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Paul Mellon Centre for Studies in British Art Library: New Accessions March 2017
Paul Mellon Centre for Studies in British Art Library: New accessions March 2017 0730807886 Art Gallery Board of Claude Lorrain : Caprice with ruins of the Roman forum Adelaide: Art Gallery Board of South Australia, C1986 (44)7 CLAU South Australia (PAMPHLET) 8836633846 Schmidt, Arnika Nino Costa, 1826-1903 : transnational exchange in Milan: Silvana Editoriale, 2016 (450)7 COST(N).S European landscape painting 0854882502 Whitechapel Art William Kentridge : thick time London: Whitechapel Gallery, 2016 (63)7 KENT(W).B Gallery 0956276377 Carey, Louise Art researchers' guide to Cardiff & South Wales [London]: ARLIS UK & Ireland, 2015 026 ART D12598 Petti, Bernadette English rose : feminine beauty from Van Dyck to Sargent [Barnard Castle]: Bowes Museum, [2016] 062 BAN-BOW 0903679108 Holburne Museum of Modern British pictures from the Target collection Bath: Holburne Museum of Art, 2005 062 BAT-HOL Art D10085 Kettle's Yard Gallery Artists at war, 1914-1918 : paintings and drawings by Cambridge: Kettle's Yard Gallery, 1974 062 CAM-KET Muirhead Bone, James McBey, Francis Dodd, William Orpen, Eric Kennington, Paul Nash and C R W Nevinson D10274 Herbert Read Gallery, Surrealism in England : 1936 and after : an exhibition to Canterbury: Herbert Read Gallery, Canterbury College of Art, 1986 062 CAN-HER Canterbury College of celebrate the 50th anniversary of the First International Art Surrealist Exhibition in London in June 1936 : catalogue D12434 Crawford Art Gallery The language of dreams : dreams and the unconscious in Cork: Crawford Art Gallery, -
Moneylab Reader: an Intervention in Digital Economy
READER A N INTERVENTION IN DIGITAL ECONOMY FOREWORD BY SASKIA SASSEN EDITED BY GEERT LOVINK NATHANIEL TKACZ PATRICIA DE VRIES INC READER #10 MoneyLab Reader: An Intervention in Digital Economy Editors: Geert Lovink, Nathaniel Tkacz and Patricia de Vries Copy editing: Annie Goodner, Jess van Zyl, Matt Beros, Miriam Rasch and Morgan Currie Cover design: Content Context Design: Katja van Stiphout EPUB development: André Castro Printer: Drukkerij Tuijtel, Hardinxveld-Giessendam Publisher: Institute of Network Cultures, Amsterdam, 2015 ISBN: 978-90-822345-5-8 Contact Institute of Network Cultures phone: +31205951865 email: [email protected] web: www.networkcultures.org Order a copy or download this publication freely at: www.networkcultures.org/publications Join the MoneyLab mailing list at: http://listcultures.org/mailman/listinfo/moneylab_listcultures.org Supported by: Amsterdam University of Applied Sciences (Hogeschool van Amster- dam), Amsterdam Creative Industries Publishing and the University of Warwick Thanks to everyone at INC, to all of the authors for their contributions, Annie Goodner and Morgan Currie for their copy editing, and to Amsterdam Creative Industries Publishing for their financial support. This publication is licensed under Creative Commons Attribution NonCommercial ShareAlike 4.0 Unported (CC BY-NC-SA 4.0). To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/4.0/. EDITED BY GEERT LOVINK, NATHANIEL TKACZ AND PATRICIA DE VRIES INC READER #10 Previously published INC Readers The INC Reader series is derived from conference contributions and produced by the Institute of Network Cultures. They are available in print, EPUB, and PDF form. The MoneyLab Reader is the tenth publication in the series. -
Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette
www.ssoar.info Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Kester, B. (2002). Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933). (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-317059 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. -
Every Drawing Tells a Story the Big Draw Launch 2015 19 September Adam Dant Adam
Every drawing tells a story The Big Draw Launch 2015 19 September Adam Dant Adam Chris Riddell book signing at Blackwell’s Bookshop 1-2.30pm FREE workshops and events across oxford www.thebigdraw.org Pick up a free walk & draw trail and discover treasures new and old in creative workshops at nine venues every drawing tells a story At 11am join Philip Pullman and Chris Riddell, Children’s Laureate, to launch the 2015 Big Draw Festival at the Weston Library, Activities for all ages unless stated otherwise Bodleian Libraries, Broad Street, Oxford OX1 3BG Radcliffe Square, 11am–4pm Weston Library, Bodleian Libraries, 11am–4.30pm 2 Yarn-storming 1 Join woolly street artist Deadly Knitshade in conjuring a street art story with just wool, Workshops inspired by the Marks of Genius exhibition run 11.15am -12.15pm easy-peasy French knitting and a lot of Drawing together with Chris Riddell on a drop-in basis from 11am–4.30pm: imagination. Learn a new skill and bring Sign in on the world’s longest visitor out your inner graffiti artist. book and draw alongside famous and Drawing with camera obscura The Same River Twice (video) budding illustrators. See Chris draw his Experience the magic of drawing with Tamarin Norwood and Anton Viesel’s Museum of the History this historic tool, thanks to the Museum video contrasts romantic and sceptical Laureate’s Log live and large! 3 of Science, 12 noon–4pm of the History of Science. Be inspired attitudes towards genius. Drawing an X-ray Line by beautiful buildings and use your analogy between man-made marks and Join artists from Oxford Brookes University 2–4.30pm Create a bibliotopia drawing to create a linocut print. -
