious, Pathetic & Pithy. senting you a book in such a bad state. Glossary. But it’s a very rare set of translations Twenty-five original illustrations by done by a famous Russian translator W. Fulton Brown. Schepkina-Kupernik . . . G. Dorf.” Edinburgh; London: W. P. Nimmo, Hay, Egerer, 1231 lists the first edition of & Mitchell, [1935?]. Marshaka as 1936, but it seems highly vi, 217, [1] p.: ill., port.; 15.9 cm. improbable that there were two Original gray-blue cloth, lettered in green. The G. Ross Roy Collection of Robert Burns / 206

Russian editions of Burns in the same New York: Collier, c1937. year.—G. Ross Roy. 574 p.: ill.; 20.4 cm. ; v. 6. Poetical Works of Robert Burns. With life The Five-Foot Shelf of Books. and notes by William Wallace, LL.D. Original camel cloth stamped with With illustrations from original black. Book-plate of Stratford High drawings by W. D. M’Kay . . . C. Mar- School Library. tin Hardie . . . G. O. Reid . . . R. B. Nisbet . . . and G. Pirie. Poems of Robert Burns. Selected by London; Edinburgh: W. & R. Chambers, George Ogilvie. Limited, [1936]. London; Edinburgh: W. & R. Chambers, xxvi, 553 p.: ill., port.; 20 cm. 1937. Date from inscription. 96 p.: port.; 19 cm. Original green cloth. In pictorial dust Original dark blue limp cloth. jacket. Bookplate: “From the library Selected Poems of Robert Burns. Edited of The Fred Rodgers” on free front with an introduction by J. DeLancey endpaper with note on preliminary Ferguson. page “Purchased in Dumphries [sic] New York: Macmillan Company, 1937. Scotland, July 1936 —Fred and Mar- xxii, 373 p.; 20.3 cm. garet Rodgers.” “Reprinted, October 1937.” The Poetical Works of Robert Burns. With Original dark red cloth, light notes, glossary, index of first lines, blue-green dust jacket. and chronological list edited by J. Logie Robertson, M.A. 1938 London: H. Milford, Oxford University Burns—By Himself: The Poet Ploughman’s Press, 1936. Life in his Own Words—Pieced together xx, 635 p.: port.; 18 cm. from his diaries, letters & poems— “. . . First published in 1904, reprinted with comments by his brothers & his in the same year and in 1906 . . . and sister & a few other contemporaries, 1936.” arbitrarily arranged to form a contin- Lacking “New York” in imprint. uous story with 68 illus. by Keith Copy 1. Original dark blue cloth. Henderson. Copy 2. Original green morocco, green London: Methuen, [1938]. ribbon marker. x, 258, [2] p.: ill.; 23 cm. Original tan cloth. Buff and black pic- 1937 torial dust-jacket. Presentation copy The Life and Works of Robert Burns. from W. D. Cocker to Willie Roy, 1956. Edited by Robert Chambers. Revised The Kilmarnock Edition of the Poetical by William Wallace. Works of Robert Burns: Arranged in London: W. & R. Chambers, [1937]. Chronological Order with New Annota- 4 v.: ill., map, ports.; 21 cm. tions, Biographical Notices, etc. Edited “Reprint of 1896–97 edition.” by William Scott Douglas. Original dark red cloth, lettered in gold. Special presentation edition. Bookseller’s ticket: James Burt . . . Glasgow: Scottish Daily Express, 1938. Kirkcaldy. 2 v. in 1: ill., port.; 19 cm. Egerer, 893. Paged continuously. Volume 2 title page: The Poems and Songs of Robert Burns. “13th edition.” With introduction, notes, and glos- Copies 1–2. Original dark red cloth. sary. Edited by Charles W. Eliot. Reprint of Egerer, 976? Printed Materials, Books, and Sheet Music / 207

Poems, Chiefly in the Scottish Dialect. London: Oxford University Press, 1939, [Glasgow: R. Gibson, 1938]. c1904. 240 p.; 23.9 cm. xx, 635 p.: port.; 19 cm. Facsimile of: Poems, Chiefly in the Scottish Original dark blue cloth. In blue Dialect. Kilmarnock, 1786. dust-jacket. “Souvenir Empire Exhibition, Glasgow, 1938”—Case cover. 1940 Original blue wrappers. Facsimile of Poems of Robert Burns. Selected by Burns’s bookplate inside upper wrap- George Ogilvie. per. In original white card box and London; Edinburgh: W. & R. Chambers, original shipping box. 1940. 96 p.: port.; 18.7 cm. Robert Burns’s Commonplace Book, On upper cover: “Presented by the 1783–1785. Reproduced in facsimile Burns Federation.” from the poet’s manuscript in the Original bright blue limp cloth, possession of Sir Alfred Joseph Law, stamped in black. M.P., with transcript, introduction and notes by James Cameron Ewing Robert Burns. Selección, traducción y . . . and Davidson Cook . . . prologo de Isabel Abelló y Tomas Glasgow: Gowans and Gray, Limited, Lamarca. 1938. Barcelona: Editorial Yunque, 1940. xiv, 43 p.: port., facsim.; 39.2 x 25.6 cm. 103 p.; 12.8 cm. “Limited to four hundred and seventy- Poetas Ingleses, 2. five copies of which four hundred Poesía en la mano, 16. and twenty-five are for sale. This is Original blue and white pictorial wrap- no. 139.” pers. In blue and white dust jacket. Original cloth. 1942 Songs from Robert Burns. Poems of Robert Burns. Selected by London; Glasgow: Collins’ Clear-Type George Ogilvie. Press, [1938–1941?]. London; Edinburgh: W. & R. Chambers, 127 p.; 15 cm. 1942, c1932. Vignette on title page. 96 p.: port.; 18.7 cm. Label on pastedown: “This edition of Original red limp cloth, stamped in my own selection of ‘Songs from black. Robert Burns’ is issued in collabora- tion with the publishers and with the Poetical Works of Robert Burns. Edited by co-operation of the booksellers of William Wallace, with 17 illustrations Glasgow. The whole proceeds will be from drawings by Sir George Pirie devoted to the City of Glasgow War [and others]. Relief Fund . . .” P. J. Dollan, Lord London; Edinburgh: Chambers, [1942]. Provost. 553 p.: ill., port.; 19.3 cm. Original blue morocco over limp “Reprinted 1942.” boards, stamped in gold. Original blue cloth. 1939 The Poetical Works of Robert Burns. With notes, glossary, index of first lines and The Poetical Works of Robert Burns. With chronological list edited by J. Logie notes, glossary, index of first lines and Robertson. chronological list edited by J. Logie London: Humphrey Milford, Oxford Robertson. University Press, 1942. The G. Ross Roy Collection of Robert Burns / 208 xx, 635 p.: port.; 19 cm. København: Fischers Forlag, 1945. “First published in 1904, and reprinted 22 p.; 21.6 cm. in . . . 1942.” Copy 1. Number 314 of 850 copies on Original dark blue cloth. hand-made paper. Original gray Egerer, 935. wrappers. Copy 2. Original gray wrappers. Num- 1943 ber 627 of 850 copies on hand-made Poems. paper. Pons Bequest. London: J. M. Dent & Sons, Ltd.; New Kinsley, 321. Cork: E. P. Dutton & Co., Inc., 1943, Yrkingar. Ty´tt hevur Chr. Mattras. c1906. Keypmannahavn: Bókadeild Føroin- xxviii, 562, 2 p.; 18 cm. gafelags, 1945. Everyman’s Library; no. 94. 45 p.; 23 cm. “The paper and binding of this book Original glazed red wrappers. conform to the authorized economy Egerer, 1184. standards” —Verso. Seal of the “Book Production War 1946 Economy Standard” on verso page. Poems and Songs. (25th January 1759–21st Original light green cloth, stamped in July 1796), with an appreciation by gold on spine, in blind on upper Alexander Gray. cover. Edinburgh: Rathan, 1946. Songs of Liberty. A selection by Sir 160 p.: port.; 18.3 cm. Patrick Dollan. First published 1945. London: Adam & Charles Black, 1943. Original light blue cloth, pictorial dust xii, 100 p.; 18.5 cm. jacket. Original red cloth. Poems of Robert Burns. Selected and 1944 edited by Henry W. Meikle and William Beattie. Songs of Liberty. A selection by Sir Harmondsworth, Middlesex; New Patrick Dollan. York: Penguin Books, 1946. London: A. & C. Black, 1944. 189 p.; 18 cm. xii, 100 p.; 18.4 cm. Penguin Poets; D3. “First published 1943, reprinted 1944.” Copy 1. Original light blue wrappers. 1st Copy 1. Original red cloth. state. Presentation copy inscribed Copy 2. Original red cloth, in dust- “With all good wishes from H. & J. jacket. Meikle, Xmas. 1946” inside front 1945 cover. Copy 2. Original light blue wrappers. 1st Poetical Works. With notes . . . edited by state. J. Logie Robertson. Copy 3. Original light blue wrappers. 1st London: Humphrey Milford; Oxford state. Penciled autograph presentation University Press, 1945, c1904. inscription, December 1946, from xx, 635 p.: ill.; 19 cm. Henry Meikle. Original blue cloth, stamped in gold and Copy 4. Original light blue wrappers. blind. In dust jacket. Signature of for- 1st state. Signature of Anita B. Sellar, mer owner on free front endpaper. former owner, on front cover. Pons Tam o’ Shanter. Af Robert Burns forord Bequest. og oversaettelse Hans Kirk. Printed Materials, Books, and Sheet Music / 209

Burns in Russian

A Year Wi’ Burns: 366 Quotations from Copy 3. Fourth state with partly dam- His Poems, Songs and Letters. Compiled aged blue label pasted over original by E. Mackerchar. price, changing latter to “one shilling Edinburgh: Darien Press, [1946]. and [sixpence].” 43, [1] p.: port.; 18.3 cm. Copy 4. Original light blue wrappers. “The entire profit on the sale of this Fifth state. White “one shilling and booklet will be devoted to the work of sixpence” label pasted over original the mission to lepers.” price. Copy 1. Original dark gray wrappers, Copy 5. Original light blue wrappers. lettered in black. Fifth state. White “one shilling and Copy 2. Original dark gray wrappers, sixpence” label pasted over original lettered in black. price. Pons Bequest. Copy 3. Original dark gray wrappers, Poetical Works of Robert Burns. Edited by lettered in black. William Wallace, with 17 illustrations, 1947 from drawings by Sir George Pirie [and others]. Poems of Robert Burns. Selected and London; Edinburgh: Chambers, [1947]. edited by Henry Meikle and William 553 p.: ill., col. port.; 19.3 cm. Beattie. “Reprinted 1947.” Harmondsworth: Penguin Books, 1947. Original blue cloth, in dust wrapper. 189 p.; 18 cm. “Second impression August 1947.” Robert Burns v perevodakh S. Marshaka. Copy 1. Original light blue wrappers. Moskva: GFos. Izd-vo khudozh. lit-ry, Second state with “6 d.” in manu- 1947. script added to original price. 93 p.: port.; 16.7 cm. Copy 2. Third state with partly dam- Signed presentation copy to G. Ross aged blue label pasted over original Roy from Immanuel Marshak, son price, changing latter to “one shilling of the translator, 1975. Dr. Roy met a[nd sixpence].” Immanuel Marshak, son of the trans- lator, in the Moscow apartment of his The G. Ross Roy Collection of Robert Burns / 210

deceased father, Samuel, which London: Geoffrey Cumberlege, Oxford had been made into a state museum. University Press, 1948. When Dr. Roy told Immanuel Mar- xx, 635 p.: port.; 18.3 cm. shak that he had never been able to “First published in 1904, and reprinted find a first edition of his father’s in . . . 1948.” translation, Immanuel Marshak gave Original blue cloth. Portrait wanting. Dr. Roy the copy that was in the See Egerer, 935. apartment. 1949 Songs from Robert Burns, 1759–1796. A The Complete Poetical Works of Robert selection, with a foreword by G. F. Burns. With an appreciation by Lord Maine. Rosebery and a glossary. London: Collins, [1947]. London: Thomas Nelson, [1949]. 160 p.; 16 cm. lii, 790 p.: port; 15.5 cm. Collins Greetings Booklets. Presentation inscription, Christmas, Scotia Booklets. 1949, on free front endpaper. Copy 1. Original gray pictorial cloth. In Original dark blue cloth. In dust jacket. slipcase, as issued. Copy 2. Original tartan-patterned cloth. Lieder. [In das Schweizerdeutsche über- tragen von August Corrodi]. 1948 Verona: Officina Bodoni, 1949. The Cotter’s Saturday Night. Illustrated 119 p.; 21 cm. by Ian D. Stewart. “Die Lieder von Robert Burns wurden Dumfries: Robert Dinwiddie, 1948. im Auftrag von Georg Reinhart in der 32 p.: ill., port.; 12 cm. Bemboschrift mit der Handpresse in Original tartan-patterned wrappers. hundert nummerierten Exemplaren Kinsley title: “The Cotter’s Saturday auf Fabrianobütten gedruckt. Die Night, Inscribed to R. A****, Esq.,” Ausgabe ist für Geschenkzwecke, 72. nicht für den Handel bestimmt”— Colophon. Poems of Robert Burns. Selected by Full light-brown pigskin, decorated George Ogilvie. paper slip-case. Presentation copy, London; Edinburgh: W. & R. Chambers, inscribed by Reinhart to Annemarie 1948, c1932. and Werner Amsler on the second 94 p.: ill. (part col.), port.; 18.5 cm. blank leaf. No. 23/100. Original blue-green boards. Colored Acquired under the Treasures Acquisi- illustration mounted on upper cover. tions Program, 2006. Poetical Works of Robert Burns. Edited by Poems. Selected and introduced by Hugh William Wallace, with 17 illustrations MacDiarmid. from drawings by Sir George Pirie London: The Grey Walls Press, 1949. [and others]. 64 p.; 18.4 cm. London: Edinburgh: Chambers, [1948]. Crown Classics. 553 p.: ill., col. port.; 19.3 cm. Copy 1. Editor’s autograph presentation Original blue-green cloth, vellum spine. inscription to his wife, Valda, 15 May, In dark green slipcase as issued. 1950, on front free endpaper. Original The Poetical Works of Robert Burns. With cream-colored pictorial boards, in notes, glossary, index of first lines and pictorial dust jacket. chronological list edited by J. Logie Copy 2. Original cream-colored picto- Robertson. rial boards, in pictorial dust jacket. Printed Materials, Books, and Sheet Music / 211

Copy 3. Original cream-colored picto- Presentation inscription “To my friend rial boards. Dust jacket wanting. Thomas Campbell—with my love—S. Marshak, Moscow, 20 May 1957.” 1950 Egerer, 1231, note. “Annie Laurie,” [1] p. from an Songs. unidentified song book, ca. 1950. London; Glasgow: Collins’ Clear-Type Mis-attributed to Robert Burns. Press, [1950]. The Best of Robert Burns. With illustra- 127 p.: port.; 14.5 cm. tions. The Apollo Booklets. Glasgow: Printed and published in Original dark blue calf, stamped in gold Scotland, [1950?]. and blind. In glassine dust jacket. 159 p.: ill., port.; 11 cm. Wee Willie Gray. [Music by] Francis Legible Series. George Scott, [words by] Burns. Original tartan cloth, stamped in gold [S.l.]: Saltire, [1950]. on upper cover. Gift inscription “To 1 score (4 p.); 28.2 cm. Bill Stevenson from his wife Lillias, For medium voice and piano. 18th July 1956.” Cover title. The Drybrough Burns Extra Special Original wrappers. Songbook. [Edinburgh: Drybroughs & Company, 1951 195-?]. Nogle digte af Robert Burns: gendigtet på 28 p.; 20.8 cm. folkmål med et rids af hans liv. Af Mar- Original red and black pictorial wrap- tin N. Hansen. per, stapled gathering. Odense: Nyt Bogforlad, 1951. 101 p.: ill.; 24 cm. “Flow Gently ,” [1] p. Original light blue-green pictorial from an unidentified song book, wrappers. Unopened. ca. 1950. Egerer, 1181 The Merry Muses of Robert Burns. Selected Songs of Robert Burns. [S.l: s.n., ca. 1950]. Glasgow: Scottish Daily Express, [1951]. 79, [1] p.; 21 cm. [7] p.; 20.5 cm. Eighty seven poems. Arrangement simi- Copy 1. Original brown pictorial wrap- lar to the 1905 Waverly edition and pers. the 1910 edition. Copies 2–3. Original green and pink pic- Original red wrappers. Sans serif title torial wrappers. Pons Bequest. printed in black. Some Poems, Songs and Epistles. Edited by Robert Berns v perevodakh S. Marshaka. John McVie and illustrated by Moskva: Gos. izd-vo khudozh. lit-ry, Mackay. 1950. 1st edition. 231 p.: ill., port.; 16.4 cm. Edinburgh: Oliver and Boyd, 1951. Includes an introduction by M. xvi, 196 p.: ill.; 23 cm. Mozorov. Original red cloth in pictorial dust Copy 1. Original brown cloth, buff pic- wrapper. torial dust jacket. Copy 2. Original red brown cloth, 1952 buff pictorial dust jacket, glued on. V´alogatott versei. Szerkesztette K´ery L´ aszló és Kormos Istv´an. The G. Ross Roy Collection of Robert Burns / 212

Budapest: Sz´epirodalmi Könyvkiadó, The Penguin Poets; D 3. 1952. “First published in Penguin Books 1946 331 p.; 19.8 cm. . . . New edition 1953.” Original gray quarter cloth, light green Advertising leaf at back. glazed pictorial boards. Copy 1. Original printed paper covers. Egerer, 1215. Copy 2. Original green and white printed wrappers. Price change from 1953 2 shillings to 2/6 in pen. Poemetti e canzoni. Versione col testo a “Robert Burns.” fronte, introduzione e note a cura di In: Sing Out. [New York: Sing Out, Adele Biagi. Inc.], v. 3, no. 5 ( January 1953) Firenze: G. C. Sansoni, 1953. Original pictorial wrappers. xliii, 200 p.; 16.5 cm. Bibliotheca Sansoniana straniera. Selected Letters. Edited and with an Text in Scots and Italian. introduction by De Lancey Ferguson. Original buff wrappers, lettered in red London; New York: Oxford University and black. Press, [1953]. Egerer, 1217. xxvii, 371 p.; 15 cm. The World’s Classics; 529. Original dark blue cloth. Yellow dust jacket. Price sticker: 7/6. Egerer, 984 1954 Burns into English. Renderings of selected dialect poems of Robert Burns by William Kean Seymour. New York: Philosophical Library, [1954]. 160 p.; 19.7 cm. “Printed in Great Britain . . .” Original blue boards, buff dust jacket. Burns into English. Renderings of Selected Dialect Poems of Robert Burns by William Kean Seymour. London: A. Wingate, [1954]. 160 p.; 19.7 cm. “Second impression, March 1954.” Original blue boards, buff dust-jacket. Signature of W. Ormiston Roy, 1956. Review housed separately. Burns in Scots and Italian Poesías. Traducción y prólogo de Ramón Poems of Robert Burns. Selected and Sangenís. edited by Henry W. Meikle and Barcelona: Editorial Fama, 1954. William Beattie. 120, [5] p.; 15.7 cm. Melbourne; London; Baltimore: Copy 1. Original pictorial wrappers. Penguin Books, 1953. Copy 2. Original pictorial wrappers. 189 p.; 18 cm. Pons Bequest. Egerer, 1234. Printed Materials, Books, and Sheet Music / 213

Songs from Robert Burns, 1759–1796. A Aberdeen: Aberdeen University Stu- selection with a foreword by G. F. dents’ Representative Council, 1956. Maine. 63 p.; 20.4 cm. London; Glasgow: Collins, [1954?]. Preface dated November, 1956. 160 p.: col. port.; 15.2 cm. Includes four songs by Burns. Fontana Series. Original pictorial wrappers. Original limp black cloth, stamped in Zwierszy szkockich. Przeloz´yli Zofia silver. Kierszys, Stanislaw Kryn´ski, Ludmila Tom o’ Shanter: en berëttelse. Tolkning av Marjan´ska. Sven Colberg. Warszawa: Pan´stwowy Instytut In: Horisont (Vaasa, Finland: 1954), 40 Wydawniczy, 1956. år., nr. 6, p. 84–90. 226 p.; 16.5 cm. Original wrappers. Original cream-colored printed boards. Egerer, 1228. 1955 Poems and Songs of Robert Burns. Edited 1957 and introduced by James Barke. The Tuneful Flame: Songs of Robert Burns London; Glasgow: Collins, 1955. As He Sang Them. Edited and tran- 736 p.: ill., port. (1 col.); 19 cm. scribed with an introduction [by Copy 1. Original tartan-patterned Robert D. Thornton]. padded cloth. Lawrence: University of Kansas Press, Copy 2. Original red leatherette, with 1957. ribbon marker. Pons Bequest. 74 p.: facsims., music; 27.4 cm. Songs with piano. The Robert Burns Song Book for High Voices. Edited and arranged by 1958 Tom M. McCourt. Poems of Robert Burns. Selected and [London]: Paterson, c1955. edited by Henry W. Meikle and 1 score ([44] p.); 25.2 cm. William Beattie. For voice and piano. Harmondsworth; Baltimore: Penguin Twenty-one poems set to tunes origi- Books, 1958. nally selected by Burns. 189 p.; 18 cm. Original wrappers. Stamp of The Saltire The Penguin Poets; D3. Society on title page. Copy 1. Original printed wrappers. The Robert Burns Song Book for Low and Price sticker, 65 cents, on upper cover. Medium Voices. Edited and arranged Copy 2. Original printed wrappers. by Tom M. McCourt. Price: 2/6. [London]: Paterson, c1955. Poems of Robert Burns. Edited with 1 score ([44] p.); 25.2 cm. translation and notes by Toshio For voice and piano. Nanba. Twenty-one poems set to tunes origi- Tokyo: Daigakusyorin, 1958. nally selected by Burns. 133 p.: port.; 18 cm. Original wrappers. Stamp of the Saltire Daigakusyorin Library; no. 370. Society on title page. English and Japanese on alternate pages. 1956 Original wrappers. Date on recto of last printed page. 17.5 cm. The Aberdeen Student Song Book. [Edited by] Donald C. MacDonald. Poetical Works. Edited by William Wallace. The G. Ross Roy Collection of Robert Burns / 214

Bicentenary edition, Woodcuts by G. W. Lo-po-t’e. Pung-ssu ssu ko ch’üan Lennox Paterson. chi” (The Complete Poetical Works of London: W. & R. Chambers, [1958]. Robert Burns) i ch’u. xxiv, 553 p.: ill.; 21 cm. Original cream-colored wrappers. Pre- Original blue cloth, in pictorial dust sentation inscription from Yang De- wrapper. you to G. Ross Roy, dated 2/14/86. The Poetical Works of Robert Burns. With Poems and Selected Letters. Text edited by notes, glossary, index of first lines and Anthony Hepburn, with an introduc- chronological list. Edited by J. Logie tion by David Daiches. Illustrated by Robertson. Lennox Paterson. London: Oxford University Press, 1958. London: Collins, [1959]. xx, 635 p.; 18.3 cm. xiv, 591 p.: ill.; 22 cm. “First published in 1904 . . . 1958.” Original dark green cloth. In dark green Original blue cloth, in dust jacket. pictorial dust jacket. 20.8 cm. 1959 Robert Berns v perevodakh S. Marshaka. Izd. 5. A Man’s A Man For A’ That. Moskva: Gos. izd-vo khudozh. lit-ry, Greenock: T. Rae at Signet Press, 1959. 1959. [1] sheet; 25 cm. x 40 cm. 390 p.: ill.; 21 cm. “This poem is printed to mark the Original quarter cloth, pictorial boards. bicentenary of the birth of Robert Presentation copy to G. Ross Roy Burns.” from Yang De-you. The Merry Muses of Caledonia. Edited Shorter Narrative Poems. Edited by F. B. by James Barke and Sydney Goodsir Pinion. Smith, with a prefatory note and London: Edward Arnold, 1959. some authentic Burns texts con- 159 p.; 18.5 cm. tributed by J. DeLancey Ferguson. Includes the following poem by Burns: Edinburgh: M. Macdonald, 1959. “John Barleycorn,” p. 31–33 and “Go 175 p.: ill., facsims.; 21.5 cm. Me a Pint o’ Wine,” p. 30. “For private distribution to members of Original dark blue wrappers. the Auk Society only.” Kinsley, 23, 242. Copy 1. Signed presentation copy to G. Ross Roy from DeLancey Fergu- Songs and Poems of Robert Burns. With son. Original cream colored cloth. Burn’s autobiographical letters. Ralph Paper label on spine. Knight, editor, new accompaniments Copy 2. Original white boards with by Paul Nordoff for thirty songs. paper label mounted on spine. Pons New York: Twayne Publishers, [c1959]. Bequest. 239 p.; 26 cm. The poems and some of the songs are P’eng-ssu shih hsüan [Complete Poetical without the music. Works of Robert Burns] Original pink cloth in pictorial dust- Pei-ching: Jen min wen hsüeh ch’u pan wrapper. she, 1959. 23, 103 p., [1] p. of plates: port.; 20.3 cm. Songs of Robert Burns and Robert Tan- Wai kuo wen hsüeh ming chu ts’ung nahill. shu Paisley: McDougall’s Educational Com- Pen shih hsüan chu yao i chü 1897 nien pany Limited, 1959. Chien-ch’iao Po-shih-tun pan” 64 p.: music; 25 cm. Printed Materials, Books, and Sheet Music / 215

Includes twenty songs by Burns. 1960 Original pictorial soft cloth. Pons Here’s a Health to them that’s Awa. Bequest. [S.l.: s.n., 1960?]. Tam o’ Shanter. Plates by Johnston & 1 folded sheet (4 p.): port.; 29.6 cm. Bacon Ltd., Edinburgh from the Facsimile of part of ms. of Burns’s famous original water colours by poem in support of the Whigs. John Faed, R.S.A. Simulated vellum. Dumfries: Robert Dinwiddie, 1959. The Poetical Works of Robert Burns. With [20] p.: col. ill.; 12.4 x 18.3 cm. notes, glossary, index of first lines, On upper cover: Tam o’ Shanter and chronological list, edited by by Robert Burns. A bi-centenary J. Logie Robertson, M.A. souvenir. London; New York: Oxford University Copies 1–2. Original boards. Colored Press, 1960. portrait of Burns on upper cover. xx, 635 p.: ill.; 19 cm. Kinsley, 321. Portrait wanting. Tam o’ Shanter. Contemporary green half morocco, Milngavie (Dumbartonshire): Kennels cloth. Press, 1959. Roba¯to Ba¯nzu no jojo¯shi: taiyaku = The 20, [2] p.: ill.; 14 cm. Lyric Poetry of Robert Burns. [Trans- “This edition of fifty copies, fifteen on lated by Nanba Toshio] Whatman paper, was hand-set and To¯kyo¯: To¯yo¯shuppan, 1960. printed by to mark the 165 p.; 18.2 cm. bi-centenary of the poet’s birth. Original pictorial wrappers. Laid in, Hand-bound at the Kennels Press, Special Collections copy: business Milngavie”—Preliminary page. card showing translator’s name as Original off white shelfback over gray Toshio Namba. marbled paper covered boards. No. 39/50 copies. Woodcut signed by John Selected Poems. Edited, with an intro- Laurie. duction and notes, by G. S. Fraser. Kinsley, 321. London: Heinemann, [1960]. vi, 186 p.: port.; 18.5 cm. Three Songs. The Poetry Bookshelf. London: Quintain Publishing Company, Original red boards. Buff dust jacket. [1959?]. 3 sheets; 32 cm. Songs & Poems. Written by Robert Mounted facsimiles of manuscripts Burns. of “My love is like a red, red rose,” New York: Peter Pauper Press, [1960?]. “Charlie he’s my darling,” and “The 109, [1] p.; 22.8 cm. bonnie wee thing.” Copy 1. Original tartan-patterned In buff pictorial folder, as issued. boards, cloth spine with printed paper label. In gray board slipcase with Vybrane. Pereklad Mykoly Lukasha i printed paper label on upper cover. Vasylia Mysyka. Copy 2. Original tartan-patterned Kiev: State Publishing House, 1959. boards, cloth spine with hand printed 254 p.: ill., port.; 16.7 cm. paper label. In gray board slipcase, Original lavender cloth. Presentation without label. Signature of Charlton copy from Mykoly Lukash to G. Ross Barnes. Roy. Copy 3. Original tartan-patterned boards, cloth spine with printed paper The G. Ross Roy Collection of Robert Burns / 216

label. In gray board slipcase with originally collected by Robert Burns, printed paper label on spine. Pons to which are added one of his letters- Bequest. formerly suppressed—and a group of merry toasts and sentiments. 1961 San Francisco: City Lights Books, 1962. Let Burns Speak: An Edited Autobiography 40 p.; 18 cm. of Robert Burns. [Edited] by Clark At head of title: Not for maids, minis- Hunter. ters, or striplings. Paisley: J. & J. Cook, 1961. “This is an offset copy of the limited 125 p.: ill.; 22 cm. letterpress ed. handset and printed in Copy 1. Original brown boards, in dust 1962, by Miles Payne, at the Light jacket. Year Press, San Francisco.” Copy 2. Original brown boards, in dust “Robert Burns’ private collection of jacket. Inscribed to P. M. McEwan by high-kilted folk poems.” the author. Pons Bequest. Original red and black printed wrap- pers. 1962 Roy, Merry Muses, 15. Burns Birthday Book. Compiled by Jean Poems and Songs of Robert Burns. Edited Howie. and introduced by James Barke. London; Glasgow: Collins, [1962?]. A completely new ed., including over 60 Ca. 100 p.: port.; 14 cm. poems appearing for the first time in a Original dark blue pictorial cloth. collected edition, of which some have Signed presentation copy to G. Ross never before been published. Roy from Thomas Greenwood, London; Glasgow: Collins, 1962. Christmas 1962. 736 p.: ill., ports. (part col.) facsims.; Love Songs. Selected by Hugh 18 cm. MacDiarmid. “Latest reprint, 1962.” London: Vista Books, [1962]. Original tartan-patterned cloth. 48 p.; 19 cm. The Scots Musical Museum. Originally Pocket Poets. published by James Johnson with Copy 1. Original fuchsia and black illustrations of the lyric poetry and printed card wrappers. Price on lower music of Scotland by William Sten- wrappers: 2/6. house. Foreword by Henry George Copy 2. Original fuchsia and black Farmer. printed card wrappers. Pons Bequest. Hatboro, Pa.: Folklore Associates, 1962. The Merry Muses. A selection of favorite 2 v.; 21.3 cm. songs gathered from many sources; “This edition of James Johnson’s Scots originally collected by Robert Burns, Musical Museum has been reprinted to which are added one of his let- in facsimile reproduction from the ters—formerly suppressed—and a four volume edition of 1853.” The edi- group of merry toasts and sentiments. tion consists of “six hundred songs San Francisco: City Lights Books, 1962 with proper basses for the piano [1]–40 p.; 17.7 cm. forte.” Original red and black printed wrap- Robert Burns contributed largely to pers. earlier editions, and Stephen Clarke Roy, Merry Muses, 14. prepared the arrangements of most of the airs. The Merry Muses. A selection of favorite Original blue cloth. Review copy. songs gathered from many sources Printed Materials, Books, and Sheet Music / 217

The Songs of Robert Burns and Notes Robert Burns’s Poems and Songs. Intro- on Scottish Songs. Edited by James C. duction by James Kinsley. Dick. Together with Annotations of London: Dent; New York: Dutton, 1963. Scottish Songs by Burns, by Davidson 584 p.; 18 cm. Cook. Foreword by Henry George Everyman’s Library; 1094. Farmer. Original pink pictorial wrappers. Hatboro, Pa.: Folklore Associates, 1962. 1 v. (various pagings): facsims. (incl. 1964 music); 23 cm. The Merry Muses of Caledonia. Edited by Facsimiles of The Songs of Robert Burns James Barke and Sydney Goodsir . . . With the Melodies for Which They Smith, with a prefatory note and Were Written (1903) and Notes on Scot- some authentic Burns texts con- tish Song (1908) edited by James C. tributed by J. DeLancey Ferguson. Dick, and of Annotation of Scottish [1st American edition]. Songs by Burns (1922) by Davidson New York: Putnam, [1964, c1959]. Cook. 224 p.: ill., facsims.; 22 cm. Original red-brown cloth. Copy 1. Original orange cloth. In orange pictorial dust jacket. Review laid in: 1963 Time, May 8, 1964. The Gem of Burns. [Translated and Copy 2. Original orange cloth. In annotated by Toshio Namba]. orange pictorial dust jacket. Pons Tokyo: Toyo Publishing Co., [1963]. Bequest. 97 p.; 18.1 cm. Poetical Works of Robert Burns. Edited by Text in English and Japanese on facing William Wallace, woodcuts by G. W. pages. Lennox Paterson. Original pictorial wrappers. Bicentenary edition. The Jolly Beggars: A Cantata. Edited by Edinburgh: W. & R. Chambers, 1964, John C. Weston. 1958. Northampton: Gehenna Press, 1963. xxiv, 553 p.: ill.; 20 cm. [41] p.: port.; 29 cm. Original blue cloth. Ownership stamp Gehenna Press catalogue; 34. of John Howatson. Original marbled boards, cloth spine. Paper label on spine and upper cover. 1965 In marbled slipcase. Bannockburn: The Story of the Battle and Its Place in Scotland’s History. Edited Pesni i stikhi. Perevod s angli˘skogoı by Sidney Goodsir Smith. Viktora Fedotova. Glasgow: Scots Independent, [1965?]. Moskva: Sovetskaia Rossiia, 1963. 20 p.: ill. (some col.); 28 cm. 228 p., [1] leaf of plates: port.; 14 cm. Includes the following song by Burns: In Cyrillic characters. “Scots Wha Hae Wi’ Wallace Bled,” Original pictorial wrappers. p. [2]. Robert Berns v perevodakh S. Marshaka. Original blue and white pictorial wrap- Moskva: Gos. izd-vo khudozh. lit-ry, pers. 1963. Kinsley title: “Robert Bruce’s Address to 2 v.: ill.; 16.6 cm. Bannockburn,” 425. In Cyrillic characters. Burns’s Poetry. Edited and elucidated by Original dark green cloth, buff pictorial Toshio Namba. dust jacket. Tokyo: Toyo Publishing Co., [ca. 1965]. The G. Ross Roy Collection of Robert Burns / 218

104 p.: port.; 18 cm. and other sources, edited by Text in English; notes in English and G. Legman. Japanese. New Hyde Park, N.Y.: University Original light green wrappers. Books, [1965]. lxv, 326 p.; 22 cm. Commonplace Book, 1783–1785. Repro- Copy 1. Original bright blue cloth in red duced in facsimile from the poet’s and blue dust jacket. manuscript, with transcript and the Copy 2. Original bright blue cloth, in original introduction and notes of red and blue dust jacket. Pons James Cameron Ewing and Davidson Bequest. Cook, this edition introduced by David Daiches. The Merry Muses of Caledonia. Edited London: Centaur Press, 1965. by James Barke and Sydney Goodsir xxix, 43 p., 44 leaves of plates: port., Smith, with a prefatory note and facsims.; 39 cm. some authentic Burns texts con- Centaur Classics. tributed by J. DeLancey Ferguson. Original dark blue cloth. New York: Capricorn Books, 1965. 224 p.; 18.3 cm. Hand in Hand We’ll Go: Ten Poems. Illus- Original orange wrappers. trated by Nonny Hogrogian. New York: T. Y. Crowell Co., [1965]. The Poems of Robert Burns. Selected and 28 p.: ill. (part col.); 20.4 cm. with an introduction by DeLancey Copies 1–2. Original gray cloth. In pic- Ferguson, decorated with wood torial dust jacket. engravings by . Glasgow: The University Press, 1965. The Merry Muses of Caledonia. Edited xxii, 191 p.: ill.; 27.4 cm. by James Barke and Sydney Goodsir Original quarter green calf, light green Smith, with a prefatory note and paper-covered boards. Embossed por- some authentic Burns texts con- trait of Burns on upper cover. In slip- tributed by J. DeLancey Ferguson. case. #1192 of 1500 copies, signed by London: W. H. Allen, 1965. the engraver. 223 p.: ill., facsims.; 23 cm. Copy 1. Third impression. Original The Poems of Robert Burns. Selected and black boards, orange pictorial dust with an introduction by DeLancey jacket. Signed presentation copy from Ferguson, decorated with wood Sidney Goodsir Smith to G. Ross Roy. engravings by Joan Hassall. Review from Manchester Guardian, New York: The Heritage Press, c1965. Feb. 25, 1965. xxii, 191 p.: ill.; 26 cm. Copy 2. First ed. Original black boards, Green cloth spine, original boards. In orange pictorial dust jacket. slipcase. Copy 3. First ed. Original black boards, Robert Berns: Poezii. Pereklad Mykoly orange pictorial dust jacket. Book- Lukasha ta Vasylia Mysyka. seller’s sticker inside front cover. Kyev: Vidavnitstvo Khudozhn oi Liter- The Merry Muses of Caledonia. Collected aturi “Dnepro,” 1965. and in part written by Robert Burns. 205 p.: port.; 14 cm. A new edition; now reprinted for the Stamp on title page: Printed in Soviet first time in type-facsimile of the Union. unique original, with additional songs Original light blue cloth. In buff and from the Cunningham manuscript blue pictorial dust jacket. Printed Materials, Books, and Sheet Music / 219

1966 The Merry Muses and Other Burnsian A Choice of Burns’s Poems and Songs. Frolics. An entirely new compendium Selected with an introduction by of Scottish songs and fragments from . the secret collections of Robert Burns. London: Faber, 1966. Edited, with foreword and explana- 155 p.; 19.8 cm. tory notes, by Eric Lemuel Randall. Copy 1. Original purple cloth, in picto- London: Luxor Press, 1966. rial dust wrapper. Editor’s signed 191, [2] leaves of plates: ill., port.; 18.2 presentation copy to G. Ross Roy. cm. Copy 2. Original printed wrappers. Original pictorial wrappers. Editor’s signed presentation copy The Merry Muses of Caledonia. Edited to G. Ross Roy. by James Barke and Sydney Goodsir A Garland of New Songs: A Reprint of One Smith, with a prefatory note and of the Chapbooks in the Robert White some authentic Burns texts by Collection in the University Library, J. DeLancey Ferguson. Newcastle upon Tyne. London: Panther Books, 1966. Newcastle upon Tyne: Printed by Hind- 223 p.; 18.3 cm. son & A. Reid in conjunction with the “Panther edition published June 1966.” Newcastle Imprint Club, 1966. Copy 1. Original white pictorial 1 sheet folded ([8] p.); 14 cm. wrappers. Includes the following song by Burns: Copy 2. Original white pictorial “A Man’s a Man for a’ That.” wrappers. Pons Bequest. Kinsley title: “A Man’s A Man for A’ Poems and Songs of Robert Burns. A com- That” is “Song—A Man’s A Man for pletely new edition, including over 60 A’ That,” 482 poems appearing for the first time in a collected edition, of which some have never before been published, edited and introduced by James Barke. London: Collins, 1966. 736 p., [16] leaves of plates (1 col.): ill.; 18 cm. “First published 1955, reprinted 1960. Latest reprint 1966.” Original blue cloth, in dust jacket. “Souvenir edition” on jacket. Poet’s Quair: An Anthology for Scottish Schools. Edited by David Rintoul and J. B. Skinner. Edinburgh; London: Oliver and Boyd, 1966. xvi, 432 p.; 17.9 cm. “Robert Burns (1759–1796)”: p. 191–220. Original black cloth.

Smith’s A Choice of Burns’s Selected Poems of Robert Burns. Edited Poems and Songs with an introduction and notes by G. S. Fraser. The G. Ross Roy Collection of Robert Burns / 220

London: Heinemann, [1966, c1960]. 224 p.; 20.3 cm. vi, 186 p.; 18.4 cm. Copyright 1959. Poetry Bookshelf. Original dark yellow boards. Orange Original orange cloth, stamped in gold pictorial dust jacket. on spine. In pictorial dust jacket. Poems of Robert Burns. Selected by Lloyd Selected Poetry and Prose. Edited with an Frankenberg; drawings by Joseph introduction glossary, and notes by Low. Robert D. Thornton. New York: Crowell, [1967]. Boston: Houghton Mifflin, [1966]. 136 p.: ill.; 20.3 cm. xxvi, 307 p.; 21 cm. The Crowell Poets. Riverside Editions; B100. Copy 1. Original orange cloth. Pictorial Original green and white wrappers. dust jacket. Review copy. Sent on request of Copy 2. Original orange cloth. Pictorial William D. Beattie. dust jacket. Crowell Library Binding sticker. Pons Bequest. Skuld gammel Venskab rejn forgo: Should Auld Acquaintance Be Forgot. [Trans- Robert Burns: Selections. Edited with lated by] Jeppe Aakjær, [woodcuts by] an introduction and annotations by Porl Christensen. John C. Weston. [S.l.]: Forening for Boghaandrærks, Indianapolis: Bobbs-Merrill Co., 1966. [1967]. [29] p.: ill.; 24 cm. xxxii, 324 p.: map; 21 cm. “Udsendt af Forening for Boghaand The Library of Literature; 9. Vestjydske Afdeling i af Jeppe Aakjærs Original green printed wrappers. Hundredarrs Dag 1966.” Original pictorial wrappers. Presenta- 1968 tion copy to Reynolds Price. A Choice of Burns’s Poems and Songs. Selected with an introduction by 1967 Sydney Goodsir Smith. The Jolly Beggars: A Cantata. Edited by London: Faber and Faber, 1968, c1966. John C. Weston. 155 p.; 18.2 cm. Northampton, Mass.: Printed by the Faber paper covered editions. Gehenna Press for the University of Original wrappers. 2nd printing. Press, 1963 [i.e. 1967]. John Cairney’s Top Twenty of Robert Burns 39 p.: ill.; 27.4 cm. Songs. One of 300 copies. Dundee: John Leng, 1968. Annotated. 8 p.: ill.; 30.5 cm. “Music for Robert Burns’ The Jolly Running title: The People’s Journal Burns Beggars,” laid in. Supplement, January 27, 1968. “This edition, though dated 1963, was Includes twenty one songs by Burns. not published until 1967.” Gehenna Pons Bequest. Press catalogue, p. 56. Original dark gray cloth, glassine dust Poems and Songs of Robert Burns. jacket. A completely new edition including 60 The Merry Muses of Caledonia. Edited poems appearing for the first time in a by James Barke and Sydney Goodsir collected edition, of which some have Smith, with a prefatory note and never before been published edited some authentic Burns’ texts con- and introduced by James Barke. tributed by J. DeLancey Ferguson. London: Glasgow: Collins, 1968. New York: Gramercy, [1967]. 736 p.: port.; 17.8 cm. Printed Materials, Books, and Sheet Music / 221

Original limp red morocco. In slipcase, A Poet’s Grace. as issued. Menomonie, Wisc.: Vagabond Press, 1968. 1 v. (unpaged); 18.2 cm. Occasional Pamphlets / Vagabond Press. “. . . the first of occasional pamphlets printed & bound by Lloyd Whydotski at the Vagabond Press. The text type is set with Goudy Oldstyle and the title is Erasmus Initials and Monotype ornaments; the paper is Maidstone by J. Green & Son, England and Fabri- ano red text from Italy; the ink is Spi- ral Press Frost Black and Consolidated bright red. One hundred copies were completed of which this copy is num- ber 46.” Original red wrappers, white paper label printed in red on outer wrapper. Signed by Lloyd Whydotski. Pons Bequest. Scottish Rebel Songs: Words & Music. [London]: Socialist Review Publishing, [1968]. The Poems and Songs of Robert Burns. 1 score (31 p.); 22.1 cm. Edited by James Kinsley. Cover title. Oxford: Clarendon Press, 1968. McLean claims no. 7, 19, and 25 are by 3 v.: 3 plates, music, 3 ports.; 23 cm. Burns. No. 7 was accepted by Allan Oxford English Texts. Cunningham (1834) and Robert Copy 1. Original blue cloth, stamped in Chambers (1838) but is now consid- gold and blind. ered spurious. Copy 2. Original blue cloth, stamped in Original black and white wrappers, sta- gold and blind. Photo of the author pled gathering. Signature of Hamish and Robert Donaldson, Burns Federa- Henderson on p. 3. tion President, laid in. Poems of Robert Burns. Selected by 1969 George Ogilvie. Burns, Poems and Songs. Edited by James Edinburgh; London: W. & R. Chambers, Kinsley. 1968. London: Oxford University Press, 1969. 96 p.: port.; 18.5 cm. xvi, 786 p.: music; 23 cm. Original blue pictorial wrappers. Oxford Standard Authors. “This Oxford Standard Authors edition Poems of Robert Burns. General editor of Burns’s Poems and Songs is based on Ann Keats. Professor Kinsley’s Oxford English New York: Pyramid Books, 1968. Texts edition (Clarendon Press, 1968) 62 p.; 13.4 cm. and was first published in 1969”— A little paperback classic. Title page verso. Original pictorial wrappers. Original navy blue cloth with gold let- tering on spine. In pictorial dust The G. Ross Roy Collection of Robert Burns / 222

jacket. Bookseller’s ticket: Webbers . . . Copy 1. Original red cloth. In brown Melbourne. Pons Bequest. pictorial dust jacket. Copy 2. Original red cloth. In brown The Merry Muses: A Selection of Favorite pictorial dust jacket. Pons Bequest. Songs Gathered from Many Sources. Selected Poems of Robert Burns. Edited From the secret collections of Robert with an introduction and notes by Burns. G. S. Fraser. [S.l.: s.n.], 1885 [i.e. 1969]. London: Heinemann, [1969, c1960]. 128, [8] p.; 21 cm. vi, 186 p.; 18.3 cm. Printed on various colors of paper. Poetry Bookshelf. Cover title. Original wrappers. Half-title: The Merry Muses Originally Collected by Robert Burns. 1970 Copy 1. Original wrappers. Paginated Auld Lang Syne. Edited by William through p. 128, with 2 copies of [4] p. Dunlop. Copy 2. Original wrappers. Paginated [Ayr: Advertiser Office, ca. 1970]. through p. 132. [2] p.; 25.5 x 15.2 cm. Copy 3. Original wrappers. Paginated Cover title. through p. 128, with [4] p. following. Facsimile of the music and Burns’s Pons Bequest. holograph copy of the words to the Poems and Songs of Robert Burns. A com- song reproduced from the poet’s copy pletely new edition, including over 60 of the Scots Musical Museum. poems appearing for the first time in a Copies 1–2. On cream-colored heavier- collected edition, of which some have weight paper. Cover design never before been published edited varies. and introduced by James Barke. The Best of Robert Burns. London; Glasgow: Collins, 1969. Glasgow; London: H. B. Langman, 736 p.: port.; 17.8 cm. [1970]. Original dark blue limp cloth. Inscribed 191 p.: ill., port.; 10 cm. by James Holderman to his father. Legible Series. Poetry of Robert Burns [Nature and Life. Copies 1–2. Copy 2. Original tartan- Translated and annotated by Toshio patterned cloth. On cover: Poems and Namba]. Songs of Robert Burns. Tokyo: Senjo, [1969]. The Merry Muses of Caledonia. Edited vi, 366 p.; 22 cm. by James Barke and Sydney Goodsir Text in English and Japanese. Smith, with a prefatory note and Original red cloth in cream-colored some authentic Burns texts by dust wrapper. Spine title in Japanese. J. DeLancey Ferguson. Robert Burns’ Common Place Book. London: Panther Books, 1970, Reprint edition, edited and introduced c1966. by Raymond Lamont Brown. 223 p.; 18.3 cm. Wakefield: S.R. Publications, 1969. Original pictorial wrappers. [4], xxx, vii, 54 p.: port.; 23 cm. Reprint of Adam edition, Edinburgh, J. Adam, 1872. Printed Materials, Books, and Sheet Music / 223

To Miss Jessie Lewars. Lirika. Robert Berns; perevody s [1970?] angliı˘skogo S. Marshaka. [3] p.; 32 cm. Moskva: Khudozhestvennaia lit-ra, Typescript (carbon copy). 1971. 2 copies of poem originally published in 198 p.: port.; 16.5 cm. the Weekly Scotsman, 1924, probably Sokrovishcha liricheskoı˘ po’ezii. composed in the nineteenth-century. Original blue cloth. McKay, Burns A–Z, p. 751. Poems and Songs of Robert Burns. A com- Winter. Drawings by Marlene Staniforth. pletely new edition, including over 60 Leicester: New Broom Private Press, poems appearing for the first time in a 1970. collected edition, of which some have 1 v. (unpaged): col. ill.; 15 cm. never before been published, edited Hand-colored illustrations. and introduced by James Barke. “Printed by candlelight on a Savage London; Glasgow: Collins, 1971, 1955. driven Adana during a power-cut at 736 p., [16] leaves of plates: ill.; 18 cm. 48 Walton Street, Leicester. December “First published 1955, reprinted 1960, 1970”—Colophon. latest reprint 1971.” Original tan wrappers lettered in black, Original tartan-patterned padded cloth. tied with green string. Presentation In slipcase, as issued. copy inscribed by Toni. Possibly used Poems, 1786 and 1787. as a Christmas card. Pons Bequest. Menston: Scolar Press, 1971. 1971 240, [102] p.; 22.3 cm. Reprint of 1st edition and of additional Lieder von Robert Burns in das Schwei- poems from 2d edition. zerdeutsche übertragen von August Cor- Originally published as Poems, Chiefly rodi. in the Scottish Dialect. Kilmarnock, Zürich: Komissionsverlag Berichthaus, printed by John Wilson, 1786. Second 1971. edition originally published, 109 p.; 16.5 cm. Edinburgh, printed for the author, Original printed boards. In dust jacket. 1787. One of 800 copies. Original blue-gray cloth with silver lettering on upper cover and spine. In pictorial dust jacket. Pons Bequest. 1972 Poesie. Robert Burns, introduzione e traduzione di Masolino D’Amico. Torino: Giulio Einaudi, 1972. 271 p.; 18 cm. Original wrappers. The Wit of Robert Burns. Compiled by Gordon Irving. London: Frewin, 1972. Burns in Swiss-German The G. Ross Roy Collection of Robert Burns / 224

95, [5] p.: ill., port.; 19.3 cm. Original red cloth. In white dust jacket. Original black boards. Green, black, and Signed presentation copy from Laszlo white, pictorial dust jacket. Mark to G. Ross Roy, 1979. 1973 1974 The Glenriddell Manuscripts of Robert Gedichte und Lieder. Robert Burns, Burns. With an introduction and herausgegeben von John B. Mitchell, notes by Desmond Donaldson. aus dem Schottischen nachgedichtet Wakefield: E. P. Publishing; Hamden: von Helmut T. Heinrich. Archon Books, 1973. Berlin; Weimar: Aufbau-Verlag, 1974. 44, [9], 168, [3], 103 p.: ill., coat of arms, 433 p.: port., music; 19 cm. ports.; 29 cm. Original orange limp cloth. Dust jacket. Copy 1. Original red cloth. In dust The Poetical Works of Burns. Edited by jacket. Raymond Bentman. Copy 2. Original red cloth. In dust Cambridge edition jacket. Pons Bequest. Boston: Houghton Mifflin, 1974. Holy Willie’s Prayer. xxxii, 414 p.: port.; 24 cm. [S.l.]: The Quarto Press, 1973. Copy 1. Original dark green cloth, in 1 broadside: ill.; 27.6 x 41.5 cm. pictorial dust jacket. Top edge stained “Broadside 2.” yellow. Copy 2. Top edge unstained. Original O My Luve Is Like A Red, Red Rose. dark green cloth, in variant dust [Mill Valley]: Sunflower Press, 1973. jacket. 1 sheet; 17.5 cm. Title from first line. 1976 “A keepsake from the Printers Fair and Dikt av Robert Burns. Cumsette fraa Sunflower Press, 1973.” engelsk av Olav Nygard. Pons Bequest. Tangen: s.n., 1976. Recital of the Songs & Poems of Robert 1 v. (unpaged); 22 cm. Burns. Original pictorial wrappers. Pons Ayr: Advertiser Office, 1973. Bequest. [8] p.: ports., music, facsim.; A Holograph of Lines from The Bonny 22.7 cm. Banks of Ayr, and A Version of Tibby, Cover title. I Hae Seen the Day. Introduction & Recital program featuring Burns’ songs notes by Gerald Campbell. sung by Tom Fleming, Patti Duncan, [Richmond, Eng.]: Keepsake Press, James Boyd, and Claire Liddell. [c1976]. Facsimile of “Auld Lang Syne,” in [10] p.; 31 cm. Burns’s handwriting, with the Copy 1. Original gray wrappers. Printed music by . paper label on upper cover. No. Original printed wrappers. 51/150. Robert Burns Versei. Copy 2. Original gray wrappers. Printed Budapest: Eur’opa Könyvkiad’o, 1973. paper label on upper cover. No. 237 p.; 17 cm. 23/150. Pons Bequest. Hungarian translation. Stikhotvoreniia: Poemy. Shotlandskie bal- lady. Vstup. Statiia I sostavlenie R. Rait-Kovalevo; il. V. Favorskogo. Printed Materials, Books, and Sheet Music / 225

Moskva: Khudozhestvenniai literature, Copy 2. Original bluish-gray wrappers. 1976. Blurb by Hugh MacDiarmid on rear 446, [2] p.: ill.; 21 cm. cover. Biblioteka vsemirno literatury: Seriia 1; vt. 47. 1978 Original gray cloth, stamped in silver. Min elsk er bik ei raud raud ros. Gjendik- In dust jacket. ting ved Hartvig Kiran. [S.l.]: Den norske Bokkluben, 1978. This is My Country: A Personal Blend 89 p.: ill., port.; 20 cm. of the Purest Scotch. [Compiled] by Translation of: My love is like a red, W. Gordon Smith, illustrations by red rose. Barbara Brown. Original pictorial boards. Pons Bequest. London: Souvenir Press, 1976. 336 p.: ill.; 23.2 cm. Poems and Songs. Selected by Gordon Includes poems and songs by Robert Wright, with an introduction by Burns throughout. Donald Campbell. Original blue paper-covered boards, in Edinburgh: G. Wright, 1978. dust jacket. 143 p.; 21 cm. Original glazed pictorial boards. 24 Famous Scottish Airs for Recorder. Arranged by John Cutler. Twenty Favorite Songs and Poems. Glasgow: Bayley & Ferguson, 1976. Selected by J. F. T. Thomson, calligra- 15 p.; 28 cm. phy by Tom Gourdie, with a fore- Recorder solo. word by A. C. W. Train. Music only. London: Shepheard-Walwyn, 1978. Contains four songs by Robert Burns. 45 p.: ill.; 19 cm. Original yellow wrappers. Original dark green cloth, in pictorial dust wrapper. 1977 The Wit of Burns. Edited by Ian Poems and Songs of Robert Burns. A com- Macdonald. pletely new edition, including over [Paisley]: Gleniffer Press, 1978. 60 poems appearing for the first time 26, [19] p., [5] leaves of plates: ill. (on in a collected edition, of which some lining papers), ports.; 64 mm. have never before been published Original white boards, printed in black, edited and introduced by James with reproduction of Nasmyth’s Barke. Burns portrait on upper cover, dust London: Collins, 1977, c1960. jacket. No. 100/500 copies. Lacks 736 p.: port.; 19 cm. box. Original brown leather-cloth, stamped in silver. 1979 Poems, Chiefly in the Scottish Dialect. The Gentleman’s Bottle Companion: A Col- Gartocharn, Kilmaronock [sic]: Fame- lection of Eighteenth Century Bawdy dram Publishers Ltd, [1977]. Ballads. 240 p.; 22 cm. Edinburgh: Paul Harris Publishing, Facsimile reprint of: 1st edition. 1979. Kilmarnock: John Wilson, 1786. [4], 72 p.: ill.; 17 cm. Copy 1. Original calf, unopened in A facsimile of the work first published slipcase with stag-horn paper knife. in 1768. No. 62/1000 copies. The G. Ross Roy Collection of Robert Burns / 226

Contains “Sir John Barleycorn” (Song Tam o’ Shanter: A Tale. Edited, with XXXVII.), a variant of Burns’s “John introduction & glossary by G. Ross Barleycorn.” Roy from the Afton manuscript. Original red cloth. London: Quarto Press, 1979. [28] p.: ill.; 20.2 cm. My Heart’s in the Highlands. An An- Scottish Poetry Reprints; no. 4. thology of Verse by Scotland’s bard Original blue pictorial wrappers. No. Robert Burns, selected by Elisabeth 58/250 copies. and Alexander Fraser. Kinsley, 321. Norwich: Jarrold, [1979]. [62] p.: ill. (chiefly col.), 1 facsim., Tam o’ Shanter: A Tale. Edited, with 2 ports. (1 col.); 19 cm. introduction & glossary by G. Ross Original pictorial wrappers. Roy from the Afton manuscript. 2nd edition. Poems and Songs. Edited by James London: Quarto Press, 1979. Kinsley. [20] p.; 20 cm. Oxford: Oxford University Press, 1979. Scottish Poetry Reprints; no. 4. xiv, 786 p.; 19.7 cm. “Second edition reproduced lithographi- “This . . . edition . . . is based on Profes- cally . . . from the first . . .” sor Kinsley’s Oxford English Texts Copy 1. Original yellow pictorial wrap- Edition (Clarendon Press, 1968) and pers. was first published in 1969 and Copy 2. Original yellow pictorial wrap- reprinted in . . . 1979.” pers. Color photograph of the o’ Original pictorial wrappers. Doon taken by Mrs. A. C. Roy when A Scots Kist. Dr. and Mrs. Roy and Mrs. A. C. Roy Edinburgh: Oliver and Boyd [for] the visited in October 1967. Gift inscrip- Burns Federation, 1979. tion from G. Ross Roy to his mother vi, 154 p.; 21.5 cm. (Mrs. A. C. Roy) dated Columbia, Based on The New Scots Reader compiled Apr. 17, 1980. by Alexander MacMillan, published Kinsley, 321. in 1972. 1980 Includes poems by Robert Burns, Hugh MacDiarmid and others. A Choice of Burns’s Poems and Songs. Original pictorial wrappers. Selected with an introduction by Sydney Goodsir Smith. The Secret Cabinet of Robert Burns: Merry London: Faber and Faber, [1980], c1966. Muses of Caledonia. 155 p.; 20 cm. Edinburgh: P. Harris, 1979. Original wrappers. 10th printing. 92 p.: ill., port.; 17.2 cm. Gems of British Social History Series; Poems of Robert Burns. With glossary. no. 3. Wimbish: Geoffrey Parker, [1980]. Selections from The Merry Muses. 256 p.; 8 cm. Original green cloth. Original blue-green calf. Binder’s ticket: Geoffery Parker. The Selected Poems of Robert Burns. Edited with an introduction by David Robert Burns. Daiches. Newtongrange: Lang Syne Publishers, London: André Deutsch, 1979. 1980. 144 p.; 23 cm. 121 p.: ill.; 29.6 cm. Original light green cloth in a red dust “This is an edited facsimile of the wrapper. 21.4 cm. two-volume work published at Printed Materials, Books, and Sheet Music / 227

London by George Virtue in 1841”— Introduction. Original pictorial wrappers. Pons Bequest. Scottish Folk Songs for the Young. Selected and arranged by Derek Pearson, illus- trated by Peter Rush. Edinburgh: MacDonald, 1980. 63 p. of music: ill.; 26 cm. Includes the following songs by Burns: My Love is Like a Red, Red Rose— —Corn Rigs—A High- land Lad. The Selected Poems of Robert Burns. Edited with an introduction by David Daiches. [London]: Fontana, 1980. 144 p.; 20 cm. This collection originally published: London: Deutsch, 1979. Original glazed pictorial wrappers. Linocut by Axel Hertenstein from Tam vom Shanter: Ein Märchen (Pforzheim: Songs of , 1880–1958: Hertenstein-Presse, 1980), no. 56 of A Centenary Album of Forty-one Songs 220 copies for Solo Voice and Piano. Selected and edited by Neil Mackay. Wendover, Aylesbury, Bucks, England: 1981 Roberton; Bryn Mawr, Pa.: T. Presser, All the Words To All the Songs in the [1980]. Reader’s Digest Merry Christmas 1 score (viii, 135 p.); 31 cm. Songbook. Contains settings of poems by Robert Pleasantville, N.Y.: Reader’s Digest Burns and Hugh MacDiarmid, by Association, c1981. Scott. Includes the first verse, chorus, and last “Reproduced photographically from the verse of “Auld Lang Syne,” p. 28. originals [1922–1949]”—P. ii. Original wrappers. Original pictorial wrappers. Kinsley, 240. Tam vom Shanter: ein Märchen. Übertra- In the Land o’ Burns. Illustrated by early gen nach Tam o’ Shanter a Tale Victorian engravings from paintings (Robert Burns) von Karlhans Frank, by , with an [illustrated by Axel Hertenstein]. introduction by Maurice Lindsay. Pforzheim: Hertenstein-Presse, 1980. Glasgow: Richard Drew, 1981. [18] p. (double fold): ill. (col.); 30.3 cm. 128 p.: ill., maps; 14.5 x 20.5 cm. Edition of 220 numbered and signed Original tan cloth, in pictorial dust copies. Numbers 1 through 30 in wrapper. special limited edition with signed illustrations. Poems and Songs. [By] Robert Burns, Original tan wrappers printed in black, selected by Gordon Wright; with an with woodcuts in red and brown. No. introduction by Donald Campbell. 56/220 numbered and signed copies. Pons Bequest. The G. Ross Roy Collection of Robert Burns / 228

Edinburgh: Gordon Wright, 1981, c1978. 1984 143 p.; 21 cm. Auld Lang Syne. [Edited by] G. Ross Roy, Original pictorial boards. music transcriptions by Laurel E. 1982 Thompson and Jonathan D. Ens- minger. Bawdy Verse and Folksongs. Written and Greenock: Black Pennell, 1984. collected by Robert Burns, introduced 13 p.: music; 21 cm. by Magnus Magnusson. Scottish Poetry Reprints; no.5. London: Macmillan, 1982. Original dark yellow wrappers. xxxi, 152 p.; 20 cm. No. 153/300 copies. Original pictorial wrappers. Kinsley, 240. The Merry Muses of Caledonia. Edited The Jolly Beggars, or, Love & Liberty. by James Barke and Sydney Goodsir With a facsimile of a handwritten Smith, with a prefatory note and copy prepared by the poet himself. some authentic Burns texts con- Barr, Ayrshire: Luath Press, 1984. tributed by J. DeLancey Ferguson. 96 p.: ill., music; 29 cm. Edinburgh: Macdonald, c1982. Copy 1. Original dark blue cloth. In 223 p., [3] p. of plates: ill.; 21.5 cm. black and white pictorial dust jacket. Original dark red cloth. In buff Copy 2. Original dark blue cloth. In pictorial cloth. black and white pictorial dust jacket. 1983 Pons Bequest. Copy 3. Original dark blue cloth. In The Old Scots Songs. With music. black and white pictorial dust jacket. Newtongrange: Lang Syne, 1983. Stamped withdrawn from the Cum- 2 v.; 31 cm. nock and Doon Valley District Volume 1 is a facsimile reprint of Songs Library. of Scotland, original and selected by T. S. Gleadhill. Glasgow: Joseph Love Songs. Ferrie, 1880. Kettering: J. L. Carr, 1984. Original wrappers. [17] p.: ill.; 13 cm. Original pictorial wrappers. Poems, Chiefly in the Scottish Dialect. London: Nottingham Court Press, 1983. This Book Presents Robert Burns’ Tam o’ 240 p.; 22 cm. Shanter. Translated by May Kramer- Original orange cloth, stamped in gold Muirhead; and, Tam o’ Shanter by on spine and upper cover. 20.5 cm. Robert Burns; [illustrations by Chris Riker]. A Scottish Poetry Book. Compiled by Alan [Corte Madera, Calif.: ANRO Commu- Bold, illustrated by Bob Dewar, Iain nications], c1984. McIntosh, Rodger McPhail. 63 p.: ill.; 21.5 cm. Oxford; New York: Oxford University English and Scots. Press, 1983. Copy 1. Original brown cloth. Pictorial 128 p.: ill. (some col.); 21.6 cm. dust jacket. More than eighty poems by Scottish Copy 2. Original brown cloth. Pictorial authors, including R. L. Stevenson, dust jacket. Pons Bequest. Sir Walter Scott, and Robert Burns. Copy 3. Original brown cloth. Pictorial Original pictorial boards. dust jacket. Kinsley, 321.

Robert Burns’s porridge bowl and spoon, as displayed at the Glasgow Centenary Exhibition in 1896. Accquired by W. Ormiston Roy ca. 1932

Fore-edge painting of Burns’s birthplace on Robert Cromek, Reliques of Robert Burns (Philadelphia, 1809), modern green morocco, by Tom Valentine The first edition of Robert Burns’s poems, Kilmarnock, 1786, binding by Rivière & Son The first edition of Robert Burns’s poems Holograph in Burns’s hand of “Leslie Baillie,” to be sung to the tune of “My Bonie Lizie Bailie,” ca. 1792 Holograph letter from “Sylvander” (Robert Burns) to “Clarinda” (Agnes M’Lehose) dated January 12, 1788, early in their corre- spondence

Robert Burns, The Merry Muses of Caledonia (1799). One of only two known copies, and the only known copy with a complete title page Robert Burns, Elegy on the Year Eighty-Eight (Edinburgh, 1799) in a Scottish wheel binding, full green morocco, gilt, by David Moncur

Large creamware jug made by W. Ridge- way in 1835, decorated in relief with scenes from Tam o’ Shanter. In the private collection of G. Ross Roy Robert Burns, The Poetical Works of Robert Burns. (David Bryce, ca. 1900) in Mauchlinware boards, with illustration of “Tam o’ Shanter & Souter Johnny” on the upper cover. In the private collection of G. Ross Roy

Miniatures, the smallest measuring approx. 20mm. in height, with U.S. quarter for comparison Variants of the Henley-Henderson edition held in the Roy Collection, including the large paper centenary edition and a salesman’s sample

Henry Snell Gamley, RSA, Robert Burns, bronze maquette of statue for Cheyenne, Wyoming, ca. 1928. In the private collection of G. Ross Roy Printed Materials, Books, and Sheet Music / 229

1985 1986 The Kilmarnock Poems. Edited, with an Bonnie Scotland: Romantic Scotland in introduction and notes, by Donald A. Pictures and Verse. Low. Norwich: Jarrold, c1986. London: Dent, 1985. [32] p.: col. ill., 1 map, 1 col. port.; xxxi, 186 p.; 20 cm. 19.3 cm. Everyman’s Library. Map and text on inside covers. Original black boards. In pictorial dust Original pictorial wrappers. jacket. Editor’s autograph presenta- The Complete Works of Robert Burns. tion inscription to [G.] Ross [Roy] Edited and introduced by James A. on front free endpaper. Prospectus Mackay. laid in. Subscriber’s edition. The Letters of Robert Burns. [Edited] Ayr: Alloway Publishing, 1986. J. De Lancey Ferguson. 703 p.: ill., ports. (some col.); 22 cm. 2nd edition, edited by G. Ross Roy. “The official bicentenary edition autho- Oxford []: Clarendon Press, rised by the Burns Federation”—Title 1985. page. 2 v.: ill.; 23 cm. Original maroon leatherette. In slipcase, Copies 1–2. Original blue cloth, in as issued. No. 1958/2000 copies, glassine dust wrappers. signed by the editor. Editor’s signed presentation copy to Lucie and Scottish Songs from the Golden Age: At the G. Ross Roy, 31 January 1990. Talbot Rice Art Centre 13th 14th 15th August at 7:30 P.M. The Complete Works of Robert Burns. [S. l.: s.n., 1985?]. Edited and introduced by James A. [16] p.: ill.; 21 cm. Mackay. Program for the performance, contain- Official bicentenary edition. ing lyrics of all the songs and of The Ayrshire: Alloway Publishing Ltd., 1986. Jolly Beggars. 704 p., [39] p. of plates: ill. (some col.), Five of the songs are by Burns. ports.; 21.5 cm. Original yellow-brown pictorial wrap- “Authorised by the Burns Federation.” pers. Title page within double rules. Illustrated lining papers. This Book Presents the Best of Burns: Printed marginalia. Robert Burns’ Verses, Satires, Songs. Poems. Selected works translated by May “List of subscribers”: p. 631–673. Kramer-Muirhead, original text by Original red cloth, stamped in gold on Robert Burns. spine. In dust jacket. Corte Madera, Calif.: Anro Communi- cations, c1985. Four Scottish Poems. Wood-engravings by 127 p.: ill.; 23 cm. Joan Hassall. English and Scots. Pinner, Middlesex, England: Cuckoo Copy 1. Original dark blue cloth. Picto- Hill Press, 1986. rial dust jacket. [8] p.: ill.; 16 cm. Copy 2. Original dark blue cloth. Picto- Title from printed wrappers. rial dust jacket. Pons Bequest. “250 copies . . . of which 125 are for the Society of Private Printers”— Colophon. The G. Ross Roy Collection of Robert Burns / 230

O, leave novels—O, once I lov’d a 862 p., [22] p. of plates: ill. (some col.); bonnie lass—Address to the 23 cm. toothache—The book-worms. Original maroon leathercloth, stamped Original wrappers. In slipcase. in gold. In slip-case. No. 386/1200 copies. Presentation copy inscribed to Poems, Chiefly in the Scottish Dialect. Lucie and Ross Roy, January 31, 1990. [Bicentennial facsimile edition]. In the private collection of G. Ross Roy. [Calgary: Calgary Burns Club], 1986. viii, 240 p.; 23 cm. Poems and Songs. Selected by Gordon Accompanied by pamphlet: Carnie, Wright; with an introduction by Don- R. H. The Kilmarnock Burns: 1786 and ald Campbell. 1986. Edition statement and imprint 3rd edition. taken from pamphlet. Edinburgh: Gordon Wright, 1987. Pamphlet contains list of subscribers. 143 p.; 22 cm. “Limited to 200 copies, 180 of Previous edition: 1978. which were available for sale to sub- Original pictorial wrappers. scribers.”—Pamphlet, p. 16. Manufac- A Poet’s Welcome To His Love-Begotten tured entirely in Canada, including Daughter. the paper. [S.l.]: National Library of Scotland, Original pale blue paper wrappers, [1987?]. uncut and unopened, with pamphlet 1 portfolio; 37 x 21.5 cm. in original blue wrappers. In red Consists of broadside printed on both slipcase. sides and facsimile of original manu- Printed presentation slip, “Gifted to the script. Ross Roy Collection at the University Copies 1–2. of South Carolina by the Calgary Burns Club, 1991,” loosely inserted. A Song of Scotland. London, Eng.: Wise Publishing, [1987?]. Quotations from the Poems and Songs of 77 p. of music: ill.; 28 cm. Robert Burns: A Personal Selection. Folk-songs and music, primarily in [Combined] by Robert Bennett. English. [Edinburgh]: Saltire Society, c1986. For voice and piano, some with guitar 42 p.; 16.2 x 8.9 cm. chords. Original pictorial wrappers. Includes seven songs by Burns. 1987 Original pictorial wrappers. Burns: “A Poet’s Welcome to His Love- 1988 Begotten Daughter”: Facsimile. Liebe und Freiheit: Lieder und Gedichte: Edinburgh: National Library of Scot- Zweisprachig. [Herausgegeben von land, [1987]. Rudi Camerer]. 2 cards: facsim.; 31.3 x 21.4 and smaller. Heidelberg: L. Schneider, 1988. Kinsley, 60. 356 p.: ill.; 23.5 cm. The Complete Letters of Robert Burns. Sammlung Weltliteratur. Reihe Lyrik Edited and introduced by James A der englischsprachigen Welt Mackay; authorised by the Burns German and English. Federation. Original red cloth. In red pictorial dust Subscriber’s edition. jacket. Presentation copy from Peter Ayrshire: Alloway Publishing Ltd., Zenzinger to G. Ross Roy. c1987. Printed Materials, Books, and Sheet Music / 231

My Heart’s in the Highlands . . . : An The Essential Burns. Selected and with Anthology of Verse by Scotland’s Bard an introduction by Robert Creeley. Robert Burns. Selected by Elisabeth 1st edition. and Alexander Fraser. New York: Ecco Press, 1989. Norwich: Jarrold Colour, 1988. 115 p.; 16.5 cm. [64] p.: col. ill.; 19 cm. The Essential Poets; v. 11. Original pictorial wrappers. Original pictorial wrappers. Scottish Songs. Edited by Alfred W. 1990 Tomlyn. Antoloxia. Introducción de Rubén Valdés Bruceton, W.V.: Scotpress, 1988. Miyares, traducción d’Alfonso xv, 112 p.: music; 22.7 cm. Velázquez. Includes twenty-six songs by Burns. [Oviedo]: Serviciu Publicaciones, Prin- Original purple and green wrappers. cipau d’Asturies, [1990]. The Songs of Robert Burns. [Edited and 67 p.; 21 cm. annotated by] John Ashmead and Text in English and Bable dialect of John Davison. Spanish on facing pages, introduction New York: Garland, 1988. in Bable dialect. 1 score (288 p.); 22.7 cm. Original pictorial wrappers. Garland Publications in American and The Best of Robert Burns in English. [Translated by] William Curran, Original violet cloth. foreword by Sir Samuel Curran. Tam o’ Shanter. Illustrated by Joseph Lewes: Book Guild, 1990. D. Shearer. 271 p.; 21.5 cm. Ayrshire: Alloway Publishing, [1988?]. Original dark blue boards. Pictorial dust [19] p.: ill.; 10 cm. jacket. Copy 1. Original yellow pictorial wrap- Ceud oran le Raibert Burns: A Hundred of pers. the Best-known Songs by Robert Burns. Copy 2. Original red pictorial wrappers. Translated into Gaelic by Roderick Copy 3. Original green pictorial wrap- Macdonald. pers. Pons Bequest. Fhùirneis: Crùisgean, 1990. Kinsley, 321. iii, 110 p.; 21 cm. 1989 Signed by the translator. Cover title. As Burns Said: A Collection of Quotations Original yellow pictorial wrappers from the Writings of Scotland’s Greatest Poet, Robert Burns. Compiled by Chambers Poetical Works of Robert Burns: Arnold O’Hara. Poems, Songs, Ballads, Verses, Lines, Ayr: Alloway, 1989, c1987. Fragments, Graces, Epigrams and Epi- 72 p.; 18.3 cm. taphs. Edited by William Wallace. Original pictorial wrappers. Edinburgh: Chambers, 1990. [iii]–xxiv, 553 p.; 20 cm. A Choice of Burns’s Poems and Songs. Original grey boards, in dust wrapper. Introduced by Sydney Goodsir Smith. The Complete Works of Robert Burns. London: Faber and Faber, 1989, c1966. Edited and introduced by James A. 155 p.; 19.8 cm. Mackay. Original limp pictorial cloth. Official bicentenary edition, 2nd edi- tion. The G. Ross Roy Collection of Robert Burns / 232

Ayr: Alloway, 1990. Tam o’ Shanter: A Tale. 704 p., [39] p. of plates (some col.): ill.; A bicentennial edition, introduced by 21.6 cm. David Daiches, illustrated by Derek Original maroon cloth. In dust jacket. Robinson, Editor’s signed presentation copy to Edinburgh: Moubray House, 1990. G. Ross Roy, 23 August 1993. [30] p.: ill.; 21 cm. “List of subscribers”: [3] p. at end. Poems. With glossary. Each copy is signed by David Daiches at London: Burgess & Bowes, [1990?]. the end of the introduction. 256 p.; 7.8 cm. Copy 1. Original dark gray cloth, “Midget” Classics. stamped in silver. No. 624/2000 Copy 1. Original fuchsia and white copies. glazed boards. Copy 2. Original dark gray quarter Copy 2. Original Stuart plaid cloth, leather, cloth with silver lettering stamped in gold, with copper portrait on upper cover. No. 322/2000 copies. of Burns on upper cover. Gift inscrip- Copy 3. Original dark gray cloth, tion “Best wishes from May to Angus” stamped in silver. “This edition is on preliminary page. limited to 2000 copies of which this Poems and Songs of Robert Burns. With is copy number 592.” Pons Bequest. illustrations. Copy 4. Original dark gray cloth, Glasgow: H. B. Langman, [1990?]. stamped in silver. No. 394/2000 191 p.: ill., port.; 10 cm. copies. Original tartan-patterned cloth, lettered Copy 5. Original dark gray cloth, in gold. stamped in silver. This copy not numbered. Scottish Songs. A popular collection care- Kinsley, 321. fully selected and arranged with pianoforte accompaniments. To a Haggis. Glasgow: Bayley & Ferguson, [199-?]. Edinburgh: Macsween, [1990?]. 1 score (72 p.); 27 cm. [8] p.; 9.2 cm. Standard Vocal Albums. Advertising brochure for Macsween of Staff and sol-fa notation. Edinburgh, manufacturers of Includes ten songs by Burns. haggis. Original tan wrappers, printed in black, Original pictorial wrappers. stapled gathering. Gift of Michael Montgomery. 1991 The Complete Illustrated Poems, Songs & Tam o’ Shanter: A Tale. Illustrations by Ballads of Robert Burns. With 80 black Joseph D. Shearer. and white illustrations. Ayr: Alloway Publishing, 1990. London: , 1991, c1990. 28 p.: ill., port.; 20.7 cm. 651 p.: ill.; 21 cm. “In memory of Allan Stoddart.” “Text first published in Great Britain in Copy 1. Original light blue wrappers, 1905 by J. M. Dent . . . lettered in black. No. 201/220, signed “This illustrated edition first published by the publisher, Peter J. Westwood. in 1990 . . . reprinted in 1991.” Copy 2. Original light blue wrappers, Original rose-colored boards. In lettered in black. No. 215/220, signed pictorial dust jacket. by the publisher, Peter J. Westwood. Pons Bequest. Kinsley, 321. Printed Materials, Books, and Sheet Music / 233

“Mary Morison.” Principally songs with continuo. In: McQuillan, Ruth, ed., The Reprint. Originally published: Edin- Book of Shorter Scottish. Edinburgh: burgh: W. Blackwood, 1853. Galliard, 1991, p. 34–35. Copy 1. Review copy. Original black Original wrappers. cloth. In maroon and white dust jacket. Poems and Songs. Copy 2. Original black cloth with silver Unabridged. lettering on spine. In dust jacket. Pons New York: Dover Publications, 1991. Bequest. iv, 92 p.; 21 cm. Dover Thrift Editions. 1992 “Contains 43 poems reprinted from Bardachd Raibeirt Burns an Gaidhlig ... the Complete Poetical Works of Robert Eader-theangaichte le Ruairidh Burns, Cambridge edition, Houghton MacDhòmhnaill. Mifflin Company, Boston (The River- Dun-Eaideann: [s.n.], 1992. side Press, Cambridge), in 1897”— 616 p.; 29.7 cm. Copyright page. Limited edition. Original pictorial wrappers. Original blue pictorial wrappers. Poems and Songs of Robert Burns. [Edited Comb-bound. Copy no. 10, presented by] Nancy Marshall. to G. Ross Roy and signed by the Edinburgh: Chambers, 1991. translator. 124 p.: ill., 1 map; 19.6 cm. The Complete Illustrated Poems, Songs & Chambers Mini Guides. Ballads of Robert Burns. With 80 black Original white pictorial wrappers. and white illustrations. Poems, Chiefly in the Scottish Dialect. London: Lomond, 1992, c1990. Oxford: New York: Woodstock Books, 651 p.: ill.; 21 cm. 1991. “Text first published in Great Britain in 240 p.; 20 cm. 1905 by J. M. Dent . . . Revolution and , Original rose-colored boards. In picto- 1789–1834 rial dust jacket. Reprint. Originally published: Kil- Robert Burns. Selected and with an marnock: John Wilson, 1786. introduction by Peter Porter. Original blue cloth. In dust jacket. London: Aurum Press, 1992. Offprint of review by G. Ross Roy 61 p.: col. ill.; 17 cm. in separate envelope. The Illustrated Poets. Selected Poetry. Edited by Original blue boards. Blue pictorial dust and William Donnelly. jacket. Harmondsworth: Penguin, 1991. Robert Burns: In Memoriam. xxiv, 440 p.; 18.3 cm. Hove: Caldra House, 1992. The Penguin Poetry Library. 78 p.; 21.5 cm. Original light gray pictorial wrappers. Half-title page: Wiersze i piesni The Scots Musical Museum: 1787–1803. wybrane [przelozyl J. R. S. Hebda]. [Compiled by James Johnson & Translated by Jerzy R. S. Hebda. Robert Burns], introduction by Original pictorial wrappers. Donald A. Low. Robert Burns, 1759–1796. Portland, Ore.: Amadeus Press, c1991. Norwich: Jarrold, 1992. 1 score (2 v. (700, 81, 21 p.): ill.; 23.2 cm. 144 p.; 12 cm. The G. Ross Roy Collection of Robert Burns / 234

Jarrold Poets Series. Presentation copy inscribed to Lucie Original dark red binder’s cloth. and Ross Roy. In the private collection of G. Ross 1993 Roy. Breaths of Ayr: An Entertaining Selection Four Burns Lyrics: Set for Voice and Piano of the Pithiest and Most Memorable in Traditional Style. By James Ander- Lines from the Works of Robert Burns. son. Compiled by David Vallance. Edinburgh: Chalmers Enterprises, 1993. Darvel, Ayrshire, Scotland: Walker & 15 p.; 29.7 cm. Connell, 1993. Cover title. 80 p.: ill.; 15 cm. Original yellow wrappers, in binder. “Distributed by Alloway Publishing.” Presentation copy from James Ander- Copy 1. Original maroon boards. In pic- son to G. Ross Roy. torial dust jacket. Signed by the com- piler. Letter from David Vallance to Poems in Scots and English. Edited by G. Ross Roy and advertising material Donald Low. laid in. London: J. M. Dent; Rutland, Vt.: Copy 2. Original maroon boards. In Charles E. Tuttle Co., Inc., 1993. pictorial dust jacket. Pons Bequest. [xl], 206 p.; 19.7 cm. Everyman’s Library. Collins Gem Burns Anthology. [Selected by Original pictorial wrappers. K. G. Simpson]. Glasgow: HarperCollins, 1993. Rhymer Rab: An Anthology of Poems and 239 p.; 11.6 cm. Prose. Edited by Alan Bold. Original glazed pictorial wrappers. London: Black Swan, 1993. 349 p.; 19.8 cm. The Complete Illustrated Poems, Songs & Original pictorial wrappers. Ballads of Robert Burns. With 80 black and white illustrations. Robert Burns: Selected Poems. Edited by London: Lomond Books, 1993, 1990. Carol McGuirk. 651 p.: ill.; 21 cm. London; New York: Penguin Books, “Text first published in Great Britain in 1993. 1905 by J. M. Dent . . .” xxx, 335 p.; 19.8 cm. “This illustrated edition first published Penguin Classics. in 1990 . . . reprinted in 1991, 1992, Copy 1. Original pictorial wrappers. 1993.” Editor’s signed presentation copy to Original rose-colored boards. In picto- G. Ross Roy. rial dust jacket. Copy 2. Original pictorial wrappers. Pons Bequest. The Complete Poetical Works of Robert Burns: 1759–1796. Edited by Dr. James Scottish Songs and Ballads. [Edited by] A. Mackay. Nancy Marshall. Bi-Centenary edition, completely Edinburgh: Chambers, 1993, c1990. revised. vi, 90 p.: ill.; 20 x 10 cm. Darvel, Ayrshire: Alloway Publishing, Includes sixteen songs by Burns. 1993. Original pictorial wrappers. 639 p., [14] p. of plates: ill. (some col.); The Songs of Robert Burns. Edited by 22 cm. Donald A. Low. Original maroon cloth, stamped in gold London: Routledge, 1993. on spine. In pictorial dust jacket. Printed Materials, Books, and Sheet Music / 235 xiii, 962 p.: ill.; 26 cm. Originally issued boxed, with accompa- Original cloth. Author’s signed presen- nying 50 ml. bottle of Teacher’s tation copy to G. Ross Roy. Prospectus Scotch whiskey. and schedule of the publication day Copy 1. Unboxed. Original pictorial events inserted. wrappers. Translator’s autograph presentation inscription to Thomas Vier Gedichten van Robert Burns. Cooper Library, 29 March 1996. Vertaald [uit het Engels] en ingeleid Copy 2. Boxed, with accompanying door M. J. M. de Haan. bottle of Teacher’s Scotch whiskey, Roelofarendsveen: [in eigen beheer], as issued. 1993. Copy 3. Original pictorial wrappers. x, 20 p.: port.; 22 cm. Pons Bequest. Limited edition of 250 numbered and signed copies. Poems of Robert Burns. Illustrated by Opl. van 250 genummerde en W. Russell Flint and R. Purves Flint. gesigneerde ex. New York: Gramercy Books; Avenel, Original black and white checked paper N.J.: Distributed by Outlet Book Co., covered boards, green “label” printed c1994. in gold on upper cover. Review copy. 128 p.: col. ill.; 21 cm. No. 201/250, signed by M. J. M. de Original quarter cloth, pictorial boards. Haan. Poésies: Poems. Texte original et version 1994 française présentés et annotés par Jean-Claude Crapoulet. The Burns Quotation Book. Edited by Paris: Aubier, 1994. Joyce and Maurice Lindsay. 307 p.; 22 cm. London: Hale, 1994. Domaine anglais bilingue. 192 p.; 17.7 cm. French and English on opposite pages. Copy 1. Original black boards. In picto- Copy 1. Original white pictorial wrap- rial dust jacket. pers. Copy 2. Original black boards. In picto- Copy 2. Original white pictorial wrap- rial dust jacket. Pons Bequest. pers. Pons Bequest. The Complete Illustrated Poems, Songs & The Rose-Bud, the Rose and the Thorn: Ballads of Robert Burns. With 80 black Three Songs. With an illustration by and white illustrations. Ann Tout. London: Chancellor Press, 1994, Oldham: Incline Press, 1994. c1990. 1 v. (unpaged): ill.; 17.4 cm. 651 p.: ill., ports.; 20.9 cm. “The typeface is Goudy Old Style, and “The text first published in Great the printing was done on an Arab foot Britain in 1965 by J. M. Dent & Co.” powered press, using archival paper. Original red boards. In pictorial dust . . . Ann Tout made the engraving of the jacket. linnet nesting in the briar, while Ann 50 Poemas. Tradução, introdução e notas Muir designed and marbled the cover Luiza Lobo, colaboração e seleção de paper—the colours of the budding Ross Roy. rose. Both artists have signed the first Rio de Janeiro: Relume-Dumara, 1994. fifty copies of this edition of 250 335 p.; 19.9 cm. . . .”—Colophon. “Edição Bilíngüe.” Portuguese and English on facing pages. The G. Ross Roy Collection of Robert Burns / 236

Contents: A rose-bud by my early Frontispiece illustration by Christopher walk—My love is like a red, red rose— Simon. The banks o’ Doon (third version.) Original leather, stamped in gold, rib- Copy 1. Original wrappers, marbled bon bookmark. upper cover. Number 235 of 250 In the private collection of G. Ross Roy. copies. Pons Bequest. Copy 2. Original wrappers, marbled 1996 upper cover. Number 67 of 250 copies “Address to a Haggis.” In: Wright, Clarissa Dickson. The Hag- Selected Poems. gis: A Little History. Illustrated by London: Bloomsbury Publishing, c1994. Clare Hewitt. 123 p.; 15.1 cm. Belfast: Appletree Press, 1996, p. 55–58. Bloomsbury Poetry Classics. Original pictorial boards, in dust jacket. “This selection by Ian Hamilton.”—Title In the private collection of G. Ross page verso. Roy. Original black cloth. In dust jacket. Robert Burns gedichten: een keuze uit “Tom o’ Shanter: en berëttelse.” Tolkn- zijn werk. Vertaald en ingeleid door ing av Sven Colberg. M. J. M. de Haan. In: Horisont (Vaasa, Finland: 1954). 40 Den Haag: De Nieuwe Haagsche, 1996. år. nr 6 (1994), p. 84–90. xxxi, 268 p.: port., facsim.; 20 cm. Original pictorial wrappers. Original dark green cloth. In light green The Works of Robert Burns. With an pictorial dust jacket. introduction and bibliography. Selected Burns for Young Readers. Ware: Wordsworth Editions, 1994. New Lanark: Geddes & Grosset, c1996. xxvi, 635 p.; 19.7 cm. 56 p.: ill., map; 20 cm. The Wordsworth Poetry Library. Original pictorial wrappers. Introduction by Donald McFarlan. Original pictorial wrappers. Selected Poems. Notes by Donald A. Low. Harlow: Longman, 1996. 1995 85 p.; 21 cm. “Address to a Haggis.” York Notes. In: ’Ghlinne, Seumas. The Haggis: An Longman Literature Guides. Endangered Species. , Wash.: Original black wrappers. Rose Wind Press, 1995, p. [27]. Tam o’ Shanter. Original green wrappers. London: Phoenix, 1996. Complete Poems & Songs of Robert Burns. 58 p.; 13.9 cm. Glasgow: HarperCollins, 1995. A Phoenix paperback. xxxvii, 758 p.; 20.4 cm. Selected poems and the tale of Tam o’ Collins Classics. Shanter. Originally published under title: Poems Original wrappers. Kinsley, 321. and Songs of Robert Burns, edited by James Barke: London: Collins, 1955. 1997 Introduction by John Cairney. O My Love Is Like A Red Red Rose. Original pictorial wrappers. [Los Angeles, Calif.?]: Bieler Press, 1997. 1 sheet; 37.3 cm. Poems of Robert Burns. “Designed and printed by Gerald Lange Collector’s Edtion. at the Bieler Press in an edition Norwalk, Conn.: Easton Press, c1995. limited to 120 numbered copies. 138 p.: ill.; 13.6 cm. Printed Materials, Books, and Sheet Music / 237

Completed in September 1997. For “One hundred copies of Robert Burns’ Mary.” poem were issued by The Double First line of the poem “A red red rose” Elephant Press in December 1997. by Robert Burns. Michael Kuch etched the copperplate No. 107/120 copies. and printed it on Zecchi handmade paper. The types, Baskerville, Castel- Po zegnania. Wybór i przeklad Jerzy lar, Bodoni, & a sprinkle of Scotch, R. S. Hebda. were printed by Art Larson.” Hove: Caldra House, 1997. Inscribed by Michael Kuch to G. Ross 103 p.; 21.6 cm. Roy. No. 82/100 copies. At head of title: Robert Burns. Polish translations of selected Burns 1998 poems. Also includes the translator’s Burns the Songster. A selection of songs own poems, some in English. and ballads with linguistic and liter- Original wrappers. ary comment and Italian translation The Robert Burns Song Book. by Renato Ferrari. [Compiled and arranged] by Modena: Cooptip, 1973–1974. Serge Hovey. 2 v.; 21 x 29.5 cm. Pacific, Mo.: Mel Bay, 1997– . Photocopy. Roma: Franco A. Volta, 1998. 1 score (2 v.): ill.; 30 cm. Dzhon IIˆchmennoe Zerno. [Sostavitel´ For voice and piano. A. V. Pîatkovskaîa]. The melodies are principally Scottish Moskva: Zerkalo-M, 1998. folk songs; words by Robert 222 p.; 14 cm. Burns. Imena. Volume 2, text edited by Esther Hovey; “ . . . V perevodakh S.IA. Marshaka”— music edited by Daniel R. Hovey. Cataloging data on title page verso. Copy 1. Original pictorial wrappers. Original pictorial boards. Pons Bequest. Volume 2 is a presentation copy inscribed by Esther Hovey. “A Red, Red Rose.” Copy 2. Original pictorial wrappers. In: Seasons of Delight: An Anthology of Inscribed by Dr. Thornton. Poems on Gardens, Flowers, Greenwoods Copy 3. Original pictorial wrappers. & the Sea. Compiled and edited by Presentation copy inscribed to Lucie Duncan Glen & Margaret Glen. Kirk- and Ross [Roy] by Esther Hovey. caldy: Akros, 1998, p. 56. Typed letter signed from Esther Original blue wrappers, stapled sheets Hovey to Maureen Prior of Edin- with staples covered with duct tape. burgh University Press dated May No. 14/50 inscribed by the author. 18, 1991 requesting the return of Additional inscription on dedication her prospectus, order forms and page beneath printed dedication In press release for the Mel Bay edition memory of Freya Rose Kelly “our in separate envelope. granddaughter, Margaret Glen, In the private collection of G. Ross Duncan Glen, Kirkaldy, .” Roy. Robert Burns: Selected Poems. Edited by To a Mouse: On Turning Her Up in Her Kenneth Brown. Nest with the Plough, November 1785. Cambridge; New York: Cambridge [Northampton, Mass.]: Double Ele- University Press, 1998. phant Press, 1997. 192 p.; 20 cm. 1 broadside: ill.; 50 x 35 cm. Cambridge Literature. The G. Ross Roy Collection of Robert Burns / 238

Original pictorial wrappers. Pons jacket. Identical to copy 1 except that Bequest. copy 2 lacks the “Subscriber’s edition label.” Pons Bequest. The Sayings of Robert Burns. London: Duckworth, 1998. 1999 63 p.; 20 cm. Burns for Bairns an’ Lads an’ Lassies an’ The Sayings Series. a’: A Selection of Poems Suitable for Original pictorial wrappers. Pons Bairns, Lads and Lassies. Selected and Bequest. annotated by Irving Miller, illustrated The Sayings of Robert Burns. Edited by by Margaret Irving Miller. Robert Pearce. Darvel [Scotland]: Walker & Connell, London: Duckworth, 1998. 1999, c1990. 63 p.; 20 cm. 112 p.: ill.; 21 cm. The Sayings Series. Preface written by James A. Mackay. Original pictorial wrappers. Pons Original pictorial wrappers. Pons Bequest. Bequest. Strasti detskaia igra. [Perevody S. The Merry Muses of Caledonia: A Collec- Marshaka: sostavitel´ V. Korkin]. tion of Favourite Scots Songs, Ancient Moskva: EKSMO-Press, 1998. and Modern, Selected for Use of the 397, [2] p.: ill.; 16.5 cm. Crochallan Fencibles. Domashniaia biblioteka po ezii. Columbia, S.C.: University of South Translated from the English. Carolina Press, 1999. Copies 1–2. Original red leather, 127 p.; 17.8 cm. stamped in gold. Facsim. of: 1st ed. [S.l: s.n.], Printed in the year 1799. Twenty Most Favourite Songs of Burns. Some of the gatherings of the original With music, words and notes on the printed on paper watermarked lasses to whom they were written, “1800.” Roy, Merry Muses, 32. selected and presented by Andrew “This facsimile edition . . . was pub- Winton. lished in 1999 by the : Shepheard-Walwyn, 1998. South Carolina Press for the Thomas 127 p. of music: col. ill.; 29.7 cm. Cooper Library. It reproduces photo- Unaccompanied melodies. graphically, with original irregulari- Text and music reproduced from calli- ties, the 1799 volume in the G. Ross graphic ms. Roy Collection of Robert Burns, Copy 1. Original green cloth, spine Burnsiana, and Related Scottish stamped in gold. In pictorial dust Literature.” jacket. Label on end paper: “This “Of this facsimile, six hundred num- subscriber’s edition is limited to 500” bered copies were printed, of which and is signed by the author. Pub- this is copy 1.” lisher’s advertisement, photocopied Accompanied by: “Robert Burns and thanks from author, and photocopy The Merry Muses” by G. Ross Roy. of review from The Sunday Times xx p.; 18 cm. loosely inserted in separate Copy 1. Original cream and gray paper- envelope. covered boards, printed paper label Copy 2. Original green cloth, spine stamped in gold. In pictorial dust Printed Materials, Books, and Sheet Music / 239

on upper cover. In gray paper-covered 2000 slipcase. The Complete Poems and Songs of Robert Copy 2. 149 of 600 copies. Burns. Copy 3. 150 of 600 copies. Edinburgh: Lomond Books, 2000. Robert Burns: 40 Poems and 6 Songs: xxxvii, 758 p.; 21 cm. Selected and Adapted for Aspiring Originally published under title: Poems Readers. Edited by James A. and Songs of Robert Burns, edited by MacBain. James Barke: London: Collins, 1955. Glasgow: Scotsoun, [1999]. Introduction to the 1995 edition by John 150 p.; 21 cm. Cairney and the introduction to the Scotsoun Publication; no. 7. 1955 edition by James Barke included. Title on dust jacket: The Soun o Burns. Original pictorial laminate boards, in Copy 1. Original black cloth. In blue dust jacket. dust jacket. TLS dated Feb. 19, Evergreen Song Lyrics: A Selection from the 1999 to G. Ross Roy from James A. Poetry of the British Isles & America. MacBain loosely inserted. Inscribed Chosen by Duncan Glen with com- to G. Ross Roy on front free end- mentaries. paper. Kirkcaldy: Akros, 2000. Copy 2. Original pictorial wrappers. 84 p.; 21 cm. Inscribed to G. Ross Roy. Includes sixteen songs by Burns. Copy 3. Original pictorial wrappers. Original light blue wrappers, stapled Pons Bequest. gathering. Sobranie poëticheskikh proizvedeniı˘. Ae Fond Kiss: The Love Letters of Robert [Perevod s angli˘ıskogo; vstup. statıˆa, Burns and Clarinda. sostavlenie, kommentarii, E. Edinburgh: Mercat Press, 2000. Vitkovskiı˘]. xxviii, 131 p.; 21.5 cm. Moskva: Ripol Klassik, 1999. “Based on The Correspondence between 702 p.: 1 port.; 17 cm. Burns and Clarinda, edited by W. C. Bessmertnaia biblioteka. Zarubezhnye M’Lehose, published in 1843.” klassiki. Original pictorial wrappers. Cover and spine: Poe˙ ticheskie proizve- deniia. “Holy Willie’s Prayer.” “Literaturno-khudozhestvennoe In: Scottish Religious Poetry: From the izdanie”—Colophon. Sixth Century to the Present: An Anthol- Original dark green pictorial boards. In ogy. Edited by Meg Bateman, Robert pictorial dust jacket. Pons Bequest. Crawford, and James McGonigal. Edinburgh: Saint Andrew Press, 2000, A Year wi’ Burns: 366 Quotations from His p. 131. Poems, Songs and Letters. Original wrappers. [Glasgow]: IPM Digital Ltd., [1999?]. 1 v. (unpaged): ill., port.; 21 cm. Lirika. Stikhotvoreniia v perevodakh “To commemorate the opening of S. Marshaka. the new Scottish Parliament and to Moskva: Izd-vo AST: “Astrel’”: celebrate the new millennium”— “Olimp,” 2000. Cover. 301 p.; 15 cm. Original pictorial wrappers, stapled Original red boards with leatherlike gathering. Pons Bequest. covering, stamped in gold. In dust jacket. Pons Bequest. The G. Ross Roy Collection of Robert Burns / 240

Robert Berns v perevodakh S. Marshaka. different printing than copy 1, it is Moskva: Olma Press, 2000. printed on different paper. TLS 238 p.: ill.; 17 cm. review in separate envelope. In Cyrillic characters. Copy 3. Original light blue cloth, Original white cloth, stamped in silver. quarter dark blue, stamped in gold In dust jacket. Pons Bequest. on spine and upper cover. In white pictorial slip-case. Pons Bequest. Robert Burns. Edited by Daniel Burn- stone. The Complete Poems and Songs of Robert [Bath]: Published by Parragon for Burns. Lomond Books, 2000. New Lanark: Geddes & Grosset, 2001, 72 p.: ill. (some col.); 10.1 cm. c2000. Illustrated Poets. 480 p.; 24.7 cm. Original pictorial boards. In dust jacket. Main text in Scots with an introduction and chronology in English. Selected Poems and Songs. Edited by Original red pictorial boards. In red Johanna Brownell. pictorial dust jacket. Edison, N.J.: Castle Books, c2000. 219 p.; 24 cm. The Luath Burns Companion. [Editor], Original light purple cloth, stamped John Cairney. with a thistle design on the upper Edinburgh: Luath, 2001. cover. 334, [18] p.; 20.9 cm. Advertisements follow text. 2001 Poems and songs in Scots with intro- Burns. Introduced by ductions and historical background Andrew Noble, edited by Andrew in English. Noble and Patrick Scott Hogg. Original pictorial wrappers. [Edinburgh]: Canongate Classics, The Pocket Classics. [2001]. Edinburgh: Canongate, 2001. xcix, 1017 p.; 19.6 cm. 7 v.; in box 16.4 x 11.4 x 6.6 cm. + 6 Canongate Classics; 104. postcards Original pictorial wrappers. Canongate Pocket Classics. The Canongate Burns. Introduced by Contents include: [v. 1] Selected Poems Andrew Noble, edited by Andrew [by] Robert Burns. Noble and Patrick Scott Hogg. A set of seven volumes in slip-case with [Edinburgh]: Canongate Classics, a set of six postcards featuring the [2001]. cover art of each volume except the 2 v. (cv, 1017 p.); 21.3 cm. volume by Alasdair Gray. Alasdair Canongate Classics; 104. Gray volume inscribed by Gray. Paged continuously. Robert Burns: Poems. Selected by Don Copy 1. Original light blue cloth, Paterson. quarter dark blue, stamped in gold London: Faber and Faber, 2001. on spine and upper cover. In white xviii, 96 p.; 18 cm. pictorial slip-case. Original wrappers. Signed by the Copy 2. Original light blue cloth, author on title page. quarter dark blue, stamped in gold on spine and upper cover. In white Robert Burns: Selected Poems & Songs. pictorial slip-case. Although there Edited by Thomas Keith. is no indication that this set is a 1st edition. Printed Materials, Books, and Sheet Music / 241

New York: Caledonia Road Pub., c2001. 2003 vi, 196 p.; 21.5 cm. Aloway Kirk: or, Tam o’ Shanter: A Tale. Published under the editor’s own [Columbia, S.C.]: Maxcy Press, 2003. imprint. Editor’s autograph presen- 8 p.; 15.8 cm. tation inscription to Ross and Lucie Facsimile of the Glasgow: Brash & Roy, 18 Sept. 2001, on title. Original Reid, 1796 edition. pictorial wrappers. Keepsake printed for the 2003 Eigh- Selected poems. teenth-Century Scottish Studies Edinburgh: Canongate Pocket Classics, Society meeting in Charleston. It 2001. reproduces one of the four variants 64, [10] p.; 15.7 cm. in the G. Ross Roy Collection of Canongate Pocket Classics; v. 1. Robert Burns and Scottish Poetry, Original pictorial wrappers. Thomas Cooper Library, USC. Letterpress printed at The Maxcy Press. Something of the Night and of the Sun. Edited limited to 100 copies. [Selection and Design, Duncan Glen]. Original purple wrappers, printed in Kirkcaldy: Akros Publications, 2001. gold. Pages uncut to demonstrate how 39 p.: ill.; 18.5 cm. a full sheet is folded to make a quarto. Includes the following songs by Burns: No. 1/100. “For Auld Lang Syne,” p. 33 and “Oh Kinsley, 321. Wert Thou in the Cauld Blast,” p. 39. Original black pictorial wrappers. Aloway Kirk: or, Tam o’ Shanter: A Tale. Kinsley, 240 and 524. [Columbia, S.C.]: Maxcy Press, 2003. 8 p.; 14 cm. 2002 Facsimile of the Glasgow: Brash & ‘A Red, Red Rose’ and Other Poems. Reid, 1796 ed. Selected and introduced by Keepsake printed for the Burns Club of Dominique Enright. , December 2003. It reproduces London: Michael O’Mara, 2002. one of the four variants in the G. Ross 126 p.; 14.4 cm. Roy Collection of Robert Burns and Original red wrappers. Scottish Poetry, Thomas Cooper In the private collection of G. Ross Roy. Library, USC. Letterpress printed at The Maxcy Press. Robert Burns: Selected Poems and Songs. Edited limited to 110 copies. Edited by Thomas Keith. Copy 1. Original bluish gray granite 2nd edition. wrappers, printed in black, stapled New York: Caledonia Road, 2002. gathering. Cut pages. No. 1/110. xii, 196 p.; 22 cm. Copy 2. Original pinkish gray granite Copy 1. Original pictorial wrappers. wrappers, printed in black, stapled Inscribed by author on title page. gathering. Cut pages. No. 2/110. Gift of Thomas Keith. Kinsley, 321. Copy 2. Original pictorial wrappers. Pons Bequest. The Canongate Burns. Introduced by Copy 3. Original pictorial wrappers. Andrew Noble, edited by Andrew Presentation copy inscribed “To Noble and Patrick Scott Hogg. Lucie and Ross, my Burnsian Revised edition. friends.” In the private collection Edinburgh: Canongate, 2003. of G. Ross Roy. xcix, 1017 p.; 19.6 cm. Canongate Classics; 104. Original pictorial wrappers. The G. Ross Roy Collection of Robert Burns / 242

Holy Willie’s Prayer: Address of Robert [Irvine?]: [Distributed National Burns Bruce and Willie Wastle. Collections Project], 2004. [Columbia, SC: Rare Books and Special v.: ill., facsims., ports.; 30 cm. + Scoping Collections, Thomas Cooper Library], study (111 p.; 29.7 cm.). 2003. “A private publication for reference 6, [2] p.; 14 x 9.3 cm. libraries, museums, universities and “This ‘ghost’ Robert Burns chapbook researchers. Produced with financial assembles early printed texts from assistance of the Scottish Museums three separate sources: Holy Willie’s Council in conjunction with the Dis- prayer (Edinburgh: T. Oliver, 1801); tributed National Burns Collections Bruce’s Address from Elegy on the Project”—T.p. verso. Year Eighty-Eight (Edinburgh: Gray, Consists of facsimiles of manuscripts in 1799); and Willie Wastle, from Cur- Robert Burns’ hand, as well as those rie’s fourth volume (Liverpool: of his family and associates, with M’Creery, 1800). All three are in the some copies of original letters from G. Ross Roy Collection of Robert famous people who have been Burns & Scottish Poetry, Thomas appointed honorary members of Cooper Library, University of South Burns Clubs. Carolina . . .”—Colophon. Manuscripts included from the private Forty copies have been produced . . . collection of G. Ross Roy: “Address to This is copy number 1. the Unco Guid,” p. 73; “Ay Waukin O,” Printed on buff granite paper, stapled p. 85; “To Clarinda,” p. 2151; “To gathering. Clarinda,” p. 2152. Manuscripts included from the Roy Kate o’ Shanter’s Tale and Other Poems by Collection, Rare Books and Special Matthew Fat. Collections, Thomas Cooper Library, Edinburgh: Luath, 2003. University of South Carolina: “To viii, 84, [4] p.; 21 cm. Monsr. Thomas Campbell,” p. 827; Advertisements follow text. “Yon high mossy mountains,” p. 3889; Original pictorial wrappers. “To Robert Ainslie,” p. 3951; In the private collection of G. Ross Roy. Original pictorial wrappers. Presented “My Nancy O.” to G. Ross Roy in honor of his 80th In: Mackay, Barry. An Introduction to birthday celebrated with a Sympo- Chapbooks. Oldham, England: Incline sium at the University of South Caro- Press, 2003. lina, August 20–21, 2004. Includes in pocket an example of a Second copy of the scoping study with chapbook with cover title: A Garland brochure shelved as a pamphlet in the of Excellent Songs: Cherry-cheek’d Patie, Roy Collection. The Woodland Maid, My Nancy O, The Robert Burns. Edited by Ian Macdonald. Blackbird, The Cottage on the Moor. Wigtown: Glennifer Press, 2004. Oldham: G. Moss, [2003]. 67 p.: port.; 23 mm. “My Nancy O” is a Burns song origi- nally titled “My Nanny O.” Scottish Songs. Edited by Chris Findlater and Mairi Campbell. 2004 New Lanark: Lomond Books, 2004, The Definitive Illustrated Companion 1998. to Robert Burns. Edited by Peter 188, [2] p.: music; 20 cm. J. Westwood. Includes a number of songs by Burns. Original pictorial wrappers. Printed Materials, Books, and Sheet Music / 243

A Tribute to Robert Burns. EZ and inter- “The Last Time I Cam o’er the mediate nylon and wire harp Moor,” p. 116, and “Sensibility How arrangements by Sar Edwards. Charming,” p. 118–119. Denver, Colo.: Enoch Productions, Original comb binding. c2004. 97 p. of music; 28 cm. 2006 “Over thirty Burns songs—includes the The English Poetry of Robert Burns Burns night rituals, Scottish harp (1759–1796). Compiled by Eileen ornaments”—Cover. Doris Bremner. Original comb binding. [Great Britain: E. D. Bremner, 2006?]. iv, 42 p.; 16 cm. 2005 Original pictorial wrappers. Presenta- Chestnaia bedhost. V perevodakh S. I. tion copy inscribed to Dr. Roy. Book- Marshaka plate of the editor. Tomsk: s.n., 2005. 223 p.; 7 cm. 2007 Translation of: Honest Poverty. Burns: Poems. Edited and introduced by Original light brown pictorial boards, Gerard Carruthers. stamped in dark brown. In pictorial New York; London; Toronto: Alfred A. dust jacket. In hand-carved birch Knopf, 2007. bark case. 6.5 cm. 255 p.; 16 cm. Everyman’s Pocket Poets. Songs and Tunes from the Scottish Enlight- Original green cloth, stamped in gold, enment: Popular, Folk, and Classical ribbon bookmark. In pictorial dust Music Sung, Played, and Danced by the jacket. from about 1780 to 1820. Presentation copy inscribed on half-title Victoria, B.C.: Trafford, c2005. page “To Ross, Lucie, & W.W.” viii, 175 p.: ill. (some col.), music; In the private collection of G. Ross Roy. 29 cm. Includes the following songs by Burns: “O Lovely Polly Stewart,” p. 111–112, III Burnsiana

Adams, James. [Advertisement for Zeno & Co.’s High- Burns’s “Chloris”: A Reminiscence. With land Heather Perfume]. facsimile of poem “The Song of [S.l.]: Munro & Baldwin, c1891. Death” in the poet’s handwriting. [1] p.: ill., port.; 25 cm. Glasgow: Morison Brothers, 1893. This advertisement includes a quotation 187 p.: ill.; 17.5 cm. from a poem by Whittier, “Sweet First appeared in The Glasgow Herald. heather-bells and Robert Burns/ the Cf. Preface. moorland flower and peasant/ How Copy 1. Original pictorial wrappers. at their mention, memory turns/ her Copy 2. Contemporary red half pages old and pleasant.” morocco, with marbled boards. Aiken, Peter Freeland. Adams, James. Memorials of Robert Burns. Burns’s “Chloris”: A Reminiscence. With London: Sampson Low, Marston, Searle facsimile of poem “The Song of & Rivington; Kilmarnock: M’Kie & Death” in the poet’s hand-writing. Drennan, 1876. Glasgow: Morison, 1893. viii, 422 p.: port., fold. facsim.; 17.8 cm. 187 p.: ill.; 22 cm. This edition was prepared in response “This large paper edition is strictly to a comment that there was need of limited to 275 copies. Only 250 of an edition of Burns’s poems “from which are for sale.” which everything should be excluded Copy 1. Original dark blue paper over which a Christian father would boards, cream-colored paper spine. not read aloud in his family Signature of Charles Gavine. No. circle.” 34/275 Copy 1. Original dark yellow cloth, Copy 2. Original dark blue paper over stamped in black and gold. boards, cream-colored paper spine. Copy 2. Original dark brown cloth, No. 13/275. Pons Bequest. stamped with black and gold. Pons Bequest. Adamson, Archibald R. Rambles through the Land of Burns. Aikman, James. Kilmarnock: Dunlop & Drennan, 1879. Poems: Chiefly Lyrical, Partly in the xi, 274 p.: ill.; 19 cm. Scottish Dialect. Originally appeared in the Kilmarnock Edinburgh: Macredie, Skelly, and Standard Weekly. Cf. Gibson, p. 237. Muckersy, 1816. Copies 1–2. Original blue cloth, stamped vii, 253 p.; 19 cm. in gold and black.

Burnsiana / 245

“Verses to the Memory of Robert biographical note on the author Burns,” p. 90–96 and “Ode to the tipped in following title page. Memory of Robert Burns,” p. 97–104. Copy 5. Later black roan. Original buff boards. Printed paper Ainslie, Hew. label on spine. A to the Land of Burns and Ainslie, Hew. Poems. With a memoir of the author. A Pilgrimage to the Land of Burns. Con- Paisley: Alexander Gardner, 1892. taining anecdotes of the bard, and of xxxv, 367 p.: port.; 19 cm. the characters he immortalized, with Original dark blue cloth. Printed paper numerous pieces of poetry, original label on spine. From the Burns and collected. Library of Dr. and Mrs. Perry E. Deptford: Printed for the author by Gresham. W. Brown, 1822. Aitken, William. 271 p.: ill.; 18.3 cm. Songs from the South-West: and Bits for Errata slip tipped in at end. the Bairns. Frontispiece: three watercolor silhou- Glasgow: Pickering & Inglis, 1913. ettes of John Gibson ( Jinglin Jock), 194 p., [14] leaves of plates: ill., facsim., Hew Ainslie (the Lang Linker) and ports.; 21 cm. James Welstood (Edie Ochiltree). Poem about Robert Burns on p. 76–79. Copy 1. Contemporary red straight- “Opinions of the Press,” [6] p. follow grain morocco. Author’s signed pres- text. entation copy to “Jinglin Jock,” one Copy 1. Original red cloth, stamped in of the three travelers, Edinburgh, gold and blind. 1822. Cf. Paterson, Contemporaries of Copy 2. Original light blue cloth, Burns. Letter, 2 p., Hew Ainslie, Jer- stamped in gold and blind. sey City, 10 October 1854, to Samuel Crist, Sullivan County, New York in Alexander, William. separate pamphlet binder. Bound in at Poems and Songs. end: leaf containing poem “A Parting Paisley: J. & J. Cook, 1881. Song,” by Hew Ainslie, printed by xxii, 158 p.: port.; 21.3 cm. W. Brown, Deptford. Paisley Burns Club Publications. Copy 2. Contemporary red straight- Original bright blue cloth. grain morocco. Initial “W” on upper Alison, James N. cover. Signed presentation copy to “Burns in School.” “Edie Ochiltree” ( James Welstood), p. 35–40: port.; 30 cm. one of three travelers. Bound in at Original pictorial wrappers. front: leaf containing three water- In: Lavarock, v. 3 (1997). color silhouettes of the three travel- ers. Spacing of silhouettes varies from Allan, Junior. that of copy 1. This copy contains the Burns in Scottish Scene & Song. errata slip and leaf containing poem Dundee: Valentine & Sons, 1925. “A Parting Song.” 36 p.: ill., port.; 22 cm. Copy 3. Contemporary half calf, mar- Copy 1. Original brown wrappers. In bled boards. Later black calf. Errata tartan-patterned dust jacket, portrait slip tipped in before p. 1. mounted on upper cover. Copy 4. Frontispiece: Auld brig o’ Copy 2. Original brown wrappers, doon. Errata slip wanting. Typed stamped in gold. Pons Bequest. The G. Ross Roy Collection of Robert Burns / 246

Alness, Robert Munro. v, 377 p.; 24 cm. Looking Back: Fugitive Writings and Studies in ; v. 82. Sayings. Original white pictorial cloth. Photo- London; New York: Nelson, [1930?]. graph of the author on back cover. xi, 525 p.; 21 cm. Corey Andrews was a Roy Fellow “Robert Burns,” p. 333–342. in 2005. Gift of the author. Original dark blue cloth. Angellier, Auguste. Anderson, H. B. Robert Burns. Robert Burns, His Medical Friends, Paris: Hachette, 1893. Attendants and Biographer. 2 v.; 26 cm. New York: Paul B. Hoeber, 1928. Modern brown cloth. p. 47–58: ill.; 30.5 cm. Angus, William Craibe. Reprinted from Annals of Medical Burnsiana: To the Editor of the Glasgow History, v. X, no. 1. Herald. Original white wrappers. [S.l.: s.n.], 1897. Anderson, T. R. 4 p.; 22 cm. Robert Burns, the Man and His Songs: Reprinted from the Glasgow Herald of A Lecture Illustrated by Seventy-Two 18th January, 1897. Lantern Slides. Remarks on James Gibson, “The Cot- Glasgow: Steven, [1890?]. ter’s Saturday Night,” and the Burns 29 p.; 21.5 cm. Exhibition of 1896. Original light blue-green wrappers. Single sheet, folded. Imperfect: slides wanting. Stamp of Angus, William Craibe. J. Lizars, Optician . . . Glasgow. Catalogue of the Valuable & Interesting Anderson, William C. Collection of Burnsiana Formed by the Reveries and Reminiscences. Late W. Craibe Angus, Esq., Glasgow ... Edinburgh: Robert Grant & Son, 1907. To be sold by auction by Mr. Dowell 125 p.: ill. (port.); 17 cm. . . . on Monday, 8th Dec., 1902, and Includes two poems about Robert two following days. Burns, “Robert Burns—A Reverie” Edinburgh: A. & D. Padon, 1902. and “Reply to a Rhymed Invitation 89 p.; 22 cm. to a Burns Dinner.” Memorial volume possibly made up Original brown wrappers. for Mr. Angus. Contains bookplate and holograph signatures of William Andrews, Corey. Craibe Angus, newspaper clippings “‘Caledonia’s Bard, Brother Burns’: relating to his collection and an Burns’s Masonic Verse.” article from Transactions of Glasgow 2000. Natural History Society by Angus. 13 l.; 28 cm. Modern green binder’s cloth. Leather Typescript. spine label. With accompanying typed letter signed from Andrews to Roy. Angus, William Craibe. The Craibe Angus Burnsiana. List of spe- Andrews, Corey. cial items in the library with notes. Literary Nationalism in Eighteenth- To be sold by auction at Edinburgh Century Scottish Club Poetry. on Monday, 8th December, 1902 and Lewiston, N.Y.: Edwin Mellen Press, two following days. c2004. Burnsiana / 247

Glasgow: Privately printed, 1902. Cleveland: The Rowfant Club, 1930. 11 p.; 21.6 cm. 80 p.: ill., port.; 21.7 cm. Original wrappers. Original tartan-patterned cloth, in glassine dust jacket. With slipcase. Angus, William Craibe. No. 52/167 copies. The Printed Works of Robert Burns: A Bibliography in Outline. Ayr Technical College (Ayrshire, Glasgow: Privately printed [by Scotland). W. Hodge & Co.], 1899. Recital of the Songs & Poems of Robert xl, 134 p.; 23.4 cm. Burns. Green cloth binding with red leather Ayr: Advertiser Office, 1973. label lettered in gold on spine. No. [8] p.: ports., music, facsim.; 22.7 cm. 48/60 copies. Pictorial bookplate of Recital program featuring Burns’s songs James C. Scorgie on verso of front sung by Tom Fleming, Patti Duncan, cover. James Boyd, and Claire Liddell. Facsimile of “Auld Lang Syne,” in Angus-Butterworth, L. M. Burns’s handwriting, with the music Robert Burns and the 18th-century Revival by Francis Sempill. in Scottish Vernacular Poetry. Original printed wrappers. Aberdeen: Aberdeen University Press, 1969. Ayrshire Archaeological and Natural ix, 309 p.: ill., ports.; 23 cm. History Society. Original blue cloth in blue pictorial dust Ayrshire at the Time of Burns. Edited by jacket. Review copy. 21.5 cm. John Strawhorn. []: The Society, 1959. Annual Burns Chronicle and Club 379 p.: ill., 6 maps (in portfolio); 23 cm. Directory. Its Collections; no. 5. Kilmarnock: D. Brown, 1892–1925. Copy 1. Original gray-green cloth in 34 v.: ill.; 21 cm. pictorial dust jacket. Title varies: Annual Burns Chronicle & Copy 2. Original gray-green cloth. Pons Club Directory, Jan. 1907– . Bequest. Official organ of the Burns Federation, Burns clubs, and Scottish societies Ayrshire Archaeological and Natural throughout the world. History Society. Some issues are part of the Pons Mauchline Memories of Robert Burns. Bequest. Darvel: Walker & Connell, 1985. Holdings: 1st ser., no. 1 (1892)-1st ser., 227–264 p.: ill.; 22.5 cm. no. 34 (1895). Ayrshire Collections; v. 12, no. 6. Continued by: The Burns Chronicle and Original pictorial wrappers. Club Directory (1926–1950). Ayrshire Archaeological and Natural Auld, Robert Campbell MacCombie. History Society. The Burns We Love. Mauchline Memories of Robert Burns. New York; Ayr: The Alloway Press, Ayrshire: The Society, in collaboration 1929. with the Mauchline Burns Club, 1996. xvi, 238 p.: ill., ports.; 23 cm. (Ayrshire: Walker & Connell). Original blue and white cloth. No. 227–264 p.: ill.; 21 cm. 426/1080 copies on special paper, Ayrshire Collections; v. 12, no. 6. signed by the author. Original blue pictorial wrappers, stapled gathering. Pons Bequest. Auld, William Muir. Genius in Homespun (Robert Burns). The G. Ross Roy Collection of Robert Burns / 248

The Ayrshire Magazine and West A record of 872 celebrations. In Scot- Country Monthly Repository. land, 676; England, 76; Ireland, 10; Irvine: J. Mennons & Son, 1815–1817. colonies, 48; America, 61; and Copen- 2 v.; 22 cm. hagen, 1. [Ceased with v. 2, [no. 24], July 1817]. “Genealogical Table of the Ancestors, Includes: Address to the Shade of the Descendants and Collateral Relatives Poet Burns by the Earl of Buchan, of Robert Burns,” by Robert Ductile. p. 35 and Celebration of Burn’s [sic] Copies 1–2. Original blind-stamped Birth Day, p. 325–329. brown cloth. Original brown half calf, marbled The Bard’s Ghost. boards. Signature of John McQualten Perth: T. Richardson, 1864. on May 1816 issue. 25 p.: ill.; 20.2 cm. Holdings: v. 1 (1815:Aug.–1816:July). Original dark green dot and line grain Bailey, Kenneth. cloth, stamped in gold and blind. Sig- Robert Burns. Drawings by Richard nature of Peter Chalmers, Oct. 1864, Hook. Perth. Edinburgh: Spurbooks, 1982. “A Bargain: Typhoo’s New Vacuum 64 p.: ill.; 18.5 cm. Fountain Pen.” Introducing Scotland. [England: s.n., n.d.] Original pictorial wrappers. 1 advertising card: ill.; 10 x 3.5 cm. Balfour, Alexander. Barke, James. Contemplation: With Other Poems. Bonnie Jean: A Novel. Edinburgh: Printed by William Watson: London: Collins, c1959. sold by Archibald Constable and Co., 320 p.; 20 cm. Edinburgh, and Longman, Hurst, Copy 1. Original black cloth with gold Rees, Orme and Brown, London, lettering on spine. Pictorial dust 1820. jacket. [8], ii, 340 p.; 22.5 cm. Copy 2. Original black cloth with gold “Elegy to the Memory of Robert lettering on spine. Pictorial dust Burns,” p. 104–115. jacket. Pons Bequest. Errata on fourth leaf. Modern boards, uncut. Library label of Barke, James. J. L. Weir. The Crest of the Broken Wave: A Novel of the Life and Loves of Robert Ball, Ernest R. Burns. For the Sake of Auld Lang Syne: Waltz Bal- New York: Macmillan, 1953. lad. Lyric by George Graff and Annelu 320 p.; 21 cm. Burns, music by Ernest R. Ball. Immortal Memory; [v. 4]. New York: Witmark, c1922. “First printing.” 1 score (5 p.); 31.2 cm. Original cloth, dust jacket. For voice and piano. Original pictorial wrappers. Barke, James. The Song in the Green Thorn Tree: A Ballantine, James. Novel of the Life and Loves of Robert Chronicle of the Hundredth Birthday of Burns. Robert Burns. London: Collins, [1947]. Edinburgh; London: A. Fullarton, 1859. 512 p.; 21 cm. vi, 605 p.: ill., port., geneal. table; Immortal Memory; v. 2. 26 cm. Added title page, with vignette. Burnsiana / 249

Copy 1. Original green cloth, stamped in London; Sydney: Collins, 1949. gold. Pictorial dust jacket. Author’s 511 p.: maps (on lining papers); 21 cm. autograph signature on title page. Immortal Memory; [v.3]. Copy 2. Original green cloth, stamped Copy 1. Original red cloth. Pictorial dust in gold. jacket. Author’s signed presentation copy to Alfred Ogilvie. Barke, James. Copy 2. Original gold cloth, lettered in The Song in the Green Thorn Tree: A black. Novel of the Life and Loves of Robert Burns. Batham, Cyril N. New York: Macmillan Co., 1948. “Robert Burns: Freemason and Poet.” xv, 456 p.: maps (on lining-papers); p. 20–22: ill.; 19 cm. 20.2 cm. Original pictorial wrappers. Immortal Memory; [v. 2]. In: New Age Magazine, v. 85, no. 1 Original green cloth, pictorial dust ( Jan. 1977). jacket. Battle Creek Michigan Burns Club. Barke, James. 151st Anniversary of Robert Burns The Well of the Silent Harp: A Novel of the Under Auspices of the Caledonian Life and Loves of Robert Burns. Club. London: Collins, 1954. [Battle Creek: s.n., 1910]. 351 p.; 21 cm. 1 sheet folded (4 s.): ill.; 17.3 cm. Immortal Memory; [v. 5]. Program for the 151st Anniversary cele- Original red cloth. Pictorial dust jacket. bration held in the Auditorium in Battle Creek on January 25, 1910. Barke, James. In the private collection of G. Ross The Wind That Shakes the : A Novel Roy. of the Life and Loves of Robert Burns. London: Collins, 1946. Bayfield, Thomas James. 384 p.; 19.5 cm. Poetry and the Poet Burns: A Dissertation, Immortal Memory; v. 1. Delivered Before the Members of the Original light green cloth. In pictorial “Newcastle Social Debating Class,” West dust jacket. Signed by the author. Clayton Street, Newcastle-on-Tyne, Jan. 31st, 1875, and Published at the Request Barke, James. of the Class. The Wind that Shakes the Barley: A Novel Newcastle-on-Tyne: S. Hawthornewaite, of the Life and the Loves of Robert Burns. 1875. New York: Macmillan Company, 1947. 18 p.; 21.2 cm. xv, 343 p.; 21 cm. Original pink printed wrappers. Original light gray cloth. Pictorial dust jacket. Beattie, William. Appreciation of Robert Burns. Barke, James. [Toronto?: s.n., 1916?]. The Wind That Shakes the Barley: A Novel [32] p.: ill., ports.; 24.6 cm. of the Life and Loves of Robert Burns. On cover: Odes of Appreciation of Robert Belfast: Blackstaff, 1992. Burns. 384 p.; 19.5 cm. Original gray printed wrappers. Review copy. Original wrappers. Beaty, Frederick L. Barke, James. “Burns’s Comedy of Romantic Love.” The Wonder of All the Gay World: A Novel p. 429–438; 26.5 cm. of Life and Loves of Robert Burns. The G. Ross Roy Collection of Robert Burns / 250

Original wrappers. Author’s signed Bentman, Raymond. presentation copy to G. Ross Roy. Robert Burns. In: PMLA, v. 83, no. 2 (May 1968). Boston: Twayne Publishers, c1987. 155 p., [1] p. of port.: ill.; 23 cm. Begg, Ferdinand Faithfull. Twayne’s English Authors Series; TEAS Rosebery Burns Club Glasgow, January 452. 25th, 1898, Speech. Original dark red cloth. Glasgow: Printed for the Club, 1898. 16 p.; 22.6 cm. Benvie, Andrew. Printed in red and black. Burns, Man, Prophet, Poet. Original gray wrappers, lettered in Edinburgh: H. & J. Pillans & Wilson, black. [1896?]. 27 p.; 18.4 cm. Behar, Sasha. Original light green wrappers, lettered Robert Burns: A Biography with Selected in black. Poems. London: Brockhampton Press, 1999. Bewick, Thomas. 120 p.: col. ill.; 28 cm. “A Sheet of Eight Proof Impressions of Original pictorial laminate boards, in Wood-Engravings.” dust jacket. Alnwick: Catnach and Davison, 1808. 1 sheet folded: ill.; 408 x 332 mm. Belford, Alfred. Proof sheet of eight impressions from Robert Burns: A Tribute to Scotland’s wood-engravings, printed two to National Poet on His Bi-Centenary, a page and head to tail, for Robert 1759–1959. Burns’s Poetical Works, Alnwick: Dumfries: Grieve, [1959]. Davison, 1808. The woodcuts illus- [20] p.: ill.; 15.1 cm. trate: “Lammas Night,” “Willie Original pictorial wrappers. Brew’d a Peck o’ Maut,” “Tam o’ Bell, Maureen. Shanter,” “Soldier’s Return,” “On a The Burns Calendar: An Event for Every Bank of Flowers,” “Man Was Made Day of the Year in the History of Robert to Mourn,” “Big-belly’d Bottle,” and Burns and His Contemporaries. “Tooth-Ache.” Blue cloth pamphlet Ellon: Sleepytown Books, 2001. binder. 1 v. (unpaged): ill., facsims.; 23.4 cm. Bingley, Barbara. Original pictorial wrappers. Ae Fond Kiss: A Play in One Act. Bell, Maureen. London: Samuel French, 1955. Tae the Lasses: An Appreciation of 25 p.: plan; 18.4 cm. the Women in the Life of Robert French’s Acting Edition; no. 195. Burns. Original wrappers. Ellon: Sleepytown Books, c2001. Biographical Sketches of Eminent British xii, 436 p.: ill., music, 1 facsim.; 23.4 cm. Poets. Original red wrappers. Dublin: Alex. Thom & Sons, 1854. Bell, R. A. and H. M. Paget. vi, 508 p.; 18 cm. Burns Pictures. Original brown cloth, paper label on London: E. Nister; New York: E. P. spine. Stamped “Prison Maryboro” Dutton, [1891?]. on title page. [12] p.: col. ill.; 15.5 x 20.8 cm. “Biography: Robert Burns.” Original pictorial wrappers. p. 110–111: ill.; 29 cm. Burnsiana / 251

Single issue, disbound. Pons Bequest. Edinburgh: Hobby Press, c1994. In: Rural Repository, v. XXI, no. 14 58 p.: ill.; 21 cm. (March 1, 1845). Includes the poem “Burns’ Statue,” p. 45. Black, George. Original pictorial wrappers. Author’s In Defence of Robert Burns: The Charge of autograph signature, dated, on title. Plagiarism Confuted. Sydney: W. Dymock, 1901. Bold, Alan Norman. 86 p.: ill.; 18.3 cm. A Burns Companion. Original buff pictorial wrappers. New York: St. Martin’s Press, 1991. Review copy from the author. xiv, 447 p., [20] p. of plates: ill., map; Inscription in Arabic on front flyleaf. 23 cm. Original brown boards with gold letter- Blackie, John Stuart. ing on spine. In pictorial dust jacket. Life of Robert Burns. Pons Bequest. London: W. Scott, 1888. vii, 183, xli p.; 18 cm. Bold, Alan Norman. Great Writers. Robert Burns. Copy 1. Original dark blue cloth. London: Pitkin Pictorials, c1973. Copy 2. Original dark blue cloth. Signa- 24 p.: ill. (some col.); 23 cm. ture of Tom Wilson, March 2, 1888. Pride of Britain Books. Newspaper clipping, “Different Views Original pictorial wrappers. on Burns,” laid in. Bold, Alan Norman. Copy 3. Original olive-green cloth. Robert Burns. Blacklock, Thomas, [Andover, Eng.]: Pitkin Pictorials, “A Letter from Thomas Blacklock to the c1992. Author Respecting Burns.” 20 p.: col. ill., map; 23.7 cm. p. 162–163; 21 cm. Original pictorial wrappers. Contemporary mottled calf. “Bolton Hearse.” In: Scot, Elizabeth. Alonzo and Cora. [S.l.: s.n.], 1974. With other original poems, princi- 1 sheet: ill.; 31 cm. pally elegiac, to which are added let- “Bolton Kirk Session records of April ters in verse, by Blacklock and Burns. 1783 register a resolution that the London: Printed and published by heritors purchase a ‘new fashionable Bunney and Gold, 1801. hearse out of funds belonging to Blackpool and Fylde Caledonian the poor.’ This hearse was purchased Society. by November 1783 . . . Robert Burns’ Burns Anniversary, January 25, 1923. mother, his brother Gilbert and sister [S.l.: s.n.], 1923. Annabelle, were all conveyed to their 1 card folded: port.; 20 cm. last resting place in Bolton Kirkyard Includes the poem “Robert Burns: A in this hearse.” Birthday Tribute,” by John Johnstone. Bolton, Jess. Inscribed “To W. Ormiston Roy: The Love of Highland Mary. “Something for a token,” with hearty Glasgow: Argyll Publishing, 1994. greeting and best wishes from John 222 p.; 19.7 cm. Johnstone . . .” Original pictorial wrappers. Blaikie, Jim. “Bombs at .” A Laddie Looks at Leith Again. p. 1; 55 x 42 cm. The G. Ross Roy Collection of Robert Burns / 252

In: The Evening Post (New York, N.Y.), London: Hodder & Stoughton, 1923. v. 113, no. 198. 3 leaves of col. plates in printed folio: ill.; 33 cm. Bond, Donovan H. Original tan paper folio. Plates tipped to The Immortal Memory: Planning Your leaves loosely inserted. Own . Bruceton Mills, W.V.: Unicorn Limited, Booth, James. 1994. The Star o’ Robbie Burns: Song. Words by 44 p.; 27 cm. James Thomson, music composed by Original white wrappers. James Booth. Glasgow: Mozart Allan, [1950–1969?]. Bonhams (Firm: 2001). 1 score (7 p.); 31.8 cm. The Scottish Sale: Made in Scotland: Piano, vocal score. Thursday 22 August 2002, Friday 23 Copy 1. From the library of Hamish August 2002, Saturday 24 August 2002. Henderson. London: Bonhams, 2002. Copy 2. Pons Bequest. 307 p.: ill.; 27 cm. Place of sale: Edinburgh. Bowie, Ivie. Original pictorial wrappers. A number A Tribute to the Memory of Our National of books offered are from the Library Poet, Robert Burns, on the 170th Anni- of Alexander Fraser Tytler, Lord versary of His Birth, 25th January, Woodhouselee. Also note the entry 1759. for item 917. Proof of Robert Burns [Glasgow: s.n.], 1929. “Tam o’ Shanter, A Tale,” in the Roy 1 sheet; 20 x 26 cm. Collection. “Glasgow, 25th January, 1929.” Bonnie Galloway and in Boyle, A. M. Scene and Story. The Ayrshire Book of Burns-Lore. Dundee; London: Valentine & Sons Ayr: Alloway Publishing, 1985. Ltd., [194-?]. 143 p.: ill., maps, geneal. table; 21.3 cm. 32 p.: chiefly ill.; 12 x 17.8 cm. Original pictorial wrappers. Original pictorial wrappers. Boyle, A. M. Bookman (London, England). The Ayrshire Book of Burns-Lore. London: Hodder and Stoughton, 2nd edition. 1891–1934. Ayr: Alloway Pub., 1996. 87 v.: ill.; 34 cm. ix, 166 p.: ill., geneal. table, maps, Title from caption. ports.; 21 cm. Copy 1. Original wrappers. Original pictorial wrappers. Pons Copy 2. Contemporary black cloth. Car- Bequest. lyle number (May, 1902) bound in Braybrooke, Patrick. single volume with special number Moments with Burns, Scott and Stevenson: for Scott, Burns, Browning and Selected Quotations and Preface. Ruskin. Bookplate of Aneurin Stirling: E. Mackay, 1933. Williams. 80 p.: ill.; 16.4 cm. Holdings: v. 1, no. 1 (Oct. 1891)-v. 87 Copy 1. Original green quarter cloth, (Dec. 1934). pale green paper-covered boards in The Bookman Portfolio: Containing Plates pictorial wrappers. in Colour by Nora England Illustrating Songs and Ballads of Robert Burns, Christmas 1923. Burnsiana / 253

Copy 2: Original green quarter cloth, Original dark brown cloth. Extensively green paper-covered boards. annotated. Signature of John Banner, Dunblane. Brewer, Ebenezer Cobham. Character Sketches of Romance, Brower, Brock. Fiction and the Drama. A revised “His Heart Was in the Highlands.” American edition of The Readers’ p. [124]–139; 29 cm. Handbook. In: Smithsonian, v. 31, no. 12 (March New York: Selmar Hess, 1892. 2001). 4 v.: plates (some col.); 30 cm. Brown, Hilton. Contains an entry for Robert Burns’s There Was a Lad: An Essay on Robert “The Cotter’s Saturday Night.” Burns. Original green cloth, stamped in gold. London: H. Hamilton, [1949]. Gift of James F. White. 260 p.: ill., ports.; 22 cm. British Museum. Dept. of Printed Original red cloth. In buff pictorial dust Books. jacket. Laid in: manuscript review of Robert Burns: An Excerpt from the Gen- the book. eral Catalogue of Printed Books in the Brown, James. British Museum. Mary Campbell Speaks. An argument in London: [s.n.], 1939. (London: William favour of the acceptance of Messrs. Clowes). Caird & Co.’s handsome offer to 40 columns; 34.3 cm. remove and re-build the Old West Copy 1. Original cream-colored Kirk and graveyard memorials in wrappers, printed in black. better surroundings, and thus make Copy 2. Original cream-colored room for a large shipbuilding enter- wrappers, printed in black. Pons prise. Bequest. Greenock: Telegraph Printing Works, The British Poetical Miscellany. 1917. 4th edition enlarged. [2] p.; 16.6 cm. Huddersfield: T. Smart, 1818. Brown, Mary Ellen. 332 p.: ill.; 15.5 cm. Burns and Tradition. Title vignette. Urbana: University of Illinois Press, Contains four poems attributed to c1984. Burns, of which three are genuine. xv, 176 p., [8] p. of plates: ill.; 21.4 cm. Cf. Notes and Queries, v. 30, no. 3, June, Copy 1. Original boards, pictorial dust 1983, by G. Ross Roy, concerning this jacket. Review copy, with card laid in. edition. Copy 2. Original boards, pictorial dust Nineteenth-century quarter calf, jacket, variant of copy 1 dust jacket. marbled boards. Pons Bequest. Brooke, Stopford Augustus. Brown, Mary Ellen. Theology in the English Poets: Cowper— “‘The Joy of My Heart’: Robert Burns Coleridge—Wordsworth and Burns. as Folklorist.” 8th edition. p. [45]–67; 25 cm. London: Kegan Paul, Trench, Trübner, In: Scottish Studies, v. 20, 1976. 1896. vii, 339 p.; 18.7 cm. Brown, Middlemass. Lectures delivered in St. James Chapel, Langside Lyrics: And Other Poems. 1872. Paisley; London: Alexander Gardner, 1900. The G. Ross Roy Collection of Robert Burns / 254

121, [2] p.; 18.8 cm. Bruce, Wallace. 2 p. publisher’s advertisements Scottish Poems. following text. The Auld Brig edition. Original light green cloth. New York: Bryant Union Co., 1907. 159 p.; 18.8 cm. Brown, Robert. Printed in red and black. Paisley Burns Clubs 1805–1893. With Contains several poems about Robert portraits, illustrations, and fac- Burns. similes. Original green cloth, stamped in gold. Paisley; London: A. Gardner, 1893. 336 p.: ill., ports., facsims.; 22.1 cm. Bruce, Wallace. Original quarter roan, cloth. Wallace Bruce (at Ayr) on Robert Burns. Edinburgh; London: W. Blackwood, Bruce, George. 1893. Destiny: and Other Poems. 112 p.; 18 cm. [St. Andrews?]: Printed for the author, Title page in red and black. 1876. Original buff pictorial cloth. [18], vi–xxvi, 514 p.: ill.; 21 cm. “Saint Andrews Burns Club,” Bruce, Wallace. p. [385]–387. Wayside Poems. Copies 1–2. Original pictorial brown New York: Harper, 1895. cloth. x, 165 p.: ill.; 22.4 cm. Includes poems about Burns, Hogg, and Bruce, Wallace. Scott. The Auld Brig’s Welcome on the Unveiling Original olive-green pictorial cloth. of the Burns Statue, Ayr, July 8, 1891. Edinburgh; London: William Black- Bryden, Robert. wood, 1891. Some Etchings from Burns. 15 p.; 20 cm. Glasgow: R. Stewart and Son; Edin- Original cream-colored printed wrap- burgh: John Stewart, 1896. pers. [12] p., [11] leaves of plates: ill., port.; 63 cm. Bruce, Wallace. “First impressions of plates signed by Here’s a Hand. the author”—p. [3]. Edinburgh; London: W. Blackwood and Original green wrappers printed in Sons, 1893. black inside brown cloth case, x, 266 p.; 24 cm. stamped in gold on upper cover. No. Original dark green cloth, vellum spine. 31/50 copies. “No. 11” printed on Large paper edition, no. 58 of 100 upper corner of portfolio. Stamp of copies. [R.] Stewart & Son[s], Glasgow on Bruce, Wallace. outside of green portfolio. The Land of Burns. Illustrated by James Brydson, Thomas. D. Smillie. A Summary View of Heraldry in Reference Boston, Mass.: Published by Lee and to the Usages of Chivalry and the General Shepard; New York: Charles T. Economy of the Feudal System. With an Dillingham, 1879. appendix respecting such distinctions [18] leaves: ill.; 18.4 cm. of rank as have place in the British Original brown cloth, stamped in black Constitution. and gold. Inscription dated Christ- Edinburgh: Printed by Mundell, 1795. mas, 1878. xvi, 319 p.; 25 cm. Burnsiana / 255

Engraved title page. “Festival Programme: Saturday Subscribed to by Robert Burns. Sub- May 3–Sunday May 11, 2003”—Cover. scribers list preceding text. Original pictorial wrappers. Original brown cloth, rebacked, Burns and Highland Mary. original spine preserved. [S.l.: s.n.], 1840. Buchan, John. 1 sheet: ill.; 25.3 cm. Homilies and Recreations. Printer’s series “18” at bottom of page. London: Thomas Nelson, 1927. Includes the ballad “A Life on the Ocean 383 p.; 18.5 cm. Wave,” attributed to Henry Russell First published September, 1926. by BLC, v. 192, p. 167, attributed to “Robert Burns,” p. 281–286. E. Serjean by Bodleian broadside Original dark green cloth. In dust ballad project. jacket. Burns, Anne and John Ashby Conway. Burnes, James. Robert Burns: An Historical Play in Six Notes on His Name and Family. Episodes. Edinburgh: Printed for private circula- Boston: Meador Publishing Company, tion, 1851. 1939, c1932. 42, 64, 16 p.: ill.; 19 cm. 84 p.; 19.9 cm. Original red cloth, stamped in gold and Original black cloth, stamped in gold on blind. spine and upper cover. Inscribed to Carol Hinckley. Burness, Lawrence R. Genealogical Charts of the Family of Robert “Burns Anniversary.” Burns and Descending Families: Also the p. 7; 55 x 42 cm. Families of Gilbert Burns and Isabella Pons Bequest. Burns. In: The New York Daily Tribune, v. 159, Kilmarnock: Burns Federation, 1997. no. 4610 ( January 28, 1856). 35 p.: ill.; 23 cm. The Burns Anniversary. Celebration of Copy 1. Original pictorial wrappers. the birthday of the Scottish bard, din- Signed presentation copy from Peter ners, toasts, speeches—tributes from J. Westwood to G. Ross Roy. , John G. Saxe, Copy 2. Original pictorial wrappers. Sidney W. Cooper, Hosea B. Perkins Pons Bequest. and others. Burnett, Whit. p. 1; 58 x 46 cm. Immortal Batchelor: The Love Story of Pons Bequest. Robert Burns. In: New York Times, v. 19, no. 5724 New York: Story Magazine, 1942. ( January 26, 1870). 107, [7] p.: ill., music, port.; 23 cm. Burns’ Anniversary Dinner in Sheffield, Story; v. 21, no. 98. 25th January, 1883. Contains three songs by Robert Burns, Aberdeen: The Rosemount Press, [1883]. p. [1–7]. 4 p.; 21 cm. Original wrappers. Burns Anniversary Services 1892. Burns an’ a’ That!: A Celebration of Greenock: James McKelvie & Sons, Life and Contemporary Scottish 1892. Culture. 4 leaves: ill.; 16.5 cm. [Scotland: s.n., 2003?]. “Programme and bill o’ fare for the 27 p.: col. ill., ports., maps; 20 cm. jolly beggars’ spree within the howf, The G. Ross Roy Collection of Robert Burns / 256

Poosie Nansie’s Hostelry, Mauchline, Dumfries: Printed at the “Standard” on Monday, 25th January, 1892.” Office, [1896]. Caricatures depict the “beggar’s” 132, [34] p.: ill., ports.; 19.5 cm. becoming increasingly drunk on Reprinted from the Dumfries & Kilbagie whisky. Sewn. Galloway Standard. 34 p. of advertisements follow text. Burns Belongs to the People. Original greenish-gray printed wrap- Glasgow: Scottish Office of [sic] Com- pers. munist Party, [1930?]. 24 p.: ill.; 18.2 cm. Burns Centenary 21st July 1896: Great With 4 illustrations by J. C. Malcolm- Demonstration at Dumfries, Speeches by son, reproduced by permission of Lord Rosebery at Dumfries and Glasgow. SCOOP. 2nd edition. Original pictorial wrappers. Upper Dumfries: Hunter, [1896]. cover detached. 136 p.: ill., ports.; 20 cm. Copy 1. Original red cloth. “Burns Bicentenary Conferences.” Copy 2. Original blue gray cloth. Pons p. 3–4; 28 cm. Bequest. In: Eighteenth-Century Scotland, no. 10 (Spring 1996). Burns Centenary 21st July 1896: Great Demonstration at Dumfries (With Illus- Burns Centenary: A Night wi’ Burns. trations); Speeches by Lord Rosebery at Under the auspices of the Highland Dumfries and Glasgow. Society of N.S.W., the Thistle Club of 3rd edition. N.S.W. and the Burns Anniversary Dumfries: Thos. Hunter, 1896. Club. 141, [15] p.: ill., ports.; 20.1 cm. Sydney: W. M. Maclardy, 1896. 15 p. of advertisements follow text. 29 p.: ill., port.; 21 cm. Reprinted from the Dumfries and Gal- Contains 15 of Burns’s best-known loway Standard. poems. Original green wrappers. Original white pictorial wrappers. Burns Chronicle. Burns’ Centenary: Are Such Honors Due [Kilmarnock]: Burns Federation, 1991– . the Ayrshire Bard? v.: ill.; 22 cm. Glasgow: Printed for the author, and Original pictorial wrappers. sold by all booksellers, 1858. Holdings: New series, v. 1: no 1 14 p.; 21.5 cm. (1991:Aug.)- Original buff wrappers. Burns Chronicle and Club Directory The Burns Centenary: Being an Account (Kilmarnock, Scotland: 1926). of the Proceedings and Speeches at the Kilmarnock: Burns Federation, Various Banquets and Meetings through- 1926–1950. out the Kingdom. With a memoir and 25 v.: ill.; 23 cm. portrait of the poet. Copy 1. Modern blue cloth, original Edinburgh: W. P. Nimmo, 1859. wrappers bound in. Some issues in iv, 156 p.: port.; 17 cm. original wrappers. Original glazed orange pictorial boards. Copy 2. Modern blue cloth, original Burns Centenary 21st July 1896: Great wrappers bound in. Some issues in Demonstration at Dumfries (With Illus- original wrappers. Pons Bequest. trations); Speeches by Lord Rosebery at Holdings: 2nd ser., v. 1 (1926)-2nd ser., Dumfries and Glasgow. v. 25 (1950). Burnsiana / 257

Burns Chronicle and Club Directory The invitation cover is a composite of (Kilmarnock, Scotland: 1952). cloth, ribbon, and paper of formal Kilmarnock: Burns Federation, highland dress, stapled gathering. Gift 1952–1991. of Frank Shaw. 40 v.: ill.; 21 cm. Burns Club of Baltimore. Modern blue cloth, original wrappers The Constitution and By-laws of the Burns’ bound in. Some issues in original Club of Baltimore, in the State of Mary- wrappers. land. Holdings: 3rd ser.: v. 1 (1952)-3rd ser.: Baltimore: Joseph Robinson, 1858. v. 24 (1975), 4th ser.: v. 1 (1976)-4th 26 p.; 15 cm. ser.: v. 12 (1987), no. 97 (1988)-no. Embossed stamp of the Library Com- 100 (1991). pany of Philadelphia. Burns Club. Burns Club of Dumfries. The Centennial Anniversary of the Birth- Centenary Book of the Burns Club of day of Robert Burns as Commemorated Dumfries. With full account of the by His Countrymen, in the City of Mil- anniversary dinner on 23rd January, waukee, Jan. 25, 1859. Reported by 1920, and historical sketch of the club G. W. Featherstonhaugh. since its formation on 18th January, : Daily News Bk. & Job 1820. Steam Printing Establishment, 1859. Dumfries: The Courier and Herald 59 p.; 20.8 cm. Press, 1920. Laid in: Typed letter signed from 139, [1] p.: ill., ports.; 22 cm. William B. Currie to W. Ormiston Roy Copy 1. Original dark blue cloth, let- to accompany books, dated June 22, tered in gold. Signed presentation 1955. With single sheet of notes identi- copy from John McBurnie, Hon. Sec. fying some of those at celebration. of the Burns Club of Dumfries, to Original blue-green wrappers. W. P. Templeton, M.P. Burns Club of Atlanta. Copy 2. Original dark blue cloth, Its One Hundred Fourth Celebration of the stamped in gold. Signed presentation Birth on January 25, 1759 of Robert copy from R.A. Burns. Grierson, President of the : Burns Cottage, 1999. (Printed of Dumfries, to W. Macbeth Robert- at the Sign of the Head & Anchor, the son, Esq., 1920. Private Press of J. Montgomery). Burns Club of St. Louis. [8] p.; 21.7 cm. Anniversary Addresses Presented before the Cover title: Burns Night 1999. Burns Club of St. Louis. Stapled gathering. Gift of Frank Shaw. [St. Louis: C. B. Nicholson Printing Burns Club of Atlanta. Company, 1945?]. One Hundred Ninth Celebration of the 101 p.: ports.; 23 cm. Birth of Robert Burns, January 25, 1759. Copies 1–2. Original blue cloth. Atlanta: s.n., 2004. Burns Club of St. Louis. [6] p.; 28.7 cm. Anniversary Addresses Presented before the Cover title: Burns Night 2004. Burns Club of St. Louis. “Observed for the Ninety Fourth Year [St. Louis: s.n., 1955?]. at historic Robert Burns Cottage, 104 p., 1 leaf of plates: ill.; 22.4 cm. Alloway Place, Atlanta, . . .” Title from half-title. Proof copy, with corrections. Copy 1. Original bright blue cloth. The G. Ross Roy Collection of Robert Burns / 258

Copy 2. Original bright blue cloth. Pons Burns Club of St. Louis. Bequest. Robert Burns: January 25th 1941. [St. Louis: s.n., 1941]. Burns Club of St. Louis. [4] l.: port.; 17.8 cm. Burns Night: January 26, 1974. Menu from the Burns’s anniversary [St. Louis: s.n., 1974]. dinner held by the Club in 1941. 1 v. (various paging): ill., port.; Original pictorial wrappers, tied with 21.2 cm. plaid ribbon. Pons Bequest. Program of the Burns Club of St. Louis 1974 Burns Night. Burns Club of St. Louis. Original pictorial wrappers, stapled St. Louis Burnsians: Their Twentieth gathering. Pons Bequest. Anniversary and Some Other Burns Nights. Burns Club of St. Louis. St. Louis: The Burns Club of St. Louis, Burns Nights at the Burns Club of St. Printed for private distribution, 1924. Louis. 104 p.: ill., port.; 21.7 cm. [St. Louis]: Printed for private distribu- Copies 1–2. Original light blue boards, tion to lovers of Burns by the Burns dark red cloth shelfback. Club of St. Louis, 1918. Copy 3. Original light blue boards, dark 83, [1]p.: ill., port.; 22 cm. red cloth shelfback. Pons Bequest. “The Club’s Burnsiana,” p. 5–9. Original tan boards, light brown cloth Burns Club of St. Louis. spine. St. Louis Nights wi’ Burns. [St. Louis: Kutterer-Jansen Printing Burns Club of St. Louis. Company], 1913. Minutes, Notes and Speeches, 95 p.: ill., port.; 21.5 cm. MCMXXXI–MCMXXXVIII. Copies 1–2. Original dark red cloth. St. Louis: Printed in St. Louis for pri- vate distribution, Mound City Press, Burns Club of St. Louis. [1938?]. There Was a Lad: Anniversary Addresses, 124 p.: ill.; 21.5 cm. 1955–1964. Copy 1. Original dark blue cloth with [St. Louis: Eden Pub. House, 1965]. gold lettering on upper cover. Presen- vi, 128 p.: ill., ports.; 22.3 cm. tation copy from the Burns Club of Copy 1. Original black cloth. St. Louis to Burns scholar James Copies 2–3. Original black boards with Cameron Ewing, with letter. gold lettering. Pons Bequest. Copy 2. Original dark blue cloth with Burns Club of the City of New York. gold lettering on upper cover. Pons The Centennial Birth-Day of Robert Burns Bequest. as Celebrated by the . . . Burns Club of Burns Club of St. Louis the City of New York, Tuesday, January Robert Burns in St. Louis: From the Auld 25th, 1859. Edited by J. Cunningham. Clay Biggin to the Bronze Statue on New York: Lang & Laing, 1860. Washington University Campus. 136 p.: ill.; 21.2 cm. [St. Louis]: Privately printed for distri- Copy 1. Original purple wave-grain bution to lovers of Burns, 1931. cloth, stamped in gold and blind. 83 p, [1] l. of plates: ill., facsim.; 21.5 cm. Armorial bookplate of T. Dawson Laid in: facsim. of “Ode on the Duchess Brodie. of Kingston,” a spurious Burns poem. Copy 2. Original black morocco See MacKay, Burns A–Z, B89. stamped in gold. Pons Bequest. Copies 1–2. Original boards. Burnsiana / 259

Copy 3. Original brown textured cloth, Burns’ Cottage (Alloway, Scotland). stamped in gold and blind. Signature Burns Cottage Alloway: Catalogue of of Thomas Brady, former owner, on Manuscripts, Portraits and Other Relics pastedown. Gift inscription: Mrs. in the Cottage and the Museum, with E. F. Storr with respects of S. R. Historical Note. Streeter, on preliminary page. Ayr: Ayr Advertiser, 1931. 64 p.: ill.; 22 cm. Burns Club of Washington (Washing- Historical note by T. C. Dunlop. ton, D.C.). Original brown wrappers, printed in Speeches and Essays. By Prof. John Wil- black, stapled gathering. son, Rev. Dr. Wallace, Gen. Jas. A. Garfield, [et al.], with poems on Burns’ Cottage (Alloway, Scotland). Burns by Montgomery, Halleck The Burns Cottage Alloway: Catalogue of and Campbell, Mrs. Wm. R. Smith, Manuscripts, Relics, Paintings and and others. Other Exhibits in the Cottage and 2nd edition enlarged. Published under Museum with Historical Note. the auspices of the Jean Armour Ayr: T. M. Gemmell, 1961. Burns Club. 52 p.: ill.; 21.7 cm. [Washington, D.C.]: Gibson Brothers, Original pictorial wrappers. 1902. Burns’ Cottage (Alloway, Scotland). 91 p.: ill., ports.; 18.8 cm. Burns’ Cottage, Alloway: Catalogue of Also includes remarks by Andrew Manuscripts, Relics, Paintings and Carnegie, Lord Rosebery, and Ralph Other Exhibits in the Cottage and Waldo Emerson. Museum with Historical Note. Original printed wrappers. Contempo- Ayr: Printed by T. M. Gemmell and rary presentation inscription on front Son, 1974. endpaper. 72 p., [9] leaves of plates: ill., facsims.; Burns’ Cottage (Alloway, Scotland). 21 cm. The Burns Cottage, Alloway: Catalogue of Original pictorial wrappers. Manuscripts, Portraits, and Other Relics Burns’ Cottage (Alloway, Scotland). in the Cottage and the Museum, with Burns’ Cottage Alloway: Catalogue of Historical Note. Manuscripts, Relics, Portraits, and Ayr: Ayr Advertiser, 1933. Other Exhibits in the Cottage and 64 p.: ill.; 21.2 cm. Museum with Historical Note. Historical note by T. C. Dunlop. Ayr: T. M. Gemmell, 1963. Original green wrappers. Pons Bequest. 76 p.: plates; 21.5 cm. Burns’ Cottage (Alloway, Scotland). Historical note by T. C. Dunlop. Burns’ Cottage Alloway, Catalogue of Copy 1. Original pictorial wrappers. Manuscripts, Portraits, and Other Relics Copy 2. Original pictorial wrappers. in the Cottage and the Museum, with Signature of James Adamson, former Historical Note. owner, inside cover. Ayr: Ayr Advertiser, 1937. Burns’ Cottage (Alloway, Scotland). 54 p., [4] leaves of plates: ill.; 21 cm. Burns’ Cottage: Catalogue of Relics “The Burns Cottage,” p. [3]–5 by T. C. and Engravings and History of its Dunlop. Construction. Original brown printed Ayr: Printed at “Ayr Advertiser” Office, wrappers. 1919. 36 p.: ill.; 20 cm. The G. Ross Roy Collection of Robert Burns / 260

Burns’ Cottage (Alloway, Scotland). Burns’ Cottage Association. Burns’ Cottage: History of Its Construction Burns’ Cottage Association: For the Fame of and Catalogue of Contents of Cottage and Scotland and the Welcome of Scotland’s Museum. Friends at the World’s Fair of 1904, to [S.l.: s.n.], 1905. be Held in St. Louis, Mo, Commemorat- 46 p.; 10.2 x 16.6 cm. ing the Louisiana Purchase. Cover title: Burns’ Cottage: Catalogue of St. Louis: Burton & Skinner, [1904?]. Relics and Engravings and History of [16] p.: ill., ports.; 20.8 cm. Its Construction. Prospectus for Scottish exhibition Original light green printed wrappers. planned for the 1904 World’s Fair, to be a reproduction of the cottage at Burns’ Cottage (Alloway, Scotland). Alloway. Burns’ Cottage: History of Its Constitution Original black pictorial wrappers. Por- and Cataloge [sic] of Contents of Cottage trait of Burns mounted on upper and Museum. cover. [Ayr]: Printed at the “Ayr Advertiser,” 1913. The Burns Country: Where We Have Been 64 p.; 10 x 16 cm. and What We Have Seen. Preface by W. H. Dunlop, Secretary of London: Post Book Company, [1920?]. the Trustees. 61 p.: ill. (part col.) port., map; 15 cm. Original beige wrappers. Pons Bequest. “For Auld Lang Syne” on upper cover. Cover title: Where We Have Been and Burns’ Cottage (Alloway, Scotland). What We Have Seen—Burns Country. Catalogue of Manuscripts, Relics, Paintings Copy 1. Original glazed tartan- and Other Exhibits in the Cottage and patterned boards. Museum: With Historical Note. Copy 2. Original glazed pictorial wrap- Ayr: T. M. Gemmell & Son, Ayr Adver- pers, adapted for mailing. Sent as gift tiser Works, 1971. to Mrs. F. Roy by Mary Scarlett, 1922, 72 p.: ill.; 21.5 cm. and given by the former to her son Original pictorial wrappers. W. Ormiston Roy, 1938. Burns’ Cottage (Alloway, Scotland). Copy 3. Original brown embossed Robert Burns, Alloway 1759–1796: Burns boards. Cover title: Burns country on Cottage, Museum and Monument tartan-patterned paper label mounted Souvenir Catalogue. diagonally on upper cover. Alloway: Trustees of Burns Monument, Copy 4. Original glazed pictorial wrap- [198–]. pers, adapted for mailing. 18 p.: ill. (some col.), facsims., port.; Burns Exhibition (1896: Glasgow, 25 cm. Scotland). Original pictorial wrappers. Addresses Delivered at the Opening of the Burns’ Cottage (Alloway, Scotland). Burns Exhibition, Glasgow, 15th July, Robert Burns 1759–1796: Cottage, 1896 and at the Public Meeting in Museum, Monument. Commemoration of the Centenary of the Norwich: The Burns Monument Trust Poet’s Death Held in St. Andrew’s Halls, and Jarrold Publishing, c1999. Glasgow, 21st July, 1896. By the Right 1 v. (unpaged): ill. (chiefly col.); Hon. The Earl of Rosebery and others. 24.6 cm. Glasgow: William Hodge, 1896. Original pictorial wrappers. Pons 39 p.; 19.3 cm. Bequest. Burnsiana / 261

Burns Exhibition (1896: Glasgow, Scot- Copy 3. Rebound in green modern land). binder’s cloth. Plate facing p. 352 lack- Catalogue of the Burns Exhibition: Gal- ing. No. 183/400 copies. leries of the Royal Glasgow Institute of Burns Federation. Fine Arts. The Life and Works of Robert Burns: Some Glasgow: W. Hodge & Co., 1896. 20th Century Perspectives. Papers deliv- 486 p.: ill.; 22 cm. ered at the annual conference of the Copy 1. Contemporary half calf, mar- Burns Federation. bled boards. Original light green pic- Calgary: Calgary Burns Club, 1993. torial wrappers bound in. [22] p. of 50 p.; 22.8 cm. advertisements follow text. Copy 1. Original blue pictorial wrappers. Copy 2. Original black half morocco, Copy 2. Original blue pictorial wrap- dark red cloth. Pons Bequest. pers. Burns Exhibition (1896: Glasgow, Scot- Copy 3. Original blue pictorial wrap- land). pers. Pons Bequest. Memorial Catalogue of the Burns Exhibi- Burns Federation Centenary Conference tion Held in the Galleries of the Royal (1985: London, England). Glasgow Institute of the Fine Arts . . . The Burns Federation 1885–1985 Cente- Glasgow, from 15th July till 31st October, nary Conference: Under the Gracious 1896. Patronage of Her Majesty Queen Eliza- Glasgow: W. Hodge; T & R Annan, 1898. beth, The Queen Mother. xxiv, 505 p., [60] leaves of plates: ill., London: The Burns Federation, 1985. facsims.; 31.5 cm. 1 portfolio; 31 cm. Added engraved title page. Conference program, annual report, Original light brown cloth. “This and map of London inserted. book, no. 28 of an edition of 100 Cream-colored card portfolio. Pons copies, has been prepared for David Bequest. M’Cowan, Jr.” List of subscribers, March, 1899 (6 p. on 1 folded leaf ) Burns Federation. Conference. (1970: inserted. Arbroath, Scotland). The Burns Federation Annual Conference Burns Exhibition (1896: Glasgow, Scot- Arbroath, September, 1970. land). Kilmarnock: George Outram & Co., Memorial Catalogue of the Burns Exhibi- Ltd., [1970] tion: Held in the Galleries of the Royal [8] p.: port.; 20 cm. Glasgow Institute of the Fine Arts ... Conference program. Glasgow, from 15th July till 31st October, 1896. Burns Federation. Conference. (1975: Glasgow: W. Hodge & T.& R. Annam, Dundee, Scotland). 1898. Annual Conference of the Burns Federa- xxiv, 505, [5], 6 p., 60 leaves of plates: tion: Dundee 12th, 13th, and 14th ill.; 30 cm. September 1975: Program. Copy 1. Original buff cloth, printed Dundee: The Federation, 1975. paper label on spine. Bookplate of [4] p.; 21 cm. G. A. Dunlop. No. 52/400 copies. Lord Provost Charles D. P. Farquhar Copy 2. Original buff cloth, printed welcomes the conference guests with paper label on spine. Pages uncut. List a 16 line poem about Robert Burns on of subscribers loosely inserted. No. [page 2]. 19/400 copies. Original pictorial wrappers. The G. Ross Roy Collection of Robert Burns / 262

Burns Federation Conference (1992: “Issued by the Directors of Dumfries Ayr, Scotland). and Galloway Royal Infirmary, as Minutes of the Annual Conference: Ayr, trustees and custodians of the 1992. house . . .” 12 p.: port.; 21.5 cm. Original brown pictorial wrappers. Original pink wrappers, stapled Stabbed, tied with tartan ribbon. gathering. Burns’ House (Mauchline, Scotland). Burns Federation World Conference Burns’s House, Mauchline: List of Por- (1993: Alberta, Canada). traits, Books, etc. in the Museum. [Program]. Glasgow: Printed by William Hodge [S.l.: s.n.], 1993. and Company, Ltd., 1923. 4 s.: port.; 21 cm. 13 p.; 18.5 cm. Inscribed to G. Ross Roy by Peter Original wrappers. Rodger, Proxy Delegate for Kirkcaldy Burns’ House (Mauchline, Scotland). Poosie Nancie Ladies Club No. 688. Burns House Museum, Mauchline. “The Burns Festivals: Henry Ward [S.l.: s.n., 1969]. Beecher’s Oration on Burns at the [3] p.; 17.6 cm. Cooper Institute—An Immense Burns’ House (Mauchline, Scotland). Crowd—the Grand Festivals List of Portraits, Books, Etc. in the Tonight—the Centenary of the Museum. Great Poet of Scotland.” Glasgow: William Hodge, 1915. p. 8; 59 x 39 cm. 8 p.; 18.3 cm. Pons Bequest. Title vignette. In: New York Herald (New York, N.Y.: Original wrappers. 1840), no. 8178 ( January 25, 1789). Burns in Drama: Together with Saved Burns’ House (Dumfries, Scotland). Leaves. Edited by James Hutchison Catalogue of Exhibits with Official Hand- Stirling. book of Burns’ House, Dumfries: With London: Longmans, Green, & Co., 1878. Other Memories of the National Poet. vi, 250 p.; 20 cm. Foreword by Sir James Crichton- Bound proof sheets for the first and Browne. only edition, with numerous correc- Dumfries: Robert Dinwiddie, [1956?]. tions in the hand of the editor. [36] p.: ill.; 14.2 x 22.2 cm. Contemporary black half-calf, over “Issued by the Town Council of the gray mauve cloth covered boards, red Royal Burgh of Dumfries, as trustees label, gilt. Binder’s label: J. Pheasey, and custodians of the house . . .” Leeds, inside back cover. Copies 1–2. Original gray pictorial wrappers. Burns’ Monument: Short History and Catalogue of Relics. Burns’ House. (Dumfries, Scotland). Ayr: Printed at the “Ayr Advertiser” Official Handbook of Burns’ House, Office, 1919. Dumfries: And Other Memories of the 30 p.: ill.; 20 cm. National Poet. Foreword by Sir James Original wrappers. Crichton-Brown. Dumfries: Robert Dinwiddie, Burns’ Monument: Short History and [1935?]. Catalogue of Relics. [36] p.: ill.; 14 x 21 cm. Ayr: Printed at the “Ayr Advertiser” Office, [1924?]. Burnsiana / 263

30 p.: ill.; 18.4 cm. Burns Temperance Club (Cumnock, Original light green wrappers. Scotland). Burns’ Anniversary: A Supper Commemo- Burns’ Monument: Short History and rative of the 126th Anniversary of the Catalogue of Relics. Birth of Robert Burns Will Be Given [Ayr?: s.n. 1928?]. under the Auspices of the Burns Temper- 30 p.: ill.; 18 cm. ance Club, in the Lesser Town Hall, Original light gray pictorial wrappers. Cumnock, on Saturday, 24th January, Presentation copy from D. Currie to 1885. W. Ormiston Roy, 1945. [S.l: s.n.], 1885. Burns Society of Charlotte. 1 sheet; 19 cm. Annual Burns Evening: February 11th, Chairman: Mr. James K. Hardie. 2006, The Great Hall of the Charlotte Printed advertisement, single sheet. Museum of History. “Burns, the Northern Bard, Is Likely to [S.l.: s.n.], 2006. Meet with Every Protection which [8] s.: port.; 22 cm. His Great Merits Deserve.” Pictorial wrappers, tied with a gold p. 2; 45.5 x 31.3 cm. cord. In: The Morning Post and Daily Adver- Gift of Carl McIntosh. tiser, no. 4344 ( Jan. 6, 1787). Burns Society of Charlotte. “Burns, the Northern Poet, Makes a 54th Annual Burns Night: February 9th, Rapid Progress in the Knowledge of 2008, Charlotte Country Club. Literature under Dr. Blair . . .” [S.l.: s.n.], 2008. p. 2; 45.5 x 31.3 cm. [2] p.: port.; 21 cm. In: The Morning Post and Daily Adver- Advertisement for Glenfarclas single tiser, no. 4460 ( June 14, 1787). highland malt Scotch Whisky on back cover. “Burns—the Scottish Poet.” p. [1]; 41.5 cm. Burns Society of the City of New York. “Burns, the poet, is now a farmer in To Honor the Memory and Genius of Dumfrieshire.” Robert Burns: This Banquet Is Given, In: The Columbian Centinel (Boston, Commemorating the One Hundred and Mass.: 1790), v. 14, no. 16 (Nov. 6, Fiftieth Anniversary of the Birthday of 1790). Scotia’s Immortal Bard. [New York], 1909. The Burnsian. 1 v. (unpaged): ill., port.; 17 cm. Kilmarnock: The Federation, Original boards stamped in gold. Gift of v.: ill.; 21 cm. Mrs. William O’Donoghue. Four issues yearly New ser., v. 1, no. 1 (Aug. 1991)- Burns Statue Committee. Ceased with issue for Aug. 2000. Proceedings at the Unveiling of a Statue “Incorporating St. Andrew’s Society of Robert Burns in Dominion Square, and Scottish Club News.” Montreal, Que.: Saturday, October18th, Original pictorial wrappers. 1930 at 2:30 o’clock P.M. Holdings: New ser., v. 1, no. 1 [Montreal: s.n., 1930]. (Aug. 1991)-new ser., v. 10: no. 2 [3] p.: port.; 21.7 cm. (2000: Aug.). Souvenir programme. Original cream-colored wrappers. The G. Ross Roy Collection of Robert Burns / 264

Bush-Brown, Louise Carter. Ploughman Poet: A Novel Based Upon the Life of Robert Burns. Philadelphia: Dorrance, [1972]. 219 p.: ill.; 22 cm. “Poems by Robert Burns,” p. [205]–219. Original green cloth, stamped in white on spine. In pictorial dust jacket. Pons Bequest. Byron, May Clarissa Gillington. A Day with Robert Burns. London: Hodder & Stoughton, [n.d.]. [34] p.: col. ill.; 20 cm. Published also under title: A Day with the Poet Burns. Cover title: Burns: Days with the Poets. Original gray boards. Colored illustra- tion mounted on upper cover. Byron, May Clarissa Gillington. A Day with the Poet Burns. London: Hodder & Stoughton, [1909?]. 47, [1] p.: col. plates; 20.1 cm. “Burns—the Scottish Poet,” Columbian Days with the Poets. Centinel (November 6, 1790) Copy 1. Original gray boards. Colored illustrations mounted on upper cover. The Burnsian and Review of Scottish Copy 2. Imprint: London: Hodder & Literature. Stoughton; Toronto: Henry Frowde. [Paisley]: Burns Federation, 1987–1989. Byron, May Clarissa Gillington. 1 v.: ill., ports., facsims.; 45 cm. Days with the Lyric Poets: Burns, Keats, Official journal of the Burns Federa- Longfellow. tion. [London]: Hodder & Stoughton, Imperfect: issue no. 3 wanting p. 1–2. [1926?]. Holdings: No. 2 (March 1987)-No. 12 [128] p., [13] leaves of col. plates: ill.; (Sept. 1989). 19.6 cm. Burns’s Death-Bed Song. Plates tipped in. [S.l.: s.n., 1810?]. Original green cloth, stamped in gold. 1 sheet; 18.7 cm. Portraits of Keats, Longfellow, and Lyrics begin “I wearin awa’ Jean.” Burns mounted on upper cover. Mackay (Burns A to Z, B78) gives 1876 Cairney, John. as the earliest date for this song. Immortal Memories: A Compilation of Burroughs, John. Toasts to the Immortal Memory of “Burns, the Glorious Sinner: An Robert Burns as Delivered at Burns Unpublished Essay.” Suppers Around the World Together with p. 193–199; 24 cm. Other Orations, Verses and Addresses, Original wrappers. 1801–2001. In: Boston Public Library Quarterly, v. 11, Edinburgh: Luath, 2003. no. 4 (Oct. 1959). 425, [7] p.; 21 cm. Burnsiana / 265

Advertisements follow text. Campbell, Austin. Original red cloth, stamped in gold on Burns: Screenplay. spine. In pictorial dust jacket. 1972. 179 l.; 28 cm. Cairney, John. Typescript, carbon copy. “A Moment White.” Research material by Copy 1. Proposed schedule of 1st Inter- Alannah O’Sullivan, illustration and national Scottish Festival of Art, typography by Irene Dickson. Music, and Drama April 2–11, 1981, Glasgow: George Outram & Co., 1986. laid in. [32] p.: ill., port., facsims.; 29.6 cm. Copy 2. Pons Bequest. “200 years of the Glasgow Herald, Scot- land’s newspaper, and Scotland’s Campbell, J. national bard”—Cover. The Land of Robt. Burns and Other Pen Photography of press cuttings by & Ink Portraits. Bob Fleming, original idea by Roy Seaforth [Ont.]: Printed at the office of McCallum. the Seaforth Sun, 1884. Copy 1. Original wrappers. 257 p.; 15 cm. Copy 2. Original wrappers. Pons Original yellow printed wrappers. Sig- Bequest. nature of W. Ormiston Roy, Oct. 18, 1894. Cairney, John. On the Trail of Robert Burns. Campbell, J. R. Edinburgh: Luath Press, 2002, c2000. Burns, the Democrat. xxviii, 158, [6] p.: ill., maps; 21 cm. Glasgow: Caledonian Books, 1945. Advertisements follow text. 40 p.; 18 cm. Original pictorial wrappers. Scottish Art & Letters. Original red, black, and white wrappers. Cairns, David. Robert Burns and the Religious Move- Campbell, J. R. ments in the Scotland of His Day. Robert Burns the Democrat. [S.l.]: Carlyle Society, 1962. Glasgow: Scottish Committee of the 18 p.; 22 cm. Communist Party, 1959. Thomas Green Lectures; no. 3. 39, [1] p.; 18.1 cm. Original light-blue-green wrappers. Original red, white and black pictorial wrappers. In pamphlet binder. Calney, Mark. Robert Burns & the Ideas of the American Campbell, W. B. Revolution. A Burns Companion: Being Everybody’s Glasgow: Scots for Peace and Freedom, Key to Burns’ Poems. c1996. Aberdeen: J. Blair, [1953]. 79 p.: ill., maps, ports.; 20.9 cm. 207 p.: maps; 21.6 cm. Original wrappers. Original blue cloth, in dust jacket. Author’s presentation copy, auto- Campbell, Angus Peter. graphed letter signed, dated 25 Jan. The Greatest Gift. 1954, tipped in front. Sleat: Fountain Publishing, c1992. x, 165 p.; 22 cm. Carlton, W. N. C. The poem entitled “Take a cup o kind- The Kilmarnock Burns, 1786. ness yet” on pages 97–98 is about New York: G. D. Smith Book Co., 1927. Robert Burns. 7 p.: ill.; 20 cm. Original pictorial wrappers. Famous First Editions, Bibliographical and Descriptive Notes; no. 1. The G. Ross Roy Collection of Robert Burns / 266

“Five hundred copies printed at the xx, [2], 138 p.: port.; 17 cm. Mosquito Press.” Preface dated: January, 1897. Original buff wrappers. Original cloth. Signature of Veronica Wittet Stewart. Carlyle, Thomas. Burns. London: Chapman and Hall, 1854. 88 p.; 17 cm. Biographical Essays by Thomas Carlyle; no. II. First printed in the Edinburgh Review, no. XCVI (December, 1828) on the occasion of the publication of The Life of Robert Burns by J. G. Lockhart. Copy 1. Later nineteenth century quarter roan, marbled boards. Armorial bookplate of John Walford Mackenzie. Copy 2. Original light blue-green wrap- pers, lettered in black. First edition, only printing. Copy 3. Original light blue-green wrappers, lettered in black. Pons Bequest. Copy 4. Original glazed cloth, with gold lettering on spine. Pons Bequest. Carlyle, Thomas. Burns. Edited for school use by George B. Aiton. Chicago: Scott, Foresman, c1898. Thomas Carlyle’s study of Burns, 147 p.: ill.; 17 cm. reprinted from the Edinburgh The Lake English Classics. Review (1828) Original light blue cloth. Carlyle, Thomas. Carlyle, Thomas. Carlyle’s Essay on Burns. Edited by Carlyle’s Essay on Burns. Edited by Charles L. Hanson. Charles L. Hanson. Boston: Ginn, 1898, c1897. Boston: Ginn & Co., c1897. xxv, 84 p.: port.; 18.5 cm. xxv, 84 p.; 19 cm. Standard English Classics. Standard English Classics. Original light green cloth, lettered in Original light green cloth, stamped in darker green. Signature of Minnie black. Pons Bequest. Blanche Ellis. Carlyle, Thomas. Carlyle, Thomas. Carlyle’s Essay on Burns. Edited with Carlyle’s Essay on Burns. Edited, with introduction and notes by Andrew J. introduction and notes, by Andrew J. George. George. London: D. C. Heath & Company, Boston: D. C. Heath, 1904, c1897. [1897?]. xx, 138 p.: port.; 16.5 cm. Burnsiana / 267

Original buff cloth, stamped in brown. New York: Macmillan; London: Gift of Rodger L. Tarr. Macmillan, 1916, 1900. xlix, 186 p.: port.; 13.9 cm. Carlyle, Thomas. Macmillan’s Pocket Classics. Carlyle’s Essay on Burns. With poems and Copy 1. Original brown cloth. Reprinted songs from Burns. Edited by Sophie C. . . . June 1916. Hart. Copy 2. Original brown cloth. New York: Henry Holt, 1929. Reprinted . . . January 1916. Gift of xxxiii, 108 p.: ill., port.; 16.8 cm. Rodger L. Tarr. Original red cloth. Carlyle, Thomas. Carlyle, Thomas. Carlyle’s Essay on Burns: With The Cotter’s Carlyle’s Essay on Burns: With The Cotter’s Saturday Night and Other Poems from Saturday Night and Other Poems from Burns. Edited with notes and an Burns. Edited with notes and an introduction by Willard C. Gore. introduction by Willard C. Gore. New York: Macmillan; London: New York; London: Macmillan, 1905, Macmillan, 1917, c1900. c1900. xlix, 186, [6] p.: port.; 13.9 cm. xlix, 186 p.: ports.; 15 cm. Macmillan’s Pocket Classics. Macmillan’s Pocket English Classics. [6] p. of publisher’s advertisements Original maroon cloth, lettered in follow text. white. Reprinted . . . July 1905. Original brown cloth, stamped in gold Carlyle, Thomas. and black. Set up and electrotyped Carlyle’s Essay on Burns: With The Cotter’s August, 1900. Reprinted . . . June 1917. Saturday Night and Other Poems from Carlyle, Thomas. Burns. Edited with notes and an Carlyle’s Essay on Burns: With The Cotter’s introduction by Willard C. Gore. Saturday Night and Other Poems from New York: Macmillan, 1906, c1900. Burns. Edited with notes and an xlix, 178 p.; 14.3 cm. introduction by Willard C. Gore. Macmillan’s Pocket English Classics. New York; London: Macmillan, 1919. Original maroon cloth. xlix, 186 p.: ports.; 13.8 cm. Carlyle, Thomas. Macmillan’s Pocket English Classics. Carlyle’s Essay on Burns: With The Cotter’s Original brown cloth. Signature of Saturday Night, and Other Poems from J. Taylor. Burns. Edited with notes and an Carlyle, Thomas. introduction by Willard C. Gore. Carlyle’s Essay on Burns: With The Cotter’s New York; London: Macmillan, 1909, Saturday Night and Other Poems from c1900. Burns. Edited with notes and intro- xlix, [1], 186 p.: ports.; 14.2 cm. duction by Willard C. Gore. Macmillan’s Pocket English Classics. New York; London: Macmillan, 1920. Original gray-green pictorial cloth. xlix, 186 p.: port.; 13.9 cm. Reprinted . . . July 1909. Signature of Macmillan’s Pocket English Classics. Cornelia Thomas. Original brown cloth. Carlyle, Thomas. Carlyle, Thomas. Carlyle’s Essay on Burns: With The Carlyle’s Essay on Burns: With The Cotter’s Cotter’s Saturday Night and Other Saturday Night and Other Poems from Poems from Burns. Edited with notes Burns. Edited with notes and an and an introduction by Willard C. introduction by Willard C. Gore. Gore. The G. Ross Roy Collection of Robert Burns / 268

New York: Macmillan, 1922, c1900. Boston; New York; Chicago; Dallas; xlix, 186 p.: port.; 14 cm. San Francisco; Houghton Mifflin, Macmillan’s Pocket Classics. [1896?]. “Set up and electrotyped August, 1900. xxi, 164 p.: port.; 17.4 cm. This printing 1922.” Riverside Literature Series; 105. Original brown cloth. Signature of Original buff printed wrappers, black Edith Scribner Faircloth. cloth spine. Carlyle, Thomas. Carlyle, Thomas. An Essay on Burns. With an introduction Essay on Burns. Edited by John Downie. and notes by J. W. Abernethy. Edinburgh; London: William Black- New York: Maynard, Merrill, 1892. wood, 1900. 72, 4, 4 p.; 17 cm. xlviii, 116 p.: ports.; 17.7 cm. English Classics Series; no. 70. Blackwood’s English Classics. Title vignette portrait. 16 pages of publisher’s advertisements Advertisements for Maynard’s German follow text. texts, 4 p. and Maynard’s French Copy 1. Original cream-colored cloth, texts, 4 p. follow text. stamped in red and black. Original tan wrappers, printed in Copy 2. Original buff cloth, stamped in blue, stapled gathering. Gift of Ed red and black. Madden. Carlyle, Thomas. Carlyle, Thomas. Essay on Burns. Edited by John Downie. Essay on Burns. Edited by Henry W. Edinburgh; London: William Black- Boynton. wood, 1906. Boston; Chicago: Allyn and Bacon, 1895. xlviii, 116 p.: ports.; 17.5 cm. 65, 247–258 p.; 18 cm. Blackwood’s English Classics. Academy Series of English Classics. Sixteen-page publisher’s catalog, Copy 1. Original light gray cloth, let- undated, follows text. tered in black. Signature of Ada L. Original white pictorial cloth. Gift of Meharry, 1911. Matthew J. Bruccoli for the Roy Copy 2. Original light gray cloth, let- Collection. tered in black. Carlyle, Thomas. Carlyle, Thomas. Essay on Burns. Essay on Burns. Edited with introduc- Oxford: Clarendon Press, 1909. tion and notes by George R. Noyes. 64 p.; 16.7 cm. Boston; New York [etc.]: Houghton, Oxford Plain Texts. Mifflin, [c1896]. Carlyle, Thomas. xvii, [1], 86 p.; 17.5 cm. Essay on Burns. Edited by Henry W. Riverside Literature Series; [105]. Boynton, with introduction on the Copy 1. Original tan cloth, lettered in life and work of Thomas Carlyle and black. of Robert Burns, notes, selections Copy 2. Original buff printed wrappers. from the poems of Burns, and a Prices on bottom of cover. glossary. Carlyle, Thomas. Boston: Allyn and Bacon 1922. Essay on Burns. With selected poems by 135 p.: port.; 16.3 cm. Robert Burns, with notes, introduc- The Academy Classics. tion, full study and teaching equip- Original dark blue cloth. ment by Thomas L. Doyle. Burnsiana / 269

Carlyle, Thomas. Carlyle, Thomas. An Essay on Robert Burns. “Robert Burns: From the Edinburgh New York; Cincinnati [etc.]: American Review.” Book Company, 1896. p. 2; 55 x 42 cm. 90 p.: ill., port.; 19 cm. Excerpt from Carlyle’s review of “Written in 1828 for the Edinburgh John Lockhart’s biography of Burns Review”—Introduction. reprinted from the Edinburgh Review, v. 48, Dec. 1828. Carlyle, Thomas. Essays on Burns and Scott. Carlyle, Thomas. London: Cassell, 1892. Scottish and Other Miscellanies. 192 p.; 14.2 cm. London: Dent, 1915. Cassell’s National Library. xi, 339 p.; 17.1 cm. Original dark blue cloth. Everyman’s Library; 703. Original orange cloth. Inscription dated Carlyle, Thomas. Christmas 1917. Essays on Burns and Scott. With an intro- duction by Henry Morley. Carlyle, Thomas. London; New York: Cassell, 1904. Scottish and Other Miscellanies. 192 p.: port.; 16 cm. London; Toronto: Dent; New York: Cassell’s National Library. Dutton 1923, c1915. Copies 1–2. Original red cloth. xii, 339 p.; 17.2 cm. Everyman’s Library. Essays and Carlyle, Thomas. Belles-Lettres. Essays on Burns and Scott. With an intro- Copies 1–2. Original orange cloth. duction by Henry Morley. London: Cassell, 1909. Carlyle, Thomas. 192 p.: port.; 16 cm. Thomas Carlyle’s Essay on Robert Burns. Cassell’s National Library. Edited by W. K. Wickes. Original red cloth, lettered in black. Boston: Leach, Shewell, & Sanborn, Signature of Margaret L. Missen, c1896. August, 1914. iv, 110 p.; 17 cm. The Students Series of English Classics. Carlyle, Thomas. Original tan cloth, stamped in redition Life of Robert Burns. Signature of C. F. Drury, Urbana, Ill., New York: American Book Exchange, former owner, on free front endpaper. 1880. 52, [6] p.; 16 cm. Carnie, Robert H. Advertisements inside covers and Burns Illustrated: A Short Study of Selected following text. Illustrations (1795–1925) of the Poems Original green wrappers. and Songs of Robert Burns. Calgary: Calgary Burns Club, 2000. Carlyle, Thomas. 143 p.: ill. (some col.); 28 cm. “Review of Lockhart’s Life of Robert Published in a limited edition of 300 Burns.” copies. Numbered print of J. E. p. [267]–312; 20.6 cm. Christie’s painting of a scene from Contemporary quarter cloth, boards. Tam o’ Shanter, 157 of 300. In: The Edinburgh Review (1802), v. 48 Original red cloth, print loosely (Dec. 1828). inserted. The G. Ross Roy Collection of Robert Burns / 270

Carnie, Robert H. Carruthers, Gerard. Burns 200: 200 Items Central to the Study “The Word on Burns.” of Robert Burns, a Guide for Burnsians. p. 16–22: ports.; 30 cm. Calgary: Schiehallion, 1996. Original pictorial wrappers. 67 p., [4] p. of plates: ill. (some col.); In: Drouth, no. 3 (Winter 2002). 22.9 cm. Carswell, Catherine MacFarlane. “Issued by Schiehallion (A Burns Fed- The Life of Robert Burns. eration Club in Calgary) in honour of London: Chatto & Windus, 1930. the Two Hundreth Anniversary of the xiii, 467 p.: ill., port., facsim. (music); death of Scotland’s National Poet.” 23 cm. Copy 1. Original pictorial wrappers. Gift Copy 1. Original blue cloth in pictorial of the author. dust jacket. Inscribed by the author Copy 2. Original pictorial wrappers. to William Roughead, with his book- Pons Bequest. plate. Laid in: Publisher’s prospectus; Carrick, John Charles. four reviews from The Weekly Scots- William Creech, Robert Burns’ Best man, The Bulletin, The Glasgow Herald, Friend. and The Courier Advertiser; and three Dalkeith: Printed by P. & D. Lyle, 1903. autograph letters signed from Robert 39 p.; 18.3 cm. Lord Alness to William Roughead. Original red wrappers, lettered in black. Copy 2. Contemporary dark blue half- morocco, gilt-stamped spine. Extra- Carroll, David. illustrated with 56 additional plates. Burns Country. Pictorial bookplate of “Boult” on Stroud, Gloustershire: Sutton Publish- front pastedown. ing, 1999. 125, [3] p.: ill., maps, facsims.; 24.4 cm. Carswell, Catherine MacFarlane. Britain in Old Photographs. The Life of Robert Burns. Original wrappers. [2nd edition]. London: Chatto & Windus, 1951. Carruth, James Aloysius. xii, 467 p.: ill., port., facsim. (music); 22 Robert Burns’ Scotland. cm. Norwich: Jarrold and Sons, 1971. First published 1930. [34] p.: ill. (chiefly col.), facsims, col. Original green cloth. map, ports. (some col.); 25 cm. Copy 1. Original pictorial wrappers. Carswell, Catherine MacFarlane. Copy 2. Original pictorial wrappers. The Life of Robert Burns. Variant printing, see colophon. Pons Edinburgh: Canongate, 1990, c1930. Bequest. xiii, 414 p.; 20 cm. Canongate Classics. Carruthers, Gerard. Originally published: London: Chatto & Robert Burns. Windus, 1930. North Cote: British Council, 2006. Copy 1. Original pictorial wrappers. xii, 116 p.; 21.5 cm. Advertisements follow text, [2] p. Writers and Their Work. Copy 2. Original pictorial wrappers. Original pictorial wrappers. Presenta- Variant cover illustration. Advertise- tion copy inscribed “To Ross, Lucie, ments follow text, [3] p. Pons and W. W. with affectionate regards.” Bequest. In the private collection of G. Ross Roy. Burnsiana / 271

Carswell, Catherine MacFarlane. “I have the pleasure of handing for Robert Burns. your acceptance a copy of my late London: Duckworth, 1933. father’s edition of Burns, together 141, [2] p.; 18.5 cm. with a letter from the poet’s neice . [sic] [underlined] Isabella Begg. This, Original orange-brown cloth. Presenta- though I have not been able to get one tion label: From a patron of a Gau- from Burns’ sister, may prove a not mont-British Theatre. Stamp of unfitting accomplishment to the Royal Naval War Libraries. immortal verse of Scotia’s darling bard.” Carswell, Catherine MacFarlane. Robert Burns. Chisholm, D. New York: Macmillan, 1933. Robert Burns: The Representative of 141 p.; 18.5 cm. His Era. Great Lives; [16]. Glasgow: George Watson, 1859. Original red cloth. Pictorial dust jacket. 48 p.; 16 cm. Original yellow printed wrappers. Cavaye, J. Stanley. History of the Burns Monument, Edin- Christie, John. burgh. The Deil’s Reply to Robert Burns. Edinburgh: Edinburgh and District Aberdeen: Milne & Stephen, The Burns Clubs Association, 1961. Caxton Press, 1912. [8] p.: ill.; 15.3 x 18.5 cm. 16 p.; 18.5 cm. Original pictorial wrappers. “Dedicated to the Aberdeen Buchan Association.” Celebration of the 111th Anniversary of Original buff wrappers, lettered in Robert Burns’ Natal Day, at Del- black. monico’s Hotel, New York, January 25th, 1870. Christie, Manson & Woods. New York: H. Read & Co., Young [Catalogue of Auction]. America Press, 1870. London: Christie, Manson & Woods, 52 p.; 23 cm. 1992–. Original blue wrappers. Contributor’s v.: col. ill.; 20–29 cm. presentation inscription on upper Description based on: July 16, 1943 issue; cover. Pons Bequest. title supplied by cataloger. Robert Burns items: 107 and 117 in cata- Chalmers, Margaret. logue dated November 29, 1967. Poems. Holdings: 7574 (1992: Nov. 20), 8194 Newcastle: Printed by S. Hodgson, 1813. (1995: May 19), 8536 (1996: Nov. 8), viii, 160 p.; 23 cm. 8792 (1997: Dec. 5), 8920 (1998: May Includes “Verses in Humble Imitation of 29), 9012 (1998: Dec. 8), 9178:2 pts. Burns.” (1999: June 9), 9312 (1999: Dec.10), Includes half-title and list of sub- 9364:2 pts. (2000: May 19), 9534 scribers. (2000: Nov. 29), 9548 (2000: Dec. 14), Original blue paper covered boards, 9652B (2001: May 22). untrimmed. Clark, John McDonald. Chambers, Robert. Burns Walk from the Memoried Past: The Letter, 1881, Decr. 10, 339 High Street, Poems and Songs of John McDonald Edinburgh to Richard Blimt Mitchell. Clark. 1 item (1 sheet folded); 17.8 x 11.4 cm. Dumfries: D. C. Clark & J. Clark, 1992. The G. Ross Roy Collection of Robert Burns / 272

57 p.: ports.; 21 cm. performance by the Tannahill Choir Original wrappers. at concerts commemorating both Robert Tannahill and Robert Burns Clarke, John S. anniversaries. “The Raeburn-Burns Mystery.” Pons Bequest. p. 5; 44 cm. With holograph note in pencil from Collie, John, of Boyndie. Robert to W. Ormiston Roy “Willie, Poems and Lyrics in the English and Scotch Perhaps this will interest you. Dialects. Robert.” Banff: Journal Office, for the author, Detached from the Glasgow Daily Record 1856. and Mail, March 2, 1935. viii, [9]–152 p.; 18.4 cm. Includes the poem “An Hour Among the Cloudsley, Tim. Poets,” a tribute to Robert Burns and Poems. other English and Scots poets. Edinburgh: Dionysia Press, 1998. Original blue cloth, stamped in gold. 80 p.; 20.5 cm. Includes “To Robert Burns” and “On Combe, George. Hearing Songs by Robert Burns.” Phrenological Development of Robert Original wrappers. Burns. From a cast of his skull moulded at Dumfries, the 31st day of Club Greenock. March, 1835. With remarks by George Thirty-fourth Burns Supper, IBM Club- Combe. house, Saturday, 29th January 2000. Edinburgh: W. & A. K. Johnston, 1859. [Greenock: Westwood, 2000] 7 p.: ill.; 23 cm. [8] p.: ports.; 21 cm. First published April 30, 1834, reprinted Original blue wrappers, stapled gather- January 1859. ing. Pons Bequest. Original light blue wrappers, stapled Coddington, David Smith. gathering. Newspaper clipping from a Speeches and Addresses of the Late Hon. lecture in Liverpool in 1835 inserted. David S. Coddington. With a biographi- Connaissance de l’étranger; mélanges offerts cal sketch. à la mémoire de Jean-Marie Carré. New York: D. Appleton & Company, Paris: M. Didier, 1964. 1866. xx, 527 p.: maps, ports.; 24 cm. xxxii, 177 p.: ill.; 23.5 cm. Études de littérature étrangère et com- A majority of the speeches and parée; 50. addresses in the volume were deliv- “Burns en France . . . ,” p. [485]–503. ered during the Civil War. Original wrappers. Partially unopened. Editor’s signed presentation copy to W. H. Marston. Connor, Jim. “The Burns Centennial Festival,” Chronicle of the 200th Anniversary of the p. 1–8. Death of Robert Burns: Canada 1996. Original black cloth, stamped in gold London, Ont.: J. Connor, 1997. and blind. 405 p.: ill., ports.; 26.1 cm. Copy 1. Original dark blue cloth, in [Collection of Partsong Books for Tannahill pictorial dust jacket. No. 259/500. and Burns Anniversary Concerts]. Copy 2. Orginal pictorial boards, in Paisley: J. and R. Parlane, 1877–1917. pictorial dust jacket. Not limited. ca. 200 p. of music; 26 cm. Pons Bequest. Partsong books in both staff and tonic solf-fa notation produced for Burnsiana / 273

Cook, Davidson. xiii, 232 p.; 25 cm. Burns Manuscripts in the Honresfeld Fontane’s translations of two poems by Collection of Sir Alfred . Robert Burns is discussed on p. 34–35. Glasgow: Printed for private circula- Original black boards, stamped in red tion, 1928. on spine. In pictorial dust jacket. 35 p.: facsims.; 23 cm. Advance copy. Slip loosely inserted. “One hundred copies reprinted from Craig, John Ronald. the Burns Chronicle, 1926–27–28, by The Book of the Century. W. Hodge & Co., Ltd., Glasgow.” 1st edition. Sir Alfred James Law’s name corrected Glasgow: Maclaren, 1956. to Sir Alfred J. Law in ink on cover 261 p.; 17 cm. and title page. Author’s signed pres- Original wrappers, pink dust jacket. entation copy to Professor Robert Inscribed by the author. Dewar, 1928. Craigie, William A. Corkran, Alice. A Primer of Burns. The Poets’ Corner, or, Haunts and Homes London: Methuen, 1896. of the Poets. Illustrated by Allan Bar- 187 p.; 19 cm. raud with introduction by Fred E. Copy 1. Original dark green cloth. Pub- Weatherly. lisher’s catalogue, 40 p., dated May, London: E. Nister; New York: E. P. 1896, bound in following text. Dutton, [1892]. Copy 2. Original dark green cloth. Later [64] p.: ill., front.; 20 cm. issue, with publisher’s catalogue Includes [7] on the homes and haunts of dated February, 1907. Burns. Original in teal pictorial cloth. “Aunt Craigmillar Festival of Music, Drama, Eliza, From Cecil and Ned, Xmas 00” Art and Sport (8th: 1972). written on front endpaper. From the Robert Burns Craigmillar Edition: Pro- library of Robert J. Wickenheiser. gramme of the Craigmillar Festival of Music, Drama, Art and Sport 10th–17th Cox, Robert. June 1972. An Essay on the Character and Cerebral [Edinburgh?: Craigmillar Festival, Development of Robert Burns. . . . With 1972]. observations on the skull of Burns, by 61 p.: ill.; 17 cm. the late George Combe. “Poems & Songs of Robert Burns at the Edinburgh: A. Stewart, Phrenological Craigmillar Festival 1972,” p. 35–61. Museum, 1859. Printed on yellow paper. 26 p.: port.; 21.7 cm. Original brown pictorial wrappers. Reprinted from the Phrenological Journal for September, 1834. Crawford, Robert. Copy 1. Original light green wrappers, Devolving English Literature. lettered in black. Oxford: Clarendon Press; New York: Copy 2. Contemporary marbled Oxford University Press, 1992. wrappers, paper label, holograph viii, 320 p.; 24 cm. lettering. Contains numerous references to Burns. Original wrappers. Craig, Gordon Alexander. Theodor Fontane: Literature and History Crawford, Robert. in the Bismarck Reich. ‘Heaven-taught Fergusson’: Robert New York: Oxford University Press, Burns’s Favourite Scottish Poet: Poems 1999. and Essays. The G. Ross Roy Collection of Robert Burns / 274

East Linton: Tuckwell, 2003. Copy 2. Original green cloth, upper xiii, 239 p.; 24 cm. cover stamped in gold. Annotated Original pictorial wrappers. copy. Presented by Davidson Cook to Frank Kidson, 19 April 1920. Pons Crawford, Thomas. Bequest. Burns: A Study of the Poems and Songs. Edinburgh: Oliver and Boyd, 1960. Crichton-Browne, James. 400 p.; 21.5 cm. Burns from a New Point of View. With a Original dark blue cloth. Author’s foreword by the Rt. Hon. James Ram- signed presentation copy. say MacDonald, P. C. New edition. Crawford, Thomas. London: W. Hodge and Company, Lim- Jean Armour’s “Double and Adieu.” ited, 1937. [Edinburgh?]: Scottish Studies, 1963. xv, 130 p.; 19 cm. p. 37–[46]; 22 cm. Original dark blue cloth. Signatures of Reprinted from Scottish Studies, v. 7, George Hope Tait, George R. Hardie, part 1, 1963. W. Ormiston Roy, and others. Original wrappers. Author’s signed presentation copy. Crichton-Browne, James. Burns from a New Point of View. Crerar, Duncan Macgregor. London: Hodder and Stoughton, [1926]. Robert Burns: An Anniversary Poem. 92 p.; 19 cm. London; Belfast; New York: Marcus Original dark blue cloth. Author’s auto- Ward, 1885. graph letter mounted inside front 16 leaves: ill., port.; 13.5 x 22 cm. cover. Printed on rectos only. “ . . . Read by the author before the A Critique on the Poems of Robert Burns. Burns Society of New York at the Edinburgh: Printed by J. Brown, for celebration of the one hundred and Bell & Bradfute, 1812. twenty-sixth anniversary of the birth- iv, 70 p.: port.; 22.3 cm. day of the Scottish national bard.” Attributed to . Original gray pictorial wrappers. Some plates engraved for Morison’s edi- tion of Burns’s poems. Crichton, A. Copy 1. Modern quarter roan, boards. The Land o’ the Leal: Irrefutably Proved Original paper label on upper cover. from a Searching Investigation To Be the Bookplate of John Needles Chester. Deathbed Valediction of Robert Burns. Copy 2. Later calf, stamped in gold and With an introduction by Wm. M. blind. Rehinged plates vary slightly Stenhouse. from those in copy 1. 3rd edition, containing the latest discov- eries, including a very vital disclaimer Cromek, R. H. by Baroness Nairne. Illustrations of the Poems of Robert Burns: Peterhead: Printed and published by Engraved from Designs by T. Stothard, P. Scrogie, 1919. and a Portrait of Dr. Currie from an 118 p.: port.; 19 cm. Original Picture by H. Hone. Copy 1. Newspaper clippings concern- London: T. Cadell and W. Davies; Edin- ing Lady Nairne inserted. Autograph burgh: W. Creech, 1814 (London: letter tipped in containing notes on J. M’Creery). The Land o’ the Leal initialed A.B. [13] leaves: all ill.; 30 cm. [Alexander Brown]. Burnsiana / 275

Thirteen plates, each, except for the Cunningham, Allan. portrait, marked “Proof.” The plates “Allan Cunningham’s Recollections of are marked with volume and page Burns,” p. 327–329. numbers to indicate their positioning In: The Mirror of Literature, Amusement, in the Cadell & Davies edition(s) of and Instruction, No. 312 (May 17, the Works of Robert Burns. Each plate 1828). is dated Jan. 1, 1814 (one: Jany. 1814). Letters, I, 293. Later gilt-decorated brown morocco, Cunningham, Allan. by Rivière. Letter, 1833, September 25, Belgrave Cross, Alexander. Place to Archibald Hastie. The Immortal Memory: A Speech to the 1 item (1 s.); 18.5 x 12 cm. Members of the Rosebery Burns Club, Re. his Burns edition. Cunningham January 24, 1906. promises to call on Hastie, who had [Glasgow?: The Club?, 1906]. just come back from Scotland, to take 20 p.: port.; 18.5 cm. “notes from the Burns Lease and Frontispiece portrait of Burns by Manuscripts” for the new biography: Skirving. “I am now well advanced in the great Original green wrappers. Poet’s life and am writing it like a true Scotchman and a lover of genius. Crosthwaite, Joseph. I take for my motto ‘a mans [sic] a Address to Robert Burns: Commemorative man for a that.’” of the Centenary of His Advent into Spirit Life. Cunningham, Allan. Glasgow: J. M. Smith, “Glasgow The Life and Correspondence of Robert Evening News,” [1896]. Burns. [4], 8, [4] p.; 22 cm. London: James Cochrane, 1836. [4] p. of advertisements preceeding and 380 p.; 17 cm. following text. Original green cloth, stamped in gold Original printed wrappers. and blind. Label with former owner’s signature on pastedown with a news- Crozier, Eric. paper clipping about Robert Burns. Rab the Rhymer: A Play in Three Acts on the Life and Songs of Robert Burns. Cunningham, Allan. London: J. Garnet Miller, [1953]. The Life and Land of Burns. By Allan 64 p.: ill.; 19 cm. Cunningham, with contributions by Copy 1. Original blue boards. In white Thomas Campbell, to which is pre- dust jacket. fixed an essay on the genius and writ- Copy 2. Original blue boards. In white ings of Burns. dust jacket. Ownership inscription of New York: J & H. G. Langley, 1841. Hans Oppenheim, conductor and vii, 363 p.; 18.6 cm. director of the Saltire Singers, on [12] p. of advertisements at front. front endpaper. Copy 1. Original green cloth, stamped in gold and blind. Cuddihy, Deedee. Copy 2. Binding variant. Original How to Murder a Haggis. brown cloth, stamped in gold and Glasgow: Deedee Cuddihy, 2007. blind. 99 p.: ill.; 14.5 cm. Original pictorial wrappers. Cunningham, Allan. In the private collection of G. Ross Roy. The Life of Robert Burns. London: J. Cochrane, 1835. The G. Ross Roy Collection of Robert Burns / 276 viii, 380 p., [1] leaf of plates: port.; “The additional matter is distinguished 16.3 cm. from the original, by being within Contemporary calf, gilt. Prize volume brackets.” —Preface. awarded John Raeburn, Edinburgh Bound with Burns, Robert. The Prose Institution prize binding. Works of Robert Burns. With the notes of Currie and Cromek. Edinburgh, Currie, Helen. 1839. Burns, Robert. The Poetical Poems. Works. Edinburgh, 1838. Ramsay, Philadelphia: Printed by Thomas H. Allan. Select Poetical Works. Edin- Palmer, 1818. burgh, 1838. Tennant, William. Anster viii, [5]–150 p.; 14.3 cm. Fair and Other Poems. Edinburgh, Contemporary tree calf. 1838. Currie, James. Copy 1. Contemporary brown quarter The Life of Robert Burns. By Dr. Currie cloth, green cloth-covered boards. with his correspondence and frag- Ownership inscriptions of John Cook ments. and Elizabeth Wilson Carmichael at London: Printed by J. F. Dove, . . . , head of title page. Spine title: Scottish 1826. Poems. [4], 548 p.: ill.; 13 cm. Copy 2. Contemporary dark blue half Dove’s English Classics. calf, marbled boards, spine gilt. Added engraved title page, with Printed booklabel of Robert Cook vignette: Burns’ Letters and Life, inside upper cover. complete. Currie, William Wallace. Contemporary red straight-grained Memoir of the Life, Writings, and Corre- morocco. Ownership inscription of spondence of James Currie. James [?] Williams, March 1833, on London: Printed for Longman, Rees, preliminary leaf and of W.R., 9th Orme, Brown, and Green, 1831. Sept., 1932, Edinburgh, on verso of 2 v.: port.; 23 cm. front free endpaper. Later [ca.1880] “A letter, commercial and political, steel engraving of Burns after Nas- addressed to the Rt. Hon. William myth pasted on verso of preliminary Pitt: in which the real interests of leaf. Britain, in the present crisis, are Egerer, 304. considered, and some observations Currie, James. are offered on the general state of The Life of Robert Burns. With a criti- Europe. The 4th edition Jasper cism on his writings. Originally pub- Wilson, Esq.” [pseud.]: lished in connection with the works v. 2, p. [391]–503. of Burns, in 1800, here considerably Nineteenth century maroon half calf, extended by additional particulars, marbled boards. many of which were never before Curtis, George William. made public. Robert Burns: An Address. At the unveil- Edinburgh: W. and R. Chambers; Lon- ing of the statue of the poet in Central don: W. S. Orr and Company, 1838. Park, New York, October 2, 1880. ii, 76 p.; 27 cm. New York: For private circulation, Preface signed “R.C.” i.e. Robert Cham- 1880. bers. 28 p.; 24.7 cm. “Ode to the Memory of Burns, by Thomas Campbell,” p. [6]. Burnsiana / 277

Original buff wrappers. Signature of Daiches, David. George R. Bishop, 1880. Robert Burns. London; New York: Longmans, Green, Cuthbertson, John. [1963]. Complete Glossary to the Poetry and Prose 39 p.: port.; 22 cm. of Robert Burns. With upwards of Bibliographical Series of Supplements three thousand illustrations from to British Book News on Writers and English authors. Their Work, no. 88. Paisley; London: A. Gardner, 1886. vi, 464 p.; 20 cm. Daiches, David. Copy 1. Original olive-green cloth with Robert Burns. gold lettering on spine. Revised edition. Copy 2. Original brown-green cloth London: Deutsch, 1966. with gold lettering on spine. 334 p.; 21.6 cm. Copy 3. Contemporary brown half Original boards. In dust jacket. morocco, cloth with gold lettering Daiches, David. on spine. Pons Bequest. Robert Burns. Daiches, David. [Revised edition]. Robert Burns. New York: Macmillan, [1967], c1966. New York: Rinehart, [1950]. 334 p.; 23 cm. vii, 376 p.: facsims.; 20 cm. Daiches, David. Rinehart Critical Studies. “Robert Burns.” Copy 1. Original gray cloth, in dust p. 4–9; 29.6 cm. jacket. James Barke’s copy, with his Original pictorial wrappers. annotations. In: Laverock (Aberdeen: 1995), 1995. Copy 2. Original tan wrappers. Signa- ture of W. Ormiston Roy, with his Daiches, David. annotations. Robert Burns and His World. London: Thames and Hudson, 1971. Daiches, David. 128 p.: ill., facsims., maps, music, ports.; Robert Burns. 24 cm. London: G. Bell and Sons, 1952. Original pictorial dust jacket. 376 p.: ill.; 18.5 cm. Copies 1–2. Original gray paper-covered Daiches, David. boards. Robert Burns and His World. New York: Viking Press, [1972], c1971. Daiches, David. 127 p.: ill.; 24 cm. Robert Burns. A Studio book. London; New York: Published for the British Council by Longmans, Green, Daiches, David. 1957. Robert Burns: The Poet. 39 p.: port.; 22 cm. Edinburgh: Saltire Society, 1994. Bibliographical Series of Supplements 334 p.; 21.6 cm. to British Book News on Writers and Original pictorial wrappers. Their work; no. 88. Daiches, David. Copy 1. Original cream and tan printed The Songs of Robert Burns. wrappers. p. 11–16: ill.; 22 cm. Copy 2. Original cream and tan “This is an extract from the Robert printed wrappers. Gift of Patrick G. Spence Watson Memorial Lecture Scott. The G. Ross Roy Collection of Robert Burns / 278

delivered before the Literary and Detroit Burns Club. Philosophical Society of Newcastle- Burns Day in Detroit: Being a History of on-Tyne last December.” the Movement for a Burns Statue in In: Jabberwock, v. 6, no. 1 (1959). Detroit and a Full Account of the Unveiling Ceremony. Dakers, Andrew Herbert. Detroit, Mich.: Published for private Robert Burns: His Life and Genius. distribution by the Detroit Burns London: Chapman & Hall, Limited, Club, 1921. 1923. 96 p.: ill., ports., fold. plates; 20.8 cm. 229 p.: port.; 23 cm. “Burns Monuments in the United Original light gray green cloth. Signa- States,” p. 91–93. ture of G. A. Dunlop. Newspaper Copy 1. Original limp black morocco. review of the book by Dunlop Presentation copy from club to Walter mounted inside upper cover. Scott, New York. Davison, Edward Lewis. Copy 2. Original blue cloth, stamped in “Robert Burns: A Reconsideration.” gold. Copy of newspaper clipping p. 163–174; 26 cm. loosely inserted. Pons Bequest. In: London Mercury, v. 13, no. 74 (Dec. Dibdin, Edward Rimbault. 1925). The Portrait of Robert Burns: Painted by Dawson, Bill. Alexander Nasmyth 1787, Engraved in A Directory to the Articles and Features Mezzotint by Frank Short 1893. Published in “The Burns Chronicle” London: R. Dunthorne, [1893?]. 1892–2005. 13 p.; 16.6 cm. Cornwall: “Merry Dint” in Association Original gray wrappers, lettered in with Exposure Publishing, 2006. black. [iv], 183 p.; 24 cm. Dingwall, Christopher H. Original white pictorial laminate The Falls of Bruar: A Garden in the Wild. boards. Dundee: C. Dingwall, 1987. Dawson, William James. 48 p.: ill., maps, ports.; 20.2 cm. Robert Burns. Original pictorial wrappers. Pons London: Hodder and Stoughton, 1890. Bequest. p. 2–32; 20 cm. Dinsmoor, Robert. Disbound section about Robert Burns. Incidental Poems Accompanied with Let- Chapter 3 of W. J. Dawson’s The Makers ters, and a Few Select Pieces, Mostly of Modern English. Original, for Their Illustration, Together Dent, Alan. with a Preface, and Sketch of the Burns in His Time. Illustrated by Eliza- Author’s Life. beth Corsellis. Haverhill [Mass.]: A. W. Thayer, Printer, London: Nelson, 1966. 1828. [9], 165 p.: ill. (incl. ports.), facsim.; xxiv, 264 p.; 19.7 cm. 23 cm. Includes: “An Answer to Dr. John Park’s Copy 1. Original boards. In dust jacket. Letter, Accompanying a Present of Price on dust jacket is in GBP. Burns’s ‘Reliques,’” p. 6–11. Copy 2. Original boards. In dust jacket. Original quarter cloth, boards. Price on dust jacket is in US dollars. Dinwoodie, Peter. Pons Bequest. A Centenary Address to the Poet Robert Burns. Burnsiana / 279

Glasgow: J. McGeachy, 1896. “To Robert Ainslie,” p. 3951; “Portion 4 p.; 21 cm. of the glossary to Robert Burns first With the poem is a publisher’s flyer edition of Poems,” p. 4561; “Letter announcing its publication. from Sarah Blacklock . . . sent to Robert Burns Edinburgh 24th August, Distributed National Burns Collections 1789,” p. 4563; “Excise notice in the Project. Poet’s hand regarding charges upon Burns in Scotland: Highlights of the printers of linen and cotton,” p. 4566; National Burns Collection. “Letter from Mrs. McLehose dated Irvine, Ayrshire: Distributed National Edinburgh, October 1834,” p. 4606; Burns Collections Project, 2004. “Letter to George Thomson, Edin- 59 p.: ill., maps, ports., facsims.; 21 cm. burgh to a person who had requested Original pictorial wrappers. Gift of a copy of his Scottish Songs,” p. 4618. Patrick G. Scott. Original pictorial wrappers. Presented Distributed National Burns Collections to G. Ross Roy in honor of his 80th Project. birthday celebrated with a Sympo- The Definitive Illustrated Companion to sium at the University of South Caro- Robert Burns. Edited by Peter J. lina, August 20–21, 2004. Westwood. [Irvine?]: [Distributed The Deil’s Reply to Robert Burns: A Poem. National Burns Collections Project], Kirkcaldy: John Davidson & Son, [189-?]. 2004. 8 p.; 28.4 cm. v.: ill., facsims., ports.; 30 cm. + Scoping Preface signed: A. Ernest Parry. study (111 p.; 29.7 cm.) Poem signed: James Ditchburn Ushaw “A private publication for reference Moor. libraries, museums, universities and “The following poem is dated from researchers. Produced with financial Lumley Den, Forfarshire, September assistance of the Scottish Museums 6, 1793”—p. [1]. Council in conjunction with the Dis- Original blue wrappers, printed in tributed National Burns Collections black, stapled gathering. Close variant Project”—T.p. verso. Includes index of London edition, ca. 1900. (p. 3895–3914) and addendum (p. 3915–4000).Consists of facsimiles of Dougall, Charles Shirra. manuscripts in Robert Burns’s hand, The Burns Country. With fifty full-page as well as those of his family and illustrations from photographs by associates, with some copies of origi- Thomas Ferguson. nal letters from famous people who London: A. and C. Black, 1904. have been appointed honorary mem- xii, 338 p.: ill., port., folded map; 22 cm. bers of Burns Clubs. [The Pilgrimage Series]. Manuscripts included from the private Original green cloth stamped in gold. collection of G. Ross Roy: “Address to Bookseller’s ticket: Chapman’s Book- the Unco Guid,” p. 73; “Ay Waukin O,” store, Montreal. p. 85; “To Clarinda,” p. 2151; “To Dougall, Charles Shirra. Clarinda,” p. 2152. The Burns Country. Manuscripts included from the Roy London: A. and C. Black, 1911. Collection, Rare Books and Special 338 p.: ill.; 19.1 cm. Collections, Thomas Cooper Library, [The Pilgrimage Series]. Univer-sity of South Carolina: “To Original blue cloth, portrait of Burns Monsr. Thomas Campbell,” p. 827; mounted on upper cover. Bookplate of “Yon high mossy mountains,” p. 3889; Mary E. Wingard. The G. Ross Roy Collection of Robert Burns / 280

Dougall, Charles Shirra. Original pink boards, in pictorial dust The Burns Country. jacket. 3rd edition containing sixteen full-page Douglas, Hugh. illustrations from photographs. Robert Burns: The Tinder Heart. London: A. and C. Black, 1925. : Alan Sutton, 1996. xi, 338 p.: ill., port.; 17.2 cm. xviii, 299 p., [32] p. of plates: ill., ports.; The Pilgrimage Series. 25 cm. Original light blue cloth, lettered in Copy 1. Original blue boards, stamped black. in gold on spine. In pictorial dust Douglas, George Brisbane. jacket. Robert Burns. With numerous illustra- Copy 2. Original blue boards, stamped tions. in gold on spine. In pictorial dust London: Hodder and Stoughton, 1904. jacket. Pons Bequest. iv, 40 p.: ill., port.; 23 cm. Douglas, Miss. The Bookman Biographies. The Auld Brig o’ Slittrick’s Last Address: Original black-stamped green cloth. To the Magistrates, Town-Council, and Inscribed by Crockett on a tipped-in Inhabitants of Hawick. leaf. Hawick: Printed by Robert Armstrong, Douglas, Hugh. 1851. Portrait of the Burns Country (and Gal- 20 p.; 18.5 cm. loway). Pictures by Iain Coates. Original yellow wrappers printed in London: Hale, [1968]. black. 190 p.: map, plates; 21.5 cm. Douglas, Sarah Parker. Portrait Books. “Verses Composed on Reading of the Original cloth. Death and Burial of Col. William Douglas, Hugh. Nicol Burns, the Last Surviving Son Portrait of the Burns Country (and Gal- of Scotland’s Bard.” loway). Pictures by Iain Coates. 1 item; 20.3 x 9 cm. 2nd edition. Newspaper clipping. London: Hale, [1973]. Douglas, Sheila. 190 p.: ill.; 21.5 cm. “Music and Language: How Burns Original brown cloth, in pictorial dust Married Words to Tunes.” jacket. 2002. Douglas, Hugh. 12 l.; 28 cm. Robert Burns: A Life. Typescript of paper presented at the London: Hale, 1976. Burns Conference, Strathclyde 240 p., [6] leaves of plates: ill.; 23 cm. University, January 2002. Original black boards. In pictorial dust With accompanying typed letter signed jacket. from Douglas to Roy. Douglas, Hugh. Douglas, Tom. Robert Burns: A Life. Death, the Devil and Tam o’ Shanter: The Newton Abbott: Readers Union, 1977, Supernatural World of Robert Burns. c1976. Lewes: Book Guild, 2002. 240 p., [6] leaves of plates: ill.; x, 131 p.: ill.; 21.5 cm. 21.3 cm. Original blue cloth, stamped in gold on spine. In pictorial dust jacket. Burnsiana / 281

Douglass, Frederick. Reprinted from Annadale Observer of “A Fugitive Slave Visiting the Birth- 6th February, 1920. Place of Robert Burns.” Contains an account of a Burns p. [6]; 52 x 38 cm. anniversary program at the Black- “. . . an extract from a letter of Freder- pool and Fylde Caledonian Society ick Douglass, to a friend dated April annual meeting, including the text 23, 1846 . . .” of a speech by Dr. John Johnston. In: The New York Weekly Tribune, v. 5, Signed presentation copy from John no. 45, whole no. 253 ( July 18, 1846). Johnston to John Burroughs and [Clara] Barrus. In case of blue half cloth, marbled boards. Drachmann, Holger. Robert Burns: A Poem. Translated by J. Christian Bay. Holstebro, Denmark: Printed by Niels P. Thomsen, 1925. [10] p.; 17.4 cm. Translator’s signed presentation copy to his son Helmuth. Original dark green morocco. No. 92/100 copies, initialed by the trans- lator. Presentation copy from Helmuth Bay to Grey Leslie. Obituary notice of Helmuth Bay laid in. Drawbell, James. “Angry Young Man.” p. 410–416: ill.; 22 cm. In: Scots Magazine, New Series, v. 84, no. 5 (Feb. 1966). Drennan, Willie. “Rabbie Burns 1759–1796: Poet Admired by Ulster-Scots.” p. 11: ports. (some col.); 37.5 cm. In: The Ulster-Scot, Jan. 2005. An extract from Frederick Drennan, Willie. Douglass’s letter to a friend Wee Book: Stories, Poems and Songs of a Wandering Ulster-Scot. Dr. Johnston and Burns: “The Immortal [S.l.]: Ullans Press, 2005. Memory” at Blackpool, an Eloquent viii, 156 p.: ill.; 21 cm. + 1 sound disc Tribute. (digital; 4 3/4 in.). [S.l.: s.n., 1920?]. Poems on Burns on p. 97–101, 102–103. 1 sheet; 46 x 18.6 cm. folded to 12.5 x Original pictorial wrappers. Presenta- 18.6 cm. tion copy inscribed by the author. Copy of holograph note from the The G. Ross Roy Collection of Robert Burns / 282

author to G. Ross Roy dated April 1st Edinburgh: David Mathers; London: 2005 loosely inserted. E. T. Whitfield, 1859. 23 p.; 21 cm. Drinkwater, John. Marble wrappers, stapled gathering. Robert Burns: A Play. Blue label on upper cover. Former London: Sidgwick & Jackson, Ltd., owner’s signature on prelim. page. 1925. “C.A.S.” in pencil on verso. 93 p.; 18.5 cm. Copy 1. Original red boards. Light gray Drummond, William Hamilton. dust jacket. Review copy with slip laid The Man of Age: A Poem. To which is in. added, The Sighs of Genius: An Ele- Copy 2. Original red boards with paper giac Ode, Occasioned by the Death of label on spine. Inscribed by Mr. Robert Burns, the Ayrshire Poet. Robinson of Houghton Mifflin Co. 2nd edition, with improvements. to Louis S. Gifford, November 1925. Glasgow: s.n., 1798. Book-plate of Louis S. G. Perry. 24 p.; 16.5 cm. Disbound. Drinkwater, John. Robert Burns: A Play. Burns Club. Boston; New York: Houghton Mifflin 116th Annual Supper: Dumbuk Hotel, Company, 1925. Dumbarton, Friday, 31st January 1975. 121 p.; 20 cm. Dumbarton: s.n., 1975. Copy 1. Original maroon quarter cloth, 1 sheet (4 s.): port.; 23 cm. pink pictorial boards. Printed paper George S. Begg, Chairman. label on upper cover. Ownership “Dumbarton Burns Club, instituted marks of the Buffalo Catholic Insti- 1859, Federation no. 10”—Cover. tute Public Library. Tourist Board Copy 2. Original maroon quarter cloth, Discover Robert Burns in Dumfries and pink pictorial boards. Printed paper Galloway. Celebrate the legend. label on upper cover. Hawick: Buccleuch Printers, 1996. Copy 3. Original maroon quarter cloth, 28 p.: ill., part col.; 29.7 cm. pink pictorial boards. Printed paper Copy 1. Original wrappers. label on upper cover. Pons Bequest. Copy 2. Original wrappers. Includes Drinkwater, John. material related to the Burns Bi- Robert Burns: An Address Delivered to the Centenary and the 1996 Annual Ninety Burns Club of Edinburgh, 25th Conference of the Burns Federation. January 1924. Copy 3. Original wrappers. Includes Edinburgh: James Thin, 1924. different material related to the Burns 18 p.; 23 cm. Bi-Centenary and the 1996 Annual Copy 1. Original blue wrappers. Conference of the Burns Federation Copy 2. Original blue wrappers. Pons in back pocket. Pons Bequest. Bequest. Dumfries Burns Club Drummond, Robert Blackley. Handbook of the Dumfries Burns Club. The Religion of Robert Burns: A Lecture Edited by Alex Walsh. Delivered in St. Mark’s Chapel, Edin- Dumfries: Robert Dinwiddie, 1955. burgh, on Sunday Evening, 30th January 46, [2] p.: ill.; 17.6 cm. 1859 (Being the Sunday following the Copy 1. Original gray printed wrappers. Centenary of Burns’s Birth-day). Copy 2. Original gray printed wrappers. Pons Bequest. Burnsiana / 283

Duncan, J. F. of Robert Burns’ “The Cottar’s Satur- Lights and Shadows: or, Episodes in the day Night.” Life of Robert Burns: A Dramatic Boston; Syracuse: Easter-Empire Sketch. Lyceum Bureau, n.d. Dundee: J. P. Matthew & Co., 1879. 4 s.; 17.5 cm. 32 p.; 18.3 cm. Includes a list of songs and the lyrics to Original salmon and green wrappers, “Auld Lang Syne.” lettered in black. Eaton, Seymour, ed. Dunfermline (Fife). Public Libraries. Robert Burns: Rare Print Collection. The Murison Burns Collection. A Cata- Philadelphia: R. G. Kennedy & Co., logue of the Books and Pamphlets [1900]. Presented by Sir Alexander Gibb to 35 pl. incl. ports., facsims.; 27.4 cm. the City and Royal Burgh of Dun- Eight parts in portfolio, each containing fermline. Compiled by Nancie Camp- 4 or 5 loose plates. bell. Copy 1. Original printed boards. [Dunfermline], 1953. Copy 2. Original printed boards. Plate 4 140 p.: ill.; 22 cm. in Part 5 wanting. Original printed wrappers. Review copy Copy 3. Original printed boards. Con- with review request slip laid in. noisseur Edition. No. 435. Pons Inscribed to W. Ormiston Roy from Bequest. Edgar Andrew Collard, 25 February, Eddy, Daniel C. 1953. “Time for All Things.” Dunlop, A. Ian. p. 229–230; 19 cm. The Judgment of Robert Burns. In: Oasis. Boston: Wentworth and Co., Edinburgh: Carlyle Society, 1980. 1856. 11 p.; 21.5 cm. Edgar, Irving Iskowitz. Occasional Papers / Carlyle Society; Essays in English Literature and History. no. 8. New York: Philosophical Library, Lecture delivered to the Carlyle Society, [1972]. session 1978–1979. 154 p.: ports.; 21.4 cm. Original dark yellow wrappers. “Robert Burns: A Literary Evaluation,” Dunlop, William H., 1907– . p. 15–32. A Toast to the Immortal Memory of Robert Original dark blue cloth. In blue-green Burns: Given at Alloway Burns Club pictorial dust jacket. Burns Supper on Wednesday, 24th Janu- Edinburgh District Burns Clubs ary, 1979. Assisted by Patti Duncan, Association. Soprano; Ronnie Richmond, Pianist. A Capital Scot. Ayr: T. M. Gemmell, 1979. [Edinburgh: The Association,] 1987. 22 p.; 21 cm. 18 p.: ill.; 21 cm. Cover title: The Immortal Memory of “Presented to delegates attending the Robert Burns. Burns Federation Annual Conference Original white wrappers. Author’s in Edinburgh, 1987.” signed presentation copy to G. Ross Original pictorial wrappers. Roy. Edinburgh Festival 1974. Eastern-Empire Lyceum Bureau Pre- Claire Liddell presents “The Kindling sents The Scottish Musical Comedy Fire”: The Songs and Poems of Robert Company in an Original Adaptation Burns. The G. Ross Roy Collection of Robert Burns / 284

[S.l.: s.n.], 1974. 97 p. of music; 28 cm. 1 l.: port.; 21.6 cm. “Over thirty Burns songs—includes the Advertisement for the performance. Burns night rituals, Scottish harp ornaments”—Cover. Edinburgh Review (1802). Also includes a brief biography of Edinburgh; New York: Reprinted for Robert Burns. Eastburn, Kirk, [etc., etc.], 1813–1929. Original comb binding. 250 v.; 22 cm. v. 1–v. 250 = No. 1 (Oct. 1802)-no. 510 Egerer, J. W. (Oct. 1929). A Bibliography of Robert Burns. Imprint varies. Edinburgh: Oliver & Boyd, 1964 v. 113–156 are the American edition. [i.e. 1965]. v. 48 (Dec. 1828) contains Carlyle’s xiii, 396 p.; 22 cm. review of Lockhart’s Life of Burns. “Corrected and reprinted 1965.” Contemporary half calf, marbled Original dark blue-green cloth. boards. Some volumes rebound. Egerer, J. W. Issue for Nov. 1814 in original light gray A Bibliography of Robert Burns. wrappers. Carbondale, Ill.: Southern Illinois Imperfect: volume 89 wanting University Press, [1965, c1964]. p. 285–288. xiii, 396 p.; 23 cm. Holdings: Rare Books: v. 1, v. 3–v. 43, Copies 1–2. Original terra-cotta colored v. 45–v. 112, v. 113/114 cloth. Roy Collection: v. 13 (1808/1809), v. 18: Copy 3. 4 v.: ill. (some fold.); 21 cm. no. 47 (1814: Nov.), v. 48 (1828). Special research copy, interleaved Edinburgh Review (1984). with photocopies of original title [Edinburgh: s.n., 1984?– (S.l.: Printed pages of entries and blank leaves at the Oxford University Press). for notes. Modern bright blue cloth. v.: ill.; 20 cm. Copy 4. Rebound in terra-cotta colored Autumn 1996 issue includes articles cloth, stamped in gold on spine. about Robert Burns and Serge Hovey. Annotated throughout by G. Ross Issue 100 inscribed by Gerard Roy. In the private collection of Carruthers. G. Ross Roy. Holdings: no. 96, 100 Egerer, J. W. Edward, W. A. Robert Burns: An Exhibition of Some The Immortal Memory. Early Editions of His Work Held in the Aberdeen: D. Wyllie, 1934. Baker Memorial Library from 11 15 p.; 21.7 cm. November to 7 December 1946. “Address delivered to the Aberdeen and Hanover: Dartmouth College Library, District Ayrshire, Galloway and Ren- 1946. frewshire Association, January 26, 22 p.; 25 cm. 1934.” Original green paper wrappers. Original green printed wrappers. “Elegy on the Death of the Scotch Poet, Edwards, Star. Robert Burns.” A Tribute to Robert Burns: EZ and Inter- p. [3]; 53 x 37 cm. mediate Nylon and Wire Harp Arrange- Pons Bequest. ments. In: New York Spectator, v. 8, no. 843 Denver, Colo.: Enoch Productions, (Nov. 13, 1805). c2004. Burnsiana / 285

Elistratova, A. A. Celebration of the hundredth Robert Berns: kritiko-biograficheski anniversary of the birth of Robert ocherk. Burns, by the Boston Burns Club. Moskva: Gos. izd-vo khudozh. lit-ry, Boston, 1859.” 1957. “Bill of fare”: [p. 5–6]. 157 p.: ill.; 20 cm. “This keepsake was produced for ‘Robert Original brown wrappers. Burns and literary nationalism’ a bicentennial research conference held Elliott, J. K. at the University of South Carolina, Robert Burns: The Man and His Poetry. Columbia, South Carolina, March Belfast: Belfast Burns Association, 28–31, 1996. 150 copies printed.” [1942]. Original wrappers. 16 p.; 18 cm. “Belfast Burns Association (Federation Ericson-Roos, Catarina. no. 15). With the compliments of the The Songs of Robert Burns: A Study of the President. 1942”—Inside cover. Unity of Poetry and Music. Original blue gray wrappers, printed in Uppsala: Univ.; Stockholm: Almqvist & black, stapled gathering. Wiksell International (Distr.), 1977. x, 144 p.: music; 23 cm. Ellis, Alexander John. Acta Universitatis Upsaliensis. Studia Robert Burns Tam o’ Shanter: phonetische Anglistica Upsaliensia; 30. Transkription. Original light gray wrappers. [S.l.: s.n., 1870?]. 8 p.; 19.5 cm. Esslemont, Peter. Ownership stamp of Karl Reuning. Brithers a’. From: Early English Pronunciation, [Completely revised and with new v. 732–737. material added]. London: G. Ronald, [1959]. Elrod, Norman. 127 p.: ill.; 19 cm. Wer war Robert Burns?: Einige Aspekte Original maroon cloth. In buff pictorial seines Lebens und Werks. Aus dem dust-jacket. Color illustration Englischen übersetzt von Dagmar mounted on upper cover. Kötscher; mit einem Vorwort von James A. Mackay. Esslemont, Peter. Zürich: Althea Verlag, 1996. Brithers a’: A Minute a Day with Burns, 190 p., [1] leaf of plates: col. port.; Poet, Lover and Prophet of Brotherhood. 20 cm. With a foreword by Professor J. Y. Psychoanalytische Studien zu Kunst Simpson. und Literatur. [Aberdeen: the author, 1933]. Copy 1. Original blue cloth. Author’s 144 p.: ill. (incl. ports., maps); 22.5 cm. signed presentation copy to G. Ross “Pocket edition” in three parts. Roy. Copy 1. Original light brown pictorial Copy 2. Original blue cloth. Pons wrappers. Bequest. Copy 2. De Luxe edition. Original red roan, stamped in gold. Emerson, Ralph Waldo. Copy 3. In three parts. Original red, Essay on Burns. green, and blue pictorial wrappers. [Columbia?]: G. Ross Roy, 1996. [6] p.; 21.6 cm. Esslemont, Peter. “The text of Emerson’s speech and Brithers a’: A Minute a Day with Burns, the Bill of fare are taken from Poet, Lover and Prophet of Brotherhood. The G. Ross Roy Collection of Robert Burns / 286

With a foreword by Professor J. Y. 160 p.: ill., ports.; 22 cm. Simpson. Original orange cloth. Portrait of Burns [Aberdeen: Central Press, 1933]. mounted on upper cover. 95 p.: port.; 22 cm. Esslemont, Peter. Original pictorial wrappers, stapled Brithers a’: A Minute a Day with Burns: gathering. Pons Bequest. Poet, Lover and Prophet of Brotherhood. Esslemont, Peter. Foreword by Professor J. Y. Simpson. Brithers a’: A Minute a Day with Burns, 14th edition. Poet, Lover and Prophet of Brotherhood. Aberdeen: J. Avery, [1949]. With a foreword by J. Y. Simpson. 160 p.: ill., ports.; 21.2 cm. 3rd edition, revised and enlarged. Original red boards, brown pictorial London: Oliphant, 1934. dust jacket. Portraits of Burns 191 p.: ill.; 22 cm. mounted on upper cover and front of Copy 1. Original dark red cloth. dust jacket. Copy 2. Original dark red cloth. Pons Esslemont, Peter. Bequest. Burns’ Vision. Esslemont, Peter. Aberdeen: James Blair, [1952]. Brithers a’: A Minute a Day with Burns: 24, [2] p.: ill.; 14 cm. Poet, Lover and Prophet of Brotherhood. Original tartan card wrappers. With a foreword by Professor J. Y. Esty, Mildred C. Simpson. The Mildred C. Esty Collection of Original Illustrated edition. Manuscripts, Autograph Letters, Printed Aberdeen: J. Avery, 1942. Books and Relics of Robert Burns which 128 p.: ill., ports.; 21.6 cm. will be sold at Auction by Christie, Original brown pictorial wrappers. Manson & Woods. Portrait of Burns mounted on front London: Christie, Manson & Woods, wrapper. 1971. Esslemont, Peter. 35 p.: ill., facsims.; 24 cm. Brithers a’: A Minute a Day with Burns, Sale held Wednesday, May 19, 1971. Poet, Lover and Prophet of Brotherhood. Original rose-colored printed wrappers. Foreword by Professor J. Y. Simpson. Ewing, James Cameron. 7th edition, completing 50,000. Alexander Cunningham: Friend of Burns. Aberdeen: John Avery, 1943. Glasgow: William Hodge, 1933. 160 p.: ill., ports.; 21 cm. 12 p.: ill., port.; 22 cm. Original dark green cloth, portrait of Original cream-colored wrappers. Burns mounted on upper cover. In buff dust jacket. Ewing, James Cameron. Bibliography of Robert Burns, 1759–1796. Esslemont, Peter. Edinburgh: Privately printed, 1909. Brithers a’: A Minute a Day with Burns: 16 p.: facsims.; 24 cm. Poet, Lover and Prophet of Brotherhood. Original red cloth. No. 9 of 76 num- With a foreword by Professor J. Y. bered and signed copies. Author’s Simpson . . . fifty pages of Burns autograph inscription to William songs, poems, epistles, letters. George Black, F.S.A, Scot. on half- Twenty-four illustrations. title. Ownership label of J. L. Weir 10th edition. on front pastedown. Aberdeen: J. Avery, 1945. Burnsiana / 287

Ewing, James Cameron. Original gray-green wrappers. Book- Burns Monument Catalogue. Foreword by plate of G. A. Dunlop. Tipped in: W. H. Dunlop. Autograph letter signed, from J. C. Ayr: Advertiser Printing, 1966. Ewing to Percy Bale, July 24, 1902, 24 p.: ill.; 17.4 cm. requesting additional copies of the Original pictorial wrappers. Burns Exhibition Catalogue at the Royal Glasgow Institute. Ewing, James Cameron. Letter to the Editor of “The Bookman”: On Ewing, William Hollis. Certain Paragraphs which Appeared in This I’m Gaun to Tell: First-Person Story that Journal Relative to a Correspondence of the Life of Robert Burns. in “The Scotsman” on “Robert Burns 1st edition. and Mrs. Dunlop.” With elucidations Hicksville, N.Y.: Exposition Press, by William Wallace. [1975]. Glasgow: Privately printed, 1898. xvii, 178 p.; 22 cm. 12 p.; 19.5 cm. An Exposition-University Book. “This brochure is intended to form a Original green cloth. In pictorial dust supplement to “Robert Burns and jacket. Signature of Mary Walker. Mrs. Dunlop: correspondence— Eyre-Todd, George. reprinted from The Scotsman.” The Angel of Robert Burns: A Play in Four Ewing, James Cameron. Scenes Showing the Poet as He Lived. Robert Burns’s Letters Addressed to Glasgow: Scottish Country Life, Ltd., Clarinda: A History of its Publication [1916?]. and Interdiction with a Bibliography. 34 p.; 22.5 cm. Edinburgh: Printed for private circula- Original red wrappers. tion, 1921. Faed, John. 26 p.: ill., port., facsims.; 24 cm. Letter, 1892, September 26, Gatehouse Reprinted from the Papers of the Edin- on Fleet to Rev. John Oliver, The burgh Bibliographical Society, v. IX. Manse, Maryhill, Glasgow. Original light green cloth. Author’s 1 item (3 s.); 15.8 cm. signed presentation copy to George Holograph, signed, with stamped Neilson, 19 December, 1921. envelope. Ewing, James Cameron. Faed replies, in part, to the Rev. Oliver: Robert Graham (Twelfth of Fintry), “You are quite right in supposing my Patron of Robert Burns. picture of ‘Auld mare Maggie’ was Glasgow: W. Hodge, 1931. suggested by Burns. His beautiful 33 p.: front., facsim.; 22.1 cm. poem of ‘The auld farmer’s New Original blue cloth. Author’s autograph Years salutation to His auld mare presentation inscription on front end- Maggie’ and the first verse of which paper. is the subject of my picture.” Ewing, James Cameron. Famous People and Their Illnesses. A Selected List of Editions of the Works of London: Roche Products, [1960]. Robert Burns, and of Books upon His 42 p.: ports.; 22.1 cm. Life & Writings. “Robert Burns,” p. 21–23. London: The Library Supply Co., 1899. Original pink wrappers. 14 p.; 25 cm. Fergus, Andrew. Reprinted from The Library World. Burns’s Scotland. Illustrated by John “Fifty copies printed.” Mackay. The G. Ross Roy Collection of Robert Burns / 288

Edinburgh: Blackwood, 1978. New York: Oxford University Press, vii, 75 p.: ill., ports.; 21 cm. 1939. Scottish Connection. xix, 321 p.; 21.5 cm. Original green and white pictorial “First edition.” wrappers. Original blue cloth. Fergus, Andrew. Ferguson, J. DeLancey. Discovering the Burns Country. Pride and Passion: Robert Burns, [Aylesbury, Eng.]: Shire Publications, 1759–1796. 1976. New York: Russell & Russell, 1964, 56 p.: ill., maps; 17.8 cm. c1939. Discovering Series; no. 220. xix, 321 p.; 22 cm. Original orange pictorial wrappers. Ferguson, J. DeLancey. Ferguson, Fergus. “The Reid Miniature of Robert Burns.” Should Christians Commemorate the Birth- [8] p.: port.; 28 cm day of Robert Burns: A Discourse. In: Colophon, part 6. Edinburgh: A. Elliot, 1869. Ferguson, J. DeLancey. 27 p.; 15.2 cm. Some Aspects of the Burns Legend. 31 p. of newspaper articles relating to [S.l: s.n.] 1932. the Burns controversy mounted and p. [263]–273; 23.3 cm. bound in. Reprinted for private circulation from Late nineteenth century calf, by Carss Philological Quarterly, v. XI, no. 3, July, . . . Glasgow. 1932. Ferguson, J. DeLancey. Caption title. “‘Antique’ Smith and His Forgeries of Ferguson, J. DeLancey. Robert Burns.” Some New Burns Letters. [16] p.: ill.; 27 cm. New York: Modern Language Associa- In: Colophon, pt. 13 (1930). tion of America, 1936. Ferguson, J. DeLancey. p. 975–984; 24.2 cm. Burns’s Journal of His Border Tour. Original buff wrappers. New York: Modern Language Associa- Reprinted from P.M.L.A. . . . v. LI, tion of America, 1934. December 1936, number 4, p. 1107–1115; 25 cm. Fergusson, Robert. Reprinted from P.M.L.A. . . . v. XLIX, A Burns Scrapbook. no. 4 (Dec. 1934). Dumfries: Dumfries and Galloway Original wrappers. Standard, 1959. Ferguson, J. DeLancey. 48 p.: ill.; 18.6 cm. Canceled Passages in the Letters of Robert Original wrappers. Pons Bequest. Burns to George Thomson. Ferrari, Renato. Menasha, Wisc.: [s.n.], 1928. Burns the Songster: A Selection of Songs p. 1110–1120; 24.1 cm. and Ballads with Linguistic and Literary Reprinted from P.M.L.A. . . . v. XLIII, Comment and Italian Translation. no. 4 (Dec. 1928). Modena: Cooptip, 1973–1974. Ferguson, J. DeLancey. 2 v.; 21 x 29.5 cm. Pride and Passion, Robert Burns, Photocopy. Roma: Franco A. Volta, 1759–1796. 1998. Burnsiana / 289

Festival in Commemoration of Robert Copy 2. Original mauve cloth. Pons Burns. And to promote a subscription Bequest. to erect a National Monument to Fitt, Matthew. his memory at Edinburgh. Held at Kate o’ Shanter’s Tale and Other Poems. Freemason’s Tavern, in London, on Edinburgh: Luath, 2003. Saturday, June 5, 1819. viii, 84, [4] p.; 21 cm. London: Printed by McMillan, 1819. Advertisements follow text. 29 p.; 22 cm. Original pictorial wrappers. “With an appendix containing the reso- In the private collection of G. Ross Roy. lutions of the general meeting, April 24, 1819, together with a list of the Fitzhugh, Robert Tyson, ed. subscribers.” Robert Burns: His Associates and Contem- Includes the text of James Thomson’s poraries. The Train, Grierson, Young, commemorative address and the text and Hope Manuscripts, edited, with of George Crabbe’s remarks. an introduction by Robert T. Fitz- Wrappers lacking. Stamp of the Brook- hugh; with The Journal of the Border lyn Historical Society. Tour, edited by De Lancey Ferguson. Chapel Hill: The University of North Findlay, James. Carolina Press, 1943. Burns in Heaven: Suggested When Looking 133 p.; 20.3 cm. at Burns’ Statue, Union Terrace, Copy 1. Original tan cloth. Blue picto- Aberdeen. rial dust jacket. Aberdeen: [s.n.], 1908. Copy 2. Original tan cloth. Blue picto- 12 p.; 18.5 cm. rial dust jacket. Review copy, slip Original cream-colored wrappers, inserted. Pons Bequest. lettered in black. Egerer, 982. Findlay, Jessie Patrick. Fitzhugh, Robert Tyson. Footprints of Robert Burns. Robert Burns: Man and Poet: A Round, Paisley: A. Gardner, 1923. Unvarnished Account. 174, 32 p.; 20 cm. Boston: Houghton, Mifflin, 1970. Original maroon cloth. In dust jacket. 176 leaves; 28 cm. Findlay, William. Uncorrected proof copy. Robert Burns and the Medical Profession. Original wrappers, comb bound. Paisley; London: A. Gardner, 1898. Fitzhugh, Robert Tyson. 162 p.: ill., ports.; 23 x 18 cm. Robert Burns: The Man and the Poet: Copy 1. Original dark red cloth. A Round, Unvarnished Account. Author’s inscribed presentation copy. Boston: Houghton Mifflin, 1970. Copy 2. Original green cloth. Former xviii, 508 p.: ill., ports. (1 col.); owner’s signature on pastedown. Pons 24 cm. Bequest. Copy 1. Original brown cloth. Finger, Charles Joseph. Copy 2. Original brown cloth, in picto- A Man for a’ That: The Story of Robert rial dust jacket. Inscribed by the Burns. author to Ross Roy, April 15, 1971. Boston: The Stratford Company, Laid in: Copy of a typed letter from [c1929]. G. Ross Roy to David Daiches vi, 259 p.: port., ill., facsim.; 23 cm. requesting a review of the book for Copy 1. Original mauve cloth in orange Studies in Scottish Literature, with a dust jacket. typed, signed reply from Daiches. The G. Ross Roy Collection of Robert Burns / 290

Copy 3. Original brown cloth, in picto- Norwich: Jarrod, c1999. rial dust jacket. Pons Bequest. 96 p.: ill. (some col.), 1 col. map, col. ports.; 21 cm. Fitzhugh, Robert Tyson. Robert Burns: The Man and the Poet: Freemasons. A Round, Unvarnished Account. Grand Masonic Bazaar, Edinburgh, London: W. H. Allen, 1971, c1970. December, 1890: Greenock Souvenir. xviii, 508 p.: ill., ports. (1 col.); 22.7 cm. Greenock: James McKelvie, 1890. “First British Edition, 1971” 52 p.: ill.; 18.5 cm. “Tribute to the Memory of Burns, by Foote, G. W. Rev. John Barclay, of Greenock,” Shakespeare and Other Literary Essays. p. 19–23. London: Pioneer Press, 1929. Original bright blue cloth, stamped in 187 p., [1] leaf of plates: port.; 18.4 cm. gold and blind. Issued by the Secular Society, Ltd. Original gray green cloth. Freemasons. Edinburgh. Lodge Canon- gate No. 2. Foote, S. M. History of the Lodge Canongate Kilwinning “Dunedin Public Library and Robert No. 2. Compiled from the records, Burns.” 1677–1888 by Allan Mackenzie. [1956?] Edinburgh: Printed for the Lodge by 10 p.; 26.5 cm. Brother James Hogg, 1888. Typescript (mimeographed copy) 260 p.: ill., facsims.; 21.3 cm. Caption title. Chapter VII: “Affiliation of Robert Ford, Robert. Burns . . .” Humorous Scotch Readings: In Prose and Original dark red cloth, stamped in gold Verse. and black. Bevelled edges. This copy Dundee: J. Leng, 1881. not numbered. 96 p.; 19 cm. Freemasons. Kilwinning Lodge (Brook- Includes “The Kirkyard Ghaist,” a lyn, N.Y.). poem based loosely on “Tam o’ Staten Island Night. Shanter.” Brooklyn: [s.n.], 1928. Original gilt-stamped blue cloth. 1 sheet folded ([4] p.): facsim.; 21 x 16 Fowler, John. cm. I, Roberto: A Play for One Actor. Invitation to meeting of the Kilwinning , 2008. Lodge on March 15, 1928, includes a 18 l.; 28 cm. reproduction of a manuscript letter Comb bound. Accompanied by a typed dated August 23, 1787 from Robert letter, signed from the author. Burns to his lodge excusing his In the private collection of G. Ross Roy. absence at the quarterly meeting. Related materials in separate envelope: Fowler, Richard Hindle. photocopy of the typed letter signed Robert Burns. from G. Ross Roy to Mr. Shearwood London: Routledge, 1988. LeCount dated March 16, 1968 xii, 280 p.: ill., ports.; 23 cm. requesting a photocopy of Burns’s Original boards. In dust jacket. autographed letter signed as repro- Fraser, Elisabeth. duced in the 1928 Kilwinning Lodge Robert Burns: 1759–96: A Portrait of Scot- invitation and a photocopy of p. land’s National Bard with a Selection of 148–149 from The Letters of Robert His Songs and Verse. Burns, edited by G. Ross Roy, 1983, Burnsiana / 291

which includes the letter published as Gairdner, M. S. Letter 129. Robert Burns: An Inquiry into Certain Aspects of His Life and Character and From a Northern Window: Papers, Criti- the Moral Influence of His Poetry. cal, Historical and Imaginative. London: E. Stock, 1886. London: James Nisbet & Co., Limited, vi, [2], 79 p.; 18 cm. 1911. Original olive-green cloth, stamped in vii, 351, [3] p.; 22 cm. gold. Author’s signed presentation “Robert Burns: The Voice of the Scot- copy to David Douglas. tish People, [by] Ian Maclaren.” Original blue cloth, stamped in gold. Burns Club. Burns on the Borders. Fulton, E. S. Galashiels: A. Walker, 1914. Gleanings from Many Authors in Memory 67 p.; ill.; 21.8 cm. of Burns. “A Galashiels Episode.” Paisley: J. & R. Parlane, 1916. Original buff wrappers, printed in 54 p., 10 leaves of plates: ill.; 21.7 cm. brown. Original light olive-green cloth, lettered in gold. Author’s signed presentation Gaull, Marilyn. copy to Margaret Barnard, 1917. English Romanticism: The Human Context. 1st edition. Gahan, G. Wilkie. New York: W. W. Norton, c1988. Poem: “The Trials of Truth” and Smaller xvi, 447 p.; 22 cm. Poems: God’s Pathway, Art Reminis- Original pictorial wrappers. cences, etc. Dundee: A. B. Duncan & Co., 1915. Gemmell, Robert. 435 p., 10 leaf of plates: ill., port.; The Village Beauty: And Other Poems. 19 cm. Glasgow: Porteous Brothers; Edin- Cover title: The Trials of Truth and Other burgh: Andrew Elliot; London: Works. Simpkin, Marshall, 1886. Includes several poems about Robert xi, 204, 4 p.; 16.2 cm. Burns “If Rab were here,” “Burns to Four pages of advertisements follow Dr. ,” and “Scotia’s text. Bard.” Poem about Robert Burns, p. 170–173. Original gilt-stamped gray cloth. Original red cloth, stamped in gold and black. Gairdner, John. Robert Burns and the Ayrshire Moderates: Gemmill, James F. A Correspondence Reprinted from “The Natural History in the Poetry of Robert Scotsman.” Burns. [Edinburgh]: Privately printed [by Glasgow: N. Adshead, 1928. T. and A. Constable], 1883. 47 p., [3] leaves of plates: ill., port.; vi, 48 p.; 24.5 cm. 24 cm. Correspondence between “Aliquanto “Publications by the Late Professor Latior” (i.e. J. Gairdner) and James F. Gemmill,” p. 43–47. A. T. Innes, originally printed in Original gray boards, black cloth spine. 1872. Editor’s signed presentation copy, Original buff colored boards, brown 1929. cloth spine. Library label of James Hewat. The G. Ross Roy Collection of Robert Burns / 292

Gerrond, John. Of the American imprints before 1868, Poems on Several Occasions: Chiefly in the seventy-one were contributed by Scottish Dialect. William Gowans. Glasgow: Printed by Chapman & Lang, Copy 1. Original tan shelfback, blue 1802. paper-covered boards. No. 118/600 viii, 135 p.; 15.3 cm. signed by James M’Kie. Includes the poem “To Robert Burns.” Copy 2. Original tan shelfback, blue The author notes that “the following paper-covered boards. No. 142/600 epistle was written in the state of signed by James M’Kie. Contempo- Pennsylvania, in the year 1797,” rary manuscript note on p. 7. p. 48–50. It is followed by “Robert Gillespie, Edward T. W., comp. Burns epitaph,” on p. 50. William Wright Gillespie (Obit December Later dark red cloth. 30, 1907): A Memoir. Gertrude Clarke Whittall Poetry and Stamford, Conn.: Gillespie Bros., 1908. Literature Fund. 252 p.: port.; 24 cm. Anniversary Lectures, 1959. Lectures “Lecture on Robert Burns,” p. 181–210. presented under the auspices of the Original gray boards. Unopened. Gertrude Clarke Whittall Poetry and Gilliam, E. W. Literature Fund. Robert Burns: A Drama in Four Acts. Washington, D.C.: Reference Dept., Boston: Cornhill Co., c1914. Library of Congress, 1959. viii, 93 p.; 18.8 cm. iii, 56 p.; 23 cm. Original yellow-green pictorial boards, Robert Burns, 1759, by R. Hillyer— black cloth spine. , 1809, by R. Wilbur— Alfred Edward Housman, 1859, by Gillis, James. C. Brooks. A Paper on the Subject of Burns’ Pistols: Original green and white wrappers. Read at a Meeting of the Society of Scot- tish Antiquaries, on Tuesday the 19th Gibb, John Taylor. Day of April, 1859. The Land of Burns: Mauchline Town and Edinburgh: Marsh & Beattie, [1859]. District. 44 p.; 21.3 cm. Glasgow: J. Taylor Gibb, [1911] (Glas- Original printed paper wrappers. Pons gow: Carson & Nicol). Bequest. 96 p.: ill.; 22.4 cm. Bound in wood from a planetree Gissing, George. planted in Kilmarnock. Covered with George Gissing’s Essay on Robert Burns: tartan-patterned paper, highly glazed. A Previously Unpublished Manuscript. Signed by the author, 1912. Laid in: 2 Lewiston, N.Y.: E. Mellen Press, c1992. unused postcards from Mauchline 83 p.; 22.9 cm. and the Burns Museum. Appendix (p. [41]–76) contains poetry by Burns. Gibson, James. Original black cloth. The Bibliography of Robert Burns. With biographical and bibliographical Gladstone, Hugh Steuart. notes, and sketches of Burns Clubs, Maria Riddell, the Friend of Burns. monuments and statues. Dumfries: Printed for private circula- Kilmarnock: Printed by J. M’Kie, tion, 1915. 1881. 57 p., [2] leaves of plates: ill.; viii, 338 p.; 23 cm. 27 cm. Burnsiana / 293

Reprinted from The Transactions of the xviii, 19–178 p.: ill., ports.; 21 cm. Dumfriesshire and Galloway Natural Copy 1. Original maroon cloth, with History and Antiquarian Society, portrait of Robert Burns mounted 1914–15. (3rd Series, volume III). on upper cover. Inscribed to A. C. Original blue cloth, stamped in gold. White, Glasgow, from the author, Oct. 1911. Glasgow and the Land of Burns. Copy 2. Original maroon cloth, with Glasgow: William Collins, [1910?]. portrait of Robert Burns mounted on 126 p.: ill.; 8.8 cm. upper cover. Pons Bequest. Original tartan-patterned padded cloth. Gordon, Bob. Glasgow-Mauchline Society. There Was a Lad Was Born in Kyle: An Catalogue of the Burns Museum: With Analysis of the Lifetime of Robert Burns. a History of the Formation of the [Crewe: s.n., 1999?]. Memorial. 112 p., [4] p. of plates: ill., port.; 24.1 cm. Glasgow: N. Adshead, 1916. Original wrappers, comb bound. Photo- 22 p.; 18.5 cm. copy of a typed letter signed of Robert At head of title: National Burns Memo- Gordon’s acknowledgment of indi- rial and Cottage. vidual membership in the Robert Title vignette: portrait of Burns. Burns World Federation, typed letter, Laid in, printed card: Lines written in signed from Robert Gordon to J. D. Burns Cottage / Robert Ingersoll. Berg about this book, and advertise- August 19/1878. ments for four additional titles writ- Glasgow (Scotland) Public Libraries. ten or edited by Gordon loosely A Selected List of Books on and by Robert inserted. Burns. Gordon, Donald. Glasgow: Printed for the Libraries The Low Road Hame: Collected Poems. Committee by the Corp. and Station- Aberdeen: Aberdeen University Press, ary Dept., 1956. 1987. 12 p.; 18.4 cm. xvi, 44 p.; 22 cm. Original yellow pictorial wrappers. Includes a poem about Burns, “January Gleanings of Literature, or, The Miscellany 25th, The Immortal Memory.” of Taste. Copy 1. Tan contemporary library Dublin: P. Oulton, 1805. binding. 1 v.; 21 cm. Copy 2. Original wrappers. Dedication signed: Clare Sacheverell Gowans, Adam L. Forster. A Book of Ballads Old and New. Contains the following Burns items: London: Gowans & Gray, 1914. “Robert Bruce’s Address to His Army xvi, 238 p.; 14.5 cm. . . . ,” p. 544; “Lord Gregory,” p. 545; Pocket Anthology; no. 9. “ by Miss Williams on reading Contains 2 songs by Robert Burns. Burns’s ‘Mountain Daisy,’” p. 548. Original blue cloth. Later half calf, marbled boards, over original blue printed boards. Grahame, James. Poems in English, Scotch, and Latin. Goodwillie, Edward. Paisley: Printed by J. Neilson, for the The World’s Memorials of Robert Burns. author, 1794. Detroit, Mich.: The Waverley Publish- xiii, 140 p.; 22.5 cm. ing Company, [1911]. The G. Ross Roy Collection of Robert Burns / 294

Includes the author’s poem on Burns Original gray-green pictorial wrappers. and his translation of “To a Mouse” Author’s signed presentation copy. into Latin. Laid in: autographed letter signed Modern boards, paper label on spine. from the author to G. Ross Roy. Grand Musical Commemoration of the Gray, John. Unveiling by Lord Houghton of the Burns Robert Burns: Why, When and Where. Statue in the City Hall, on Thursday,25th Ayr: Ayr Burns Club, 1980. January, 1877: Under the Presidency of 21, [3] p.; 21 cm. George Anderson, Esq., M.P. Original green wrappers, stapled gath- Glasgow: Robert Anderson, [1877]. ering. Pons Bequest. 18 p.; 21.5 cm. Gray, Simon. A program of selections from the works The Spaniard, or, Belvindez and Elzora: A of Burns performed by the Glasgow Tragedy; and The Young Country Widow; Choral Union. A Comedy. With three letters of Dr. Original pink wrappers. Pons Bequest. Blair. And, thoughts on the present Gray, Alexander. state of the British drama and what Robert Burns, Man and Poet. seems calculated to improve it. [Edinburgh: John Wilson, Printer, London: Longman, Orme; Edinburgh: 1944]. A. and C. Black, 1839. [24] p.; 18 cm. xx, 391, 7 p.; 20 cm. Original printed wrappers. The Spaniard dedicated to Robert George Clarke; The Young Country Gray, Alexander. Widow dedicated to William Jerdan. A Timorous Civility: A Scots Miscellany. Letters from Dr. Blair bear facsimile Glasgow: Collins, 1966. signature: Hugh Blair. 190 p.; 22 cm. Robert Burns wrote to Simon Gray Original off-white cloth, stamped in on 15 May 1787. The first letter from gold on spine and upper cover. No. Hugh Blair to Gray is dated 1 March 1/50 signed and numbered copies. 1788. Pencil correction to title page. Gray uses the phrase “a few days ago” Gray, John in his letter to Blair. Robert Burns: Why, When and Where. “Works by Mr. Gray,” 7 p. Ayr: Tam o’ Shanter Museum, [1968?]. Straight grained morocco, red leather 16 p.; 20.3 cm. label. Original yellow wrappers. Inscribed by Great Britain. the author, May, 1968. Anno regni Georgii III, regis Magnæ Bri- Gray, John. tanniæ, Franciæ, & Hiberniæ, vicesimo Robert Burns: Why, When and Where. octavo: at the Parliament begun and 4th edition. holden at Westminster, the eighteenth day Ayr: Tam o’ Shanter Museum, 1969. of May, Anno Domini 1784. 13 p.; 20.2 cm. London: Printed by and Original gray green pictorial wrappers. Andrew Strahan, 1788. p. 195–198; 29.1 cm. Gray, John. This act prompted Robert Burns’s letter Robert Burns: Why, When and Where. to William Pitt, signed “John Barley- Ayr: Tam o’ Shanter Museum, 1971. corn.” Letters, I, 371. 18 p.; 20.8 cm. Burnsiana / 295

Greenock Burns Club (Greenock, Scot- New York: Peter Bedrick Books, 1986. land). 128 p.: ill. (some col.); 30 cm. One Hundred and Thirty-Seventh Annual Original pictorial boards. In dust jacket. Celebration, Tontine Hotel, Greenock, Pons Bequest. Wednesday, 25th January, 1939. Guide to Kilmarnock and the Burnsiana of Greenock: s.n., 1939. the Town and District. 8 l.: port.; 24 cm. Kilmarnock: D. Brown, 1893. Original tan wrappers, sewn with red 32 p.: ill., map; 13.6 cm. cord. Title vignette portrait of Robert Burns. Gregg, Donald Waid. Original buff pictorial wrappers. Hard Times and the Common Man in Guthrie, David Kelley. Burns’ Day. Burns from Various Aspects: The Address 31, vi l.; 28 cm. to the Laurencekirk and District Burns “Presented at the April 1, 1998, meeting Club at Their Annual Supper, in the of the Atlanta Burns Club.” Masonic Hall, Laurencekirk, on Comb-bound. With revised copy for Wednesday, 5th February, 1936. the Burns Federation Meeting, London; Glasgow: Grant Educational July 20–22, 2001. Co., 1936. Gribbel, John. 31 p.; 17 cm. Autograph Letters, Manuscripts and Rare Original cream-colored cloth. Printed Books, the Entire Collection of the Late half title on upper cover. Glassine John Gribbel, Philadelphia. By order of dust jacket. the executors under the will of John Haan, M. J. M. de. Gribbel, the Real Estate Trust Com- Robert Burns, dichter en vrijmetselaar: pany of Philadelphia and the children over een man die bovenal mens wilde of John Gribbel. zijn. New York: Parke-Bernet Galleries, Den Haag: Fama Fraternitatis, [1999?]. 1940–1945. 103 p.: ill., ports.; 20 cm. 2 v.: ill., facsims.; 26.5 cm. De Nieuwe Haagsche. Sale numbers 223, 251, 662, 672. Original pictorial card wrappers. Part 1 sold Oct. 30–Nov. 1, 1940; pt. 2, Jan. 22–24, 1941; pt. 3, April 16–17, Hadden, J. Cuthbert. 1945, pt. 4, May. 7–8, 1945. George Thomson: The Friend of Burns: His Original blue-gray wrappers. Life and Correspondence. London: J. C. Nimmo, 1898. Grierson, William. x, 392 p.: port.; 21.2 cm. Apostle to Burns: The Diaries of William Original black cloth. Grierson. Edited by John Davies. Edinburgh: Blackwood, 1981. Hall, S. C., Mrs. xxi, 327 p., [17] p. of plates: ill. (some Letter to Mrs. Allan Cunningham, col.); 23 cm. [between 1842 and 1860?] Anna Maria Copy 1. Original green boards, stamped Hall. in gold. 1 item (4 s.); 18 cm. Copy 2. Original green boards, stamped Autograph letter signed, in ink on light in gold. Pons Bequest. blue-gray paper. Mounted. Thanks Mrs. Cunningham for her hos- Grimble, Ian. pitality: “You Scottish folk, are so Robert Burns: An Illustrated Biography. delightful in friendly intercourse. I 1st American edition. The G. Ross Roy Collection of Robert Burns / 296

never could understand why the 14 p.: ill., port.; 22 cm. world called you a ‘cold people.’ I am Reprinted from the Burns Chronicle, sure we never found you so . . . . ” v. XII (1937). Asks if Mr. Pagan has the music for Original brown wrappers. “‘Come o’er the stream Charlie’ and Hamilton Burns Club. the last song, written by Mr. Cun- The Hamilton Burns Club, 1877–1927: ningham which he sung? It was about Report of Jubilee Celebrations, 25th Janu- the sea, if he has got the music and ary, 1927. would lend it me for a day, I would Glasgow; Edinburgh: Printed for pri- esteem it a great favor.” vate circulation by William Hodge & Mrs. Cunningham was the wife of Allan Co., Ltd., 1927. Cunningham, Scottish poet and biog- 36, [12] p., [5] leaves of plates: ill., ports.; rapher of Robert Burns. 21.8 cm. Halleck, Fitz-Greene. John Buchan gave the principal address, Alnwick Castle, with Other Poems. which is reprinted here in full. New York: G. Dearborn, 1836. Program of the Hamilton Burns Club 98 p.; 24 cm. anniversary dinner, 25 January, 1927, “Burns”: p. [22]–31. laid in. Original purple cloth, stamped in gold Original white quarter cloth, printed and blind. Signature and library label boards. of James H. Hammond, 1837. Hamilton, W. S. Halleck, Fitz-Greene. Tam o’ Shanter (Analysed). Alnwick Castle, with Other Poems. Irvine: Chas. Murchland, “Herald” New York: Harper & Brothers, 1845. Office, 1900. 104 p.; 19 cm. 54 p.; 19 cm. Added engraved title page. Original wrappers. Author’s surname “Burns”: p. [23]–33. penciled on title page. Copy 1. Original purple cloth, stamped The Harmonist’s Preceptor, or Universal in gold and blind. Vocalist, Containing All the New Songs. Copy 2. Rebacked. Contemporary London: Fairburn, [1833?]. brown calf stamped with gold. South 328 p.: col ill.; 17.4 cm. Carolina College Library stamped in Running title: Fairburn’s Collection of gold on upper cover. Songs. Halleck, Fitz-Greene. Without music. The Poetical Writings of Fitz-Greene Colored frontispiece and title vignette. Halleck. Contains several songs by Robert Burns. New York: D. Appleton and Company, Original green moiré cloth, printed 1873, c1869. paper label on spine. Imperfect: last 2 272 p.: port.; 15 cm. leaves wanting; supplied in facsimile. Original blue cloth, stamped in blind. Harvey, William. Unsigned, “with the editor’s compli- The Harp of Stirlingshire. ments, July, 1873.” Paisley: J. and R. Parlane, 1897. Halliday, R. T. 527 p.; 19.4 cm. The Immortal Memory of Robert Burns: “Robert Burns,” p. 362–365. Toast Proposed at the Burns Night of Publisher’s catalogue, 4. p., follows text. Lodge St. Vincent, Glasgow, No. 553. Copy 1. Original dark green cloth, Glasgow: William Hodge & Co., 1937. stamped in gold. Unopened. Burnsiana / 297

Copy 2. Original brown cloth, stamped 120 p.; 18.4 cm. in gold. Original red cloth, stamped in gold and blind. Harvey, William. Robert Burns as a Freemason. Hecht, Hans. Dundee: T. M. Sparks, 1921. Robert Burns: Leben und Wirken des 92 p., [7] leaves of plates: ill.; 17.5 cm. schottischen Volksdichters. Pages [85]–92: advertisements. Heidelberg: Carl Winters Universitäts- Original gray boards, tan cloth spine. buchhandlung, 1919. vii, 304 p.: port.; 20 cm. Harvey, William. Copy 1. Uncut and unopened, in origi- Robert Burns as a Freemason. nal beige paper wrappers. Laid in: Dundee: Sparks, 1944. Two letters, dated Jan. 1939, from 64 p.: ill.; 18 cm. John McVie, secretary of the Burns Copy 1. Original blue cloth. Federation, to Arthur Murray and Copy 2. Original green paper covered W. Ormiston Roy concerning efforts boards. Pons Bequest. by the Burns Federation to help Hecht Harvey, William. leave . Robert Burns in Stirlingshire. Copy 2. Uncut and unopened in original Stirling: E. Mackay, 1899. beige paper wrappers. viii, 158 p.: port.; 20 cm. Hecht, Hans. Original dark red cloth. Inscribed to Sir Robert Burns: The Man and His Work. Harry Lauder, Feb. 25, 1928 by Robert London [etc.]: W. Hodge & Company, Auld. Limited, 1936. Harvey, William. xi, 375 p.: ill.; 22 cm. Tam o’ Shanter and The Merry Masons. Copy 1. Original red cloth in beige Sixth edition. printed dust jacket. Marginal annota- Dundee: T. M. Sparks & Sons, 1960. tions by W. Ormiston Roy. Original blue gray wrappers, stapled Copy 2. Presented as a gift to W. Ormis- gathering. 12 cm. ton Roy from William Benton, F.S.A. Kinsley, 321. Scot., Sept. 16, 1937. Copy 3. Inscribed by the author to Hay, James, Miller. W. Ormiston Roy, Sept. 16, 1937. The Sound of the Mill. Copy 4. Letter from J. C. Ewing, editor Liverpool: The Northern Pub. Co., of The Burns Chronicle, to Mr. Harvey, Ltd., 1924. on Hecht’s book laid in. 43 p.: ill.; 21.2 cm. Includes: “The Mill and the Miller in Hecht, Hans. the Poetry of Robert Burns.” Robert Burns: The Man and His Work. Original green wrappers; illustration on Foreword by Sir Patrick J. Dollan. p. [5] painted with watercolors by 2nd revised edition. previous owner. London: William Hodge, [1950]. xviii, 301 p.: ill.; 22 cm. Heavisides, Henry. “Translated by Jane Lymburn”—Title The Minstrelsy of Britain: Or, A Glance at page verso. Our Lyrical Poetry and Poets: From the Copies 1–2. Original red cloth. In dust Reign of Queen Elizabeth to the Present jacket. Time, Including a Dissertation on the Genius and Lyrics of Burns. Stockton: Printed by Henry Heavisides, 1860. The G. Ross Roy Collection of Robert Burns / 298

Hecht, Hans. Henderson, T. F. Robert Burns: The Man and His Work. Robert Burns. With twelve illustrations. Translated [from the German] by London: Methuen & Co., 1904. Jane Lymburn. ix, 202 p.: ill., ports.; 18 cm. Foreword by Sir Patrick J. Dollan. Little Biographies. Bath: Cedric Chivers Ltd, 1971. Original light blue cloth. xix, 301 p.; 22 cm. Henderson, T. F. Portway Reprints. Robert Burns. With twelve illustrations. Appendix: “A memoir of the life of the London: Methuen & Co., [1905]. late Robert Burns,” by R. Heron . . . ix, 202 p.: ill., ports.; 18 cm. Edinburgh, T. Brown, 1797: Oxford Biographies. p. 257–282. Hendry, Hamish. Hecht, Hans. Burns from Heaven: With Some Other Robert Burns: The Man and His Work. Poems. Translated [from the German] by [2nd edition]. Jane Lymburn. Glasgow: D. Bryce & Son, 1897. Ayr [Strathclyde]: Alloway, 1981. 96 p.; 20 cm. xi, 301 p.; 22 cm. Original dark red cloth, stamped in Translation of: Robert Burns, Leben und gold. Wirken des schottischen Volksdichters. Original green boards, stamped in gold Henley, William Ernest. on spine. In pictorial dust jacket. Pons Burns: Life, Genius, Achievement. Bequest. Edinburgh: T. C. and E. C. Jack; Lon- don: Whittaker, 1898. Heller, Otto. 348 p.: port.; 18.4 cm. Robert Burns: A Revaluation. Reprinted from The Centenary Burns. [Seattle: University of Washington Copy 1. Contemporary marbled wrap- Press, 1925]. pers. Interleaved, with annotations. p. 171–199; 26.8 cm. Copy 2. Rebound in modern green Reprinted from Washington University cloth, original wrappers bound in. Studies, v. XII, Humanistic Series, No. Bookplate of John A Fairley. Tipped 2 (1925). in: an autographed letter, signed from Original gray-green wrappers. C. Davis to Fairley, dated Dec. 27, Henderson, T. F. 1921, comparing Henley to Saunders The Auld Ayrshire of Robert Burns. Tait on Burns. London: T. N. Foulis, 1906. Copy 3. Original terra-cotta wrappers. 145 p.: ill.; 18 cm. Copy 4. Original terra-cotta wrappers. Original gray pictorial cloth. Colored Pons Bequest. illustration mounted on upper cover. Henley, William Ernest. Henderson, T. F. Burns: Life, Genius, Achievement. “Charlie He’s My Darling” and Other New York: Haskell House, 1974. Burns’ Originals. 234–348 p.; 20 cm. [S.l: s.n., 1896?]. Reprinted from The Centenary Burns. p. 171–178; 26 cm. First published in 1897 under title: Contemporary wrappers. Signature of Robert Burns: His Life, Genius, Hugh Scott Charles. Achievement. Reprinted from the Scottish Historical Reprint of the 1898 edition published by Review. T. C. and E. C. Jack, Edinburgh. Burnsiana / 299

Herd, David. Heston. Songs from David Herd’s Manuscripts. “William M’Quhae and the Portrait of Edited with introduction and notes Burns.” by Hans Hecht. p. [34]–35: port.; 25 cm. Edinburgh: W. J. Hay, 1904. Portrait p. [34] is that of William xv, [1], 348 p.: facsim.; 23 cm. M’Quhae. “This edition consists of 750 copies In: Gallovidian, v. 5, no. 17 (Spring printed on antique laid, deckle-edge 1903). paper for sale. And 100 copies printed on Arnold’s unbleached handmade paper, each numbered and signed.” Original green quarter cloth, gray paper-covered boards, printed paper lettering label on spine. This copy on antique laid paper. Additional paper lettering label tipped inside back cover. Heron, Robert. A Memoir of the Life of the late Robert Burns. Edinburgh: Printed for T. Brown, 1797. 56 p.; 19.5 cm. Nineteenth century half roan, marbled boards. Hervey, James. Meditations and Contemplations: Con- taining Meditations among the Tombs, Reflections on a Flower-Garden; and a Descant on Creation; Contemplations on the Night, Contemplations on the Starry Heavens; and, a Winter-Piece. The 22nd edition. London: Printed for John, Francis, and The first Burns biography Charles Rivington, 1776. xxxiii, 161, clxii–clxxiv, [174]–341 p.: Hewat, Kirkwood. ill.; 17 cm. In the Olden Times: Being Papers on Places Publisher’s advertisement, [1] p., fol- and People of the Past. lows text. Paisley; London: Alexander Gardner, Burns ordered this enormously popular 1898. volume (1745–1747) from Peter Hill 338 p.: ill.; 22.8 cm. on March 2, 1790 for the Monkland Includes a chapter titled, “Burns and Friendly Society which was setting up Upper Nithsdale,” p. 233–256. a library for its members—Letters, no. Original green cloth, stamped in gold 395. on spine. Contemporary sheep. Signature of M. Sandon, 1788. The G. Ross Roy Collection of Robert Burns / 300

Hewat, Kirkwood Began in 1963. A Little Scottish World: As Revealed in the Edited and published by Angus J. Ray. Annals of an Ancient Ayrshire Parish. Holdings: v. 34, no. 1 (1996: Jan./Feb.) Kilmarnock: D. Brown, [1894?]. Hill, David Octavius. xii, 275 p.: ill., facsim., port.; 18.2 cm. In the Land of Burns. Select illustrations Includes a chapter about the Rev. of the life and writings of the Scottish Thomas Burns, D.D., nephew of the poet from paintings by D. O. Hill. poet. London: Blackie, 1896. Original dark red cloth, lettered in gold. Xii; 37 cm. and 24 plates in portfolio; Hewat, Kirkwood. 29 x 38 cm. Robert Burns and My Congregation. Imperfect: p. xi, xii wanting; 7 plates Edinburgh: Lorimer & Chalmers, 1917. only. 19 p.; 18.2 cm. 5 plates stamped “Specimen.” Advertisements: p. 17–19. Original green cloth, lettered in gold. Original brown wrappers. Hill, David Octavius. Hierthes, Ludwig. The Land of Burns. Wörterbuch des schottischen Dialekts in Edinburgh: Ramsay Head Press, 1978. den Werken von Walter Scott und Burns. [8] p.; 21.3 x 30 cm. (Neudruck der Ausg. Augsburg, Illustration on inside of lower wrapper. Rieger und Kranzfelder, 1882.). Ramsay Head Prints; no.3. Wiesbaden: M. Sändig, [1967]. Original pictorial wrappers. 193 p.; 21 cm. Hill, John Charles. Higgins, James Craig. The Life and Work of Robert Burns in Grand Fete and Bazaar: In the Grounds of Irvine. Montgomerie, 24th and 25th July, 1908. London: L. Williams, 1933. Glasgow: Colin Gleig, 1908. 91 p.: ill.; 18.5 cm. 104 p.: ill.; 21.6 cm. Original black cloth. “In Aid of Tarbolton Parish Church Hilton, Charlie. Organ and Organ Endowment A Second Drap o’ the Doric: Anither Funds.” Collection o’ Lichtsome Verses Written “Brief antiquarian and literary notes in Scots. concerning Tarbolton and Mont- Torphins, : Bon Accord gomerie. The Rev. J. C. Higgins, B. D. Arts & Crafts, 1994. Parish Minister,” p. 45–77. Includes 57 p.: ill.; 21 cm. “Willie’s Mill” and “Burns and High- Includes the following poems appropri- land Mary.” ate for a Burns supper: “I Wunner,” Original gray wrappers lettered in red p. 24 and “The Haggis,” p. 25. and blue. Signed by J. C. Higgins, July Original yellow wrappers. 19, 1912. Historical Sketch of the Burns Statue, the Higgins, James Craig. McPherson Legacy to the City of Albany. Life of Robert Burns. Erected in Washington Park, September Kilmarnock: “Standard” Press, 1928. 30, 1888. 260 p.: ill., maps, ports, facsims.; 22 cm. Albany: Weed, Parsons & Co., Printers, Original green cloth stamped in gold. 1889. Highlander (Barrington, Ill.) 67, [1] p.: ill., facsim.; 23 cm. The Highlander. Dedication exercises with speeches by v.: ill.; 28 cm. R. H. Collyer, and others. Burnsiana / 301

Original brown cloth, upper right cor- 152 p.: ill., ports.; 31 cm. ner covered in McPherson tartan, SMT Magazine Incorporating Scottish stamped in gold on upper cover. Country Life; v. 16, no. 1 Inscribed to Dr. A. Vander Veer by Title from cover. Peter Kinnear, Miss McPherson’s Cover has color portrait of Burns. executor. Bookpate of James N. Hohmann, Dietrich. Vander Veer. Ich, Robert Burns: Roman. A History of the Celebration of Robert Berlin: Neues Leben, 1991. Burns’ 110th Natal Day, at the Metro- 454 p.; 20 cm. politan Hotel, New York. Original dark blue cloth. In black picto- Jersey City: J. H. Lyon, 1869. rial dust jacket. 99 p.; 23 cm. Holmes, Robert Love. Original wrappers, back page detached. The Memory of Burns. A speech at the Hodgart, John. annual dinner of the Glasgow Ayr- “Language Issues in Studying Burns for shire Society on 25th January, 1898. Revised Higher-Bard Tae Waur?” Glasgow: R. L. Holmes, 1898. p. 41–43: port.; 30 cm. 28 p.; 22.5 cm. Original pictorial wrappers. Original red cloth. In: Laverock, v. 3. Homes of English Poets: With Appropriate Hodges, George C. Selections from Their Works. A Book of Short Quotations for the Use of New York; Munich: Obpacher Bros., Preachers, Lawyers, and Public Speak- [1890?]. ers: But More Especially for Daily Exer- 7 leaves: col. ill.; 12 x 17 cm. cises in the Schools, Also Suitable for Original pictorial card wrappers. Autograph Albums. St. Andrew’s Society. Philadelphia: Printed by J. B. Lippincott Hong Kong St. Andrew’s Society Banquet: Co., 1886. Burns’ Anniversary 1885. 56 p.; 18.6 cm. [Hong Kong: The Society, 1885] Preface dated 1886, Abbeville, SC. (Guedes & Co.). Two quotations by Robert Burns, no. [4] p.; 17.2 cm. 90, no. 158. The third quotation is Burns dinner program: “Hong Kong indexed but is not present. Hotel, January 24th, 1885.” Hogg, Patrick Scott. Single sheet, folded. Robert Burns: The Lost Poems. Hopekirk, Helen. [Great Britain]: Patrick Scott Hogg, O Whistle and I’ll Come to You My Lad = c1997. O pfeif und ich komme, mein Bursch, zu 252 p.: ill.; 20.5 cm. dir. Copy 1. Original pictorial wrappers. [words by] Robert Burns, Deutsch von Author’s signed presentation copy Joh. v. Lössl. to G. Ross Roy, 3/2/97. Review by Boston: Oliver Ditson Company; New G. Ross Roy in envelope. York: Chas. G. Ditson & Co.; Chicago: Copy 2. Original pictorial wrappers. Lyon & Healy, c1897. Pons Bequest. 1 score (5 p.); 34 cm. Burns Number. First line of text: O whistle and I’ll [Edinburgh: Travel Press and Publicity come to you my lad. Co.], 1936. The G. Ross Roy Collection of Robert Burns / 302

House, Jack. Robert J. Wickenheiser Collection of Getting Around the Burns Country. John Milton. Edinburgh: Albyn Press [1948?]. Hubbell, Jay B. 47 p.: ill., map, port.; 18 cm. “Dr. James R. M’Conochie’s Leisure In portfolio. Hours: A Rare Book by a Scottish- Original pictorial wrappers. American Doctor Who Knew Robert Housman, Laurence. Burns.” Cornered Poets: A Book of Dramatic p. [172]–179; 24.7 cm. Dialogues. From The Virginia Magazine of History London: J. Cape, [1929]. and Biography, v. 67 (April 1959). 255 p.: ports.; 20 cm. Original light gray wrappers. Author’s “The Cutty Stool,” p. 125–149 is about signed presentation copy to Matthew Robert Burns. J. Bruccoli. Original light blue cloth. Hughes, James Laughlin. Hubbard, Elbert. The Real Robert Burns. Little Journeys to the Homes of English London [etc.]: W. & R. Chambers, Authors: Robert Burns. Limited, 1922. East Aurora, N.Y.: The Roycrofters, 216 p.: port.; 19 cm. 1901. Original blue cloth in pictorial dust 75–98 p.: port.; 19.2 cm. jacket. Title within ornamental border, initials. Hughes, James Laughlin. Colophon: So here endeth the little The Real Robert Burns. journey to the home of Robert Burns, London; Edinburgh: W. & R. Chambers; as written by Elbert Hubbard: the Toronto: Ryerson, [1922]. title page, initials and ornaments 216 p.: port.; 19 cm. being designed by Samuel Warner, Original bright blue cloth. In gray pic- and the whole done into a book by torial dust jacket. From the library of the Roycrofters, at their shop, which T. Howard Stewart, with his annota- is in East Aurora, Erie County, New tions. Autograph letter signed from York, in the month of December, the author to Stewart laid in, with MCMI. publisher’s prospectus. Stewart was Roycroft handmade paper, not hand an intimate friend of W. Ormiston illuminated. Roy. Modern gray boards, dark gray cloth spine. Printed paper label on upper Hunter, Thomas. cover. Signature of James R. Heod, History of the Paisley Burns Club. 1911. Paisley: J. & J. Cook, [1939]. 96 p.: ill., ports.; 22 cm. Hubbard, Elbert. Preface dated 1939. Little Journeys to the Homes of English Original blue quarter morocco, blue Authors. cloth-covered boards. Author’s auto- East Aurora, N.Y.: Roycrofters, 1900. graph presentation inscription on 12 v.: ports.; 20 cm. front endpaper. Pons Bequest. Little Journeys. [v. 4]. Robert Burns. Hutchinson, Thomas. Wickenheiser, 132. An Essay on the Life and Genius of Robert Original wrappers. Sewn binding. Laid Burns. in: portrait of John Milton. Kilmarnock: Printed by J. M’Kie, 1887. Burnsiana / 303

From a special section of the Illustrated London News celebrating the one-hundredth anniversary of the poet’s birth

64 p.; 22 cm. Illustrated Guide to Ayr and the Land of “Edition limited to 100 large, and 200 Burns. small, paper copies.” [Ayr: s.n., 1906?]. (Ayr: “Ayr Adver- Original blue boards. Large-paper copy, tiser”). signed by the author. Library label of 15 p.: ill., port.; 22 cm. Thomas Hutchinson. Original pictorial wrappers, stapled gathering. Hyde, H. Montgomery. A History of Pornography. Illustrated London News. [London: New English Library, Ltd., [London: Illustrated London News & 1966, c1964]. Sketch Ltd., 255 p.: front.; 18 cm. v.: ill. (some col.), ports.; 38–43 cm. A Four square book. 1844 issue contains articles about Reference to Burns and the “1827” edi- Robert Burns and Thomas Campbell. tion of The Merry Muses, p. 109. Holdings: 1844 Original pictorial wrappers. Illustrated News of the World and I, Robert Burns. National Portrait Gallery of Eminent Ayr: The Ayrshire Post, Ltd., 1959. Personages. 40 p.: ill., ports., music; 24.6 cm. [London: Printed by John Tallis, Program of the 1959 production of “I, 1858–1864]. Robert Burns,” a pageant starring v.: ill., ports.; 40 cm. Andrew Keir. Produced by The Burns No. 52 ( Jan. 29, 1859) includes Robert Federation and Ayr Town Council for Burns engravings on upper cover Ayr’s Burns Bi-centenary Celebra- with a short article on p. 50. tions. 16th–20th June, 1959. Holdings: no. 19 (1858: June 12), no. 21 Copy 1. Original beige wrappers. (1858: June 26)-no. 22 (1858: July 3), Copy 2. Original beige wrappers. Pons no. 32 (1959: Sept. 11)-no. 59 (1859: Bequest. Mar. 19), no. 177 (1861: June 22)-no. The G. Ross Roy Collection of Robert Burns / 304

194 (1861: Oct. 19), no. 197 (1861: Outline reproduction of Watson’s paint- Nov. 9)-no. 198 (1861: Nov. 16), no. ing, with key identifying figures. 200 (1861: Nov. 30)-no. 202 (1861: Copy 1. Original bright blue cloth, let- Dec. 14), no. 205 (1862: Jan. 4), no. tered in gold. 207 (1862: Jan. 18)-no. 212 (1862: Feb. Copy 2. Original bright blue cloth, let- 22). tered in gold. Pons Bequest. Illustrations of Tam o’ Shanter. Pho- Ingram, John. tographed from steel plate engravings Interesting and Characteristic Anecdotes of of the original paintings by John Burns. Faed, R.S.A. Glasgow: T. D. Morrison, 1893. [S.l.: s.n., between ca. 1930 and 1950]. 122 p.: ill.; 2.2 cm. 7 photoprints: b&w, 11 x 16 cm. Publisher’s catalogue, 13 p., follows text. Title from manuscript note on reverse Original red cloth. Bookplate of John of photograph labeled “1.” Needles Chester. Photographs captioned in manuscript Interesting Burns and Other Relics. with lines from “Tam o’ Shanter.” [Dumfries?]: Dumfries and Galloway Illustrations of the Life and Works of Standard, 1904. Robert Burns: Containing Portrait of 1 sheet; 44.5 x 17 cm. Burns. An Interesting History of Robert Burns: London: Joseph Thomas, 1837. The Ayrshire Bard. 52 p., [15] leaves of plates: ill.; 24 cm. Glasgow: Printed for the Booksellers, Original dark green cloth, lettered in [1850?]. gold. 24 p.; 16 cm. Imrie, John. [Quaint Scottish Literature Chap Books The Scot at Home and Abroad: Being the and Penny Histories; 1st ser.; no. 8]. Substance of a Lecture. Date from British Museum Catalog. Toronto: Imrie, Graham, 1898. Caption title: Life of Robert Burns. 29 p.; 22 cm. Title vignette. Contains 14 poems by the author [No.] 60. including “Robert Burns’ Centenary.” Copy 1. Modern buff wrappers. Original yellow pictorial wrappers. Copy 2. Modern marbled wrappers. Copy 3. Green cloth, printed paper label In the Land o’Burns. Illustrated by early on spine. One of a collection with Victorian engravings from paintings binder’s title: Chap-books and Penny by David Octavius Hill, with an Histories . . . First Series. introduction by Maurice Lindsay. Copy 4. Modern red quarter morocco, Glasgow: Richard Drew, 1981. marbled boards. Binder’s title: Chap- 128 p.: ill., maps; 14.5 x 20.5 cm. books. Burns. Each leaf mounted. One Original tan cloth. In pictorial dust of a collection of chapbooks from the jacket. library of J. L. Weir. The Inauguration of Robert Burns as Poet Copy 5. Green cloth, printed paper label Laureate of the Canongate Kilwinning on spine. No. 8 in a bound collection Lodge, No. 2. From the original paint- of chapbooks with spine title: Quaint ing by Stewart Watson, now in the Scottish Literature Chapbooks and Grand Lodge of Scotland. Histories . . . First Series. Printed 1 picture: b& w; 35.4 x 23.4 cm. folded to chiefly in Paisley and Glasgow. 11.8 x 11.7 cm. Copy 6. Disbound. Pons Bequest. Burnsiana / 305

[Invitation from the Commissioner of Glasgow: J. MacLehose, 1896. Parks & Recreation in cooperation xix, 560 p.: ill., port.; 21 cm. with The Burns Society of the City Copy 1. Original olive green cloth. of New York, The American-Scottish Author’s signed presentation copy. Foundation, St. Andrew’s Society of “Works by the same author,” [7] p. the State of New York, The New follows text. York Caledonian Club, Scottish Her- Copy 2. Original olive green cloth. Col- itage USA to a Program Celebrating lege library stamp on free front end- the Bicentennial of Robert Burns on paper. Pons Bequest. Saturday, October 26, 1996, 11:00 a.m. Jamieson, A. Burns. at the Burns Statue on Literary Burns & Religion. Walk]. Cambridge: W. Heffer, 1931. [New York: s.n.], 1996. 122 p.; 18.3 cm. 1 sheet folded (4 s.): ill.; 17.8 cm. Original dark blue cloth. Buff dust With special guest performance by Jean jacket. Redpath. Image of the statue in with Jamieson, Robert. Burns’s poem “For a’ That, an a’ Burns in his Youth, and How He Grew to That” on cover. Be a Poet: Burns in His Maturity, and Pons Bequest. How He Spent It. Papers read before the Belfast Burns’ Club, by Robert . Jamieson, 1876–7. The 150th Annual Celebration: In the Cale- Belfast: Printed and published for The donian Hall on Friday, 23rd January, Club by Wm. Brown, 1878. 1976. 108 p.; 18.5 cm. [Irvine: The Club, 1976]. Copy 1. Original purple cloth, stamped [12 p.]; 25.4 cm. gold and blind. Binder’s ticket: “From Hugh MacDiarmid,” [essay on R. Carswell. Belfast. Burns], p. [2]. Copy 2. Original cloth, stamped gold Original blue pictorial wrappers. Letter and blind. Pons Bequest. from G. Ross Roy accepting honorary membership in the Irvine Burns Club: Japp, Alexander H. p. [10]. Laid in: typed letter signed, Robert Burns and Mr. W. E. Henley’s from Andrew Hood, Hon. Secretary Heavy Weight on Him. of the Irvine Burns Club, to G. Ross London: T. Burleigh, 1899. Roy, 26 January 1976. 149 p.; 16.4 cm. Original buff and green boards. Jack, Ronald D. S. The Art of Robert Burns. Jarndyce Antiquarian Booksellers. London: Vision Press; Totowa, N.J.: “Burns and Scotland.” Barnes & Noble Books, 1982. London: s.n., 1994. 240 p.; 23 cm. [124] p.: facsims.; 23.5 cm. Critical Studies Series. Catalogue, XCVII, Spring 1994. Original orange boards, pictorial dust Items primarily from the collection of jacket. Author’s signed presentation Professor Robert Dewar, Reading copy. University. Copies 1–2. Original blue wrappers. Jacks, William. Robert Burns in Other Tongues: A Critical Jeffrey, Francis Jeffrey. Review of the Translations of the Songs “Reliques of Robert Burns: Consisting & Poems of Robert Burns. Chiefly of Original Letters, Poems, The G. Ross Roy Collection of Robert Burns / 306

and Critical Observations on Scottish Jones, John. Songs.” Burns ac Ingoldsby yn Gymraeg: tri darn. p. [249]–276; 22 cm. Wrecsam: Hughes A’I Fab, 1931. In: The Edinburgh Review (1802), v. 13, 71 p., [3] p. of plates: ill.; 19 cm. no. 26. Translation and discussion of “Tam o’ Shanter” in Welsh. Joab, Albert E. Original light green wrappers. Pons Robert Burns: Peasant, Poet, Patriot. An Bequest. oration, delivered before the Caledon- ian and St. Andrew’s Societies of Joyce, John A. Tacoma, Washington, on the one Robert Burns. hundred and thirty-eighth anniver- 1st edition. sary of the poet’s nativity. Chicago: Regan Printing and Publishing Tacoma, Wash.: [Allen & Lamborn Ptg. House, c1910. Co., 1910]. 142 p.: ports.; 19 cm. 30 p.: ports.; 21.5 cm. Original blue cloth, stamped in gold. Original wrappers. Stapled gathering, K. D. Duval Fine Books. also tied with string. Pons Bequest. A Bi-Centenary Catalogue of Robert John Grant Booksellers. Burns: First Editions, Important Studies, Robert Burns: A Bicentenary List of Cur- Related Ms. Material, Contemporaries, rent Books and New Publications on or Bibliography, Etc. by Our National Bard, with Several Edinburgh: K. D. Duval, 1959. Important Works Announced for the 23, [1] p.; 23 cm. First Time. This was Duval’s first catalogue. Edinburgh: The Firm, [1959]. G. Ross Roy, then teaching at the Uni- [3] p.: ill.; 27 cm. versity of Alabama, had the Univer- Single printed sheet, folded. Heavily sity Library make purchases from it. annotated in manuscript. Original wrappers, stapled gathering. In the private collection of G. Ross Roy. Johnston, John. A Visit to the Land of Burns. Kay, Arthur. Bolton: Tillotson, 1902. The Immortal Memory of Robert Burns. 16 p.; 18.3 cm. Proposed by Arthur Kay . . . at the Author’s signed presentation copy to annual dinner of the Ayr Burns Club, W. Ormiston Roy with an autograph held in the King’s Arms, Ayr, on letter signed, dated 1922, laid in. Thursday 25th January, 1912. Ayr: [s.n.], 1912. Jolly Beggars (Mauchline, Scotland). 15 p.; 17.7 cm. Burns’ Anniversary 25th January 1906: Copy 1. Original brown wrappers, Memorial Services. lettered in black. [S.l.: s.n., 1906?]. Copy 2. Original brown wrappers, [16] p.: ill., port.; 25 cm. lettered in black. Inscribed “With Original pictorial wrappers. compliments, James Forrester” Jolly, William. inside front cover. Robert Burns at Mossgiel. With reminis- Copy 3. In morocco binding with pro- cences of the poet by his herd-boy. gram and clippings from the dinner. Paisley: A. Gardner, 1881. Kay, Arthur. 127 p.: map; 15 cm. Speech. Original green cloth stamped in gold, [Govan: s.n., 1908]. black, and blind. Burnsiana / 307

16 p.; 21 cm. Kellow, Henry Arthur. Presented at the Govan Burns Club. Burns & His Poetry. Original wrappers. London: G. G. Harrap & Company, 1921. Keith, Alexander. 127, [1] p.: ill., port.; 18 cm. Burns and Folk-Song. Poetry & Life Series. Aberdeen: D. Wyllie and Son, 1922. Original blue limp cloth. 85, [1] p.: port.; 19.4 cm. Original brown cloth. Kellow, Henry Arthur. Burns & His Poetry. Keith, Christina. London; Bombay; Sydney: George G. The Russet Coat: A Critical Study of Burns’ Harrap, 1927. Poetry and of Its Background. 127 p.; 16.6 cm. London: Hale, [1956]. Poetry & Life Series. 235 p.: ill.; 22 cm. “First published July 1911 . . . reprinted Original black boards. In green, terra- . . . May 1927.” cotta and white pictorial dust jacket. Original light blue limp cloth. Keith, Thomas. Kellow, Henry Arthur. “A Discography of Robert Burns: Burns & His Poetry. 1948–2002.” Port Washington, N.Y.: Kennikat Press, In: Studies in Scottish Literature, v. 33, 1970. p. [387]–412. 127 p.: port.; 19 cm. Kellogg, Alice Maude. Reprint of the 1911 edition. Twenty-five Programs for Celebrating Original gray cloth, stamped in black. Authors’ Birthdays. From the library of Dr. Madeleine New York: E. L. Kellogg & Co., Roy. Bookplate of Madeleine Roy [c1896?]– laid in. v.: ill., music, ports.; 18.3 cm. Kelly, John Kelso. Brightening the Schoolroom Series. Robert Burns: His Admirers, His Inspira- No. 1 contains section about Robert tion, His Genius, His Mission. Burns titled “The Poet Peasant of Edinburgh: W. J. Hay, [1905]. Scotland.” 48 p.: ill., port.; 17 x 15.5 cm. Original wrappers. Stamped Wehman Original wrappers. In protective cover. Brothers Publishers on title page. Kemp, Robert. Kellow, Henry Arthur. The Other Dear Charmer: A Comedy in Burns & His Poetry. Three Acts. London: George G. Harrap, 1911. London: Duckworth, 1957. 127 p.: port.; 17 cm. 106 p.; 17 cm. Poetry & Life Series. Copy 1. Original salmon-colored Original decorated boards. wrappers. Kellow, Henry Arthur. Copy 2. Author’s signed presentation Burns & His Poetry. copy to his wife. London: G. G. Harrap & Company, Kennedy, K. D. 1912. Our Place in Time. 127, [1] p.: ill., port.; 17.2 cm. 1st edition. Poetry & Life Series. [Raleigh, N.C.]: Place in Time Press; Copy 1. Original tan cloth. [Fayetteville, N.C.: In conjunction Copy 2. Original red cloth. with Old Mountain Press, c2002]. The G. Ross Roy Collection of Robert Burns / 308

133 p.; 21 cm. Ker, W.P. Includes two poems about Robert The Politics of Burns. Burns, p. 33, 54. Glasgow: J. Maclehose and Sons, 1918. Original wrappers. Author’s lengthy 51 p.; 18.4 cm. presentation inscription to G. Ross Includes an essay on the politics of Roy on front endpaper. Robert Burns. Copy 1. Original limp buff cloth, buff Kennedy, Robert, dust jacket. Author’s complimentary The Education of Robert Burns. copy. Halifax: s.n., 1995. Copy 2. Original limp gray oil cloth. 1 v. (unpaged); 28.5 cm. Original wrappers, spiral bound. Three The Kilmarnock Burns Monument and typed letters signed from Robert Statue. Kennedy to G. Ross Roy dated 31 [Kilmarnock: McKie,], 1882. March 1995, 7 June 1995, and 25 Sep- 15 p.: ill.; 16.5 cm. tember 1995 in envelope. Original wrappers, bound in marbled boards. “C.A.S.” on verso. Kennerly, Jane Bowling. “Robert Burns’s Satiric Poetry.” Kinghorn, Alexander Manson. xv, 274 leaves; 21 cm. “Robert Burns and Jamaica.” Thesis (Ph.D.)—Louisiana State Uni- p. [70]–80; 22 cm. versity and Agricultural and Mechan- Original wrappers. ical College, 1976. In: Review of English Literature; v. 8, Photocopy. Ann Arbor, Mich.: Univer- no. 3. sity Microfilms International, 1983. Kingsley, Charles. Kenney, John Henry. Sir Walter Raleigh and His Time. With The Burniad: An Epistle to a Lady, in the other papers. Manner of Burns. With poetic miscel- Boston: Ticknor and Fields, 1859. lanies original and imitative. 461 p.: ill., port.; 19.8 cm. London: Verno, Hood, and Sharpe, “Author’s edition.” 1808. Includes a chapter: “Burns and His vii, 143 p.; 16.2 cm. School.” Copy 1. Original purple cloth, stamped Kent, Edward George. in gold and blind. Nineveh the Birth of Burns. With two Copy 2. Original brown cloth, stamped essays and other poems and sonnets. with gold and blind. Boston: John Morton; London: Simp- Copy 3. Original dark green cloth, kin, Marshall, and Co., 1859. stamped with gold and blind. viii, 112, 7 p.; 16.5 cm. Advertisements follow text. Kinnear, George Henderson. The birth of Burns, the Caledonian History of Glenbervie. bard. Written for the festival held, Montrose: Printed at the “Standard” January 25th, 1859, by the honourable Office, 1895. Crystal Palace Company at Syden- 134 p., 1 leaf of plates: ill., port.; 18.5 cm. ham, being the centenary of his birth. Original pictorial wrappers. Original blue cloth, stamped in gold and blind. Burnsiana / 309

Kinnear, George Henderson. Edinburgh: Libraries and Museums History of Glenbervie: The Fatherland of Committee of the Corporation of Burns, A Parish in the County of Kincar- Edinburgh, 1966. dine. 63 p.: [5] col. ill., map; 19 cm. 2nd edition. Map of museum neighborhood on Edinburgh: John Menzies, 1910. lower cover. xiv, [159] p.: ill., port.; 19 cm. Original pictorial wrappers. Original light blue pictorial cloth. Laidlaw, Walter. Kinsley, James. Speech at the Jedburgh Burns’ Anniversary: Burns and the Merry Muses. January 25, 1874. p. [5]–21; 23.5 cm. [S.l.: s.n., 1874]. Reprinted from Renaissance and Modern 7 p.; 21.2 cm. Studies, v. 9, 1965. Speech by Walter Laidlaw at the Jed- Original red printed wrappers. burgh Burns’ Anniversary. Reprinted from the Teviotdale Record of Kirkwood, Kenneth Porter. January 31, 1874. The Immortal Memory of Robert Burns. Presentation inscription “To . . . [Ottawa, 1958]. H. Currie from his friend the author 68 p.; 21.8 cm. Jedburgh 20th July 1899.” Author’s signed presentation copy. Original cream-colored wrappers. Lamont, Archibald. Sam and Jock and the Stone of Destiny. Knox, Isa Craig. Glasgow [Scot.]: Scottish Secretariat, The Burns Festival. Prize poem recited at [1952]. the Crystal Palace. January 25, 1859. 40 p.; 21 cm. London: Bradbury and Evans, 1859. Scottish Secretariat [Publication]; 7 p.; 28 cm. no. 45. Isa Craig Knox won a public competi- Includes the poem “Allan Ramsay tion for her ode about Robert Burns. Versus Robert Burns,” p. 14–16. Original wrappers. Background mate- Original yellow pictorial wrappers. rial about Isa Craig Knox loosely inserted in pamphlet binder. Lamont-Brown, Raymond. Clarinda: The Intimate Story of Robert Kupper, Hans Jürg. Burns and . Robert Burns im deutschen Sprachraum: Dewsbury (Yorks.): Martin Black unter besonderer Berücksichtigung der Publications, 1968. schweizerdeutschen Übersetzungen von 263 p.: ill., facsims., ports.; 20.5 cm. August Corrodi. Copy 1. Modern brown binder’s cloth. Bern: Francke, c1979. White pictorial dust jacket. Review 317 p.; 23 cm. copy with slips laid in. Basler Studien zur deutschen Sprache Copy 2. Modern brown binder’s cloth. und Literatur; Bd. 56. White pictorial dust jacket. Pons Original yellow wrappers. Bequest. Lady Stair’s House Museum (Edin- The Land of Burns and the Firth of Clyde: burgh, Scotland). A Guide to the South-western Districts of Lady Stair’s House Museum: Including the Scotland, the Scottish Riviera. Robert Burns, Sir Walter Scott, Robert Glasgow: Glasgow & South-Western Louis Stevenson Collections. Railway, [1905?]. The G. Ross Roy Collection of Robert Burns / 310

136 p.: ill.; 21.3 cm. 103 p.: ill.; 18.4 cm. Original glazed white printed wrappers. “Hugh Composes a Poem in Celebration of the Birth of Burns,” p. 101–103. The Land of Burns: Fifty Views. Upper wrapper detached. Lower wrap- Edinburgh: W. R. & S. Ltd., [19–?]. per wanting. [28] p. of plates: ill.; 22 x 29 cm. Reliable Series. Lawson, Matthew. Poems. Laverock. London: Phrlp [sic] Bros., [1930]. Aberdeen: Association for Scottish 43 p.: ill., port.; 19 cm. Literary Studies, [1995?-1997]. Foreword dated 1 May 1930. v.: ill.; 30 cm. Includes poems about Robert Burns Ceased in 1997. (p. 15, 25, 28, 29, 35). First and second issues lack numeric Original gilt-stamped blue cloth. and chronological designation. Lawson, Roderick. Original wrappers. Collection contains Homes and Haunts of Robert Burns: first issue containing “Robert Burns,” A Popular Reading. by David Daiches. Gift of Patrick G. Paisley: J. and R. Parlane, [1910]. Scott and G. Ross Roy. 32 p.: ill.; 21.5 cm. Holdings: v. 3. Title vignette, portrait. Lawrance, Robert Murdoch. Copies 1–2. Original gray-green picto- Burns’s School Reading-book: Some Side- rial wrappers. lights Thereon. Lee, H. Fletcher. Aberdeen: W. Smith, 1931. Robert Burns: A Play in Three Acts. 21 p.: ill., port.; 20.8 cm. London: Sands, 1926. Dedicated to Sir Alexander Gibb, Presi- 144 p.; 18.5 cm. dent of the Burns Federation. Original dark blue cloth, lettered in Original blue wrappers, printed in gold. Author’s inscribed presentation black. No. 9 of 100 copies printed. copy. Clipping about the author Initialed by the author. pasted in. Lawrence, James. Legge, Clayton Mackenzie. Half-an-’oor wi’ Burns: Being a Poem Highland Mary: The Romance of a Poet. Written for “The Aberdeen, Banff, and Illustrated by William Kirpatrick. Kincardine Newcastle Association” on the Boston: C. M. Clark Publishing Co., 134th Anniversary of Burns’ Birthday. 1906. Aberdeen: W. & W. Lindsay, 1893. [12], 395, [9] p. (first 2 p. and last p. 18 p.; 18.4 cm. blank), [9] leaves of plates: ill.; Original wrappers. Author’s inscribed 19.3 cm. presentation copy to Lewis Proud- Frontispiece and plates facing p. 38, 78, lock, 26 April 1913. 124, 170, 212, 290, 304 and 388. Lawson, J. K. Advertisements on p. [2]–[8] following The Epistles o’ Hugh Airlie: (Formerly o’ text. Scotland; Presently Conneckit wi’ Tam Original red-brown cloth, lettered in Tamson’s Warehoose in Toronto). Illus- gold. trated by J. W. Bengough. Legman, G. Toronto: Grip Printing and Publishing “The Cunningham Manuscript.” Company, 1888. 1959. Burnsiana / 311

1 item (19 p.); 28 cm. Lewis, Mary Ellen Brown. Typescript dated 15 Sept. 1959. The Progress of “Lady Mary Ann.” At end of text: Cagnes-sur-Mer (A.M.) [S.l.: s.n.] 1973. France. p. 97–107; 23.5 cm. Discussion of Allan Cunningham’s Reprinted from Philological Quarterly, rewriting and expurgation of Burns’s v. 52, no. 1, ( January 1973). songs. Original white wrappers. Author’s signed presentation copy to G. Ross Leith Burns Club. Roy. The Bicentenary of the Birth of Robert Burns: 1759 25th January 1959: Will be Lindsay, Maurice. Celebrated by Scotland’s Poets of Today The Burns Encyclopaedia. with the Principal Toast proposed by London: Hutchinson, [1959]. Christopher M.Grieve “Hugh MacDi- 287 p.: ill., facsim.; 25 cm. armid.” Original gold and blue-stamped brown [Leith: s.n.], 1959. cloth. In dust jacket. 1 sheet (4 s.); 19 cm. Lindsay, Maurice. Corrected proof of the program of the The Burns Encyclopedia. Burns supper held January 20th, 1959 2nd edition, revised and enlarged. at the home of David Orr, Leith. London: Hutchinson, 1970. Letham, E.H. xi, 414 p., 16 p. of plates: ill., facsim., Burns and Tarbolton. ports.; 24 cm. Kilmarnock: D. Brown; Glasgow: Original blue cloth. In white pictorial J. Menzies, 1900. dust jacket. 131 p.: ill., port; 18.5 cm. Lindsay, Maurice. Copy 1. Original olive-green cloth. The Burns Encyclopedia. Copy 2. Original olive-green cloth. Pons 3rd revised and enlarged. Bequest. New York: St. Martin’s Press, 1980. Lewis, Alan. vii, 426 p., [8] leaves of plates: ill.; Robert Burns Hits the Headlines. 25 cm. [Kilmarnock, Ayrshire: Enterprise Original boards. In dust jacket. Ayrshire, [1996?]. Lindsay, Maurice. 40 p.: ill., port.; 21 cm. The Burns Encyclopedia. Humorous tabloid-style headlines relat- 1st paperback edition. ing to the life of Robert Burns. London: Robert Hale, 1995. Booklet printed for the 1996 Burns vii, 426 p.: ill.; 24 cm. International Festival. Original pictorial wrappers. Pons Original wrappers. Bequest. Lewis, Mary Ellen Brown. Lindsay, Maurice. Burns’ “Tale o’ Truth”: A Legend in Robert Burns: The Man, His Work, The Literature. Legend. p. 241–262; 23 cm. London: MacGibbon & Kee, 1954. Caption title. viii, 291 p.: ill.; 22 cm. Offprint from the Journal of the Folklore Original blue-green cloth. In red picto- Institute, v. 13, no. 3 (1976). rial dust jacket. Author’s signed presentation copy to Ross [G. Ross Roy]. The G. Ross Roy Collection of Robert Burns / 312

Lindsay, Maurice. 10th edition. Robert Burns: The Man, His Work, The Dundee: Printed by J. Pellow, 1861. Legend. 137 p.; 18.9 cm. 2nd edition. Original brown cloth stamped and London: MacGibbon & Kee, 1968. blind. 356 p.: ill., ports.; 23 cm. Livingston, Peter. Original blue paper-covered boards, in Poems and Songs. With lectures on the dust jacket. genius & works of Burns, and the Lindsay, Maurice. Rev. Geo. Gilfillan, and letters on Dr. Robert Burns: The Man, His Work, The Dick, the Christian philosopher, and Legend. Sir John Franklin and the Arctic 2nd edition reprinted with corrections. regions. London: MacGibbon & Kee, [1971]. 10th edition. 356 p.: ill., ports.; 23 cm. Dundee: Printed by J. Pellow, 1867. xii, 140 p.; 19 cm. Linklater, Eric. Original blue cloth, stamped in gold and The Art of Adventure. blind. London: Macmillan, 1948, c1947. vii, 292 p.; 20 cm. Livingston, Peter. Contains three essays about Robert Poems and Songs. With lectures on the Burns. genius and works of Burns, and the Original red cloth. Buff-colored Rev. , and the letters pictorial dust jacket. on Dr. Dick, the Christian philoso- pher, and Sir John Franklin and the Littlejohn, David S. Arctic regions. Poems and Pleasantries. 10th edition. Dundee: The author, 1938. Edinburgh: Printed by Mould & Tod, 78 p.: port.; 17.2 cm. 1871. Contains several poems about Robert 140 p.; 19 cm. Burns. Original dark green cloth, stamped in Original light blue wrappers. Signed by gold and blind. the author. Livingston, Peter. Livingston, Peter. Poems and Songs. With lectures on the Poems and Songs. With lectures on the genius and works of Burns, and the genius & works of Burns, and the Rev. George Gilfillan, and letters on Rev. Geo. Gilfillan, and letter on Sir Dr. Dick, the Christian philosopher John Franklin, and the Arctic regions. and Sir J. Franklin and the Arctic 10th edition. regions. Dundee: Printed by J. Pellow, 1858. 10th edition. 137 p.; 18.5 cm. Edinburgh: Printed by Mould & Tod, “Lecture on Robert Burns,” p. [24]–36. 1876. Original purple cloth, stamped in gold. xii, 144 p.; 18 cm. Livingston, Peter. Original red cloth, stamped in gold and Poems and Songs. With lectures on the blind. genius & works of Burns, and the Livingston, Peter. Rev. Geo. Gilfillan, and letter on Sir J. Poems and Songs. With lectures on the Franklin and the Arctic regions by genius and works of Burns, and the Peter Livingston. Rev. George Gilfillan, and letters on Burnsiana / 313

Dr. Dick, the Christian philosopher, Lockhart, J. G. and Sir John Franklin and the Arctic Life of Robert Burns. regions. 4th edition. 10th edition. London: John Murray, 1838. Dundee: Printed by Mould & Tod, 1878. vii, 348 p.: ill., port.; 17.2 cm. 143 p.; 20 cm. Original brown cloth, stamped in Original red cloth, stamped in gold and gold on spine, in blind on covers. blind. Signature of John Master on verso of front free endpaper. Livingston, Peter. Poems and Songs. With lectures on the Lockhart, J. G. genius and works of Burns, and the The Life of Robert Burns. Rev. George Gilfillan, and letters on Glasgow: Grand Colosseum Warehouse Dr. Dick, the Christian philosopher, Co., [1890?]. and Sir John Franklin and the Arctic xx, 390 p.: ill., port.; 18.3 cm. regions. Original purple cloth. 11th edition. Lockhart, J. G. London: Walter Scott, 1884. The Life of Robert Burns. With new 143 p.: ill.; 18.8 cm. annotations and appendices, by Original blue cloth, stamped in black William Scott Douglas. and gold. London; New York: G. Bell & Sons, Lockhart, J. G. 1892. Life of Robert Burns. xvi, 349 p.: port.; 19 cm. Edinburgh [etc.]: Constable and Co., Bohn’s Standard Library. 1828. 32 p. catalogue of Bohn’s Library vi, 446 p.: port.; 23 cm. following text. Contemporary half morocco, marbled Original red cloth. boards. Lockhart, J. G. Lockhart, J. G. The Life of Robert Burns. To which is Life of Robert Burns. added Thomas Carlyle’s review-essay. 3rd edition, corrected. London: Hutchinson, 1904. Edinburgh: Printed for Constable & 315 p.: port.; 17 cm. Co.; London: Hurst, Chance, and Co., Library of Standard Biographies. 1830. Original olive-green cloth, stamped in viii, 328 p.: port.; 15 cm. gold and blind. Original purple cloth, printed paper Lockhart, J. G. label on spine. Life of Robert Burns. To which is added Lockhart, J. G. Thomas Carlyle’s review-essay. Life of Robert Burns. London: Hutchinson, 1905. New York: William Stodart: C. S. Fran- 315 p.; 16.7 cm. cis: Sold also by H. C. Sleight and Library of Standard Biographies. White, Gallaher and White, 1831. Copy 1. Original tan pictorial cloth. xxii, 320 p.: front.; 14.2 cm. Signature of J. R. Wilson. Added engraved title page with vignette. Copy 2. Rebound in white cloth, paper Includes “An essay on the writings of label on spine. Burns for the American edition.” Contemporary cloth, leather label stamped in gold on spine. The G. Ross Roy Collection of Robert Burns / 314

Lockhart, J. G. Longmuir, John. Life of Robert Burns. A Run through the Land of Burns and the London: J. M. Dent & Co.; New York: . E. P. Dutton & Co., [1907]. Aberdeen: W. Lindsay, 1872. xv, 322 p.; 18 cm. 80 p.: ill.; 18.4 cm. Everyman’s Library, Biography, edited Original dark blue cloth, stamped in by E. Rhys. gold and blind. Author’s inscribed Title within ornamental border. Illus- presentation copy, 1872. trated end-papers. The Lounger. Edited by Henry Macken- Lockhart, J. G. zie. The Life of Robert Burns. With notes by Edinburgh: William Creech, 1758–1787. W. S. Douglas and an essay on Robert 1 v.; 34 cm. Burns by Sir Walter Raleigh. No. 1 (Feb. 5, 1785)-no. 101 ( Jan. 6, 1787). Liverpool: Young, 1914. Mackenzie’s review of the Kilmarnock 2 v.: ill., ports.; 22.7 cm. edition of Burn’s poems in the Contemporary dark red half calf cloth. December 9, 1786, issue praises Burns No. 403/500 copies for sale, signed by as the “heaven taught ploughman.” the publisher. This review was widely reprinted in the London papers. Lockhart, J. G. Contemporary calf, red leather spine Life of Robert Burns. label stamped in gold. Additional London: Dent; New York: Dutton, 1959. voume in modern boards. xiii, 322 p.; 18 cm. Everyman’s Library; 156 Original black cloth. In pictorial dust jacket. Lockhart, J. G. The Life of Robert Burns. With new annotations and appendices, by William Scott Douglas. London; New York: G. Bell, 1892. [New York, AMS Press, 1974]. xvi, 349 p.: port.; 19 cm. Originally issued in series: Bohn’s Stan- dard Library. Original blue cloth, stamped in gold. Pons Bequest Logan, Alexander Stuart. On Robert Burns, An Address: Judas the Betrayer—His Ending, A Poetical Fragment. Edinburgh: Edmonston and Douglas, 1871. vi, 88 p.; 17.8 cm. Half-title: Literary Relics of A. S. Logan. The Lounger, edited by Henry Mackenzie Original brown cloth, stamped in gold (Edinburgh: William Creech, 1785–1787) and black. Beveled edges. Ownership stamp of Alex. Oliver. Burnsiana / 315

Lover, Samuel, ed. 20 p.; 18 cm. Rival Rhymes, in Honour of Burns. With Original rose-colored wrappers, curious illustrative matter. Collected lettered in black. and edited by Ben Trovato [pseud.]. Lowe, David. London; New York: Routledge, Warnes Burns’s Passionate Pilgrimage; or, Tait’s & Routledge, 1859. Indictment of the Poet with Other Rare iv, 144 p.; 18 cm. Records. Original red cloth, stamped in gold and Glasgow: F. W. Wilson & Company, blind. Unopened. 1904. Low, Donald A. xvi, 271 p.; 17.4 cm. Critical Essays on Robert Burns. Impression limited in this country to London; Boston: Routledge and K. Paul, seven hundred and fifty copies, one 1975. hundred of which are printed on xi, 191 p.; 21.5 cm. Dutch hand-made paper. The Scottish Series. Copy 1. Original white cloth, stamped in gold. No. 21/100 copies, signed by Low, Donald A. the author. Robert Burns. Copy 2. Original white cloth, stamped Edinburgh: Scottish Academic Press, in gold. No. 38/100 copies, signed by 1986. the author. 133 p.; 18.1 cm. Copy 3. Original red cloth, stamped Scottish Writers; 8. in gold. Not numbered or signed. Copies 1–2. Original wrappers. “Books by the same author published Low, Donald A. by Frederick W. Wilson & Company, Robert Burns: The Critical Heritage. Glasgow,” 13 p. London; Boston: Routledge & K. Paul, Pons Bequest. [1974]. Lowe, David. xvi, 447 p.; 23 cm. A Scots Wanderjahre. Illustrated by Alec Critical Heritage Series. Webster. Original blue cloth. In gray pictorial Glasgow: Frederick W. Wilson, 1900. dust jacket. vi, 216 p.: ill.; 18 cm. Low, Donald A. [3] p. publisher’s advertisements follow Robert Burns: The Critical Heritage. text. London; Boston: Routledge & Kegan Contains four essays about Robert Paul, 1984, c1974. Burns. xvi, 447 p.; 21.5 cm. Original red and black pictorial cloth. The Critical Heritage Series. Signature of A. G. Brown. Low, Donald A. Lumsden, M.S. Selected Poems [by Robert Burns]. Affirmations: Poems in Scots and English. Harlow: Longman, 1996. Edited by Evelyn Gavin, illustrations 85 p.; 21 cm. by Heather Rae. York Notes. Aberdeen: Aberdeen University Press, Longman Literature Guides. 1990. Original black wrappers. ix, [i], 76 p.; 23 cm. Includes “The Immortal Memory,” a Lowe, David. poem in dialect about Robert Burns. Burns: Poet of Peace and War. Original blue cloth, in dust jacket. Cupar-Fife: Craigwood House, 1915. The G. Ross Roy Collection of Robert Burns / 316

Lyle, Emily B. Brooklyn, N.Y.: The Rose and Thistle The Burns Text of . Publishing Co., c1896. [S.l.: s.n., 1971?]. 32 p.: ill., port.; 20.8 cm. [53]–63 p.; 24.5 cm. Copy 1. Original dark green limp cloth, Offprint from Scottish Studies, v. 15, lettered in gold. 1971. Copy 2. Original gilt-stamped brown Author’s signed presentation copy to cloth. Pons Bequest. G. Ross Roy. MacDiarmid, Hugh. Lynch, Humphrey J. Burns Today and Tomorrow. A Toast to the Immortal Memory of Robert Edinburgh: Castle Wynd Printers, Burns. [1959]. [New York?]: s.n., [1926]. 130 p.; 18.5 cm. 12 p.: ill., port.; 24.2 cm. “This edition is limited to twenty five “ . . . given by Mr. Humphrey J. Lynch special copies . . .”—Verso. at the Second Annual Burns Supper Original quarter vellum and blue cloth, . . . January 23, 1926, at White Plains, stamped in gold on spine. No. 8/25 N.Y.” special copies. Inscribed by the Original brown wrappers. Sewn and author. stapled. Pons Bequest. MacCaig, Norman. Honour’d Shade: An Anthology of New Scottish Poetry to Mark the Bicentenary of the Birth of Robert Burns. Edinburgh: W. & R. Chambers, [c1959]. 136 p.; 21 cm. Original bright blue cloth. In blue and white dust jacket. MacCulloch, Hunter. Letter, 1896, June 29, The Writer’s Club of Brooklyn, N.Y. to W. Craibe Angus, Esq. 2 l.; 21.5 cm. Letter with envelope from MacCulloch which accompanied a presentation copy of his “Ode on the centenary of Burns’s death.” MacCulloch had sent a copy to Angus for the exhibition two weeks earlier but had since learned from James W. R. Collins “that besides having the honor of Corrected proof of the program of the being one of the secretaries of the Leith Burns Club supper held January 25, Burns Exhibition, you also have the 1959, annotated by Hugh MacDiarmid, reputation of being the Burns author- who proposed the principal toast ity of the world . . .” MacDiarmid, Hugh. MacCulloch, Hunter. Burns Today and Tomorrow. Robert Burns: An Ode on the Centenary of Edinburgh: Castle Wynd Printers, His Death, 1796–1896. [1959]. Burnsiana / 317

130 p.; 18 cm. Copy 2. Original patterned boards. Por- Original blue cloth. In white dust jacket. trait mounted on upper cover. Pons Bequest. MacDiarmid, Hugh. “A Decadent Representative of a Great Machardy, Robert. Alien Tradition.” The Shade of Burns: Dramatic Poem: p. 17–21: ill.; 22 cm. Homage to the Immortal Bard. In: Jabberwock, v. 6, no. 1. Hamilton: Printed by the Hamilton Advertiser, 1915. MacDiarmid, Hugh. 32 p.; 18 cm. [Review of “Burns—by himself” edited Original orange pictorial wrappers. by Keith Henderson]. p. 379–384; 22.1 cm. Macintosh, John. Original wrappers. Irvinedale Chimes: In Prose and Verse. Inscribed by “John,” possibly John Paisley; London: Alexander Gardner, Hayward, to William Russell Aitken: 1902. “Dear Bill, Thought you might like 221 p.: ill., port.; 18.3 cm. this for your collection . . . John.” Includes “Robert Burns: Centenary In: Criterion (1939), v. 18, no. 71 Acrostic” and “For a’ That: New ( Jan., 1939). Version.” Original red cloth. Macdonald, J. Scott. A Bookman’s Essays. Macintosh, John. Sydney: Angus & Robertson, 1928. Life of Robert Burns. 172 p.; 19 cm. Paisley: A. Gardner, 1906. Contains several essays about Robert 309 p.: ill., port., facsims.; 19 cm. Burns. Author’s inscribed presentation copy to Original green cloth. the editor of the Dumfries Courier & Herald, Aug. 1906. Macgillivray, Pittendrigh. Copy 1. Original green cloth. “The Immortal Memory”: At Ayr Burns Copy 2. Original green cloth. In dust Club Dinner, Twenty-fifth January 1924. jacket, as issued. Ayr: [s.n.], 1924. 17 p.; ill; 20 cm. Macintosh, John. Reprinted from the Ayr Advertiser, 26th Life of Robert Burns. Jan. 1924. New York: AMS Press, [1975]. Original blue-green wrappers, lettered 309 p.: ill.; 18 cm. in black. Author’s signed presentation Macintosh, William. copy to W. Ormiston Roy, 8th Octo- Burns in Germany: Scoto-German Studies. ber, 1924. Aberdeen: Milne & Hutchinson, 1928. MacGowan, Robert. xi, 107 p.: ill., ports.; 18 cm. Robert Burns: His Contribution to Original dark blue cloth. In buff picto- Democracy. rial dust jacket. Autographed letter, New York: Arts and Letters Publica- signed by the author laid in. tions, 1938. Mackay, Barry. 31 p.; 23.5 cm. An Introduction to Chapbooks. “First edition.” Oldham, England: Incline Press, Copy 1. Original patterned boards. Por- 2003. trait mounted on upper cover. Signed 37 p.: ill. (some mounted, some folded); by the author. Signature of James 26 cm. MacCormack. The G. Ross Roy Collection of Robert Burns / 318

Includes in pocket an example of a Dumfries: James Mackay Publishing, chapbook with cover title: A Garland c1990. of Excellent Songs: Cherry-cheek’d Patie, 774 p.; 23 cm. The Woodland Maid, My Nancy O, The Original red cloth, stamped in gold. In Blackbird, The Cottage on the Moor. gold, black, and green dust jacket. Oldham: G. Moss, [2003]. Review slip laid in. “My Nancy O” is a Burns song origi- Mackay, James A. nally titled “My Nanny O.” The Burns Federation, 1885–1985. Mackay, Charles. Kilmarnock: Burns Federation, 1985. “Burns and Béranger.” 250 p.: ill., facsims., ports.; 20.8 cm. p. 737–760; 15.7 cm. Copy 1. Original dark yellow pictorial Original brown cloth with gold letter- wrappers. ing on spine. Copy 2. Original dark yellow pictorial In: Library Magazine of Select Foreign wrappers. Pons Bequest. Literature, v. 3 (1880). Mackay, James A. Mackay, James A. Burns-Lore of Dumfries and Galloway. Burns: A Biography of Robert Burns. Ayr: Alloway, 1988. London: Alloway Publishing, 2004. 168 p.: ill., maps; 20.8 cm. 749 p.; 24 cm. Copy 1. Original pictorial wrappers. Original black cloth, stamped in gold Copy 2. Original pictorial wrappers. on spine. In dust jacket. Presentation Pons Bequest. copy inscribed to the dedicatees, Mackay, James A. Lucie and G. Ross Roy. Burnsiana. In the private collection of G. Ross Roy. Ayr: Alloway, 1988. Mackay, James A. 168 p.: ill. (some col.), ports.; 28.7 cm. Burns A–Z: The Complete Word Finder. Original black boards. In pictorial dust Subscriber’s edition. jacket. Publisher’s complimentary Dumfries: James Mackay Publishing, copy. c1990. Mackay, James A. 774 p.; 23 cm. The Land o’ Burns: A Guide to the Burns Copy 1. Original red leatherette-covered Country. boards, blocked in gold. In glassine Edinburgh: H.M.S.O., 1996. dust jacket and red slipcase. No. vi, 52 p.: col. ill., maps, ports.; 19.8 x 21 498/500 copies, signed by the editor. cm. Copy 2. Original red leatherette-cov- Original pictorial wrappers. Pons ered boards, blocked in gold. In red Bequest. slipcase. Presentation copy inscribed “To my very good friend and fellow Mackay, James A. Burnsian—Ross Roy . . .” Holograph RB: A Biography of Robert Burns. note from James Mackay about the London: Mainstream, c1992. sizes of the various editions and 749 p.; 24 cm. advertising matter loosely inserted. Copy 1. Original black cloth, stamped in In the private collection of G. Ross gold on spine. In dust jacket. Presen- Roy. tation copy inscribed to G. Ross Roy, one of the dedicatees, on his birthday, Mackay, James A. August 20, 2004. In the private collec- Burns A–Z: The Complete Word Finder. tion of G. Ross Roy. Ordinary edition. Burnsiana / 319

Copy 2. Original black cloth, stamped in Mackenzie, Hamish C. gold on spine. In dust jacket. Presen- Robert Burns. tation copy inscribed to the dedica- [Edinburgh?]: Valentine & Sons, tees, Lucie and G. Ross Roy. Review [1938?]. copy, review slips laid in. [4 p.]: ill., port.; 20.4 cm. Text of speech broadcast over the B.B.C. MacKaye, Percy. 25 January 1938. The Far Familiar: Fifty New Poems. Frontispiece by Arthur Rackham. Mackenzie, J. Lachlan and Richard London: Richards, [1938]. Todd. vii, 9–79, [1] p.: incl. front.; 19 cm. In Other Words: Transcultural Studies in Contains several poems about Robert Philology, Translation, and Lexicology Burns. Presented to Hans Heinrich Meier on the Original blue cloth. Inscribed to Occasion of his Sixty-fifth birthday. Richard Burton. Dordrecht, Holland; Providence: Foris, 1989. Mackeller, G. D. xv, 349 p.: ill.; 24 cm. The Loves of Burns. “The Two Languages of Burns [by] Glasgow: A. F. Sharp & Co., [1860?]. David Murison,” p. 1–14. 42 p.: ill.; 18.4 cm. Original brown wrappers. Date suggested by the National Library of Scotland. Mackenzie, James. Original salmon-colored wrappers. “ca. A New Life and Vindication of Robert 1874” penciled on title. Burns, Derived from Authentic Informa- tion of Those Who Knew the Poet. MacKenna, James. Edinburgh: W. F. Henderson, 1924. The Homes and Haunts of Robert Burns. 286 p.: front., plates, ports.; 21.5 cm. London: Collins, 1959. Original gray-green boards, paper 64 p., [30] p. of plates: ill.; 18 cm. spine. Original buff pictorial wrappers. Mackenzie, John Whitefoord. MacKenna, James Catalogue of the . . . Library of Rare and The Homes and Haunts of Robert Burns. Curious Books, of the Late - London; Glasgow: Collins, 1963. foord Mackenzie, Esq. Includes com- 64 p.: ill.; 18.3 cm. plete sets of nearly all the literary Original pictorial wrappers. clubs and societies . . . books relating Mackenzie, Archibald. to Scotland, Celtic and British antiq- An Old Kirk and Burns Memories. uities and literature . . . privately Ayr: Ayrshire Post, 1934. printed works . . . Burns’ relics . . . 23 p.: ill.; 21.5 cm. which will be sold by auction by Copy 1. Original wrappers. Messrs. T. Chapman & Son . . . March Copy 2. Original wrappers. Pons 24, 1886. Bequest. Edinburgh: Colston and Company, Printers, 1886. Mackenzie, Farquhar 2 v.; 24.7 cm. Burns and the American War of Indepen- Includes a printed version of a Burns dence. letter to Dr. John W. Mackenzie, Kilmarnock: Burns Federation, 1977. father of the owner of this collection, 7 p.: ill.; 21 cm. dated Edin., 11th Jan. 1787. Reprinted from the Burns Chronicle, Dr. Mackenzie was Robert Burns’s 1977. physician and friend. The G. Ross Roy Collection of Robert Burns / 320

Contemporary red half morocco, cloth. bright blue cloth. In white pictorial Original wrappers bound in. dust jacket. Imperfect: wanting errata slip. Pons Bequest. Mackenzie, R. Shelton. Copy 2. Original bright blue cloth. In Tressilian and His Friends. white pictorial dust jacket. Imperfect: Philadelphia: J. B. Lippincott & Co., wanting errata slip. 1859. 372 p.; 18.8 cm. MacPherson, Keith. “A Night with Burns,” p. 114–126. Keith’s Poems. Original purple cloth, stamped in gold Crieff: David Phillips, 1974. and blind. 20 leaves; 22.3 cm. Notes by G. Ross Roy regarding the MacLaine, Allan H. author’s borrowing from Robert Burns’ Use of Parody in “Tam o’ Shanter.” Burns loosely inserted. Original [S.l.: s.n.], 1961. yellow wrappers. p. 308–316; 22.7 cm. Reprinted from Criticism, A Quarterly for Macrae, David. Literature and the Arts, v. I, no. 4, Fall, Robert Burns: Three Lectures. 1959. Dundee: James P. Mathew & Co.; Copies 1–2. Original light blue wrap- Glasgow: Robert L. Holmes, 1886. pers. 32 p.; 18.4 cm. Original printed wrappers. MacLaine, Allan H. [Review of Burns: A Study of the Poems Macrae, David. and Songs by Thomas Crawford]. Sunday Lectures. [S.l: s.n.], 1961. Edinburgh; Glasgow: John Menzies; p. 349–352; 23 cm. Dundee: Littlejohn, [1890?]. Reprinted from Criticism, A Quarterly for 12 pt. in 1; 18 cm. Literature and the Arts, v. 3 III, no. 4, Contains three lectures about Robert Fall, 1961. Burns. Original gray printed wrappers. MacLaren, Ian. Books and Bookmen and Other Essays. Malone, Robert L. New York: Hodder & Stoughton, Sailor’s Dreams: And Other Poems. George H. Doran, [c1912]. Glasgow: David Robertson; Edinburgh: 172 p.; 20 cm. Oliver and Boyd: John Menzies; Lon- don: Smith, Elder, 1845. MacLaren, W. F. 256 p.; 15.5 cm. Chortles!: Being Original Humorous Read- Preface signed: Greenock, August 1845. ings in Prose and Verse. Bound with: Still, Peter. The Cottar’s Glasgow; London: MacLaren, [1880?]. Sunday and Other Poems, Chiefly in the 128 p.; 19 cm. Scottish Dialect. Aberdeen: G. & R. “A Night with Burns,” p. 73–75. King, [etc], 1845, and Thom, William. Contemporary half roan, cloth. Rhymes and Recollections of a Hand- Macnaghten, Angus Derek Iain Jacques. Loom Weaver. Burns’ Mrs Riddell: A Biography. London: Smith, Elder [etc.], 1844. Peterhead: Volturna Press, 1975. Includes “The Cottar’s Sabbath Day,” x, 172 p., [8] leaves of plates: ill., geneal. and “For the Birthday of Burns.” tables, ports.; 18.8 cm. Contemporary green half morocco, rib- Copy 1. Gift inscription: “With best bon marker, marbled paper-covered wishes, Angus Macnaghten.” Original boards. Burnsiana / 321

Manning, Susan. “Mary Campbell.” “Burns and God: Typescript.” In: The New York Weekly Messenger and 1 item (26 p.); 29.7 cm. Young Men’s Advocate, v. 2, no. 45, Delivered as part of the Burns Bi-Cen- whole no. 97 (1833: May 29), p. 80 tenary Lecture Series in Edinburgh [i.e. 180]. and the British Library. Massey, Gerald, 1828–1907. Marshak, Samuil. Robert Burns: A Centenary Song, and “To Robert Burns on His 200th birth- Other Lyrics. day, 25th January, 1959.” London: W. Kent, 1859. [1959?]. 48 p.; 27.8 cm. 1 item (1 p.); 25.4 cm. Original wrappers, in later gilt-stamped Typescript, mimeographed. brown cloth jacket. Author’s auto- Signed presentation copy from John graph presentation inscription to Gray, Hon. President, The Burns on front endpaper. Federation. Masson, Rosaline Orme. Marshall, James. Poets, Patriots, and Lovers: Sketches and A Winter with Robert Burns, Being Annals Memories of Famous People. of His Patrons and Associates in Edin- London: James Clarke, [1933]. burgh During the year 1786–7, and 223 p.; 19 cm. Details of His Inauguration as Poet- “The Religion of Robert Burns,” Laureate of the Can:Kil. p. 145–158. Edinburgh: Printed by P. Brown, 1846. Original dark green cloth. Part of origi- 173 p.: ill.; 18 cm. nal dust jacket retained. Signed pres- Original brown cloth. Paper label on entation copy from Rosaline and spine. Signed by the author. Flora Masson. Marshall, Nancy. Mather, George. Chambers Companion to the Burns Supper. In Memoriam: George R. Mather. Edinburgh: Chambers, 1992. Glasgow: R. Robertson, 1896. ix, 117 p.: ill., map, port.; 20 mm. 97 p.: port.; 19 cm. Original pictorial wrappers. Writings by and about George R. Mather. Martin, John Smellie. “The Genius and Character of Burns,” “Burns’s Debt to Fergusson.” p. [50]–66. p. 297–300; 24 cm. Original buff cloth. Presentation copy In: Scots Magazine, v. 3, no. 4 to George A. Edrington, Nov. 1896, ( July 1925). from F.F., one of the contributors to Martin, Theodore. the volume. Letter, 1881 Oct. 25, Onslow Square, to Maxwell, Ian Ramsay. [Sir George] Scharf. An Address Delivered by Ian R. Maxwell 1 item (3 p.); 18 cm. at the Burns Anniversary Night of the Letter from Sir Theodore Martin, the Melbourne Scots, Held at Scott’s Hotel, author and translator, to Sir George Melbourne, on the 24th January, 1948. Scharf, director of the National Por- [Melbourne: s.n., 1948]. trait Gallery regarding Martin’s pur- 16 p.; 22 cm. chase of Archibald Skirving’s crayon Original light gray wrappers. portrait of Robert Burns. The G. Ross Roy Collection of Robert Burns / 322

M’Bain, James M. McFadden, David. Burns’ Cottage: The Story of the Birthplace An Innocent in Scotland: More Curious of Robert Burns, From the Feuing of the Rambles and Singular Encounters. Ground by in June 1756 Toronto: M&S, 1999. until the Present Day. With numerous 346 p.: map; 22 cm. illustrations, plans, and sketches. Original pictorial wrappers. Enlarged edition. McGinty, J. Walter. Glasgow: David Bryce & Son; New Robert Burns and Religion. York: Frederick A. Stokes Company, Aldershot, Hants, England; Burlington, 1904. Vt.: Ashgate, c2003. 156 p.: ill., port., plans; 17 cm. vi, 281 p.; 23 cm. Original pictorial paper-covered boards. Copy 1. Original glazed pictorial boards. M’Conochie, James R. Copy 2. Original pictorial boards. Pre- Leisure Hours. sentation copy inscribed to G. Ross Louisville: Prentice and Weissinger, Roy. Typescript of Roy’s unpublished 1846. review loosely inserted. In the private xii, 275, [1] p.; 16.8 cm. collection of G. Ross Roy. Added title page with vignette. McGown, George William Thomson. Leaves [199]–200 and 197–[198] trans- A Primer of Burns. posed. Paisley: Alexander Gardner, [1907?]. “A Boy’s Recollection of Robert Burns,” 80, ii, p.; 18 cm. p. 131–156. Original red cloth, lettered in black. Contemporary black sheep. McGuirk, Carol. McAulay, Allan. Critical Essays on Robert Burns. The Rhymer. New York: G. K. Hall; London: Prentice New York: C. Scribner’s Sons, 1900. Hall International, c1998. 310 p.; 19 cm. xi, 316 p.; 24 cm. Original green cloth. Portrait of Burns Critical Essays on British Literature. mounted on upper cover. Bookplate of Original maroon cloth, stamped in gold. May Zietz Smith. Review copy. Card loosely inserted. McCrorie, Tom. McGuirk, Carol. The Family Tree of Robert Burns: From “Poet Burns.” the Framed Parchment in Burns’ House, xvi, 68 l.; 28 cm. Dumfries. Typescript of the introductory matter, Dumfries: Published for the Dumfries preface, and introduction to the Town Council by Robert Dinwiddie, forthcoming monograph. 1963. With typed letter signed from the 1 sheet: ill., ports., geneal. table; 41 x author to Dr. and Mrs. Roy. 28.3 cm. folded to 23 x 14.3 cm. In the private collection of G. Ross Roy. McDonald, Tamas. McGuirk, Carol. Introducing Robert Burns: His Life and Robert Burns and the Sentimental Era. Poetry. Athens: University of Georgia Press, Edinburgh: Macdonald Publishers, c1985. c1982. xxviii, 193 p.: ill.; 25 cm. 95 p.: ill., ports.; 23 cm. Original mauve cloth in green dust Original pictorial wrappers. jacket. Burnsiana / 323

McGuirk, Carol. Kilmarnock: J. M’Kie, 1866. Robert Burns and the Sentimental Era. 43 p.; 21 cm. East Linton: Tuckwell Press, 1997. Bound with title pages (and imprints) xxviii, 193 p.: ill.; 23.3 cm. of the books in the private library of Originally published: University of James M’Kie. Kilmarnock, 1867. Georgia Press, 1985. Contemporary brown morocco, gilt. Original wrappers. Review copy. Pub- McKie, James. lisher’s slip loosely inserted. Bibliography of Robert Burns. With bio- McGuirk, Carol graphical notes and sketches of Burns “Sensibility and Robert Burns.” Clubs, Monuments, and Statues. 310 leaves. Kilmarnock: James M’Kie, 1881. Thesis (Ph.D.)—Columbia University, 338 p.; 23 cm. 1977. Addendum and errata page inserted. Extra-illustrated and annotated. McIlvanney, Liam. Items inserted, some loosely, include a Burns the Radical: Poetry and Politics in printed slip “Robert Burns” regarding Late Eighteenth-Century Scotland. Longfellow’s poem on Burns by East Linton: Tuckwell, 2002. James Johnstone, dated Edinburgh 262 p.; 24 cm. 10th July 1880, a number of news- Original wrappers. paper clippings about the first Edin- McIntyre, Ian. burgh edition, an eight verse poem Dirt & Deity: A Life of Robert Burns. reprinted from the Ayr Observer, 23rd London: HarperCollins, 1995. December 1904, a number of articles xvi, 461 p., [16] p. of plates: ill. maps; and letters relating to the sale of 23.5 cm. Burns’s family Bible in 1904, loose Maps on lining papers. fold out slip entitled “The Library of Copy 1. Original boards. In dust jacket. Robert Burns,” Glasgow: Printed by Price on dust jacket is 20 GBP. William Hodge for W. Craibe Angus, Copy 2. Original boards. In dust jacket. a clipping from the March 31, 1928 Price on dust jacket has $32.00 sticker. Glasgow Herald about a newly discov- Pons Bequest. ered letter from Clarinda to Sylvan- der, and James Grant Wilson’s McIntyre, Ian. American Editions of Robert Burns’s Robert Burns: A Life. Poems. 1st Welcome Rain edition. Late nineteenth century half blue New York: Welcome Rain Publishers, morocco, over marbled paper covered 2001. boards. No. 41/600 copies signed by xvi, 461 p.: ill.; 21.5 cm. James McKie. Originally published: Dirt & Deity: In the private collection of G. Ross Roy. A Life of Robert Burns. London: HarperCollins, 1995. McKie, James. Original wrappers. Catalogue of the M’Kie Burnsiana Library, with a List of the Subscribers McKie, James. for the Purchase Thereof: A Panoramic Bibliotheca Burnsiana: Life and Works of View from the Monument, and Descrip- Burns: Title Pages and Imprints of the tive Notice of Places in Kilmarnock Various Editions in the Private Library Connected with Burns, &c. of James M’Kie, Kilmarnock, Prior to Kilmarnock: Printed by James M’Kie, Date 1866. 1883. The G. Ross Roy Collection of Robert Burns / 324 iv, 63, [1] p.; 17 cm. McNair, Elisabeth Jane. Marbled paper covered wrappers. Robert Burns: Maker of Rhymes. Illus- Inscribed to Wm. W. C. Angus by trated by Scoular Anderson. James MKie on title page “C.A.S” London: Viking, 1996. in pencil on verso. 95 p.: ill., 1 map; 19.7 cm. Original wrappers. 1st printing. Pons McKnight, A. G. Bequest. —Robert Burns. [S.l.: s.n., 1942?]. McNaught, Duncan. [2] p.: ports.; 29 cm. The Truth about Burns. Reprinted from January-February, Glasgow: MacLehose, Jackson, 1921. 1942, issue of the Fiery Cross. x, 246 p.: port.; 20 cm. Copy 1. Original dark blue cloth. Book- McKnight, A. G. plate and signature of G. A. Dunlop. Lincoln and Burns. Autographed letter signed from the Duluth, Minn.: [s.n., 1943?]. author to Dunlop thanking him for [8] p.; 21.7 cm. sending a copy of his review of the Reprinted from January-February, book. Obituary of the author laid in. 1943, Order of Scottish Clans Courier. Copy 2. Author’s signed presentation Original cream colored wrappers. copy to W. Ormiston Roy. In pictorial McKnight, A. G. dust jacket. Robert Burns. An Address Delivered Copy 3. Original dark blue cloth. Pons before the Caledonia Club, Winnipeg, Bequest. Manitoba, Jan. 25, 1939. McOwan, Rennie. [S.l: s.n., 1939?]. Robert Burns for Beginners. [8] p.; 23.4 cm. Edinburgh: Saint Andrew Press, 1995. Original cream-colored wrappers. vii, 87 p.: ill.; 21 cm. McLean, Jim. Original pictorial wrappers. Pons Scottish Rebel Songs: Words & Music. Bequest. [London]: Socialist Review Publishing, McOwan, Rennie. [1968]. Robert Burns for Beginners. 1 score (31 p.); 22.1 cm. Edinburgh: Saint Andrew Press, 1998, McLean claims no. 7, 19, and 25 are by c1995. Burns. No. 7 was accepted by Allan vii, 87 p.: ill.; 21 cm. Cunningham (1834) and Robert Original pictorial wrappers. Chambers (1838) but is now consid- ered spurious. McQueen, Colin Hunter and Douglas Original black and white wrappers, sta- Hunter. pled gathering. Signature of Hamish Hunter’s Illustrated History of the Family, Henderson on p. 3. Friends and Contemporaries of Robert Burns. Conceived, designed and illus- McLetchie, James K. trated by Colin Hunter McQueen; Robert Burns. researched, compiled and written by [Quebec: s.n., 1935?]. Douglas Hunter. 1 item; 15 cm. [2009] Newspaper clipping of a poem about 1 v. (unpaged): col. ill.; 28 cm. Burns by McLetchie of Outremont, Uncorrected pages proofs, some pages in Quebec. color. Burnsiana / 325

McQueen, Colin Hunter. 56 p.: ill.; 17.8 cm. Rantin Rovin Robin: An Illustrated Life Original pictorial wrappers. Story of Robert Burns. McVie, John. [Dumfries: Creedon Pub.], 1999. Robert Burns and Edinburgh. 192 p.: ill.; 29.7 cm. Kilmanock (Ayrshire): Burns Federa- Original brown cloth, spine stamped tion, 1969. in gold. In pictorial dust jacket. 95 p., 10 plates: ill., ports.; 22 cm. Publisher’s advertisement loosely inserted. This subscriber’s edition is M’Dowall, William. limited to 500 copies of which this is Burns in Dumfriesshire: A Sketch of the no. 21. Signed by the author. Last Eight Years of the Poet’s Life. 4 page illustrated advertising brochure 2nd edition. and order form, shelved separately. Edinburgh: A. and C. Black, 1870. Pons Bequest. 78 p.: ill., port.; 18.2 cm. Original green cloth, stamped in gold McQuillan, Ruth. and blind. The Galliard Book of Shorter Scottish Poems: From the 14th to the 20th Cen- M’Dowall, William. tury. Burns in Dumfriesshire: A Sketch of the Edinburgh: Galliard, 1991. Last Eight Years of the Poet’s Life. 72 p.: music; 22 cm. 3rd edition. Includes Robert Burns’s poem “Mary Dumfries: J. Maxwell, [1881]. Morison” and background informa- iv, 93, 16 p.: ports.; 19 cm. tion on the poem, p. 34–35. 16 p. publisher’s catalogue follows text. Original wrappers. Copy 1. Original red cloth. Copy 2. Contemporary half roan, cloth. M’Culloch, R. C. Original rose printed wrappers bound Burns, Patriot and Theologian: from in. “Thoughts on Natural Theology.” Copy 3. Original red cloth. Gift inscrip- Arbroath: Printed by Brodie & tion on free front endpaper. Pons Salmond, 1903. Bequest. 22 p.: port.; 18.7 cm. Original light blue wrappers, lettered in M’Dowall, William. black. Memorials of St. Michael’s: The Old Parish Churchyard of Dumfries. McVie, John. Edinburgh: Adam and Charles Black, Burns and Stair. 1876. Kilmarnock: “Standard” Press, 1927. ix, 446 p.: ill.; 18.4 cm. 105 p.: ill.; 21.8 cm. Original red cloth, stamped in gold on Laid in: newspaper clippings relating to spine, stamped in black and gold on the auctioning of Burns’s manuscript upper cover. Gift inscription on half- of poems originally sent to his patron, title page. Mrs. Stewart of Stair. Original brown cloth. Armorial book- [Memorial Verses on Robert Burns]. plate of Sir Hew Dalrymple. [ca. 1830] 1 item (12 p.); 14.4 cm. McVie, John. Manuscript copies of five poems to The Burns Country. Text by John McVie, Robert Burns. photographs by Paul Shillabeer. Edinburgh: London; Oliver & Boyd, Miller, Hugh. 1962. Tales and Sketches. The G. Ross Roy Collection of Robert Burns / 326

3rd edition. Copy 3. Original boards. Signature New York: Virtue and Yorston, [1869?]. of Hugh Seay, former owner, on xiv, 389 p.; 19 cm. free front endpaper. Pons Bequest. Contains an essay on Burns. Mitchell, John, Rev. Original terra-cotta colored cloth, Memories of Ayrshire about 1780. stamped in gold and blind. p. 243–334: ill.; 22 cm. Miller, Hugh. Offprint: Miscellany of the Scottish Tales and Sketches. History Society, v. VI, 1939. 6th edition. Original gray printed wrappers. Edinburgh: Nimmo, 1872. Mitchell Library. xiv, 389 p.; 18.2 cm. Catalogue of Robert Burns Collection in the Contains an essay on Burns. Mitchell Library, Glasgow. Nineteenth century brown half calf, [Glasgow]: Glasgow Corp. Public marbled boards. Libraries, 1959. Miller, Hugh. vii, 217 p.: port.; 25 cm. Recollections of Burns: Reprinted from “Based upon the original works of the “Tales and Sketches.” late J. C. Ewing, the actual prepara- Glasgow: W. Mollison, 1886. tion of this catalogue is the work of 97 p.: port.; 18 cm. Messrs. A. G. Hepburn, A. Hunter, Original olive-green cloth. and D. R. Younger, members of the staff of the Libraries Department.” “Miscellany: Robert Burns.” Copy 1. Presented to G. Ross Roy by In: Salem Gazette, new Series, v. 1, no. 16 Mrs. Charles Morris, widow of (Feb. 25, 1823), p. [1]. Charles Morris, Scottish representa- Includes the poem “To Mary in tive for Oxford University Press and Heaven.” recipient of one of six morocco bound Mitchell, J. O. presentation copies given, at publica- Burns and His Times: As Gathered from tion, to individuals associated with His Poems. the Mitchell Library. Original blue Glasgow: J. MacLehose, 1897. full morocco, tooled in gold and vii, 141 p.; 20.7 cm. blind. Watered silk endpapers. In blue “This volume has grown out of a paper cloth slipcase, provenance notes insert that appeared in the Glasgow Herald of edition 25th January, Burn’s birthday, 1888”— Copy 2. Rebound in brown modern Foot of p. [1]. binder’s cloth. Original marbled boards, paper label on Copies 3–4. Original gray printed wrap- spine. Publisher’s complimentary pers. Pons Bequest. copy. Bookplate of John Needles Mitchell Library. Chester. Catalogue of Robert Burns Collection, the Mitchell, John. Mitchell Library, Glasgow. A Night on the Banks of Doon, and Other Glasgow: Glasgow City Libraries and Poems. Archives, 1996. Paisley: Printed by J. Neilson, for the 350 p.; 23 cm. author, 1838. “This revision has been carried out by vii, 156 p.; 18.5 cm. former librarian of the Burns Collec- Copy 1. Original purple cloth. Printed tion and author of The Glasgow Ency- paper label on spine. clopedia, Joe Fisher.” Copy 2. Original cloth. Burnsiana / 327

Copy 1. Original pictorial wrappers. M’Kie, James, ed. Errata slip loosely inserted in text. The Burns Calendar: A Manual of Burns- Copies 2–3. Original pictorial wrappers. iana: Elating Events in the Poet’s His- Errata slip loosely inserted in text. tory, Names Associated with His Life and Pons Bequest. Writings, A Concise Bibliography, and a Record of Burns Relics. Mitchell Library. Department of Lan- Kilmarnock: J. M’Kie, 1874. guage and Literature. [74] p.: ill.; 26.5 cm. Robert Burns Collection. Title in red and black. Glasgow: Mitchell Library, n.d. “Edition limited to 600 copies. No. 497. 1 sheet folded (4 s.): port.; 21 cm. [Signed] James M’Kie.” Pons Bequest. Extra-illustrated with 85 plates, 4 auto- M’Kay, Archibald. graphed letters signed, 7 broadside Burns and His Kilmarnock Friends: With ballads, and additional text. Other Pieces in Prose and Verse. Bound in: Allan Cunningham, letter, Kilmarnock: M’Kay, 1874. Belgrave Place, 2 Sept. 1831, to Mrs. viii, 208 p.; 16.6 cm. Wilkie. Copy 1. Bookplate of G. A. Dunlop. Bound in: John Andrews, letter, 11 May Original bright blue cloth. 1844, concerning the sale of the Copy 2. Bookplates of Mildred and Burns-Clarinda correspondence. Robert Woods Bliss, Dumbarton Oaks. Bound in: Isaac , letter, 10 May Original green cloth, stamped with [184?], discussing Burns’s prose style, gold and blind. Pons Bequest. as reflected in his letters. Bound in: Walter Scott, letter, 31 May M’Kay, Archibald. 1820. The History of Kilmarnock. Ballads formerly bound in, now in sep- 3rd edition, revised and enlarged. arate housing: “The Highland Lad- Kilmarnock: A. M’Kay, 1864. die,” printed at Pitts Wholesale Toy xi, 331 p.: port.; 19 cm. Warehouse; “Wooed and Married and Original red cloth, stamped in gold and a’”; “Etrick Banks,” sold by J. Evans; blind. “Highland Lad”; “Willy’s Rare and M’Kie Burnsiana Library. Willy’s Fair”; “Logie o’Buchan,” Catalogue of the M’Kie Burnsiana printed and sold by Pitts; and “Sun Library: Holograph Mss., Paintings, That Lights” with a woodcut portrait Etchings, Engravings, Photographs, and of Burns. Relics. Compiled by David Sneddon. Copy 1. Contemporary dark green Kilmarnock: “Standard” Printing morocco, stamped in gold. Leather Works, 1909. library label of R. B. Adam. vi, 170 p.; 22 cm. Copy 2. Original boards. No. 18. At head of title: Kilmarnock Burns M’Killop, James. monument. Thoughts for the People. Copy 1. Original gray printed wrappers. Stirling: Printed at the Stirling Journal Copy 2. Original green cloth. Bookplate and Advertiser Office, 1898. of John Gribbel on verso of front 186 p.; 21.5 cm. cover. Typed letter, signed, from “Robert Burns,” p. 14–24. Davidson Cook to Mr. M’Naught, Original dark blue cloth. dated 19 May 1919, tipped inside lower cover. The G. Ross Roy Collection of Robert Burns / 328

Molenaar, Heinrich. Robert Burns’ Beziehungen zur Litteratur. Erlangen, Leipzig: A. Deichert, 1899. xii, 132 p.; 20.3 cm. Münchener Beiträge zur romanischen und englischen Philologie; 17. Issued in part as inaugural dissertation, Munich. Photocopy of copy in NLS. Original boards. Montgomerie, William, ed. Robert Burns, New Judgments: Essays by Six Contemporary Writers. [Glasgow]: W. MacLellan, 1947. 84 p.: ill.; 19 cm. Original blue-green cloth. In dust jacket. Signed by George Bruce. Moore, John. “Poems, Chiefly in the Scottish Dialect.” p. 89–93; 22 cm. A review of the 1786 Kilmarnock edi- tion, attributed to Dr. John Moore. In: An English Review, or An Abstract of English and Foreign Literature, v. 9, no. 2 (Feb. 1787). Morgan, Jack. A Tribute to Robert Burns. 1st edition. Ayr: Hendersons, 1962. [18 p.]: ill., ports.; 16.2 cm. Original tartan patterned wrappers. Morozov, M. M. Shekspir, Berns, Shou: abt. vstupit. stat´i, i red. Iu shvedov. One of five song sheets that had Moskva: Iskusstvo, 1967. been bound in to book collector R. B. 325 p., [24] p. of plates: ill., ports.; Adam’s copy of The Burns Calendar 19.7 cm. (Kilmarnock: J. M’Kie, 1874) Text in Russian. Original blue cloth, printed in white. Moffatt, Walter Augustus, Jr. Morris, James A. “Burns’s Literary Reputation in En- The Brig of Ayr and Something of Its Story. gland and Scotland, 1786–1834.” Ayr: Stephen & Pollock, 1910. iv, 259 leaves; 21.3 cm. [6], 9–76, [2] p., [10] leaves of plates: Thesis (Ph.D.)—Princeton University, ill., facsims.; 23 cm. 1941. Burnsiana / 329

Contains “The of Ayr: A Poem,” Muir, John. by Robert Burns, and the history of Alexander Reid: Gallovidian Laird and the two bridges of Ayr. Miniaturist of Burns, An Appreciation. Copy 1. Original gray-blue boards, [S.l.: s.n., 1932?]. white shelfback. 5 p.; 21.6 cm. Copy 2. Original gray-blue boards, Reprinted from the Transactions of the white shelfback. Pons Bequest. Dumfriesshire and Galloway Natural History and Antiquarian Society, Motherby, Robert. v. XVII. Supplement to the Pocket Dictionary of the Original light blue wrappers. Author’s Scottish Idiom: In which the Signification signed presentation inscription of the Words is Given in English and German, Chiefly Calculated to Promote Muir, John. the Understanding of the Works of Sir Burns at Galston and Ecclefechan. Walter Scott, Rob. Burns, Allan Ramsay Glasgow: The author, 1896. &c.; With an Appendix Containing Notes 36 p.: ill., port.; 22 cm. Explicative of Scottish Customs, Man- “The article on Burns at Ecclefechan ners, Traditions &c. is reprinted, with slight alterations, Konigsberg: Printed for Brothers Born- from the pages of a Scottish maga- traeger, 1828. zine, revised and enlarged from a [59] p.; 18 cm. short paper . . . which appeared in Added title page in German: Nachträge The People’s Friend.”—Note: p. [6]. zum Taschen-Wörterbuch des Schotti- Copy 1. Original light green printed schen Dialekts. wrappers. Original gray wrappers. From the Copy 2. Original light green printed library of Professor Jerome Mitchell. wrappers. Presentation inscription on dedication page. Muir, Edwin. Latitudes. Muir, John. London: Andrew Melrose, [1924]. Carlyle on Burns. 322 p. 19 cm. Glasgow: W. Hodge & Co., 1898. “Robert Burns,” p. 1–11. 115, [1] p.; 24 cm. Copy 1. Rebound in blue marbled Original light gray boards, cream-col- boards, brown cloth spine with paper ored cloth spine. label. Muir, John. Copy 2. Original blue cloth, printed John of the Mountains: The Unpublished paper label on spine. Journals of . Edited by Lin- Muir, James. nie Marsh Wolfe. Robert Burns Till His Seventeenth Boston: Houghton, Mifflin, 1938. (Kirkoswald) Year. xxii, 459 p.: ill., ports.; 21.3 cm. Kilmarnock: “Standard” Press, 1929. Contains “Thoughts written on the 118 p.: ill., ports.; 22 cm. birthday of Robert Burns, January 25, Copy 1. Original dark blue cloth 1906,” p. 433–436. stamped in gold. Original gray cloth, stamped in blue Copy 2. Presented to Dr. Gunn “with and red on spine and upper cover. In the compliments of the author. Feb. pictorial dust jacket. Inscribed by 1932.” Linnie Marsh Wolfe. Annotated by W. Ormiston Roy. From the library of W. Ormiston Roy. The G. Ross Roy Collection of Robert Burns / 330

Muir, John. Murchland, Charles. Notes on the Election Ballads of Robert A Visit to the Shrines of Burns: Lochlea, Burns. Tarbolton,etc. [S.l.: s.n., 1932?]. [S.l.: s.n.], 1908. p. [1]–8; 21.6 cm. 134 p.; 18 cm. Reprinted from the Transactions of the Reproduced from the Irvine Herald, Dumfriesshire and Galloway Natural July-August, 1907. History and Antiquarian Society, Title vignette of Burns. v. XVII. Contemporary green gilt-stamped Original wrappers. Author’s signed morocco. presentation copy to W. Ormiston Murdoch, John. Roy, 1932. Pictures of the Heart: Sentimentally Delin- Muir, Pearson M’Adam. eated in the Danger of the Passions, an Robert Burns: His Genius and Influence: Allegorical Tale: The Adventures of a Address Delivered to the Rosebery Burns Friend of Truth, an Oriental History in Club, 24th January, 1902. Two Parts: The Embarrassments of Love, Glasgow: W. & R. Holmes, 1902. A Novel: and The Double Disguide, a 17 p.; 22 cm. Drama in Two Acts. Original light blue wrappers. Dublin: Printed by J. Rea, 1783. 2 v. in 1: 16 cm. Muir, Thomas L. London edition also published in 1783. Robert Burns 1759–1796: Address to the Murdoch taught Robert Burns at Ayr Melbourne Scots. school and later corresponded with Melbourne: Printed at “The Age” him. Office, [1960]. Contemporary calf, rebacked. 15 p.; 18.8 cm. “25th January, 1960. Delivered at 9 Dar- Murdoch, John Mitchell. ling Street, Melbourne.” Familiar Links with Robert Burns. Original brown wrappers. Author’s A selection of Burnsiana from the autograph signature inside upper writings of the late John Mitchell cover. Pons Bequest. Murdoch. Compiled by Mary M. Murdoch. With a foreword by Munro, Archibald. John D. Ross. The Story of Burns and Highland Mary. Ayr: Stephen & Pollock, 1933. Paisley: A. Gardner, 1896. 143 p.: front., ports.; 19 cm. 168 p.: ill.; 20 cm. Original blue cloth with light blue dust Original dark red cloth. Author’s jacket. inscribed presentation copy to Mrs. McCall, 13 October 1896. Muriel, John St. Clair. Immortal Memory: The Real Robert Murchland, Charles. Burns. Burns in Edinburgh: His Wanderings To New York: Liveright Publishing Corpo- and Fro. ration, c1938. [S.l.: s.n.], 1907. xv, 412 p.: ill., ports., facsim.; 23 cm. 142 p.; 19 cm. Original red cloth in black and red dust Reproduced from the Irvine Herald, jacket. July-August, 1907. Title vignette of Burns. Muriel, John St. Clair. Contemporary green gilt-stamped The Ranting Dog: The Life of Robert morocco. Burns. Burnsiana / 331

London: Chapman & Hall, [1938]. Edinburgh: W. Creech, 1790. 402 p.: port.; 22 cm. 8, xxiii, 435 p.; 23 cm. “List of subscribers,” xxiii p. including Muriel, John St. Clair. Mr. Robert Burns. Robert Burns, Rantin’ Dog, Poet of the Modern half morocco, marbled boards. Common Man. [Black and gold edition]. Namba, Toshio. New York: Liveright Pub. Corp., [1947]. Robert Burns si no kenkyu: A Study of xv, 412 p.: ill.; 23 cm. Robert Burns’s Poetry Original black cloth. In bright pink Toyko: Toyoshuppan, 1975. pictorial dust jacket. Signature of 3 v.; 22 cm. J. Wheeler Davis. Volume 1, inscribed by the author to G. Ross Roy. Original cloth, in slip- Murphy, Peter T. case as issued. Poetry as an Occupation and an Art in Britain, 1760–1830. New York: Cambridge University Press, 1993. xii, 270 p.; 24 cm. Cambridge Studies in Romanticism. Includes a chapter about Burns. Original black boards. In dust jacket. Murray, Bobby. Here’s a Health to Him That’s Awa. Baddeck, Nova Scotia: Bras d’or Graphic Marketing Services, c1995. 116 p.: ill., music; 24 cm. A compilation that includes Bobby Murray’s own poems, three Scottish country dances, created and dedicated to the immortal memory. Companion to the compact disc and/or cassette of the same title. Original pictorial wrappers. Mutch, Alexander. Burns in Japanese: inscription from Robert Burns from a Soldier’s Standpoint. Toshio Namba to G. Ross Roy in Aberdeen: The Rosemount Press, 1915. Robert Burns si no kenkyu 22 p.: port.; 21.4 cm. “Dedicated (by kind permission) to the Nash, Edward Barrington. members of the Aberdeen Burns Robert Burns: An Address upon the Por- Club.” traiture of the Poet Delivered in the Original light blue wrappers, lettered in Royal Glasgow Institute of Fine Arts, dark blue. 29th September 1896. Mylne, James. Paisley: A. Gardner, 1896. Poems: Consisting of Miscellaneous Pieces, 36 p.; 22 cm. and Two Tragedies. Original light blue-gray wrappers. The G. Ross Roy Collection of Robert Burns / 332

National Trust for Scotland. 6 leaves: ill.; 24.5 cm. History of the Rise, Proceedings, and “Recital by Mr. Durward Lely. Oration Regulations of the Batchelors’ Club, by the Hon. John W. Goff.” Tarbolton. “January 25th, 1895.” Edinburgh: C. J. Cousland, 1957. Program, with notes on the Society and 8 p.; 18.4 cm. advertisements. Taken from Dr. Currie’s Works of Robert Original pictorial wrappers. Burns (1800). Newcastle and Tyneside Burns Club. Original white pictorial wrappers. 139th Anniversary Celebration . . . : Report National Trust for Scotland. of Proceeding. Souter Johnnie’s Cottage. Newcastle-upon-Tyne: Printed at the Glasgow; London: National Trust “Daily Journal” Office, 1898. for Scotland, 1963. 31 p.; 21.7 cm. 12 p.: ill.; 21.6 cm. County Hotel, Newcastle-upon-Tyne. Original pictorial wrappers. January 25th, 1898. Original light green wrappers, lettered Neilson, . in black. Robert Burns. Indianapolis: Bobbs-Merrill Company, Newcraighall “Poosie Nancy” Burns c1917. Club, no. 293. 332 p.; 20.5 cm. Fiftieth Anniversary Dinner on Friday, Original red cloth, buff dust 6th August, 1971 in Miners’ Welfare jacket. Social Club (Upper Hall), at 6:30 P.M. Neilson, William Allan. [S.l.: s.n.], 1971. Robert Burns: How to Know Him. 4 s.: port.; 22.7 cm. Indianapolis: The Bobbs-Merrill Company, [c1917]. Nichol, John. 332 p.: ill.; 20 cm. Robert Burns: A Summary of His Career Original green cloth, stamped in gold. and Genius. Pons Bequest. Edinburgh: W. Paterson, 1882. 71 p.: geneal. table; 25 cm. New Guide to Ayr and the Land of Burns. Original gray wrappers. Ayr: Printed and published by Henry & Grant, [1870–1879]. Nimmo, Ian. vi, 47, [8] p.; 17 cm. Robert Burns: His Life and Tradition in Green cloth shelfback, illustrated paper Words and Sound. covered boards. Signature of George J. London: Record Books, [1965]. Barrett, former owner, on cover. 104 p.: ill., map, port.; 19.3 cm. and Acquired with a letter of introduc- phonodisc in pocket. tion, autograph letter signed, “Record . . . contains edited extracts From John Robertson to Miss [Isabella] from the Burns Supper of the Begg, niece of Robert Burns. Edinburgh-Ayrshire Burns Associa- tion of 1965.” New York Scottish Society. Burns’ Anniversary Celebration. New York: [The Society?], 1885. Burnsiana / 333

Original green boards. Pictorial dust Holdings: 1957–1960, 1964–1966, 1971, jacket. 1973–1975, 1978. “Now Mr. Burns the High Road’s the Paisley Burns Club. Fast Road to Scotland!” Celebration of the One Hundred and Advertisement for B.O.A.C (British Ninety-Seventh Anniversary of the Overseas Airway Corporation). Birthday of Robert Burns. In: The New Yorker, May 15, 1948, Paisley: J. & J. Cook, 1956. p. [59]. 35 p.; 22 cm. In the private collection of G. Ross Roy. Original wrappers. Officer, William. Paisley Burns Club. Burns, Poet-Laureate of Canongate Celebration of the One Hundred and Kilwinning: A Myth. Twenty-First Anniversary of the Birth- Edinburgh: Printed for private circula- day of Robert Burns. tion by H. & J. Pillans & Wilson, Paisley: J. & J. Cook, 1880. 1892. 29 p.; 21.6 cm. 72 p.; 18.4 cm. Paisley Burns Club Copy 1. Original olive-green cloth, Celebration of the One-Hundred and stamped in gold and blind. Sixty-Sixth Anniversary of the Copy 2. Original olive-green cloth, Birth-day of Robert Burns. stamped in gold and blind. Pons Paisley: J. & J. Cook, 1925. Bequest. 18, [4] leaves; 22 cm. O’Hagan, Andrew. At head of title: Paisley Burns Club. “A Man for a’ That.” Pictures by Murdo Gibson’s Restaurant, Paisley, 26th McLeod. January, 1925. p. 14–26: ill., port.; 37.5 cm. Toast list and menu at end. In: Weekend, Feb. 24, 1996. Original gray wrappers. Ovens, Thomas T. Paisley Burns Club Burns’s Howff: A Souvenir, Being a Short Celebration of the Two Hundred and Forty History of the Globe Inn, Dumfries, and Second Anniversary of the Birthday of Its Association with Robert Burns, the Robert Burn. Patriot Bard of Scotland. Paisley: s.n., 2001. Dumfries: W. Grieve & Sons, [1939?]. [8] p.: port.; 23.9 cm. 17 p.: ill., port.; 21 cm. Original wrappers, stapled gathering. Original pictorial wrappers. Pons Bequest. Paisley Burns Club. Paterson, James. Annual Chronicle. The Contemporaries of Burns, and Celebration of the . . . anniversary of the More Recent Poets of Ayrshire, the birthday of Robert Burns with Selections from Their Writings. Paisley: Alexander Gardner Ltd., Edinburgh: H. Paton, 1840. v.; 23 cm. 416, 26 p.: ill., port.; 21 cm. Began publication in 1875. Copy 1. Original cloth, paper label on Description based on: 1978. spine. Original light blue wrappers, printed Copy 2. Later half calf, paste-paper in black. boards. The G. Ross Roy Collection of Robert Burns / 334

Paterson, James. Peacock, Hugh, C. History of the County of Ayr. With a Robert Burns, Poet-Laureate of genealogical account of the families Lodge Canongate-Kilwinning: Facts of Ayrshire. Substantiating His Election and Ayr: John Dick, 1847. Inauguration on 1st March 1787, 2 v.; 26 cm. Gleaned from the Lodge Records and Volume 2 variant imprint: Edinburgh: Other Authentic Sources. Thomas George Stevenson, 1852. Edinburgh: Printed by Christie, 1894. Original olive green cloth, stamped in xvi, 70 p., 84 (i.e. 85) p., iii p. incl. 2 gold. tables: ill., port.; 28.3 cm. In the private collection of G. Ross Roy. In 2 parts. Preface by R. W. Macleod Fullarton. Paton, Norman R. Original dark red cloth, stamped in Scotland’s Bard: A Concise Biography of black and gold. Robert Burns (1759–1796). Fareham: Sea-Green Ribbon Publica- Pearl, Cyril. tions, c1998. Bawdy Burns, the Christian Rebel. iv, 155 p.: ill.; 20.8 cm. London: F. Muller, [1958]. Original white pictorial wrappers, 228 p.: ill.; 21 cm. printed in black. Autographed letter, Original red cloth in dust jacket. signed from the author to Dr. and Penn Club of New York. Mrs. Roy loosely inserted. Robert Burns, Poet: A Celebration. Paton, Norman R. [New York: The Penn Club,] 2006. Song o’Liberty: The Politics of Robert 1 sheet folded (4 s.): port.; 22 cm. Burns. Program of the Friday, January 27, 2006 Fareham: Sea-Green Ribbon Publica- anniversary celebration. tions, c1994. Gift of Thomas Keith. 128 p.: ill., ports.; 21 cm. Picken, Ebenezer. Copy 1. Original pictorial wrappers. Poems and Epistles Mostly in the Scottish Author’s signed presentation copy to Dialect. With a Glossary. G. Ross Roy, January 1995. Paisley: Printed by John Neilson for the Copy 2. Original pictorial wrappers. author, 1788. Signature of Hamish Henderson on 252 p.; 21 cm. title page. From the library of “The Deil’s Answer To His Vera Wordy Hamish Henderson. Frien’ R—— B——,” p. 33–36. Paxton, William. Nineteenth-century half roan, What Robert Burns Owed to . printed boards. Signature of Southport: Robert Johnson, [1959]. Thomas Lyle. 49 p.; 18 cm. Pickering, Outi. Copy 1. Original gray wrappers. Ex-lib. Early Finnish Translations of Robert Blind-stamp of John Leng & Co. on Burns’ Poetry. title page. p. 117–124; 20.6 cm. Copy 2. Original gray wrappers. Pons Offprint: Publications of the Depart- Bequest. ment of English, University of Turku, 1990. Alarums & Excursions: Working Burnsiana / 335

Papers in English. Edited by Keith Bat- Published in The General Magazine and tarbee and Risto Hiltunen. Impartial Review, v. 1, 1798, p. 79-80.” Original white wrappers. Poetic Tributes to the Memory of Robert Pickering, Outi. Burns. Received by the Newcastle- “Personification in the Poetry of Robert Upon-Tyne Club, for celebrating the Burns.” anniversary of his birth day, 1817. 158 p., [1] leaf of plates: ill.; 29.8 cm. Newcastle: Printed by G. Angus, 1817. Thesis (Ph.D.)—University of Turku, 12 p.; 18 cm. 1994. Disbound. Original blue boards. Author’s signed Potter, John J. presentation copy to G. Ross Roy. Robert Burns. Pickering, Outi. Carlisle: Chas. Thurnam & Sons, 1923. Robert Burns and Eighteenth-Century 63 p.: ill., port.; 15 cm. Poetic Diction. “Issued under the auspices of the p. 43–58; 25 cm. Carlisle Burns Club.” Offprint from: English Far and Wide: Original green wrappers. Yapp edges. A Festschrift for Inna Koskenniemi. Pons Bequest. Turku: Turun Yliopisto, 1993. Power, William. Pitblado, Charles Bruce. Robert Burns and Other Essays & Robert Burns: His Life and Poetry. An Sketches. With eight illustrations by address delivered by Rev. Charles the author. Bruce Pitblado, in Selkirk Hall, London; Glasgow: Gowans & Gray, Winnipeg, Manitoba, February 25th, Ltd., 1926. 1884. 250 p.: ill.; 20 cm. Winnipeg: [s.n.], 1955. Original boards, cloth spine. In buff 43 p.: port.; 22.7 cm. pictorial dust jacket. Newspaper Copy 1. Original buff wrappers, lettered reviews laid in. Signature of J. B. in black. Card loosely inserted: Com- McNair. pliments of Isaac Pitblado. Purves-Stewart, J. Copy 2. Original buff wrappers, lettered The Immortal Memory of Robert Burns: in black. Stamped L. Nitikman on A Medical Aspect. upper cover. Pons Bequest. London: Printed for the author by Pitt, Gilbert. Matthews Drew & Co., [1935]. Selected Poems of Gilbert Pitt. 52 p.; 13.5 cm. [Ayrshire: s.n., 1947?]. Burns Nicht oration, 1935. [34] p.; 20.8 cm. Author’s signed presentation copy to the Includes the poem “A Crack wi’ Rab- Right Honorable Lord Hewart of bie,” p. [16]. Burry. Original green wrappers, printed in Original cream-colored card wrappers. black, stapled gathering. Queen’s Park Bowling and Tennis Club. “Poems, Chiefly in the Scottish Dialect “Clarinda” Burns Circle Anniversary Din- by Robert Burns.” ner: Friday, 19th January, 1951, in the A review of the Edinburgh edition. Club-House. The G. Ross Roy Collection of Robert Burns / 336

[S.l.: s.n.], 1951. 4 p.; 30.5 cm. 1 folded sheet [4 p.]; 21.2 cm. Robert Burns’s “The Banks o’ Doon.” Burns Dinner program, the Immortal Original wrappers. Memory proposed by the Rev. J. J. Reading and District Caledonian Philp, MA. Association. Queen’s Park Bowling and Tennis Club. The 52nd Burns Anniversary Dinner at the “Clarinda” Burns Circle Anniversary Din- Grosvenor House Hotel, Reading, 29th ner: Friday, 20th January, 1950, in the January, 1970. Club-House. [S.l: s.n.], 1971. [S.l.: s.n.], 1950. 4 s.: port., facsim.; 20.5 cm. 1 folded sheet [4 p.]; 21.2 cm. “Burns Federation no. 617.” Burns Dinner program, the Immortal Reading and District Caledonian Memory proposed by Bailie T. A. Association. Kerr. 53rd Anniversary Dinner, 28th January, Single sheet, folded. 1971. Queen’s Park Bowling and Tennis Club. [S.l: s.n.], 1971. “Clarinda” Burns Circle Anniversary Din- 4 s.: ill.; 20 cm. ner: Friday, 21st January, 1949, in the “Burns Federation no. 617.” Club-House. Reid, J. B. [S.l.: s.n.], 1949. A Complete Word and Phrase Concordance 1 folded sheet [4 p.]; 20.1 cm. to the Poems and Songs of Robert Burns, Burns Dinner program, the Immortal Incorporating a Glossary of Scotch Words, Memory proposed by Mr. James with Notes, Index, and Appendix of Brown. Readings. Copies 1–2. Single sheet, folded. Glasgow: Kerr & Richardson, 1889. R., G. S. 568 p.; 26.2 cm. Robert Burns: Highland Tour of 1787. Copy 1. Original dark blue-green cloth, Dumfries: Centenary Publishing, 1959. paper label on spine. 20 p.: ill.; 26.5 cm. Copy 2. From the collection of Robert At head of title: “The Immortal Bard.” D. Thornton. At foot: “Bi-Centenary Book.” Reid, J. B. Produced by the Dumfries Burns Howff A Complete Word and Phrase Concordance Club. to the Poems and Songs of Robert Burns: Includes excerpts from Burns’s poems Incorporating a Glossary of Scotch Words, and correspondence. with Notes, Index, and Appendix of Original gold pictorial wrappers. Center Readings. cut-out displaying a cameo of Burns. New York: B. Franklin, 1969. Rae, Elsie S. 568 p.; 26 cm. Poet’s Pilgrimage: The Story of the Life Burt Franklin Bibliography & Refer- and Times of Robert Burns. ence Series; 252. [Glasgow]: W. Maclellan, 1960. Spine title: Concordance to Poems and 286 p.: ill.; 23 cm. Songs of Robert Burns. Reprint of the 1889 edition Ravel, Maurice. Original green cloth with gold lettering Chants populaires: Chanson écossaise: chant on spine. Pons Bequest. et piano. Paris; New York: Éditions Salabert, Renwick, W.L. [c1975]. Burns as Others Saw Him. Edinburgh: The Saltire Society, 1959. Burnsiana / 337

49 p.; 21.3 cm. In: McGonagall Year Book. Edinburgh: Copy 1. Original buff wrappers printed University McGonagall Society, 1964. in black. In the private collection of G. Ross Roy. Copy 2. Original buff wrappers printed “Robert Burns.” in black. Pons Bequest. p. 39–43; 24 cm. Reynold, Cuyler. In: The Leisure Hour, no. 369 ( January “The Manuscript of ‘Auld Lang Syne.’” 20, 1859). p. 585–589; 24.2 cm. Disbound. Lacks facsimile and portrait of Robert In the private collection of G. Ross Roy. Burns. “Robert Burns.” In the private collection of G. Ross Roy. In: The Saturday Magazine, no. 45 In: The Century Illustrated Monthly Mag- (March 16, 1833), p. 102–104. azine, v. 55, November 1897–April 1898. Robert Burns: An Exhibition: February 1971. Catalogue and introductory note Rice, Fronde. by G. Ross Roy. “A Comparative Study of the Romantic DeKalb, Illinois: Swen Franklin Parson Qualities, Attitudes and Tendencies in Library, Northern Illinois University, the of Robert Burns c1971. and William Wordsworth.” 51 p.: facsim.; 22.9 cm. 1954. Original olive green cloth, stamped in [viii], 91 leaves; 28 cm. gold on upper cover. Thesis (M.A.)—University of South In the private collection of G. Ross Roy. Carolina. Robert Burns & America: A Symposium. Richardson, Benjamin Ward. Edited by G. Ross Roy. The Masonic Genius of Robert Burns: An Columbia, S.C.: Thomas Cooper Address Delivered in Lodge “Quatuor Library, University of South Caro- Coronati,” 2076, 4th March, 1892. lina; Kirkcaldy: Akros Press, 2001. Margate: Printed at “Keble’s Gazette” 40 p.; 26 cm. Office, 1893. The symposium was the Annual Gen- 40 p.: front. (port.) plates, facsim.; eral Meeting of the Burns Federation 18.1 cm. for 2001. Imprint from colophon. Original gray wrappers, stapled gather- Original gilt-stamped blue cloth. ing. Riddell, Maria. In the private collection of G. Ross Roy. Robert Burns: A Memoir. Robert Burns Association of North Greenock: Signet Press, 1966. America. Club no. 1024. 14 p.: port.; 22.2 cm. R.B.A.N.A. Bulletin: Special 2001 Issue. Copy 1. Original light-brown boards. [S.l.: s.n.], 2001. In slipcase, as issued. No. 61 of 100 1 v. (unpaged): ill. (some col.); copies, signed by the printer, Thomas 28 cm. Rae. Stapled gathering. Pons Bequest. Copy 2. Original light-brown boards. No. 53 of 100 copies, signed by the Robert Burns Bicentenary Research printer, Thomas Rae. Conference at the University of South Carolina, March 28–31, 1996. “Robert Berns = Robert Burns: An 1 folder. Ode.” p. 25; 26 cm. The G. Ross Roy Collection of Robert Burns / 338

Includes the call for proposals, advertis- Original buff wrappers, printed in ing flyers, program, and poster. black, stapled gathering. Annual General Meeting agenda loosely “A Robert Burns Concert: My Heart’s in inserted. the Highlands.” [Columbia, Mo.: Columbia Choral Robert Burns World Federation (2006: Ensemble], 2000. Renfrew). 1 sheet folded (4 s.): ill.; 21.5 cm. Annual Report and Business Meeting: Pons Bequest. Conference, Normandy Hotel, Renfrew, 8–10th September 2006. The Robert Burns Festival, 1976, Kilmarnock: Robert Burns World July 21st-31st. Federation, 2006. [S.l.: Shanter Productions, 1976]. 51 p.; 21 cm. 1 brochure: port., map; 21 cm. folded. Original pictorial wrappers, stapled Robert Burns Heritage Collection. gathering. [S.l.: s.n., 2000] Robertson, J. Logie. 1 folder: ill., port.; 21 x 21.5 cm. in In Scottish Fields. envelope. London: William Paterson, 1890. Advertisement for products offered as vi, 249 p.: ill.; 20 cm. part of the Robert Burns Heritage A collection of papers chiefly about Collection. Burns. Robert Burns, 1759–1796: More than a Original gray-green cloth, stamped in Legend. gold and blind. Edinburgh: TELit, 1996. Robertson, James. 1 brochure (8 s.): ill.; 14.8 cm. A History of Burns’s Forefathers, His “Produced to commemorate the 1996 Travels in Scotland, and His Masonic Burns Bicentnary.” Affairs. Pons Bequest. Aberdeen: The Author, [1949]. Robert Burns: The Poet’s Progress: A 44 p.; 18.7 cm. Bicentennial Exhibition at the Rosen- Original pictorial wrappers. Author’s bach Museum & Library. Nicolas autograph presentation inscription on Barker and Wendy Van Wyck Good, title page, August 1950. curators. Robotham, John S. Philadelphia: Rosenbach Museum & “The Reading of Robert Burns.” Library, c1995. p. 561–576; 26 cm. 59 p.: map, facsim.; 26.5 cm. “This is a list of books and individual Original pictorial wrappers, typed letter poems, plays, letters, and essays that signed, enclosed. Robert Burns mentioned in his writ- In the private collection of G. Ross Roy. ings . . .” Robert Burns World Federation (2001: In: Bulletin of the New York Public Atlanta). Library (New York, N.Y.), v. 74, no. 9 Annual Report and Business Meeting: (Nov. 1970). Conference, Atlanta, Saturday, 21st July Rogers, Charles. 2001. The Book of Robert Burns: Genealogical Galasheils: Reiver Press, Ltd., 2001. and Historical Memoirs of the Poet, His [28], 15 p.; 21.5 cm. Burnsiana / 339

Associates and Those Celebrated in his 112 p.: ill.; 21 cm. Writings. “This hardback Subscriber’s edition of Edinburgh: Printed for the Grampian Robert Burns and New Cumnock . . . is Club, 1889–1891. limited to 200 copies . . .” 3 v.: ill., port.; 26 cm. Illustrations on lining papers. Original red cloth, lettered in gold. Original black cloth, spine stamped in gold, pictorial endpapers. In pictorial Rogers, Charles. dust jacket. No. 192/200. Genealogical Memoirs of the Family of Robert Burns, and of the Scottish House Roscoe, William. of Burnes. “Elegy on the Death of the Scottish Poet Edinburgh: W. Paterson, 1877. Burns.” 68 p.; 22 cm. p. 217; 19 cm. Original bright blue cloth, stamped in Contemporary half morocco, over mar- gold and blind with beveled edges. bled paper covered boards. Bookplate of Charles R. Cowie. In: Beauties of British Poetry. Selected by Sidney Melmoth. Second edition. Rollie, Chris J. Huddersfield: Printed and sold by “A Monody on the Fatal 29th December, Brook and Lancashire; London: Sold 1789: A Rediscovered Poem by also by T. Hurst, Crosby & Co. and T. Burns?” Ostell Booksellers, 1803. p. 63–70; 28 cm. Labeled “uncorrected proofs,” with Rosebery, Archibald Philip Primrose. corrections. Burns, Appreciations. Accompanied by an autographed letter Stirling: E. Mackay, 1912. signed to Ross Roy [G. Ross Roy] 43 p.: ill., ports.; 24.8 cm. dated 24.11.98, with copies of letters “This speech is reproduced from the from Ken Simpson and Jim Mackay to report of The Glasgow Herald, by per- the author. mission of the Editor.” Published in the 1998 issue of the Burns Original dark blue-green wrappers. Chronicle. Portrait of the author mounted on upper cover. Rollie, Chris J. Robert Burns and New Cumnock. Rosebery, Archibald Philip Primrose. [New Cumnock]: New Cumnock Burns Centenary Celebrations: Robert Burns, Club, 1996. 1796–1896: Speeches Delivered at Dum- 112 p.: ill.; 21 cm. fries and Glasgow. Author’s autograph presentation Glasgow: William Love, 1896. (Glas- inscription, signed, dated 21 July 1996. gow: D. Adam & Co.). Original pictorial wrappers. 21 p.: ill.; 21.5 cm. On the occasion of the Burns’s cente- Rollie, Chris J. nary celebrations. Robert Burns and New Cumnock. Copy 1. Original wrappers, cover Subscriber’s edition. detached. From the library of [New Cumnock]: New Cumnock Burns William Craibe Angus. Club, 1996. The G. Ross Roy Collection of Robert Burns / 340

Copy 2. Original wrappers, stapled Ross, David. gathering. Young Robert Burns. Illustrated by John Marshall. Rosebery, Archibald Philip Primrose. New Lanark: Waverley Books, 1999, Robert Burns: Two Addresses Delivered at c1998. Dumfries and Glasgow on the Centenary 29 p.: col. ill.; 18 cm. of the Poet’s Death, 21st July 1896. Corbie. Edinburgh: David Douglas, 1896. Original pictorial boards. 16.7 cm. 34 p.; 19 cm. Original gray printed wrappers. Ross, John Dawson. All about Burns. Rosebery, Archibald Philip Primrose. New York: J. S. Ogilvie Publishing Robert Burns: Two Addresses Delivered at Company, c1896. Dumfries and Glasgow on the Centenary 178 p., [8] p. of plates: ill., port.; 19 cm. of the Poet’s Death, 21st July 1896 and Sunnyside Series. a Third Delivered at Paisley, 26th Original wine colored cloth, paper label September 1896. on spine. Inscribed by Peter Ross on Edinburgh: Privately printed, 1896. p. 9. Bookplate of Peter Gribbel. 43 p.; 19 cm. Original light gray wrappers. Ross, John Dawson. All about Tam o’ Shanter. With brief Rosebery, Archibald Philip Primrose. papers on “Alloway Kirk,” “Souter Wallace, Burns, Stevenson: Appreciations. Johnny,” “Captain Grose,” etc. With Stirling: Eneas Mackay, 1905. an introduction by C. H. Govan. 80 p.: ill., port.; 23 cm. New York: Raeburn Book Co., 1900. Original dark green cloth. xv, 17–173 p.; 20 cm. Rosebery, Archibald Philip Primrose. Original red cloth, paper label on spine. Wallace, Burns, Stevenson: Appreciations. Ross, John Dawson. Stirling: E. Mackay, 1912. The Auld Clay Biggin’: A Cluster of Prose 80 p.: port., plates; 26 cm. and Poetry Celebrating the Birthplace of Original dark blue cloth. Robert Burns. Rosenbach Company. Kilmarnock: Standard Print. Works, Robert Burns, 1759–1796: A Collection of 1925. Original Manuscripts, Autograph Let- 55 p.: ill.; 18.2 cm. ters, First Editions and Association Original maroon wrappers. Picture Copies. mounted on upper cover. Philadelphia: Rosenbach Co., 1948. Ross, John Dawson. 64 p., [8] p. of plates: ill.; 26 cm. Bonnie Jean: A Collection of Papers and Copy 1. Original wrappers. Typed letter Poems Relating to the Wife of Robert signed from Walter Johnson, Assistant Burns. Director, The Rosenbach Museum New York: Raeburn, 1898. and Archive, to G. Ross Roy dated xv, 180, [8] p.: port.; 20 cm. June 18, 1981 inserted. The letter “Books published and for sale by the explains that two Robert Burns letters Raeburn Book Co.,” [8] p., follows to Maria Riddell [Dumfries, March text. 1795] and to Robert Cleghorn [Dum- Copy 1. Original maroon cloth, lettered fries, 21 August 1795] could not be in gold. located in the collection. Annotated. Copy 2. Original maroon cloth, lettered Copy 2. Original wrappers. in gold. Pons Bequest. Burnsiana / 341

Ross, John Dawson. Ross, John Dawson. The Burns Almanac: A Record of Dates, The Burns Scrap Book, or Odd Moments Events, etc., Connected with the Poet. with the Lovers of Scotia’s Darling Poet. New York: The Raeburn Book Com- New York: L. D. Robertson, 1893. pany, [1898]. vii, 256 p.; 17.3 cm. 176 p.: port.; 20 cm. Title vignette, portrait. Original red cloth. Paper label on spine. Original dark blue cloth, stamped in Inscribed by the author. gold and blind. Ross, John Dawson. Ross, John Dawson. Burns’ Clarinda. Brief papers concerning Burnsiana: A Collection of Literary Odds the poet’s renowned correspondent and Ends Relating to Robert Burns. compiled from various sources. Paisley; London: A. Gardner, Edinburgh: John Grant, 1897. [1892–1897]. xii, 250 p.: ill., port.; 20 cm. 6 v.; 23 cm. Original maroon cloth. Copy 1. 6 v. in 1. Contemporary black half morocco, green cloth, by W. J. Ross, John Dawson. Middleton. Bookplate of Robert Burns’ Clarinda. Brief papers concerning Murdoch Lawrance. the poet’s renowned correspondent. Copy 2. Modern brown cloth with gold New York: Raeburn Book Co., 1897. lettering on spine. Rebound. Pons xii, 250 p.: port.; 19.2 cm. Bequest. Original dark red cloth. Ross, John Dawson. Ross, John Dawson. Burns’s “Blue-Eyed Lassie”: A Tribute of A Burns Handbook. Respect to the Later Years in the Life of Stirling: Eneas MacKay, [1931]. the Immortalized Heroine. 378 p.: map; 19 cm. Paisley: A. Gardner, 1924. Copy 1. Original blue cloth, stamped in 71 p.; 17.5 cm. gold and blind. Inscribed to W. Ormi- Copy 1. Original blue cloth. ston Roy by the publisher, Eneas Copy 2. Binding variant. Original half Mackay, September 1932. blue cloth, over tan boards. Prepubli- Copy 2. Original blue cloth, stamped in cation copy inscribed by the author gold and blind. Pons Bequest. and dated December 18th, 1923. Pons Ross, John Dawson. Bequest. The Burns Rosary: Undying Words of Love Ross, John Dawson. and Appreciation by Admirers of the Early Critical Reviews on Robert Burns. Poet. Glasgow; Edinburgh: W. Hodge & Dundee: T. M. Sparks, 1923. Company, 1900. 64 p.: port.; 20 cm. viii, 313, [1] p.; 21.5 cm. Advertisements follow text. Copy 1. Original black cloth, stamped in Copy 1. Original light gray printed gold. boards. Copy 2. Cover variant: original green Copy 2. Original printed boards. Cover cloth, stamped in gold. Laid in: news- and spine design variants. paper clipping of a book review of the Copy 3. Original printed boards. Gift text. inscription on free front endpaper. Copy 4. Original dark gray printed Ross, John Dawson. boards. Henley and Burns; or, The Critic Censured, Being a Collection of Papers Replying to The G. Ross Roy Collection of Robert Burns / 342

an Offensive Critique on the Life, Genius, Ross, John Dawson. and Achievements of the Scottish Poet. Round Burns’ Grave: The Paeans and Stirling: E. Mackay; London: Gibbings, Dirges of Many Bards. 1901. Paisley: A. Gardner, 1891. vii, 106 p.: port.; 20 cm. 182 p.; 17.3 cm. This edition limited to 1000 copies. Copy 1. Original dark red-brown cloth, Advertisements follow text. stamped in gold and blind. Copy 1. Original red cloth stamped in Copy 2. Original dark red-brown cloth, gold. stamped in gold and blind. Pons Copy 2. Original red cloth stamped in Bequest. gold. Pons Bequest. Ross, John Dawson. Ross, John Dawson. Round Burns’ Grave: The Paeans and Highland Mary: Interesting Papers on an Dirges of Many Bards. Interesting Subject. New and enlarged edition. Paisley; London: A. Gardner, 1894. Paisley: A. Gardner, 1892. 147 p., [1] leaf of plates: ill; 18 cm. 316 p.; 18 cm. Original dark green cloth. Original red cloth, paper label on spine. Bookplate of Charles R. Cowie. Ross, John Dawson. A Little Book of Burns Lore. With a pref- Ross, John Dawson. ace by James D. Law. The Story of the Kilmarnock Burns. Stirling: E. Mackay, 1926. Stirling: E. Mackay, [1933]. vii, 144 p.; 19 cm. 96 p.: front., facsim.; 21.6 cm. Original brown, blind stamped cloth in Copy 1. Original cream-colored paper pictorial dust jacket. Inscribed by the spine, bluish-gray paper-covered author to Richard A. Hitchcock, boards. Thomas Cooper Library Christmas 1926. bookplate on front pastedown. Copy 2. Original cream-colored quarter Ross, John Dawson. cloth, light blue paper-covered The Memory of Burns: Brief Addresses boards, in dust jacket. Commemorating the Genius of Scotland’s Illustrious Bard. Ross, John Dawson. Glasgow: William Hodge, 1899. Who’s Who in Burns. 205 p.; 23 cm. Stirling: Eneas MacKay, 1927. Copy 1. Original dark red cloth. 335 p.; 19 cm. Copy 2. Original dark red cloth. Pons Advertisements follow text. Bequest. Copy 1. Original blind stamped cloth in dust jacket. Signature of W. Ormiston Ross, John Dawson. Roy noting that he received this copy Robert Burns and His Rhyming Friends. from Eneas MacKay, 1 Sept. 1932. Collected and edited by John D. Ross. Additional notes by WOR stating Stirling: E. Mackay, [1928]. that he knew Dr. George Fraser 117 p.; 23 cm. Black, J. D. Ross in his later years, Copy 1. Original quarter cloth, in picto- and also MacKay in Sterling in con- rial dust jacket. Inscribed to William nection with the Rotary. With addi- Ormiston Roy of Montreal from tional annotations. William Baxter, September 19, 1937. Copy 2. Original brown cloth, stamped Copy 2. Original quarter cloth. Pons in gold and blind. Inscribed by the Bequest. author to Charles W. Ross, Christmas Burnsiana / 343

1930. Bookmark with advertisement p. [264]–285; 24 cm. loosely inserted. Pons Bequest. In: Revue de Littérature Comparée, 38 (1964). Ross, John Dawson. Who’s Who in Burns. Roy, G. Ross. Stirling: E. Mackay, 1927. [New York: French Translation of Robert Burns. AMS Press, 1973]. p. 279–297, 437–453; 24 cm. 335 p.: map.; 19 cm. In: Revue de Littérature Comparée, v. 37. Original gray cloth, stamped in black. Roy, G. Ross. Pons Bequest. “Henley & Henderson.” Ross, Peter. p. 17–27; 21 cm. Scotland and the Scots: Essays Illustrative In: The Burns Chronicle, 4th series, v. 12 of Scottish Life, History and Character. (1987). New York: “Scottish-American” Office, Roy, G. Ross. 1889. “The Merry Muses of Caledonia.” 245 p.; 19 cm. p. [210]–212; 22 cm. Includes a chapter, “Robert Burns and In: Studies in Scottish Literature, v. 2, no. Freemasonry,” p. 179–200. 4 (April, 1965). Original dark blue cloth, stamped in gold on spine. Roy, G. Ross. Notes and Documents: A New Song for the Ross, W. Stewart. Burns Canon. “A Chapter in the Life of Burns.” p. [269]–272; 23 cm. p. 11–18; 25 cm. Offprint from Studies in Scottish Litera- In: Gallovidian, v. 5, no. 17 (Spring ture, v. 31. 1903). Original wrappers. Roy, G. Ross. Roy, G. Ross. “Auld Lang Syne.” Poems and Songs Spuriously Attributed to p. 268–271; 29 cm. Robert Burns. In: Pages: The World of Books, Writers, p. 11–24; 23.8 cm. and Writing. Detroit: Gale, 1976. Reprinted from Études écossaises, no. 3, Roy, G. Ross. 1996. “The British Poetical Miscellany.” Copies 1–2. Original blue wrappers. p. 222–223; 20.8 cm. Roy, G. Ross. Original wrappers. [Review of Burns: A Study of the Poems In: Notes and Queries, v. 30, no. 3 ( June and songs. By Thomas Crawford]. 1983). p. [420]–423; 22.8 cm. Roy, G. Ross. Reprinted from The Journal of English “The ‘1827’ Edition of Robert Burns’s and Germanic Philology, v. LXI, no. 2, Merry Muses of Caledonia.” 1962. p. 32–45; 21 cm. Original wrappers. In: The Burns Chronicle, 4th series, v. 11 Roy, G. Ross. (1986). Robert Burns. Roy, G. Ross. [Columbia, S.C.], 1966. “French Critics of Robert Burns to 24 p.: ill.; 23 cm. 1893.” University of South Carolina. Dept. of English. Bibliographical Series; no. 1. The G. Ross Roy Collection of Robert Burns / 344

Catalogue of an exhibition held in the Exhibit drawn from the collections of McKissick Memorial Library, Univer- the University of Nevada Library, sity of South Carolina. G. Ross Roy, and the Library of This edition limited to 350 copies. Congress. Copy 1. Original wrappers. No. 272/350 G. Ross Roy loaned his Kilmarnock, copies. Brash and Reid chapbooks, and Copy 2. Original wrappers. No. 224/350. approximately 40 additional volumes. Inscribed to Joe Katz by G. Ross Roy. Original wrappers. Annotated by Gift of Dr. Joseph Katz. G. Ross Roy to indicate those volumes from his collection and those from Roy, G. Ross. the Library of Congress. “Robert Burns: A Self-Portrait.” p. 13–38; 21.5 cm. Roy, G. Ross. In: Low, Donald, ed. Critical Essays on Robert Burns & America: A Symposium. Robert Burns. London; Boston: Rout- Columbia, S.C.: Thomas Cooper ledge and Kegan Paul, 1975. Library; Kirkcaldy: Akros Publica- tions, 2001. Roy, G. Ross. v, 40 p.: ill.; 25.3 cm. “Robert Burns: An Exhibition.” “This pamphlet prints the four papers 1966. from the pre-conference symposium 7 l.; 28 cm. and exhibit “Robert Burns and Amer- Mimeographed typescript draft of the ica,” organized for the Robert Burns exhibit catalogue published in 1966 World Federation Limited meeting as “Robert Burns,” the first USC in Atlanta, Georgia, July 20, 2001. Department of English Bibliographi- The symposium was sponsored by cal pamphlet. Author’s autograph the University of South Carolina corrections and annotations Libraries, in cooperation with the throughout. Department of Special Collections, Roy, G. Ross. Robert W. Woodruff Library, Emory Robert Burns: An Exhibition, February University, and the Burns Club of 1971. Atlanta. The project is supported by Catalogue and introductory note by the Georgia Humanities Council and G. Ross Roy. the National Endowment for the DeKalb: Swen Franklin Parson Library, Humanities and through appropria- Northern Illinois University, [1971]. tions from the Georgia General viii, 51 p.: facsims.; 24 cm. Assembly.”—Verso. Original light green cloth stamped in Contents: The Robert Burns cottage of gold. Atlanta / James M. Montgomery— Beyond the letters of Burns / James Roy, G. Ross. Mackay—Burns and independence / Robert Burns: An Exhibition in the Noble Kenneth Simpson—Burns statues of H. Getchell Library of the University North America, a survey / Thomas of Nevada, June 1–July 15, 1962. Cata- Keith—Burns’s songs: an American logue by G. Ross Roy. connection / Esther Hovey. [Reno]: University of Nevada Press, Original gray pictorial wrappers. Signed 1962. by contributors. 27 p.; 23 cm. University of Nevada Press. Biblio- graphical Series; no. 1. Burnsiana / 345

Roy, G. Ross. 44–58 p.; 23 cm. Robert Burns and the Brash and Reid In: Proceedings of the Conference on Scot- Chapbooks of Glasgow. tish Studies, 1973. p. [53]–69; 21 cm. Roy, G. Ross. Reprinted from Literatur im Kontext = Scottish Poets and the French Revolution. Literature in Context. 1992. Grenoble: G.D.R. Etudes écossaises, Roy, G. Ross. Université , [1992]. Robert Burns and The Merry Muses. p. 69–79; 24 cm. Columbia, S.C.: University of South Offprint from Etudes écossaises, v. 1. Carolina Press, 1999. Original wrappers. xx: facsims.; 18 cm. Roy, G. Ross. Accompanies: The Merry Muses of Cale- “The ‘Sighan, Canta, Grace-Proud donia: A Collection of Favourite Scots Faces’: Robert Burns and the Kirk.” Songs, Ancient and Modern, Selected for p. 26–40; 24 cm. Use of the Crochallan Fencibles. In: Scotia, 6 (1982). Published in 1999 by the University of South Carolina Press for the Thomas Roy, G. Ross (George Ross), 1924– . Cooper Library. “Some Notes on the Facsimiles of the Kilmarnock Burns.” Roy, G. Ross. p. 241–245; 21 cm. Robert Burns and William Creech— In: Bibliothek, v. 4, no. 6 (1965). A Reply. p. 357–359; 23 cm. Runciman, James T. Offprint from The Papers of the Biblio- The Well is Deep: Poems in English and graphical Society of America. Scots. Edinburgh: s.n., 1986. Roy, G. Ross. 100 p.; 20.3 cm. Robert Burns, 1759–1796: A Bicentenary Includes “Appeal to Burns.” Exhibition from the G. Ross Roy Collec- Original blue wrappers. Author’s auto- tion at the Thomas Cooper Library Uni- graph presentation inscription on versity of South Carolina Libraries, dedication page. March-May 1996. [Columbia]: University of South Caro- Russell, Thomas. lina Libraries, 1996. A Lecture on Robert Burns. 24 p.; 18 cm. [Scranton: Philip L. Sylvester, 1916?]. “The present exhibition [was] curated 30 p.: ill., port.; 25 cm. by Prof. Roy”—Title page verso. Memorial publication honoring Catalogue of an exhibition to mark the Thomas Russell (1851–1916). bicentenary of the death of Robert “Published in loving remembrance of Burns. my dear old friend and comrade” —Title page. Roy, G. Ross. Thomas Russell’s poem “The Prettiest “Robert Burns: Poet of the People.” Girl I Know” and his portrait are p. 205–228; 19 cm. included before the text of his lecture In: Fazzini, Marco, ed., Alba Literaria: A about Robert Burns. History of Scottish Literature. Venezia: Original tan wrappers, printed in Amos Edizioni, 2005 [2006]. brown, tied with brown string. Pons Roy, G. Ross. Bequest. “Robert Burns’s Politics and the French Revolution.” The G. Ross Roy Collection of Robert Burns / 346

Scottish Society and Burns Club, In the private collection of G. Ross Roy. Australia. In: The Dollar Magazine, v. 1, no. 2. Burns Anniversary Supper. Scottish Tourist Board. [S.l.: s.n.], 1974. The Land of Burns. 8 p.: port.; 21.5 cm. [Edinburgh]: Scottish Tourist Board, Program for the 1st February 1974 [1974]. supper held at the Wentworth Hotel, [16] p.: col. ill., 1 col. map; 21 cm. Phillip Street, Sydney. Laid in: letter from Mrs. I. Davidson, “Being no. 566 on the roll of the Burns Secretary of the Poosie Nansie Ladies Federation.” Burns Club, to G. Ross Roy, Sept. 16, Original wrappers, stapled gathering. 1974, sending this guidebook. Scotland. Philatelic Bureau. Original pictorial wrappers. Robert Burns, 1759–1796. Scottish Tourist Board. Edinburgh: Printed by C. J. Cousland The Land of Burns. for the Philatelic Bureau, GPO, 1966. [Edinburgh]: Scottish Tourist Board, [11] p.: col. ill., col. ports.; 21 cm. [1978]. Copy 1. Original pictorial wrappers. [16] p.: col. ill., 1 col. map; 21 cm. Copy 2. Original pictorial wrappers. Original pictorial wrappers, stapled Pons Bequest. gathering. Scott, Walter. Selkirk, J. H. A Few Thoughts and Expressions by Col. Scotland’s Bard Robert Burns. Walter Scott in Public and Private Life: London: Arthur H. , [1920?]. Collected and Compiled by a Friend at the 24 p.; 18 cm. Request of His Many Admirers on His Original cream colored boards. Golden Anniversary with Butler Broth- ers, 1928. Semple, David. New York, [c1929]. Supplement to the Tree of Crocston: Con- 171 p.: ill., ports.; 22 cm. taining Additional Interesting Facts Cor- Includes chapters on Burns’ clubs, the robative of the Statements in the Former Burns’ statues, etc. Essay, and Doubly Refuting the Fables Original dark blue pictorial cloth. Regarding Queen Mary and Darnley and the Poet Burns. Scottish Exhibition of National History, Paisley: J. & J. Cook, 1878. Art and Industry (1911: Glasgow, 28 p.; 21.1 cm. Scotland). Bound with Semple, D. The Tree of Palace of History: Catalogue of Exhibits. Crocston, Paisley: J. & J. Cook, 1876. Glasgow: Dalross, [1911]. Contemporary three-quarter green viii, 1155 p.; 22 cm. morocco, marbled boards. Volume 1 only of 2-volume illustrated edition. Semple, David. “West Gallery . . .” Robert Burns por- The Tree of Crocston: Being a Refutation traits, manuscripts and printed of the Fables of the Courtship of Queen materials: p. [169]–193. Marie & Lord Darnley, at Crocston Original bright blue cloth, stamped in Castle, Under the Yew Tree; and of the gold. Poet, Robert Burns, Carving His Name on the Yew Tree. “Scottish Song—Robert Burns.” Paisley: J. & J. Cook, 1876. p. 33–34; 31 cm. 80 p.; 29 cm. Burnsiana / 347

Copy 1. Bound with Semple, D. Supple- New York: Harper, 1879. ment to The Tree of Crocston, Paisley: J. 205 p.; 18.6 cm. & J. Cook, 1878. Contemporary three- , edited by John quarter green morocco, marbled Morley. boards. Original brown cloth. Signature of May Copy 2. Original black quarter cloth, C. Sheffield, 1879. brown printed wrappers. Pons Shairp, John Campbell. Bequest. Robert Burns. Setoun, Gabriel. London; New York: Macmillan, 1895. Robert Burns. vi, 207 p.; 18.5 cm. Edinburgh: Oliphant, Anderson & Fer- English Men of Letters. rier, [1896]. “First edition April 1879.”—Title page 160 p.; 20 cm. verso. Famous Scots Series. Original buff cloth, lettered in dark Original red pictorial cloth. blue. Bookplate of Herbert H. Cozens Hardy. Seymour, Mina S. Pen Pictures. Transmitted clairaudiently Shairp, John Campbell. and telepathically by Robert Burns. Robert Burns. Lily Dale, N.Y.: s.n., 1900 New York: Harper & Brothers, [n.d.]. 323, xxvii, [2] p.: ill., ports., facsim.; 205, [2] p.; 19 cm. 21 cm. Advertisements follow text. Original dark blue cloth, stamped in Original green cloth, stamped in red on gold. spine and upper cover. Bookplate of William Evans Rogers. From the Shairp, John Campbell. library of Alfred Chapin Rogers, Burns. courtesy of Mrs. Elizabeth F. Pyne. London: Macmillan and Co., 1909. vi, 207; p. 18 cm. Shapiro, Hyman. English Men of Letters. Scotland in the Days of Burns. Original green cloth, stamped in gold London: Longman, c1968. and blind. vi, 106 p.: ill., facsims., maps, ports.; 19.6 cm. Shairp, John Campbell. Then and There Series. Robert Burns. Copy 1. Original yellow-green pictorial New York: A. L. Fowle, [1852]. wrappers. “Fifth impression, 1975.” 205 p.: port.; 17.5 cm. Copy 2. Original yellow-green pictorial Makers of Literature, series edited by wrappers. “Sixth impression, 1977.” John Morley. Original dark red cloth. Shaw, James. Burns: The Airshire [sic] Bard. Shairp, John Campbell. p. 1; 49 x 32 cm. Robert Burns. Newspaper article by James Shaw, Lord London: Macmillan, 1879. Mayor of London, native of Ayrshire, vi, 207 p.; 18 cm. and sponsor of the subscription for English Men of Letters. the benefit of Jean Armour and Original dark red cloth, lettered in Burns’ children after Burns’ death. black. The article informs the friends of the Shairp, John Campbell. widow and children that the London Robert Burns. subscription to the fund established The G. Ross Roy Collection of Robert Burns / 348

on their behalf was closed. Five hun- Shepherd, William. dred pounds had been raised. Sub- To Dr. Currie, M.D., F.R.S.: holograph, scribers are listed. Liverpool, 12 July 1800 . In: Sun (London: England), no. 2379 1 item (2 p.); 31.6 cm. (May 7, 1800). William Shepherd was a dissenting minister, schoolmaster and politician Shaw, John MacKay. of Liverpool. Robert Burns, An Inventory of Burnsiana 39-line poem in the style of Robert in the John M. Shaw Collection. Burns commemorating Dr. James [Tallahassee]: Florida State University, Currie’s edition of Burns’s works, Robert Manning Strozier Library, Liverpool, 1800. 1982. iv, 28 leaves; 28 cm. Shury, John. Collection Series / The Florida State A Series of Twelve Illustrations of the University, Robert Manning Strozier Poems of Robert Burns. Library; no. 3. Engraved on steel by John Shury, from Original wrappers. Complimentary original paintings by William Kidd. copy from the Robert Manning London: Published for the proprietors Strozier Library. by Hearne [etc.], 1832. [14] p., 12 leaves of plates: ill.; 24 cm. Shelley, Henry C. Modern red binder’s cloth. The Ayrshire Homes and Haunts of Burns. New York; London: G. P. Putnam’s Sierra Leone Caledonian Society. Sons, 1897. Burns Supper: 19th January 1974. 148 p. incl. plates.: ill.; 15.8 cm. Freetown: C.P.C., Ltd., [1974?]. Title in red and black. [3] p.; 16.8 cm. Frontispiece portrait of Burns. With: copy of speech, “The Immortal Original tan cloth. Red, green, and gold Memory of Robert Burns.” thistle motif stamped on upper cover. Original white pictorial wrappers. Shelley, Henry C. Simpson, Kenneth, ed. A Nicht wi’ Burns: A Popular Reading. Burns Now. London; Glasgow: Bayley & Ferguson, Edinburgh: Canongate Academic, 1994. [1894]. xxv, 221 p.: ill., music; 21.7 cm. 48 p.: music; 22 cm. Original maroon boards. In pictorial For four voices. dust jacket. Texts by Robert Burns, arrangements Simpson, Kenneth, ed. by various authors. Love & Liberty: Robert Burns: A Bicente- Date from the National Library of nary Celebration. Scotland. East Linton, : Tuckwell Copies 1–2. Original wrappers. Press, 1997. Shelley, Henry C. x, 368, [4] p.; 24 cm. Robert Burns: Scotland’s National Poet. Original pictorial wrappers. Presenta- Glasgow; London: Bayley & Ferguson, tion copy inscribed to G. Ross Roy on [1896?]. the occasion of his birthday, 20 viii 36 p.: ill., port.; 23.3 cm. 2004. At head of title: “Centenary Memorial. In the private collection of G. Ross Roy. 1796–1896.” Original buff pictorial wrappers. Burnsiana / 349

Simpson, Kenneth. Sinton, John. Robert Burns. A Vindication: Burns, Excise Officer and Aberdeen: Association for Scottish Poet. Seventeen illustrations. Three Literary Studies, 1994. facsimiles. 82 p.; 21 cm. [4th ( Jubilee) edition]. Scotnotes; no. 9. Glasgow; Edinburgh: J. Menzies & Co., Original light blue laminated wrappers, Ltd., 1897. stapled gathering. Presentation copy 64 p., 1 l.: ill., ports.; 22 cm. inscribed to G. Ross Roy on the occa- Published by the author, at Carlisle. sion of his birthday, 20 viii 2004. Originally read before the Carlisle In the private collection of G. Ross Roy. Burns Club. Copy 1. Original gilt-stamped light olive Simpson, Kenneth. green cloth. Robert Burns. Copy 2. Original gilt-stamped light Grantown-on-Spey: Colin Baxter, 2005. olive green cloth. Author’s autograph 31 p.: ill. (some col.), ports. (some col.); presentation inscription, signed, on 26 cm. front endpaper. Original pictorial wrappers. Presenta- tion inscription. Skill, Elaine Strong. “Burns’ Kirk Satires: Values, Form, Sinton, John. Texture and Techniques.” Burns: Excise Officer and Poet: A Vindica- viii, 289 leaves; 2l cm. tion. Thirteen illustrations. Three fac- Thesis (Ph.D.)—University of Oregon, similes. 1976. 3rd edition. Photocopy. Ann Arbor, Mich.: Univer- Kilmarnock: D. Brown; Glasgow; Edin- sity Microfilms International, 1983. burgh: J. Menzies & Co.; London: Simpkin, Marshall, Hamilton, Kent & Skinner, Basil C. Co., [1896?]. Burns: Authentic Likenesses. 53 p.: ill., ports.; 22 cm. Edinburgh: Oliver & Boyd, [1963]. Published by the author. 15 p.: ports. (part col.); 19 cm. Originally read before the Carlisle Original pictorial wrappers. Burns Club. Skinner, Basil C. Modern blue cloth; original gray picto- Burns: Authentic Likenesses. rial wrappers bound in. Author’s Darvel: Alloway Publishing, 1990. signed presentation copy to John 20 p.: ports. (some col.); 21 cm. Steele. Original prospectus laid in. Copy 1. Original pictorial wrappers. Sinton, John. Copy 2. Original pictorial wrappers. Burns: Excise Officer and Poet: A Vindica- Pons Bequest. tion. Skinner, John. 4th ( Jubilee) edition. Poems and Songs. Glasgow; Edinburgh: J. Menzies & Co.; Peterhead: The Sentinel Office, 1900. London: Simpkin, Marshall, Hamil- 24 p.; 23 x 10 cm. ton, Kent, & Co., [1897]. Scots Classics Reprints; no. 3. 64 p.: ill., port.; 22 cm. “Familiar Epistle to Robie Burns, the Date from the “Introduction to Fourth Plowman Poet, in His Own Style,” ( Jubilee) Edition,” p. 13. p. 13–14. Original green wrappers, stamped in Original gray printed wrappers, lettered gold. Pons Bequest. in black. The G. Ross Roy Collection of Robert Burns / 350

Scott, Patrick. Original blue wrappers. Quotation on “The Immortal Memory”: The Toast to cover corrected in ink. Marginal Robert Burns at the Annual Burns annotations. Night Dinner of the Robert Burns Smith, Grant F.O. Society of the Midlands, January 25, The Man Robert Burns. Introduction by 1979. H. B. Anderson. 5 l.; 28 cm. Toronto: Ryerson Press, [1940]. Typescript. xviii, 396 p.: ill., ports., geneal. table; Toast from the first dinner of the 25 cm. Robert Burns Society of the Midlands. Copy 1. Original blue cloth. Signature Original typescript with corrections. of W. Ormiston Roy, with his annota- Skoblow, Jeffrey. tions. Contemporary review laid in. Dooble Tongue: Scots, Burns, Contradiction. Copy 2. Original blue cloth. In dust Newark: University of Delaware Press; jacket. Presentation inscription. London: Associated University Smith, Grant F.O. Presses, c2001. The Man Robert Burns. Introduction by 268 p.; 24 cm. H. B. Anderson. Copy 1. Original black paper-covered Toronto, The Ryerson Press, [1966, boards, in dust jacket. c1940]. Copy 2. Original black paper-covered xviii, 396 p.: front., plates, ports., boards, in dust jacket. Review copy. geneal. table; 21 cm. Sloan, John D. First paperback edition. Tam o’ Shanter: With Kyle and Carrick Original pictorial wrappers. Associations. Smith, Iain Crichton. Glasgow: McKenzie, Vincent, [1960?]. The Law and the Grace. 37, [2] p.: ill.; 21.5 cm. London: Eyre & Spottiswoode, 1965. Signed at end: “J.D.S.” 60 p.; 21 cm. Original tartan-patterned wrappers. Includes the poem, “The Cemetary near Picture of Tam o’ Shanter museum Burns’ Cottage,” p. 42. mounted on upper cover. Original purple cloth, stamped in gold Sloan, John D. on spine. In dust jacket. Signature of Tam o’ Shanter Museum: Catalogue. former owner on pastedown. Ayr: Ayr Burns Club, [1960?]. Smith, Iain Crichton. 31 p.: ill.; 20.6 cm. “Robert Burns.” With the author’s essay “Tam o’ 1995. Shanter with Kyle and Carrick Asso- 3 items: 28 cm. and smaller. ciations.” Title from first line. Original wrappers. Typescript of “Robert Burns: A Poem,” Smith, E. Grant. written by Iain Crichton Smith, with Robert Burns, 1759–1796. holograph corrections by the author. [Toronto, 1936]. Accompanied by an autograph letter 47 p.: port.; 23.7 cm. signed addressed to Ross [G. Ross On cover: The Man Robert Burns. Roy] dated 21/8/95 and Dr. Roy’s Appreciations of Burns from the works notes about the history of the poem of various writers, together with and its printing in the Scottish Poetry selections from his poems. Reprints Series by Morning Star Press with illustrations by Laurie Clark. Burnsiana / 351

Smith, Iain Crichton. Edinburgh: R. & R. Clark, 1915. Robert Burns: A Poem. Illustrated by 16 p.; 18.5 cm. Laurie Clark. Original gray-green printed wrappers. Edinburgh: Morning Star Pubs., c1996. Smith, Robert Macaulay. [8] p.: ill.; 20 cm. Robert Burns: An Address. By Scottish Poetry Reprints; no. 7. R. Macaulay Smith to the Edinburgh “Published in an edition of 300 copies, Burns Club at their annual dinner on including 26 signed and lettered by the 153rd anniversary of the birth of the poet and illustrator.” the poet, 25 January 1912. Original wrappers. Edinburgh: Printed for the Club by Smith, Janet Adam. Neill & Co., 1912. Robert Burns: 1759–1796. 26 p.; 18.3 cm. London: National Book League, 1946. Original gray wrappers, lettered in p. 253–256; 21.5 cm. black. Extracted from the National Book Smith, Sydney Goodsir. League’s British Book News, London, The Vision of the Prodigal Son. [Cover 1946. plate and frontispiece by Rodick Contemporary card wrappers. Carmichael]. Smith, John. Edinburgh: M. MacDonald, 1960. The Hebrew Psalmist and the Scottish 26 p.: ill.; 21 cm. Bard: [A Sermon]. By the Rev. John “This poem was commissioned by the Smith, M.A., D.D. in St. Enoch Parish BBC for the bicentenary of the birth Church, Glasgow, 27th January, 1918. of Robert Burns . . .” Glasgow: Grant Educational Company, Original orange wrappers, lettered in 1918. black. 16 p.; 21 cm. Snyder, Franklin Bliss. Cover title with color portrait. The Life of Robert Burns. Original printed wrappers. Presentation New York: The Macmillan Company, copy from Samuel Brown to John 1932. Muir. In portfolio. xiii, 524 p.: ill., map, plan, port., Smith, John Campbell. facsims.; 25 cm. Writings By the Way. Original blue cloth. Presentation copy Edinburgh: London: Blackwood, 1885. from John Geddie to W. Ormiston xiv, 489 p.; 20 cm. Roy, with notes by the latter. Tipped “Burns and the Peasantry of Scotland,” in: “Another ‘Shot Heard Round the p. 209–227. World,’” an address by Franklyn B. Copy 1. Original red cloth. [1] p. adver- Snyder, extracted from Northwestern tisement precedes half-title. University Bulletin, 1941. Author’s Copy 2. Original red cloth. Presentation signed presentation copy to W. Ormis- copy inscribed to Lord Provost ton Roy. Hunter, Dundee, Xmas, 1888. [24] p. Snyder, Franklin Bliss. of advertisements follow text. Robert Burns: His Personality, His Smith, Robert Macaulay. Reputation and His Art. The “Nationality” of Robert Burns: A Lec- Toronto: The University of Toronto ture Delivered to the Dunedin Associa- Press, 1936. tion at Edinburgh on 20th January 1915. 119 p.; 21 cm. The G. Ross Roy Collection of Robert Burns / 352

“The Alexander Lectures in English at Steuart, John A. the University of Toronto, 1936.” The Immortal Lover, A Burns Romance. Original dark red cloth. [1st edition]. Philadelphia: J. B. Lippincott, [c1929]. Snyder, Franklin Bliss. 336 p.; 19 cm. Robert Burns: His Personality, His Repu- Mitchell, 427693, gives date as 1930. tation, and His Art. Original red cloth, lettered in gold. Port Washington, N.Y.: Kennikat Press, [1970]. Stevens, J. Roy. 119 p.; 22 cm. Extracts of Lectures by Famous Lecturers Reprint of the 1936 edition. and Scholars. Foreword by John Cameron. Sotheby & Co. (London, England). Melbourne: J. Roy Stevens, 1936. The Well-known Collection formed by the xvi, 153, [11], 124 p.: ill. (some col.), Late Duncan Ferguson . . . Including ports.; 18 cm. More Than Fifteen Fine Letters and “For private circulation only.” Poems in the Hand of Robert Burns. Remarks and extracts from a variety of London: Sotheby, 1925. writers about Robert Burns. p. 87–101; 25.3 cm. Original black cloth. No. 65/100 copies. Sale held Tuesday, Nov. 17, 1925. Presentation inscription to Lord Original wrappers. Huntingfield (presumably by the Spring, Ian. editor) on verso of title. Burns Sources According to Buchan and Stevenson, Robert Louis. Other Papers. Familiar Studies of Men and Books. Seale: Hog’s Back, 2002, c2000. London: Chatto and Windus, Piccadilly, 68 p.; 22 cm. 1882. Original pictorial wrappers, stapled 4, [vii]–xxviii, 397, [32] p.; 19 cm. gathering. Second imprint, 2002. First edition. Sprott, Gavin. Includes a chapter, “Some Aspects of Robert Burns: Pride and Passion: The Life, Robert Burns,” p. [38]–90. Times and Legacy. 32-page publisher’s catalogue, dated Edinburgh: HMSO, 1996. November, 1881, bound after text. 191 p.: ill. (some col.), col. maps; 24 cm. Copy 1. Original gray-green cloth, “Based on the exhibition ‘Pride and stamped in brown, black and gold. Passion,’ jointly created by the Copy 2. Original blue buckram. National Library of Scotland and Stevenson, Robert Louis. the National Museums of Scotland.” Familiar Studies of Men and Books. Original wrappers. London: Chatto and Windus, 1888. St. Vigeans, David Anderson. xxviii, 397 p.; 25 cm. The Immortal Memory of Robert Burns. “These studies are collected from the [S.l.: s.n], 1932. (Edinburgh: C. C. & A. Monthly Press.”—Preface. T. Gardner). Includes a chapter, “Some Aspects of 15 p.; 18.6 cm. Robert Burns,” p. [38]–90. At head of title: British Legion (Scot- Original white buckram, with lettering land) Gullane Branch. in gold on the spine. Limited to 100 “At the fourth annual dinner held on copies on large paper. This is no. 10. 29th January 1932.” Original blue wrappers. Burnsiana / 353

Stevenson, Robert Louis. Copy 2. Original yellow-green cloth. In Familiar Studies of Men and Books. pictorial dust jacket. 10th edition. Copy 3. Original yellow-green cloth. In London: Chatto & Windus, 1895. pictorial dust jacket. Pons Bequest. xxviii, 397 p.; 19 cm. Stewart, Thomas. Includes a chapter, “Some Aspects of Among the Miners: Being Sketches in Prose Robert Burns,” p. [38]–90. and Verse, with Rhymes and Songs on Original black cloth. Various Subjects. Stevenson, Robert Louis. Larkhall: W. Burns, 1893. Familiar Studies of Men & Books. 232 p.; 18.2 cm. London: Chatto & Windus, 1923. Includes “A man’s a man for a’ that,” xxviii, 397, [1] p.; 18.8 cm. inspired by the Burns poem. Includes a chapter, “Some Aspects of Original dark blue cloth. Robert Burns,” p. [38]–90. Stewart, William. Original brown boards, gold-stamped Robert Burns and the Common People. linen spine. Glasgow: Reformers’ Bookstall, 1910. Stevenson, Robert Louis. xi, 140 p.: port.; 19 cm. Familiar Studies of Men & Books. Original maroon cloth, lettered in gold. London: Chatto & Windus, 1924. Newspaper clippings about the author xxvii, 385, [1] p.; 18.8 cm. laid in. First published 1923. Stewart, William. Includes a chapter, “Some Aspects of Robert Burns and the Common People. Robert Burns,” p. [37]–87. [New edition]. Original brown boards, gold-stamped London: Blackfriars Press, Independent linen spine. Labour Party, [1925]. Stevenson, Robert Louis. 107 p.; 19 cm. Some Aspects of Robert Burns. Original light brown cloth. Fareham, : Sea-Green Stewart, William. Ribbon Publications, 1995. Selections from the Writings of William [4], 24 p.; 21 cm. Stewart (Gavroche). Scottish Classic Reprints; no. 1. Glasgow: Robert Gibson, 1948. Original white pictorial wrappers. 148 p.: port.; 18.5 cm. Inscribed presentation copy to G. Ross “Robert Burns,” p. 13–60. Roy from Norman R. Paton, author Original buff printed boards. of the introduction. Laid in: typed letter, signed, 6 June 1995, from Still, Peter. Norman Paton to G. Ross Roy. The Cottar’s Sunday: And Other Poems, Chiefly in the Scottish Dialect. Stevenson, Yvonne Helen. Aberdeen: George and Robert King; Burns and His Bonnie Jean: The Romance Peterhead: James Reid; Glasgow: of Robert Burns and Jean Armour. MacGregor, Polson, 1845. Sidney, B.C.: Gray’s Pub., [c1967]. viii, 200 p.; 15.5 cm. xi, 113 p.; 24 cm. “To the reader” [autobiographical Copy 1. Original yellow-green cloth, sketch], p. 1–15. in pictorial dust jacket. Presentation Contemporary green half morocco, copy to G. Ross Roy from Ed Nolan. marbled paper-covered boards. Signed by the author. The G. Ross Roy Collection of Robert Burns / 354

Stirling, James Hutchison. Originally presented as the author’s Burns in Drama. Together with saved doctoral thesis—Frankfurt am Main, leaves. 1975. Edinburgh: Edmonston, 1878. Summary in English. iv, 250 p.; 20 cm. Copy 1. Original rose and black wrappers. Original maroon cloth, stamped in gold Copy 2. Original rose and black wrap- and blind. Editor’s inscribed presen- pers. Author’s autograph presentation tation copy. inscription to Thomas Crawford on title. Pons Bequest. Storer, James Sargant. Views in North Britain. Illustrative of the Strawhorn, John. works of Robert Burns. Accompanied The Scotland of Robert Burns. with descriptions, and a sketch of the Darvel: Alloway Pub., c1995. poet’s life. ix, 165 p.: ill., maps; 21 cm. London: Vernor and Hood, 1805. Original pictorial wrappers. Pons 61, [1] p.: ill.; 21.5 cm. Bequest. Added title page with vignette. Streissle, Adolf. Copy 1. Contemporary calf. Bound by Personifikation und poetische Beseelung C. Lewis. bei Scott und Burns. Copy 2. Nineteenth century black half Heidelberg: C. Winter, 1911. calf, marbled boards. Strand. viii, 137 p.; 23 cm. Storer, James Sargant. Copy 1. Original olive-green wrappers, Views in North Britain. Illustrative of the lettered in dark green. works of Robert Burns: Accompanied Copy 2. Original white wrappers, let- with descriptions, and a sketch of the tered in black. Unopened. Copy 2 poet’s life . includes an autobiographical state- London: J. Stockdale, 1811. ment from the author, p. 138. Pons 61 p. [19] l. of plates: ill.; 28.7 cm. Bequest. Added engraved title page with vignette. Sulley, Philip. First published in 1805. Robert Burns and Dumfries, 1796–1896. Original blue-gray boards. Printed Dumfries: T. Hunter, 1896. paper label on upper cover. 91 p.; 22 cm. Stough, Mary Fetter. Original boards. Inscribed by the author “Robert Burns in Imaginative Litera- to Alexander Anderson, 21 July, 1896. ture, 1825–1965: A Source Study and Sutherland, Abby A. an Evaluation.” “Robert Burns and James Hogg: 1968. A Comparison.” iii, 309 leaves; 28 cm. 1958. Thesis—University of South Carolina. xiv, 125 leaves; 21 cm. Strauss, Dietrich. Thesis (Ph.D.)—University of Pennsyl- Die erotische Dichtung von Robert Burns: vania, 1958. Bedingungen Textüberlieferung, Inter- Photocopy. Ann Arbor, Mich.: U.M.I. pretation, Wertungen. Dissertation Information Service, Frankfurt am Main; Bern: Lang, 1981. 1991. 340 p.; 21 cm. Sutherland, Bill. Neue Studien zur Anglistik und History of the Burns Howff Club of Amerikanistik; Bd. 22. Dumfries. Burnsiana / 355

Dumfries: Dinwiddie Grieve, [1988]. Talbert, Patricia. 55 p.: ill.; 21.3 cm. Robert Burns: Bard of Ayrshire. “Centenary year. Dumfries Burns, 1989, Bruceton Mills, West Virginia: Scot- Howff Club.” press, 1999. “Federation no. 112”—Cover. 56 p.; 21.6 cm. Title on cover: A short history of Burns Original buff pictorial wrappers. Howff Club Dumfries, 1889–1989. Presentation copy inscribed by the Original wrappers. Pons Bequest. author to Ross and Lucie. Sutherland, J. D. Tannahill, Robert. A Life of Robert Burns. The Soldier’s Return: A Scottish Interlude. Belfast: Appletree Press, 1997. With other poems and songs chiefly in 60 p.: col. ill.; 14.8 cm. the Scottish dialect. Original glazed pictorial boards, in dust Paisley: Printed for Robert Smith, 1822. jacket. Pons Bequest. 144 p.: port.; 16 cm. Includes “Ode for Burns’ Birthday, Sutherland, Tom & Jean Sutherland. 1805” and “Ode for Burns’ Birthday, At Your Own Risk: An American Chronicle 1807” of Crisis and Captivity in the Middle Rebound in rose colored boards, con- East. temporary printed label on spine. Golden, Colo.: Publishing, From the library of J. L. Weir. 1996. xii, 435 p.: ill., maps; 24 cm. Tennant, James. Author’s autograph presentation Miscellaneous Papers: Including Notes on inscription to Ross and Lucie Roy on Authors, Essays on Various Subjects, and half-title. Presented on the day before Reflections in Verse. publication, the first day of the USC Glasgow: Porteous Brothers; Edin- Robert Burns Bicentenary celebra- burgh: Andrew Elliot, 1881. tions, April 1996. 215 p.; 18.3 cm. Contains references to Burns, and On cover: Papers for the Times. how Burns was an inspiration to Includes “An Incident in the Life of Tom Sutherland during his captivity. Burns,” p. 190–192. Sutherland also read a paper at the Original black- and gold-stamped pic- Burns conference at the University torial orange cloth, beveled edges. of South Carolina in 1996. This was Thomas Nelson & Sons. published as “Burns in Beirut,” which Ayrshire and Robert Burns. appeared in the special Burns edition London; New York: T. Nelson, [1875?]. of Studies in Scottish Literature, v. 30. 24 p.: col. ill.; 9.7 x 16 cm. Original mauve paper-covered boards, Nelsons’ Pictorial Guidebooks for backed in cloth. Promotional pam- Tourists. phlet inserted. Added illustrated title page: Views in Swinglehurst, Edmund. Ayrshire. Robert Burns Country. Cover title: The Land of Burns. London: Grange Books, Regency House 8 full-color illustrations. Pub., c1996. Date inferred. 80 p.: ill.; 31 cm. Original gold- and blind-stamped dark Original pictorial boards. In dust jacket. green cloth. Pons Bequest. The G. Ross Roy Collection of Robert Burns / 356

Thomson, Arthur Alexander Malcolm. Edinburgh: Oliver & Boyd, 1963. The Burns We Love. With a foreword by xvi, 459 p.: ill. (part col.) col. coat of G. K. Chesterton. arms, facsims., geneal. tables, maps, London: H. Jenkins Limited, [1931]. ports. (part col.); 23 cm. 252 p.: ill., port.; 20 cm. Biography and Criticism; 3. Copy 1. Original olive green cloth in Original dark blue cloth. In pictorial pictorial dust jacket. First printing. dust jacket. Review by Maurice Lind- Copy 2. Original olive-green cloth. say laid in. Second printing. Thornton, Robert D. Thomson, James. James Currie’s Robert Burns: The Begin- The Ayrshire Melodist: or, Select Poetical ning. Effusions. [S.l: s.n.], 1972. Irvine: Printed by E. Macquistan, 1824. p. [15]–42; 20.8 cm. vii, 279 p.; 17.8 cm. Reprinted from Burns Chronicle, 1972. “On Seeing a Flower Fully Blown on Original wrappers. Author’s signed the 29th of January, Being the Birth- presentation copy to G. Ross Roy. Day of Robert Burns” and “Inscrip- Thornton, Robert D. tion for the Bust of Burns,” p. 107 “Notes and Transcripts of Letters: and 230. Holograph [between 1950 and 1970?].” Later half sheep, marbled boards. 1 v. (ca. 128 p.); 25.7 cm. Imperfect: preliminaries wanting. Spine title: Law Notes. Bookplate of John Houston. Includes transcripts of several letters Thomson, James. from James Currie discussing Robert Robert Burns and Paisley. Burns and notes identifying the recip- [S.l: s.n., 1896?]. ients. 24 p.; 19 cm. Notes written on lined paper, bound in Reprinted with permission from The cloth-covered notebook from Har- Burns Chronicle. vard Cooperative Society. Original light gray-green wrappers. Thornton, Robert D. Thornton, Robert D. “Notes on Robert Burns and Scottish “James Currie’s Robert Burns: A Pub- Songs.” lishing History of the First Edition, [1940?]. 1797–1800.” 1 v. (ca. 100 p.); 28 cm. [1970?]. Typescript and holograph. [891] p.; 28 cm. Includes “Outline History of Scottish Typescript. Literature,” texts of many songs by The only other copy of this work is in Burns, extracts from Burns’s letters, the Mitchell Library. and prospectus for the author’s Mas- ter’s Thesis at Western Reserve Uni- Thornton, Robert D. versity, 1940. “Indices to the Burns Chronicle Modern black boards. 1946–1975.” 1975. Thornton, Robert D. iii, 138 l.; 28 cm. “The Reading of Robert Burns as Typescript with holograph corrections. Reflected in His Letters and Poems: A Thesis Presented for Distinction in Thornton, Robert D. English.” James Currie: The Entire Stranger, & [1938?]. Robert Burns. Burnsiana / 357

95, ii p.; 27.5 cm. Tod, Thomas Miller. Carbon of typescript. The Jolly Beggars: A Jubilee Retrospect. Original black binder’s cloth. Perth: Munro & Scott, 1937. 88 p.: ill., ports.; 22.2 cm. Thornton, Robert D. Original gilt-stamped blue cloth. No. 99 Robert Burns and the Scottish Enlighten- of 100 copies. Autograph signatures of ment. the author, the President of the Jolly p. 1533–1549; 22.5 cm. Beggars Burns Club, and the Speaker Offprint from Studies on Voltaire and the on title page verso. Eighteenth Century, v. 58, 1967. Original buff wrappers. Author’s signed Todd, Maggie. presentation copy to G. Ross Roy. Burnside Lyrics. With a biographical introduction by John Paul. Thornton, Robert D. Dundee: Printed by John Leng & Co., “Studies in Robert Burns and Scots 1900. Song.” 111 p.: port.; 19 cm. 313 p.; 27.7 cm. Includes three poems about Burns: Thesis (Ph.D.)—Harvard University, “Burns’ Toast,” p. 28, “Robbie’s Natal 1949. Day,” p. 43, and “Robin (Centenary Original red binder’s cloth. Poem),” p. 96. Thornton, Robert D. Original green pictorial cloth, stamped William Maxwell to Robert Burns. in black and gold. Presentation Edinburgh: Donald, c1979. inscription on half-title page. Gift vi, 263 p., [5] leaves of plates: ill., map, inscriptions on front free endpaper. ports.; 24 cm. Torrance, Joan. Original brown cloth in pictorial dust A Tribute to Robert Burns. jacket. Review copy. [Melbourne]: T. Smith & Son, Tocher, J. F. [c1900–1910?]. Verses. 1 sheet folded (4 s.): ill., port.; 16 cm. Aberdeen: Central Press ( John Milne), A poetic tribute to Robert Burns. [1940?]. Original pictorial wrappers. 39 p.; 18.4 cm. Trachtenberg, David R. and Thomas “For private circulation.” Keith. Burnsiana: p. 24–39. Mauchline Ware: A Collector’s Guide. Corrected by the author. Woodbridge, Suffolk; [Wappingers’ Original buff printed wrappers. Falls, NY]: Antique Collectors’ Club, Tocher, J. F. c2002. Ancestry, Youth, and Environment of 287 p.: ill. (some col.), col. map; 27.5 cm. Robert Burns. Remarks made in pro- The text includes an erratum slip. posing “The Immortal Memory” at The text highlights Robert Burns and the annual dinner of the Aberdeen his collectibles. Burns Club on 25th January, 1921, and Original brown boards with gold at the annual dinner of the Elgin lettering. In pictorial dust jacket. Burns Club, on 26th January, 1921. Gift inscription: “To Ross & Lucie, Aberdeen: William Smith & Sons, The with gratitude and for Auld Lang Bon-Accord Press, 1922. Syne. Thomas Keith. Atlanta, 25 p.; 21 cm. 2003.” Original bluish-green wrappers. The G. Ross Roy Collection of Robert Burns / 358

Turnbull, William Robertson. Vancouver Burns Fellowship. The Heritage of Burns. Vancouver’s Tribute to Burns: Published to Haddington: W. Sinclair, 1896. Commemorate the Unveiling of a Statue xiii, 418 p.; 20 cm. to Scotland’s Immortal Bard, in Stanley Title in red and black. Park. Original brown beveled-edged cloth. Vancouver, Canada, 1928. Author’s autograph presentation 96 p.: ill., ports.; 21 cm. inscription to Rev. Robert Dickson, “Dinner commemorating unveiling of dated 1 January, 1897 on preliminary a statue to Robert Burns, Saturday, page. Newspaper clipping regarding August 25th, 1928. Aztec room, Hotel Burns’ Gaelic melodies, 1933, inserted. Georgia, Vancouver, British Columbia,” 4 1. bound in between Tyler, Samuel. p. 64–[65]. Robert Burns: As a Poet, and as a Man. “Foreword” signed: A. Fraser Reid, New York: Baker and Scribner, 1848. James Taylor, editorial board. vi, 209, [6] p.; 19 cm. “Proceedings at the unveiling of a statue “Valuable books published and for sale to Robert Burns in Stanley Park, Van- by Baker & Scribner,” [6] p., bound couver, B.C. on Saturday, August 25th, in. 1928 . . .” bound in between p. 26–27, Copy 1. Original brown cloth, stamped and in between p. 58–[59]. in gold and blind. Original purple cloth. Copy 2. Original brown cloth, stamped in gold and blind. Veitch, James. The Life of Robert Burns. Tyler, Samuel. Alloway: In conjunction with the Burns Robert Burns: As a Poet, and as a Man. Federation, 1985. Dublin: J. M’Glashan, 1849. 24 p.: ill.; 21 cm. 302 p.: ill.; 18 cm. Original light orange pictorial Copy 1. Original dark green cloth, wrappers. stamped in gold and blind. Copy 2. Original green cloth, stamped Veitch, James. in gold and blind. “Standard Series” The Life of Robert Burns. printed on spine. Pons Bequest. Alloway: In conjunction with the Burns Federation, 1997, c1985. University of Texas. Humanities 24 p.: ill.; 21 cm. Research Center. Original light orange pictorial wrap- A Splore in Honor of the Two-hundredth pers. Pons Bequest. Anniversary of the Birth of Robert Burns, 1759–1959, Sunday, 25 January Veitch, James. 1959, at 4 o’clock. Robert Burns: Sein Leben. Illustrationen [Austin, 1959]. von John Mackay. 15 p.: ill.; 25 cm. Alloway: In Zusammenarbeit mit der Note by H. H. Ransom. Burns Federation, 1985. Original cream-colored wrappers. Pons 24 p.: ill.; 21 cm. Bequest. Copy 1. Original orange pictorial wrap- pers. Burnsiana / 359

Copy 2. Original orange pictorial wrap- Wallace, William. pers. Pons Bequest. Burns, Past, Present, Future: Being the Address Delivered at the Annual Dinner Victoria Galleries (Dundee, Scotland). of the Ninety Burns Club, Edinburgh, on Catalogue of the Burns, Scott, and Shake- the 25th January 1897. speare Exhibition: Comprising Books, Edinburgh: J. Thin, 1897. Manuscripts, Engravings, Medals, &c. 16 p.; 18.5 cm. from the collection of A. C. Lamb. Original gray wrappers, lettered in [Dundee: J. Leng, 1896]. black. 115 p.; 16 cm. “ . . . compiled . . . by Mr. James Dun- Wallace, William. can, Assistant Secretary of the gal- Robert Burns: The Closing Years of His leries, and by Mr. Alexander Life: An Address. Balharrie . . .”—Preface. Glasgow: James Angus, Secretary, Original blue cloth, stamped in gold. Rosebery Club, 1896. Inscribed to George Petrie, with com- 25 p.; 21.4 cm. pliments of A. C. Lamb, 20 March Delivered before the Rosebery Burns 1897. Club on 27th January, 1896. Original beige printed wrappers. W. R. B. “The Deaths: Resurrections and Walsh, James. of Robert Burns.” Some Burns’ Characteristics; or, A Cluster p. 3–10: ill., ports.; 22 cm. of Flower and Fruit from the Poet’s In: Clinical Excerpts, v. 13, no. 6. Garden. A lecture delivered before the Rosebery Burns Club, Glasgow, 10th Waddell, P. Hately. March, 1903. Genius and Morality of Robert Burns: A Glasgow: W. & R. Holmes, 1903. Lecture, A Eulogy. With chairman’s 62 p.; 19 cm. speech at the “Cottage” Festival, Copy 1. Original olive-green cloth. January 25, 1859. Copy 2. Original olive-green cloth. Pons Ayr: Ayrshire Express Office, 1859. Bequest. 78 p.; 15.8 cm. Advertisement on lower wrapper. Waters, Hugh J. Original tan printed wrappers. Still Flows the Burns. Aberdeen: Keith Murray Publishing, Walker, Marshall. 1992. His Power Survives: Robert Burns, 107 p.: ill.; 21.5 cm. 1759–1796. Original pictorial wrappers. Hamilton, New Zealand: University of Waikato, Scottish Studies Association, Watson, J. Ralph. 1995. Robert Burns: To the Immortal Memory. 28, [1] p.; 20.8 cm. Montreal: s.n., 1996. Avizandum Editions; no. 3. 96 p.: ill., ports.; 21.3 cm. Original wrappers. Pons Bequest. Original pictorial wrappers. Author’s signed presentation copy to G. Ross Roy. The G. Ross Roy Collection of Robert Burns / 360

Watson, Jeremy. [Kirkcaldy: A. Watters], c1997. “Burns: Our National Bawd.” 168 p.: ill., ports.; 30 cm. p. 3, 16: col. ill., ports.; 60 cm folded to Includes a chapter on Burns and refer- 31 x 20 cm. ences to him in other chapters. In: Scotland on Sunday. Original yellow pictorial wrappers, lettered in red. Publisher’s advertise- Watson, John. ment loosely inserted. Presentation Song to Eros and Other Poems. copy inscribed by Ann Watters to Edinburgh: David Macdonald, 1933. Professor Ross Roy. 30 p.; 21 cm. “To Robert Burns,” p. 10. Watters, Norman. Original light gray boards. Author’s Stories Behind Some of Burns’ Songs and signed presentation copy. Other Scottish Songs. Edinburgh: Pentland, 2000. Watson, William. xiii, 296 p.: ill., maps, ports.; 23.3 cm. “The Tomb of Burns.” Original pictorial wrappers. [S.l.: s.n., 1904?]. 1 sheet; 64 x 16 cm. folded to 10 x 16 cm. Waugh, Butler. Galley proof. “Robert Burns’ Satires and the Folk Tradition: ‘Halloween.’” Watt, Lauchlan MacLean. p. 10–13; 28 cm. Burns. Original wrappers. London: Collins’ Clear-Type Press, n.d. In: South Atlantic Bulletin, v. 32, no. 4. 262 p.: port.; 16.5 cm. The Nation’s Library. Webster, Alexander. Original red cloth, in buff pictorial dust Burns and the Kirk: A Review of What the jacket. Poet Did for the Religious and Social Regeneration of the Scottish People. Watt, William. Aberdeen: A. Martin, 1888. Poems, on Sacred and Other Subjects, and 128 p.; 18.2 cm. Songs, Humorous and Sentimental. “Matter . . . composed for delivery in 3rd edition of the songs only, with the ordinary course of Sunday- additional songs evening lecturing.”—Pref. Glasgow: Printed for the widow of the Copy 1. Original dark blue cloth, author by William Eadie, 1860. stamped in gold and blind. Green and 388 p.; 18.1 cm. gray mottled endpapers. Bookplate of Includes “Stanzas on reading in The G. A. Dunlop. Glasgow Herald the account of laying Copy 2. Original purple cloth, stamped the foundation stone of a monument in gold and blind. Yellow and gray in memory of Robert Burns.” mottled endpapers. Contemporary black half-calf, brown Copy 3. Modern quarter linen, gray cloth. Leather label on spine. boards with paper label mounted on Watters, Norman. spine. Rebound. Pons Bequest. Stories Behind Some of Burn’s Songs and Other Scottish Songs. Burnsiana / 361

Webster, Alexander. Wells, Carolyn. Burns and the Kirk: A Review of What A Parody Anthology. the Poet Did for the Religious and New York: C. Scribner’s Sons, 1904. Social Regeneration of the Scottish xxx, 397 p.; 18 cm. People. Includes three poems written after 2nd edition. Burns. Aberdeen: A. Martin, 1889. Original red cloth, stamped in gold. 145, [3] p.; 19 cm. Werkmeister, Lucyle. “Matter . . . composed for delivery in Robert Burns and the London Daily Press. the ordinary course of Sunday- p. 322–335; 24.2 cm. evening lecturing.”—Pref. Offprint from Modern Philology, v. 63, [3] p. of publisher’s advertisements, no. 4 (May 1966). undated, following text. Original red cloth, stamped in Werkmeister, Lucyle. black. “Some Account of Robert Burns and the London Newspapers, with Special Webster, Alexander. Reference to the Spurious Star The Ideals of Burns Compared with the (1789).” Present-day Scottish Orthodoxy. p. 483–504; 26 cm. London: Philip Green, 1897. In: Bulletin of the New York Public 112 p.; 18 cm. Library, v. 65, no. 8. Original garnet cloth. Weston, John Charles. Webster, Alexander. The Narrator of Tam o’ Shanter. Theology in Scotland: Reviewed by a Houston: Rice University, 1968. Heretic. p. [537]–550; 23.4 cm. London: Lindsey Press, 1915. An offprint from Studies in English 152 p.: port.; 18.5 cm. Literature 1500–1900. Restoration and Includes a chapter, “The Religious Mes- Eighteenth Century, v. VIII, no. 3, Sum- sage of Robert Burns.” mer 1968. Original purple cloth, spine stamped in Author’s signed presentation copy to gold. G. Ross Roy. Webster, Charles S. Weston, John Charles. “The Immortal Memory of Robert Robert Burns’ Use of the Scots Verse- Burns: Address.” Given by the Epistle Form. Reverend Charles S. Webster . . . at [S.l.: s.n.], 1970. Burns Memorial Exercise, Central 188–210 p.; 23.5 cm. Park, N.Y., June 15, 1946. Reprinted from Philological Quarterly, p. 1–3; 29 cm. v. XLIX, no. 2, (April, 1970). In: Order of the Scottish Clans Fiery Cross Author’s signed presentation copy to (Mount Morris, Ill.), v. 44, no. 11. G. Ross Roy. The G. Ross Roy Collection of Robert Burns / 362

Westwood, Peter J. Review of: The Poetry of Robert Burns, The Deltiology of Robert Burns, the edited by W. E. Henley and T. F. Hen- National Poet of Scotland: His Life and derson, Edinburgh, 1896–1897. Works as Told through the Media of the In: Macmillan’s Magazine, v. 77, no. 459. Illustrated Postcard. White, James. Dumfries: Creedon Publications, 1994. Robert Burns and Sir Walter Scott: Two 152 p.: chiefly col. ill.; 29.5 cm. Lives. Original red boards, in dust jacket. No. London: G. Routledge, 1858. 456/600 copies. Prospectus and list of 100, 178, 6 p.: port.; 16.7 cm. subscribers laid in. Separately paginated. Westwood, Peter J. Based on lectures given by the author to Jean Armour, Mrs. Robert Burns: An a Mechanics’ Institute on the life and Illustrated Biography, Including Sketches works of Burns and Scott. Cf. on the Lives of Sarah Burns and Jessy “Preface to Sir Walter Scott,” p. [3]. Lewars. Original maroon blind-stamped beaded Dumfries: Creedon Publications, 1996. cloth. Stamp of R. L. Gerard on front 180 p.: ill., ports.; 21 cm. free endpaper. Copy 1. Original light blue boards White, John, LL.D. with gold lettering on cover. In dust Jottings in Prose and Verse. jacket. No. 415 of 1000 copies, signed Irvine: Chas. Murchland, 1879. by the author. Advertising matter xiv, 292 p.; 20 cm. laid in. Includes a number of poems about Copy 2. Original red cloth with gold Burns. lettering on upper cover. In pictorial Copy 1. Original black cloth stamped dust jacket. Pons Bequest. with gold and blind. Westwood, Peter J. Copy 2. Original red cloth stamped with Jean Armour: My Life and Times with gold and blind. Gift inscription on Robert Burns. front free endpaper. Dumfries: Creedon Publications, 2001. Whiteford, J. Lockhart. 60 p.: ill.; 23 cm. “The Immortal Memory.” Written in the first person, as if [1975?]. autobiographical. 6 p.; 20.4 cm. Original wrappers. Editor’s compli- Typescript photocopy. mentary copy, presented to G. Ross On title page: Hamilton. Roy. Whitley, Henry Charles. Westwood, Peter J. The Religion of Robert Burns. “Picture Postcard Poetry and Places.” [S.l.]: Carlyle Society, 1959. p. 20–22: col. ill.; 29.7 cm. 10 p.; 21.5 cm. Chiefly about postcards relating to Thomas Green Lectures; no. 2. Burns. Original light blue printed wrappers. Original pictorial wrappers. In: Heritage Scotland (Edinburgh), v. 12, Who’s Who in the World of Robert Burns: no. 2. A Biographical Account of Members of the Poet’s Family and Descendants. Whibley, Charles. Including friends and associates of the “Burns.” poet during his Lifetime. Compiled p. 180–187; 23 cm. and edited by Peter J. Westwood. Burnsiana / 363

[S.l.]: Robert Burns World Federation, Copy 2. Original brown pictorial wrap- c2008. pers. Inscribed by the author. 144 p.: ill., port., facsims.; 21 cm. Copy 3. 19 cm. Author’s presentation Original pictorial wrappers. No. inscription on preliminary page. 148/200 copies signed by Peter J. Original brown pictorial wrappers. Westwood. Will, William. In the private collection of G. Ross Roy. Robert Burns as a Volunteer. Some fresh Will, William. facts which further help to confute The Home of Burns’ Ancestors. the poet’s critics. Aberdeen: William Smith, The Bon- Aberdeen: William Smith & Sons; Bon- Accord Press, 1896. Accord Press, 1928. 20 p.: ill., port.; 18 cm. 56 p.; 19 cm. “With portrait and other illustrations.” Original brown wrappers. Presentation –Cover. copy inscribed to Donald Munro. Original pictorial wrappers. Author’s Pons Bequest. 18.8 cm. autograph compliments, unsigned, on Will, William. preliminary page. The Vernacular in the Schools: An Address Will, William. Delivered to the Vernacular Circle of the : Tutor of Robert Burns. Burns Club of London, on Monday, 14th Glasgow: W. Hodge, 1929. March 1932. 34 p.: ill.; 21.5 cm. Edinburgh: Printed by J. & J. Gray, Privately reprinted from Burns [1938]. Chronicle, 1929. 15, [1] p.; 24.7 cm. Copy 1. Original red cloth. Author’s Reprinted from The Chronicle of the Cale- signed presentation copy to W. Ormis- donian Society of London, 1931–1938. ton Roy, with accompanying letter, Original gray wrappers, lettered in dark Dec. 23, 1929. blue. Copy 2. Original red cloth. Author’s Wilson, James. signed presentation copy dated The Dialect of Robert Burns as Spoken in Christmas 1929. Pons Bequest. Central Ayrshire. Will, William. [London]: Oxford University Press, Robert Burns as a Volunteer. Some fresh 1923. facts which further help to confound 195 p.: ill.; 21 cm. the poet’s critics. Original light green printed boards. Glasgow: J. Smith, 1919. Signature of G. A. Dunlop. 56 p.; 20 cm. Wilson, John. Original red cloth. Laid in: newspaper The Genius and Character of Burns. clipping dated January 27, 1919, con- New York: Wiley and Putnam, 1845. cerning the Lothian Burns Club din- 222 p.; 18 cm. ner and the book. 14 p. of publisher’s advertisements Will, William. follow text. Robert Burns as a Volunteer. Copy 1. Original light green cloth, Aberdeen: Bon-Accord Press, 1927. stamped in gold. 56 p.; 18.6 cm. Copy 2. Modern calf, bound by Copy 1. Original brown pictorial Robert D. Thornton. wrappers. The G. Ross Roy Collection of Robert Burns / 364

Wilson, John. Wolfe, Theodore Frelinghuysen. The Genius and Character of Burns. A Literary Pilgrimage: Among the Haunts Philadelphia: A. Hart, 1851. of Famous British Authors. 222 p.; 20 cm. Philadelphia: J. B. Lippincott, 1901. Original black cloth, stamped in gold 260 p.: ill.; 18 cm. and blind. Material about Robert Burns: p. 161–206. Wilson, John. Original dark yellow pictorial cloth. The Genius and Character of Robert Burns. An essay and criticism on his Wood, John Maxwell. life and writings, with quotations Robert Burns and the Riddell Family. from the best passages. Dumfries: R. Dinwiddie, 1922. New York: W. Gowans, 1861. vii, 172 p.: ill., ports.; 21 cm. 222 p.; 19.5 cm. Copy 1. Original light red cloth. Publisher’s catalogue: 12 p. follows text. Copy 2. Original light red cloth, Original green cloth, stamped in gold stamped and blind. Pons Bequest. and blind. Wood, John Maxwell. Wilson, John. Robert Burns and the Riddell Family. The Land of Burns: A Series of Landscapes [Folcroft, Pa.]: Folcroft Library and Portraits, Illustrative of the Life and Editions, 1974. Writings of the Scottish Poet. The Land- 172, vii p.: ill.; 22.2 cm. scapes from Paintings Made Expressly Limited edition of 100 copies. for the Work. Reprint of the 1922 edition published Glasgow: Blackie and Son, 1840. by R. Dinwiddie, Dumfries, Scot. 2 v.: ill., ports.; 40 cm. Original maroon modern binder’s Copy 1. Original green half morocco, cloth. marbled boards. Bookplate of , William. R. Cowie. A Letter to a Friend of Robert Burns: Copy 2. Original maroon morocco, Occasioned by an Intended Republication stamped in gold. of the Account of the life of Burns, by Dr. Wilson, Tom. Currie, and of the Selection Made by Burns and Black Joan. Him from His Letters. Dumfries: R. G. Mann; : J. M. London: Printed for Longman, Hurst, Laing, 1904. Rees, Orme, and Brown, 1816. 43 p., [12] leaves of plates: ill.; 16 cm. 37 p.; 22 cm. Copy 1. Contemporary half calf, To James Gray of Edinburgh. stamped in gold on spine. Modern quarter calf, marbled boards. Copy 2. Original white pictorial Parchment corners. wrappers. Purchased by the Thomas Cooper Soci- ety, 1999, in recognition of the G. Ross Witte, William. Roy Collection of Robert Burns & Schiller and Burns, and Other Essays. Scottish Poetry. Oxford: B. Blackwell, 1959. 118 p.; 23 cm. Wotherspoon, James. Modern Language Studies. Kirk Life and Kirk Folk: An Interpretation Original red cloth, in tan dust of the Clerical Satires of Burns. jacket. Edinburgh; London: T. N. Foulis, 1909. 353 p.; 19.6 cm. Original blue pictorial cloth. Burnsiana / 365

Original gray cloth, lettered in black and gold. Wright, Dudley. Robert Burns and His Masonic Circle. London: C. Palmer, [1929]. v, 181 p.; 20 cm. Copy 1. Original red cloth, in buff dust jacket. Copy 2. Rebound in green library binding. Stamped Neil H. Clark . . . Dunfermline. Wright, Jimmy. Couthy Ramblin’s: A Book of Scottish Poetry. Aberdeen: J. Wright, 1973. [8], 128 p., [8] p. of plates: ill.; 18.3 cm. Includes five poems about Robert Burns (p. 5, 24, 53, 126, 128). Original red paper-covered boards. In William Wordsworth’s A Letter to a dust jacket. Author’s presentation Friend of Robert Burns (London: inscription, in verse, on verso of title. Printed for Longman, Hurst, Rees, Orme, and Brown, 1816) Wright, Tom. “There Was a Man.” [1965]. Wreford, James. 33 l.; 23 cm. Scotland: The Great Upheaval. Copy of typescript. Edinburgh: Bonaly Press, [1973]. Tom Wright (1927–2002) was a poet, 34 l.; 30 cm. dramatist, and television writer. Original yellow wrappers, stamped With copy of a typed letter signed from in red, comb binding. Presentation Sandra Breckon, Secretary to Robin copy inscribed to Hamish Henderson. Richardson, Traverse Festival Produc- From the library of Hamish Hender- tions to G. Ross Roy, dated August 18, son. 1965, copy of the playbill signed by Wright, David F., ed. John Cairney, the actor who played The Bible in Scottish Life and Literature. Robert Burns, and advertising Edinburgh: Saint Andrew Press, 1988. material. vii, 236 p.; 21 cm. Young, John. Includes the following chapter by Robert Burns: A Man for All Seasons: The G. Ross Roy: “The Bible in Burns Natural World of Robert Burns. and Scott,” p. 79–93. Aberdeen: Scottish Cultural Press, Original wrappers. 1996. Wright, Dudley, xvii, 232 p.: ill., map; 23.2 cm. Robert Burns and Freemasonry. Original pictorial wrappers. Review Paisley: Alexander Gardner, [1921]. copy. Review request slip laid in. 112 p.: ill., ports.; 25.3 cm. The G. Ross Roy Collection of Robert Burns / 366

Zhou, Guozhen. Robert Burns in China. p. 157–169; 21 cm. Translation from English into Chinese of “ . . . a paper presented at a sympo- sium on classical Scottish literature at the State University of South Carolina, U.S.A., in August 1990.” Title also in Chinese; text in Chinese with English abstract. Author’s inscribed presentation copy, to Professor G. Ross Roy, dated Feb. 12, 1992. IV Art, Prints, Posters, and Photographs

Brown, Sidney, G. This smaller statue of Robert Burns was Full length portrait of Robert Burns. possibly a study of the larger bronze 1999. statue commissioned by an Ayrshire 1 art original: oil.; 50.5 x 40 cm. born widow of an American cattle In frame. rancher. The larger statue was erected Copy of the 1828 full length portrait of in Cheyenne, Wyoming in November Robert Burns by Alexander Nasmyth 1929. painted by Sidney G. Brown. Nas- From the collection of W. Ormiston myth initially produced a pencil Roy. In the personal collection of sketch of Burns while on a visit with G. Ross Roy. him to Roslin near Edinburgh. A sec- Gray, Alasdair. ond pencil sketch is known and that Proofs of the artwork for Studies in was the basis for the oil painting of Scottish Literature, volume 30. 1828. 1998 Gift of Jonathan Pons on the occasion of 3 items: col. ill.; 28 x 39.8 cm. G. Ross Roy’s 80th birthday. Pons Bequest. Kuch, Michael. To a Mouse: On Turning Her up in Her Cameo portrait of Robert Burns. Nest with the Plough, November 1785. [ca. 1830]. [Northampton, Mass.]: Double Ele- 1 art original: col.; phant Press, 1997. This oval portrait after Nasmyth appar- 1 broadside: ill.; 50 x 35 cm. ently has never been reproduced. “One hundred copies of Robert Burns’ From the collection of W. Ormiston poem were issued by The Double Roy. Elephant Press in December 1997. Gamley, Henry Snell. Michael Kuch etched the copperplate Statue of Robert Burns. and printed it on Zecchi handmade 1928. paper. The types, Baskerville, Castel- 1 statue: bronze; 35 cm. lar, Bodoni, & a sprinkle of Scotch, On a wooden base measuring 11.4 x 12.3 were printed by Art Larson.” cm. Inscribed by Michael Kuch to G. Ross On back of the base: H. S. Gamley, RSA, Roy. No. 82/100. 1928. Lawson, George Anderson. On the side of the base: 10 BCM/ARTX. Statue of Robert Burns. [1891–1910?]. The G. Ross Roy Collection of Robert Burns / 368

“Presented to—Prof. G. Ross Roy at a meeting in Dumfries on Monday 15th July 2002 by the sculptor and Burns- ian –Colin Hunter McQueen, Glas- gow”—Label on reverse. In the private collection of G. Ross Roy. Miers, John. Silhouette of Clarinda. 1 oval locket, gold: port.; 5 cm. in case 9 x 9 cm. Locket with John Mier’s silhouette of Clarinda, with her name engraved under the portrait, with a lock of her hair. Robert Burns traveled to Edinburgh in 1786 after having published the first edition of his Poems, Chiefly in the Scot- tish Dialect. He met Mrs. Agnes McLe- hose at a party there and they began Portrait of Burns by artist, playwright, an epistolary romance signing their and author Alasdair Gray from the letters with the Arcadian names “Syl- proofs of the cover of Studies in vander” and “Clarinda.” This Scottish Literature, v. 30 silhouette was made by the artists Miers sometime between 1786 and 1 plaster statue, with bronze toned 1788. The National Galleries of Scot- finish; 99 cm. on base 25 x 26 cm. land have a copy of the image in ink A reduced size plaster model of the on plaster, the Burns Monument trust statue of Robert Burns by George A. holds a copy on ivory, and Rare Books Lawson erected in Burns Statue and Special Collections has a copy Square, Ayr, unveiled in 1891. This bound in the leather portfolio with copy has been painted to simulate a Burns’s letter to Clarinda dated Janu- weathered bronze finish. From the ary 12, 1788. collection of W. Ormiston Roy. McQueen, Colin Hunter. Plaque of Robert Burns. c1995. 1 plaster plaque: relief port.; 38.5 cm. Oval plaster plaque by Colin Hunter McQueen produced for the Burns Bi- centenary. The relief portrait is based on Alexander Nasmyth’s portrait of Burns with the Brig o’ Doon in the background. A facsimile of Burns’s signature appears below his image with “Bicentenary 1996” underneath the signature. Burns’s silhouette of Clarinda with a lock of her hair Art, Prints, Posters, and Photographs / 369

Robert Burns: charcoal sketch after “Notice of the portrait of Burns by Alexander Skirving. Skirving” text mounted inside upper [S.l.: s.n., n.d.]. cover. 1 art original (charcoal sketch): b&w; Engraved by William Holl. 65 x 49 cm. in frame. Original brown cloth. The Skirving portrait done between 1796 and 1798 was itself a copy from Photographs, Prints, and Posters the original by Alexander Nasmyth Beerbohm, Max. and was considered by many as the Robert Burns, Having Set His Hand to the finest representation of the poet. Plough, Looks Back at Highland Mary. From the collection of W. Ormiston 1 art print: ill. (col.); 20 x 25 cm. Roy. From: The Poet’s Corner. London: [Penguin Books Ltd.], 1943. Scott, Kay. Batik of Tam o’ Shanter. Beerbohm, Max. [1975?]. Robert Burns, Having Set His Hand to the 1 art original; 97 x 90.5 cm. Plough, Looks Back at Highland Mary. On rod for hanging. [S.l.: s.n., n.d.]. Signed K. S. Gift of Kay Scott at 1 art print: ill. (col.); 27.2 x 37.4 cm. Christmas 1975. Bobby Burns’s Cottage. In the private collection of G. Ross Roy. 1 photograph: b&w; 7.5 x 10 cm. In frame: 17 x 21 cm. with label Edling- ton’s Limited, 145 Mansfield St., Montreal on back. From the collec- tion of W. Ormiston Roy. Burns, Robert. From A Red, Red Rose. New York: MTA Tran- sit, in cooperation with the Poetry Society of America, [2001] 1 print (poster): col.; 28.5 x 72 cm. Poetry in Motion. The first two stanzas of Robert Burns’s poem. Kinsley, 453. Gift of Thomas Keith. In the private collection of G. Ross Roy. Burns, Robert. Scottish Air: Auld Lang Syne. Archibald Skirving’s portrait of Burns [S.l.: s.n., 195–?] after Nasmyth sold folded in a portfolio 1 print (poster): col.; 74.5 x 52 cm. by Blackie, 1859 Features the first and last stanzas and the chorus of “Auld Lang Syne.” Skirving, Alexander. In the private collection of G. Ross Roy. Robert Burns engraving. Burns, Robert. Glasgow: Blackie, 1859. Up in the Morning Early. 1 art print (engraving): b&w; London: London Arts, The British 74 x 51 cm. folded to 25 x 17 cm. Council, The Poetry Society, [2001] At head of title: “Specimen.” The G. Ross Roy Collection of Robert Burns / 370

Max Beerbohm cartoon: “Robert Burns, Having Set His Hand to the Plough, Looks Back at Highland Mary”

1 print (poster): col.; 28.5 x 72 cm. Photograph of the Auld Brig o’ Doon. Poems on the Underground. Ayr, [1900?]. The four stanza poem by Burns. 1 photograph: sepia; 10.5 x 16 cm. Kinsley, 200. mounted on board 32.8 x 40.6 cm. Gift of Thomas Keith. In the private Robert Burns chromolithograph. collection of G. Ross Roy. [S.l.: s.n., 189–?]. Campbell, James, of Toronto. 1 art reproduction: col. ill., port.; Robert Burns. By James Campbell of 63 x 54.5 in frame. Toronto, after Bengo’s celebrated Features a color portrait of Burns with vignette. color postcard images of “The Banks Toronto: Fuller & Bencke, Lith., [187–?] & Braes o’ Bonnie Doon,” “The Twa 1 art reproduction: port.; 24 x 18.4 cm. Brigs o’ Air,” “The House in which Mounted on board, 40 x 30.7 cm. Burns Died,” “The Burns Mauso- leum, Dumfries,” “Alloway Kirk,” Colvin, Calum. and “The Cottage Where Burns Portrait of Robert Burns. Was Born.” [Edinburgh: Canongate, 2001] 1 print: col.; 51 x 40.4 cm. Robert Burns Depute Master. Print of Calum Colvin’s portrait of [S.l.: s.n., n.d.] Robert Burns. No. 46 1 print: b&w; 24 x 16 cm. in frame. Print of Charles Ewart’s engraving of Inauguration of Robert Burns as Poet- the Stewart Watson painting. Laureate of the Canongate Kilwilling Lodge of Freemasons at Edinburgh, Robert Burns in America. Scotland in 1787. [S.l.: s.n., nd.] 1 print: sepia; 22.3 x 27 in frame. 1 print (poster): col. ill.; 43 x 27.7 cm. “Reproduced from an old daguerreo- Images of statues of Burns from across type of the original oil-painting in the U.S. and Canada. the possession of the Grand Lodge of Scotland Edinburgh.” –Label on back. Art, Prints, Posters, and Photographs / 371

Robert Burns, 1759–1796: Is There for Honest Poverty? [S.l.: s.n., 2001] 1 print (poster): b&w; 42 x 29 cm. Signed “LRB 01” in the lower right hand corner. Black ink on parchment colored paper. Features a portrait of Burns and the last stanza of “For a’ That, and a’ That.” Robert Burns, 1759–1796: Moscow, Saturday 25th January 1975. [S.l.: s.n.], 1975. 1 print (poster): port.; 75.8 x 50.8 cm. Features a portrait of Burns in gold on a black background with the text of a stanza of “For a’ That, and a’ That” in English and in Russian. Sloan, Annie. Robert Burns: The Honest Man tho’ E’er sae Poor is King o’ Men for a’ That! Dumfries: Annie Sloan, c1993. 1 print (poster): port.; 63.5 x 44.8 cm. Signed and numbered by the artist on verso, this is no. 456.

Burns in : Samuil Marshak’s translation of “For a’ That” on a poster from the 1975 Moscow Burns Conference V Sound, Film, and Video Recordings

Sound Recordings 1959 1929–1935 Poetry of Robert Burns and Scottish Border MacDonald, . Ballads. Robert Burns a Man Amongst Men. [S.l.]: Caedmon, [1959]. Parts 1–2. 1 sound disc: analog, 33 1/3 rpm, mono.; London: Columbia, [1929–1935]. 12 in. 1 sound disc: analog, 78 rpm; 12 in. Title from slipcase. Read on Burns’s Anniversary, January Program notes on slipcase. 25th. Read by Fredrich Worlock; the ballads, In sleeve advertising George’s Gramo- by C. R. M. Brookes. phones. Poems on side 1; ballads on side 2. Thornton Bequest. 1958 TC 1103 Bobby Burns’ Merry Muses of Caledonia. Keith, 15. New York: Elektra, [1958]. Robert Burns Bi-Centenary. 1 sound disc: analog, 33 1/3 rpm; 12 cm. London: Selection Records, [1959]. Sung by Paul Clayton with Fred Heller- 1 sound disc: analog, 45 rpm; 7 in. man on guitar. Robin Hall. EKL 155 Collector Records. Keith, 7. JES3 Burns Night: Songs and Poems. Keith, 17. [S.l.]: Angel Records, [1958]. Songs of Robert Burns. A choice from the 1 sound disc: microgroove, 33 1/3 rpm.; songs written and collected by Burns, 12 in. sung to the original tunes selections & Recitations and song settings. research by Ralph Knight. Program notes by Maurice Lindsay and [New York]: Folkways Records, c1959. excerpts from the poems ([4] p.) 1 sound disc: analog, 33 1/3 rpm; 12 in. inserted in slipcase. Sung by Ewan MacColl. Saltire Music Group, Hans Oppenheim, FW 8758 Director; Ian Gilmour, Meta Forrest, Keith, 19. Readers. Thornton Bequest. Angel 35256 Keith, 8. Sound, Film, and Video Recordings / 373

1969 Keith, 67. Bawdy Burns Ballads. Thornton Bequest. [London]: , [1969]. 1982 1 sound disc: analog, 33 1/3 rpm; 12 in. Gorbals High Society Clan. Burns’ Songs from The Scots Musical Produced by Siggy Jackson; Don Lowes, Museum, Vol. 1.1787 and Vol. 2.1788. musical director. [Edinburgh?]: Scottish Records, [1982]. 1 MAL 1201 1 sound cassette: analog, stereo.; /4 in. Keith, 46. tape Sung by . The Songs of Robert Burns. SCRM 157 Feltham, Middlesex, [England]: Music Keith, 83. for Pleasure, p1969. Burns’ Songs. 1 sound disc: analog, 33 1/3 rpm; 12 in. Sung by William McAlpine. [S.l.]: Scottish Records, [1982]. 2 sound cassette: analog, 1 7/8 ips., 1971 mono, Dolby B Robert Burns in Poetry, Song and Prose. From The Scots Musical Museum, New York: CMS, [1971]. Vol. 1, 1787 and Vol. 2, 1788, Vol. 4, 1792 1 sound disc: analog, 33 1/3 rpm; 12 in. Arranged and performed by Arnold Sung by Jean Redpath. Johnston. 1987 1976 The Millers Reel. Redpath, Jean. [S.l.: BBC Scotland, Radio 4, 1987]. 7 The Songs of Robert Burns. North Ferris- 1 sound cassette: analog, 1 /8 ips., burg, Vt.: Philo, p1976–p1990. mono. A love story for radio devised by Donald 7 sound discs: analog, 33 1/3 rpm, stereo; 12 in. Campbell from the songs and letters The melodies are principally Scottish of Robert Burns with David Hayman folk songs; words by Robert Burns. as “The Lover,” Phyllis Logan as “His Words of the songs and program notes Lass,” and songs performed by Jean inserted in containers. Redpath and Rod Patterson. Musical Sung by Jean Redpath with vocal- arrangements and composition by instrumental ensemble. Serge Hovey. Taped off-air from a performance on 1977 BBC Scotland Radio 4, 25/1/87. Poems of Robert Burns. [Selected by 1990 and] general introduction by Tom Crawford. Classically Scottish. Glasgow: Scotsoun, 1977. Selkirkshire, Scotland: BE Records, 3 sound cassettes (180 min.): analog, 1990. 1 sound disc: digital, stereo; 4 3/ in. 1 7/8 ips., mono, Dolby B; 1/4 in. 4 Scotsoun Series. Words and music by Burns; arrange- Title from container. ments by Beethoven, Haydn, Koze- Produced with assistance of the Scottish luch, Pleyel and Weber, sung by Arts Council. Scottish soprano Enid Bannatyne. Various performers. BE 4/2 SSC 035 Keith, 108. The G. Ross Roy Collection of Robert Burns / 374

1995 Presenter: Andrew Faulds. The Legend and the Man. Readings from Laurie Ventry as Robert Burns. Burns and MacDiarmid by Hugh Robert Burns’s verses are known in MacDiarmid. almost every language on earth, but Glasgow: Lochshore, p1995. his personal life is a story of failure and successive disasters. Out of these 1 sound disc: digital, stereo; 4 3/4 in. CDLOC 1091 experiences came his understanding Keith, 135. of humanity. 2004 1991 Toils Obscure Songs by Robert Burns. A Burns Experience. Produced by Flash- Athens, Ga.: Netnik.com, 2004. back Communication for Green Place Productions. 1 sound disc: digital, stereo; 4 3/4 in. Bob Hay & the Jolly Beggars. Glasgow: Green Place Productions, NN01 1991. Keith, 199. 1 videocassette (54 min.): sd., col.; 1/2 in. Films and Video Recordings Performers: John Cairney, Alannah 1937 O’Sullivan. Recorded at The Inn on the Green, Auld Lang Syne. Glasgow, January, 1991. 2 reels. Cairney and O’Sullivan tell of Burns’ 1937. life and times, read selections from Directed by James A. FitzPatrick. his work, and perform a selection of Romance of Robert Burns. his songs. 1 reel. [1937]. Directed by Crane Wilbur. Story by Forrest Barnes. 1959 Robbie & His Mary. 1 reel 1959. Short dated 4/19/59. 1990 Robert Burns, the Ploughman Poet. An Edinburgh Film Video production for Channel Four Television; a film by Robin Crichton; from an idea by Alwyn James. Eugene, Ore.: New Dimension Media, [199-?]. 1 videocassette (26 min.): sd., col.; 1/2 in. Stamp of Greatness. Originally produced for television broadcast in 1985. VI Realia and Cultural Objects

18th Century Reprint of an engraved oval portrait Wooden bowl. after Nasmyth. 1 wooden bowl; 17 cm. in diameter. [S.l.: s.n., n.d.]. A wooden bowl, with metal foot, 1 print: port.; 47 cm. marked with the initials “R.B.” and Tam o’ Shanter jug. the date “1770.” Hanley, Staffordshire: W. Ridgway and Displayed at the Glasgow Centenary Company, [1835?]. Exhibition of 1896 as Burns’s own “Published” October 1, 1835. porridge bowl. Purchased by Large creamware jug decorated with W. Ormiston Roy in 1932. relief of scenes from Tam o’ Shanter. Horn spoon. The handle is in the shape of an arm 1 horn spoon; 22 cm. grasping the tail of Tam o’ Shanter’s Horn spoon with tapered handle mare. Previously owned by Charlotte purported to have belonged to Robert A. Sprigings Roy. Burns. Purchased by W. Ormiston In the private collection of G. Ross Roy. Roy probably in 1932. 1870 In the private collection of G. Ross Roy. Collection of Robert Burns ephemera, ca. 1870–1998. 1835 (bulk 1900–1998). ca. 120 items. McQueen, Colin Hunter. Largely postcards depicting Burns or Cast of the Skull of Robert Burns. scenes associated with him. Included 1 plaster cast; 14.5 x 18.5 x 14 cm. also are stamps, trading cards, and Plaster cast of the skull of Robert cabinet cards. Burns, presented to Distinguished In three-ring binder. Emeritus Professor G. Ross Roy on Gift of Thomas Keith. Monday, 25 August by Colin Hunter 1885 McQueen. The original cast was taken when the body of Jean Armour Burns Mauchlineware box. was interred beside her husband’s [Mauchline: s.n., 1885–1900]. remains in the Burns Mausoleum, 1 box: ill.; 8 x 5.5 x 3.5 cm. Dumfries, 1834, under the supervision A two-piece box with the image of of Archibald Blacklock. Alloway Kirk on the lid. In the private collection of G. Ross Roy. In the private collection of G. Ross Roy. The G. Ross Roy Collection of Robert Burns / 376

1890 Burns’ life and work. Also includes Stereograph collection: Robert Burns. loose clippings and manuscript notes. [S.l.: s.n., 1890–1905]. Bookplate of Fred Cowin inside front 3 photographic prints on stereo cards: cover. British-born evangelist and ill.; 8.5 x 17 cm. minister of The Disciples of Christ. Stereograph prints of the birthplace of Cowin traveled widely on missionary Robert Burns, Ayr. Scotland; Scotia’s work and ministered at the Memorial memorial to her beloved ploughman- Christian Church, Ann Arbor, Michi- poet, Robert Burns; and Burns and gan, from 1927–1943. A life long his highland Mary. Robert Burns aficionado, Cowin lectured frequently on the poet. 1900 1930 Mauchlineware stool. [Mauchline: s.n., 1900–1920]. Stephen Mitchell & Son (Glasgow). Tam o’ Shanter tobacco tin. 1 stool: ill.; 5 1/2 cm. in diameter, 7.3 cm. high. [ca. 1930?] The image is captioned “Burns’ Cottage, 1 tobacco tin: tin, col. ill.; 3 x 6 x 16 cm. Alloway.” and it is also stamped Title from lid. “Bought in the Monument.” Tin tobacco container for Tam o’ Purchased by W. Ormiston Roy Shanter tobacco. (1874–1958). Cover depicts Tam and his friends at In the private collection of G. Ross Roy. the tavern and Tam being chased by a witch. 1904 Pons Bequest. Burns’ Burgess Ticket of Dumfries. 1950 Dumfries: Dumfries Courier and Herald, 1904. Burns’ birthscene plaque. 1 sheet; 27.5 cm. [ca. 1950?] 1 plaque: plaster, col.; 17 x 25 cm. 1906 Tinted plaster, relief. Osbourne, A. Depicts interior of Burns family cottage Burns’ cottage, Alloway, Ayr. and members of the poet’s family at : s.n., 1906. the time of his birth. 1 ceramic picture; 15 x 24 x 3 cm. 1956 Signed on reverse by A. Osbourne, 1906, Copenhagen. Robert Burns. Pons Bequest. [S.l.]: Anri, [1956–1992]. 1 composite bust on wooden pedestal; 1924 11 x 5.5 x 4.5 cm. Cowin, Frederick, d. 1952. “Toriart” ornaments and figurines were Scrapbook, 1924–1943. made by Anri from 1956 until 1992. 1 item (45 leaves): ill.; 27.8 cm. They are not wood carvings but are Chiefly clippings of reviews of books on made of a composite material. Burns, controversies surrounding his Pons Bequest. life and habits, and notices of events 1959 celebrating the poet, ca. 1924–1938, pasted recto and verso. Includes com- [Burnsian pins and medal]. monplace entries in manuscript and [after 1959]. several pages of manuscript notes on 3 items; 9 cm. and smaller in case 2 x 6.2 x 13.3 cm. Realia and Cultural Objects / 377

Title supplied by cataloger. Obverse: portrait of Robert Burns. Two pins and one medal of the Dumb- Reverse: a mouse in her nest illustrat- arton Burns Club, the words “Past ing “To a Mouse.” President” engraved on bar. Cased. Robert Burns silhouette tile. Pons Bequest. [Scotland: Douglas Prints, 199–?] [Stamps from the ]. 1 ceramic tile with label and cardboard 4 copies of the commemorative stamp hanger on reverse: port.; 11 x 11 cm. issued in 1959 for the bicentenary of Burns’s birth. One copy from the 1996 Pons Bequest. Burns Bi-Centenary Calendar 1996. Glasgow: Collins Stationery & Diary, 1970 [1995?]. Nisbet, Peggy. [12] p.: col. ill.; 35 x 29 cm. Robert Burns doll. Copy 1. Original pictorial wrappers, [197–?]. comb binding. In original envelope. 1 doll; 21 cm. Copy 2. Original pictorial wrappers, From Peggy Nisbet’s Scottish Historical comb binding. Gift of Carl McIntosh. Series. Collection of Robert Burns commemo- Doll with original tag, P/618. rative postage stamps. Gift of Patrick G. Scott. [1996] 5 items: col. ill.; 11.5 x 21.5 cm. Whyte, Edna. The ‘Immortal Memory set’ includes a Robert Burns Heritage Trail notelets. sheet of four stamps featuring four of [1970–1999]. Burns’s best-known poems “O, My 6 cards in package: ill.; 14.5 x 9.5 cm. Luve is Like a Red, Red Rose,” “To a Six Robert Burns Heritage Trail Mouse,” “Scots, Wha Hae Wi’ Wallace notelets cards. Bled,” and “Auld Lang Syne” issued 1974 by the on Jan. 25, 1996 With one Royal Mail advertising Robert Burns Heritage Trail stamps. poster. 3 sheets of stamps Issued by the Scottish Postal Service. Isle of Man. Set of four commemorative coins 1988 minted for the bicentenary of Robert Burns Federation. Burns birth. Robert Burns Calendar 1988. Isle of Man, 1996. Glasgow: Holmes McDougall [1987?]. 4 coins; 4 cm. in diameter. [12] p.: col. ill.; 34.5 x 33.2 cm. Commemorative coins minted for the Original pictorial wrappers. Spiral Isle of Man depicting Robert Burns bound. In envelope, as issued. and , a harbor scene, Robert Burns writing with his cottage 1990 in the distance, and a scene titled Auld Clydesdale Bank. Lang Syne. Five pounds sterling. Pons Bequest. Glasgow: Clydesdale Bank, 1990. 1 item: col. ill.; 7 x 13 cm. 2002 Dated: 2nd April 1990. Robert Burns: 2002 Calendar. [New Lanark]: Geddes & Grosset, 2001. The G. Ross Roy Collection of Robert Burns / 378

1 v. (unpaged): col. ill.; 15 x 15 cm. “The monument in , Kil- Includes extracts from Burns’s poetry. marnock unveiled 125 years ago was devastated by fire, believed caused by 2003 vandals on Friday 19th November, Robert Burns: 2003 Calendar. 2004. The actual statue of the poet [New Lanark]: Geddes & Grosset, by W. G. Stevenson was undamaged. 2002. Estimated damage being in the region 1 v. (unpaged): col. ill.; 15 x 15 cm. of 3m. GBP.” Includes extracts from Burns’s poetry. Undated The Immortal Memory: Robert Burns: Burns cottage. 1759–1796. [Scotland: s.n., n.d.]. Glasgow: Contact Corporate Merchan- 1 bronze item; 4.5 x 6 x 3.5 cm. dise, 2003. Bronze model of Burns’s cottage. 1 v. (unpaged): ill., maps; 17 cm. Pons Bequest. 2003 pocket calendar. Cover title. Editor: Fred MacKenzie. Burns cottage. Prefatory notes on the tradition of [Scotland: Fraser Creations, n.d.]. toasting “The Immortal Memory” 1 ceramic model; 6 x 10.5 x 5.5 cm. of Robert Burns and excerpts from Handmade ceramic model of Burns’s Burns’s poetry. cottage. Original gilt-stamped leatherette. Pons Bequest. 2004 Hearth rug. Ayr: Ayrtown Carpets, n.d. Burns Monument Destroyed by Fire. 1 rug; 68 x 36 cm. [Kilmarnock: Burns Federation, 2004]. Gift of Frank and Susan Shaw. 4 items: port.; 11 x 22 and smaller. Two first day covers stamped 2.3.05, Robert Burns. signed by Peter G. Westwood, with [S.l.: s.n., 199-?]. additional “Support re-establishing 1 brass bust in relief; 11 x 10.5 cm. the statue and monument,” 5 pence Pons Bequest. stamp affixed, with two sheets of the orange stamps.

] Index

Page numbers in bold type indicate illustrations.

Aakjær, Jeppe (Translator), 220 “Address to a Scotch Haggis on New-Year’s- Abbeville, S.C., 301 Day,” (1806) 49 Abbie, A. G. (Editor), 167 Address to Robert Burns: Commemorative of the Aberdeen, 24, 66, 67, 68, 101, 102, 139, 193, Centenary of His Advent into Spirit Life, 200, 202, 255, 265, 271, 277, 284, 285, 286, [1896; Joseph Crosthwaite], 275 289, 293, 307, 310, 314, 317, 320, 338, 349, 353, Address to the Deil, An, (1830) 79; (1832) 83 357, 359, 360, 361, 363, 365 “Address to the People of Scotland,” 31 Aberdeen, Banff, and Kincardine Newcastle Address to the People of Scotland, Respecting Association, 310 Francis Grose, [S.l.: s.n., 1795], 30 Aberdeen Buchan Association, 271 “Address to the Shade of Thomson on Aberdeen Burns Club, 331, 357 Crowning His bust at Ednam, Roxburgh- Aberdeen Evening Express, The, 193 shire with Bays,” 26–27, 33. See also Verses Aberdeen Magazine, Literary Chronicle and to the Memory of James Thomson, Author of Review, 26 The Seasons Aberdeen Student Song Book, The, (1956), 213 “Address to the Shade of Thomson, or Aberdeen University Press (Aberdeen), 247, Crowning His Bust with a Wreath of 293, 315 Bays,” (1794), 29 Aberdeen University Students’ Representa- “Address to the toothache,” (1986), 230 tive Council (Aberdeen), 213 “Address to the Unco Guid . . . ,” (1786), 5; Abernethy, J. W., 268 ( June 1789), 6; (2004), 242, 279 Abraham Lincoln—Robert Burns [1942?; A. G. Addresses Delivered at the Opening of the Burns McKnight], 324 Exhibition, Glasgow, 15th July, 1896 and at “Abraham Newman,” [1830], 80 the Public Meeting in Commemoration of the Academy Classics, The, 268 Centenary of the Poet’s Death Held in St. Adam, Dr., 4 Andrew’s Halls, Glasgow, 21st July, 1896, Adam, J., 222 (1896), 260 Adam, John, 131 Admiral Nelson’s Victory Over the Combin’d Adam, R. B., 196, 327–328 Fleet of France & Spain Off Trafalgar, Oct. Adam & Co. (Glasgow), 339 21, 1805: With His Elegy, To Which Are Adams, James, 158, 244 Added, The Ranting Highland Man, The Adams, Rayne (Editor), 182 Birks of Aberfeldy, and Lovely Johnnie, Adams (Binder), 30 [S.l.: s.n., ca. 1805], 48 Adams, Thomas, 50 Adshead (Glasgow), 291, 293 Adamson, Archibald, R., 244 Advertiser Office (Ayr), 222, 224, 247, 259, Addison, Henry Robert, 145 262, 287 Address Delivered by Ian R. Maxwell at the “Ae Fond Kiss,” (1980), 227 Burns Anniversary Night of the Melbourne Ae Fond Kiss: A Play in One Act, (1955; Bar- Scots, Held at Scott’s Hotel, Melbourne, on bara Bingley), 250 the 24th January, 1948 [1948; Ian Ramsay Ae Fond Kiss: The Love Letters of Robert Maxwell], 321 Burns and Clarinda, (2000), 239 “Address to a Haggis,” (1787) 21–22; (1995) Affirmations: Poems in Scots and English, 236; (1996) 236 (1990; M. S. Lumsden), 315 Index / 380

“Afton Water,” [1865], 118; [1890], 154 Allen & Lamborn Ptg. Co. (Tacoma, Wash.), “Age, The” Office (Melbourne), 330 306 Aiken, Peter Freeland, 244 Allom, T. (Illustrator), 91, 92, 95, 98, 113, Aiken, Robert, 2, 158 119, 134 Aikman, James, 244 Alloway, 229–232, 234, 247, 252, 298, 318 Ainslie, Hew, 245 Alloway (Darvel, Ayrshire), 234, 349, 354 Ainslie, Robert, 3–5, 23, 84, 242, 279 Alloway (London), 318 Ainsworth (Chicago), 174 Alloway, Burns Club of, 283 Air [sic], 44, 62 Alloway Kirk, 26, 340, 370, 375 Airdrie, 38, 65 Alloway Kirk or Tam o’Shanter ..., Aitchison (Edinburgh), 58 (1795–1798?], 30; [1796], 31; 32; (1802), 44; Aitken, George A., 158 [1805?], 49 Aitken, William, 245 Allyn and Bacon (Boston), 268 Aiton, George B. (Editor), 266 Allyn and Bacon (Boston and Chicago), 268 Akros (Kirkcaldy), 237, 239, 241, 337, 344 Almqvist & Wiksell International (Stock- Alarums & Excursions (Keith Battarbee and holm), 285 Risto Hiltunen), 334–335 Alness, Robert, Lord to William Roughead, Alba Literaria: A History of Scottish Litera- 270 ture, (2005; Marco Fazzini), 345 Alness, Robert Munro, 246 Alberta, 262 Alnwick, 51, 52, 55, 56, 75, 77, 250, “Albion” Edition, The, 151, 157, 159 Alnwick Castle, with Other Poems, (Fitz- Albyn Press (Edinburgh), 302 Greene Halleck) (1836), 296; (1845), 296 Alden (New York), 143, 144, 145, 150 Aloway Kirk; or, Tam o’ Shanter . . . , [1796], Aldine Edition of the British Poets, The, 80, 31, 32; (2003), 241 92, 117, 122, 128, 134, 158 Amadeus Press (Portland, Ore.), 233 Alexander, William, 245 American Book Company (New York and Alexander Cunningham: Friend of Burns, Cincinnati), 169, 269 (1933; James Cameron Ewing), 286 American Book Exchange (New York), 269 Alexander Lectures in English at the Uni- American Editions of Robert Burns’s Poems, versity of Toronto, 352 ( James Grant Wilson), 323 Alexander Reid: Gallovidian Laird and Minia- American News Company, The (New turist of Burns, An Appreciation, [1932?; York), 120, 140 John Muir], 329 Among the Miners: Being Sketches in Prose and Alison, James N., 245 Verse, with Rhymes and Songs on Various All about Burns, (1896; John Dawson Ross), Subjects, (1893; Thomas Stewart), 353 340 Amos Edizioni (Venice), 345 All about Tam o’ Shanter, (1900; John Dawson AMS Press (New York), 314, 317, 343 Ross), 340 Ancestry, Youth, and Environment of Robert Allan Tine O’Harrow: To Which Are Added, Burns, (1922; J. F. Tocher), 357 Highland Laddie, Bonnie Wood of Craigie Anderson, H. B., 246, 350 Lea, [1826], 74 Anderson, James, 234 All the Words to All the Songs in the Reader’s Anderson, John, 16 Digest Merry Christmas Songbook, (1981) Anderson, Scoular (Illustrator), 324 227 Anderson, T. R., 246 Allan, Junior, 245 Anderson, William C., 246 “Allan Cunningham’s Recollections of Anderson (Edinburgh), 58, 71, 77, 190 Burns,” (May 17, 1828; Allan Cunning- Anderson (Glasgow), 5, 294 ham), 275 Andersons (Edinburgh), 203, 204 “Allan Ramsay Versus Robert Burns,” [1952; Andrews, Corey, 246 Archibald Lamont], 309 Andrews, John (May 11, 1844), 327 Allan’s Library, 191 Angel of Robert Burns: A Play in Four Scenes Allason (London), 64 Showing the Poet as he Lived, The, [1916?; Allen (London), 218, 290 George Eyre-Todd], 287 Index / 381

Angel Records, 372 “‘Antique’ Smith and His Forgeries of Angellier, Auguste (1893), 246 Robert Burns,” (1930; John DeLancey “Angry Young Man,” (February 1966; James Ferguson), 288 Drawbell), 281 Antiquities of England and Wales, The, Angus, William Craibe, 14, 75, 120, 152, 201, (1773–1787; Francis Grose), 26 246–247, 316, 323, 324, 339 Antiquities of Scotland, The, (1791; Francis Angus (Newcastle on Tyne), 45, 56, 335 Grose), 8, 26, 28, 118 Angus & Robertson (Sydney), 317 Antoloxia, [1990], 231 Angus-Butterworth, L. M., 247 Apollo Booklets, The, 211 Annadale Observer, 281 Apollo Poets, The, 140, 167 Annals of Medical History, 246 Apostle to Burns: The Diaries of William Gri- Annan (Glasgow), 261 erson, (1981), 295 Annandale, Charles (Editor), 150, 151, 155, Appleton and Co., (New York), 98, 100, 107, 186, 191 108, 109, 110, 119, 124, 125, 129, 272, 296 Annesley, Mabel M. (Engraver), 199 Appletree Press (Belfast), 236, 355 “Annie Laurie,” (1950), 211 Appreciation of Robert Burns, [1916?; William Anniversary Addresses Presented before the Beattie], 249 Burns Club of St. Louis, [Burns Club of St. Arbroath (Scotland), 46, 72, 261, 325 Louis]; [1945?], 257; [1955?], 257 Archon Books (Hamden), 224 Anniversary Lectures, 1959 (1959; Gertrude Ardrossan, 135 Clarke Whittall Poetry and Literature Argyll Publishing (Glasgow), 251 Fund), 292 Arkwright, W. W., 121 Anno regni Georgii III, regis Magnæ Britan- Armour, Jean, 4, 274, 347, 353, 362, 375 niæ, Franciæ, & Hiberniæ, vicesimo octavo: Armstrong (Hawick), 280 at the Parliament begun and holden at West- Army Song Book, (1918), 193 minster, the eighteenth day of May, Anno Arnold (London), 174, 214 Domini 1784, (1788), 294 Art of Adventure, The, (1948; Eric Lin- Annotations of Scottish Songs, (1962), 217 klater), 312 Annual Burns Chronicle and Club Directory, Art of Robert Burns, The, (1982; Ronald D. S. (1892–1925), 247 Jack), 305 Annual Burns Evening: February 11th, 2006, Arts and Letters Publications (New York), The Great Hall of the Charlotte Museum of 317 History, (2006), 263 Arundel (New York), 140 Annual Conference of the Burns Federation: As Burns Said: A Collection of Quotations from Dundee 12th, 13th, and 14th September 1975: the Writings of Scotland’s Greatest Poet, Program, 1975, 261 Robert Burns, (1987), 231 Annual Report and Business Meeting: Confer- “As I Stood by Yon Roofless Tower,” [1830], ence, Atlanta, Saturday, 21st July 2001, 82 (2001), 338 “As I Walk’d by Mysel, I Said to Myself,” Annual Report and Business Meeting: Confer- (undated), 16 ence, Normandy Hotel, Renfrew, 8–10th Sep- “As I Walk’d by Myself,” [1810], 54 tember 2006, 338 Ashgate (Aldershot, England, and Burling- Anro Communications (Corte Madera, ton, Vt.), 322 Calif.), 228, 229 Ashmead, John, 231 “Answer, The,” (1801), 40 Associated University Presses (London), 350 “Answer to The Soldier’s Return,” [1800], Association for Scottish Literary Studies 39 (Aberdeen), 310, 349 Anthology of English Poetry: Dryden to Blake, Association Press (New York), 194 An, (1930), 203 Astolat (London), 174 Anti-Gallican, The, (1804), 48 At Your Own Risk: An American Chronicle of Antique Collectors’ Club (Woodbridge, Crisis and Captivity in the Middle East, Suffolk; and Wappingers’ Falls, N.Y.), (1996; Tom Sutherland and Jean Suther- 357 land), 355 Index / 382

Athenaeum Press Series, 169 318, 319, 328, 329, 330, 332, 334, 350, 368, 370, Athens, Ga., 322 376, 378 Atlanta, Burns Club of, 241, 257, 344 Ayr Advertiser (Ayr), 259, 260, 262, 303, 317 Aubier (Paris), 235 Ayr Burns Club, 294, 306, 317, 350 Aufbau-Verlag (Berlin and Weimar), 224 Ayr Observer, 323 Auk Society, 214 Ayr Technical College, 247 Auld, Robert Campbell MacCombie, 247 Ayrshire, 6, 45, 224, 228, 229, 230, 231, 234, Auld, William Muir, 247 247, 279, 284, 311, 325, 333–334, 335, 337, 348, Auld Acquaintance: A Birthday Book of the 359, 367 Wise and Tender Words of Robert Burns, Ayrshire and Robert Burns, [1875?; Thomas (1881), 141 Nelson & Sons], 355 Auld Ayrshire of Robert Burns, The, (1906; Ayrshire Archaeological and Natural His- T. F. Henderson) 298 tory Society, 247 Auld Brig o’ Slittrick’s Last Address: To the Ayrshire at the Time of Burns, (1959), 247 Magistrates, Town-Council, and Inhabitants Ayrshire Book of Burns-Lore, The, (A. M. of Hawick, The, (1851; Miss Douglas), 280 Boyle) (1985), 252; (1996), 252 Auld Brig’s Welcome on the Unveiling of the Ayrshire Collections, 247 Burns Statue, Ayr, July 8, 1891, The, (1891; Ayrshire Express Office (Ayr), 359 Wallace Bruce), 254 Ayrshire Garland: Containing a Few Celebrated Auld Brig edition, 254 Songs by R. Burns, viz. The Unfortunate Auld Clay Biggin’: A Cluster of Prose and Poetry Clown, Farewel to Ayrshire, The Banks of Celebrating the Birthplace of Robert Burns, Devon, Caledonian Laddie, The, [1800], 36 The, (1925; John Dawson Ross), 340 Ayrshire Homes and Haunts of Burns, The, Auld Farmer’s New Year Morning Salutation (1897; Henry C. Shelley), 348 to His Auld Mare Maggie, 14, 49, 287 Ayrshire Magazine and West Country Monthly Auld Lang Syne . . . 23, (1820), 64; [1825], 74; Repository, (1815–1817), 2478 (1859), 111; [1890], 152; (1897), 166; Ayrshire Melodist: or, Select Poetical Effusions, [1900], 170; [1905], 179; (1910), 186; The, (1824; James Thomson), 356 (1918), 194; [1927], 201; [1970], 222; Ayrshire Post (Ayr), 303, 319 (1973), 224; (1981), 227; (1984), 228; Ayrshire Sanatorium, 179 (2003), 241 Ayrtown Carpets (Ayr), Hearth rug, Auld Lang Syne (1937; film; directed by James 378 A. FitzPatrick), 374 “Auld Lang Syne,” (1973), 247; (1976; Babukha, S., 205 G. Ross Roy), 343 Backhouse (Binder), 43 “Auld Langsyne,” [1850?], 102; [1895], 160 Baddeck, Nova Scotia, 331 “Auld Rob Morris,” (1823), 70; (1828), 77 Balfour, Alexander, 248 “Auld Robin Gray,” 66 Bailey, Kenneth, 248 Aurum Press (London), 233 Bailey & Ferguson (London and Glasgow), Autograph Copy of Tam o’ Shanter, [1900], 170 166 Autograph Letters, Manuscripts and Rare “Bairn’s breakfast, The” ([1900]; by H. J. Books, the Entire Collection of the Late John Dobson; in Heather Bells), 172 Gribbel, Philadelphia, (1940–1945), 295 Baker and Scribner (New York), 358 Autograph Poems and Letters of Robert Burns Balance, and The Columbian Repository, ( July in the Collection of R. B. Adam, (1922), 196 17, 1803), 45 Avery, Fannie L., 202 Ball, Ernest R., 248 Avery (Aberdeen), 286 “Ballad, A,” [1830; Kinsley title of “Bonnie Avizandum Editions, 359 Jean”], 83 “Ay Waukin O,” (1790; Kinsley title of Ballads and Songs of Robert Burns, The, “When I Sleep &c’”), 6; (2004) 242; 279 (1864), 118 Aylesbury, 227, 288 Ballads & Songs: Scotish, [1799], 35 Ayr, 2, 5–6, 13, 57, 63, 179, 187, 222, 224, 229, Ballantine, James, 248 231–232, 234, 247, 252, 254, 259, 260, Baltimore, Burns Club of, 257 262–263, 283, 287, 294, 298, 303, 306, 317, Banks & Co. (Manchester), 86 Index / 383

“Banks o’ Doon, The,” [Kinsley title of Beaty, Frederick L., 249 Bonie Doon and “Bonnie Doon”], 54; Beauties of British Poetry (1803), 46, 339 (1805), 48; [1826], 75; (1828), 77; [1830], Beauties of Burns, The, [1826], 74; [1905], 179 81; [1914?], 192; (1994), 236; 336 Beauties of Robert Burns, The, [1867], 122 “Banks of Dee, The,” [1805?], 48 Becher, A. E. (Illustrator), 180 “Banks of Nith, The” [1830], 81 Bedlington (Boston), 99, 100 Bannatyne, Enid, 373 Bedrick Books (New York), 295 “Bannock Burn: Robert Bruce’s Address to Beecher, Henry Ward, 262 His Army,” ( July 17, 1803), 45 Beerbohm, Max, 369, 370 Bannockburn: The Story of the Battle and Its Beethoven, Ludwig van, 69, 74, 76, 90, 91, Place in Scotland’s History, [1965?], 217 373 Barcelona, 207, 212 Begg, Ferdinand Faithfull, 250 Bardachd Raibeirt Burns an Gaidhlig, (1992), Begg, George S., 282 233 Begg, Isabella, 12, 13, 271, 332 Bard’s Ghost, The, (1864), 248 Begg, James B., 141 “Bargain: Typhoo’s New Vacuum Fountain Behar, Sasha, 250 Pen, A,” (n.d.), 248 Beijing, 214. See Pei-Ching Barke, James (Editor), 163, 213, 214, 216, 217, Belfast, 20, 21, 26, 28, 38, 46, 49, 57, 59, 69, 89, 218, 219, 220, 222, 223, 225, 228, 236, 239, 91, 157, 162, 195, 236, 249, 274, 285, 305, 355 248–249, 277 Belfast Burns Association, 285, 305 Barnes, Forrest, 374 Belford, Alfred, 250 Barnes & Noble Books (Totowa, N.J.), 305 Belford, Clarke, & Co. (Chicago and New Barraud, Allan (Illustrator), 273 York), 144 Barrus, [Clara], 281 Belgrave Place, 11, 275, 327 Barse & Hopkins (New York), 197 Bell, Alexander M., 135 Bartholdy, M., 109 Bell, Maureen, 250 Bartlett, W. H. (Illustrator), 91, 92, 95, 98, Bell, R. A., 250 113, 119, 134 Bell (London and New York), 90, 142, 314 Bartsch, Karl (Translator), 162 Bell & Bradfute (Edinburgh), 274 Bateman, Meg, 239 Bell & Co. (London), 86, 88 Batham, Cyril N., 249 Bell and Daldy (London), 110, 117, 118, 122, Batik of Tam o’ Shanter, [1975?], 369 128, 134, 135 Battarbee, Keith, 335 Bell and Sons (London), 158, 277, 313 Battle Creek Michigan Burns Club, 249 Bell, Fowler (Edinburgh), 191 “Battle of Sherra-Muir, A’ The,” [1810], 54 Bells of Shandon by Francis Sylvester Mahoney. Bawdy Burns Ballads, [1969; recording], 373 The Solitary Reaper by William Wordsworth. Bawdy Burns, the Christian Rebel, [1958; Pearl Stars by Barry Cornwall. My Heart’s in the Cyril], 334 Highlands by Robert Burns, The, (1908) 183 Bawdy Verse and Folksongs, (1982), 228 Bengough, J. W. (Illustrator), 310 Baxter (Glasgow), 171 Benn (London), 200 Baxter (Grantown-on-Spey), 349 Bennett, Hannaford, 183, 198 Bay, J. Christian (Translator), 281 Bennett, Robert, 230 Bayfield, Thomas James, 249 Bentman, Raymond, 224, 250 Bayley & Ferguson (London and Glasgow), Benvie, Andrew, 250 141, 159, 166, 167, 202, 225, 232, 348 Berlin, 224, 301 Baynes (London), 67 Bern, 309, 354 Baytoun, 177 Berwick upon Tweed, 41–42 Bayntun (Binder; Bath and Rivière), 20, 23, Best of Robert Burns, The, [1950?], 211; 45 [1970], 222 BBC, 351 Best of Robert Burns in English, The, (1990), BBC Scotland, Radio 4, 373 231 BE Records (Selkirkshire), 373 Bewick, Thomas (Engraver), 35, 36, 40, 50, Beattie, William, 208, 209, 212, 213, 220 51, 52, 55, 56, 77, 250 Beattie, William, of Toronton, 249 Biagi, Adele, 212 Index / 384

Bible in Scottish Life and Literature, The, Black (London), 66, 67, 68, 71, 195, 201, 208, (1988; David F. Wright), 365 279, 280 Bibliographisches Institut (Leipzig and Black Pennell (Greenock), 228 Wien), 162 Black Swan (London), 234 Bibliography of Robert Burns, A, ( J. W. Blackfriars Poets, The, 143 Egerer) (1964 [i.e. 1965]) 284; [1965, Blackfriars Press (London), 353 1964] 284 Blackie, John Stuart, 251 Bibliography of Robert Burns, 1759–1796, Blackie (Glasgow and Edinburgh), 60, 101, (1909; James Cameron Ewing), 286 104, 105, 110, 111, 113, 120, 122, 129, 136, 151, Bibliography of Robert Burns, The, (1881; 155, 182, 300, 369 James Gibson), 292 Blackie and Son (Glasgow), 97, 105, 116, 118, Bibliography of Robert Burns, (1881; James 125, 133, 137, 150, 364 M’Kie), 323 Blacklock, Archibald, 375 Bibliophile Society (Boston), 184, 185, 192, Blacklock, Sarah, 6, 279 193 Blacklock, Thomas, Dr., 3–4, 6–7, 22, 40, Biblioteka vsemirno literatury, 225 61, 251 Bibliotheca Burnsiana: Life and Works of Blackpool and Fylde Caledonian Society, 251, Burns: Title Pages and Imprints of the Vari- 281 ous Editions in the Private Library of James Blackstaff (Belfast), 249 M’Kie, Kilmarnock, Prior to Date 1866, Blackwell (Oxford), 364 (1866; James M’Kie), 323 Blackwood (Edinburgh and London), 68, Bibliotheca Sansoniana straniera, 212 71, 121, 233, 254, 268, 288, 295, 351 Bibliothek, 345 Blackwood and Sons (Edinburgh), 92, 105, Bi-Centenary Catalogue of Robert Burns: First 254 Editions, Important Studies, Related Ms. Blackwood’s English Classics, 268 Material, Contemporaries, Bibliography, Etc., Blackwood’s Universal Library of Standard A, (1959) 306 Authors, 121 Bicentenary of the Birth of Robert Burns: 1759 Blaikie, Jim, 251 25th January 1959: Will Be Celebrated by Blair (Aberdeen), 265, 286 Scotland’s Poets of Today with the Principal Blair (Edinburgh), 62, 63, 64, 67 Toast Proposed by Christopher M. Grieve Blair, Sir James Hunter, 2, 36 “Hugh MacDiarmid,” (1959), 311 Blake (Philadelphia), 53 Bieler Press (Los Angeles), 236 Bliss, Douglas Percy, 205 “Big-Belly’d Bottle,” (1808), 51, 250 Bliss, Sands & Co. (London), 167 Bigelow (New York), 185 Bliss, Sands and Foster (London), 164 Bigelow, Brown & Co. (New York), Bloomsbury Poetry Classics, 236 186 Bloomsbury Publishing (London), 236 Bingley, Barbara, 250 “Blue-Eyed Lassie,” [1830; Kinsley title of “I Biographical Sketches of Eminent British Poets, Gaed a Waefu’ Gate Yestreen”], 11, 81, 212 (1854), 250 “Blue Eyed Lassie, The,” (1823), 70; [1830] “Biography: Robert Burns,” (March 1, 80–81, (1924), 341 1845), 250 “Blythe, Blythe, an’ Merry Are We,” 79 Birch (New York), 88 “Blythe, Blythe and Merry Was She,” [1830], “Birks of Aberfeldy, The,” [1805], 48; [1830], 79 80 “Blythe Was She,” [1820?] 64; [1830] 79 Birthday Chimes from Burns, [1886], 146; Bobbs-Merrill (Indianapolis), 185, 220, 332 [1900], 170; [1904], 178; [1908], 184 Bobby Burns’s Cottage (photograph), 369 Birthday Wishes from Burns, (1892), 156 Bobby Burns’ Merry Muses of Caledonia, Bishop, Henry R., 139 [1958; recording], 372 Bixby, William K., 184, 193, 201 Bohn (London), 96, 99, 101, 103, 106, 111, Bixby (New York), 96 116, 118 Black, C. W., 26 Bohn’s Standard Library, 313, 314 Black (Dewsbury), 309 Bókadeild Føroingafelags (Copenhagen), Black (Edinburgh), 294, 325 208 Index / 385

Bold, Alan Norman, 228, 234, 251 and Those Celebrated in His Writings, The, Bolton, Jess, 251 (1889–1891; Charles Rogers), 338–339 Bolton, 306 Book of Short Quotations for the Use of Preach- “Bolton Hearse,” (1974), 251 ers, Lawyers, and Public Speakers: But More “Bombs at Burns Cottage,” 251 Especially for Daily Exercises in the Schools, Bon Accord Arts & Crafts (Torphins, Also Suitable for Autograph Albums, A, Kincardineshire), 300 (1886; George C. Hodges), 301 Bon Accord Press (Aberdeen), 202, 357, 363 Book of the Century, The, (1956; John Ronald Bonaly Press (Edinburgh), 365 Craig), 273 Bond, Donovan H., 252 Bookman, 252, 287 Bonhams (London), 252 Bookman Biographies, The, 280 Bonie Doon, [1810–1814], 53 Bookman Portfolio: Containing Plates in Colour Bonie Lass That Made the Bed to Me, The, by Nora England Illustrating Songs and Bal- (1927) 200 lads of Robert Burns, Christmas 1923, The, “Bonie Lass Made the Bed to Me, The,” (1923), 252 [1800–1820; Kinsley title of “The Lass Bookman’s Essays, A, (1928; J. Scott Macdon- That Made the Bed to Me”], 37 ald), 317 Bonnie Doon: A Song or Duet, [1840], 93 Books and Bookmen and Other Essays, [1912; “Bonnie Doon [The banks o’ Doon],” Ian MacLaren], 320 (1805), 48; [1830], 81 Boosey (New York), 115 Bonnie Galloway and Dumfriesshire in Scene Booth, James, 252 and Story, [194–?], 252 Booth and Sons (New York), 84 “Bonnie Jean,” [1830] 10, 82–83; [1865], 118 Borradaile (New York), 76, 84 Bonnie Jean: A Collection of Papers and Poems Boston, 41, 53, 55, 65, 85, 86, 99, 100, 102, 103, Relating to the Wife of Robert Burns, (1898; 104, 106, 107, 108, 109, 111, 113, 116, 117, 119, John Dawson Ross), 340 120, 121, 122, 124–126, 130, 131, 132, 134, Bonnie Jean: A Novel, (1959; James Barke), 136, 138, 140, 142, 143, 144, 148, 149, 152, 248 154, 155, 156, 157, 159, 160, 167, 169, 173, 176, “Bonnie Leslye,” [1825?], 73 180, 184, 185, 192, 193, 196, 198, 199, 204, Bonnie Scotland in Verse and Picture, [1930?], 220, 224, 233, 250, 254, 255, 263, 266, 268, 203 269, 282, 283, 285, 289, 292, 301, 308, 310, Bonnie Scotland: Romantic Scotland in Pictures 315, 329, 344 and Verse, (1986), 229 Boston, Burns Club of, 285 “Bonnie Wee Thing, The,” [1830], 81; Boston Public Library Quarterly, 264 [1959?], 215 Bough, Samuel (Illustrator), 134, 147 “Bonnie Wee Wife, The,” [1830], 81 Bowie, Ivie, 252 “Bonny Jean,” [1840], 93 Bowl, wooden, 375 “Bonny Lass in Yon Town, The,” (1800), 36 Boyd, A. S. (Illustrator), 179 “Bonny Lass of Ballochmyle, The,” [1799], Boyle, A. M., 252 33 Boynton, Henry W. (Editor), 268 “Bonny Lass Will Ye Go,” [S.l.: s.n., ca. “Boy’s Recollection of Robert Burns, A,” 1805], 48 (1846; James R. M’Conochie), 322 Bonny Lassie’s Plaidy Awa, Flora’s Lament for Bradbury and Evans (London), 309 Charlie, To Which Are Added, The Banks of Bradford (Philadelphia), 69 the Dee, Go Plaintive Sounds, The Lass of Bradford and Inskeep (Philadelphia), 53 Ballochmyle, The, [1826], 74 Bradstreet (Binder), 25 “Bonny Wee Wife, The,” [1830], 81 Brash & Reid (Glasgow), 30, 31, 32, 33, 36, Book Guild (Lewes), 231, 280 49, 241, 344, 345 Book of Ballads Old and New, A, (1914; Adam Braunschweig, 94 L. Gowans), 293 “Braw Lads of Galla Water,” 37 Book of Favourite Modern Ballads, A, [1865], “Braw Lass of Gala Water, The,” [1800], 37 118 “Braw Wooer, The,” (1805), 48; [1820], Book of Robert Burns: Genealogical and His- 64–66 torical Memoirs of the Poet, His Associates Braybrooke, Patrick, 252 Index / 386

Breaths of Ayr: An Entertaining Selection of the Bruce, Robert the, 31, 34 Pithiest and Most Memorable Lines from the Bruce, Wallace, 254 Works of Robert Burns, (1993), 234 Bruce Brough Press (San Francisco), 202 Breckon, Sandra, 16, 365 “Bruce’s Address . . . ,” 29, (1799) 34, 36, 53, Bremner, Eileen Doris (Compiler), 243 242; [1800–1820?] 37; (1823) 69; [1830] 79; Brewer, Ebenezer Cobham, 253 (1845) 99 Brig of Ayr and Something of Its Story, The, Bruce’s Address: To Which is Added, My Love (1910; James A. Morris), 328 is Like a Red, Red Rose, The Ploughman, “Brigs of Ayr: A Poem, The,” (1910), 329 Robin Adair, Away with This Sadness, High- Briscoe, J. Potter (Selector), 186 land Whisky, (1823) 69 Brithers a’ . . . , (Peter Esselmont), [1933], “Bruce’s Addresses,” [1799] 35 285–286; (1934), 286; (1942), 286; (1943), Bruceton Mills, W.V., 231, 252, 355 286; (1945), 286; [1949], 286; [1959], 285 Bryant, William Cullen, 255 British Book News, 277, 351 Bryant Union Co. (New York), 254 British Council (North Cote), 270, 277, 369 Bryce (Glasgow), 95 160–161, 163, 169, 172, British Museum, 179 176, 182, 183, 298, 322 British Museum. Dept. of Printed Books, 253 Bryden, Robert, 254 British Overseas Airway Corporation, 333 Brydges, Egerton, Sir, 107, 111, 126, 141, 152, British Poetical Miscellany, The, (1818), 61, 170 253 Brydson, Thomas, 254 “British Poetical Miscellany, The,” ( June Bryn Mawr, Pa., 227 1983; G. Ross Roy), 343 Buccleuch Printers (Hawick), 282 British Poets, The, 68, 80, 92, 119, 122, 128, Buchan, Earl of, 248 130, 134, 136, 137, 158, 161 Buchan, John, 198, 255, 296 Brockhampton Press (London), 250 Buchan, Peter, 57 Brodie & Salmond (Arbroath), 325 Buck, Philo Melvyn Jr., 190, 196 Bronze model of Burns’s cottage, 378 Buckley (New York), 174 Brook and Lancashire (Huddersfield), 46, Budapest, 212, 224 339 Budd and Bartram (Philadelphia), 44 Brooke, Stopford Augustus, 253 Buffalo, 134, 171, 196 Brooklyn Historical Society, 289 Bulletin, The, 270 Brookman (Glasgow), 86 Bulletin of the New York Public Library, 338, Brothers Borntraeger (Konigsberg), 329 361 Brower, Brock, 253 Bumpus (Holborn), 68, 159 Brown, Barbara (Illustrator), 225 Bunney and Gold (London), 40, 271 Brown, Hilton, 253 Burgess & Bowes (London), 232 Brown, J. Michael (Illustrator), 157 Burkart, Arnold E., 243 Brown, James, 253, 336 Burleigh, B., 15 Brown, Kenneth, 238 Burleigh (London), 305 Brown, Marshall, 162 Burnes, James (Compiler), 255 Brown, Mary Ellen, 253 Burnes, William, 150 Brown, Middlemass, 253 Burness, Lawrence R., 255 Brown, Raymond Lamont (Editor), 222 Burnett, J., 63 Brown, Robert, 254 Burnett, Whit, 255 Brown, Sidney G. (Portrait artist), 367 Burniad: An Epistle to a Lady, in the Manner Brown, W. Fulton (Illustrator), 176, 205 of Burns, The, (1808; John Henry Ken- Brown (Deptford), 245 ney), 308 Brown (Edinburgh), 84, 87–89, 91, 158, 274, Burns, Anne, 255 298–299, 321 Burns, Annelu, 248 Brown (Kilmarnock) 127, 151, 153, 158, 167, Burns, Gilbert, 66, 67, 68, 71, 84, 89, 90, 95, 177, 190–191, 197, 247, 295, 300, 311, 349 96, 97, 99, 101, 102, 106, 110, 111, 115, 116, Browne, Gordon (Illustrator), 187 255 Brownell, Johanna (Editor), 240 Burns, Isabella, 255 Bruce, George, 254 Burns, Thomas, 300 Index / 387

Burns, W. N., 17 Burns and the American War of Independence, Burns, William, 4 (1977; Farquhar Mackenzie), 319 Burns (Larkhall), 353 Burns and the Bible . . . , (1926) 199; (1927) Burns, (1824) 72 200 Burns, (Thomas Carlyle), (1854), 266; Burns and the Kirk: A Review of What the Poet (1898), 266 Did for the Religious and Social Regeneration Burns, (1909; ), 347 of the Scottish People (Alexander Webster), Burns, [n.d.; Lauchlan MacLean Watt], 360 (1888) 360; (1889) 361 “Burns,” [n.d.; Charles Whibley], 362 Burns and the Merry Muses, (1965; James Burns A–Z: The Complete Word Finder, (1990; Kinsley), 309 James Mackay), 28, 78, 139, 171, 173, 222, “Burns and the Peasantry of Scotland,” 258, 318 (1885; John Campbell Smith), 351 Burns: A Biography of Robert Burns, (2004; Burns and Tradition, (1984; Mary Ellen James A. Mackay), 318 Brown), 253 Burns: “A Poet’s Welcome to His Love-Begotten “Burns Anniversary,” ( January 28, 1856), Daughter”: Facsimile, [1987] 230 255 Burns: A Study of the Poems and Songs, (1960; Burns Anniversary, The, ( January 26, 1870), Thomas Crawford), 274, 320, 343 255 Burns ac Ingoldsby yn Gymraeg: Tri darn, Burns’ Anniversary: A Supper Commemorative (1931; John Jones), 204, 306 of the 126th Anniversary of the Birth of Burns Almanac: A Record of Dates, Events, etc., Robert Burns Will Be Given under the Aus- Connected with the Poet, The, [1898; John pices of the Burns Temperance Club, in the Dawson Ross], 341 Lesser Town Hall, Cumnock, on Saturday, Burns an’ a That!: A Celebration of Life 24th January, 1885, (1885) 263 and Contemporary Scottish Culture, Burns’ Anniversary Celebration, (1885; New [2003?] 255 York Scottish Society), 332 “Burns and Béranger,” (1880; Charles Burns’ Anniversary Dinner in Sheffield, 25th Mackay), 318 January, 1883, 255 Burns and Black Joan, (1904; Tom Wilson), Burns Anniversary, January 25, 1923, (1923; 364 Blackpool and Fylde Caledonian Society), Burns and Folk-Song, (1922; Alexander 251 Keith), 307 Burns Anniversary Services 1892, (1892) 255 “Burns and God: Typescript,” (Susan Man- Burns Anniversary Supper, (1974) 346 ning), 321 Burns’ Anniversary 25th January 1906: Memo- Burns and Highland Mary, (1840) 255 rial Services, [1906?; Jolly Beggars, “Burns and Highland Mary,” (1908) 300 Mauchline], 306 Burns and His Bonnie Jean: The Romance of Burns, Appreciations, (1912) 339 Robert Burns and Jean Armour, [1967; Burns as Others Saw Him, (1959; W. L. Ren- Yvonne Helen Stevenson], 353 wick), 336 Burns and His Kilmarnock Friends: With Burns at Galston and Ecclefechan, (1896; John Other Pieces in Prose and Verse, (1874; Muir), 329 Archibald M’Kay) 327 Burns: Authentic Likenesses, (Basil C. Skin- Burns & His Poetry, (Henry Arthur Kel- ner), [1963] 349; (1990) 349 low), (1911) 307; (1912) 307; (1921) 307; Burns Belongs to the People, [1930?] 256 (1927) 307; (1970) 307 Burns Bi-centenary Calendar 1996, [1995?] 395 Burns and His Times: As Gathered from His “Burns Bicentenary Conferences,” (Spring Poems, (1897; J. O. Mitchell), 326 1996) 256 Burns and MacNeill, Burns Bi-Centenary Lecture Series, 15, 321 Burns & Religion, (1931; A. Burns Jamieson), Burns’ birth, Soviet Union stamp commem- 305 orating, 376 “Burns and Scotland,” (1994) 305 Burns Birthday Book, The, 135, 189, 196–197, Burns and Stair, (1927; John McVie), 325 216 Burns and Tarbolton, (1990; E. H. Letham), Burns’ Burgess Ticket of Dumfries, (1904) 311 394 Index / 388

Burns—By Himself: The Poet Ploughman’s Life Burns’ Cottage: Catalogue of Relics and in his Own Words, [1938], 206 Engravings and History of Its Construction, Burns Calendar: An Event for Every Day of the (1919) 259 Year in the History of Robert Burns and His Burns’ Cottage: History of Its Construction and Contemporaries, 250 Catalogue of Contents of Cottage and Burns Calendar: A Manual of Burnsiana: Museum, (1905), 260 Elating Events in the Poet’s History, Names Burns’ Cottage: History of Its Construction and Associated with His Life and Writings, a Cataloge [sic] of Contents of Cottage and Concise Bibliography, and a Record of Burns Museum, (1913) 260 Relics, (1874; James M’Kie, ed.), 327, 328 Burns’ Cottage: The Story of the Birthplace of Burns’ Celebrated Songs, (1805) 48 Robert Burns, From the Feuing of the Burns Centenary: A Night wi’ Burns, (1896) Ground by William Burns in June 1756 until 256 the Present Day, (1904; James M. M’Bain), Burns’ Centenary: Are Such Honors Due the 322 Ayrshire Bard? (1858) 256 Burns’ Cotter’s Saturday Night, (1823) 49, 69 Burns Centenary: Being an Account of the Pro- Burns Country, The, (Charles Shirra ceedings and Speeches at the Various Ban- Dougall) (1904) 279; (1911) 279; (1925), quets and Meetings Throughout the 280 Kingdom, (1859) 256 Burns Country, The, (1962; John McVie), 325 Burns Centenary Song: Sung at Parker Burns Country, (1999; David Carroll), 270 House, (1859; B. P. Shillaber), 13 Burns Country: Where We Have Been and What Burns Centenary 21st July 1896: Great Demon- We Have Seen, The, [1920?] 260 stration at Dumfries . .., [1896] 256 Burns Day in Detroit: Being a History of the Burns Chronicle, 3, 15, 140, 196, 197, 238, 247, Moment for a Burns Statue in Detroit and a 256–257, 273, 278, 296–297, 319, 339, 343, Full Account of the Unveiling Ceremony, 356, 363. See also Annual Burns Chronicle (1921; Detroit Burns Club), 278 and Club Directory (1892–1925) Burns Encyclopedia, The, (Maurice Lindsay) Burns Chronicle and Club Directory (Kil- (1970) 311; (1980) 311; (1995) 311 marnock, Scotland) 1926 (1926–1950) Burns: Excise Officer and Poet: A Vindication, 256–257 ( John Sinton) [1896?] 349; [1897] 349 Burns’ Clarinda, (1897; John Dawson Ross), Burns Exhibition, Glasgow, (1896 ) 17, 241, 341 246, 260, 261 Burns Clubs. See location of the individual Burns Exhibition Catalogue, Royal Glasgow clubs Institute, 287 Burns Companion, A, (1991; Alan Norman Burns Experience, A, (1991; film), 374 Bold), 251 Burns Federation, 14, 189, 247, 255–257, Burns Companion: Being Everybody’s Key to 261–262, 264, 270, 282–283, 295, 297, 303, Burns’ Poems, A, [1953; W. B. Campbell], 310, 318–319, 321, 325, 336–337, 346, 358, 265 377–378 Burns Conference (Strathclyde University), Burns Festival, The, (1859; Isa Craig Knox), 280 309 Burns’ Cottage (Alloway, Scotland), 259, “Burns Festivals: Henry Ward Beecher’s 260, 376, 378; bronze model [n.d.], 378; Oration on Burns at the Cooper Insti- ceramic model [n.d.], 378; ceramic picture tute—An Immense Crowd—the Grand (1906; A. Osbourne), 376 Festivals Tonight—the Centenary of the Burns Cottage (Atlanta), 257, 344 Great Poet of Scotland,” (1840) 262 “Burns Cottage, The,” (1937, T. C. Dunlop, Burns for Bairns an’ Lads an’ Lassies an’ a’: A 259 Selection of Poems Suitable for Bairns, Lads Burns Cottage, Alloway: Catalogue of Manu- and Lassies, (1999) 238 scripts, Portraits, and Other Relics in the Burns from a New Point of View, ( James Cottage and the Museum, with Historical Crichton-Browne), [1926] 274; (1937) Note, (Burns’ Cottage, Alloway) (1931); 274 (1933); (1937); (1961); (1963); (1974), 259 Burns from Heaven: With Some Other Poems, Burns’ Cottage Association, 260 (1897; Hamish Hendry), 298 Index / 389

Burns from Various Aspects: The Address to the Burns Monument Destroyed by Fire, [2004] Laurencekirk and District Burns Club at 378 Their Annual Supper, in the Masonic Burns Monument Catalogue, (1966; James Hall, Laurencekirk, on Wednesday, 5th Cameron Ewing), 287 February, 1936, (1936; David Kelley Burns’ Monument: Short History and Catalogue Guthrie), 295 of Relics, (1919) 262, [1924?] 262–263; Burns Handbook, A, [1931; John Dawson [1928?] 263 Ross], 341 Burns Monument Trust (Norwich), 260, Burns Holograph Manuscripts in the Kil- 367 marnock Monument Museum (1889), 151 Burns’ Mrs Riddell: A Biography, (1975; Burns’ House (Dumfries), 262, 322; Angus Derek Iain Jacques Macnaghten), (Mauchline), 262 320 Burns Howff Club of Dumfries, 336, 354, 355 Burns Night: January 26, 1974, [1974; Burns Burns Illustrated: A Short Study of Selected Club of St. Louis], 258 Illustrations (1795–1925) of the Poems and Burns Nights at the Burns Club of St. Louis, Songs of Robert Burns, (2000; Robert H. (1918; Burns Club of St. Louis), 258 Carnie), 269 Burns Now, (1994; Kenneth Simpson, ed.), Burns in Drama . . . , (1878; James Hutchison 348 Stirling), 262, 354 Burns on the Borders, (1914; Galashiels Burns Burns in Dumfriesshire: A Sketch of the Last Club), 291 Eight Years of the Poet’s Life, (William “Burns: Our National Bawd,” ( Jeremy M’Dowall) (1870); [1881] 325 Watson), 360 Burns in Edinburgh: His Wanderings To and Burns, Past, Present, Future: Being the Address Fro, (1907; Charles Murchland), 330 Delivered at the Annual Dinner of the Ninety Burns in Germany: Scoto-German Studies, Burns Club, Edinburgh,on the 25th January (1928; William Macintosh), 317 1897, (1897; William Wallace), 359 Burns in Heaven: Suggested When Looking at Burns, Patriot and Theologian: from “Thoughts Burns’ Statue, Union Terrace, Aberdeen, on Natural Theology,” (1903; R. C. M’Cul- (1908; James Findlay), 289 loch), 325 Burns in His Time, (1966; Alan Dent), 278 Burns Pictures, [1891?; R. A. Bell and H. M. Burns in His Youth, and How He Grew to Be a Paget], 250 Poet: Burns in His Maturity, and How He Burns: Poems, (2007) 243 Spent It, (1878; Robert Jamieson), 305 Burns’ Poems, [1898] 168; [1930?] 203; (2007) “Burns in School,” (1997; James N. Alison), 243 245 Burns, Poems and Songs, (1969) 221 Burns in Scotland: Highlights of the National Burns Poems Published in 1786, (1911) 189; Burns Collection, (2004) 279 (1913) 191 Burns in Scottish Scene & Song, (1925; Junior Burns: Poet of Peace and War, (1915; David Allan), 245 Lowe), 315 Burns International Festival, (1996) 311 Burns’ Poetical Works, [1925?] 198 Burns into English, [1954] 212 Burns, Poet-Laureate of Canongate Kilwinning: “Burns’ Kirk Satires: Values, Form, Texture A Myth, (1892; William Officer), 333 and Techniques,” (1976; Elaine Strong Burns Poetry & Prose, (1929) 202 Skill), 349 Burns’ Popular Songs, [1840] 93 Burns’ Lieder und Balladen, [1896] 162 Burns Quotation Book, The, (1994) 235 Burns: Life, Genius, Achievement, (William Burns’ Readings and Recitations, (1927) 200 Ernest Henley) (1898) 298; (1974) 298 Burns Rosary: Undying Words of Love and Burns, Man, Prophet, Poet, [1896? Andrew Appreciation by Admirers of the Poet, The, Benvie], 250 (1923; John Dawson Ross), 341 Burns Manuscripts in the Honresfeld Collection Burns Scrap Book, or Odd Moments with the of Sir Alfred James Law, (1928; Davidson Lovers of Scotia’s Darling Poet, The, (1893; Cook), 273 John Dawson Ross), 341 Burns’ Merry Muses a Choice Collection of the Burns Scrapbook, A, (1959; Robert Fergus- Favourite Songs, (1886) 146 son), 288 Index / 390

Burns: Screenplay, (1972; Austin Campbell), “Burns to Dr. Andrew Carnegie,” (1915; G. 265 Wilkie Gahan), 291 Burns: Selected Poems, (1889) 151; (1904) 178; Burns Today and Tomorrow, [1959; Hugh (1910) 186 MacDiarmid], 316 Burns Society of Charlotte, 263 Burns traduit de l’écossais avec préface par Burns Society of the City of New York, 258, Richard de la Madelaine, (1874) 133 274, 305 Burns Treasury, A, [1910] 186; [1917?] 193 Burns’ Songs, [1932?] 204 Burns 200: 200 Items Central to the Study of Burns’ Songs and Anderson’s Cumberland Bal- Robert Burns, a Guide for Burnsians, (1996; lads, [1839] 91–92 Robert H. Carnie), 290 Burns’ Songs from The Scots Musical Museum, Burns’ Use of Parody in “Tam o’ Shanter,” Volume I, 1787, [1982; recording; sung by (1961; Allan H. MacLaine), 320 Jean Redpath], 373 Burns’ Vision, [1952; Peter Esslemont], 286 Burns’ Songs from the Scots Musical Museum, Burns Walk from the Memoried Past: The Volume II, 1788, [1982; recording; sung by Poems and Songs of John McDonald Clark, Jean Redpath], 373 (1992; John McDonald Clark), 271 Burns’ Songs Illustrated, [1840] 93 Burns We Love, The, (1929; Robert Campbell Burns’ Songs: With Illustrations, [1932?] 204 MacCombie Auld), 247 Burns Sources According to Buchan and Other Burns We Love, The, [1931; Arthur Alexander Papers, (2002; Ian Spring), 352 Malcolm Thomson], 356 “Burns’ Statue,” (1994; Jim Blaikie), 251 Burns’ Works, (1808), 53 Burns Statue Committee, 263 Burnsian, The, (August 1991–), 263 Burns Statue Square, 368 Burnsian and Review of Scottish Literature, Burns Supper: 19th January 1974, [1974?; The, (1987–1989) 264 Sierra Leone Caledonian Society], 348 Burnsiana, (1988; James A. Mackay), 263 Burns’ “Tale o’ Truth”: A Legend in Litera- Burnsiana: A Collection of Literary Odds and ture, (1976; Mary Ellen Brown Lewis), Ends Relating to Robert Burns, [1892–1897; 321 John Dawson Ross], 341 Burns’ Tam o’ Shanter, (1902) 174 Burnsiana: To the Editor of the Glasgow Her- Burns Temperance Club, 263 ald, (1897; William Craibe Angus), 246 Burns Text of Tam Lin, The, [1971?; Emily B. Burnside Lyrics, (1900; Maggie Todd), 357 Lyle], 336 Burns-Lore of Dumfries and Galloway, (1988; Burns: The Airshire [sic] Bard, (May 7, 1800; James A. Mackay), 318 James Shaw), 347 Burns’s “Blue-Eyed Lassie”: A Tribute of Burns, the Democrat, (1945; J. R. Campbell), Respect to the Later Years in the Life of the 265 Immortalized Heroine, (1924; John Dawson “Burns, the Glorious Sinner: An Unpub- Ross), 341 lished Essay,” (October 1959; John Bur- Burns’s “Chloris”: A Reminiscence, (1893; roughs) James Adams), 158, 244 “Burns, the Northern Bard, Is Likely to “Burns’s Comedy of Romantic Love,” (May Meet with Every Protection which His 1986; Frederick L. Beaty), 249 Great Merits Deserve,” ( January 6, 1787) Burns’s Death-Bed Song, [1810?] 264 263 “Burns’s Death-Bed Song,” (1810) 28 “Burns, the Northern Poet, Makes a Rapid “Burns’s Debt to Fergusson,” ( July 1925; Progress in the Knowledge of Literature John Smellie Martin), 321 under Dr. Blair . . . ,” ( June 14, 1787) Burns’s House, Mauchline: List of Portraits, 263 Books, etc. in the Museum, (1923) 262 Burns the Radical: Poetry and Politics in Late Burns’s Howff: A Souvenir, Being a Short Eighteenth-Century Scotland, (2002; Liam History of the Globe Inn, Dumfries, and Its McIlvanney), 323 Association with Robert Burns, the Patriot “Burns—the Scottish Poet,” (November 6, Bard of Scotland, [1939?; Thomas T. 1790), 263, 264 Ovens], 333 Burns the Songster, (1998; Renato Ferrari) Burns’s Journal of His Border Tour, (1934; 237, 288 John DeLancey Ferguson), 288 Index / 391

“Burns’s Literary Reputation in England Caledonian and St. Andrew’s Societies of and Scotland, 1786–1834,” (1941; Walter Tacoma, Washington, 306 Augustus Moffatt, Jr.), 328 Caledonian Books (Glasgow), 265 Burns Night: Songs and Poems, [1958; record- “Caledonian Hunt Delights, The,” [1800] 37 ing], 373 Caledonian Musical Museum, Or, Complete Burns’s Passionate Pilgrimage; or, Tait’s Vocal Library of the Best Scotch Songs, Indictment of the Poet with Other Rare Ancient and Modern, The, (1809–1811), 53, Records, (1904; David Lowe), 315 59 Burns’s Poetry, [1965] 217 Calf: The Unco Calf’s Answer, Virtue—to a Burns’s School Reading-Book: Some Sidelights Mountain Bard, and The De’il’s Answer Thereon, (1931; Robert Murdoch to His Vera Worthy Frien’ Robert Burns, Lawrance), 310 ([S.l.: s.n., 1787?]), 20 Burns’s Scotland, (1978; Andrew Fergus), 287 Caledonian Society, 281 Burnstone, Daniel (Editor), 240 “‘Caledonia’s Bard, Brother Burns’; Burns’s Burroughs, John, 264, 281 Masonic Verse,” (2000; Corey Andrews), Burrowes, J. F. (Arranger), 64 246 Burt (New York), 153, 157, 187 Calgary, 230, 261, 269, 270, 379 Burt Franklin Bibliography & Reference Calgary Burns Club, 230, 260, 269 Series, 336 Calney, Mark, 265 Burton (Ipswich), 101; Complete Works of Cambridge Bibliography, 67 Robert Burns, The, (1848), 101 Cambridge, 86, 95, 143, 149, 167, 224, 233, 238, Burton & Skinner (St. Louis), 260 305 Bush-Brown, Louise Carter, 264 Cambridge, Mass., 137, 140, 142, 160, 182, 233 Busts of Burns - brass [199–?] 378; compos- Cambridge Studies in Romanticism, 331 ite [1956–1992] 376 Cambridge University Press (Cambridge Butler, C., 82 and New York), 238, 331 Butler (Philadelphia), 128 Camelot Series, The, 148 Butler Brothers (New York and Chicago) Cameo Classics, 179 170, 346 Cameo portrait of Robert Burns, [ca, 1830] Butterworth (London), 203 367 Byron, George Gordon, Lord, 95, 96, 101, Cameo Series, 157 111, 127, 133 Camerer, Rudi (Translator), 230 Byron, May Clarissa Gillington, 264 Cameron, John, 352 Cameron (Glasgow), 102, 109, 111, 113, 115, Cabinet Classics, 101 122 Cabinet Edition of the Poets, 128 Cameron and Ferguson (London), 128 Cabinet of the Scottish Muses, The, (1808) 51 Cameron’s Popular Series, 103, 111 Cable Company (Chicago), 201 Campbell, Angus Peter, 265 Cadell, T.,17, 28, 29, 33, 38, 39, 70 Campbell, Austin, 265 Cadell and Davies, 38–40, 43, 45, 47, 50, Campbell, Donald, 225, 227, 230, 52–53, 55–58, 60–61, 64, 67, 71, 274–275 Campbell, Gerald, 224 Caedmon, 372 Campbell, J. R., 265 Cagnes-sur-Mer (A.M.), France, 311 Campbell, James, 370 Cagniard (Rouen), 133 Campbell, Kathleen, 203 Cairney, John, 15, 220, 236, 239, 240, Campbell, Mairi, 243 264–265, 365, 374 Campbell, Nancie, 283 Cairns, David, 265 Campbell, Thomas, 1, 95, 96, 106, 116, 127, Calder, Angus (Editor), 233 133, 303 Caldra House (Hove), 233, 237 Campbell, W. B., 265 Caldwell (Paisley), 74, 93 Canceled Passages in the Letters of Robert Caldwell Co. (Boston), 173 Burns to George Thomson, (1928; John “Caledonia,” [1795–1798?] 30; [1800–1810] 58 DeLancey Ferguson), 288 Caledonia Club, Winnipeg, Manitoba, 324 Canongate (Edinburgh), 240, 241, 270, 370 Caledonia Road (New York), 241 Canongate Academic (Edinburgh), 348 Index / 392

Canongate Burns, The, [2001]; (2003) 241 Catalogue of the Burns Museum: With a His- Canongate Classics (Edinburgh), 240, 241, tory of the Formation of the Memorial, 270 (1916) 293 Canongate Pocket Classics (Edinburgh), Catalogue of the Burns, Scott, and Shakespeare 240, 241 Exhibition: Comprising Books, Manuscripts, Canterbury Poets, The, 145, 146, 149 Engravings, Medals, &c. from the Collection Cape (London), 302 of A. C. Lamb, [1896] 359 Capital Scot, A, (1987), 283 Catalogue of the . . . Library of Rare and Curi- Capricorn Books (New York), 218 ous Books, of the Late John Whitefoord Carlisle Burns Club, 335, 349 Mackenzie, Esq., (1886; John Whitefoord Carlton, W. N. C., 265 Mackenzie), 319 Carlton Classics, 198 Catalogue of the M’Kie Burnsiana Library: Carlyle, Thomas, 95, 96, 118, 127, 150, 151, Holograph Mss., Paintings, Etchings, 155, 174, 176, 177, 193, 202, 204, 252, Engravings, Photographs, and Relics, (1909) 266–269, 284, 313 327 Carlyle on Burns, (1898; John Muir), 329 Catalogue of the M’Kie Burnsiana Library, Carlyle Society (Edinburgh), 265, 283, 362 with a List of the Subscribers for the Pur- Carlyle’s Essay on Burns . . . , (1986) 269; chase Thereof: A Panoramic View from the (1897) 266; [1897?] 266; (1898) 266; Monument, and Descriptive Notice of Places (1904) 266–267; (1905) 267; (1906) 267; in Kilmarnock Connected with Burns, & c., (1909) 267; (1916) 267; (1917) 193, 267; (1883; James M’Kie), 323 (1919) 194, 267; (1920) 194, 267; (1922) Catalogue of the Valuable & Interesting Collec- 196; (1929) 267 tion of Burnsiana Formed by the Late W. Carmichael, Rodick (Illustrator), 351 Craibe Angus, Esq., Glasgow, (1902) 246 Carmichael (Glasgow), 75 Catnach and Davison (Alnwick), 51, 250 Carnegie, Andrew, 259, 291 “Cauld Blaws The Wind,” [1820] 64 Carnie, Robert H., 230, 269, 270 Cavaye, J. Stanley, 271 Carrick, John Charles, 270 Caxton (London), 165, 174, 188, 271 Carré, Jean-Marie, 272 Celebration of the 111th Anniversary of Robert Carroll, David, 270 Burns’ Natal Day, at Delmonico’s Hotel, Carruth, James Aloysius, 270 New York, January 25th, 1870, (1870) 271 Carruthers, Gerard, 243, 270, 284 Celebration of the One Hundred and Twenty- Carse, A., 44 First Anniversary of the Birth-day of Robert Carson & Nicol (Glasgow), 292 Burns, (1880; Paisley Burns Club), 333 C.A.S., 282, 308 Celebration of the One Hundred and Ninety- Cassell (New York), 157, 182, 184, 199, 269 Seventh Anniversary of the Birthday of Cassell & Company (London, Paris, New Robert Burns, (1956; Paisley Burns Club), York, and Melbourne), 147, 178 333 Cassell, Petter, and Galpin (London, Paris, Celebration of the One-Hundred and Sixty- New York), 121, 130, 132 Sixth Anniversary of the Birth-day of Robert Cassell’s National Library, 178, 269 Burns, (1925; Paisley Burns Club), 333 Castillo Brothers (London), 152 Celebration of the Two Hundred and Forty Sec- Castle Books (Edison, N.J.), 240 ond Anniversary of the Birthday of Robert Castle Wynd Printers (Edinburgh), 316 Burns, (2001; Paisley Burns Club), 333 Catalogue of Exhibits with Official Handbook of Centaur Classics, 218 Burns’ House, Dumfries: With Other Memo- Centaur Press (London), 218 ries of the National Poet, [1956?], 262 Centenary Address to the Poet Robert Burns, A, Catalogue of Manuscripts, Relics, Paintings and (1896; Peter Dinwoodie), 278–279 Other Exhibits in the Cottage and Museum: Centenary Book of the Burns Club of Dumfries, With Historical Note, (1961) 259; (1963) (1920) 257 259; (1971) 260; (1974) 259 Centenary Burns, The, 174, 183, 298 Catalogue of Robert Burns Collection in the Centenary Celebrations: Robert Burns, Mitchell Library, Glasgow, (1959) 326; 1796–1896, (1896; Archibald Philip Prim- (1996) 326 rose Rosebery), 339 Index / 393

Centenary Publishing (Dumfries), 336 “Chapter in the Life of Burns, A,” (Spring Centennial Anniversary of the Birthday of 1903; W. Stewart Ross), 343 Robert Burns as Commemorated by His Character Sketches of Romance, Fiction and the Countrymen, in the City of Milwaukee, Jan. Drama, (1892; Ebenezer Cobham 25, 1859, (1859) 257 Brewer), 253 Centennial Birth-Day of Robert Burns as Cele- Charcoal sketch of Burns, 368 brated by the . . . Burns Club of the City of Charleston, S.C., 241 New York, Tuesday, January 25th, 1859, “Charlie He’s My Darling,” [1830; Kinsley (1860; Burns Club of the City of New title of “Charlie is My Darling”]; [1959?] York), 258 38, 79, 215 Central Press (Aberdeen), 285–286, 357 “Charlie He’s My Darling” and Other Burns’ Century Illustrated Monthly Magazine, The, Originals, [1896?; T. F. Henderson), 337 298 Century of Sonnets, A, (1902; S[ophia] B[led- “Charlie Is My Darling,” [1800], 38; [1830] soe] Herrick), 175 79, 82 Ceud oran le Raibert Burns: A Hundred of the Charlotte, Burns Society of, 263 Best-Known Songs by Robert Burns, (1990) Charms of Literature: Consisting of Beautiful 231 Pieces in Prose or Verse, (1800) 36 Chalmers, Margaret, 271 Charpentier (Paris), 96 Chalmers Enterprises (Edinburgh), 234 Chatto & Windus (London), 179, 270, 352, Chamberlain to the Duke of Queensberry 353 (McMurdo, John), 9 Cheltenham, 83, 197 Chambers, C., 114 Chesterton, G. K., 356 Chambers, Robert, 13, 103, 104, 106, 108, 114, Chestnaia bedhost (2005; translation of Honest 117, 134, 139, 156, 163, 173, 204, 206, 207, Poverty), 243 221, 271, 276, 324 Child, Francis, 26 Chambers (Edinburgh and London), 91, 93, Chisholm, D., 271 176, 183, 185, 231, 234, 316, 103, 108, 114, 134, Chiswick, 62, 67, 68, 72, 73 139, 156, 163, 173, 176, 183, 185, 204, 206, Chivers (Bath), 298 207, 209, 210, 214, 217, 221, 233, 234, 276, Choice of Burns’s Poems and Songs, A, (1966) 302, 321 219; (1968) 220; [1980] 226; (1989) 231 Chambers Companion to the Burns Supper, Chortles!: Being Original Humorous Readings (1992; Nancy Marshall), 321 in Prose and Verse, [1880?; W. F. Chambers Mini Guides, 233 MacLaren], 320 Chambers Poetical Works of Robert Burns: Christensen, Porl (Engraver), 220 Poems, Songs, Ballads, Verses, Lines, Frag- Christian Benevolence: A Sermon Preached ments, Graces, Epigrams and Epitaphs, before the Society in Scotland for Propagating (1990) 231 Christian Knowledge, At Their Anniversary Chancellor Press (London), 235 Meeting in the High Church of Edinburgh, Chandos Classics, 151, 159, 173 on Monday, January 3. 1763, 5 Chandos Poets, 173 Christie, J. E. (Illustrator), 269 Channel Four Television, 374 Christie, John, 271 Chants populaires. Chanson écossaise: chant et Christie (Edinburgh), 334 piano, [1975; Maurice Ravel], 336 Christie, Manson & Woods (London), 271, Chapman, F. A. (Illustrator), 123, 130, 148 286 Chapman, Francis (Editor), 175 Chronicle of the Caledonian Society of London, Chapman, (Philadelphia), (1811) 55; (1823) 1931–1938 363 71 Chronicle of the Hundredth Birthday of Robert Chapman (Trongate), (1820) 65 Burns (1859; James Ballantine), 248 Chapman & Hall 101, 266, 278, 330–331 Chronicle of the 200th Anniversary of the Death Chapman & Lang (Glasgow), 31, 34, 41, 42, of Robert Burns: Canada 1996 (1997; Jim 292 Connor), 272 Chapman & Son (Bookseller), 319 Cincinnati, 47, 100, 105, 127, 169, 269 Chapman’s Bookstore, 279 City Lights Books (San Francisco), 216 Index / 394

Claire Liddell Presents “The Kindling Fire”: CMS (New York), 373 the Songs and Poems of Robert Burns, Coale and Thomas (Baltimore), 53 (1974), 283 Coates, Iain (Illustrator), 280 Clarendon Press (Oxford), 151, 178, 191, 202, Cochrane (London), 275 221, 226, 229, 268, 273 Cochrane and Co. (London), 87 Clarinda “Clarinda,” [1830] 81. See M’Le- Cochrane and McCrone (London), 86 hose, Agnes Coddington, David Smith, 272 “Clarinda” Burns Circle Anniversary Dinner: Colberg, Sven, 213, 236 Friday, 19th January, 1951, in the Club- Cole, G. D. H. (Editor), 202 House, (1951; Queen’s Park Bowling and Cole, M. I. (Editor), 202 Tennis Club), 335 “Colin, A Pastoral Elegy to the Memory of “Clarinda” Burns Circle Anniversary Dinner: Robert Burns,” [1795–1798?] 30, 31 Friday, 20th January, 1950, in the Club- Collard, Edgar Andrew, 283 House, (1950; Queen’s Park Bowling and Collection of Partsong Books for Tannahill and Tennis Club), 336 Burns Anniversary Concerts, (1877–1917), “Clarinda” Burns Circle Anniversary Dinner: 272 Friday, 21st January, 1949, in the Club- Collection of Songs, &c.: Containing the Laird House, (1949; Queen’s Park Bowling and o’ Cockpen. The Row. John Anderson, My Jo. Tennis Club), 336 Moggy Adair. Unfortunate Mary. And Sae Clarinda: The Intimate Story of Robert Burns Will We Yet, [1820] 64 and Agnes MacLehose, (1968; Raymond Collegiate Society (New York), 180 Lamont-Brown), 309 Colley, Arthur S. (Binder), 177 Clark, John McDonald, 271 Collie, John, 272 Clark, Laurie (Illustrator), 350, 351 Collier (New York), 138, 206 Clark, Neil H., 365 Collins, James W. R., 14, 316 Clark, William Andrews, 200 Collins (Glasgow and London), 102, 130, Clark (Aberdeen), 66, 67, 68, 101 193, 196, 198, 210, 213, 214, 216, 219, 220, Clark (Edinburgh), 351 221–223, 225, 239, 248–249, 294, 319 Clark (Lancaster), 54 Collins & Sons (London, Glasgow, and Clark (London), 83, 85 Edinburgh), 154 Clark & Clark (Dumfries), 271 Collins’ Clear-Type Press (London and Clark & Son (Aberdeen), 102 Glasgow), 172, 177, 180, 182, 189, 194, 201, Clark Publishing Co. (Boston), 310 202, 203, 205, 207, 211, 360 Clarke, Charles Cowden, 118, 132 Collins Gem Burns Anthology, (1993) 234 Clarke, John S., 272 Collins Stationery & Diary (Glasgow), 377 Clarke, Robert George, 294 Collins’ Tartan Books, 203 Clarke, Stephen, 24, 93, 105, 216 Collyer, R. H., 300 Clarke (Cincinnati), 127 Colophon, 288 Clarke (London), 321 Colossi. I. A lyric anthology, (1906) 180 Classically Scottish, (1990; recording), 373 Colston and Company (Edinburgh), 319 Clay, Richard, 110 Columbia Choral Ensemble (Columbia, Clayton, Paul, 372 Mo.), 338 Clear-Type Press (Glasgow), 102 Columbia (London), 372 Cleghorn, M. S., 191 Columbia, Mo., 338 Cleghorn, Robert, 8, 340 Columbia, S.C., 226, 238, 241, 242, 285, 337, Cleugh (London), 46 343, 344, 345 Clifton, William, 88 Columbia University, 323 Clinical Excerpts, 359 Columbian Centinel, The, (Boston, Mass.), Clint, Mr., 9 263, 264 Cloudsley, Tim, 272 Colvin, Calum, 370 Clowes (London), (1939) 253 Combe, George, 272 Club, The, [Glasgow?], 275 “Come Let Me Take Thee: Song,” [1900?], Club Greenock, 272 14 Clydesdale Bank (Glasgow), 377 “Comforts of Marriage, The,” [1799] 34 Index / 395

“Comin Thro’ the Rye,” [1820; Kinsley title 104; (1854) 106; (1855) 107; (1856) 108; of Coming Through the Rye], 66, 74, 185 (1859) 111; (1860) 113; (1863) 116; (1865); Comin’ thro’ the Rye, (1909) 185 [1865] 119; (1866) 121; (1867) 123; (1869) “Coming Through the Rye,” [1820] 66 125; [1869?] 125; [1870] 126–127; (1871) Commemorative coins, 377 129–130; [1872] 130; (1873) 131; [1873] 132; Commemorative stamps, 375–377 (1874) 133; [1875] 133–134; [1876] 135; Common-place Book of Prose, The, (1828) 77 (1877) 156; (1879) 137–138; (1880) 139; Commonplace Book, 1783–1785, (1965) 218 (1882) 142; (1884) 144; (1885) 145; [1885] “Comparative Study of the Romantic Quali- 145; (1886) 146; (1887) 148; [1887] 148; ties, Attitudes and Tendencies in the [1889?] 151; [1890–1899?] 153; [1890] 153; Romantic Poetry of Robert Burns and [1891?] 155; (1891) 156; (1892) 156; [1896] William Wordsworth, A,” (1954; Fronde 162; (1899) 169; [1910] 187; (1986) 229; Rice), 337 (1990) 231 Complete Glossary to the Poetry and Prose of Complete Works of Robert Burns (Self-Inter- Robert Burns, (1886; John Cuthbertson), preting), The, [1886] 147; [1886–1887] 147; 277 (1898–) 168; (1905) 179; (1909) 185; Complete Illustrated Poems, Songs & Ballads of [1909] 186 Robert Burns, The, (1991) 232; (1992) 233; Complete Writings of Robert Burns, (1993) 234; (1994) 235 [1926–1927] 199; (1927) 200 Complete Letters of Robert Burns, The, (1987) Concert Edition of Scottish Songs, The, (1929) 230 202 Complete Poems & Songs of Robert Burns, Conkey Co. (Chicago), 172 (2000) 239; (2001) 240 Connaissance de l’étranger; mélanges offerts à la Complete Poetical and Prose Works of Robert mémoire de Jean-Marie Carré, (1964) 272 Burns, The, (1859) 111; [1870] 126; (1881) Connor, Jim, 272 141; [1890–1899?] 152; [1900–1903?] 170; Connor (London, Ont.), 272 [1900–1910?] 170 Constable and Co. (London, Edinburgh), Complete Poetical Works of Robert Burns . . . , 66, 67, 68, 71, 248, 291, 313, The, [1834] 85; (1844) 98; (1847) 100; Constitution and By-laws of the Burns Club of (1853) 104; (1855) 106; (1856) 108; (1857) Baltimore, in the State of Maryland, The, 109; [1865] 118–119; [1866] 120–121; (1867) (1858; Burns Club of Baltimore), 257 122; (1868) 124; [1870] 126; [1871] 129; Contact Corporate Merchandise (Glasgow), (1871) 129; [1872] 130; (1876) 135; (1877) 377 135; (1878) 137; [1879] 137; (1881) 141; Contemplation: With Other Poems, (1820; (1883) 143; (1884) 144; (1886) 146; (1887) Alexander Balfour), 248 148; (1888) 150; (1890) 153; (1891) 155; Contemporaries of Burns, and the More Recent [189–?] 152–153; (1893) 158; [1896] 162; Poets of Ayrshire, with Selections from Their [1897] 167, 233; [1898] 168; [1900] 170; Writings, (1840; James Paterson), 245, 333 (1900) 170–171; [1902] 175; (1902) 175; Conway, John Ashby, 255 (1904) 178; [1904] 178; (1924) 198; (1925) Cook, Davidson, 207, 217, 218, 273, 274, 327 198; [1927?] 220; [1949] 210; (1993) 234. See Cook (Paisley), 216, 245, 302, 333, 346–347 also P’eng-ssu shih hsüan, (1959) 214 Co-operative Publication Society (New Complete Prose Works of Robert Burns, The, York), 180 [1867] 122; (1871) 129; (1878) 137 Cooptip (Modena), 237, 288 Complete Word and Phrase Concordance to the Copenhagen, 248, 376 Poems and Songs of Robert Burns, Incorpo- Coppard, A. E., 199 rating a Glossary of Scotch Words, with Cork, 47, 208 Notes, Index, and Appendix of Readings, Corkran, Alice, 273 ( J. B. Reid) (1889) 336; (1969) 336 “Corn Rigs,” (1980) 227 Complete Works and Letters, The, [1928?] 201 Cornered Poets: A Book of Dramatic Dialogues, Complete Works of Robert Burns, The, (1831) [1929; Laurence Housman], 282 83; (1838) 90; [1839] 92; (1841) 96; [1842] Cornhill Co. (Boston), 292 95; [1845] 98; (1846) 99; (1847) 100; Cornwall, 278 (1848) 81; (1851) 103; (1852) 104; (1853) Corrall (London), 46 Index / 396

Correspondence Between Burns and Clarinda, Craigmillar Festival of Music, Drama, Art The, (1843; W. C. M’Lehose, ed.), 12, 96, and Sport, 273 239 Craigparoch, 27 Corrodi, August (Translator) 210, 223, 309 Craigwood House (Cupar-Fife), 315 Corsellis, Elizabeth (Illustrator), 278 Crapoulet, Jean-Claude (Translator), 235 Corte Madera, Cal, 228, 229 Crawford, Earl Stetson (Illustrator), 185 Cottager’s Saturday Night . . . , The, [1810?] 54; Crawford, Robert, 239, 273 [1812?] 56; [1814–1817] 57 Crawford, Thomas, 274, 320, 343, 354, 379 “Cottar’s Sabbath Day, The,” (1845; Robert Crawford and MacKenzie (Glasgow), 48 L. Malone), 320 Creech, William, 22, 28, 40, 52, 53, 101 Cottar’s Saturday Night, The 189; (1853) 105; Creech (Edinburgh), 4, 21, 23, 28, 29, 33, [1893] 158; [1935?] 205 38, 39, 45, 53, 56, 57, 184, 185, 274, 314, “Cottar’s Saturday Night, The,” [n.d.] 283 331 Cottar’s Sunday and Other Poems, Chiefly in the Creedon Pub. (Dumfries), 325, 362 Scottish Dialect, The, (1845; Peter Still) 320, Creeley, Robert 231 353 Crerar, Duncan Macgregor, 274 “Cotter’s Saturday Night, The,” 149; Crerar (Kirkcaldy), 44 (1793–1795) 27, 31; (1794) 29; (1892) 253 Crerar’s Edition of Burns’ Poems, (1802) 44 Cotter’s Saturday Night . . . , The, 54, 56, 57, Crest of the Broken Wave: A Novel of the Life 86, 98; (1867) 123; [187–?] 127; [1872] 130; and Loves of Robert Burns, The, (1953; [1880] 139; (1883) 143; [1887] 148; (1888) James Barke), 248 150; [1888?] 150; (1892) 156; (1895) 160; Crewe, 293 (1898) 168; (1905) 179; [1908] 184; [1910] Crichton, A., 274 187; (1915) 192; (1948) 210; (1964) 376 Crichton, Robin, 374 “Cotter’s Saturday Night, Inscribed to R. Crichton-Browne, James, 200, 262, 274 A****, Esq.,” (Kinsley title of “The Cot- Crieff, 320 ter’s Saturday Night”) 29, 30, 54, 57, 70, Crissey and Grigg (Philadelphia), 83 93, 123, 127, 130, 139, 143, 148, 150, 157, 160, Crissy (Philadelphia), 77, 87, 90, 95, 99 168, 179, 184, 187, 192, 205, 210 Crissy and Grigg (Philadelphia), 78, 84, 85 Courier Advertiser, The, 270 Crissy & Markley (Philadelphia), 101, 105, Courier and Herald Press (Dumfries), 257 106 “Court of Equity, The,” 201; (1823) 179 Crist, Samuel, 245 Court of Equity: An Episode in the Life of Criterion, 317 Robert Burns, The, (1910) 187 Critical Essays on British Literature, 222 Cousland (Edinburgh), 332, 346 Critical Essays on Robert Burns, (1975; Donald Couthy Ramblin’s: A Book of Scottish Poetry, A. Low), 315, 344 (1973; Jimmy Wright), 365 Critical Essays on Robert Burns, (1998; Carol Coventry, 29, 30, 169, 175 McGuirk), 322 Coventry & Hollier (London), 91 Criticism, A Quarterly for Literature and the Coverly (Boston), 55 Arts, 320 Cowin, Frederick, 376 Critique on the Poems of Robert Burns, A, Cowperthwait, Thomas, & Co., 106 (1812), 274 Cox, Robert, 273 Crombie, Alexander, 8 Crabbe, George, 289 Cromek, R. H., 11, 53, 55, 56, 61, 67, 77, 93, “Crack wi’ Rabbie, A,” [1947?; Gilbert Pitt], 274, 276, 335 Crosby & Ainsworth (Boston), 119, 120, Craibe, Angus, 153 121–122, 124, 125 Craibe Angus Burnsiana, The, (1902; William Crosby, Nichols, Lee & Co. (Boston), 113, Craibe Angus), 246 116, 119, 125 Craig, Gordon Alexander, 273 Croscup & Sterling (New York), 173 Craig, John Ronald, 273 Cross, Alexander, 275 Craig (Stirling), 179 Crosthwaite, Joseph, 275 Craigie, William A., 163, 168, 169, 176, 178, Crowell (New York), 126, 144, 148, 153, 189, 199, 273 218, 220 Index / 397

Crowell & Co. (New York, Boston), 143, “Daily Journal” Office (Newcastle-upon- 148, 151, 155, 157, 170, 171 Tyne), 332 Crowell Poets, 220 Daily New Bk. & Job Steam Printing Estab- Crowell’s Red Line Poets, 148 lishment (Milwaukee), 257 Crozier, Eric, 275 Dainty Davie: sic a wife as Willie Had, The Cruikshank, George (Son, Engraver), 145 Blue-eyed Lassie, The Rantin Dog the Dad- Cruikshank, Mr., 3, 4 die O’t, A Plague on All Musty Old Lubbers, Crùisgean (Fhùirneis), 231 O My Love is Like the Red, Red Rose, (1823) Crystal Palace Company, 308, 309 70 Cuckoo Hill (Pinner, Middlesex), 229 Daisies from Robert Burns, [1900–1910?] 171 Cuddihy, Deedee, 275 Dakers, Andrew Herbert, 278 Cuddihy, 275 Dalkeith, 270 “Cuif, Crank, Claw, Crushin,” 2 Dalross (Glasgow), 346 Cumberlege (London), 210 Daly (London), 95 Cumberland, Richard, 17 Dalswinton, 8 Cumming (Dublin, Glasgow, and London), D’Amico, Masolino, 223 59, 73–74 Darien (Edinburgh), 209 Cumnock, 263 Dartmouth College Library (Hanover), Cunningham, Allan, 11, 12, 15, 40, 86, 87, 91, 284 92, 95, 96, 98, 99, 100, 101, 102, 104, 105, Dasti, Signior Jr., 4 106, 107, 108, 110, 111, 113, 115, 116, 119, 120, Davidson, I., Mrs., 346 121, 125, 126, 127, 128, 129, 131, 133, 134, 140, Davidson, W. (Engraver), 68 141, 142, 143, 144, 152–153, 164, 170, 175, Davidson & Son (Kirkcaldy), 153 188, 221, 275, 296, 311, 324, 327 Davies, J. Glyn, 204 Cunningham, Allan, Mrs., 11, 295 Davies, John (Editor), 295 Cunningham, E., 95 Davies, W. H., 198, 201 Cunningham, J., 258 Davies, W. J. [sic], 201 “Cunningham Manuscript, The,” (1959; Davies (London), 38, 45 Gershon Legman), 15, 218, 310 Davis, C., 298 Cupar, 50 Davis, Edward Hatton, 124, 182 Cupar-Fife, 315 Davison, Edward Lewis, 278 Curran, Samuel, Sir, 231 Davison, John, 231 Curran, William (Translator), 231 Davison, T. L., 95 Currie, D., 263 Davison (Alnwick), 52–53, 56, 75, 77, 250 Currie, Helen, 276 Davison (London), 73, 74 Currie, James, Dr., 6, 10, 11, 16, 39–40, Dawson, Bill, 165, 278 43–44, 55, 57–60, 62–63, 65–67, 71–73, Dawson, William James, 278 75–78, 80, 83–91, 93, 95–111, 113, 115–117, “Day Returns, The,” [1820] 66 121–122, 124–126, 133, 135, 137, 152, 156, Day with Robert Burns, A, (May Clarissa 162, 175, 180, 242, 276, 331, 348, 356 Gillington Byron), 264 Currie, William B., 257 Day with the Poet Burns, A, (May Clarissa Currie, William Wallace, 276 Gillington Byron, 264. See also Day with Curry & Co. (Dublin), 86 Robert Burns, A Curtis, George William, 276 Days with the Lyric Poets: Burns, Keats, Cushing (Baltimore), 58–59 Longfellow, [1926?; May Clarissa Gillington Cuthbertson, John, 277 Byron], 264 Cutler, John, 225 Dean and Munday (London), 68 “Cutty Stool, The,” [1929; Laurence Hous- Dearborn (New York), 296 man], 302 “Death and Doctor Hornbook,” 5, 21, 22 Death, the Devil and Tam O’Shanter: The Daiches, David, 163, 164, 214, 218, 226, 227, Supernatural World of Robert Burns, (2002; 232, 277, 289, 310 Tom Douglas), 280 Daigakusyorin (Tokyo), 213 “Deaths: Resurrections and Ghosts of Daigakusyorin Library, 213 Robert Burns,” (W.R.B.), 359 Index / 398

“Decadent Representative of a Great Alien Dialect of Robert Burns as Spoken in Central Tradition, A,” (Hugh MacDiarmid), 317 Ayrshire, The, (1923; James Wilson), 363 Definitive Illustrated Companion to Robert Diamond Cabinet Library, 98 Burns, The, (2004) 242, 269 Diamond Poets, 76 Deichert (Erlangen, Leipzig), 328 Dibdin, Edward Rimbault, 278 Deighton, J., 29 Dibdin, Thomas, 31 “Deil’s Answer To His Vera Wordy Frien’ Dick, A. (Engraver), 63 R——— B——, The,” (1788; Ebenezer Dick, Dr., 312–313 Picken), 334 Dick, James C., 177, 184, 217 “Deil’s Awa’ wi’ the Exciseman, The,” Dick (Ayr), 334 [1799] 35; [1800–1810] 38; [1820] 65; Dick (Edinburgh), 59 [1825?] 73 Dick (Irvine), 93 Deil’s Reply to Robert Burns . . . , The, Dick (London), 53 [1880–1910?] 139, 187; [189–?] 153, 279; Dickens, Catherine Hogarth, 17 [1900] 171 Dickens, Charles, 17 Deil’s Reply to Robert Burns, The, (1912; John Dicks (London), 125, 128, 145 Christie), 271 Dickson, Irene (Illustrator), 265 Delahays (Paris), 97 Dictionary of Natural Biography, 93 De La Rue and Co. (London), 13 Didier (Paris), 272 Deltiology of Robert Burns, the National Poet of Dikt av Robert Burns, (1923) 197; (1976) 224 Scotland: His Life and Works as Told through Dillingham (New York), 254 the Media of the Illustrated Postcard, Dilly (London), 17 The,(1994; Peter J. Westwood), 362 Dinsmoor, Robert, 278 Dempster, Mr., 86 Dinwiddie, Robert, 282 Den Haag 236, 295 Dinwiddie (Dumfries), 210, 215, 262, 282, De Nieuwe Haagsche (Den Haag), 236 322, 364 Den norske Bokkluben, 225 Dinwiddie Grieve (Dumfries), 354–355 Denham & Dick (Edinburgh), 49 Dinwoodie, Peter, 278 Dent, Alan, 278 Dionysia Press (Edinburgh), 272 Dent, W. J. [sic] 169 Directory to the Articles and Features Published Dent (London), 160, 168, 169, 175, 176, 182, in “The Burns Chronicle” 1892–2005, 187, 191, 194, 196, 203, 208, 217, 229, 232, (2006; Bill Dawson), 278 233, 234, 235, 269 Dirt & Deity: A Life of Robert Burns, (1995; Denver, Colo., 242, 284 Ian McIntyre), 323 Department of English, University of “Discography of Robert Burns: 1948–2002, Turku, 334 A,” 307 Deptford, 245 Discover Robert Burns in Dumfries and Gal- “Despairing Goatherd, The,” [1830] 81 loway, (1996; Dumfries and Galloway “Despondency, An Ode,” (1804; Kinsley title Tourist Board), 282 of “Despondency”), 46, 47 Discovering the Burns Country, (1976; Andrew Destiny: And Other Poems, (1876) 254 Fergus), 288 Detroit, 109, 184, 185, 278, 293, 333 Disraeli, Isaac, 327 Detroit Burns Club, 278 Distributed National Burns Collections Pro- Deutsch (London), 226, 227, 277 ject (Irvine), 242, 279 Devil in Scotland: Being Four Great Ditchburn, James, 153, 279 Scottish Stories of Diablerie, The, (1934) Ditson (Boston), 121, 167, 180, 301 205 Ditson & Co. (New York), 180, 301 Devolving English Literature, (1992; Robert Divinity of Blunders: A Suppressed Poem, The, Crawford), 273 [1900] 171 Dewar, Bob (Illustrator), 228 Dobson, H. J. (Illustrator), 172, 196 Dewar, Robert, 93, 136, 139, 202, 272, 305 Dobson, Thomas, 44 Dewick (London), 46 Dodd, Mead (New York), 157, 163, 169, 178, De Wolfe, Fiske & Co. (Boston), 144 199, 202 Dewsbery, 309 Dole, Nathan Haskell, 157, 171 Index / 399

Doll (Robert Burns), 376–377 Drachmann, Holger, 281 Dollan, Patrick J., Sir, 207, 208, 297, 298 Drawbell, James, 281 Dollar Magazine, The, 346 Drennan, Willie, 281 “Domestic Happiness Exhibited in John Drew (Glasgow), 304 Anderson, My Jo,” 30–31 Drinkwater, John, 282 “Dominie Depos’d, (Concluded), The,” Drouth, 270 [1799] 34–35 Drumlanrig, 8, 9 Donaldson, A. M., 14 Drummond, Robert Blackley, 282 Donaldson, Desmond, 224 Drummond, William Hamilton, 282 Donaldson, Robert, 221 Drury, C. F., 269 Donaldson (Edinburgh), 18 Drury Lane Theatre, 145 Donnelly, William (Editor), 233 Drybrough Burns Extra Special Songbook, The, Donohue, Honeyberry & Co. (Chicago), 153 [195–?] 211 Dooble Tongue: Scots, Burns, Contradiction Drybroughs & Company (Edinburgh), 211 (2001; Jeffrey Skoblow), 350 Dryden Library, 180 Doran (New York), 320 Drysdale, Learmont, 14 Dorf, Grigori, 205–206 Duckworth (London), 237, 238, 271, 307 Dorrance (Philadelphia), 264 Ductile, Robert, 248 Double Elephant Press (Northampton, Duluth, Minn., 324 Mass.), 367 Dumbarton Burns Club, 282, 376 Doubleday, Page & Co. (New York), 186 Dumbartonshire, 215 Dougall, Charles Shirra, 201, 279, 280 Dumfries, 5–6, 8, 9, 17, 27, 65, 66, 210, 215, Douglas, David, 291, 340 250, 256, 257, 262, 271, 273, 282, 288, 292, Douglas, George, Sir, 157 304, 318, 322, 325, 333, 336, 340, 354–355, 362, Douglas, George Brisbane, 280 364, 368, 370, 371 Douglas, Hugh, 280 Dumfries, Burns Club of, 257 Douglas, James, 182, 194, 203 Dumfries and Galloway Royal Infirmary, Douglas, Miss, 280 262 Douglas, Robert W., 173, 174 Dumfries & Galloway Standard (Dumfries), Douglas, Sarah Parker, 280 256, 288 Douglas, Sheila, 280 Dumfries and Galloway Tourist Board, 282 Douglas, Tom, 280 Dumfries Burns Club, 282 Douglas, William Scott, 129, 135, 136, 139, Dumfries, Burns Howff Club, 354–355 146, 147, 148, 153, 158, 162, 163, 164, 167, Dumfries Courier & Herald, 317, 394 176, 177, 179, 190, 191, 197, 205, 206, 313, 314 Dumfries Town Council, 322 Douglas (London), 202 Dumfriesshire, 39, 263 Douglas (Edinburgh), 340 Dumont (New York), 147 Douglass, Frederick, 281 Dun, Finlay, 145 Dove (London), 75, 276 Duncan, J. F., 283 Dover Publications (New York), 233 Duncan, James, 359 Dove’s English Classics, 75, 84, 276 Duncan, John C. (Illustrator), 151 Dow, John G., 169 Duncan, Patti, 224, 247, 283 Dow (Boston), 85 Duncan (Glasgow), 5, 42, 52, 71, 76 Dowden, Edward, 16 “Duncan Gray,” [1799] 34; [1820] 65; [1865] Downie, John (Editor), 268 118, 261 Doyle, Thomas L., 268 Dundee, 45, 85, 155, 187, 194, 203, 204, 220, “Dr. Burns, Thou Brother of My Heart,” 6 245, 252, 261, 278, 283, 290, 291, 297, 312, “Dr. James R. M’Conochie’s Leisure Hours: 313, 320, 341, 351, 357 A Rare Book by a Scottish-American Doc- Dun-Eaideann, 233 tor Who Knew Robert Burns,” (April “Dunedin Public Library and Robert 1959; Jay B. Hubbell), 302 Burns,” ([1956?], S. M. Foote), 15, 290 Dr. Johnston and Burns: “The Immortal Mem- Dunfermline, 283 ory” at Blackpool, an Eloquent Tribute, Dunfermline (Fife) Public Libraries, 283 (February 6, 1920), 281 Dunlop, A. Ian, 283 Index / 400

Dunlop, Frances, Mrs., 2, 17, 20, 78, 169, 287 Edinburgh, Burns Club of, 282 Dunlop, T. C., 259 Edinburgh District Burns Clubs Association, Dunlop, W. H., 260, 287 204, 283 Dunlop, William (Editor), 222 Edinburgh Festival 1974, 283 Dunlop, William H., 283 Edinburgh Film Video, 374 Dunlop & Drennan (Kilmarnock), 244 Edinburgh Fraternity (New York), 186 Dunn & Wilson (Binder), 69 Edinburgh Herald, The, 26 Dunthorne (London), 278 Edinburgh Illustrated Edition of the Poems and Dutton (New York), 170, 179, 182, 187, 188, Songs of Robert Burns Complete, (1896) 162 191, 194, 196, 203, 208, 217, 250, 269, 273, Edinburgh Library of Standard Authors, 153 314 Edinburgh Magazine, 22 Duval Fine Books (Edinburgh), 306 Edinburgh Review, The, 266, 269, 284, 306 Dymock (Sydney), 231 Edinburgh University, 2, 237, 358 Dzhon IÎchmennoe Zerno, (1998) 237 Edison, N.J., 240 Éditions Salabert (Paris and New York), 336 Eadie (Glasgow), 360 Editorial Fama (Barcelona), 212 Early Critical Reviews on Robert Burns, (1900; Editorial Yunque (Barcelona), 207 John Dawson Ross), 341 Edmonston (Edinburgh), 354 Early English Pronunciation, 285 Edmonston and Douglas (Edinburgh), 314 Early Finnish Translations of Robert Burns’ Edrington, George A., 321 Poetry, (1990; Outi Pickering), 334 Education of Robert Burns, The, (1995; Robert Eastburn (New York), 69 Kennedy), 308 Eastburn, Kirk (Edinburgh, New York), Edward, W. A., 284 284 Edwards, Star, 242, 284 Eastern-Empire Lyceum Bureau, 283 Edwards (Cork), 47 Eastern-Empire Lyceum Bureau Presents the Effingham Maynard & Co. (New York), 150 Scottish Musical Comedy Company in an Egerer, J. W., 284 Original Adaptation of Robert Burns’ “The Eight Favorite Songs: Hurra for the Bonnets o’ Cottar’s Saturday Night,” 283 Blue, A Soldier’s Gratitude, Thou Hast Left Easton Press (Norwalk, Conn.), 236 Me Ever, Jamie, Had I a Heart for Falsehood Eaton, Seymour, (Editor), 283 Framed, Up in the Morning Early, On Beliv- Ecco (New York), 231 iderea’s Bosom Lying, Away with Melan- “Echo of Friars-Carse Hermitage,” 31 choly, It Is Not So, [1830] 79 Eclectic English Classics, 169 “‘1827’ Edition of Robert Burns’s Merry Eddy, Daniel C., 283 Muses of Caledonia, The,” (1986; G. Ross Eden Pub. House (St. Louis), 258 Roy), 140, 238, 303 Edgar, Irving Iskowitz, 283 Eighteenth-Century Scotland, 256 Edinburgh, 2–6, 8, 12, 13, 16, 18, 21–29, Eighteenth-Century Scottish Studies Soci- 33–42, 44–51, 53, 55–72, 74, 77, 80, 84–89, ety, 241 91–93, 96–97, 100, 103–105, 107–111, Einaudi (Torino), 223 114–120, 122–126, 129–139, 141–147, EKSMO-Press (Moscow), 238 150–151, 153–156, 158–159, 162–168, Election: A New Song, The, [1820] 64 174–178, 180, 182, 184–187, 189–193, “Elegiac Stanzas Applicable to the Untimely 196–198, 203–211, 214–215, 217, 219, Death of . . . Robert Burns,” 31 221–223, 225–228, 230–234, 237, 239–242, “Elegy on Sir J. H[unter] Blair,” ( July 1787) 244–246, 248, 250–252, 254–256, 2 264–266, 268–274, 276–277, 279, 282–284, “Elegy on the Death of Sir James Hunter 286–292, 294–296, 298–302, 306–307, Blair,” (1800) 36 309–310, 312–316, 318–326, 330–341, “Elegy on the Death of the Scotch Poet, 345–349, 351–352, 354–360, 362–365, 367, Robert Burns,” (November 13, 1805) 284 370, 373–374, 377 “Elegy on the Death of the Scottish Poet Edinburgh and District Burns Clubs Associ- Burns,” (1803; William Roscoe), 339 ation, 271 Elegy on The Year Eighty-Eight . . . , (1799) Edinburgh-Ayrshire Burns Association, 332 34, 35, 36, 242 Index / 401

“Elegy to the Memory of Robert Burns,” “Epitaph on Mr. William Nicol,” (1820) 248 (1805–1806) 48 Elektra (New York), 372 Ericson-Roos, Catarina, 285 Elgin Burns Club, 357 Erlangen, 328 Eliot, Charles W. (Editor), 206 Die erotische Dichtun von Robert Burns: Elliot (Edinburgh), 288, 291, 355 Bedingungen Textüberlieferung, Interpreta- Elistratova, A. A., 285 tion, Wertungen, (1981; Dietrich Strauss), Elliott, J. K., 285 354 Ellis, Alexander John, 285 Essay on Burns, (1996; Ralph Waldo Emer- Ellis, G. B. (Engraver), 69 son), 285 Ellisland, 4, 6, 8, 12, 27, 78, 186 Essay on Robert Burns, (Thomas Carlyle) Ellon, 250 (1892) 268; (1895) 268; (1896) 269; (1896) Elrod, Norman, 285 268, 269; [1896] 268; [1896?] 268; (1900) Elzevir Library, 143, 150 193, 268; (1906) 268; (1909) 268; (1922) Emerson, Ralph Waldo, 16, 259, 285 268 Emory University, 344 Essay on the Character and Cerebral Develop- England, Nora (Illustrator), 197, 252 ment of Robert Burns, An, (1859; Robert Englische Textbibliothek, 182 Cox), 273 English Bards and Scotch Reviewers, (1824) Essay on the Life and Genius of Robert 49–50; (1826) 69 Burns, An, (1887; Thomas Hutchinson), English Far and Wide: A Festschrift for Inna 302–303 Koskenniemi, (1993) 335 Essays in English Literature and History, English Men of Letters, 347 [1972; Irving Iskowitz Edgar], 283 English Poetry of Robert Burns (1759–1796), Essays on Burns and Scott, (Thomas Carlyle) The, [2006?] 243 (1892) 269; (1904) 269; (1909) 269 English Review, or An Abstract of English and Essential Burns, The, (1989) 211 Foreign Literature, An, 328 Essential Poets, The, 231 English Romanticism: The Human Context, Essex House Press, 175 (1988; Marilyn Gaull), 291 Esslemont, Peter, 285–286 “English Song,” [1830; Kinsley title of Estes and Lauriat (Boston), 159 “Husband, Husband, Cease Your Strife”], Estes and Lauriat: A History 1872–1898, 82 (1957; R. L. Kilgour), 159 Engraved oval portrait of Burns, 367, 369 Esty, Mildred C., 286 Engraversnright, Dominique, 241. See indi- Etherington, 8 vidual Engravers’ names “Etrick Banks,” (1874) 327 Enoch Productions, 243 Ettrick Shepherd. See Hogg, James Ensminger, Jonathan D., 228 Études écossaises, 343, 345 Enterprise Ayrshire (Kilmarnock and Ayr- Eur’opa Könyvkiad’o (Budapest), 224 shire), 311 Evans, Edmund, 124 Entire Works of Robert Burns, The, (1835) 86; Evans & Son (London), 57 (1836) 88; (1838) 90; (1842) 96; (1844) 98; Evening Post, The, 252 [1852] 104; [1856] 108 Evening with Burns, An, (1907) 183; (1927) E.P. Publishing (Wakefield), 224 200 Ephemera, (1870–1998), 375 Evergreen Song Lyrics: A Selection from the “Epistle from a Taylor to Robert Burns,” Poetry of the British Isles & America, (1800) 10 (2000), 239 Epistle to Davie (A Brother Poet), (1929) Everyman’s Library, 187, 191, 194, 203, 208, 202 217, 229, 234, 269, 314 “Epistle to Davie, a Brother Poet,” (1836) Ewart, Charles (Engraver), 370 89 Ewing, James Cameron, 201, 207, 218, 258, Epistles o’ Hugh Airlie: (Formerly o’ Scotland; 286–287, 297, 326 Presently Conneckit wi’ Tam Tamson’s Ware- Ewing, William Hollis, 287 hoose in Toronto,) The, (1888; J. K. Law- Ewins (London), 124 son), 310 Ewins & Co. (London), 133 Index / 402

Excellent New Song, Called Willie Wastle: To Falls of Bruar: A Garden in the Wild, The, which Are Added Henry’s Cottage Maid, The (1987; Christopher H. Dingwall), 278 Sheffield Prentice, Different Humours, and Fama Fraternitatis (Den Haag), 295 My Love Is But a Lassie Yet, An, (1800) 36 Famedram Publishers (Gartocharn and Kil- Excellent New Song Called Wonderful Admira- maronock [sic]), 225 tion!: To which Are Added Jenny’s Bawbee, Familiar Links with Robert Burns, (1933; John Remember Jack, and The Braw Lass of Gala Mitchell Murdoch), 330 Water, An, [1800], 37 Familiar Studies of Men and Books, (Robert Excellent New Songs: Viz. The Soldier’s Louis Stevenson) (1882) 352; (1888) 352; Return, The Heaving of the Lead, Hal the (1895) 353; (1923) 353; (1924) 353 Woodman, The Banks o’ Doon, [1826] 75 Family Tree of Robert Burns: From the Framed Excise, Office of, 4, 5, 6, 204 Parchment in Burns’ House, Dumfries, The, “Exile or the Banished Patriot. To which (1963; Tom McCrorie), 322 Are Added An Inscription in an Her- Famous People and Their Illnesses, [1960] 287 mitage and The Lovely Lass of Inverness, Far Familiar: Fifty New Poems, The, [1938; The,” [1795–1798?] 31 Percy MacKaye], 319 Exposition Press (Hicksville, N.Y.), 287 Farmer, Henry George, 216–217 Exposure Publishing (Cornwall), 278 “Farmer’s Salutation to His Auld Mare “Extempore on the late Mr. William Maggie, The,” (1806) 49 Smellie,” (1808) 51 Farquhar, Charles D. P., 261 “Extract from a letter of Lord Jeffery . . . Faulds, Andrew, 374 11th November 1837,” 66 Favourite Songs: Loch na Gar, On wi’ the Tar- “Extracts from Halloween: A Poem,” (Feb- tan, Oft in the Stilly Night, Charlie is My ruary 1787), 20 Darling, The Last Rose of Summer, Farewell Extracts of Lectures by Famous Lecturers and Thou Fair Day, Alice Gray, Oh no! We Never Scholars, (1936; Stevens), 352 Mention Her, O, Come to Me When Daylight Eyre & Spottiswoode (London), 178, 203, Sets, The King’s Anthem, [1830] 79, 82 350 Fawside, John (Editor), 163, 164, 164, 190 Eyre and Strahan (London), 294 Fazzini, Marco, 345 Eyre-Todd, George, 287 Federation, the (Dundee), (1975) 261 Federation, the (Kilmarnock), (August Faber (London), 219 1991–) 263 Faber and Faber (London), 220, 226, 231, Fedotova, Viktora, 217 240 Felt (New York), 119–122, 124 Fac-simile of Burns’ Celebrated Poem: Entitled Felt & Dillingham (New York), 125–126 The Jolly Beggars . . . , (1823) 70; (1838) 90; Fergus, Andrew, 287, 288 [1838?] 90 Ferguson, Fergus, 288 Fac-simile of Burns’ Celebrated Poem of the Ferguson, J. DeLancey, 8, 14, 204, 206, 212, Cotter’s Saturday Night, (1840) 93 214, 217, 218, 219, 220, 222, 228, 229, 252, Fac-simile of “Scots Wha Hae Wi’ Wallace 288, 289 Bled,” (1859) 112 Ferguson, Robert, 19, 24 Fac-similes of Letters and M.S.S. of Robert Ferguson, Thomas (Photographer), 279 Burns, 1784–1790, [1860] 114 Fergusson, Alexander, 27 Faed, John (Illustrator), 14, 105, 107, 109, Fergusson, Robert, 36, 273, 288, 321 155, 163, 176, 215, 287, 304 Ferrari, Renato (Translator), 237, 288 “Fair Eliza,” [1830] 81 Ferrie, Josep, 228 Fairbairn (London), 68, 71 Festival in Commemoration of Robert Burns, Fairbairn (Philadelphia), 48 (1819) 289 Fairbairn and Anderson (Edinburgh), 66, Few Thoughts and Expressions by Col. Walter 67 Scott in Public and Private Life: Collected Fairburn (London), 296 and Compiled by a Friend at the Request of Fairley, John A., 298 His Many Admirers on His Golden Anniver- Falconer, William, 75 sary with Butler Brothers, 1928, [1929; Wal- Falkirk, 36, 57, 65, 87 ter Scott], 346 Index / 403

F.F., 321 Harper of Mull, The Lass o’ Ballochmyle, Fhùirneis, 231 [1830] 80 Fiery Cross, 324 Five-Foot Shelf of Books, The, 206 Fiftieth Anniversary Dinner on Friday, 6th Flashback Communication, 374 August, 1971 in Miners’ Welfare Social Club Fleischer, Frederick (Bookseller), 87 (Upper Hall), at 6:30 p.m., (1971) 332 Fleischer (Leipzig), 113 Fifty Best Poems of England, [1914?] 192 Fleming, Bob 265 50 Poemas, (1994) 235 Fleming, Tom, 224, 247, 376 Fifty Selected Songs of Burns, [1920?] 195 Flint, R. Purves (Illustrator), 190, 196, 235 52nd Burns Anniversary Dinner at the Flint, W. Russell (Illustrator), 190, 196, 235 Grosvenor House Hotel, Reading, 29th Janu- Florida State University (Tallahassee), 348 ary, 1970, (1971; Reading and District “Flow Gently Sweet Afton,” (1950) 211 Caledonian Association), 336 “Flower o’ Dumblane, The,” [1830] 79 53rd Burns Anniversary Dinner, 28th January, Folcroft Library Editions (Folcroft, Pa.), 1971, (1971; Reading and District Caledon- 364 ian Association), 336 Folklore Associates (Hatboro, Pa.), 216, 54th Annual Burns Night: February 9th, 2008, 217 Charlotte Country Club, (2008) 263 Folkways Records (New York), 372 Filmer, J. (Engraver), 148 Fontana (London), 227 Finch (London), 188 Foote, G. W., 290 Finch, Pooley (London), 184 Foote, S. M., 15, 290 Finden, William (Engraver), 62 Footprints of Robert Burns, (1923; Jessie Findlater, Chris (Editor), 243 Patrick Findlay), 289 Findlay, James, 289 “For a’ That and a’ That,” 371; (1828) 77; Findlay, Jessie Patrick, 289 [1830] 80 Findlay, William, 289 For a’ That & a’ That: A Poem, (1905) 179 Findlay (Edinburgh), 46, 60, 72 “For a’ That: New Version,” (1902; John Finger, Charles Joseph, 289 Macintosh), 317 Firenze, 212 “For Auld Lang Syne,” 260; (2001) 241 Firm, The (Edinburgh), 306 “For the Birthday of Burns,” (1845; Robert Fischers Forlag (Copenhagen), 208 L. Malone), 320 Fisher, Joe, 326 For the Sake of Auld Lang Syne: Waltz Ballad, Fisher, W. D., 199, 200 (1922; Ernest R. Ball), 248 Fisher, William, 40 Forbes, William, A.M., 35 Fitt, Matthew, 242, 289 Forbes (New York), 83 Fitzhugh, Robert Tyson, 289–290 Ford, Robert, 177, 201, 290 FitzPatrick, James A., 374 Fordyce (Newcastle), 95 Five Excellent Songs: Old Towler, Pease-Strae, Forening for Boghaandrærks, 220 Blythe Was She, Fairest of the Fair, We’ll Foris (Dordrecht, Holland; and Provi- Meet Beside the Dusky Glen, [1830] 79 dence), 319 Five Excellent Songs: The Flower o’ Dumblane, Fornicators Court, The, [1823] 70; (1928) The Yellow Hair’d Laddie, The Meeting of 201 the Waters, Life is Like a Summer Flower, Forrester (Glasgow), 128 Bruce’s Address, [1830] 79 Foster, Birket (Illustrator), 123 Five Excellent Songs: Ye Mariners of England, Foulis (Edinburgh and London), 190, 192, The Trial of James Reily, Gragal ma Chree, 298, 364 The Soldier’s Dream, From Thee Eliza, &c., Fountain Publishing (Sleat), 265 (1807) 50 Fountain Well, 41 Five Favourite Songs: Royal Charlie, John Four Burns Lyrics: Set for Voice and Piano in Anderson My Jo, Whistle and I’ll Come to Traditional Style, (1993) 234 You, My Lad, Love and Glory, Nobody Com- Four Excellent New Songs: Duke of Gordon’s ing to Marry Me, [1830] 80 Daughter, The Golden Glove, The Answer. Five Songs: Abraham Newman, The Three The Caledonian [sic] Hunt Delights, [1800] Brothers of Dundee, The Birken Tree, The 36 Index / 404

Four Excellent Songs: Highland Harry, The “Fugitive Slave Visiting the Birth-Place of Storm, The Boatie Rows, Bonny Jean, [1840] Robert Burns, A,” ( July 18, 1846; Freder- 93 ick Douglass), 281 Four Funny Tales: Alloway Kirk or Tam o’ Fulcrum Publishing (Golden, Colo.), 355 Shanter, Watty and Meg or The Wife Fullarton, R. W. Macleod, 334 Reformed, The Loss of the Pack, and The Fullarton (London, Edinburgh, and Monk and the Miller’s Wife, (1802) 44 Dublin), 57 Four New Songs: Daft Jamie, The Two Emi- Fullarton and Co., (London) grants, The Lea Rig, Irish Hafts for English Fuller & Bencke (Toronto), 369 Blades, [1830] 80 Fullerton & Co. (Glasgow), 95 Four Popular Songs: Viz.–Alice Gray, My Fulton, E. S., 291 Mither Men’t My Auld Breeks, Will the “Fy Let Us a’ to the Wedding,” [1820] 64 Weaver, and O Wat Ye Wha’s in Yon Town, [1840], 94 Gahan, G. Wilkie, 291 Four Scottish Poems, (1986) 229 Gairdner, John, 291 Four Songs: Annandale Robin, The Blue Eyed Gairdner, M. S., 291 Lassie, The Birks of Aberfeldy, For a’ That Gala Water, [189–?] 153 and a’ That, [1830] 80 Galashiels, 291 Fowle (New York), Galashiels Burns Club, 291 Fowler, John, 290 Gale & Fenner (London), 59 Fowler, Richard Hindle, 290 Gall & Inglis (London and Edinburgh), 114, Francis (New York), 313 126, 141–142, 150 Francke (Bern), 309 Gallaher and White (New York), 313 Frank, Karlhans, 227 “Gallant Weaver, The,” [1830] 81 Frankenberg, Lloyd, 220 Galliard (Edinburgh), 233, 325 Frankfurt am Main, 354 Galliard Book of Shorter Scottish Poems: From Franklin, John, Sir, 312–313 the 14th to the 20th Century, The, (1991; Franklin (New York), 336 Ruth McQuillan), 233, 325 Fraser, Alexander, 226, 231 Gallovidian, 299, 343 Fraser, Elizabeth, 226, 231, 290 Gamley, Henry Snell (Sculptor), 367 Fraser, G. S., 215, 219, 222 Gardner (Edinburgh), Fraser & Co. (Edinburgh), 91 Gardner (Paisley and London), 183, 245, Fraser Creations, 378 253–255, 277, 289, 299, 306, 317, 322, 330, 331, Freemasons, 2, 249, 289, 290, 297, 334, 343, 333, 341, 342, 352, 365 365, 380 Garfield, Jas. A., Gen., 259 French (Binder), 38 Garland (New York), 231 “French Critics of Robert Burns to 1893,” Garland of New Songs: A Reprint of One of the (1964; G. Ross Roy), 343 Chapbooks in the Robert White Collection in French (London), 250 the University Library, Newcastle upon Tyne, French Translation of Robert Burns, (G. Ross A, (1966), 219 Roy), 343 Garland of New Songs: Bess the Gawkie, Blythe Frewin (London), 223 Was She, Yorkshireman in London, Pray Friar’s Carse, 26–27, 51, 118, 138 Goody, A, [1820?] 64 , 51, 118, 138 Garland of New Songs: Highland Mary, The From a Northern Window: Papers, Critical, Banks of Doon, The Beautiful Maid, The All Historical and Imaginative, (1911) of Life, Here’s a Health, The Soldier’s Adieu, 291 Donald of Dundee, A, [1810] 54 From a Red, Red Rose, [2001] 369 Garland of New Songs: Jessie the Flower o’ “From The White-Blossom’d Sloe . . . ,” Dumblane [sic], O Stay My Love, Lilies of (1803) 46; [1820] 64 the Valley, Sally Roy, Dear Maid I Love “From Thee Eliza I Must Go,” (1807) 50 Thee, Just Like Love, Green Grow the Fronde, Rice, 337 Rashes, O, Fair Ellen, A, [1810] 54 Frowde (London), 154, 162, 164, 177, 182, Garland of New Songs: Jessie the Flower o’ 184, 185, 188, 189, 190, 264, Dumblane [sic], O Stay My Love, Lilies of Index / 405

the Valley, Sally Roy, Dear Maid I Love Geddes Burns, The, (1908) 184 Thee, Just Like Love, Green Grow the Geddie, John, 351 Rashes, O, Far, Far, at Sea, A, [1800] 37; Gedichte und Lieder, (1974) 224 (1825) 73 Gehenna Press (Northampton), 217, 220 Garland of New Songs: Lovely Kitty, Woo’d and Gem of Burns, The, [1963] 217 Married, and A’ The Battle of Sherra-muir, Gemmell, Robert, 291 If He Will Take the Hint, By the Gaily Cir- Gemmell (Ayr), 259 cling Glass, [1810] 54 Gemmell and Son (Ayr), Garland of New Songs: Muirland Willie, Gemmill, James F., 291 Maggy Lauder, As I Walk’d by Myself, Sandy Gems from Burns . . . , [1900?] 171; (1909) 186 O’er the Lee, [1810] 54 Gems of British Social History, 226 Garland of New Songs: O, How I Love Some- Gems of Scottish Poetry and Song, (1871) 130 body, The Pretty Maid Milking Her Cow, Of Gems of Scottish Song[s] . . . , [1850] 102; a’ the Airts, the Win’ Can Blaw, The Banks (1866) 121 of Dee, A, [1805?] 48 Genealogical Charts of the Family of Robert Garland of New Songs: The Death of Nelson, Burns and Descending Families: Also the Lochaber, The Yellow-hair’d Laddie, Whistle Families of Gilbert Burns and Isabella and I’ll Come to You, My Lad, The Yorkshire Burns, (1997; Lawrence R. Burness), 255 Concert, A, [1800] 37; [1810?] 54 Genealogical Memoirs of the Family of Robert Garland of New Songs: The Lass that Made the Burns, and of the Scottish House of Burns, Bed to Me, Hope Told a Flattering Tale, (1877; Charles Rogers), 339 Bruce’s Address to His Army, My Lovely “Genealogical Table of the Ancestors, Mary, The Maid of Marlivale, Good Night, Descendants and Collateral Relatives of The Wonders, A, [1800–1820?] 37 Robert Burns,” (1859; James Ballantine), Garland of New Songs: Tweed Side, My Nanie 248 O, Highland Laddie, Up in the Morning General Magazine and Impartial Review, The, Early, Flowers of the Forest, A, [1805?] 48 335 Garland of New Songs: William and Margaret, “General Wolfe’s Song[s],” [1800–1820?] 37, Mary’s Dream, Roy’s Wife of Aldivalloch, 64 My Nannie [sic] O, Death or Liberty, A, Genius and Character of Burns, The John [1800] 37 Wilson), (1845) 363; (1851) 364; (1861) Garland of New Songs: Young Johnston, A 364 Man’s A Man for A’ That, The Tinker, The “Genius and Character of Burns, The,” Constant Shepherd, Hope Told a Flattering (1896; George R. Mather), 321 Tale, A, [1805?] 48 Genius and Morality of Robert Burns: A Lec- Garland of New Songs: Young Love among the ture, A Eulogy, (1859; P. Hately Waddell), Roses, My Nanie, O, God Save the King, 359 Rule Britannia, Dear Is My Little Native Genius in Homespun (Robert Burns), (1930; Vole, General Wolfe’s Song, [1800–1820?] William Muir Auld), 247 37–38; [1800] 64 Gentle Shepherd, The, (1871; Allan Ramsay), Garland Publications in American and En- 130 glish Literature, 231 Gentleman’s Bottle Companion: A Collection of Garnier, Ostard and Cie (Paris), 173 Eighteenth Century Bawdy Ballads, The, Gartocharn, 225 (1979) 225 Gaull, Marilyn, 391 George, Andrew J., 167, 266 Gavin, Evelyn, 315 George Gissing’s Essay on Robert Burns: A Pre- Gay and Hancock (London), 186 viously Unpublished Manuscript (1992; G.D.R. Etudes écossaises, Université Stend- George Gissing), 292 hal (Grenoble), 345 George Thomson: The Friend of Burns: His Gebbie, George, 168, 186 Life and Correspondence, (1898; J. Hadden Gebbie & Co. (Philadelphia), 127, 179 Cuthbert), 295 Geddes, Alexander, Rev. Dr., 184, 185 Georgia Humanities Council, 344 Geddes & Grosset (New Lanark), 236, 240, Gerard, R. L., 362 395 Gerrond, John, 292 Index / 406

Gertrude Clarke Whittall Poetry and Litera- Glasgow Ayrshire Society, 301 ture Fund, 292 Glasgow Centenary Exhibition (1896), 8, 17, Getting Around the Burns Country, [1948?; 246, 260–261 Jack House], 302 Glasgow Choral Union, 294 ’Ghlinne, Seumas, 236 Glasgow City Libraries and Archives, 326 Gibb, Alexander, Sir, 283, 310 Glasgow Corp. Public Libraries, 326 Gibb, John Taylor, 292 Glasgow Daily Record and Mail, 272 Gibb (Glasgow), Glasgow Herald, The, 3, 123, 158, 244, 246, Gibbings (London), 342 265, 270, 323, 326, 339, 340 Gibbon, James, 135, 292 Glasgow Public Libraries, 293 Gibson, James, 21, 25, 45, 60, 126, 156, 246 Glasgow-Mauchline Society, 273 Gibson, John, 245 Gleadhill, T. S., 228 Gibson (Glasgow), Gleanings from Many Authors in Memory of Gibson Brothers (Washington, D.C.), 259 Burns, (1916; E. S. Fulton), 291 Gifford, Louis S., 282 Gleanings of Literature, or The Miscellany of Gilbert, John, Sir (Illustrator), 109, 112, 113, Taste, (1805) 49, 293 117, 120, 122, 131, 154 Gleig, George, 274 Gilbert, William 21, 57 Gleig (Glasgow), 300 Gilbert (Dublin), 21, 26 Glen, Duncan, 237–238, 239, 341 Gilbert (London), 83 Glen, Margaret, 237–238 Gilbert and Hodges (Dublin), 45 Glen Afton, 1 Gilchrist, John, 100 Glencairn, Lord, 3–4 Gilfillan, George, Rev., 109, 118, 137, 138, 312, Gleniffer Press (Paisley), 225 313 Glenriddell Manuscripts of Robert Burns, The, Gillespie, Edward T. W., 292 (1914) 192; (1973) 224 Gillespie Bros. (Stamford, Conn.), 292 Glider, R. W., 16 Gilliam, E. W., 292 “Gloomy Winter,” [1820?] 65 Gillis, James, 292 Gloustershire, 270 Gilmour, Ian, 373 Glover, John, 5 “Gin a Body Meet a Body . . . ,” (1805) 48; “Go Fetch Me a Pint o’ Wine,” (1959) 214 [1825] 74 Goff, John W., 332 Ginn and Co. (Boston, New York, Chicago, Golden Cockerel Press (Waltham Saint London, etc.) (1897) 167; (1898) 169; Lawrence), 199 (1902) 176; (1930) 204; 266 Goldsmith, Oliver, 31 Gissing, George, 292 Gollancz, I., 169 Gladstone, Hugh Steuart, 292 Gonzaga University Reference Library, Glasgow, 3–5, 8, 10, 14, 17, 26, 30–31, 33–35, 114 38, 40–42, 44–45, 47–49, 57, 59–61, Good, Wendy Van Wyck, 338 63–67, 69–79, 84, 86, 88–90, 93, 95, Goodwillie, Edward, 293 97–102, 104–107, 109–118, 120–123, Goodwin (London), 55 125–131, 133, 135–136, 138, 140–141, 150, Gorbals High Society Clan, 357 152–155, 158–161, 163, 166–167, 169–174, Gordon, Donald, 293 176–177, 180, 182–183, 189–191, 194–195, Gordon, Robert (Bob), 293 197–200, 202–203, 205–207, 211, 213, Gos. izd-bo “Khudozh. Lit-ra” (Moscow), 216–218, 221–223, 225, 227–228, 232, 234, 205, 209, 211, 214, 217, 285 236, 239, 241, 244–247, 250–252, 254, 256, Gough, Isabella K., 95 260–262, 265, 270–273, 275, 279, 282, Goulding, D’Almaine, Potter (London), 64, 286–288, 291–296, 298, 300–301, 304–305, 74 308–309, 311, 313, 315, 319–324, 326–332, Gourdie, Tom, 225 335–336, 339–342, 345–346, 348–351, 353, Govan, C. H., 340 355, 359–360, 363–364, 368–69, 373–377 Govan Burns Club, 307 Glasgow & South-Western Railway (Glas- Gowans, Adam L., 293 gow), 309 Gowans, William, 292 Glasgow and the Land of Burns [1910?], 293 Gowans (New York), 364 Index / 407

Gowans and Gray (Glasgow and London), Grierson, William, 295 172, 201, 207, 293, 325 Grieve, C. M (Christopher Murray). See Grade Poet: Robert Burns, A, (1929) 202 MacDiarmid, Hugh Graff, George, 248 Grieve (Dumfries), 250 Grahame, James, 293 Grieve & Sons (Dumfries), 333 Gramercy (New York), 220, 235 Griffin (London and Glasgow), 107, 117, 118 Grampian Club (Edinburgh), 339 Griffin and Co. (Glasgow), 73, 74, 77 Grand Coliseum Warehouse (Glasgow), 154 Griffith, Farran (London), 159 Grand Colosseum Warehouse (Glagow), 313 Griffith, Farran, Okeden & Welsh (Lon- Grand Fete and Bazaar: In the Grounds of don), 145, 152 Montgomerie, 24th and 25th July, 1908, Grimble, Ian, 295 (1908; J. C. Higgins), 300 Grip Printing and Publishing Company Grand Masonic Bazaar, Edinburgh, December, (Toronto), 310 1890: Greenock Souvenir, (1890; Freema- Groombridge (London), 110, 112 sons), 290 Grose, Francis, 8, 26, 28, 30, 118 Grand Musical Commemoration of the Unveil- Guardian Weekend, The, 333 ing by Lord Houghton of the Burns Statue in Guedes & Co., 301 the City Hall, on Thursday, 25th January, Guid Bits frae Robert Burns . . . , [1903] 176; 1877: Under the Presidency of George Ander- [1935?] 205 son, Esq., M.P., [1877] 294 “Guid forgi’e me for liein’ [The braw Grange Books (London), 355 wooer],” (1805) 48 Grange Publishing Works (Edinburgh), 126 Guide to Kilmarnock and the Burnsiana of the Grant (Edinburgh), 163, 341 Town and District, (1893) 295 Grant and Menzies (Edinburgh), 163 “Guidwife of Waukhope House to Robert Grant & Son (Edinburgh), 246 Burns, the Airshire Bard, Feb. 1787, The,” Grant Educational Co. (London and Glas- (Elizabeth Scot), 40 gow), 295, 351 Gunn (Edinburgh), [1852] 104; [1856] 108 Gray, Alasdair (Artist), 367, 368 Gunnyon, William, 119, 120, 129, 130, Gray, Alexander, 188, 294 132–139, 141–142, 144–146, 150, 153, Gray, John, 34, 294, 321 155–156, 158, 168 Gray, Simon, 294 Guthrie, David Kelley, 275 Gray (Edinburgh), 5, 34, 35, 36, 54, 242, 363 Guthrie (Ardrossan), 135 Gray (London), Gray’s Pub. (Sydney, B.C.), 353 Den Haag 236, 295 Grays Tracts, (1799) 34, 35, 36 Haan, M. J. M. de (Translator), 235, 236, 295 Greatest Gift, The, (1992; Angus Peter Camp- Haas (New York), 195 bell), 265 Hachette (Paris), 246 Greeley, William Roger, 180 Hadden, J. Cuthbert, 295 Green (London), 112, 361 Haddington, 56, 101, 92, 358 “Green Grow the Rashes,” [1800] 37, 38; “Haggis, The,” (1994) 300 [1810] 54; (1825) 73; (1826) 75 Haggis: A Little History, The, (1996; Clarissa Green Place Productions (Glasgow), 374 Dickson Wright), 236 Greenaway, Kate (Illustrator), 144 Haggis: An Endangered Species, The, (1995; Greenleaf (Boston), 53 Seumas ‘Ghlinne), 236 Greenock, 8, 42, 120, 125, 214, 228, 253, 255, “Hal the Woodman,” [1826] 75 290, 320, 337 Haldeman-Julius (Girard, Kan.), 196, 204 Greenock Burns Club, 295 Hale (London), 235, 280, 307, 311 Greenock News, The, 139, 171, 187 Half-an-’oor wi’ Burns: Being a Poem Written Gregg, Donald Waid, 295 for “The Aberdeen, Banff, and Kincardine Gresham (London), 186, 191, 195 Newcastle Association” on the 134th Grey Walls Press (London), 210 Anniversary of Burns’ Birthday, (1893; Gribbel, John, 30, 192, 295, 327 James Lawrence), 310 Gribbel, Peter, 340 Halifax, 88, 89, 94, 98, 99, 100, 103, 106, 110, Gribbel (Philadelphia), 192 111, 112, 116, 117, 121, 122, 124, 162, 308 Index / 408

Hall, Anna Maria, 12, 31, 295 Haskell House (New York), 298 Hall, John, Rev., Hassall, Joan (Engraver), 218, 229 Hall, S. C., Mrs., 295 Hastie, Archibald, 11, 275 Hall, G. K. (New York), 322 Haverhill, 278 Hall, Robin, 372 Hawick, 280, 282 Hall, William (New York), 93 Hawthornewaite (Newcastle-on-Tyne), Halleck, Fitz-Greene, 296 249 Halliday, R. T., 296 Hay, James Miller, 297 “Halloween: A Poem,” (1787) 20 Hay, William, 67 Hamden, 224 Hay (Edinburgh), 299, 307 Hamilton, Ian, 236 Haydn, Franz Joseph, 30, 43, 46, 58, 60, 61, Hamilton, W. S., 296 69, 74, 76, 90, 96 Hamilton (Glasgow), 155 Hayman, David, 373 Hamilton (London), 253 Hayward, John, 317 Hamilton Advertiser, 317 Hearne (London), 348 Hamilton Burns Club, 296 Hearth rug, 378 Hamilton Burns Club, 1877–1927: Report of Heartman, Charles F., 201 Jubilee Celebrations, 25th January, 1927, Heath, Charles, 62, 73 (1927) 296 Heath (Boston), (1904) Hamilton, New Zealand, 359 Heath & Company (London), 266 Hand in Hand We’ll Go: Ten Poems, [1965] 218 Heather Bells, [1900] 172 Handbook of the Dumfries Burns Club, (1955; ‘Heaven-taught Fergusson’: Robert Burns’s Dumfries Burns Club), 282 Favourite Scottish Poet: Poems and Essays, Handyside (Newcastle-on-Tyne), 152 (2003; Robert Crawford), 273 Hannah, J. E., 14 Heaving Of The Lead: Lash’d To The Helm, Hansen, Martin N. (Translator), 211 The Lass o’Arranteenie, Cauld Blaws the Hanson, Charles Lane, 167, 176, 204, 266 Wind, Dearest Ellen, From The White-Blos- Hard Times and the Common Man in Burns’ som’d Sloe, The, [1800], 64 Day, (April 1, 1998), 295 Heavisides, Henry, 297 “Hard Times and the Common Man in Heavisides (Stockton), 297 Burns’ Day,” (2001; Donald Waid Gregg), Hebda, Jerzy R. S. (Translator), 233, 237 16 Hebrew Psalmist and the Scottish Bard: [A Ser- Hardie, C. Martin (Illustrator), 176, 206 mon], The, ( January 27, 1918; John Hardie, George R., 274 Smith), 351 Hardie, James K., Mr., 263 Hecht, Hans, 297, 298, 299 Hardy, Herbert H. Cozens, 347 Hedderwick (Glasgow), 166 Harlow, 236, 315 Heffer (Cambridge), 305 Harmonist’s Preceptor, or Universal Vocalist, Heidelberg, 112, 182, 230, 297, 354 Containing All the New Songs, The, [1833?] Heinemann (London), 215, 219–220, 222 296 Heinrich, Helmut T. (Translator), 204 Harp of Stirlingshire, The, (1897; Harvey), Heintze, H. Julius (Translator), 94, 113 296 Heller, Otto, 298 Harper (New York), 254, 337 Hellerman, Fred, 372 Harper & Brothers (New York), 104, 296 Hendel (Halle), 162–163 HarperCollins (Glasgow), 234, 236, 323 Henderson, Ebenezer, 17 Harrap (London, Bombay, and Sydney), 191 Henderson, Hamish, 11, 38, 71, 94, 201, 221, Harris (Edinburgh), 225, 226 252, 324, 334, 365 Hart, Sophie C., 267 Henderson, Thomas F., 164, 165–166, 174, Hart (Oxford), 189 180, 182–183, 188, 197, 200, 298, 362 Hart (Philadelphia), 364 Henderson (Edinburgh), 319 Harvard Cooperative Society, 356 Hendersons (Ayr), 328 Harvard University, 357 Hendry, Hamish, 298 Harvey, George (Illustrator), 111, 163 Henley, William Ernest, 164, 165, 166, 174, Harvey, William, 74, 201, 296, 297 180, 183, 188, 197, 200, 298, 362 Index / 409

Henley and Burns; or, The Critic Censured, Highland Mary, (Engraving of statue), 172 Being a Collection of Papers Replying to an Highland Mary: Interesting Papers on an Offensive Critique on the Life, Genius, and Interesting Subject, (1894; John Dawson Achievements of the Scottish Poet, (1901; Ross), 342 John Dawson Ross), 341 Highland Mary: The Romance of a Poet, “Henley & Henderson,” (1987; G. Ross (1906; Clayton Mackenzie Legge), 310 Roy), 343 Highland Piper’s Advice to Drinkers: Home, Henneberry (Chicago and New York), 168, Sweet Sweet Home, Wallace’s Lament, connel 174 and Flora, Here Is the Glen, Oh Hey Johny Henry & Grant (Ayr), 332 Lad, and Charlie Is My Darling, The, “Henry’s Cottage Maid,” (1800) [1800], 38 Heod, James R., 302 Highland Plaid: Irish Providence. The Braw Hepburn, Anthony, 214, 326 Wooer. I’ll Love Thee No More, The, Herd, David, 299 [1820] Herdman, R. (Illustrator), 124, 134, 142, 150 Highland Society of N.S.W., 256 “Here Is the Glen,” [1800], 38 Highlander, The, 300 Here’s a Hand, (1893; Wallace Bruce), 254 Hill, David Octavius (Illustrator), 227, 300, “Here’s a Health . . . ,” [1810] 54; [1830] 81 304 Here’s a Health to Him That’s Awa, (1995; Hill, John Charles, 300 Bobby Murray), 331 Hill, Peter, 299 Here’s a Health to Them That’s Awa, [1960?] Hill (Chicago), 175 215 Hill (Dundee), 85 “Here’s a Health to Them That’s Awa,” Hill (London), 188 (Kinsley title of “Here’s a Health”) [1829] Hill (Montrose), 72 78; [1830] 79 Hilliard, Gray and Co. (Boston), 86 Heritage of Burns, The, (1896; William Hills o’ Gallowa: To which Are Added, Last Robertson Turnbull), 358 May a Braw Wooer, Green Grow the Rashes, Heritage Press (New York), 218 O, Sweet the Rose Blaws, [sic a Wife as Willie Heritage Scotland, 362 Had], (1826) 75 Heron, Robert, 38, 46, 47, 298, 299 Hillyer, R., 292 Herrick, Sophia M’Ilvaine Bledsoe, 175 Hilton, Charlie, 300 Hertenstein, Axel (Illustrator), 227 Hiltunen, Risto, 335 Hertenstein-Presse (Pforzheim), 227 Hinckley, Carol, 255 Hervey, James, 299 Hindson & A. Reid (Newcastle upon Tyne), Hewart, Right Honorable Lord of, 335 219 Hewat, James, 291 His Power Survives: Robert Burns, 1759–1796, Hewat, Kirkwood, 299–300 (1995; Marshall Walker), 359 Hewetson (London), 184 Historical Sketch of the Burns Statue, the Hewitt, Clare (Illustrator), 236, McPherson Legacy to the City of Albany. “Hey tutti tatie,” 34 Erected in Washington Park September 30, Hierthes, Ludwig, 300 1888, (1889) 300 Higgins, James Craig, 300 History of Burns’s Forefathers, His Travels in “Highland Courtship, The,” [1825] 73 Scotland, and His Masonic Affairs, A, [1949; Highland Gems [1880–1899?], 139 James Robertson], 338 “Highland Harry,” [1840] 93 History of Glenbervie . . . , (George Hender- Highland Heather Perfume, 244 son Kinnear), (1895) 308; (1910) 309 “Highland Lad, A,” (1874); (1980) 227 History of Kilmarnock, The, (1864; Archibald “Highland Lad and Lowland Lass[ie],” M’Kay), 327 [1830] 82–83 History of Pornography, A, [1966; H. Mont- “Highland Laddie,” [1805?] 48; [1826] 74; gomery Hyde], 303 (1874) 327; Kinsley title of “Highland Lad History of the Burns Howff Club of Dumfries, and Lowland Lassie” 83 [1988; Bill Sutherland], 354 “Highland Mary,” [1810]; (1825) 74; [1828] History of the Burns Monument, Edinburgh, 78; [1835] 87 (1961; J. Stanley Cavaye), 271 Index / 410

History of the Celebration of Robert Burns’ “Home, Sweet Sweet Home,” [1800] 37 110th Natal Day, at the Metropolian Hotel, Home University Library of Modern New York, A, (1869) 301 Knowledge, The, 203 History of the County of Ayr, (1852; James Homes and Haunts of Robert Burns, ( James Paterson), 334 MacKenna) (1959) 319; (1963) 319 History of the Lodge Canongate Kilwinning No. Homes and Haunts of Robert Burns: A Popular 2, (1888; Freemasons), 290 Reading, [1910; Roderick Lawson], 310 History of the Paisley Burns Club, [1939; Homes of English Poets: With Appropriate Thomas Hunter], 302 Selections from Their Works, [1890?], 301 History of the Rise, Proceedings, and Regula- Homewood (Chicago), 172 tions of the Batchelors’ Club, Tarbolton, Homilies and Recreations, (1927; John (1957; National Trust for Scotland), 332 Buchan), 255 History of the Scottish Highlands and Highland Honest Poverty (Chestnaia bedhos; 2005), 243. Clans, (1882; John Keltie), 143 See also “Is There for Honest Poverty?” Hitchcock, Richard A., 342 Hong Kong St. Andrew’s Society, 301 H.M.S.O. (Edinburgh), 318, 352 Hong Kong St. Andrew’s Society Banquet: Hobby Press (Edinburgh), 251 Burns’ Anniversary 1885, [1885] 301 Hodder and Stoughton (London), 169, 197, Honour’d Shade: An Anthology of New Scottish 252, 264, 274, 278, 280, 320 Poetry to Mark the Bicentenary of the Birth Hodgart, John, of Robert Burns, [1959; Norman MacCaig], Hodge, William, 316 Hodge (Glasgow), 260, 261, 262, 286, 287, Hood, Andrew, 305 297, 342, 363 Hook, Richard (Illustrator), 248 Hodge & Annam (Glasgow), 261 Hooper and Wigstead (London), 26, 33 Hodge & Co. (Glasgow), 247, 261, 262, 273, Hoops, J.m., 182 274, 296, 297, 329, 341 Hopekirk, Helen, 167, 180, 301 Hodges, George C., 301 Hopkinson, Cecil, 74 Hodgson (London), 271 Horisont, 213, 236 Hodgson (Newcastle), 271 Horn spoon, 375 Hoeber (New York), 246 Hotten (London), 130, 140 Hogg, James, 57, 86, 88–89, 95, 101, 103–104, Houghton Mifflin (Boston and New York), 130, 142, 290, 354 199, 220, 233, 282 Hogg, Patrick Scott, 240, 241, 301 Houghton, Mifflin (Boston and New York), Hogg, Robert, 158 142, 154, 160, 167, 198, 224, 268, 289, 329 Hogg (Edinburgh), Houghton, Osgood (Boston), 138, 140 Hogg (Great Britain), Houlston (London), 135 Hogmanay Burns Number, (1936) 301 Houlston & Wright (London), 125 Hogrogian, Nonny, 218 “Hour Among the Poets, An,” (1856; John Hog’s Back (Seale), 352 Collie), 272 Hohmann, Dietrich, 301 House, Jack, 302 Holderman, James B., 191, 222 Housman, Alfred Edward, 292 Hole, William (Engraver), 164, 165, 166 Housman, Laurence, 302 Holmes, Robert Love, 301, 320 Houston, John, 356 Holmes (Glasgow), 301, 320, 330, 359 Hove, 233, 237 Holmes McDougall (Glasgow), 415 Hovey, Daniel R., 237 Holograph of Lines from The Bonny Banks of Hovey, Esther, 237, 344 Ayr, and A Version of Tibby, I Hae Seen the Hovey, Serge, 237, 284, 373 Day, [1976] 224 How, L., 87 Holt (New York), 267 “How Cruel Are the Parents,” [1830] 81 “Holy Willie’s Prayer,” (1789) 5; (2000) 239 How to Murder a Haggis, (2007; Deedee Cud- Holy Willie’s Prayer . . . , 35; [1799] 34; (1801) dihy), 275 40; [1884?] 144; (1973) 224; (2003) 242 How To Write: A Pocket Manual of Composition Home of Burns’ Ancestors, The, (1896; and Letter-Writing, [1867], 124 William Will), 363 Howard, Alfred, 74 Index / 411

Howard and Evans (London), 56 “I, Rob Morris,” (1823) 70 Howatson, John, 217 I, Robert Burns, (1959) 303 Howie, Jean, 216 I, Roberto: A Play for One Actor, (2008; John Hubbard, Elbert, 302 Fowler), 290 Hubbell, Jay B., 302 “I Wunner,” (1994) 300 Huddersfield, 46, 61, 253, 339 Ich, Robert Burns: Roman, (1991; Dietrich Hughes, James Laughlin, 196, 302 Hohmann), 301 Hughes A’I Fab (Wrecsam), 204 Ideals of Burns Compared with the Present-day Hummel, Johann Nepomuk, 90 Scottish Orthodoxy, The, (1897; Alexander “Humorous Epistle to Mr. Cunningham Webster), 361 after His Marriage,” (1801) 40 “If He Will Take the Hint,” [1810] 54 Humorous Pieces . . . , (1801) 40 “If Rab were here,” (1915; G. Wilkie Humorous Scotch Readings: In Prose and Verse, Gahan), 291 (1881; Robert Ford), 290 Illustrated Family Burns, The, [1866] 121; Hunt, J. B. (Engraver), 122, 131 [1879] 138; [1882] 142 Hunter, A., 326 Illustrated Guide to Ayr and the Land of Burns, Hunter, Clark, 216 [1906?] 303 Hunter, Douglas, 324 Illustrated London News, The, 204, 303 Hunter, Lord Provost, 351 Illustrated News of the World and National Hunter, Thomas, 302 Portrait Gallery of Eminent Personages, Hunter (Dumfries), 256, 354 [1858–1864] 303 Hunter Blair, James, Sir, Illustrated Poets, 233, 240 Hunter’s Illustrated History of the Family, Illustrated Songs of Robert Burns, (1861) 115 Friends and Contemporaries of Robert Burns, Illustrations of Tam o’ Shanter, [1930–1950] [2009; Colin Hunter McQueen and Dou- 304 glas Hunter], 324 Illustrations of the Life and Works of Robert Huntingfield, Lord, 352 Burns: Containing Portrait of Burns, (1837) Hurd and Houghton (New York), 137 304 “Hurra for the Bonnets o’ Blue,” [1830] 79 Illustrations of the Poems of Robert Burns: “Hurrah for the Bonnets of Blue,” [1829] 78; Engraved from Designs by T. Stothard, and a [1830] 79, 81 Portrait of Dr. Currie from an Original Pic- Hurrah for the Bonnets of Blue. Pray Goody, ture by H. Hone, (1814; R. H. Cromek), Donald of Dundee, The Cypress Wreath, I’d 274 Be a Butterfly, Oh Say Not Women’s Love is Illustrators “I’m wearin’ awa, John,” 28. See Bought, He’s O’er the Hills that I Lo’e Weel, individual Illustrators’ names The, Immortal Batchelor: The Love Story of Robert Hurst & Co. (New York), 152, 154, 155 Burns, (1942; Whit Burnett), 255 Hurst, Chance, and Co. (London), 313 Immortal Lover, A Burns Romance, The, [1929; Hurst, Crosby & Co. (Bookseller), 46, John A. Steuart], 352 339 Immortal Memories: A Compilation of Toasts to “Husband, Husband, Cease Your Strife,” the Immortal Memory of Robert Burns as [1830] 82 Delivered at Burns Suppers Around the Hutchinson, Thomas, 302, 303 World Together with Other Orations, Verses Hutchinson (London), 311, 313 and Addresses, 1801–2001, (2003; John Hutchison, James, 262, 354 Cairney), 264 Hutchison (Glasgow), 66, 69, 70, 71 Immortal Memory, The, (1934; W. A. Hutchison & Brookman (Glasgow), 78, 84 Edward), 284 Hyde, H. Montgomery, 303 Immortal Memory, (1939; J. E. Hannah), 13 “Immortal Memory, The,” ([1975?]; “I Gaed a Waefu’ Gate Yestreen,” [1799] 34; J. Lockhart Whiteford), 362 [1820] 66; [1830] 81 “Immortal Memory, The,” ( January 25, “I Had a Wife o’ My Ain,” [1820] 66 1979; Patrick Scott), 350 “I Love My Jean,” (1829; Kinsley title of “Immoral Memory, The,” (1990; M. S. “Lovely Jean”), 79 Lumsden), 315 Index / 412

Immortal Memory: A Speech to the Members of Inauguration of Robert Burns as Poet Laureate the Rosebery Burns Club, January 24, 1906, of the Canongate Kilwinning Lodge, The, The, [1906; Alexander Cross], 275 (Painting), 304 “Immortal Memory, The”: At Ayr Burns Club Incidental Poems Accompanied with Letters, Dinner, Twenty-fifth January 1924, (1924) and a Few Select Pieces, Mostly Original, for 317 Their Illustration, Together with a Preface, “Immortal Memory” Commemorative and Sketch of the Author’s Life, (1828; Stamps, [1996] 377 Robert Dinsmoor), 278 Immortal Memory of Robert Burns, The, (1912; Incline Press (Oldham), Arthur Kay), 306 “Indices to the Burns Chronicle 1946–1975” Immortal Memory of Robert Burns, The, (1932; (1975; Robert D. Thornton), 356 David Anderson St. Vigeans), 352 Ingalls, Daniel Henry Holmes, 140 Immortal Memory of Robert Burns, The, [1958; Ingersoll, Robert G., 128, 293 Kenneth Porter Kirkwood], 309 “Ingersoll’s tribute to Burns,” [1900] 171 Immortal Memory of Robert Burns: A Medical Inglis (Edinburgh), 120 Aspect, A, [1935; J. Purves-Stewart], 335 Ingram, John, 304 “Immortal Memory of Robert Burns: Innes, A. T., 291 Address, The,” (1946; Charles S. Web- Innocent in Scotland: More Curious Rambles ster), 361 and Singular Encounters, An, (1999; David Immortal Memory of Robert Burns: Toast Pro- McFadden) 322 posed at the Burns Night of Lodge St. Vin- Inskeep and Bradford (New York), 73 cent, Glasgow, No. 553, The, (1937; R. T. Interesting and Characteristic Anecdotes of Halliday), 296 Burns, (1893; John Ingram), 304 Immortal Memory: Planning Your Own Burns Interesting Burns and Other Relics, (1904) 304 Supper, The, (1994; Donovan H. Bond), Interesting History of Robert Burns: The Ayr- 252 shire Bard, An, [1850?] 304 Immortal Memory: Robert Burns: 1759–1796, Introducing Robert Burns: His Life and Poetry, (2003) 377 (1982; Tamas McDonald), 322 Immortal Memory: The Real Robert Burns, Introduction to Chapbooks, An, (2003; Barry (1938; John St. Clair Muriel), 330 Mackay) 242, 317 Imrie, John, 304 “Inventory, The,” [1799] 35 Imrie, Graham (Toronto), 304 Inventory. The Dominie Depos’d (Concluded); In Defence of Robert Burns: The Charge of Pla- Lines in the Palace of Scone; The Comforts of giarism Confuted, (1901; George Black), 251 Marriage; and, The Plundered Lark, &c., In Memoriam: George R. Mather, (1896; The, [1799], 34 George Mather), 233 Invitation from the Commissioner of Parks In Memory of Robert Burns: Selected Poems & Recreation in cooperation with The and Songs, (1896) 162 Burns Society of the City of New York, In Other Words: Transcultural Studies in The American-Scottish Foundation, St. Philology, Translation, and Lexicology Pre- Andrew’s Society of the State of New sented to Hans Heinrich Meier on the Occa- York, The New York Caledonian Club, sion of his Sixty-fifth Birthday, (1989; Scottish Heritage USA to a Program Cele- J. Lachlan Mackenzie and Richard Todd), brating the Bicentennial of Robert Burns 319 on Saturday, October 26, 1996, 11:00 a.m. “In Robbie Burns o’ deathless fame,” (1905) at the Burns Statue on Literary Walk, 179 (1996) 305 In Scottish Fields, (1890; J. Logie Robertson), “Invocation of Melpomene,” [1805?] 49 338 Invocation to Melpomene: To which Are Added, In the Land o’ Burns, (1981) 227, 304 Winter, A Song and A Prologue to the Gentle In the Land of Burns, (1896; David Octavius Shepherd, [1798], 53 Hill), 300 IPM Digital Ltd. (Glasgow), 239 In the Olden Times: Being Papers on Places and Irish Maniac: To which Are Added Welcome People of the Past, (1898; Kirkwood Royal Charley, Mary Morrison and De’il’s Hewat), 299 awa’ wi’ the Exciseman, The, [1820], 65 Index / 413

Irvine, John, 195 Lives of Sarah Burns and Jessy Lewars, Irvine, 57, 93, 242, 247, 279, 296, 356, 362, 395 (1996; Peter J. Westwood), 362 Irvine and County of Ayr Miscellany, The, Jean Armour: My Life and Times with Robert (1815) 57 Burns, (2001; Peter J. Westwood), 362 Irvine Burns Club, 93, 305 Jean Armour’s “Double and Adieu,” (1963; Irvine Herald, 330 Thomas Crawford), 274 Irvinedale Chimes: In Prose and Verse (1902; Jeffery, Lord, 66, 127 John Macintosh), 317 Jeffrey, Francis Jeffrey, 305 Irving, Gordon, 223 Jekyll, Francis Walter, 166 Is There for Honest Poverty; Jack in the Pulpit, Jen min wen hsüeh ch’u pan she (Pei- (1907), 183 ching), 214 Isaure: and Other Poems, [1893?], 158 Jenkins (London), 356 Isbister (London), 167 Jennings, R., 73 Iskusstvo (Moscow), 328 Jerdan, William, 294 Isle of Man, 377 “Jessie the Flower o’ Dumblane [sic],” “It Was Upon A Lammas Night,” [1820] 65; [1800] 37; [1810] 54; (1825) 73 (1828) 77; [1830] 81–82 Jim Crow: Hey for a Lass wi’ a Tocher, Mary of Its One Hundred Fourth Celebration of the Castlecary, Haud awa frae me Donald, This Birth on January 25, 1759 of Robert Burns, is no my plaid, Of a’ the airts the wind can (1999; Burns Club of Atlanta), 257 blaw, Auld Langsyne, [1850?] 102 Izbrannaia lirika, (1936) 205 Jinglin Jock, 245 Izd-vo AST: “Astrel’”: “Olimp,” 239 Joab, Albert E., 306 “John Anderson, My Jo,” (1804) 47; [1820] Jabberwock, 278, 317 64; (1823) 71; [1825] 74; (1828) 77; [1830] Jack, Ronald D. S., 305 80; [1830] 81 Jack (Edinburgh), 126–127, 152, 157, John Anderson My Jo: Low Down in the Broom, 164–165, 166, 174, 182, 298 It Was Upon a Lammas Night, The Banks of Jack (Glasgow), 113 Doon, Land of the Leal, Lubin Is Away, “Jackie To The Fair,” [1820] 65, 66 (1828) 77 Jacks, William, 305 “John Barleycorn,” [1830] 82; [1865] 118; Jackson, Siggy, 377 (1959) 214 Jacobite Songs of Scotland, The, (1871) 130 John Cairney’s Top Twenty of Robert Burns James, Alwyn, 374 Songs (1968), 220 James (Cincinnati), 105 John Ker Memorial U.F. Church, 183 James Currie: The Entire Stranger, and Robert John Murdoch: Tutor of Robert Burns, (1929; Burns, (1963; Robert D. Thornton), 356 William Will), 363 “James Currie’s Robert Burns: A Publishing John of the Mountains: The Unpublished Jour- History of the First Edition, 1797–1800,” nals of John Muir, (1938; John Muir), 329 [1970?; Robert D. Thornton], 16, 40, 356 Johnson, James, 92, 105, 216, 233 James Currie’s Robert Burns: The Beginning, Johnson, R. Brimley, 202 (1972; Robert D. Thornton), 356 Johnson, Walter, 340 Jamieson, A. Burns, 305 Johnson (Edinburgh) 23–24 Jamieson, Robert, 305 Johnson (Southport), 334 “January 25th, The Immortal Memory,” Johnson & Co., 105 (1987; Donald Gordon), 293 Johnson and Son (Manchester), 98 Japp, Alexander H., 305 Johnston, John, 281, 306 Jarndyce Antiquarian Booksellers, 305 Johnston (Edinburgh), 272 Jarrold (Norwich), 226, 229, 231, 233, 260 Johnston (Falkirk), 36 Jarrold and Sons (Norwich), 270 Johnston & Bacon (Engraver), 215 Jarrold Poets Series, 234 Johnstone, James, 323 “Jean Anderson, My Jo,” (1823) 70 Johnstone, John, 251, 281, 306 Jean Armour Burns Club, 259 Johnstone (Edinburgh), 50, 74 Jean Armour, Mrs. Robert Burns: An Illus- Johnstone (Falkirk), 36, 65, 87 trated Biography, Including Sketches on the Johnstone (Stirling), 94 Index / 414

Jolly, William, 306 Kenedy (New York), 142 Jolly Beggar, Neil Gow’s Fareweel, My Kimmer Kennedy, K. D., 307 and I, Rob Morris, The (1823), 70 Kennedy, Robert, 308 Jolly Beggars (Mauchline, Scotland), 306 Kennedy & Co. (Philadelphia), 283 Jolly Beggars . . . , The, 35, 229; (1823) 70; Kennels Press (Milngavie [Dumbarton- [1880] 139; [1907] 183; (1914) 192; (1931) shire]), 215 204; (1963) 217, 376; [1967] 220; (1977) Kennerly, Jane Bowling, 308 379; (1984) 228 Kenney, John Henry, 308 Jolly Beggars: A Jubilee Retrospect, The, (1937; Kennikat Press (Port Washington, N.Y.), Thomas Miller Tod), 357 307, 352 Jolly Beggars Burns Club, 357 Kent, Charles (Editor), 140, 143, 144, 145, Jones, John, 184, 306 146, 152, 159, 168, 179 Jones (London), 75, 76 Kent, Edward George, 308 Jones and Co. (London), 71, 72, 73 77–78, 80 Kent (London), 321 Jones’ Diamond Classics Series, 72 Kent & Co. (London), 114, 141 Jottings in Prose and Verse, (1879; John Ker, W. P., 308 White), 362 Kerr, Bailie T. A., 336 Journal of a Tour in the Highlands Made in the Kerr & Richardson (Glasgow), 31, 70, 336 Year 1787 by Robert Burns, (1927) 201 Khudozhestvennaia lit-ra (Moscow), 223 Journal of English and Germanic Philology, 343 Khudozhestvenniai literature (Moscow), Journal of the Folklore Institute, 321 225 Journal Office (Banff ), 272 Khull (Glasgow), 44, 60 “‘Joy of My Heart, The’: Robert Burns as Kidd, William, 79 Folklorist,” (1976; Mary Ellen Brown), Kidson, Frank, 274 253 Kierszys, Zofia, 213 Joyce, John A., 235, 306 Kilburn Bon Marche, Roper (London), 164 Judd, Loomis (Hartford), 89, 90 Kilmarnock, 20–22, 26, 66, 124–127, 129, Judgment of Robert Burns, The, (1980; A. Ian 135–136, 144, 146–148, 151, 158, 167, Dunlop), 172–173, 177, 189–191, 195, 197, 206, 223, 225, 233, 234, 244, 247, 255–257, 261, 263, Kate o’ Shanter’s Tale and Other Poems, (2003; 292, 295, 300, 302, 308, 311, 318, 323, 325, Matthew Fitt), 242, 269 327–329, 338, 340, 349 Katharine Ogie: To Which is Added, John Kilmarnock Burns Monument and Statue, Anderson, My J, Jean Anderson, My Jo, (1882) 308 Maria, (1823) 70 Kilmarnock Burns, 1786, The, (1927; W. N. C. Katz, Joseph, Dr., 344 Carlton), 230, 265 Kay, Arthur, 306 Kilmarnock Burns: 1786 and 1986, The, (1986; Kay, James, 50 R. H. Carnie), 230 Keats, Ann, 221 Kilmarnock Burns Club, 144 “Keble’s Gazette” Office (Margate), 337 Kilmarnock Burns Federation, 14, 189 Keepsake Press (Richmond, Eng.), 224 Kilmarnock Edition of the Poetical Works of Keir, Andrew, 303 Robert Burns . . . , The, (1890) 153; (1893) Keith, Alexander, 307 158; (1903) 176; (1912) 190; (1923) 197; Keith, Christina, 307 (1935) 205; (1938) 206 Keith, Thomas, 240, 241, 307, 344, 357 Kilmarnock Poems, The (1985), 229 Keith’s Poems, (1974; Keith MacPherson), Kilmarnock Standard Weekly, 244 300 Kilravock Castle library, 55 Kellogg, Alice Maude, 307 King (Aberdeen), 353 Kellogg & Co. (New York), 307 King (London), 164 Kellow, Henry Arthur, 307 King (New York), 83 Kelly, Freya Rose, 238 King Robert Bruce’s Garland: An Heroic Bal- Kelly, John Kelso, 307 lad or, the History of the Famous Battle of Keltie, John, 143 Bannockburn, (1815), 57 Kemp, Robert, 307 Kinghorn, Alexander Manson, 308 Index / 415

King’s Treasury of Literary Masterpieces, Lacey (London), 107 191 Laddie Looks at Leith Again, A, (1994; Jim Kingsley, Charles, 12, 308 Blaikie), 251 Kinnear, George Henderson, 308, 309 Lady Stair’s House Museum (Edinburgh), Kinnear, Peter, 301 309 Kinsley, James, 2, 6, 9–10, 16, 26–27, 29–31, Lady Stair’s House Museum: Including the 33–40, 44, 46–50, 54, 57, 58, 64–66, Robert Burns, Sir Walter Scott, Robert Louis 69–70, 73–75, 77–83, 87, 93–94, 107–108, Stevenson Collections, (1966) 309 118, 123, 125, 127, 130, 139, 143, 145, 148, Laidlaw, Walter, 309 150–151, 153, 155, 157, 160, 168, 170, Laing, Alexander, 16, 85 175–176, 179, 183–185, 187, 189–190, 192, Laing (Sanquhar), 364 194, 198, 205, 208, 210, 214–217, 221, 226, “Laird o’ Cockpen, The,” [1820] 64 227–228, 230–236, 241, 297, 309, 369 Lake English Classics, 196, 266 Kirk, Hans (Translator), 208 Lakeside Series of English Readings, 174 Kirk Life and Kirk Folk: An Interpretation of Lamb, A. C., 359 the Clerical Satires of Burns (1909; James “Lamentation for the Death of the Brave Wotherspoon), 364 McKay,” [1820] 65 “Kirk of Scotland’s Garland—A New Song” “Lammas Night,” (1808) 51, 250 [1799; Kinsley title], 35. See also “The Lamont, Archibald, 309 Kirk’s Alarm” Lamont-Brown, Raymond, 222, 309 Kirkcaldy, 44, 153, 206, 237, 239, 241, 279, 337, Lancaster, 54 344, 360 Land o’ Burns: A Guide to the Burns Country, Kirkcaldy Poosie Nancie Ladies Club No. The, (1996; James A. Mackay), 318 688, 262 “Land o’ the Leal, The,” 274; [1830] 81 Kirkcudbright, 64 Land o’ the Leal: Irrefutably Proved from a Kirk’s Alarm: A Satire, 36 Searching Investigation to Be the Deathbed Kirk’s Alarm: A Satire: A Letter to a Taylor, Valediction of Robert Burns, (1919; A. The Dei’s Awa’ Wi’ The Exciseman, and An Crichton), 274 Unco Mournfu’ Tale &c. &c., The, [1799], Land of Burns, The, (1879; Wallace Bruce), 35 254 Kirkwood, Kenneth Porter, 309 Land of Burns, The, (Scottish Tourist Board) “Kirkyard Ghaist, The,” 290 [1974] 346; [1978] 346 Kirpatrick, William (Illustrator), 310 Land of Burns, The, (1978; David Octavius Klemmings Antiquariat (Stockholm), 131 Hill), 300 Knight, Ralph, 214, 372 Land of Burns: A Series of Landscapes and Knox, Isa Craig, 309 Portraits, Illustrative of the Life and Writ- Knox & Co. (New York), 146 ings of the Scottish Poet. The Landscapes Kohler (Edinburgh), 139 from Paintings Made Expressly for the Work, Komissionsverlag Berichthaus (Zürich), The, (1840; John Wilson), 364 223 Land of Burns and the Firth of Clyde: A Guide Konigsberg, 329 to the South-western Districts of Scotland, Korkin, V. (Translator), 238 the Scottish Riviera, The, [1905?] 309 Kötscher, Dagmar, 285 Land of Burns: Fifty Views, The, [19–?] 310 Kozeluch, Leopold, 30, 39, 43, 46, 58, 60, Land of Burns: Mauchline Town and District, 61 The, [1911; John Taylor Gibb], 292 Kramer-Muirhead, May (Translator), 228, Land of Robt. Burns and Other Pen & Ink 229 Portraits, The, (1884; J. Campbell), 265 Kry ski, Stanis aw, 213 “Land of the Leal,” (1828) 77 Kuch, Michael (Illustrator), 237, 367 Landscape Series of Poets, The, 141 Kupernik, Schepkina, 205–206 Landseer, Thomas (Illustrator), 79, 82, 83, Kupper, Hans Jùrg, 309 118,127 Kutterer-Jansen Printing Company (St. Lane (London and New York), 175, 202 Louis), 258 Lang, Andrew, 156, 163, 166, 169, 178, 180, Kyle (Glasgow), 117 199 Index / 416

Lang (Frankfurt am Main and Bern), 354 LeCount, Shearwood, 290 Lang (Glasgow), 47 Lecture on Robert Burns, A, [1916?; Thomas Lang & Laing (New York), 258 Russell], 345 Lang Syne (Newtongrange), 226, 228 “Lecture on Robert Burns,” (1858; Peter Lange, Gerald, 236 Livingston), 312 Langley (New York), 275 “Lecture on Robert Burns,” (1908; Edward Langman (Glasgow and London), 222, 232 T. W. Gillespie), 292 Langside Lyrics: And Other Poems, (1900; Lediard, C., 72 Middlemass Brown) 273 Lee, Edward G., 90 “Language Issues in Studying Burns for Lee, H. Fletcher, 310 Revised Higher-Bard Tae Waur?,” ( John Lee and Shepard (Boston), 131, 132, 254 Hodgart) 301 Leech, W., 117 Language of Flowers, [1884] 144 Lees, John Kenyon, 166 Lansdowne Poets, The, 132, 135, 154 Le Gallienne, Richard, 162 Larkhall, 353 Legend and the Man. Readings from Burns and Larkin, Samuel, 47 MacDiarmid by Hugh MacDiarmid, The, Larson, Art, 237, 367 (1995; recording), 374 “Lash’d To The Helm,” [1820] 64 Legerlotz, Gustav, 159 “Lass o’ Arranteenie, The,” [1820?] 64 Legge, Clayton Mackenzie, 310 “Lass o’ Ballochmyle, The,” (1799) 35; Legman, Gershon, 14, 15, 17, 218, 310 (1826) 75, 76; (1828) 77; [1830] 80 Lehmann, Frederick W., 184 Lass o’ Ballochmyle, Auld Rob Morris, Wan- Leicester, 53, 222–223 dering Willie, For a’ That and a’ That, Meg Leighton, Alexander, 116 o’ the Mill, (1828) 77 Leighton (London), 87 “Lass That Made the Bed to Me, The,” Leipzig, 98, 112, 113, 149, 159, 162, 328 [1799] 34; [1800–1820?] 37; [1820?] 66 Leisure Hours (1846; James R. M’Conochie), “Last May a Braw Wooer,” [1820?] 64, 65, 322 66; (1826) 75 Leith Burns Club, 311, 316 “Last Rose of Summer, The,” [1830] 79, 82 Lely, Durward, 332 “Last Time I Cam o’er the Moor, The,” Leng (Dundee and London), 187, 220, 290, (2005) 243 357, 359 Latitudes [1924; Edwin Muir], 329 “Lesley Bailie: A Scots Ballad,” ([1792?]), 10 Laurel Wreath Series, 187 Leslie, Grey, 281 Laurencekirk and District Burns Club, 295 Leslie, John, 5 Laurie (London), 201 “Leslie Baillie,” ([1792?]), 10 Laverock, 277, 301, 310 Let Burns Speak: An Edited Autobiography of Law, Alfred James, Sir, 273 Robert Burns, (1961) 216 Law, James D., 342 Letham, E. H., 311 Law and the Grace, The, (1965; Iain Crichton “Letter from Thomas Blacklock to the Smith), 350 Author Respecting Burns, A,” (1801) 251 Lawrance, Robert Murdoch, 310, 341 Letter to a Friend of Robert Burns: Occassioned Lawrence, James, 310 by an Intended Republication of the Account Lawrence, 213 of the Life of Burns, by Dr. Currie, and of Lawson, George Anderson (Sculptor), 367 the Selection Made by Him from His Letters, Lawson, J. K., 310 (1816; William Wordsworth), 364, Lawson, Matthew, 310 365 Lawson, Roderick, 310 “Letter to John Goudie,” [1799], 34 Lea, William, 69 Letter to the Editor of “The Bookman”: On Lea & Walker (Philadelphia), 137 Certain Paragraphs which Appeared in that “Lea Rig, The,” (Kinsley title of My Aine Journal Relative to a Correspondence in Kind Dearie); [1796?] 33; [1830] 80 “The Scotsman” on “Robert Burns and Leach, Shewell & Sanborn (Boston), 269 Mrs. Dunlop,” (1898; James Cameron Leavitt & Allen (New York), 108, 110, 115, Ewing) 287 126 Letters, (1932; J. De Lancey Ferguson), 14 Index / 417

Letters Addressed to Clarinda . . . , (1802) 44; Life and Works of Robert Burns, The, (1815) (1806) 49; (1814) 57; (1816) 59; (1820) 65; 58; [1851] 113; (1851–1852) 103; (1851–1854) (1826) 75 103; (1852–1854) 104; (1854) 106; Letters of Robert Burns, The, (1819) 62; ([1856]–1857) 108; (1860) 114; (1867) 123; (1820) 65; (1828) 77; (1887) 148, 149; (1870) 127; [1875] 134; (1880) 139; (1881) [1928] 202; (1931) 204; (1985) 229 141; (1891) 156; [1896] 163; (1901) 173; Letters of Robert Burns, The, (1983; G. Ross [1937] 206 Roy, ed.) 290 Life and Works of Robert Burns: Some 20th Letters of the Poet, The, [1928?] 202 Century Perspectives, The, (1993; Burns Letters, I, 1–6, 22, 57, 78, 84, 275, 294 Federation) 261 Letters to Clarinda, (1806) 89; (1843) 96; “Life is Like a Summer Flower,” [1830] 79 [1907] 183 “Life Let Us Cherish,” [1830] 81 Letters, II, 8, 17, 37 Life of Robert Burns, The, ( James Currie) Lewes, 231, 280 (1826) 276; (1838) 276 Lewis, Alan, 311 Life of Robert Burns, The, ( J. G. Lockhart) Lewis, C. (Binder), 354 (1828) 266, 313; (1830) 313; (1831) 313; Lewis, Mary Ellen Brown, 311 (1838) 313; [1890?] 313; (1892) 313, 314; Lewis (London), 60 (1904) 313; (1905) 313; [1907] 314; (1914) Lewiston, N.Y., 246, 292 314; (1959) 314; [1974] 314 Libraries and Museums Committee of the Life of Robert Burns, The, (1835; Allan Cun- Corporation of Edinburgh, 309 ningham), 275 Libraries Committee (Glasgow), 293 Life of Robert Burns, (1880; Thomas Car- Library Magazine of Select Foreign Literature, lyle), 29 318 Life of Robert Burns, (1888; Blackie), 151 Library of Classics, 177 Life of Robert Burns, ( John Macintosh), Library of Congress, 292, 344 (1906) 317; [1975] 317 Library of Humour, 183 Life of Robert Burns, (1928; James Craig Hig- Library of Literature, 220 gins), 300 Library of Little Masterpieces, 186 Life of Robert Burns, The, (Catherine Mac- Library of Poetical Literature, 180 Farlane Carswell) (1930) 270; (1951) 270; Library of Standard Biographies, 313 (1990) 270 Library Press (London), 179 Life of Robert Burns, The, (1932; Franklyn Library Supply Co. (London), 287 Bliss Snyder), 351 Library World, The, 287 Life of Robert Burns, The, ( James Veitch) Liddell, Claire, 224, 247, 378 (1985) 358; (1997), 358 Liebe und Freiheit: Lieder und Gedichte: Life of Robert Burns, A, (1997; J. D. Suther- Zweisprachig, (1988) 230 land), 355 Lieder, (1949) 210 Lights and Shadows: or, Episodes in the Life of Lieder und Balladen des Schotten Robert Robert Burns: A Dramatic Sketch, (1879; Burns, (1840) 94 J. F. Duncan), 283 Lieder und Balladen von Robert Burns: Lily Dale, N.Y., 347 nebst einer Auswahl der Gedichte, [1896] Lincoln and Burns, [1943?; A. G. McKnight], 162 324 Lieder von Robert Burns, (1859) 112 Lindsay, Joyce, 235 Lieder von Robert Burns in das Schweiz- Lindsay, Maurice, 227, 237, 304, 311, 312, 356, erdeutsche übertragen von August Corrodi, 372 (1971), 223 Lindsay (Aberdeen), 310, 314 “Life, The,” (1801–1802) 42 Lindsay (Dublin), 59 Life and Correspondence of Robert Burns, The, Lindsey (London), 361 (1836; Allan Cunningham) 275 “Lines in the Palace of Scone,” [1799], 34 Life and Land of Burns, The, (1841; Allan Linklater, Eric, 312 Cunningham) 275 Lippincott (Philadelphia), 123, 301, 352, 364 Life and Work of Robert Burns in Irvine, The, Lippincott & Co. (Philadelphia), 118, 134, (1933; John Charles Hill) 300 143, 320 Index / 418

Lippincott, Grambo & Co. (Philadelphia), Lomond (New Lanark), 243 106 London, J. T., 100 Lirika, (1971) 223; (2000) 239 London Arts, The British Council,The List of Portraits, Books, Etc. in the Museum, Poetry Society, 370 (1915) 262 London, Burns Club of, 363 Literary Nationalism in Eighteenth-Century London Mercury, 278 Scottish Club Poetry, (2004; Corey Long (London), 183, 198 Andrews), 246 Longfellow, Henry Wadsworth, 323 Literary Pilgrimage: Among the Haunts of Longman (Harlow), 236, 315 Famous British Authors, A, (1901; Longman (London), 347 Theodore Frelinghuysen), 364 Longman, Hurst, Rees, Orme and Brown Literatur im Kontext = Literature in Context, (London), 248, 364, 365 345 Longman Literature Guides, 236, 315 Little Blue Book (London), 196–197, 203 Longman, Orme (London), 294 Little Book of Burns Lore, A, (1926; John Longman, Rees, Orme, Brown, and Green Dawson Ross), 342 (London), 276 Little, Brown and Company (Boston), 117, Longmans, Green (London and New York), 119 277 Little Journeys to the Homes of English Authors Longmans, Green, and Co. (New York), . . . , (Elbert Hubbard) (1900) 302; (1901) 164, 262 302 Longmuir, John, 314 Little Leather Library Corporation (New Looking Back: Fugitive Writings and Savings York), 172, 188, 192, 195 [1930?; Robert Munro Alness], 246 Little Parchment Library, 184 Lord & Physioc (Isle of Wight County, Va.), Little Rock, Ark, 171 179 Little Scottish World: As Revealed in the Annals “Lord Gregory,” (1805) 49, 293; (1823) 72 of an Ancient Ayrshire Parish, A, [1894?], Lorimer & Chalmers (Edinburgh), 300 300 “Loss of the Pack, The,” (1802) 44 Little Warbler, Vol. I: Scottish Songs, [1830], 80 Lössl, Joh. V., 301 Littlejohn, David S., 312, 320 Lothian Burns Club, 363 Littlejohn (Dundee), 320 Lothrop (Boston), 143, 152 Liveright Publishing Corporation (New Louisiana State University and Agricultural York), 330, 331 and Mechanical College, 308 Liverpool, 9, 10, 12, 39, 73, 76, 242, 273, 297, Louisville, 322 308, 314, 348 Lounger, The (1785–1787), 19, 22, 314 Livingston, Peter, 312–313 Love (Glasgow), 339 Lizars, W. & D., 70, 85 “Love and Glory,” [1830] 80 Lloyd (Binder), 23 Love & Liberty: Robert Burns: A Bicentenary Lobo, Luiza, 235 Celebration, (1997; Kenneth Simpson, ed.), “Loch na Gar,” [1830] 79, 82 348 “Lochaber,” [1800] 37, 54 Love of Highland Mary, The, (1994; Jess Lochshore (Glasgow), 374 Bolton), 251 Locken (Philadelphia), 88, 102 Love Poems, (1895) 160 Locket, 223, 368 Love Poems of Burns, (1902) 175 Lockhart, J. G., 150, 151, 155, 266, 294, Love Songs, [1962] 216; (1984) 228 313–314 Love Songs of Robert Burns, The, (1892) 157 Lockhart, John, 84, 89, 90, 97, 99, 101, 108, Love Songs of Scotland: Jewels of the Tender 110, 115, 121, 127, 133, 266, 269 Passion Selected from the Writings of Burns, Logan, Alexander Stuart, 314 Tannahill, Scott, Ramsay, Lady Nairne, Logan, Phyllis, 382 Macneill, Jamieson, Hogg, Douglass Allan & “Logan Water,” ( John Mayne), 11 others, (1901), 174 “Logie o’Buchan,” (1874), 327 Lovell (New York), 142, 164, 170 Lomond (Edinburgh), 239 “Lovely Jean,” (1829) 79 Lomond (London), 232, 233, 234 “Lovely Johnnie,” [1805] 48 Index / 419

“Lovely Kitty,” [1810], 54 MacDiarmid, Hugh (C. M. Grieve), 198, “Lovely Lass of Allan-Down, The,” [1820] 200, 210, 216, 225, 226, 227, 305, 311, 65 316–317, 374 Lover, Samuel, 315 Macdonald, Arthur N., 192 Lover’s Library, 175 MacDonald, Donald C. (Editor), 213 Lover’s Songster: A New Song Book, Being a MacDonald, H. (Binder), 74 Choice Collection of Celebrated Love Songs, Macdonald, Ian (Editor), 225, 243 The, [1800] 38 Macdonald, J. Scott, 317 Loves of Burns, The, [1860?; G. D. Mackel- MacDonald, James Ramsay, Rt. Hon., 274, lar], 319 372 Love-songs of Robert Burns, (1892) 157 Macdonald, Roderick (Translator), 231 Low, Donald A., 229, 233, 234, 236, 301, 315, MacDonald, William (Editor), 196 344 MacDonald (Edinburgh), 214, 227, 228, 322, Low, Joseph (Illustrator), 220 351, 360 “Low Down in the Broom,” (1828) 77 Macfarren, G. H., 141 Low Road Hame: Collected Poems, The, (1987; MacGibbon & Kee (London), 311, 312 Donald Gordon), 293 MacGillivray, Pittendrigh, 317 Lowes, Don, 373 MacGowan, Robert, 317 Luath (Bayr, Ayrshire), 228 MacGregor, Polson (Glasgow), 353 Luath (Edinburgh), 240, 242, 264, 265, 289 Machardy, Robert, 297 Luath Burns Companion, The, (2001) 240 Macintosh, John, 317 Lubbock, John, Sir, 159, 168 Macintosh, William, 317 “Lubin Is Away,” (1828) 77 Mackay, Barry, 242, 317 Lucan, 12 Mackay, Charles, 318 Lucas (Baltimore), 58, 59, 60 MacKay, Eneas, 340, 341, 342 Luckman (Coventry), 29, 30 Mackay, James A., 28, 78, 139, 171, 173, 193, Ludlow, 35 229, 230, 231, 234, 238, 258, 264, 285, 318 Lukash, Mykoly, 215, 218 Mackay, John (Illustrator), 211, 287, 348 Lumsden, M. S., 315 Mackay, Neil (Editor), 227 Lumsden (Glasgow), 70, 90 Mackay (Dumfries), 318 Lumsden & Son (Glasgow), 70 Mackay (Stirling), 252, 297, 341, 342 Luxor Press (London), 219 MacKaye, Percy, 319 Lyle, Emily B., 316 Mackeller, G. D., 319 Lyle (Dalkeith), 270 MacKenna, James, 339 Lymburn, Jane (Translator), 297–298 Mackenna, R. W., 201, 202 Lynch, Humphrey J., 316 Mackenzie, A. C., 115 Lyon (Glasgow), 176 Mackenzie, Allan, 290 Lyon ( Jersey City,) 301 Mackenzie, Archibald, 319 Lyon & Healy (Chicago), 167, 301 Mackenzie, Duncan, 48 Lyric Gems of Scotland: A Collection of Scottish Mackenzie, Farquhar, 319 Songs Original and Selected with Music, The, MacKenzie, Fred (Editor), 377 [1863] 117 Mackenzie, Hamish C., 319 Lyric Poems of Robert Burns, The, (1895) 160 Mackenzie, Henry, 3, 19, 22, 202, 314 Lyrics and Love Songs, [1905] 180 Mackenzie, J. Lachlan, 319 Mackenzie, James, 319 M & S (Toronto), 322 Mackenzie, John, Dr., 57, 319 Maas & Vogdes (Philadelphia), 118 Mackenzie, John Whitefoord, 319 MacBain, James A., 239 Mackenzie, R. Shelton, 320 MacCaig, Norman, 316 Mackenzie (Glasgow), 89, 115, 121, 126, 137, MacColl, Ewan, 372 138, 147 MacCord (Belfast), 195 Mackenzie (London), 147 MacCulloch, Hunter, 14, 163, 316 Mackenzie and Dent (Newcastle upon MacDhòmhnaill, Ruairidh (Translator), Tyne), 62, 63 233 Mackenzie, White (Glasgow), 99 Index / 420

Mackerchar, E., 209 Man Robert Burns, The, (Grant F. O. Smith) MacLaine, Allan H., 320 350; [1940] 350; [1966], 350 Maclardy (Sydney), 256 “Man Was Made To Mourn,” (1808), 51, 250 MacLaren, Ian, 320 Manchester, 86, 98, 107, 111, 152, 159 MacLaren, W. F., 320 Manchester Guardian, 218 Maclaren (Glasgow and London), 183, 273, Manitoba, 324, 335 340 Mann (Dumfries), 364 MacLehose, 124, 305, 326 Manners and Miller (London and Edin- Maclehose and Sons (Glasgow), 308 burgh), 66, 67, 68, 71 MacLehose, Jackson (Glasgow), 324 Manning, Susan, 321 MacLellan (Glasgow), 328, 336 “Man’s a Man for a’ That, A,” [1799] 34; Maclure, Macdonald & Macgregor, 112 [1805] 48–49; [1880] 139; (1893) 353; MacMillan, Alexander, 226 (1929) 202; (1959) 214; (1966), 219 Macmillan (London and New York), 124, Manson, Jas. A. (Editor), 166 128, 134, 138, 143, 149, 156, 158, 172, 178, Manson and Grant (Cambridge), 86 188, 193, 198, 201, 223, 228, 248, 267–268, “Manuscript of ‘Auld Lang Syne,’ The,” 271, 277, 312, 347, 351 (November 1897–April 1898; Cuyler Macmillan’s Magazine, 362 Reynold), 337 Macmillan’s Pocket American and English Marble Arch (London), 373 Classics, 190, 196 “Maria,” (1823) 70 Macmillan’s Pocket Classics, 196, 267–268 Maria Riddell, the Friend of Burns, (1915; Macmillan’s Pocket English Classics, Hugh Steuart Gladstone), 292 194–195, 267 Marja ska, Ludmi a, 213 Macnaghten, Angus Derek Iain Jacques, 320 Marr (Glasgow), 118, 120, 124, 128, 131 Macnie (Stirling), 73–76 Marr & Sons (Glasgow), 122 Macnutt, Barry (Editor), 182 Marsh & Beattie (Edinburgh), 292 Macpherson, Angus, 128, 159, 163, 175 Marsh and Miller (London), 82 Macpherson, John, 128, 159, 163, 175 Marshak, Samuil (Translator), 15, 205, MacPherson, Keith, 320 209, 211, 214, 217, 223, 237, 238, 239, 240, Macpherson and Boyle (London), 50 243, 321, 371 Macquistan (Irvine), 356 Marshall, Frances McK., 89 Macrae, David, 320 Marshall, James, 321 Macredie, Skelly, and Muckersy (Edin- Marshall, Nancy, 233, 234, 311 burgh), 58 Marshall (Newcastle upon Tyne), 38, 48, 54, Macsween (Edinburgh), 232 60, 73 Madelaine, Richard de la (Translator), 133 Marston, W. H., 272 Magee, James (Belfast), 20, 21 Martin, John Smellie, 321 Magee, William (Belfast), 26, 27, 38, 46 Martin, Theodore, 3, 321 “Maggy Lauder,” [1810], 54 Martin (Aberdeen), 360, 361 Magnusson, Magnus, 228 Martin (Edinburgh), 100 “Maid of Arundel, The,” [1830], 81 “Mary Campbell,” (May 29, 1833) 321 Maidment, James, 70 Mary Campbell Speaks, (1917; James Brown), Maine, G. F., 210, 213 253 Mainstream (London), 318 “Mary Morison,” (1991) 65, 233, 325 Makers of Modern English, The, (William “Mary Morrison,” [1820] 65 James Dawson), 278 “Mary of Castlecary,” [1850?] 102 Malcolmson, J. C. (Illustrator), 256 Maryhill, 13, 287 Malone, Robert L., 320 “Mary’s Dream,” [1800], 37 “Man for a’ That, A,” (February 24, 1996; Masonic Genius of Robert Burns: An Address Andrew O’Hagan), 333 Delivered in Lodge “Ouatuor Coronati,” Man for a’ That: The Story of Robert Burns, A, 2076, 4th March, 1892, (1893; Benjamin [1929; Charles Joseph Finger], 289 Ward Richardson), 337 Man of Age: A Poem, The, (1978; William Massey, Gerald, 321 Hamilton Drummond), 282 Masson, Flora, 321 Index / 421

Masson, Rosaline Orme, 321 McKinley, Stone & MacKenzie (New Mather, George, 321 York), 198 Mathers (Edinburgh), 282 McKissick Memorial Library, University of Mathew & Co. (Dundee), 320 South Carolina, 344 Matthew & Co. (Dundee), 283 McKnight, A. G., 324 Matthews Drew & Co. (London), 335 McLean, Jim, 324 Mattras, Chr. (Translator), 208 McLetchie, James K., 324 Mauchline, 2, 3, 4, 5, 8, 40, 57, 247, 256, 262, McLellan (Glasgow), 199, 200 292, 306 McLeod, Isabella, 18 Mauchline Burns Club, 247 McLeod, Murdo (Illustrator), 333 Mauchline Memories of Robert Burns, (1985) McMillan (London), 289 247 McMurdo, John, 8, 10 Mauchline Ware: A Collector’s Guide, (2002; McNair, Elisabeth Jane, 324 David R. Trachtenberg and Thomas McNairn (Newton-Stewart), 80 Keith), 357 McNaught, Duncan, 187, 324 Mauchlineware, 375 M’Conochie, James R., 302, 322 Maver, William, 48 M’Cowan, David, Jr., 261 Maxcy Press (Columbia, S.C.), 241 McOwan, Rennie, 324 Maxwell, Ian Ramsay, 321 McPhail, Rodger (Illustrator), 228 Maxwell (Castle-Douglas and Stranfaer), McQueen, Colin Hunter (Illustrator), 324, 200 325, 368 Maxwell (Dumfries), 325 M’Creery (Liverpool), 39, 53, 56, 57, 61, 66, Maybole Burns Club, 14 67, 68, 71, 242 Maynard (London), 63 M’Creery (London), 274 Maynard, Merrill & Co. (New York), M’Culloch, R. C., 325 Maynard’s English Classic Series, 168 McVie, John, 211, 325 Mayne, John, 11 M’Dowall, William, 325 M’Bain, James M., 322 Meador Publishing Company (Boston), 255 McAlpine, William, 373 Meditations and Contemplations: Containing M’Carty & Davis (Philadelphia), 69 Meditations among the Tombs, Reflections on McAulay, Allan, 322 a Flower-Garden; and a Descant on Creation; McBurnie, John, 257 Contemplations on the Night, Contemplations McCallum, Roy, 265 on the Starry Heavens; and a Winter-Piece, McCourt, Tom M., 213 (1776; James Hervey), 299 McCrorie, Tom, 322 “Meeting of the Waters, The,” [1830], 79 McDonald, Tamas, 322 “Meg o’ the Mill,” (1828) 77; [1840], McDonald, William (Editor), 190 93–94 McDougall’s Educational Company Limited Meikle, Henry W. (Editor), 35, 208, 209, 212, (Paisley), 214 213 McFadden, David, 322 Mel Bay (Pacific, Mo.), 237 McGeachy (Glasgow), 135, 279 Mellen Press (Lewiston, N.Y.), 246, McGinty, J. Walter, 322 292 McGonagall Year Book, 337 Melmoth, Sidney, 46, 339 McGonigal, James, 239 Melodies of Scotland, The, (1838–1841), 90 McGown, George William Thomson, 322 Melodist: A New Song Book Being a Rare and McGready (Glasgow), 127 Choice Collection of the Most Celebrated New McGuirk, Carol, 234, 322, 323 Songs, The, [1825?], 73 McIlvanney, Liam, 323 Melrose (London), 329 McIntyre, Ian, 323 Memoir of Burns, (1836; James Hogg), 86, McIntosh, Iain (Illustrator), 228 95, 103 McKay (Philadelphia), 179 “Memoir of Burns,” (1839; Sir Harris Nico- McKelvie (Greenock), 290 las), 92, 128 McKelvie & Sons (Greenock), 255 Memoir of the Life of the Late Robert Burns, McKenzie, Vincent (Glasgow), 350 (1797; Robert Heron), 46, 299 Index / 422

“[M]emoir of the life of the late Robert Middleton, W. J., 341 Burns . . . by R. Heron,” (1800) 38; (1804) “Midget” Classics, 232 47; (1971), 298 Midget Library, The, [1895], 160, 161 Memoir of the Life, Writings, and Correspon- Miers, John, 3, 223, 368 dence of James Currie, (1831; William Wal- Mildred C. Esty Collection of Original Manu- lace Currie), 276 scripts, Autograph Letters, Printed Books and Memorial Catalogue, 17, 112, 261 Relics of Robert Burns Which Will Be Sold at Memorial Catalogue of the Burns Exhibition Auction by Christie, Manson & Woods, The, Held in the Galleries of the Royal Glasgow (1971; Mildred C. Esty), 286 Institute of the Fine Arts . . . from 15th July Milford (London), 192, 193, 194, 196, 197, till 31st October, 1896, (1898) 261 199, 200, 202, 205, 206, 207, 208 Memorial Exhibition, Glasgow, 1896, 17, “Mill and the Miller in the Poetry of Robert 241, 246, 260, 261 Burns, The,” (1924; James Miller Hay), [Memorial Verses on Robert Burns], ([1830]) 297 11, 325 Mill Valley, 224 Memorials of Robert Burns, (1876; Peter Miller, E. H. (Illustrator), 125 Freeland Aiken), 244 Miller, Harry Colin, 186, 191 Memorials of St. Michael’s: The Old Parish Miller, Harry L. (Illustrator), 185 Churchyard of Dumfries, (1876; William Miller, Hugh, 345–346 M’Dowall), 325 Miller, Irving, 238 Memories of Ayrshire about 1780, (1939; Rev. Miller, Malcolm Dean (Editor), 180 John Mitchell), 326 Miller, Margaret Irving (Illustrator), 238 Memory of Burns, The, (1898; Robert Love Miller (Haddington), 37 Holmes), 301 Miller (London), 275 Memory of Burns: Brief Addresses Commemo- Miller (New York), 124, 161 rating the Genius of Scotland’s Illustrious Millers Reel, The, [1987; recording], 373 Bard, The, (1899; John Dawson Ross), 342 Milliken, R., 73 Menasha, Wisc., 288 Milne & Hutchinson (Aberdeen), 317 Mennons & Son (Irvine), 57, 248 Milne & Stephen (Aberdeen), 271 Menomonie, Wisc., 221 Milner (Halifax), 89, 94, 98, 99, 100, 113 Menston, 223 Milner (London), 122, 135, 154 Menzies (Edinburgh and Glasgow), 153, 158, Milner and Co. (London), 126 167, 176, 177, 190, 191, 197, 309, 311, 320, 349 Milner and Sowerby (Halifax), 103, 106, Mercat Press (Edinburgh), 239 110, 111, 112, 116, 117, 121, 145 Merrill and Baker (New York), 164 Milngavie (Dumbartonshire), 215 Merry Diversions of Halloween, The, (1802) Milwaukee Burns Club, 257 45 Min elsk er bik ei raud raud ros, (1978) 225 Merry Muses . . . , The, 9, 13, 199 [1799] 35; “Mine Ain Dear Somebody,” [1830] 82 [1800?] 38, 189; [1827] 130, 139–140, 141, Miniature Museum of Scotch Songs and Music, 177, 181, 187, 195; (1843) 139; (1872) 130; The, [1818] 61 [1880] 139; [1881] 141; (1885) 222; [1903] Miniature Series, 186, 193 176; (1905) 180; [1910] 187; (1911) 189; Minstrelsy of Britain: Or, A Glance at Our [1911] 189; [1920] 195; [1920?] 195; [1925?] Lyrical Poetry and Poets: From the Reign 198; (1930) 203; [1947?] 15; [1950] 211; of Queen Elizabeth to the Present Time, (1959) 214; (1962) 196; (1963) 220; [1964] Including a Dissertation on the Genius and 217; (1965) 17, 218; [1965] 218; (1966) 219, Lyrics of Burns, (1860; Henry Heavisides), 222; [1967] 220; [1969] 222; (1970) 222; 297 (1982) 228; (1999) 238 Minutes, Notes and Speeches, Merry Muses of Caledonia, The, (April 1965; MCMXXXI–MCMXXXVIII, [1938?; G. Ross Roy), 38, 343 Burns Club of St. Louis], 258 Methuen (London), 206, 273 Minutes of the Annual Conference: Ayr, 1992, Methuen & Co. (London), 163, 182, 199, 298 262 Metuchen, N.J., 201 Mirror of Literature, Amusement, and Instruc- M’Glashan (Dublin), 358 tion, The, (May 17, 1828), 275 Index / 423

Miscellaneous Collection of the Most Esteemed “Monk and the Miller’s Wife, The,” (1802) Ancient and Modern Songs, A, (1818) 61 44 Miscellaneous Papers: Including Notes on Monkland Friendly Society, 299 Authors, Essays on Various Subjects, and “Monody on the Death of Robert Burns,” Reflections in Verse, (1881; James Tennant), [1795–1798?], 31 355 “Monody on the Fatal 29th December, 1789: Miscellany of the Scottish History Society, 326 A Rediscovered Poem by Burns, A,” “Miscellany: Robert Burns,” (February 25, (November 24, 1998; Chris J. Rollie), 339 1823), 326 Montgomerie, William, 300, 328 Mitchell, J. O., 326 Montgomery, J., 257 Mitchell, John B. (Translator), 224 Montgomery, James M., 344 Mitchell, Richard Blimt, 11, 271 Montgomery, W. H., 113 Mitchell (Glasgow), 153 Montreal, 127, 163, 263, 279, 309, 342, 360, 369 Mitchell (Newcastle on Tyne), 36, 40 Moor, James Ditchburn Ushaw, 153, 279 Mitchell & Son (Glasgow), Tam o’ Shanter Moore, John, Dr,. xiv, 6, 17–18, 144, 328 tobacco tin, 376 Morford, Henry, 12 Mitchell Library, Glasgow, 15, 26, 40, 89, 95, Morgan, Jack, 328 326, 327, 356 Morison (Glasgow), 244 Miyares, Rubén Valdés, 231 Morison (Perth), 18 M’Kay, Archibald, 327 Morison Brothers (Glasgow), 158, 244 M’Kay, W. D. (Illustrator), 176, 206 Morley, Henry, 269 M’Kay (Kilmarnock), 327 Morley, John, 347 M’Kie, James, 124, 125, 126, 127, 292, 323, 327 Morning Post and Daily Advertiser, The, 263 M’Kie (Kilmarnock), 124, 125, 126, 127, 129, Morning Star Press, 350, 351 146, 147, 292, 302, 308, 323, 327 Morozov, M. M., 328 M’Kie & Drennan (Kilmarnock), 135, 136, Morren (Edinburgh), 37, 39 148, 176, 197, 244 Morris, Charles, 326 M’Kie Burnsiana Library, 327 Morris, Charles, Mrs., 326 M’Killop, James, 327 Morris, James A., 328 M’Lean (New York), 24 Morris & Co. (Philadelphia), 173 M’Lehose, Agnes (“Clarinda”), 2–3, 4, 12, Morrison (Glasgow), 304 44–45, 49, 57, 59, 60, 63, 65, 68–69, 75, 83, Morton, Alex. S., 200 89, 96, 99, 125, 183, 223, 239, 242, 279, 287, Morton (Boston), 308 323, 327; Silhouette of Clarinda, oval Moscow, 204, 205, 209, 211, 214, 217, 223, 225, locket, 2s3, 368 237, 238, 239, 240, 295, 328, 371 M’Lehose, W. C., 96, 239 Mosher (Portland, Me.), 192 M’Lellan, William, 42 Motherby, Robert, 329 M’Nairn (Newton-Stewart), 79, 80, 81, 82 “Mother’s Lament for the Death of Her M’Naught, D., 167, 177, 191, 327 Son, A,” [1830], 81 Modern Language Association of America Motherwell, William (Editor), 57, 86, 88, 89, (New York), 288 95, 101, 103, 104, 142 Modern Philology, 361 Moubray House (Edinburgh), 232 Moffat (London), 96 Mould & Tod (Edinburgh), 312 Moffatt, Walter Augustus, Jr., 328 Mound City Press (St. Louis), 258 “Moggy Adair,” [1820], 64 Moxon (London), 131, 132, 139 Moir (Edinburgh), 55 Moxon’s Standard Poets, 168 Molenaar, Heinrich, 328 Mozart Allen (Glasgow), 173, 195, 252 Mollison (Glasgow), 326 Mozorov, M., 211 “Moment White, A,” (1986; John Cairney), M’Phun (Glasgow and London), 129, 133 265 MTA New York City Transit (New York), Moments with Burns, Scott and Stevenson: 369 Selected Quotations and Preface, (1933; Mudie (Edinburgh), 18 Patrick Braybrooke), 252 Muir, Ann (Illustrator), 235 Moncur, David (Binder), 34, 35, 36 Muir, Edwin, 329 Index / 424

Muir, James, 329 “My Love Is But a Lassie Yet,” (1800), 37 Muir, John, 329, 330, 351 “My Love Is Like a Red, Red Rose,” (1823) Muir, Pearson M’Adam, 330 69; [1900?] 14; [1959?] 215; (1980) 227; Muir, Thomas L., 330 (1994) 234–235. See also “My Luve’s Like “Muirland Willie,” [1810] 54 a Red, Red Rose,” “O My Love Is Like the Muller (London), 334 Red, Red, Rose,” “O My Luve’s Like a Mundell (Edinburgh), 254 Red, Red Rose,” and “Red, Red Rose” Munro, Archibald, 330 “My Love She’s But a Lassie Yet,” (1800; Munro, Donald,363 Kinsley title of “My Love Is But a Lassie Munro, Neil, 178, 182, 195 Yet”), 37 Munro & Baldwin, 244 “My Lovely Mary,” [1800–1820?] 37 Munro & Scott (Perth), 357 “My Luve’s Like a Red, Red Rose,” [1900] Murchland, Charles, 330 172. See also “My Love Is Like a Red, Red, Murchland (Irvine), 362 Rose,” “O My Love Is Like the Red, Red, Murchland, Herald Office (Irvine), 296 Rose,” “O My Luve’s Like a Red, Red Murdoch, John, 330, 363 Rose,” and “Red, Red Rose” Murdoch, John Mitchell, 330, 331 “My Mary, Dear Departed Shade,” (1802) Murdoch (Glasgow), 33 44 Muriel, John St. Clair, 330 “My Nancy O,” (2003) 242, 318 Murison, David, 319 “My Nanie O,” [1800] 38; [1800–1820?] 37, Murison Burns Collection, The, (1953) 283 64; [1805?] 48 Murphy, Peter T., 331 “My Nanie’s Awa,’” [1820?; Kinsley title of Murray, Arthur, 297 “My Nannie’s Awa’”], 65–66 Murray, Bobby, 331 “My Nannie O,” (1805) 48 Murray (Aberdeen), 360 My Nannie O!, [1835?],86 Murray (Kirkcaldy), 50 “My Nannie’s Awa,’” [1820?] 65 Murray (London), 313 “My Wife’s a Winsome Wee Thing,” [1830; Murray and Cochrane (Edinburgh), 5 Kinsley title of “The Bonnie Wee Wife”], Murray Publishing (Aberdeen), 360 81 “Music and Language: How Burns Married Mylne, James, 331 Words to Tunes,” (2002; Sheila Douglas), Mysyka, Vasylia, 215, 218 280 Music for Pleasure (Feltham, Middlesex), Nachträge zum Taschen-Wörterbuch des schot- 373 tischen Dialekts, 329 Music Manuscript, [1890], 331 Några dikter af Robert Burns, (1872) 131 “Music Still as Siller” [1930–1950?], 15 Nairne, Lady, 13, 28, 173, 274 Musical Museum ( Johnson), 84, 90, 92, 97, Namba, Toshio (Translator), 213, 215, 217, 99, 101, 110 222, 331 “Musing on the Roaring Ocean,” [1830] 81 Napier (London), 30 Mutch, Alexander, 331 Narrator of Tam o’ Shanter, The, (1968; John M’Whirter, John (Illustrator), 134 Charles Weston), 361 My Aine Kind Dearie, [1796?] 31 Nash, Edward Barrington, 331 “My Bonie Lizie Bailie,” 10 Nash (San Francisco), 200 My Bonnie, Bonnie Dearie, (1836), 88 Nasmyth, Alexander, 12, 22, 41, 44, 49, 58, “My Bonnie Mary,” [1895], 160 67, 101, 102, 115, 122, 131, 164, 168, 190, 195, My Bonnie Mary: It Was Upon A Lammas 225, 276, 278, 367, 369, 369 Night, Tho’ Women’s Minds, Yestreen I Had National Book League (London), 351 A Pint o’ Wine, There’s Nought But Care on National Burns, The, [1878–1880] 137; Ev’ry Hand, Ye Banks And Braes, [1820] 65 (1879–1880) 138; [1879] 138 My Heart’s in the Highlands . . . , [1830] 80; National Burns Memorial and Cottage, 293 [1979] 226; (1988) 231 National Committee on Army and Navy “My Heart’s in the Highlands,” (1908) Camp Music, 194 183–184; [1927] 201; [1930?] 203 National Edition of the Works of Robert Burns, “My Kimmer and I,” (1823), 70 The, [1866] 121 Index / 425

National Endowment for the Humanities, New York Herald, 262 344 New York Pub. (New York), 161 National Songs of Scotland, (1823) 70 New York Scottish Society, 332 National Trust for Scotland, (Glasgow and New York Spectator, 284 London), 332 New York Times, The, 255 “Nationality” of Robert Burns: A Lecture New York Weekly Messenger and Young Men’s Delivered to the Dunedin Association at Advocate, The, 321 Edinburgh on 20th January 1915, The, New York Weekly Tribune, 281 (1915; Robert Macauley Smith), 351 New Yorker, The, 333 Nation’s Library, The, 360 Newcastle, 38, 54, 73, 95, 271, 335 Natural History in the Poetry of Robert Burns, Newcastle and Tyneside Burns Club, (1928; James F. Gemmill), 291 332 Neil (Airdrie), 38 Newcastle Chronicle Offices (Newcastle- “Neil Gow’s Fareweel,” (1823) 70 on-Tyne), 166 Neill (Edinburgh), 38, 351 Newcastle Imprint Club, 219 Neill and Sons (Haddington), 92 Newcastle on Tyne, 36, 37, 38, 40, 45, 56, 146, Neilson, George, 287 166, 149, 152, 239, 278 Neilson, William Allan, 332 Newcastle upon Tyne, 37, 48, 54, 60, 62, 63, Neilson (Paisley), 42, 50, 293, 326, 334 64, 68, 73, 92, 94, 332, 335 Nelson (London and New York), 178, 198, Newcastle upon Tyne Club, 335 200, 210, 246, 255, 278, 355 Newcraighall “Poosie Nancy” Burns Club, Nelson and Brown (Edinburgh), 84, 87, 88 332 Nelson and Sons (New York), 175, 198 Newman & Co. (London), 102 Netnik.com (Athens, Ga.), 374 Newmilns, 247 Neues Leben (Berlin), 301 Newnes (London), 175 New Age Magazine, 249 Newtongrange, 226, 228 New Amsterdam Book Company (New Nichol, John, 332 York), 174 Nichol, Professor, 162 New Broom Private Press (Leicester), 223 Nichol (Edinburgh), 109 New Cumnock, 1, 339 Nichol’s Library Edition of the British Poets, New Cumnock Burns Club, 339 118 New Cumnock Kirck, 1 Nicholson, William (Illustrator), 12, 165 New Dimension Media (Eugene, Ore.), 374 Nicholson (Halifax), 124 New English Library (London), 303 Nicholson (Ludlow), 35, New Fashionable Songster, The, [1838–1839?] Nicholson and Sons (Wakefield), 133 92 Nicholson Printing Company (St. Louis), New Guide to Ayr and the Land of Burns, 257 [1870–1879], 12, 332 Nicht wi’ Burns: A Popular Reading, A, [1894; New Lanark, 236, 240, 243, 340, 377 Henry C. Shelley], 159, 348 New Life and Vindication of Robert Burns, Nicol, Erskine (Illustrator), 163 Derived from Authentic Information of Those Nicol, Mr., 4 Who Knew the Poet, A, (1924; James Nicolas, Harris, Sir, 92 Mackenzie), 319 De Nieuwe Haagsche (Den Haag), 236, New Scots Reader, The, (1972; Alexander 295 MacMillan), 226 Night on the Banks of Doon, and Other Poems, New Song Called Auld Scotia Free: To Which A, (1838; John Mitchell), 326 Are Added, O Helen Thou Art My Darling, “Nightingale, The,” [1830] 81 The Lovely Lass of Allan-Down, Will Ye Go Nightingale: A Collection of the Most Popular, to The Ewe Bughts, and a Lamentation for Ancient, and Modern Songs Set to Music, the Death of the Brave McKay, A, [1820] 65 The, (1805; Samuel Larkin), 47 New York, Burns Club of the City of, Nimmo, Ian, 332 258–259 Nimmo (Edinburgh), 115, 116, 119–120, 122, New York, Burns Society, 258, 274, 305 124, 129–130, 132–139, 141, 142, 150, 256, New York Daily Tribune, The, 255 295, 326 Index / 426

Nimmo, Hay, & Mitchell (Edinburgh), 137, “O, Come to Me When Daylight Sets,” 144–146, 150, 153, 155–156, 158, 170, 178, [1830] 79, 82 186, 189–190, “O Condescend Dear Charming Maid,” 1904 World’s Fair, 260 [1830] 81 Ninety Burns Club, 282, 359 “O, Fair Ellen,” [1810] 54 Nineveh the Birth of Burns (1859; Edward “O Helen Thou Art My Darling,” [1820] 65 George Kent), 308 “O, How I Love Somebody,” [1805?] 48 Nisbet, Alexander P., 185 “O Lovely Polly Stewart,” (2005) 243 Nisbet, Peggy, 376–377 O My Love Is Like a Red Red Rose, (1997) 236 Nisbet, R. B. (Illustrator), 176, 183, 206 “O, My Love is Like the Red, Red Nisbet & Co. (London), 291 Rose,”(1823) 70. See also “O My Luve Is Nister (London), 170, 179, 187, 250 Like a Red, Red, Rose,” “O My Luve’s Niven, Napier and Khull (Glasgow), 44, 45 Like a Red, Red Rose,” “My Luve Is Like Nivison (Edinburgh), 62 a Red, Red Rose,” “My Luve’s Like a Red, Noble, Andrew, 240, 241 Red Rose,” and “Red, Red Rose” “Nobody Coming to Marry Me,” [1830] 80 O My Luve Is Like a Red, Red Rose,(1973) Nogle digte af Robert Burns: gendigtet på 224, 375. See also “O My Love Is Like the folkmå med et rids af hans liv, (1951) 211 Red, Red, Rose,” “O My Luve’s Like a Nolan, Ed, 353 Red, Red Rose,” “My Luve Is Like a Red, Nordoff, Paul, 214 Red Rose,” “My Luve’s Like a Red, Red Norske Samlaget (Oslo), 197 Rose,” and “Red, Red Rose” North Cote, 270 “O My Luve’s Like a Red, Red Rose,” Northern Illinois University, 337, 344 (1906) 182. See also “O My Love Is Like Northern Muse: An Anthology of Scots Vernac- the Red, Red, Rose,” “O My Luve Is Like ular Poetry, The, (1924) 198 a Red, Red Rose,” “My Luve Is Like a Northern Pub. Co. (Liverpool), 297 Red, Red Rose,” “My Luve’s Like a Red, Northumbrian Minstrel: A Choice Selection of Red Rose,” and “Red, Red Rose” Songs [Number 1stt]-Third, (1811) 55 “O, Once I Lov’d A Bonnie Lass,” (1986) Norton (New York), 23 230 Norwich, 226, 229, 231, 233, 260, 270, 290 “O Stay My Love,” [1800] 37; [1810] 54; Notes and Documents: A New Song for the (1825) 73 Burns Canon, (G. Ross Roy), 343 “O Stay Sweet Warbling Woodlark, Stay,” Notes and Queries, 61, 253, 3443 [1900?] 14 “Notes and Transcripts of Letters: Holo- “O Wat ye Wha’s in Yon Town,” (1800) 36; graph [between 1950 and 1970?],” (Robert [1805?] 49; [1830] 82; [1840] 94 D. Thornton), 356 O Wert Thou in the Cauld Blast: Volkslied, Notes on His Name and Family, (1851; James [1857] 109 Burnes), 255 “Oh Whistle and I’ll Come to You, My “Notes on Robert Burns and Scottish Lad,” 80, 301 Songs,” ([1940?]; Robert D. Thornton), O, Whistle and I’ll Come to You My Lad = O 14, 356 pfeif und ich komme mein Bursch, zu dir, Notes on Scottish Song (1908), 184, 217 (1897; Helen Hopekirk) 167, 301 Notes on the Election Ballads of Robert Burns, “O, Willie Brew’d a Peck o’ Maut,” [1825], [1932?; John Muir], 330 73 Nottingham Court Press (London), 228 Oasis, 283 “Now Mr. Burns the High Road’s the Fast Obpacher Bros. (New York and Munich), Road to Scotland!” (May 15, 1948), 333 301 “Now Westlin’ Winds,” [1799] 34, 35 Observer: Being a Collection of Moral, Literary Noyes, George R. (Editor), 268 and Familiar Essays, The, 17 Nutshell Library, 183, 200 Occasional Pamphlets, 221 Nutt (Binder), 95 Ochiltree, 10 Nuttall, P. A.,Nygard, Olav, 197, 224. See “Ode on the Centenary of Burns’s Death,” P.A.N. (1896; Hunter MacCulloch), 13, Nyt Bogforlad (Odense), 211 316 Index / 427

“Ode on the Duchess of Kingston,” 258 Oliver & Boyd (Edinburgh), 51, 53, 57, 59, 63, “Ode to Temperance,” 31 80, 86, 117, 175, 211, 219, 226, 274, 284, 320, “Ode to the Memory of Burns, by Thomas 325, 349, 356 Campbell,” (1838) 276 Oliver & Co. (Edinburgh), 40–41 “Ode to the Memory of Robert Burns,” Olma Press (Moscow), 240 (1816; James Aikman), 244 O’Mara (London), 241 “Ode to Virtue,” [1805?] 49 “On A Bank of Flowers,” (1808) 51, 250 Oddy (London), 55, 60 “On Chloris Requesting Me to Give Her a “Of a’ the Airts the Win’ can Blaw,” [1799] Spray of a Sloe-Thorn in Full Blossom—,” 34; [1805?] 48; [1850?] 102 (Kinsley title of “The Thorn”) (1803) 46; “Of a’ the airts the win’ can blaw [My [1820] 66 lovely Jean],” (1805) 48 “On Hearing Songs by Robert Burns,” Officer, William, 333 (1998; Tim Cloudsley), 272 Official Handbook of Burns’ House, Dumfries: “On Miss W.A.,” (Kinsey title of “Bonny And Other Memories of the National Poet, Lass of Ballochmyle”), [1799] 33, 35; [1935?] 262 [1826] 33, 75 Officina Bodoni (Verona), 210 “On Poverty,” (1828) 77 “Oft in the Stilly Night,” [1830] 79, 82 “On Reading, in a Newspaper, the Death of Ogilvie, Alfred, 249 J[ohn] M’[Leod] . ..,” 59 Ogilvie, George, 204, 206, 207, 210, 221 On Robert Burns, An Address: Judas the Ogilvie Publishing Company (New York), Betrayer—His Ending, A Poetical Fragment, 340 (1871; Alexander Stuart Logan), 314 Ogle (Glasgow), 130 “On the Late Captain Grose’s Peregrina- Ogle, Allardice & Thompson (Edinburgh), tion,” [1791] 26 67 “On the Late Captain Grose’s Peregrinations “Oh Hey Johny Lad,” [1800] 37 thro’ Scotland, Collecting the Antiquities “Oh no! We Never Mention Her,” [1830] 79, of that Kingdom,” [1791; Kinsley title of 82 “On the Late Captain Grose’s Peregrina- “Oh Say Not Women’s Love Is Bought,” tion”], 26 (1829) 78 On the Trail of Robert Burns, (2002; John “Oh! Send Me Lewis Gordon Hame,” [1830] Cairney), 265 82 One Hundred and One Best Songs for Home, “Oh Wert Thou in the Cauld Blast,” (2001) School and Meeting, [1927], 201 241 One Hundred and Thirty-Seventh Annual Cele- “Oh, Wert Thou in the Cault Blast,” [1927] bration, Tontine Hotel, Greenock, Wednesday, 201 25th January, 1939, (1939; Greenock Burns O’Hagan, Andrew, 333 Club), 295 O’Hara, Arnold, 231 150th Annual Celebration: In the Caledonian Old Ballads, [1800] 36–37, 39; [1805] 48 Hall on Friday, 23rd January, 1976, [1976; Old English, Scotch, and Irish Songs, 160 Irvine Burns Club], 305 Old Kirk and Burns Memories, An, (1934; 151st Anniversary of Robert Burns Under Aus- Archibald Mackenzie), 319 pices of the Caledonian Club, [1910] 249 Old Mountain Press (Fayetteville, N.C.), One Hundred Ninth Celebration of the Birth of 307 Robert Burns, January 25, 1759, (2004; Old Scotch Gems in Song & Scenery, [1906?] Burns Club of Atlanta), 257 182 116th Annual Supper: Dumbuk Hotel, Dumbar- Old Scots Songs, The, (1983) 228 ton, Friday, 31st January 1975, (1975) 282 Oldman, C. B., 74 139th Anniversary Celebration . . . : Report of Oliphant (London), 286 Proceeding, (1898; Newcastle and Tyneside Oliphant, Anderson & Ferrier (Edinburgh), Burns Club), 332 347 Oppenheim, Hans, 275, 371 Oliver, Alex, 314 “Orananaoig, or a Song of Death,” [1830; Oliver, John, Rev., 14, 287 Kinsley title of “Farewell Thou Fair Oliver (Edinburgh), 40 Day”], 82 Index / 428

“Orange and Blue, The,” (1823) 71 Paper on the Subject of Burns’ Pistols: Read at Order of Scottish Clans Courier, 324 a Meeting of the Society of Scottish Antiquar- Order of the Scottish Clans Fiery Cross, (1946; ies, on Tuesday the 19th Day of April, 1859, Charles S. Webster), 361 [1859; James Gillis], 292 Oriental Club Library, 139 Papers of the Bibliographical Society of Amer- Ormond Poets, The, 202 ica, The, 345 Orr, David, 311 Papers of the Edinburgh Bibliographical Soci- Orr, Monro S. (Illustrator), 182, 192 ety, v. IX, 287 Orr (Glasgow and London), 101 Paris, 96, 97, 121, 147, 171, 172, 173, 178, 182, Orr & Sons (Glasgow), 89 184, 235, 246, 272, 336 Osbourne, A., 376 Park, John, Dr., 23 Osgood (Boston), 130, 132, 134, 136, 140, 142 Park, Thomas, 50, 56 Other Dear Charmer: A Comedy in Three Acts, Parke-Bernet Galleries (New York), 295 The, (1957; Robert Kemp), 307 Parker (Taylorville, Ill.), 183, 184 Otis, Broaders, and Company (Boston), 100, Parker (Wimbish), 226 102 Parker City Oil Exchange Library, 114 Oulton (Dublin), 49, 293 Parker House, 12 Our Place in Time, [2002; K. D. Kennedy], 307 Parker’s Penny Classics, 183–184 Outlet Book Co. (Avenel, N.J.), 235 Parlane (Paisley), 272, 291, 296, 310 “Outline History of Scottish Literature,” 14, Parody Anthology, A, (1904; Carolyn Wells), 356 361 Outram & Co. (Kilmarnock), 261, 265 Parragon (Bath), 240 Outremont, Quebec, 324 Parry, A. Ernest, 153, 279 Ovens, Thomas T., 333 Parry, John, 23, 54 Oxford, 151, 162, 178–179, 182, 188–194, “Parting Song, A,” (1822; Hew Ainslie), 245 196–197, 199–200, 202, 221, 226, 228, 233, Paterson, Don, 240 268, 273, 364 Paterson, G. W. Lennox, 214, 217 Oxford University Press (London and New Paterson, James, 23, 245, 333–334 York), 14, 62, 151, 154, 162, 185, 188, 190, Paterson, R. (Illustrator), 134 192–194, 196–197, 199–200, 202, 204–208, Paterson (Edinburgh), 136, 137, 144, 145, 210, 212, 214–215, 221, 226, 228–229, 273, 147, 332, 339 284, 288, 326, 363 Paterson (London), 115, 156, 157, 213, 338 “Patie and Ralph, An Elegiac Pastoral on the Padon (Edinburgh), 246 Death of Robert Burns,” 31 Pages: The World of Books, Writers, and Writ- Paton, Norman R., 334, 353 ing, 343 Paton, Walter H. (Illustrator), 134 Paget, H. M., 250 Paton (Ednburgh), 333 Paisley, 30, 38, 42, 50, 74, 78, 93, 126, 183, Patterson, Rod, 373 214, 216, 225, 245, 253–254, 272, 277, 289, Paul, Hamilton, Rev., 62 291, 293, 296, 299, 302, 304, 306, 310, 317, Paul, Trench, Trübner & Co. (London), 156, 322, 326, 330–331, 333–334, 340–342, 347, 166, 180, 253 355–356 Pauper (New York), 215 Paisley Burns Club, 245, 254, 264, 302, 333 Paxton, William, 334 Paisley Burns Clubs 1805–1893, (1893; Robert Payne, Miles, 216 Brown), 254 Peacock, Hugh C., 153, 334 Palace of History: Catalogue of Exhibits, [1911] Pearce, Robert, 237, 238 346 Pearl, Cyril, 334 Palmer (Baltimore), 58 Pearse, S. B. (Illustrator), 189 Palmer (London), 365 Pearson, Derek, 227 Palmer (Philadelphia), 62, 276 Pearson (New York), 84, 89 P.A.N, 122, 131, 140, 142 “Pease-Strae” [1830], 79 Pa stwowy Instytut Wydawniczy (Warsaw), Peck o’ Maut: To which Are Added, This Is No 213 My Plaid, The Highland Courtship, The, Panther Books (London), 219, 222 [1825], 73 Index / 429

Pei-ching, 214 Photograph of the Auld Brig o’ Doon, [1900?] Pellow (Dundee), 312 370 Pelton, Oliver (Engraver), 102, 107, 125, 126 Photographers. See individual photogra- Pen Pictures (1900; Mina S. Seymour), 347 phers’ names Pencloe, 1 Phrenological Development of Robert Burns, P’eng-ssu shih hsüan [Complete Poetical Works (1835; George Combe), 272 of Robert Burns], (1959) 214 Phrenologial Journal, 23 Penguin (Harmondsworth, London, Piatkovskaia, A. V. (Translator), 237 Middlesex, and New York), 208, 209, 212, Picken, Ebenezer, 334 213, 369, 233, 234 Pickering, Mr., 23 Penn Club of New York, 334 Pickering, Outi, 335 Penny Poets, The, 162, 167 Pickering (London), 92 Pentland (Edinburgh), 360 Pickering and Co. (Dublin), 63, 80 People’s Edition of the Poetical Works of Robert Pickering & Inglis (Glasgow), 245 Burns, The, (1897) 167; (1903) 177; (1913) “Picture Postcard Poetry and Places” (Peter 191 J. Westwood), 362 People’s Penny Burns; Selected Poems, The, Pictures and Portraits of the Life and Land of [1910] 187 Burnsk (1838) 23; (1840) 23 People’s Penny Library Edition, 111 Pictures of the Heart: Sentimentally Delineated Perkins, Hosea B., 255 in the Danger of the Passions, an Allegorical Perochon, Joseph Elias, 2 Tale: The Adventures of a Friend of Truth, Perry, Louis S. G., 282 an Oriental History in Two Parts: The “Personification in the Poetry of Robert Embarrassments of Love, A Novel: and The Burns,” (1994; Outi Pickering), 335 Double Disguise, a Drama in Two Acts, Personifikation und poetische Beseelung bei (1783; John Murdoch), 23 Scott und Burns, (1911; Adolf Streissle), Pilgrimage to the Land of Burns, A, (1822; 354 Hew Ainslie), 245 Perth, Australia, 18, 72, 248, 357 Pillans & Wilson (Edinburgh), Pertz, Georg (Translator), 112 Pinion, F. B., 214 Pesni i stikhi, (1963) 217 Pins and medal, 376 Peterhead, 10, 274, 320, 335, 349, 353 Pioneer Press (London), 290 Peterkin, Alexander, 58 Pirie, George, Sir, (Illustrator), 176, 183, Pforzheim, 227 206, 207, 209, 210 Pharsalia (Lucan), 2 Pitblado, Charles Bruce, 335 Pheasey, J., 262 Pitblado, Isaac, 335 Philada, Scot, 36 Pitkin Pictorials (London), 251 Philadelphia, Penn, 25, 33, 43–44, 48, 50, 53, Pitt Gilbert, 335 55, 62, 69, 71, 77–78, 83–85, 87–88, 90, 95, Pitt, William, Rt. Hon., 276, 296 98–99, 101–102, 106, 115, 118–119, 123, Pitts Printer Toy and Marble Warehouse 127–128, 130, 133–134, 137, 142–143, (London), 78 147–148, 160, 164, 168, 173, 179, 186, 188, P.J., 183 192, 257, 264, 276, 283, 295, 301, 320, 328, Place in Time Press (Raleigh, N.C.), 307 340, 352, 364 “Plague on All Musty Old Lubbers, A,” Phillips (Crieff ), 320 (1823) 70 Phillips and Sampson (Boston), 100 Plaques, Robert Burns 368, Burns’ birth- Phillips, Sampson (Boston), 104, 106, 107, scene, 368 109, 111 Pleasantville, N.Y., 227 Phillips, Sampson, and Company (Boston), Pleyel, Ignaz, 29, 30, 39, 43, 46, 58, 60, 61, 69 102, 103, 108, 109 74, 76, 90, 91, 373 Philo (North Ferrisburg, Vt.), 373 “Ploughman, The,” (1823) 69 Philological Quarterly, 288, 311, 361 Ploughman Poet: A Novel Based Upon the Life Philosophical Library (New York), 212, 283 of Robert Burns, [1972; Louise Carter Philp, J. J., Rev., 336 Bush-Brown], 264 Phoenix (London), 256 “Plundered Lark, &c., The,” [1799] 34 Index / 430

PMLA (P.M.L.A.), 250 23, 184, 185; (1788) 24–25; (1789) 26; Pocket Classics, The, (2001) 240 (1790) 26; (1790–1793) 26; (1793) 8, 28, Poem: “The Trials of Truth” and Smaller 358; (1794) 30; (1797) 33; (1798) 33; (1799) Poems: God’s Pathway, Art Reminiscences, 35; (1800) 38; (1801) 41–42; (1801–1802) etc. (1915; G. Wilkie Gahan), 291 42; (1802) 45; (1803) 45, 46; (1804) 47; Poemetti e canzoni, (1953) 212 (1805) 49; (1806) 50; (1815) 58; [1817] 60; Poems, (1787) 3, 26; (1789) 26; (1801) 40, 41; (1824) 72; (1867) 124; (1869) 125; (1870) (1802) 45; [189–?] 153; [1894] 159; [1906] 127; (1877) 136; (1886) 147; [1895] 161; 182; (1907) 183; [1920?] 195; (1943) 208; [1900] 172; (1908) 185; [1913?] 191; [1920?] (1949) 210; [1990?] 232 195; (1927) 201; [1938] 207; [1977] 225; [Poems], ([between 1808 and 1837?]) 10, 335 (1983) 228; (1986) 230; (1991) 233 Poems, (1813; Margaret Chalmers), 271 “Poems, Chiefly in the Scottish Dialect,” Poems, (1818; Helen Currie), 276 (February 1787; review by John Moore), Poems, [1930; Matthew Lawson], 310 328 Poems, (1998; Tim Cloudsley), 272 “Poems, Chiefly in the Scottish Dialect by Poems and Epistles Mostly in the Scottish Robert Burns,” (February 1787; review in Dialect, (1788; Ebenezer Picken), 334 The General Magazine and Impartial Poems and Letters in the Handwriting of Review), 335 Robert Burns, (1908) 184 Poems: Chiefly Lyrical, Partly in the Scottish Poems and Letters of Robert Burns, The, Dialect, (1816; James Aikman), 244 [1900?] 172 Poems: Consisting of Miscellaneous Pieces, and Poems and Lyrics in the English and Scotch Two Tragedies, (1790; James Mylne), 331 Dialects, (1856; John Collie), 272 Poems in English, Scotch, and Latin, (1794; Poems and Pleasantries, (1938; David S. James Grahame), 30, 293 Littlejohn), 312 Poems in Scots and English, (1993) 234 Poems and Selected Letters, [1959] 214 Poems, Letters, and Land of Robert Burns, Poems and Songs, (Peter Livingston) (1858) The, [1838–1840] 90, 92 312; (1861) 312; (1867) 312; (1871) 312; Poems of Burns, The, (1904) 178; (1906) 182 (1875) 134; (1876) 312; (1878) 312; (1884) Poems of Robert Burns . . . , The, 2; (1819) 63; 313 (1822) 68; (1863) 117; (1881) 141; (1882) Poems and Songs, (1881; William Alexander) 142; [1885] 145; [1886–1890?] 147; (1898) 245 168; (1902) 175; [1910] 188; [1920?] 195; Poems and Songs, (1900; ) 349 (1920) 196; [1922?] 196; (1922) 197; (1925) Poems and Songs . . . , The, 236 (1819) 62, 63; 199; [192–?] 195; (1932) 204; (1935) 205; (1828) 77; (1858) 110; (1860) 114; (1861) (1937) 206; (1948); (1953); (1940) 207; 116; (1867) 123; (1868) 124; (1875) 134; (1942) 207; (1946) 208; (1947) 209; (1882) 142; (1888) 150; (1896) 163; (1899) (1948) 210; (1953) 212; (1958) 213; (1965) 169; [1900] 172; (1902) 175; [1903] 177; 218; (1965) 218; [1967] 220; (1968) 221; (1904) 178; (1906) 182; (1908) 184; (1910) [1980] 226; (1994) 235; (1995) 236 187; [1910] 188; (1913) 191; (1919) 194; Poems of Robert Burns, (1977; recording), 373 [1920?] 195; (1926) 199; (1930) 203; [1930?] Poems, on Sacred and Other Subjects, and 203; (1937) 206; (1946) 208; (1955) 213, Songs, Humorous and Sentimental, (1860; 223; (1962) 216; (1966) 219; (1968) 220; William Watt), 360 (1969) 222; (1971) 223; (1977) 225; (1978) Poems on Several Occasions: Chiefly in the Scot- 225; (1979) 226; (1981) 227; (1987) 230; tish Dialect, (1802; John Gerrond), 292 [1990?] 232; (1991) 233 Poems Selected from the Works of Robert Burns, Poems and Songs Spuriously Attributed to (1876) 135 Robert Burns, (1996; G. Ross Roy), 343 Poems, 1786 and 1787, (1971) 223 Poems Ascribed to Robert Burns . . . , (1801), Poems, Songs and Letters . . . , (1868), 124; 11, 40, 41 (1870), 128; (1875), 134; (1879), 138; Poems by David Sillar, The, (1789) 26 (1891), 156; (1893), 158; (1900), 172; Poems by Robert Burns, (1811) 55; [1906] 182 (1904), 178; (1910), 188; (1924) 198; Poems, Chiefly in the Scottish Dialect, 2, 4, 6, (1927), 201; (1932), 204 160, 191, 223; (1787) 20, 207; (1787) 20–21, Poesías, (1954), 212 Index / 431

Poesie, (1972), 223 156; (1892) 157; [1892] 157; (1893) 158, 159; Poésies complètes de Robert Burns, (1843), 96 [1893] 159; [1894] 159; (1894) 160; (1895) Poésies: Poems, (1994), 235 161; [1895] 161; (1896) 163, 164; (1896) Poesy of Love, The, [1900], 172 164; [1896] 163, 164; [1897] 167; (1898) 168; “Poet Burns,” (Carol McGuirk), 322 [1898] 169; [1899] 169, [189–?] 154; [1900] “Poet Peasant of Scotland, The,” [1896; 172–173; (1901) 174; (1902) 176; [1902] Alice Maude Kellogg], 307 176; [1903] 177; [1904] 178, 179; (1904) Poetic Tributes to the Memory of Robert Burns, 178, 179; (1906) 182; (1907) 183; [1907] (1817), 335 183; [1907] 183; (1908) 185; [1909] 186; Poetical and Prose Works of Robert Burns, The, (1910) 188; [1910?] 188; [1911?] 189; (1911) [1855], 107 189; [1912?] 190; (1912) 190; (1913) 191; Poetical Farrago: Being a Miscellaneous Assem- (1915) 192; (1916) 193; (1917) 193; [1919?] blage of Epirgrams and Other Jeux d’Esprit 194; (1919) 194; (1921) 196; [1922?] 197; Selected from the Most Approved Writers, (1923) 197; (1926) 199; (1928) 202; [1929?] (1794), 29 203; [1930?] 203; [1934] 205; (1936) 206; Poetical Wonder-Book: Poetical Works of Scott, [1936] 206; (1939) 207; (1942) 207; [1942] Burns, Moore, The, (1884), 144 207; (1945) 208; [1947] 209; (1948) 210; Poetical Works and Letters of Robert Burns, [1948] 210; [1958] 214; (1958) 214; (1960) The, [1860], 114; [1860–1890?], 114–115; 215; (1964) 217; (1974) 224 (1869), 125, 126; [1881], 141; [1903], 177 Poetical Works of Robert Tannahill, (1836) 89; Poetical Works Complete, (1896), 163 (1846) 99 Poetical Works of Lord Byron, The [1869], 125 Poetical Works of the Late Robert Burns, The, Poetical Works of Robert Burns . . . , The, 73, (1802) 45; (1811) 56; (1816) 59; (1823) 70 121; (1804), 47; (1807), 50; (1807), 50; Poetical Writings of Fitz-Greene Halleck, The, (1808), 51–52; (1810), 55; (1811), 55–56; (1873; Fitz-Green Halleck), 296 [1812] 56; (1813) 56; (1814) 57; (1815) 58; Poetry, (1909) 186 (1816) 59–60; (1817) 60; (1818) 61–62; Poetry & Life Series, 307 (1819) 63; (1821) 67–68; (1822) 68–69; Poetry and the Poet Burns: A Dissertation, (1823) 70; (1824) 72; (1826) 75; (1827) 76; Delivered Before the Members of the “New- (1828) 77; (1829) 78; (1830) 80–81; (1832) castle Social Debating Class,” West Clayton 84; [1833] 84; (1834) 85; (1835) 87; (1836) Street, Newcastle-on-Tyne, Jan. 31st, 1875, 88–89; (1837) 89; [1837] 89; (1838) 91; and Published at the Request of the Class, (1839) 92–93; (1840) 94; [1840?] 94; (1875; Thomas James Bayfield), 249 (1841) 95; (1842) 96; [1844] 98; (1845) 98; Poetry as an Occupation and an Art in Britain, (1846) 99; (1847) 100; (1848) 101; (1850) 1760–1830, (1993; Peter T. Murphy), 331 102; (1851) 103; (1852) 104; (1854) 106; Poetry of Robert Burns, The, (1896); [1896] (1855) 107; [1855] 107; (1856) 108–109; 164–165; (1896–1897) 165; [1896–1897] [1856] 109; (1857) 109; (1858) 110; (1859) 166; (1901) 174; [1901] 174; (1905) 180; 112, 113; [1859] 112; (1860) 114; [1860] 114, [1910] 222 115; [1860–1890?] 115; (1861) 116; (1863) Poetry of Robert Burns and Scottish Border 117; (1864) 118; [1864] 118; (1865) 119–120; Ballads, [1959; recording], 372 (1866) 121–122; [1866] 122; (1867) 124; Poetry, Original and Selected, [1795–1798?] (1868) 124–125; [1869] 126; (1870) 128; 30–31; [1797?] 30; [1805?] 49 [1870] 128–129; (1871) 130; (1872) 131; Poets’ Corner, or, Haunts and Homes of the [1872] 131; (1873) 132; [1873] 132–133; Poets, The, [1892; Alice Corkran], 273 [1873?] 132; (1874) 133; (1875) 134–135; Poet’s Grace, A, (1968) 221 [1875] 135; (1877) 136; (1878) 137, 153; Poets, Patriots, and Lovers: Sketches and Mem- [1879] 137, 138; (1879) 139; [187–?] 128; ories of Famous People, [1933; Rosaline (1880) 140; [1880] 140; [1880] 140; [1881] Orme Masson], 321 141; (1881) 142; (1882) 142; (1883) 143; Poet’s Pilgrimage: The Story of the Life and (1884) 144–145; [1884] 144; (1884) 144; Times of Robert Burns, (1960; Elsie S. [1885] 145; (1885) 146; (1886) 147; (1887) Rae), 336 149; (1888) 150–151; (1889) 152; [1889] 152; Poet’s Quair: An Anthology for Scottish Schools, [188–?] 140; (1890) 154; [1890] 155; [1891] (1966) 219 Index / 432

Poet’s Welcome To His Love-Begotten Daughter, Pride of Britain Books, 251 A, [1987?] 230 Primer of Burns, A, [1907?; George William Pohlman (Halifax), 88 Thomson McGown], 322 Politics of Burns, The (1918; W. P. Ker), 308 Primer of Burns, A, (1986; William A. Pollock (Binder), 125 Craigie), 273 Polyhymnia . . . , [1799] 33; [1805?] 49 Princeton University, 16, 328 Pond & Co. (New York), 107, 109 Principal Songs of Robert Burns, The, (1862) Popular Songs of Robert Burns, The, [1865] 120 116 Porteous Brothers (Glasgow), 291, 355 Printed Works of Robert Burns: A Bibliography Porter, Peter, 233 in Outline, The, (1899; William Craibe Porter & Coates (Philadelphia), 127, 128, 130, Angus), 247 133, 148 Prinzhorn, Wilhelmine (Translator), 162 “[Portions of ] Robert Burns New Year Let- Prior, Maureen, 237 ter, Addressed by Burns to Mrs. Dunlop, Proceedings at the Unveiling of a Statue to Ellisland, New-Year’s Day Morning, Robert Burns in Dominion Square, Mon- 1789,” (May 17, 1828), 78 treal, Que.: Saturday, October 18th, 1930 at Portrait of Robert Burns, [2001; Calum 2:30 o’ clock p.m., [1930] 263 Colvin], 370 Proceedings of the Conference on Scottish Stud- Portrait of Robert Burns: Painted by Alexander ies, (1973) 345 Nasmyth 1787, Engraved in Mezzotint by Program, Burns Federation World Confer- Frank Short 1893, The, [1893?] 279 ence, (1993, Alberta), 262 Portrait of the Burns Country (and Galloway), Progress of “Lady Mary Ann,” The, (1973; () [1968] 280; [1973] 280 Mary Ellen Brown Lewis), 311 Portraits of Burns, 3, 11, 25, 36, 41–43, 46, “Prologue to The Gentle Shepherd, A,” [1798], 47, 49, 52, 53, 57–58, 62, 67–69, 71–72, 75, 31, 33 80, 87, 91–92, 96, 101–105, 110–112, Promissory note to Alexander Crombie, 8 115–116, 118–127, 129, 131–137, 141, 145–147, Prose and Poetry: 5th Year, (1929) 202 149, 151–153, 155–157, 159, 163, 172, 174, 176, Prose Works of Robert Burns, The, (1816) 60; 180, 187, 190, 195, 196, 202–203, 215, 218, (1819) 63; (1838) 93; (1839) 276 225, 232, 245, 254, 256, 259–260, 262, Purves-Stewart, J., 335 264–265, 268, 275, 279, 286, 293, 295, 301, Putnam (New York), 217 304, 310, 317, 321–322, 327, 339, 341, 345–346, Putnam’s Sons (New York and London), 348, 351, 353, 367–371, 377 348 Portsmouth, 47 Pye, John, 62 Post Book Company (London), 260 Pyramid Books (New York), 221 Pott (New York), 189 Potter, John J., 335 Quaint Scottish Literature Chapbooks and His- Power, William, 335 tories, 38, 78, 93, 304 Po’zegnania (1997), 237 Quarto Press (London), 224, 226 Pratt (London), 96, 100 Queen Mary’s Lamentation: To which are Prentice and Weissinger (Louisville), 322 Added, The Orange and Blue, Lord Gregory, Prentice Hall International (London), 322 Tak’ Your Auld Cloke about Ye, and, The Presbytery of Ayr, 5–6 Sailor’s Return, (1823) 71 Presser (Bryn Mawr, Pa.), 227 Queen’s Park Bowling and Tennis Club, 335, Preston (London), 31, 43, 46, 58, 60, 61, 76, 336 90 Queen’s Wake, The, (1871; James Hogg), 130 Preston & Son (London), 29, 30, 39 Quintain Publishing Company, 215 Preston and Thomson, 69, 74 Quotations from the Poems and Songs of “Pretender’s Soliloquy, The,” (1799) 36 Robert Burns: A Personal Selection, (1986) “Pretty Maid Milking Her Cow, The,” 230 [1805?] 48 Pride and Passion: Robert Burns, 1759–1796, Rab the Rhymer: A Play in Three Acts on the ( John DeLancey Ferguson) (1939) 288; Life and Songs of Robert Burns, [1953; Eric (1964) 288 Crozier], 275 Index / 433

“Rabbie Burns and his friens,” (1825) 74 Reading and District Caledonian Associa- “Rabbie Burns 1759–1796: Poet Admired by tion, 336 Ulster-Scots,” ( January 2005; Willie “Reading of Robert Burns, The,” (Novem- Drennan), 281 ber 1970; John S. Robotham), 338 Rackham, Arthur (Illustrator), 184, “Reading of Robert Burns as Reflected in 319 His Letters and Poems: A Thesis Presented Rae, Elsie S., 336 for Distinction in English, A,” [1938?; Rae, Heather (Illustrator), 315 Robert D. Thornton] 14, 356 Rae, Thomas, 337 Reading University, 305 Rae (Belfast), 49, 57, 69 Real Robert Burns, The, ( James Laughlin Rae (Greenock), 214 Hughes) (1922) 302; [1922] 302 Raeburn Book Co. (New York), 340, “Rear High Thy Bleak Majestic Hills,” 341 (1796; William Roscoe), 10 “Raeburn-Burns Mystery, The,” (March 2, Recital of the Songs & Poems of Robert Burns, 1935; John S. Clarke), 272 (1973) 224, 247 Raleigh, Walter, Sir, 31, 314 Recollections of Burns: Reprinted from “Tales Raleigh, N.C., 307 and Sketches,” (1886; Hugh Miller), 326 Ralston, W. (Illustrator), 179 Red Letter Library, 182 Rambles through the Land of Burns, (1879) “Red, Red Rose,” (Kinsley title) (1794), 28; 244 [1830] 69, 70, (1998) 237. See also “My Ramsay, Allan, 31, 35, 61, 70, 85, 130, 173, 276, Love Is Like a Red, Red, Rose,” “My 309, 329 Luve’s Like a Red, Red, Rose,” “O My Ramsay Head Press (Edinburgh), 300 Love Is Like the Red, Red, Rose,” “O My Randall, Eric Lemuel, 219 Luve’s Like a Red, Red Rose,” Randall, Thomas, 5 ‘Red, Red Rose, A’ and Other Poems, (2002) Randall (Stirling), 45, 49 241 Ransom, H. H., 358 Redpath, Jean, 305, 373 “Rantin Dog, The,” (1823) 70, 93, 94, 331 Reedy, William Marion, 192 Rantin Rovin Robin: An Illustrated Life Story Reference Dept., Library of Congress of Robert Burns, (1999; Colin Hunter (Washington, D.C.), 292 McQueen), 325 Reformers’ Bookstall (Glasgow), 353 Ranting Dog: The Life of Robert Burns, The, Regan Printing and Publishing House [1938; John St. Clair Muriel], 330 (Chicago), 306 “Ranting Highland Man, The,” [1805] 48 Reid, A. Fraser, 358 Rare Books and Special Collections, Thomas Reid, Alan (Editor), 167 Cooper Library (Columbia, S.C.), 242, Reid, G. O. (Illustrator), 176, 183, 206 279 Reid, J. B., 336 Rathan (Edinburgh), 208 Reid, James, 134, 353 Ravel, Maurice, 336 Reid, Robert, 158 “Raving winds around her blowing,” (1788) Reid & Henderson (Glasgow), 63 18 “Reid Miniature of Robert Burns, The,” Ray, Angus J., 300 ( John DeLancey Ferguson), 288 Ray (Dundee), 45 Reinhart, Georg, 210 R.B., 375 Reiver Press (Galasheils), 338 RB: A Biography of Robert Burns, (1992; Reliable Series, 310 James A. Mackay), 318 Relics of Upwards of a Hundred in Number R.B.A.N.A. Bulletin: Special 2001 Issue, (2001; (pamphlet, pasted in Ebenezer Hender- Robert Burns Association of North Amer- son’s copy of The Observer: Being a Collec- ica, Club no. 1024), 337 tion of Moral, Literary, and Familiar Rea (Dublin), 330 Essays), 17 Read & Co. (New York), 271 Religion of Robert Burns, The, (1959; Henry Reader’s Digest Association (Pleasantville, Charles Whitley), 362 N.Y.), 227 “Religion of Robert Burns, The,” [1933; Ros- Readers Union (Newton Abbott), 280 aline Orme Masson], 321 Index / 434

Religion of Robert Burns: A Lecture Delivered Richardson (Berwick upon Tweed), 41, 42 in St. Mark’s Chapel, Edinburgh, on Sunday Richardson (Perth), 248 Evening, 30th January 1859 (Being the Sun- Richardson & Son (Derby, London, and day Following the Centenary of Burns’s Dublin), 98 Birth-day, (1859; Robert Blackley Drum- Richmond (England), 224 mond), 282 Richmond, Ronnie, 283 Reliques of Robert Burns, 67; (1808) 11, 52, 53; Riddell, Maria, 121, 165, 320, 337, 340 (1809) 53; (1813) 56; (1817) 61 Riddell, Robert, Captain, 27, 118, 184 “Reliques of Robert Burns: Consisting Ridgway and Co. (Hanley), 375 Chiefly of Original Letters, Poems, and Riker, Chris (Illustrator), 228 Critical Observations on Scottish Songs,” Rinehart (New York), 277 (1802; Francis Jeffrey Jeffrey), 305 Rintoul, David, 219 Relume-Dumara (Rio de Janeiro), 235 Ripol Klassik (Moscow), 239 Renaissance and Modern Studies, 309 Rival Rhymes, in Honour of Burns, (1859; Rennie, John, 11 Samuel Lover, ed.), 315 Renwick, W. L., 336 Riverside (Cambridge, Mass.), 137, 138, 140, “Reply to a Rhymed Invitation to a Burns 160, 182 Dinner,” (1907; William C. Anderson), Rivière, 20, 21, 41, 45, 138, 188, 275 246 Rivière & Son (Binder), 20 Report of the Trial of Duncan M’Inness and Rivington (London), 299 Peter M’Bride, (1825) 50 Rivingtons (London), 135 Representative Poems of Robert Burns . . . , Roach’s Beauties of the Poets of Great Britain, (1897) 167; (1902) 176; [1930] 204 (1793–1795), 27, 31 Revell (Chicago), 139 Roba¯to Ba¯nzu no jojo¯shi: taiyaku = The Lyric Reveries and Reminiscences, (1907; William C. Poetry of Robert Burns, (1960) 215 Anderson), 246 Robb and Co., 174 Review of Burns: A Study of the Poems and Robbie & His Mary, (1959; film), 374 Songs. By Thomas Crawford, (1962; G. Ross Robert W. Woodruff Library, Emory Uni- Roy), 320, 343 versity, 344 Review of “Burns—By Himself,” ( January Robert Berns: kritiko-biograficheski ocherk, 1939; Hugh MacDiarmid), 317 (1957; A. A. Elistratova), 285 Review of English Literature, 308 Robert Berns: Poezii, (1965) 218 “Review of Lockhart’s Life of Robert “Robert Berns = Robert Burns: An Ode,” Burns,” (December 1828; Thomas Car- (1964) 337 lyle), 269, 289 Robert Berns v perevodakh S. Marshaka, Review of Reviews Office (London), 162 (1947) 209; (1950) 211; (1959) 211, 214; Reviews of Burns: A Study of the Poems and (1963) 217; (2000) 240 Songs by Thomas Crawford, (1961; Allan H. “Robert Bruce’s Address to Bannockburn,” MacLaine), 320 (Kinsley title of “Bruce’s Address” and Revue de Littérature Comparée, 343 Fac-simile of “Scots Wha Hae Wi’ Wallace Reyedall, 10 Bled” (1805–) 49; (1815) 58; [1830] 79; Reynold, Cuyler, 337 (1859) 112, 117; (1965) 217 Reynolds (Salem, N.Y.), 58 “Robert Bruce’s Address to His Army,” Rhymer, The, (1900; Allan McAuley), 322 (1805–) 49, 293 Rhymer Rab: An Anthology of Poems and Prose, “Robert Bruce’s March to Bannockburn,” (1993) 234 (1803) 45; (1805–; Kinsley title of Rhymes and Recollections of a Hand-Loom “Bruce’s Address”) 34; [1800–1820?] 37 Weaver, (1844; William Thom), 320 Robert Burns, 1759–1796: Is There for Honest Rhys, Ernest, 160, 314 Poverty? (poster), 371 Rice University (Houston), 361 Robert Burns, [1850–1899?] 102; [1905] 298; Richards (London), 319 [1926] 200; (1940) 207; (1980) 226; (1992) Richards and Co. (London), 68 233; (2000) 240; (2004) 243 Richardson, Benjamin Ward, 337 Robert Burns, ( John Campbell Shairp) Richardson, Robin, 16, 365 [1852]; (1879); (1895); [n.d.] 347 Index / 435

Robert Burns, [187–?]; art reproduction, Robert Burns: A Drama in Four Acts, (1914; James Campbell, 370 E. W. Gilliam), 292 Robert Burns, (1890); William James Daw- Robert Burns: A Life, (Hugh Douglas) son, 278 (1976); (1977) 280 Robert Burns, (1893); , 246 Robert Burns: A Life, (2001; Ian McIntyre), Robert Burns, [1896]; Gabriel Setoun, 347 323. See also Dirt & Deity: A Life of Robert Robert Burns, (1904); George Brisbane Dou- Burns glas, 280 “Robert Burns: A Literary Evaluation,” Robert Burns, (T. F. Henderson) (1904) 298; [1972; Irving Iskowitz Edgar], 283 [1905] 298 Robert Burns a Man Amongst Men, Robert Burns, (1910; John A. Joyce), 306 [1929–1935; recording, James Ramsay Robert Burns, (1917; ), MacDonald], 372 332 Robert Burns: A Man for All Seasons: The Robert Burns, (1923; John J. Potter), 335 Natural World of Robert Burns, (1996; John Robert Burns, (1933; Catherine MacFarlane Young), 365 Carswell), 271 Robert Burns: A Memoir, (1966; Maria Rid- Robert Burns, [1935?; James K. McLetchie), dell), 337 324 Robert Burns: A Play, (1925; John Drink- Robert Burns, [1938?; Hamish C. Mackenzie], water), 282 319 Robert Burns: A Play in Three Acts, (1926; Robert Burns, (1939; A. G. McKnight), 324 H. Fletcher Lee), 310 Robert Burns, (David Daiches) [1950] 277; Robert Burns: A Poem, (1925; Holger Drach- (1952) 277; (1957) 277; [1963] 277; (1966) mann), 281 277; [1967] 277 Robert Burns: A Poem, (1996; Iain Crichton Robert Burns, (1966) (G. Ross Roy), 343 Smith), 351 Robert Burns, (Alan Norman Bold) (1973) “Robert Burns: A Reconsideration,” 251; (1992) 251 (December 1925; Edward Lewis Davison), Robert Burns, (1982; Kenneth Bailey), 248 278 Robert Burns, (1986; Donald A. Low), 315 Robert Burns: A Revaluation, (1925; Otto Robert Burns, (1987; Raymond Bentman), Heller), 298 250 “Robert Burns—A Reverie,” (1907; William Robert Burns, (1988; Richard Hindle C. Anderson), 246 Fowler), 290 Robert Burns: A Summary of His Career and Robert Burns, (Kenneth Simpson) (1994) Genius, (1882; ), 332 349; (2005) 349 Robert Burns: A Tribute to Scotland’s National Robert Burns, (2006; Gerard Carruthers), Poet on His Bi-Centenary, 1759–1959, [1959; 270 Alfred Belford], 250 “Robert Burns,” (March 16, 1833), 337 Robert Burns, Alloway 1759–1796: Burns “Robert Burns,” ( January 20, 1859), 337 Cottage, Museum and Monument Souvenir “Robert Burns,” ( January 1953), 212 Catalogue, [198], 260 “Robert Burns,” (1995; David Daiches), 310 Robert Burns: An Address, (1880; George “Robert Burns,” (1995; Iain Crichton William Curtis), 276 Smith), 350 Robert Burns: An Address, (1912; Robert Robert Burns: A Bicentenary List of Current Macaulay Smith), 351 Books and New Publications on or by Our Robert Burns: An Address, [1939?; A. G. McK- National Bard, with Several Important night), 324 Works Announced for the First Time, [1959; Robert Burns: An Address Delivered to the John Grant Booksellers], 306 Ninety Burns Club of Edinburgh, 25th Robert Burns: A Biography with Selected Poems, January 1924, (1924; John Drinkwater), (1999; Sasha Behar), 250 282 “Robert Burns: A Birthday Tribute,” (1923; Robert Burns: An Address upon the Portraiture John Johnstone), 251 of the Poet Delivered in the Royal Glasgow Robert Burns: A Centenary Song, and Other Institute of Fine Arts, 29th September 1896, Lyrics, (1859; Gerald Massey), 321 (1896; Edward Barrington Nash), 331 Index / 436

Robert Burns: An Anniversary Poem, (1885; Robert Burns and Mr. W. E. Henley’s Heavy Duncan Macgregor Crerar), 274 Weight on Him, (1899; Alexander H. Japp), Robert Burns: An Excerpt from the General 305 Catalogue of Printed Books in the British Robert Burns and Mrs. Dunlop, (1898), 169 Museum, (1939), 253 Robert Burns and My Congregation, (1917; “Robert Burns: An Exhibition,” (1966; Kirkwood Hewat), 300 G. Ross Roy), 344 Robert Burns and New Cumnock, (1996; Chris Robert Burns: An Exhibition: February 1971, J. Rollie), 339 [1971; G. Ross Roy], 337, 344 Robert Burns and Other Essays & Sketches, Robert Burns: An Exhibition in the Noble H. (1926; William Power), 335 Getchell Library of the University of Nevada, Robert Burns and Paisley, [1896?; James June 1–July 15, 1962, (1962; G. Ross Roy), Thomson], 356 344 Robert Burns and Religion, (2003; J. Walter Robert Burns: An Exhibition of Some Early McGinty), 322 Editions of His Work Held in the Baker Robert Burns and Sir Walter Scott: Two Lives, Memorial Library from 11 November to 7 (1858; James White), 362 December 1946, (1946; J. W. Egerer), 284 Robert Burns and the Ayrshire Moderates: A Robert Burns: An Historical Play in Six Correspondence Reprinted from “The Scots- Episodes, (1939; Anne Burns and John man,” (1883; John Gairdner), 291 Ashby Conway), 255 Robert Burns and the Brash and Reid Chap- Robert Burns: An Illustrated Biography, (1986; books of Glasgow, (1992; G. Ross Roy), 345 Ian Grimble), 295 Robert Burns and the Common People, Robert Burns: An Inquiry into Certain Aspects (William Stewart) (1910) 353; [1925] 353 of His Life and Character and the Moral Robert Burns and the 18th-Century Revival in Influence of His Poetry, (1886; M. S. Gaird- Scottish Vernacular Poetry, (1969; L. M. ner), 291 Angus-Butterworth), 247 Robert Burns, An Inventory of Burnsiana in Robert Burns & the Ideas of the American the John M. Shaw Collection, (1982; John Revolution, (1996; Mark Calney), 265 MacKay Shaw), 348 Robert Burns and the London Daily Press, Robert Burns: An Ode on the Centenary of His (May 1966; Lucyle Werkmeister), 361 Death, 1796–1896, (1896; Hunter MacCul- Robert Burns and the Medical Profession, loch), 316 (1898; William Findlay), 289 Robert Burns & America: A Symposium, Robert Burns and The Merry Muses, (1999; (2001; G. Ross Roy, ed.), 337, 344 G. Ross Roy), 345 Robert Burns and Dumfries, 1796–1896, Robert Burns and the Religious Movements in (1896; Philip Sulley), 354 the Scotland of His Day, (1962; David Robert Burns and Edinburgh, (1969; John Cairns), 265 McVie), 325 Robert Burns and the Riddell Family, ( John Robert Burns and Eighteenth-Century Poetic Maxwell Wood) (1922) 344; (1974) 344 Diction, (1993; Outi Pickering), 335 Robert Burns and the , Robert Burns and Freemasonry, [1921; Dudley (1967; Robert D. Thornton), 357 Wright], 365 Robert Burns and the Sentimental Era, (Carol Robert Burns and His Masonic Circle, [1929; McGuirk) (1985) 322; (1997) 323 Dudley Wright], 365 Robert Burns and William Creech—A Reply, Robert Burns and His Rhyming Friends, [1928; (G. Ross Roy), 345 John Dawson Ross], 342 “Robert Burns’ Answer,” [1799] 35 Robert Burns and His World, (David Daiches) Robert Burns as a Freemason, (William Har- (1971) 277; [1972], 277 vey), (1921) 297; (1944) 297 “Robert Burns and Jamaica,” (Alexander Robert Burns: As a Poet, and as a Man, Manson Kinghorn), 308 (Samuel Tyler), (1848) 358; (1849) 358 “Robert Burns and James Hogg: A Compari- Robert Burns as a Volunteer, (William Will), son,” (1958; Abby A. Sutherland), 354 (1919) 363; (1927) 363; (1928) 363 Robert Burns and Literary Nationalism, Robert Burns Association of North America, 285 Club no. 1024, 337 Index / 437

R.B.A.N.A. Bulletin: Special 2001 Issue “Robert Burns: From the Edinburgh (2001), 337 Review,” (December 1828; Thomas Car- Robert Burns at Mossgiel, (1881; William lyle), 269 Jolly), 306 Robert Burns’ Gedichte, (1859) 113 Robert Burns: Bard of Ayrshire, (1999; Patri- Robert Burns’ Gedichte in Auswahl, (1893) 159 cia Talbert), 355 Robert Burns gedichten: een keuze uit zijn Robert Burns’ Beziehungen zur Litteratur, werk, (1996) 236 (1899; Heinrich Molenaar), 328 Robert Burns, Having Set His Hand to the Robert Burns Bi-Centenary 1759–1959, [1959] Plough, Looks Back at Highland Mary, 374 (1943; print, Max Beerbohm), 370 Robert Burns Bicentenary Research Confer- Robert Burns Heritage Collection, (2000) 338 ence at the University of South Carolina Robert Burns Heritage Trail, 377 (March 28–31, 1996), 337 Robert Burns: Highland Tour of 1787, (1959) Robert Burns; Born January 25, 1759–Died July 336 21, 1796 . . . , (1903) 177; (1928) 202 Robert Burns: His Admirers, His Inspiration, Robert Burns Calendar 1988, [1987?; Burns His Genius, His Mission, [1905; John Kelso Federation], 377 Kelly], 307 “Robert Burns’ Centenary,” (1898; John Robert Burns: His Associates and Contempo- Imrie), 304 raries, (1943; Robert Tyson Fitzhugh), 289 “Robert Burns: Centenary Acrostic,” (1902; Robert Burns: His Contribution to Democracy, John Macintosh), 317 (1938; Robert MacGowan), 317 Robert Burns: Chapters of Self-Revelation, Robert Burns: His Genius and Influence: (1925) 199 Address Delivered to the Rosebery Burns Robert Burns chromolithograph [189–?], Club, 24th January, 1902, (1902; Pearson 370 M’Adam Muir), 330 Robert Burns Collection (Mitchell Library), Robert Burns: His Life and Genius, (1923; 327 Andrew Herbert Dakers), 278 Robert Burns’ Common Place Book, (1872) 131; Robert Burns: His Life and Poetry, (1995; (1969) 222 Charles Bruce Pitblado), 335 “Robert Burns Concert: My Heart’s in the Robert Burns: His Life and Tradition in Words Highlands, A,” (2000) 338 and Sound, [1965; Ian Nimmo], 332 Robert Burns Country, (1996; Edmund Robert Burns: His Life, Genius, Achievement, Swinglehurst), 355 (1897; William Ernest Henley), 298 Robert Burns Craigmillar Edition: Programme Robert Burns: His Medical Friends, Attendants of the Craigmillar Festival of Music, Drama, and Biographer, (1928; H. B. Anderson), Art and Sport 10th–17th June 1972, [1972] 246 273 Robert Burns: His Personality, His Reputation Robert Burns’ Creed, [1900] 173 and His Art, (Franklin Bliss Snyder) Robert Burns Depute Master (print), 370 (1936) 351; [1970] 352 Robert Burns, dichter en vrijmetselaar: over Robert Burns Hits the Headlines, [1996?; Alan een man die bovenal mens wilde zijn, [1999?; Lewis], 311 M. J. M. de Haan], 295 Robert Burns: How to Know Him, (1917; Robert Burns doll, 377 William Allan Neilson), 332 Robert Burns Festival, 1976, July 21st–31st, Robert Burns im deutschen Sprachraum: unter The, [1976] 338 besonderer Berücksichtigung der schweiz- Robert Burns for Beginners, (Rennie erdeutschen Übersetzungen von August Cor- McOwan) (1995) 324; (1998) 324 rodi, (1979; Hans Jürg), 309 Robert Burns: 40 Poems and 6 Songs: Selected Robert Burns in America (print), 370 and Adapted for Aspiring Readers, [1999] Robert Burns in China, (1992; Guozhen 239 Zhou), 366 “Robert Burns: Freemason and Poet,” ( Jan- “Robert Burns in Imaginative Literature, uary 1977; Cyril N. Batham), 249 1825–1965: A Source Study and an Evalua- Robert Burns from a Soldier’s Standpoint, tion,” (1968; Mary Fetter Stough), 354 (1915; Alexander Mutch), 331 Robert Burns: In Memoriam, (1992) 233 Index / 438

Robert Burns in Other Tongues: A Critical Robert Burns’ Scotch Songs, [1859] 113 Review of the Translations of the Songs & Robert Burns’ Scotland, (1971; James Aloysius Poems of Robert Burns, (1896; William Carruth), 270 Jacks), 305 Robert Burns: Scotland’s National Poet, Robert Burns in Poetry, Song and Prose, [1971; [1896?; Henry C. Shelley], 348 recording], 373 Robert Burns: Sein Leben, (1985; James Robert Burns in St. Louis: From the Auld Clay Veitch), 358 Biggin to the Bronze Statue on Washington Robert Burns: Selected Poems . . . , (1928) 202; University Campus, (1931; Burns Club of St. (1993) 234; (1998) 238 Louis), 258 Robert Burns: Selected Poems & Songs, (1895) Robert Burns in Stirlingshire, (1899; William 162; (2001) (241); (2002) 241 Harvey), 297 Robert Burns: Selections, [1967] 220 Robert Burns: January 25th 1941, [1941; Burns Robert Burns, 1759–1796, (1992) 233 Club of St. Louis], 258 Robert Burns, 1759–1796, [1936; E. Grant Robert Burns: Leben und Wirken des schottis- Smith], 350 chen Volksdichters, (1919; Hans Hecht) 297, Robert Burns: 1759–1796, (1946; Janet Adam 298 Smith), 351 Robert Burns’ Lieder und Balladen für Robert Burns, 1759–1796, (Scotland Philat- deutsche Leser, [1887] 149 elic Bureau; 1966), 346 Robert Burns: Maker of Rhymes, (1996; Elisa- Robert Burns, 1759–1796 . . ., (Elizabeth beth Jane McNair), 324 Fraser) (1992); (1999) 290 Robert Burns, Man and Poet, [1944; Alexan- Robert Burns, 1759–1796: A Bicentenary Exhi- der Gray], 289, 294 bition from the G. Ross Roy Collection at the Robert Burns, New Judgments: Essays by Six Thomas Cooper Library University of South Contemporary Writers, (1947; William Carolina Libraries, March–May 1996, Montgomerie, ed.), 328 (1996; G. Ross Roy), 345 Robert Burns: Peasant, Poet, Patriot, [1910; Robert Burns, 1759–1796: A Collection of Albert E. Joab], 306 Original Manuscripts, Autograph Letters, Robert Burns:Poems, (2001) 240 First Editions and Association Copies, (1948; Robert Burns’ Poems, (1906) 182 Rosenbach Company), 340 Robert Burns, Poet: A Celebration, (2006; Robert Burns 1759–1796: Address to the Mel- Penn Club of New York), 334 bourne Scots, [1960; Thomas L. Muir], 330 “Robert Burns: Poet of the People,” (2005; Robert Burns 1759–1796: Cottage, Museum, G. Ross Roy), 345 Monument, (1999) 260 Robert Burns’ Poetical Works, (1896) 166 Robert Burns, 1759–1796: Is There for Honest Robert Burns, Poet-Laureate of Lodge Canon- Poverty? [2001; print], 371 gate-Kilwinning: Facts Substantiating His Robert Burns, 1759–1796: More than a Legend, Election and Inauguration on 1st March (1996) 338 1787, Gleaned from the Lodge Records and Robert Burns, 1759–1796: Moscow, Saturday Other Authentic Sources,(1894; Hugh C. 25th January 1975, (1975; print), 371 Peacock), 334 Robert Burns si no kenkyu: A Study of Robert Robert Burns: Pride and Passion: The Life, Burns’s Poetry, (1975; Toshio Nanba), 331 Times and Legacy, (1996; Gavin Sprott), Robert Burns silhouette tile, 377 352 Robert Burns Society of the Midlands, 15 Robert Burns, Rantin’ Dog, Poet of the Com- Robert Burns Song Book, The, (1997–) 237 mon Man, [1947; John St. Clair Muriel], Robert Burns Song Book for High Voices, The, 331 (1955) 213 Robert Burns: Rare Print Collection, [1900; Robert Burns Song Book for Low and Medium Seymour Eaton], 283 Voices, The, (1955) 213 Robert Burns Rhapsody: A Scottish-American Robert Burns Tam O’ Shanter: phonetische Fantasy for Symphony Orchestra and Optional Transkription, [1870?; Alexander John Voices, [1958; Serge Hovey], 374 Ellis], 285 “Robert Burns’ Satires and the Folk Tradi- Robert Burns: The Closing Years of His Life: tion: ‘Halloween,’” (Butler Waugh), 360 An Address, (1896; William Wallace), 359 Index / 439

Robert Burns: The Critical Heritage, (Donald Robert Berns v perevodakh S. Marshaka, A. Low) [1974] 315; (1984) 315 (1947) 209 Robert Burns the Democrat, (1959; J. R. Robert Burns Versei, (1973) 224 Campbell), 265 Robert Burns: Why, When and Where, ( John Robert Burns: The Honest Man tho’ E’er sae Gray) [1968?] 294; (1969) 294; (1971) 294; Poor Is King o’ Men for a’ That! (1993; (1980) 294 print, Annie Sloan), 371 Robert Burns World Federation, 293, 338, Robert Burns: The Lost Poems, (1997; Patrick 344, 362 Scott Hogg), 301 Robert Burns’s Commonplace Book, 1783–1785, Robert Burns: The Man and His Poetry, [1942; (1938) 207 J. K. Elliott], 285 Robert Burns’s Letters Addressed to Clarinda: Robert Burns, the Man and His Songs: A Lec- A History of Its Publication and Interdiction ture Illustrated by Seventy-Two Lantern with a Bibliography, (1921; James Cameron Slides, [1890?; T. R. Anderson], 246 Ewing), 287 Robert Burns: The Man and His Work, (Hans Robert Burns’s Poems and Songs, (1963) 217 Hecht) (1936) 297; [1950] 297; (1971) 298; “Robert Burns’s Politics and the French (1981) 298 Revolution,” (1973; G. Ross Roy), 345 Robert Burns: The Man and the Poet: A “Robert Burns’s Satiric Poetry,” (1983; Jane Round, Unvarnished Account, (1970; Robert Bowling Kennerly), 308 Tyson Fitzhugh), 289, 290 Robert Graham (Twelfth of Fintry), Patron of Robert Burns: The Man, His Work, The Leg- Robert Burns, (1931; James Cameron end, (Maurice Lindsay) (1954) 311; (1968) Ewing), 287 312; [1971] 312 Robert Manning Strozier Library (Florida Robert Burns, the Ploughman Poet, [199–?; State University), 348 film], 374 Robert Spence Watson Memorial Lecture, Robert Burns: The Poems, Epistles, Songs, Epi- 277 grams & Epitaphs, (1896) 166; (1927) 201 Robert the Bruce, 34 Robert Burns: The Poet, (1994; David Roberton (Wendover, Aylesbury, and Daiches), 277 Bucks), 227 Robert Burns: The Poet’s Progress: A Bicenten- Roberts, John S. (Editor), 120, 137 nial Exhibition at the Rosenbach Museum, Robertson, Hugh S., 202 (1995) 338 Robertson, J. Logie, 148–149, 151, 162, 164, Robert Burns: The Representative of His Era, 178, 182, 185, 188, 190, 193, 195–197, 199, (1859; D. Chisholm), 271 202, 206–208, 210, 214–215, 338 Robert Burns: The Tinder Heart, (1996; Hugh Robertson, James, 59, 338 Douglas), 280 Robertson, John, 13, 332 “Robert Burns: The Voice of the Scottish Robertson, W. Macbeth, 257 People, [by] Ian Maclaren,” 291 Robertson (Edinburgh), 45, 48, 63 Robert Burns: Three Lectures, (1886; David Robertson (Glasgow), 320, 321 Macrae), 320 Robertson (New York), 341 Robert Burns Till His Seventeenth “Robin Adair,” (1823) 69 (Kirkoswald) Year, (1929; James Muir), “Robin (Centenary Poem),” (1900; Maggie 329 Todd), 357 “Robert Burns to Clarinda,” [1867], 124 Robinson, Derek (Illustrator), 232 Robert Burns: To the Immortal Memory, (1996; Robinson (Baltimore), 257 J. Ralph Watson), 360 Robotham, John S., 338 Robert Burns: Two Addresses Delivered at Roche Products (London), 287 Dumfries and Glasgow on the Centenary of Rochead (Edinburgh), 56 the Poet’s Death, 21st July 1896 . . . , (1896; Rochester, N.Y., 183, 201 Archibald Philip Primrose Rosebery), 340 Rodger, Peter, 262 Robert Burns: 2003 Calendar, (2002) 377 Rodgers (Philadelphia), 160 Robert Burns: 2002 Calendar, (2001) 377 Rodwell and Martin (Cheapside), 73 Robert Burns’ Use of the Scots Verse-Epistle Roelofarendsveen, 235 Form, (1970; John Charles Weston), 361 Roffe, Edwin (Engraver), 172 Index / 440

Rogers, Charles, 338, 339 Roy, A. C., 226 Rollie, Chris J., 339 Roy, Charlotte A. Sprigings, 154 Rollo & Co. (New York), 111 Roy, F., Mrs., 260 Romance of Robert Burns, [1937; film; Roy, G. Ross, 6, 8, 10, 12, 15–17, 19, 26, 29, 36, directed by Crane Wilbur], 391 38, 59, 61, 68–69, 87–88, 95, 101, 102, 108, Ronald (London), 285 124–125, 127, 130, 137, 139–140, 143, 145, Roscoe, William, 10, 319 147, 151–152, 154, 157, 160, 165–167, 169, Rose and Thistle Publishing Co., The, 171–173, 180, 186, 189, 197, 202–205, (Brooklyn, N.Y.), 316 209–210, 214–216, 218–219, 224, 226, Rose Wind Press (Vancouver, Wash.), 236 228–230, 232–239, 241–243, 246, 249, Rosebery, Archibald Philip Primrose, 252–253, 255, 262, 270, 275, 279–280, 339–340 282–285, 289–290, 294–297, 301, 305–306, Rosebery, Earl of, 190, 191, 260 308, 310–311, 316, 318–319, 320, 322–323, 326, Rosebery, Lord, 175, 178, 198, 200, 210, 256, 331, 333–335, 337–340, 343–346, 348–350, 353, 259 355–357, 360–369, 373 Rosebery and Midlothian, Earl of, 201 Roy, Lillian, 161 Rosebery Burns Club, 250, 275, 330, 359 Roy, Madeleine, Dr., 307 Burns Club Glasgow, January 25th, 1898, Roy, W. Ormiston, xiii, xiv, 50, 95, 124, 156, Speech, (1898) 250 158, 161, 166, 187–188, 212, 250, 257, 260, “Rose-bud by my early walk, A,” (1994) 236 263, 272, 274, 277, 283, 297, 302, 306, 317, Rose-Bud, the Rose and the Thorn: Three 324, 329–330, 341–342, 350, 351, 363, Songs, The, (1994) 235 367–369 Rosemount Press (Aberdeen), 255, 331 Royal Association for the Promotion of the Rosenbach Company, 340 Fine Arts in Scotland, 105, 107, 109, 111, Rosenbach Museum & Library (Philadel- 115 phia), 338 Roycrofters, The (East Aurora, N.Y.), 302 Roslin, 367 “Roy’s Wife . . . ,” [1800] 37; [1830] 81 “Roslin Castle,” [1820?] 65 Roy’s Wife of Aldivalloch: To which is Added, Roslin Castle: Jackie To The Fair, To Mary in The Highland Plaid, Neil Gow’s Fareweel, Heaven, Fortune, Duncan Gray, [1820] 65 John Anderson, My Jo, Maria, (1823), 71 Ross, Alice (Illustrator), 190 Run through the Land of Burns and the Ross, David 340 Covenanters, A, (1872; John Longmuir), Ross, John Dawson 340–343 314 Ross, Peter, 340, 343 Runciman, James T., 345 Ross, William Stewart, 158 Rural Repository, 251 Rossetti, William Michael, 131, 132, 139, 154, Rush, Peter (Illustrator), 227 158, 164, 168, 172, 189, 190 Russell, Henry, 255 Rotary Club of London, 202 Russell, Thomas, 345 Round Burns’ Grave: The Paeans and Dirges of Russell (New York), 175 Many Bards, ( John Dawson Ross) (1891) Russell & Russell (New York), 288 342; (1892) 342 Russet Coat: A Critical Study of Burns’ Poetry Routledge (London and New York), 123, and of Its Background, The, [1956; Christina 131, 134, 140, 146, 150, 152, 159, 168, 234, Keith], 307 290, 362 Ryerson (Toronto), 196, 302, 350 Routledge and Paul (London and Boston), 315, 344 Saalfield (Akron, Ohio; New York; and Routledge and Sons (London), 109, 122, 143, Chicago), 185 144 Sailor’s Dreams: And Other Poems (1845; Routledge, Warnes, and Routledge (London Robert L. Malone), 320 and New York), 112, 113, 117, 120, 315 Sailor’s Tragedy: To which Are Added Highland “Row, The,” [1820] 64 Mary [and] The Irish Wedding, (1825) 73 Rowfant Club (Cleveland), 247 Saint Andrew Press (Edinburgh), 239, 324, Rowlandson, Thomas, 35 365 Roy, David Douglas Percival, 158 Saint Andrews Burns Club, 254 Index / 441

Sair, Sair Was My Heart: To Which Are Added Scotland of Robert Burns, The, (1995; John The Hero’s Orphant Girls, The Lass o’ Bal- Strawhorn), 354 lochmyle, Allister M’Allister, The Highland Scotland on Sunday, 360 Plaid, (1826) 76 Scotland Philatelic Bureau, 346 Salem Gazette, 326 Scotland: The Great Upheaval, [1973; James Salem, N.Y., 58 Wreford], 365 Saltire (Edinburgh), 211 Scotland’s Bard Robert Burns, [1920?; J. H. Saltire Music Group, 372 Selkirk], 346 Saltire Singers, 275 Scotland’s Bart: A Concise Biography of Robert Saltire Society, The, (Edinburgh), 230, 277, Burns (1759–1796), (1998; Norman R. 336 Paton) Sam and Jock and the Stone of Destiny, [1952; Scotland-USSR Friendship Society, 205 Archibald Lamont], 309 Scotpress (Bruceton Mills, W.V.), 231, 355 Sampson, Low and Son (London), 118 Scots for Peace and Freedom (Glasgow), 265 Sampson Low, Marston, Searle & Rivington Scots Independent (Glasgow), 217 (London), 244 Scots Kist, A, (1979) 226 San Francisco, 200, 202, 216, 268 Scots Magazine, 20, 281, 321 Sändig (Wiesbaden), 300 Scots Minstrelsie: A National Monument of Sands (Edinburgh and London), 163, 168, Scottish Song, [1892–1895], 157 310 Scots Musical Museum . . . , The, ( James Sangen’is, Ram’on, (Translator), 212 Johnson), xxii, 2, 6, 92, 105, 184, 222, 373; Sangorsky and Sutcliffe (Binder), 2, 4, 12, [1787–1803] 23; (1839) 93; (1853) 105; 23 (1962) 216; (1991) 233 Sansoni (Firenze), 212 “Scots, Scots, Wha Hae wi’ Wallace Bled,” Sapphires from Burns, [1890] 155 (1918) 194 Saughton, 8 “Scots Song, A,” [1830] 81 “Saw Ye My Phely,” [1820?] 66 Scots Wanderjahre, A, (1900; David Lowe), Saxe, John G., 255 315 Sayings of Robert Burns, The, (1998; Robert “Scots Wha Hae,” 106, 149; (1815) 58 Pearce), 237, 238 “Scots, Wha Hae wi’ Wallace Bled,” 112, 377; Scharf, George, Sir, 13, 321 [1897?] 167; [1965?] 217 Scheme of the District, (1931) 204 Scotsoun (Glasgow), 239, 373 Schiehallion (Calgary), 270 Scotsoun Makars Series, 372 Schiller and Burns, and Other Essays, (1959; Scott, Alex. (Sandy), 10, 335 William Witte), 364 Scott, Francis George, 211, 227 Schneider (Heidelberg), 230 Scott, J. (Illustrator), 56 Schulze (Edinburgh), 174 Scott, J. Loughran, 173, 179 Scolar Press (Menston), 223 Scott, Kay (Artist), 369 Score, W. (Illustrator), 42 Scott, Patrick G., 350 Scot, Elizabeth, 40, 251 Scott, R. (Illustrator), 42, 44 Scot at Home and Abroad: Being the Substance Scott, Robert, 60 of a Lecture, The, (1898; John Imrie), 304 Scott, Walter, Sir, 11, 69, 70, 74, 84, 121, 123, Scot, Foresman and Company (Chicago and 127, 130, 144, 173, 228, 252, 254, 269, 278, New York), 196 300, 309, 327, 329, 346, 359, 362, 365 Scotia, 345 Scott (Edinburgh), 71 “Scotia’s Bard,” (1915; G. Wilkie Gahan), Scott (London and New York), 104, 291 148–149, 251, 313, 145, 146, 149, 160 Scotish [sic] Musical Museum, The, (1839 Scott and Webster (London), 84, 85 James Johnson), 92 Scott, Foresman (Chicago), 266 Scotland and the Scots: Essays Illustrative of Scottish Academic Press (Edinburgh), 315 Scottish Life, History and Character, (1889; Scottish Air: Auld Lang Syne (poster), 369 Peter Ross), 343 Scottish and Other Miscellanies (Thomas Car- Scotland in the Days of Burns, (1968; Hyman lyle), (1915) 269; (1923) 269 Shapiro), 347 Scottish Arts Council, 373 Index / 442

“Scottish Ballad,” (Kinsley title of “Last Scribner (New York), 123 May a Braw Wooer” [1820] 65, 66; (1826) Scribner, Welford, and Co., 132, 135 75 Scribner’s Sons (New York), 203, 322, 361 Scottish Committee of the Communist Party Scrogie (Peterhead), 274 (Glasgow), 265 Seaforth Sun (Seaforth, Ont.), 265 Scottish Connection, 288 Sea-Green Ribbon Publications (Fareham), Scottish Country Life, Ltd. (Glasgow), 287 334, 353 Scottish Cultural Press (Aberdeen), 365 Seasons, The, ( James Thomson), 26, 33 Scottish Daily Express (Glasgow), 205, 206, (1790) 18; (1818) 62; (1824) 73 211 Seasons of Delight: An Anthology of Poems on Scottish Exhibition of National History, Art Gardens, Flowers, Greenwoods & the Sea, and Industry, (1911; Glasgow), 346 (1998) 237 Scottish Folk Songs for the Young, (1980) 227 Second Drap o’ the Doric: Anither Collection o’ Scottish Historical Review, 298 Lichtsome Verses Written in Scots, A, (1994; Scottish Melodies [1860], 115 Charlie Hilton), 300 Scottish Minstrel . .., (1818) 62; (1850) 102 Secret Cabinet of Robert Burns: Merry Muses Scottish Museums Council, 242, 279 of Caledonia, The, (1979) 226 Scottish Office of [sic] Communist Party Sedona, David (Editor), 151 (Glasgow), 256 Select Collection of Original Scotish [sic] Airs Scottish Poems (1907; Wallace Bruce), 254 . . . , A, [1793] 29; [1794] 30; [1800] 39; Scottish Poems of Robert Burns in His Native [1804] 47 Dialect, (1925) 199 Select Collection of Original Scottish Airs . . . , Scottish Poetry Book, A, (1983) 228 A, [1801] 43; [1803] 46; [1811?] 56; Scottish Poetry Reprints Series, (Morning [1814–1816] 60; [1815–1818] 58; Star Press), 15 [1817–1820] 61; (1826) 76 Scottish Poets and the French Revolution, Select Melodies: Select Scottish Songs of the [1992; G. Ross Roy], 345 Other Poets, from the Best Collections, Scottish Rebel Songs: Words & Music, [1968; (Thompson) 84, 90, 97, 99, 101, 110, Jim McLean], 221, 324 115 Scottish Records [Edinburgh?], 373 Select Poems of Robert Burns, (1897) 167 Scottish Religious Poetry: From the Sixth Cen- Select Poetical Works, (1838; Allan Ramsay), tury to the Present: An Anthology, (2000) 276 239 Select Scotish [sic] Songs: Ancient and Modern, Scottish Secretariat (Glasgow), 309 (1810) 55 Scottish Society and Burns Club, Australia, Select Scottish Songs, [1880?] 141 346 Select Songs of Burns and Tannahill, The, Scottish Songs . . . , (1865) 120; [1897?]; 167 (1871) 130 [1912?] 190; [1985?] 229; (1988) 231; (1993) Select Songs of Scotland, The, [1887?] 150 234; [199–?] 232; (2004) Select Songs & Ballads of Robert Burns, 111. “Scottish Song—Robert Burns,” 346 See also Select Songs of the Ayrshire Bard, Scottish Songster, [1800–1810], 38 Robert Burns; [1858] Scottish Students’ Song Book, The, [1897], 167 Select Songs of Robert Burns, The, Scottish Students Song Book Committee, [1850–1890?] 102 Ltd., 167 Select Songs of the Ayrshire Bard, Robert Scottish Studies, 253, 316 Burns, [1858] 111 Scottish Studies Association (University of Select Songs: Roslin Castle, & The Answer, Waikato), 359 Gloomy Winter, The Braes o’ Gleniffer, Last Scottish Studies (Edinburgh), 274 May a Braw Wooer, My Nannie’s Awa,’ The Scottish Tourist Board, 346 Lass o’ Arranteenie, [1820?], 65 “Scottish-American” Office (New York), Selected Burns for Young Readers, (1996) 236 343 Selected Letters, [1953] 212 Scranton, 345 Selected List of Books on and by Robert Burns, Scrapbook, 1924–1943, (Frederick Cowin), A, (1956; Glasgow [Scotland] Public 376 Libraries), 293 Index / 443

Selected List of Editions of the Works of Robert Serjean, E., 255 Burns, and of Books upon His Life & Writ- Service Song Book (Abridged), The, (1918) 194 ings, A, (1899; James Cameron Ewing), Serviciu Publicaciones (Oviedo), 231 287 Setoun, Gabriel, 347 Selected Poems, (1996; Donald A. Low), 236, Seven Excellent Songs: Fair Eliza, Helen’s 315 Tomb, Strathallan’s Lament, The Land o’ the Selected Poems . . . , The, (1891) 156; (1892) Leal, to the Evening Star, The Banks of Nith, 157; (1896) 166; (1905) 180; [1913?] 191; Bonnie Doon, [1830], 81 [1920] 196; (1937) 206; [1960] 215; [1966] “Seven Favourite Songs,” 31 220; [1969] 222; (1979) 226; (1980) 227; Seven Favourite Songs: A Scots Song, The Song (1994) 236; (1996) 236; (2001) 241 of the Olden Time, Candran Side, Roy’s Wife, Selected Poems and Songs . . . , (1895) 162; The Bonny Wee Wife, Tweedside, Rule Bri- [1911?] 189; (1912) 190; (1920) 196; (2000) tannia, [1830] 81 240 Seven Favourite Songs: Blink Bonniely, Thou Selected Poems of Gilbert Pit, [1947?; Gilbert E’ening Star, The Despairing Goatherd, See Pitt], 335 the Moon o’er Cloudless Jura, I Gaed a Selected Poetry, (1991) 233 Waefu’ Gate Yestreen, The Maid of Arundel, Selected Poetry and Prose, [1966] 220 Sweet Evening Bells, Life Let Us Cherish, Selected Songs of Burns, [1900] 173 [1830] 81 Selected Songs of Robert Burns, [1951] 211 Seven Select Songs: Willie Brew’d a Peck o’ Selected Works of Robert Burns, (1907) 183 Maut, This Is No My Ain Lassie, Willie Selection from Burns in Praise of Woman, A, Wastle, The Day Returns, Hey for A Lass Wi’ [1913] 191 a Tocher, I Gaed a Waefu’ Gate Yestreen, I Selection of Original Scots Songs, [1794] 30 Had a Wife o’ My Ain, [1820] 66 Selection of Scots Songs . . . , A, [1792–1804] Seventy Scottish Songs, [1905] 180 28; [1811?] 56 Seymour, Mina S., 347 Selection of Scots Songs, Harmonized, A, Seymour, William Kean, 212 (Urbani), 47 Shade of Burns: Dramatic Poem: Homage to the Selection of Scottish Songs, A, [189–?] 155 Immortal Bard, The, (1915; Robert Selection Records (London), 372 Machardy), 317 Selections from Burns, [1921?]196 Shairp, John Campbell, 347 Selections from Burns’ Poems and Songs, Shakespeare and Other Literary Essays, (1929; (1901) 174 G. W. Foote), 290 Selections from Burns: With Illustrations, Shanter Productions, 338 [1891] 156 Shapiro, Hyman, 347 Selections from Robert Burns, [1900] 173; Sharp, W. (Editor), 146 [1910?] 188 Sharp & Co. (Glasgow), 319 Selections from the Poems of Robert Burns, Sharpe, C. K., 93, 105 (1898) 169; [1898] 169 Sharpe, J., 50 Selections from the Writings of William Stewart Sharpe (London), 62, 69, 72, 73 (Gavroche), (1948; William Stewart), 353 Shaw, James, 347 Selector, The, (1805–1806) 48 Shaw, John MacKay, 348 Selkirk, J. H., 346 Shchepkino-Kupernik, T. A., 205–206 Selkirkshire, 373 Shearer, Joseph D. (Illustrator), 231–232 Selmar Hess (New York), 253 “Sheet of Eight Proof Impressions of Wood- Sempill, Francis, 224, 247 Engravings, A,” (1808; Thomas Bewick), Semple, David, 346–347 50, 51, 250 Senjo (Tokyo), 222 “Sheffield Prentice, The,” (1800) 36 “Sensibility and Robert Burns,” (1977; Carol Shekspir, Berns, Shou: abt. vstupit. stat´i, i red. McGuirk), 323 Iu shvedov, (1967; M. M. Morozov), 328 “Sensibility How Charming,” (2005) 243 Shelley, H[enry] C[harles], 160, 166, 348 Sentinel Office (Peterhead), 349 Shelley, Percy Bysshe, 16 Series of Twelve Illustrations of the Poems of Shepard and Dillingham (New York), 132 Robert Burns, A, (1832; John Shury), 348 Shepheard-Walwyn (London), 225, 238 Index / 444

Shepherd, Ettrick, the, 86, 88, 89, 95, 101, Six Excellent Songs: Clarinda, The Highland 103, 104, 142. See Hogg, James Plaid, Musing on the Roaring Ocean, A Red, Shepherd, William, 11, 348 Red Rose, the Young Highland Rover, A Shepperson, Claude A. (Illustrator), 186, 191 Mother’s Lament for the Death of Her Son, Sherwin (London), 71 [1830] 81 Sherwin Cody School of English Six Excellent Songs: Farewell, Drucken Jenny (Rochester, N.Y.), 183, 200 Din, The Gallant Weaver, John Anderson My Shillabeer, Paul, 325 Jo, The Nightingale, Scotland’s Hills for Me, Shillaber, Benjamin Penhallow, 13 [1830] 81 Shire Publications (Aylesbury, Eng.), 288 Six Excellent Songs: It Was upon a Lammas Shorter (England), 193 Night, How Cruel Are the Parents, The Bon- Shorter Narrative Poems, (1959) 214 nie Wee Thing, O Condescend Dear Charming “Should Auld Acquaintance Be Forgot . . . ,” Maid, Thine Am I, Why, Why Tell Thy (1878) 137; [1897?] 167. See also Skuld gam- Lover, [1830], 81 mel Venskab rejn forgo, (1966) “Six Favourite Songs,” [1805?], 31, 34, 49 Should Christians Commemorate the Birthday of Six Popular Songs: Coming Through the Rye. Robert Burns: A Discourse, (1869; Fergus Say, My Heart, Why Wildly Beating, When I Ferguson), 288 Was an Infant, Jackie to the Fair, Katty Shury, John, 348 O’Lynch, There Was a Jolly Miller, [1820], “sic a Wife as Willie Had,” (1800) 37; (1823) 66 70; (1826) 75 Six Songs: Braes of Galloway: Mine Ain Dear Sidgwick & Jackson, 282 Somebody, Oh! Send Me Lewis Gordon Hame, Siegle, Hill & Co. (London), 183 Bonny Winsome Mary, Why Unite to Banish Sierra Leone Caledonian Society, 348 Care, Wat Ye Wha’s in Yon Town, [1830], 82 “‘Sighan, Canta, Grace-Proud Faces’: “Sketch of the life and character of Burns,” Robert Burns and the Kirk, The,” (1982; (1801–1802) 42 G. Ross Roy), 345 Skill, Elaine Strong, 349 Signet (Greenock), 214, 337 “Skinking” edition, 21–23 Silbergleit, L. G. (Translator), 149 Skinner, Basil C., 349 Silhouette of Agnes M’Lehose, 3, 367 Skinner, J. B.(Editor), 219 Silhouette of Robert Burns, 3 Skinner, John, 349 Silhouette tile, Robert Burns, 377 Skipsey, Joseph, 145, 146, 149 Sillar, David, 26, 202 Skirving, Alexander (Illustrator), 275, 369, Simms and M’Intyre (Belfast), 89, 91 369 Simon, Christopher (Illustrator), 236 Skirving, Archibald, 13, 321 Simpkin & Marshall (London), 86 Skoblow, Jeffrey, 350 Simpkin, Marshall (London), 163, 175, 291 Skuld gammel Venskab rejn forgo: Should Auld Simpkin, Marshall, and Co. (London), 308 Acquaintance Be Forgot, (1966) 220 Simpkin, Marshall, Hamilton, Kent & Co. Sky-lark: A Choice Selection of the Most (London), 191, 203, 349 Admired Popular Songs, Heroic, Plaintive, Simpson, J. Y, Professor, 285, 286 Sentimental, Humourous, and Bacchanalian, Simpson, Jane Cross, 129, 133 The, [1825] 74 Simpson, Kenneth, 234, 339, 344, 348, 349 Sleat, 265 Sims, Albert E., 189 Sleepytown Books (Ellon), 250 Sinclair (Haddington), 358 Sleight and White (New York), 313 Sing Out ( January 1953), 212 Sloan, Annie (Artist), 371 Singer (Syracuse, N.Y.), 202 Sloan, John D., 350, 371 Sinton, John, 349 Smart (Huddersfield), 51, 253 “Sir John Barleycorn,” (1979) 226 Smillie, James D. (Illustrator), 254 Sir John Lubbock’s Hundred Books, 159, Smith, Alexander, 119, 124, 128, 134, 138, 143, 168 144, 148, 149, 151, 153, 155, 156, 157, 158, 167, Sir Walter Raleigh and His Time, (1859; 172, 178, 187, 188, 198, 201, 204 Charles Kingsley), 308 Smith, C. Moore (Illustrator), 166 Sisley’s (London), 183 Smith, E. Grant, 350 Index / 445

Smith, Grant F. O., 350 Some Aspects of the Burns Legend, (1932; John Smith, Iain Crichton, 350–351 DeLancey Ferguson), 288 Smith, Janet Adam, 351 Some Burns’ Characteristics; or, A Cluster of Smith, John, 351 Flower and Fruit from the Poet’s Garden, Smith, John, Jr., 4, 5 (1903; James Walsh), 359 Smith, John Campbell, 351 Some Etchings from Burns, (1896; Robert Smith, John Moyr (Illustrator), 131, 132, Bryden), 254 154 Some New Burns Letters, (1936; John Smith, John Stafford, 82 Delancey Ferguson), 288 Smith, Robert Macaulay, 351 “Some Notes on the Facsimiles of the Kil- Smith, Sydney Goodsir, 214, 217, 218, 219, marnock Burns,” (1965; G. Ross Roy), 220, 222, 226, 228, 231, 351 345 Smith, W. Gordon, 225 Some Poems, Songs and Epistles, (1951), 211 Smith, William R., Mrs., 259 “Somebody,” [1805?] 48; (1818) 61 Smith (Aberdeen), 310, 363 Something of the Night and of the Sun, (2001) Smith (Glasgow), 275, 363 241 Smith (London), 81, 84, 87, 93, 96 Sommerville, W., 60 Smith (Paisley), 355 “Song–A Man’s A Man for A’ That,” [1805?; Smith (Philadelphia), 115 Kinsley title of “A Man’s A Man for A’ Smith & Son [Melbourne], 357 That”], 48, 49, 219 Smith & Sons (Aberdeen), 357, 363 “Song Composed at Auchtertyre on Miss Smith Book Co. (New York), 265 Euphemia Murray of Lentrose,” [1820?; Smith, Elder (London), 320 Kinsley title of “Blythe Was She”] 64; Smithsonian, 253 [1830], 64, 79 Smollett, Tobias, 31 “Song—Composed in August,” [1799; Kins- SMT Magazine Incorporating Scottish Country ley title of “Now Westlin’ Winds”], 35 Life, 301 Song in the Green Thorn Tree: A Novel of Sneddon, David, 327 the Life and Loves of Robert Burns, The, Snyder, Franklin Bliss, 351–352 ( James Barke), [1947] 248; (1948) Sobranie poëticheskikh proizvedeni, (1999) 249 239 Song o’ Liberty: The Politics of Robert Burns, Socialist Review Publishing (London), 324 (1994; Norman R. Paton), 334 Society, The (Newmilns), 247 “Song of Death, The,” (1804) 48; (1893) 158, Sodier’s [sic] Return: A Love Song, The, 244 [1810?] 55 Song of Scotland, A, [1987?] 230 “Soger’s Return, The,” (1805) 48 “Song of the Olden Time, The,” [1830] 81 “Soldier’s Adieu, The,” [1810] 54 “Song. On Miss W. A.,” [1830; Kinsley title of “Soldier’s Dream, The,” (1807) 50 “Bonny Lass of Ballochmyle”], 80 “Soldier’s Gratitude, A,” [1830] 79 “Song–Sic a Wife as Willie Had,” (Kinsley “Soldier’s Return, The,” [1795–1798?] 30; title of “sic a Wife as Willie Had”) (1800) [1800] 39; (1808) 51, 250; [1826] 75 36; (1826) 75 Soldier’s Return, The, (1857) 109 Song to Eros and Other Poems, (1933; John Soldier’s Return: A Scottish Interlude, The, Watson), 360 (1822; Robert Tannahill), 355 “Song Written and Sung at a General Meet- “Some Account of Robert Burns and the ing of the Excise-Officers in Scotland,” London Newspapers, with Special Refer- [1799] 35 ence to the Spurious Star (1789),” Songs, (1901) 174; (1924) 198; [1950] 211 (Lucyle Werkmeister), 361 Songs and Ballads of Robert Burns, 109, 115; Some Aspects of Robert Burns, (1995; Robert (1825) 74; (1854) 106; (1860) 115; [1914?] Louis Stevenson), 352, 353 192; [1923] 252 “Some Aspects of Robert Burns,” (1895) 353; Songs and Lyrics of Robert Burns, (1911) 190; (1923) 353 (1920) 196 “Some Aspects of Robert Burns,” (1914; Songs and Poems . . . , The, [1858] 111; (1912) R. L. Stevenson), 192 190; (1913) 191; [1959] 214; [1960?] 215 Index / 446

Songs and Tunes from the Scottish Enlighten- Sparks & Sons (Dundee), 194, 297 ment: Popular, Folk, and Classical Music Speech, [1908; Arthur Kay], 306 Sung, Played, and Danced by the Scottish Speech at the Jedburgh Burns’ Anniversary: People from about 1780 to 1820, (2005; January 25, 1874, (1874; Walter Laidlaw), Arnold E. Burkart), 243 309 Songs by Robert Burns, (1907) 183 “Speech of King Robert the Bruce to His Songs, Chiefly in the Scottish Dialect, (1824) 72; Troops, The,” 31 (1869) 126 Speeches and Addresses of the Late Hon. David Songs from David Herd’s Manuscripts, (1904; S. Coddington, (1866; David Smith Cod- David Herd), 299 dington), 272 Songs from Robert Burns . . . , [1938–1941?] Speeches and Essays, (1902; Burns Club of 207; [1947] 210; [1954?] 213 Washington, D.C.), 259 Songs from the South-West: and Bits for the Spence, B. E., 172 Bairns, (1913; William Aitken), 245 Splore in Honor of the Two-hundredth Songs of Burns, The, (1834) 85; (1896) 166; Anniversary of the Birth of Robert Burns, [1896] 166 1759–1959, Sunday, 25 January 1959, at Songs of Francis George Scott, 1880–1958: A 4 o’clock, [1959], 358 Centenary Album of Forty-One Songs for Solo Spoon, horn, 375 Voice and Piano, [1980] 227 Sprigins, Charlotte, xiv Songs of Liberty, (1943) 208; (1944) 208 Spring, Ian, 352 Songs of Robert Burns, The, (1959; David [Spring in Poetry], (undated; Edward Dow- Daiches), 277 den), 16 Songs of Robert Burns, (1959; recording), 372 Sprott, Gavin, 352 Songs of Robert Burns, The, (1969; recording; Spurbooks (Edinburgh), 248 sung by William McAlpine), 373 S.R. Publications (Wakefield), 222 Songs of Robert Burns, The, (1976–1990; St. James Chapel, 253 recording; Jean Redpath), 373 St. Louis, Burns Club of, 184, 257–258 Songs of Robert Burns . . . , The, [1859] 113; St. Louis Burnsians: Their Twentieth Anniver- (1859) 113; (1863) 118; (1864) 118; [pref. sary and Some Other Burns Nights, (1924; 1885] 146; (1898) 179; (1902) 176; (1903) Burns Club of St. Louis), 258 177; (1962) 217; (1988) 231; (1993) 234 St. Louis Nights wi’ Burns, (1913; Burns Club Songs of Robert Burns: A Study of the Unity of of St. Louis), 258 Poetry and Music, The, (1977; Catarina St. Martin’s Press (New York), 251, 311 Ericson-Roos), 285 St. Vigeans, David Anderson 352 Songs of Robert Burns and Robert Tannahill, Stafford (London), 29, 256 The, (1959) 214 Standard English Classics, 167, 176, 266 “Sonnet by Miss Williams on Reading “Standard” Office (Montrose), 308 Burns’s ‘Mountain Daisy,’” (1805) 293 “Standard” Press (Kilmarnock), 300, 325, Sotheby & Co. (London), 352 329 Sound of the Mill, The, (1924; James Miller “Standard” Printing Works (Kilmarnock), Hay), 297 327, 340 Souter Johnnie’s Cottage, (1963; National Stanhope Press (London), 50, 56 Trust for Scotland), 332 Staniforth, Marlene (Illustrator), 223 South Atlantic Bulletin, 360 Star o’ Robbie Burns: Song, The, [1950–1969?; South Carolina College Library, 296 James Booth], 252 Southern Illinois University Press (Carbon- State Publishing House (Kiev), 215 dale), 284 Staten Island Night (1928; Freemasons, Kil- Souvenir Press (London), 225 winning Lodge), 290 Sovetskaia Rossiia (Moscow), 217 Statues of Robert Burns, Gamley, Henry Spamer (Leipzig), 159 Snell (1928) 367, Lawson, George Ander- Spaniard, or, Belvindez and Elzora: A Tragedy; son (1891) 367 and The Young Country Widow; A Comedy, Stead, William Jr. (Editor), 177 The, (1839; Simon Gray), 294 Stead (London), 177 Sparks (Dundee), 297, 341 Steell, Gourlay (Illustrator), 134 Index / 447

Stenhouse, William (Illustrator), 92, 93, 105, Stokesley, 100 216, 274 Storer, James Sargant, 354 Stephen & Pollock (Ayr), 328, 330 Stories Behind Some of Burns’ Songs and Other Stephenson (Edinburgh), 190 Scottish Songs, (Norman Watters) (1997) Steuart, John A., 352 360; (2000) 360 Steuart and Panton (London), 70 “Storm, The,” [1830] 82; [1840] 93 Steven (Glasgow), 246 Story Magazine (New York), 255 Stevens, J. Roy, 352 Story of Burns and Highland Mary, The, Stevens, Walter B., 184 (1896; Archibald Munro), 330 Stevens (Melbourne), 352 Story of the Kilmarnock Burns, The, [1933; Stevenson, Robert Louis, 192, 228, John Dawson Ross], 342 352–353 Stothard, T. (Illustrator), 274 Stevenson, Yvonne Helen, 353 Stothard’s Illustrated Edition, (1835) 67 Stevenson (Edinburgh), 334 Stough, Mary Fetter, 354 Stewart, Ian D. (Illustrator), 210 Strahan (London), 23 Stewart, Mr. (Illustrator), 88, 90, 96 Strahan and Cadell (London), 17 Stewart, Mrs., 325 Strasti detskaia igra (1998), 238 Stewart, Professor, 84, 89, 90, 97, 99, 101, Stratford Company (Boston), 289 110, 115 “Strathallan’s Lament,” [1830] 81 Stewart, T. Howard, 302 Strathclyde, 298 Stewart, Thomas, 70, 353 Strathclyde University, 280 Stewart, William, 353 Strauss, Dietrich, 354 Stewart (Edinburgh), 254, 273 Strawhorn, John, 247, 354 Stewart (Glasgow and London), 11, 41, 158 Streeter, S. R., 259 Stewart (Newcastle upon Tyne), 91, 94 Streissle, Adolf, 354 Stewart (Philadelphia), 50 Stroud, 270 Stewart and Hyde (Philadelphia), 25 Students Series of English Classics, The, Stewart & Macgoun (Glasgow), 45 269 Stewart & Meikle (Glasgow), 34, 35, 40, 45 “Studies in Robert Burns and Scots Song,” Stewart and Son (Edinburgh), 254 (1949; Robert D. Thornton), 357 Stewart’s Edition of Burns’s Poems, (1802) 45 Studies in Scottish Literature, 38, 289, 307, 343, Stikhotvoreniia: Poemy. Shotlandskie ballady, 355, 367, 368 (1976) 224 Studies on Voltaire and the Eighteenth Century, Still, Peter, 320, 353 357 Still Flows the Burns, (1992; Hugh J. Waters), Sulley, Philip, 354 359 Sullivan, Arthur, Sir, 13 Stillie (Edinburgh), 120 Sulte, Benjamin (Translator), 186 “Stinking” edition, 21–23, 25 Summary View of Heraldry in Reference to the Stirling, James Hutchison, 262, 354 Usages of Chivalry and the General Economy Stirling, 45, 49, 73, 74, 75, 76, 94, 179, 205, of the Feudal System, A, (1795; Thomas 252, 297, 327, 339, 340, 341, 342, 343 Brydson), 254 Stirling Journal and Advertiser Office (Stir- Sun (London), 348 ling), 327 “Sun That Lights,” (1874) 327 Stirling Tract Enterprise (Stirling), 205 Sunday Lectures, [1890?; David Macrae], 320 Stock (London), 291 Sunflower Press (Mill Valley), 224 Stockbridge P.S.A. Brotherhood, 185 Supplement to the Pocket Dictionary of the Scot- Stockdale (London), 354 tish Idiom: In which the Signification of the Stockholm, 131, 285 Words Is Given in English and German, Stockton, 297 Chiefly Calculated to Promote the Under- Stockwell (London), 346 standing of the Works of Sir Walter Scott, Stodart (New York), 313 Rob. Burns, Allan Ramsay &c.; With an Stoddart, Allan, 232 Appendix Containing Notes Explicative of Stokes (New York), 149, 166, 167, 176, 183, Scottish Customs, Manners, Traditions &c., 322 (1828; Robert Motherby), 329 Index / 448

Supplement to the Tree of Crocston: Containing 197; (1931) 204; (1945) 208; (1959) 215; Additional Interesting Facts Corrobative of (1979) 226; [1988?] 231; (1990) 232; (1996) the Statements in the Former Essay, and 236; Batik by Kay Scott [1975?], 368; Jug Doubly Refuting the Fables Regarding Queen [1835?] 375; Tobacco tin [1930?], 376 Mary and Darnley and the Poet Burns, Tam o’ Shanter (Analysed,) (1900; W. S. (1878; David Semple), 346–347 Hamilton), 296 “Suppressed Ballad, A,” 17 Tam o’ Shanter and Souter Johnny . . . , (1830) Suppressed Ballad, A, (1916) 193 82; [1830] 82; (1864) 118 Sutherland, Abby A., 354 Tam o’ Shanter and the Merry Masons, Sutherland, Bill, 354 (William Harvey) (1918) 194; (1960) 297 Sutherland, J. D., 355 Tam o’ Shanter Museum, 294 Sutherland, Jean, 355 Tam o’ Shanter Museum: Catalogue, [1960?] Sutherland, Rhona (Editor), 183 350 Sutherland, Tom, 355 Tam o’ Shanter: With Kyle and Carrick Associ- Suttaby (London), 50, 135, 140 ations, [1960?; John D. Sloan], 350 Suttaby and Corrall (London), 46 Tam vom Shanter: ein Märchen, (1980) 227 Sutton (Stroud, Gloustershire), 270, 280 Tannahill, Robert, 61, 70, 89, 99, 130, 173, Swan Sonnenschein, Lowry (London), 148, 214, 272, 355 153 Tauchnitz (Leipzig), 98, 99 Swen Franklin Parson Library, Northern Taylor, James, 358 Illinois University (DeKalb), 337, 344 Taylor (Berwick upon Tweed), 41 Swinglehurst, Edmund, 355 Taylor (Falkirk), 65 Sydenham, 308 Taylorville, Ill., 183–184 Sylvander, 3, 4, 323 Teacher & Sons (London), 155 Sylvester (Scranton), 345 Teacher’s Scotch Whiskey, 235 Syme, 9 Tegg (London), 73, 74, 77, 95 Sz’epirodalmi Könyvkiad’o (Budapest), Tegg and Daly (London), 96, 101 212 Telegraph Printing Works, 253 TELit (Edinburgh), 338 Tae the Lasses: An Appreciation of the Women Temple Classics, The, 168, 169, 175, 176 in the Life of Robert Burns, (2001) 250 Ten Favourite Songs: Loch na Gar, On wi’ Tait, George Hope, 274 the Tartan, Oft in the Stilly Night, Charlie Tait (Edinburgh), 66, 67, 71, 96 is My Darling, The Last Rose of Summer, “Tak’ Your Auld Cloke about Ye,” (1823) 72 Farewell Thou Fair Day, Alice Gray, Oh Tak Your Auld Cloke about Ye: To which Are no! We Never Mention Her, O, Come to Me Added, The Lass that Made the Bed to Me, When Daylight Sets, The King’s Anthem, Auld Robin Gray, and Saw Ye My Phely, [1830] 82 [1820?] 66 Tennant, James, 355 Talbert, Patricia, 355 Tennant, William, 276 Tales and Sketches, (Hugh Miller) [1869?] Tennyson, Alfred Lord, 13 325; (1872) 326 Teubner (Leipzig), 87 Tales in Verse . . . , (1822) 50 Teviotdale Record, 309 “Tam o’ Shanter . . . ,” 26, 30, 40, 41, 59, 71, Thames and Hudson (London), 277 74, 95, 98, 108, 133, 149, 183, 194, 215, 227, Thayer (Haverhill), 278 228; (1789–1791) 26; (1791) 8, 28, 358; Theodor Fontane: Literature and History in the (1801) 40; (1808) 51; (1830) 82; (1934) Bismarck Reich, (1999; Gordon Alexander 205; Proof Sheets for “Tam o’ Shanter: A Craig), 273 Tale” (1791), 9 Theology in Scotland: Reviewed by a Heretic, Tam o’ Shanter . . . , 189, 190, 375, 376; [1797] (1915; Alexander Webster), 361 33; (1825) 74; [1840] 95; (1855) 107; (1868) Theology in the English Poets: Cowper— 125; (1884),145; [1884?] 145; [1888] 151; Coleridge—Wordsworth and Burns, (1896; [1890] 155; [189–?] 155; [1900] 173; (1902) Stopford Augustus Brooke), 253 176; [1904] 179; [1906] 182 (1908) 185; There Was a Lad: An Essay on Robert Burns, [1910] 189; [1912] 190; (1913) 192; [1923?] [1949; Hilton Brown], 253 Index / 449

There Was a Lad: Anniversary Addresses, Poets Ancient and Modern, [1822–1824] 69; 1955–1964, [1965; Burns Club of St. [1825], 74 Louis], 258 “Thomson’s Collections of National Song,” There Was a Lad Was Born in Kyle: An Analy- (1938–1945; Cecil Hopkinson; C. B. Old- sis of the Lifetime of Robert Burns, [1999?; man), 74 Bob Gordon], 293 “Thorn, The,” (1803) 46; [1820] 64; [1820] “There Was a Man,” [1965; Tom Wright], 16, 66 365 Thornhill Letter Book, (1790) 6 “There’s Nought But Care On Ev’ry Hand,” Thornton, Robert D., 15, 16, 40, 53, 213, 220, [1820] 65 356–357 Thin (Edinburgh), 158, 159, 162, 163, 164, “Thou E’ening Star,” [1830] 81 258, 282, 359 Thoughts for the People, (1898; James M’Kil- “Thine Am I,” (1830) 81–82 lop), 327 Thirty-fourth Burns Supper, IBM Clubhouse. Three Excellent New Songs: Bonny Mally Stew- Saturday, 29th January 2000, (2000; Club art, The Soldier’s Return, Answer to The Greenock), 272 Soldier’s Return, [1800] 39 This Book Presents Robert Burns’ Tam O’ Three Favourite Songs: As I Stood by Yon Shanter, (1984) 228 Roofless Tower, John Barlyecorn, Husband, This Book Presents the Best of Burns: Robert Husband, Cease Your Strife, [1830] 82 Burns; Verses, Satires, Songs, (1985) 229 Three Favourite Songs: Highland Lad and This I’m Gaun to Tell: First-Person Story of the Lowland Lass, Bonnie Jean, The Storm, Life of Robert Burns, [1975; William Hollis [1830] 82 Ewing], 287 Three Songs, [1959?] 215 This Is My Country: A Personal Blend of the Throop, O. H. (Illustrator), 76 Purest Scotch, (1976) 225 Thurgood, R., 46 “This Is No My Ain Lassie,” [1820] 66 Thurnam & Sons (Carlisle), 335 “This Is No My Plaid,” [1825] 73; [1850?] Tibby Fowler: Up in the Morning Early, The 102 Thorn, Donnocht-Head, Fareweel to Whisky, Thistle Club of N.S.W., 256 [1820] 66 Thistle Library, The, 203, 204 Ticknor and Fields (Boston), 308 Thistle: Or, Caledonian Songster, The, (1833) 85 Tiebout (New York), 36 “Tho’ Women’s Minds,” [1820] 65 Tillotson (Bolton), 306 Thom, William, 320 “Time for All Things,” (1856; Daniel C. Thom & Sons (Dublin), 250 Eddy), 283 Thomas (London), 304 Times Literary Supplement, (TLS), 239, 240 Thomas Cooper Library (University of Timorous Civility: A Scots Miscellany, A, South Carolina), 194, 238, 241, 242, 279, (1966; Alexander Gray), 294 337, 344, 345 “To a Haggis,” (1806; Kinsley title of Thomas Cooper Society, 364 “Address to a Scotch Haggis on New- Thompson, George, 58, 62, 67, 84, 90, 97, 99, Year’s-Day”), 49 101, 110, 115 To a Haggis, [1990?] 49, 232 Thompson, Laurel E., 228 “To a Mountain Daisy,” [1794] 30 Thomsen (Holstebro, Denmark), 281 “To a Mountain-Daisy, on Turning One Thomson, Alexander, 33, 34, 35, 36 Down with the Plough, in April 1786,” Thomson, Arthur Alexander Malcolm, 356 [1794; Kinsley title of “To a Mountain Thomson, E. G., 124 Daisy”], 30 Thomson, George, 16, 18, 29, 43, 57, 60–62, “To a Mouse,” (1794) 30; (1808) 51; (1906) 69, 74, 76, 91, 279, 288, 295 182 Thomson, J. F. T., 225 To a Mouse: On Turning Her Up in her Nest Thomson, James, 18, 26, 33, 62, 73, 123, 252, with the Plough, November 1785, (1997), 237, 289, 356 367 Thomson, John, 145 “To a Mouse, on Turning Her Up in her Thomson’s Collection of the Songs of Burns, Sir Nest with the Plough, November 1785,” Walter Scott, Bart, And Other Eminent Lyric (1794; Kinsley title of “To a Mouse”), 30 Index / 450

“To Clarinda,” (2004) 242 Toronto, 86, 127, 172, 188, 189, 194, 196, 243, To Honor the Memory and Genius of Robert 249, 264, 269, 302, 304, 310, 322, 350, Burns: This Banquet Is Given, Commemorat- 351–352, 370 ing the One Hundred and Fiftieth Anniver- Torrance, Joan, 357 sary of the Birthday of Scotia’s Immortal Totowa, N.J., 305 Bard, (1909) 263 Tout, Ann, 235 “To J.M. Esq. S—n, M—line,” (1815) 57 Toyo Publishing Co. (Tokyo), 217 To Mary in Heaven, (1916) 193 Tôyôshuppan (Tokyo), 215, 331 “To Mary in Heaven,” [1820] 65; (February Trachtenberg, David R., 357 25, 1823), 326 Traeger, Albert, 112 “To Miss Isabella McLeod,” (1787), 12, 18 Trafford (Victoria, B.C.), 243 To Miss Jessie Lewars, [1970?] 223 Tragicall History of Gill Morice, An Ancient “To Monsr. Thomas Campbell,” (2004), 1, Ballad: To Which is Added Highland Mary, 242, 279 The, [1825] 87 “To Mr. Syme—with a present of a dozen of Train, A. C. W., 225 Porter,” (May 1794) 9 Train, Joseph, 8 “To Robert Ainslie,” (2004) 242, 279 Train, Grierson, Young, and Hope Manu- “To Robert Burns,” (1998; Tim Cloudsley), scripts, 289 272 Transactions of Glasgow Natural History Soci- “To Robert Burns,” (1802; John Gerrond), ety, (William Craibe Angus), 246, 330 292 Transactions of the Dumfriesshire and Gal- “To Robert Burns on His 200th Birthday, loway Natural History and Antiquarian 25th January, 1959,” ([1959?]; Samuil Mar- Society, 293, 329 shak) 15, 321 Transactions of the Edinburgh Bibliographical “To the Author,” (1789; David Sillar), 26 Society, (1938–1945) 74 “To the Memory of Robert Burns,” (Mor- Translations alphabetically by language: ford, 1850), 12 Chinese, 214; Danish, 208, 211, 220; “To the Shade of Thomson,” (1818) 62; Dutch, 236; Finnish, 236, 334; French, 96, (1824) 73 97, 133, 235; Gaelic, 231, 233; German, 94, Toast to the Immortal Memory of Robert Burns, 112–113, 149, 159, 162, 210, 223–224, 230; [1926; Humphrey J. Lynch], 316 Hungarian, 211, 224; Italian, 223, 237, 288; Toast to the Immortal Memory of Robert Burns: Japanese, 213, 215, 217, 222, 331; Norwe- Given at Alloway Burns Club Burns Supper gian, 224–225; Polish, 213, 233; Portuguese, on Wednesday, 24th January, 1979, (1979; 235; Russian, 205, 209, 211, 214, 215, 217, William H. Dunlop), 283 218, 223, 224, 237, 238, 239, 240, 243; Scots Tocher, J. F., 357 and Italian, 212; Spanish, 207, 212, 231; Tod, Thomas Miller, 357 Swedish, 13; Swiss-German, 223; Welsh, Todd, Maggie, 357 204, 306 Todd, Richard, 319 Traverse Festival Productions, 16, 365, Toils Obscure Songs by Robert Burns, (2004; Treadwell (Portsmouth), 47 recording), 374 Tree of Crocston: Being a Refutation of the Tokyo, 213, 217, 222 Fables of the Courtship of Queen Marie & “Tom o’ Shanter: en berëttelse,” (1954) 213, Lord Darnley, at Crocston Castle, Under the 236 Yew Tree; and of the Poet, Robert Burns, “Tomb of Burns, The,” [1904?; William Carving His Name on the Yew Treem, The, Watson], 360 (1876; David Semple), 346–347 Tomlyn, Alfred W., 190, 231 Tressilian and His Friends, (1859; R. Shelton Tomsk, 243 Mackenzie), 320 “Tooth-Ache,” (1808) 31, 51, 250 Tribute to Robert Burns, A, [1900–1910?; Joan Tooth-Ache: A Poem. Ye Banks and Braes of Torrance], 357 Bonnie Doon: A Song. Another song, to the Tribute to Robert Burns, A, (1962; Jack Mor- Same tune. And the Washing Day: A Poem, gan), 328 The, [1796] 33 Tribute to Robert Burns, A, (2004; Star Torino, 223 Edwards), 242, 284 Index / 451

Tribute to the Memory of Our National Poet, U.M.I. Dissertation Information Service Robert Burns, on the 170th Anniversary of (Ann Arbor, Mich.), 354 His Birth, 25th January 1759, (1929; Ivie “Unco Mournfu’ Tale &c. &c., An,” [1799] Bowie), 252 35 Trinity College, Dublin, 16 Underwood, Clarence F. (Illustrator), 185 Trongate, 44, 47, 65 “Unfortunate Clown, The,” [1800] 36 Trovato, Ben, 315 “Unfortunate Mary,” [1820] 64 Trustees of Burns Monument (Alloway), Unicorn Limited (Bruceton Mills, W.V.), 252 260 Unique Relic of Burns (Circa 1800), A, (1823) Truth about Burns, The, (1921; Duncan 179 McNaught), 324 Univ. (Uppsala), 285 Tuck (London, Paris, and New York), 171, University Books (New Hyde Park, N.Y.), 186, 196 218 Tuck and Sons (London, Paris, and New University McGonagall Society (Edin- York), 172 burgh), 337 Tuckwell (East Linton and East Lothian), University Microfilms International (Ann 274, 323, 348 Arbor, Mich.), 308, 349 Tuneful Flame: Songs of Robert Burns As He , Tarradale House, 24 Sang Them, The, (1957) 213 University of Alabama, 306 Tunstall, Whitmell Pugh (Editor), 180 University of Delaware Press (Newark), 350 Turnbull, William Robertson, 358 University of Georgia Press (Athens), 322, Turnbull, John (Edinburgh), 47 323 Turnbull, Thomas (Edinburgh), 70 University of Illinois Press (Urbana), 253 Turnbull, W. (Glasgow), 59 University of Kansas Press (Lawrence), 213 Turun Yliopisto (Turku, Finland), 335 University of Nevada Press (Reno), 344 Tuttle (Rutland, Vt.), 234 University of North Carolina Press (Chapel ‘Twas on the Morn of Sweet May Day: To Hill), 289 which Are Added, Lovely Jean, Haluket Meg, University of Oregon, 349 Blythe, Blythe, an’ Merry Are We, (1829) 79 University of South Carolina. Department Twayne (Boston), 250 of English, 343 Twayne (New York), 214 University of South Carolina. McKissick Twayne’s English Authors Series, 250 Memorial Library, 344, 345 “Tweed Side,” [1805?] 48 University of South Carolina Press, 238, 345 “Tweedside,” [1830] 81 University of South Carolina, 285, 337, 355; Twenty Favorite Songs and Poems, (1978) 225 Thomas Cooper Library, 242, 279, 337, Twenty Most Favourite Songs of Burns, (1998) 344, 345 238 University of Texas, Humanities Research Twenty-five Programs for Celebrating Authors’ Center, 358 Birthdays, [1896?; Alice Maude Kellogg], University of Toronto Press, 351–352 307 University of Turku. Department of En- 24 Famous Scottish Airs for Recorder, (1976) glish, 334, 335 225 University of Waikato (Hamilton, N.Z.), 359 “Two Emigrants, The,” [1830] 80 University of Washington Press (Seattle), Two Hundred and Twenty Popular Scottish 298 Songs: Words and Music Sol-fa Notation, University Press (Glasgow), 218 [1900] 173 “Unpublished Poem by Burns, The,” [1915?] “Two Languages of Burns [by] David Muri- 193 son, The,” (1989) 319 Unwin (London), 157 Tyler, Samuel, 358 “Up in the Morning Early,” [1805?] 48; Tytler, Alexander Fraser, Lord Woodhouse- [1820] 64, 66; [1820] 66; [1830] 79 lee (Translator), 2, 8, 9, 252 Up in the Morning Early, (poster), 369 Urbani, Peter, 28, 47, 56 Ullans Press, 281 Urbani & Liston (Edinburgh), 27, 47 Ulster-Scot, The, 281 Uwins, T., 56 Index / 452

Vaasa, Finland, 213, 236 Virtue and Yorston (New York), 326 Vagabond Press (Menomnie, Wisc.), 221 “Vision, A,” [1830] 82 Valentine, Thomas (Binder), 44, 53 Vision of the Prodigal Son, The, (1960; Sydney Valentine (Dundee and London), 203, 204 Goodsir Smith), 351 Valentine & Sons (Dundee, Edinburgh, and Vision Press (London), 305 London), 155, 160, 245, 252, 319 Visit to the Land of Burns, A, (1902; John Vallance, David, 234 Johnston), 306 V’alogatott versei, (1952) 211 Visit to the Shrines of Burns: Lochlea, Tar- Vancouver, 236, 358–359 bolton, etc., (1908; Charles Murchland), Vancouver Burns Fellowship, 358 330 Vanderhoff, C. A. (Illustrator), 149 Vista Books (London), 216 Van Dyke, Henry (Editor), 186 Vitkovski, E. (Translator), 239 Veitch, James, 358 Vocal Melodies of Scotland, The, (1884), 144 Velázquez, Alfonso (Translator), 231 Volta (Rome), 237 Venable, W. H. (Editor), 169 Volturna Press (Peterhead), 320 Ventry, Laurie, 392 Vulture: Being a Choice Collection, Newest Songs Verlag (Zürich), 285 Now Singing, The, [1828] 78 Vernacular in the Schools: An Address Delivered Vybrane (1959), 215 to the Vernacular Circle of the Burns Club of London, on Monday, 14th March 1932, “W—?,” Lottie 111 [1938; William Will], 363 Waddell, P. Hately, 123, 127, 141, 339 Verno, Hood, and Sharpe (London), 308 Wailly, M. Léon de (Translator), 96, 97 Vernor & Hood (London), 8, 42, 48, 354 Wakefield, 133, 222, 224 Verona, 210 Walker, Marshall, 339 Verses, [1940?; J. F. Tocher], 357 Walker, Thomas, 11 “Verses Composed on Reading of the Death Walker (Galashiels), 291 and Burial of Col. William Nicol Burns, Walker (London), 139, 151, 156 the Last Surviving Son of Scotland’s Walker (Newcastle-on-Tyne), 38 Bard,” (Sarah Parker Douglas), 280 Walker & Anderson (Edinburgh), 61 Verses to the Memory of James Thomson, Author Walker & Co. (London), 154 of The Seasons, [S.l.: s.n., 1791] 26; [1798] Walker & Connell (Darvel, Ayrshire), 234, 33 238, 247 “Verses to the Memory of Robert Burns,” Walker & Sons, 204 245 Wallace, Rev. Dr., 259 Victoria, B.C., 243 Wallace, William, 121, 163, 169, 173, 176, 183, Victoria Galleries (Dundee), 359 185, 206, 206, 207, 209, 210, 213, 217, 231, Vidavnitstvo Khudozhn oi Literaturi “Dne- 287, 359 pro,” (Kiev) 218 Wallace Bruce (at Ayr) on Robert Burns, Vier Gedichten van Robert Burns, (1993) 235 (1893; Wallace Bruce), 254 Views in North Britain, ( James Sargant Wallace, Burns, Stevenson: Appreciations, Storer) (1805) 354; (1811) 354 (Archibald Philip Primrose Rosebery) Viking (London), 324 (1905); (1912) 340 Viking (New York), 277 “Wallace’s Lament,” [1800] 37 Village Beauty: And Other Poems, The, (1886; Walsh, Alex (Editor), 282 Robert Gemmell), 291 Walsh, James, 359 Vindication: Burns, Excise Officer and Poet, A, Walsh, Robert, 69 (1897; John Sinton), 349 Walters, G. (Binder), 3, 6 Vindication of Burns (George Thompson), “Wandering Willie” (1828) 77 66 War Department (Washington, D.C.), 193 Virginia Magazine of History and Biography, Ward (London, Belfast, and New York), The, 302 156, 158, 274 Virtue, G. (London), 91, 92, 95, 113, 134, 227 Ward and Co. (London, Belfast, New York, Virtue, James S. (London), 98 and Sydney), 162 Virtue & Company (London), 119, 134 Ward, Lock (London), 190 Index / 453

Ward (London and Melbourne), 197 Weir, J. L., 33, 49, 64–66, 70–71, 75, 77, Ward (London and New York), 139 79–83, 94, 101–102, 106, 109, 114–115, 117, Ward (London, Melbourne and Toronto), 248, 286, 304, 355 189 Welcome Rain Publishers (New York), 323 Ward, Lock & Bowden (London), 168 “Welcome Royal Charley,” [1820] 65 Warne (London and New York), 129, 132, Well Is Deep: Poems in English and Scots, The, 151, 157, 159, 160, 161, 166, 169, 173, 183 (1986; James T. Runciman), 345 Warne and Co. (London), 132, 135, 151, 154, “We’ll Meet Beside the Dusky Glen,” [1830] 173 79 Warner, Samuel, 302 Well of the Silent Harp: A Novel of the Life and Warner (Boston), 196 Loves of Robert Burns, The, (1954; James Warner (London), 190 Barke), 249 Warner (Philadelphia), 62 Well-known Collection Formed by the Late Warren, George William, 107 Duncan Ferguson . . . Including More Than “Washing Day,” 31 Fifteen Fine Letters and Poems in the Hand Washington, D.C., Burns Club of, 259 of Robert Burns, The, (1925; Sotheby & Washington University Studies, 298 Co.), 352 “Wat Ye Wha’s in Yon Town,” [1830] 82 Wells, Carolyn, 361 Waters, Hugh J., 360 Wells (New York), 88 Watson, J. Ralph, 360 Wells & Co. (New York), 97 Watson, Jeremy, 360 Wells and Lilly (Boston), 65 Watson, John, 360 Welstood, James, 245 Watson, Stewart (Artist), 304, 370 Wendover, 227 Watson, William, 360 Wentworth and Co. (Boston), 283 Watson (Edinburgh), 248 Wer war Robert Burns?: Einige Aspekte seines Watson (Glasgow), 271 Lebens und Werks, (1996; Norman Elrod), Watt, Lauchlan MacLean, 360 285 Watt, William, 360 Werkmeister, Lucyle, 361 Watters, Ann, 360 Westall, Richard (llustrator), 62, 73 Watters, Norman, 360 Westermann (Braunschweig), 94 Watters (Kirkcaldy), 360 Weston, John Charles, 217, 220, 361 Waugh, Butler, 360 Westwood, Peter J., 232, 242, 255, 279, Waverley Book Company (London), 163 362–363, 378 Waverley Books (New Lanark), 340 Westwood (Greenock), 272 Waverley Publishing Company (Detroit), “What Ails You Now Ye Lousie—,” (1800), 293 10 Waverly (London), 200 What Robert Burns Owed to Freemasonry, Waverly Company (North Tonawanda, [1959; William Paxton], 334 N.Y.), 180, 211 “When I Sleep &c.,” [1790] xxii, 6 Wayside Poems (1895; Wallace Bruce), 254 “When I Was an Infant,” [1820] 66 Weatherly, Fred E., 273 “When Wild War’s Deadly Blast Was Webb, M. (Illustrator), 184 Blawn,” (Kinsley title of “The Soldier’s Weber, Carl Maria von, 76. 90, 91, 373 Return”) [1800]; [1826] 39 Webster, Alec (Illustrator), 315 Whibley, Charles, 362 Webster, Alexander, 360, 361 Whistle . . . , The, [1791] 8, [1792–1804] 27 Webster, Charles S., 361 “Whistle and I’ll Come to You, My Lad,” Wee Book: Stories, Poems and Songs of a Wan- [1800] 37; [1810?] 54; [1830] 80 dering Ulster-Scot (2005; Willie Drennan), White, James, 362 281 White, John, 362 Wee Willie Gray, [1950] 211 White (London), 72, 74 Weed, Parsons & Co. (Albany), 300 White & Allen (New York and London), Weekly Scotsman, The, 112, 223, 270 170 Weimar, 224 White & Co. (London), 41 Weir, Harrison (Engraver), 123 Whiteford, J. Lockhart, 362 Index / 454

Whitfield (London), 282 Wilson, James Grant, 323 Whitley, Henry Charles, 362 Wilson, Jasper, 276 Whittall, Gertrude Clarke, 292 Wilson, John, 5, 12, 20, 363, 364 Whittaker (London), 63 Wilson, Professor, 97, 101, 104, 105, 109–110, Whittingham (London), 62, 67, 68, 72, 73, 111, 113, 116, 118, 120, 122, 125, 127, 129, 133, 80 136, 137, 150, 151, 155, 259 Whittingham and Rowland (London), 56 Wilson, Tom, 364 Who’s Who in Burns ( John Dawson Ross), Wilson (Air [sic]), 44 (1927) 342; [1973] 343 Wilson (Edinburgh), 187, 294 Who’s Who in the World of Robert Burns: A Wilson (Glasgow), 123, 127, 141, 315 Biographical Account of Members of the Wilson (Kilmarnock), 20, 26, 201, 223, 225, Poet’s Family and Descendants, (2008; Peter 233 J. Westwood, ed.), 362 Wilson (London), 166 “Why Should Na Poor People Mowe?” Wilson & Company (Glasgow), 315 (1916) 17 Wilson, M’Cormick & Carnie (Air [sic] ), 62 “Why Unite to Banish Care,” [1830] 82 Wimbish, 226 “Why, Why Tell Thy Lover,” [1830] 81 Wind that Shakes the Barley: A Novel of the Whydotski, Lloyd, 221 Life and Loves of Robert Burns, The, Wickes, W. K. (Editor), 269 ( James Barke) (1946) 249; (1947) 249; Widdleton (New York), 125 (1992) 249 Wien, 162 Wingate (London), 212 Wilbur, Crane, 374 Winnipeg, Manitoba, 324, 335 Wilbur, R., 292 Winston (Philadelphia, Chicago, and Wiley and Putnam (New York), 363 Toronto), 130, 188 Wilkie, Mrs., 327 Winter, (1970), 223 Will, William, 363 Winter (Leipzig and Heidelberg), 112, 182, “Will the Weaver,” [1840] 94 354 “Will Ye Go To The Ewe Bughts,” [1820] 65 “Winter, A Song,” [1798] 33; [1805?] 49 “William and Margaret,” [1800] 37 Winter with Robert Burns, Being Annals of His William Creech, Robert Burns’ Best Friend, Patrons and Associates in Edinburgh During (1903; John Charles Carrick), 270 the Year 1786–7, and Details of His Inaugu- William Maxwell to Robert Burns, (1979; ration as Poet-Laureate of the Can: Kil, Robert D. Thornton), 357 (1846; James Marshall), 321 “William M’Quhae and the Portrait of Winters Universitätsbuchhandlung (Heidel- Burns,” (Spring 1903; Heston), 299 burg), 297 William Wright Gillespie (Obit December 30, Winton, Andrew, 238 1907): A Memoir, (1908; Edward T. W. Wise (London), 230 Gillespie), 292 Wiser, Guy Brown (Illustrator), 202 Williams (London), 300 Wit of Robert Burns, The, (1972), 223 Williams Collins (Glasgow and London), Witmark (New York), 248 123 Witte, William, 364 “Willie Brew’d A Peck o’ Maut,” (1808) 51; Wittingham, Charles, 50 [1820] 66 Wolfe, Linnie Marsh, 329 “Willie Wastle,” [1820] 36 Wolfe, Theodore Frelinghuysen, 364 “Willie’s Mill,” (1908) 300 Women of the Poets Series, The, 191 Willig (Philadelphia), 87 Wonder of All the Gay World: A Novel of Life Willis and Co. (London), 82 and Loves of Robert Burns, The, (1949; Willison (Edinburgh), 34, 35 James Barke), 249 Willmott, Robert Aris, Rev. (Editor), 109, Wood, John Maxwell, 364 112, 113, 122, 131, 132, 134, 140, 142, 154 “Woo’d and Married . . . ,” [1810] 54 “Willy’s Rare and Willy’s Fair,” (1874) 327 Wooden bowl, 375 Wilson, G. W. (Illustrator), 140 Woodhouselee, LordWoodstock Books Wilson, J. R., 313 (Oxford and New York), 233. See Tytler, Wilson, James, 199, 363 Alexander Fraser Index / 455

Woodward & Tiernan (St. Louis), 184 Wrecsam, 204, 306 Woolworth, Ainsworth, & Co. (Boston), 125 Wreford, James, 365 “Word on Burns, The,” (Winter 2002; Ger- Wright, David F. (Editor), 365 ard Carruthers), 270 Wright, Dudley, 365 Wordsworth, William, 127, 183, 253, 337, 364 Wright, Gordon, 225, 227, 230 Wordsworth Editions (Ware), 236 Wright, J. M. (Illustrator), 111 Wordsworth Poetry Library, 236 Wright, Jimmy, 365 Works and Correspondence of Robert Burns, Wright, Tom, 14, 365 The, (1846) 99 Wright (Aberdeen), 365 Works of Robert Burns . . . , The, (1800) 9, 39, Wright (Edinburgh), 225, 228, 230 44, 332; (1801) 43; (1802) 45; (1804) 48; “Write Them a Letter To-Night,” 158 (1806) 50; (1809) 53; (1813) 57; (1815) Writers and Their Work, 270, 277 58–59; (1816) 60; (1818) 62; (1819) 63; Writer’s Club of Brooklyn, The, 14, 316 (1820) 66, 67; (c. 1820) 67; (1821) 68; Writings by the Way, (1885; John Campbell (1823) 72; (1824) 73; (1825) 76, 83; (1827) Smith), 351 77; (1828) 78; (1829) 83; (1830) 83; (1831) Wyllie (Aberdeen), 284 83; (1832) 84; (1833) 85; (1834) 86; Wyllie and Son (Aberdeen), 284 (1834–1835) 86; (1834–1836) 86; (1835) 87; (1836) 89; (1836–1837) 88; (1837) 89, Yardley (London), 160, 168 90; (1837–1838) 89; (1838) 91; (1840) “Ye Banks And Braes . . . ,” [1795–1798?] 31; 95; (1841) 95; (1842) 96; [1843] 97; [1796] 33; [1820] 65 (1843–1844) 97; (1845) 99; (1846) “Ye Mariners of England” (1807), 50 99–100; (1847) 100–101; (1848) 101–102; Year Wi’ Burns: 366 Quotations from His (1849) 102; (1850) 103; [1850] 103; (1851) Poems, Songs and Letters [1946]; [1999?], 103; (1852) 104; (1853) 105; (1854) 106; 209 (1855) 108; (1857) 109–110; (1858) 111; “Yellow Hair’d Laddie, The,” [1800] 37; (1859) 113; [1860] 115; (1861) 116; (1862) [1810?] 54; [1830] 79 116; (1863) 118; (1865) 120; [1865] 120; “Yestreen I Had A Pint o’ Wine,” [1820] 65 (1866) 122; (1868) 125; (1870) 129; (1874) “Yon High Mossy Mountains . . . ,” (1787?) 133; (1877) 136; (1877–1879) 136, 137; 2; (2004) 242 279 (1878); 137 [1882] 142; [pref. 1887] 150; “Yon Wild Mossy Mountains, Sae Lofty and (1888) 151; (1890) 155; (1891) 156; (1893) Wild,” (Kinsley title for “Yon High Mossy 159; (1895) 162; (1994) 236 Mountains . . .”) 2 Works of the British Poets, The, (1822) 69 “Yorkshire Concert, The,” [1800] 37; [1810?] Works of the Late Celebrated Robert Burns, 54 (1807) 50 “Yorkshireman in London,” [1820?] 64 World, The, Vol. 2 (Nos. 1–209; January 4, Yorkston, James (Editor), 139 1753–December 30, 1765), 18–19 Young, John, 365 World’s Classics, The, 182, 193, 194, 197, 205, Young (Liverpool), 314 212 Young & Co. (New York), 152 World’s Memorials of Robert Burns, The, Young, Gallie & Co. (Glasgow), 61 [1911] 293 Young Gentleman and Lady’s Poetical Precep- Worlock, Friedrich, 372 tor, The, 29, 30 Wörterbuch des schottischen Dialekts in den “Young Highland Rover, The,” [1830] 81 Werken von Walter Scott und Burns, (1882; Young Johnston, “A Man’s A Man for A’ Ludwig Hierthes), 300 That,” [1805?] 48 Worthington, J., 127 “Young Love among the Roses,” [1800] 37, Worthington (New York), 127, 141, 145, 149, 64 151, 152 Young Robert Burns, (1999; David Ross), 340 Wotherspoon, James, 364 Younger, D. R., 326 W.R. & S. Ltd. (Edinburgh), 310 Yrkingar (1945), 208 W.R.B., 359 Wreath: Containing the Minstrel, The, (1804) Zwierszy szkockich (1956), 213 46 Zaehnsdorf (Binder), 46, 47, 52, 174 Index / 456

Zeluco: Various Views of Human Nature Taken from Life and Manners, Foreign and Domes- tic, (1789; John Moore), 17, 18 Zeno & Co., 244 Zerkalo-M (Moscow), 237 Zhou, Guozhen, 366 Zürich, 223, 285