ACTION | ABSTRACTION Alberto Burri Lucio Fontana
ACTION | ABSTRACTION Alberto Burri Lucio Fontana PRESS RELEASE 14th January 2019 TORNABUONI ART LONDON - 46 Albemarle St, W1S 4JN London Exhibition: 8th February - 30th March 2019 Press view: 10am - 12pm from 6th to 8th February Conference: 7th March, 5pm-7pm, Royal Academy of Arts London, ‘Alberto Burri: A Radical Legacy’ moderated by Tim Marlow, Director of Programmes at the Royal Academy, with professor Bruno Corà, President of the Alberto Burri Foundation, professor Luca Massimo Barbero, Director of the Art History Institute at the Fondazione Giorgio Cini, Venice, and professor Bernard Blistène, Director of the Centre Georges Pompidou, Paris. This exhibition sets out to recapture one of the most dramatic periods of Post-War art in Italy. The selection of works by the avant-garde artists Alberto Burri and Lucio Fontana will shed light on how the trauma and destruction of two world wars spurred these artists to reject representation and to return to primordial forms of communication through material and gesture – in Fontana’s case, through a simple but supremely efective piercing of the canvas surface and, in Burri’s case, a radical and sometimes violent reimagining of the expressive potential of traditionally ‘non-artistic’ materials. The show will shine a light on the correspondences and convergences between these artists who, despite their vastly difering aesthetics, now stand together as luminaries of material- based abstraction and an inspiration to an entire generation of artists who grew up in their shadow. Tornabuoni Art will explore their work in a tightly curated selection of highlights on display in the London gallery. Both artists are being honoured with institutional exhibitions this year. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Robert Rauschenberg Selected One-Artist
ROBERT RAUSCHENBERG SELECTED ONE-ARTIST EXHIBITIONS DATES Born 1925, Port Arthur, Texas Died 2008, Captiva, Florida EDUCATION 1947–1948, Kansas City Art Institute 1947, Academie Julien, Paris 1948–1949, Black Mountain College, North Carolina (with Josef Albers) 1949–1952, Art Students League, New York (with Vaclav Vytlacil and Morris Kantor) 2018 Robert Rauschenberg: Spreads, Galerie Thaddaeus Ropac, Ely House, London, November 28, 2018– January 26, 2019. Rauschenberg: The 1/4 Mile, Los Angeles County Museum of Art, October 28, 2018–June 9, 2019. Robert Rauschenberg: Vydocks, Pace Gallery, 12/F, H Queen’s, 80 Queen’s Road Central, Hong Kong, September 19–November 2, 2018. (Catalogue) Robert Rauschenberg: In and About L.A, Los Angeles County Museum of Art, August 11, 2018–February 10, 2019. Robert Rauschenberg: Features, Krakow Witkin Gallery, Boston, May 12–June 23, 2018. Robert Rauschenberg: Selected One–Artist Exhibitions 2 Robert Rauschenberg: Paintings Objects Sculptures, Galerie Bastian, Berlin, April 28–July 28, 2018. 2017 Robert Rauschenberg: A Quake in Paradise (Labyrinth), Massachusetts Museum of Contemporary Art, North Adams, May 28, 2017–Fall 2018. Robert Rauschenberg: Late Series, Faurschou Foundation Venice, May 12–August 27, 2017. (Catalogue) 2016 Robert Rauschenberg, Transfer Drawings from the 1950s and 1960s, Offer Waterman, London, December 2, 2016–January 13, 2017. (Catalogue) Robert Rauschenberg, Tate Modern, London, December 1, 2016–April 2, 2017. Traveled to: as Robert Rauschenberg: Among Friends, The Museum of Modern Art, New York, May 21, 2017–September 17, 2017; as Robert Rauschenberg: Erasing the Rules, San Francisco Museum of Modern Art, November 18, 2017– March 25, 2018. (Catalogue) Robert Rauschenberg: Salvage, Galerie Thaddaeus Ropac, Paris, October 20, 2016–January 14, 2017. -
PRESS RELEASE Oxford Hosts Launch of the World's Biggest Drawing Festival FINAL
The Big Draw in partnership with Bodleian Libraries, Museum of the History of Science, The Story Museum, Modern Art Oxford, Old Fire Station, Ashmolean Museum, Pitt Rivers Museum, and Oxford University Museum of Natural History. For immediate release Oxford hosts launch of the world’s biggest drawing festival On 19 September 2015, renowned author, Philip Pullman, and Children’s Laureate, Chris Riddell, will launch international drawing festival, The Big Draw 2015, at a free public event championing visual literacy and connecting nine venues across Oxford in an epic celebration of creativity. Hosted by the world famous Bodleian Libraries, and announced by celebrated author Philip Pullman and Children’s Laureate Chris Riddell, the launch of this year’s Big Draw Festival will champion the universal language of drawing and highlight the importance of creativity in education, literature and society. Following a public launch at the Weston Library, Bodleian Libraries, a free WalK & Draw Trail will connect nine of Oxford’s leading galleries, museums and arts organisations demonstrating the relevance of drawing across all sectors and revealing this year’s Big Draw theme, Every Drawing Tells a Story. Throughout the international Big Draw festival (1-31 October), visitors can discover treasures old and new in creative worKshops at each Oxford venue, using a map specially designed by artist Adam Dant. The launch will offer over twenty unique activities for all ages, starting in the Weston Library with an open invitation to sign in to the world’s longest visitors’ book, drawing alongside famous and budding illustrators. Visitors can experience the magic of drawing with a camera obscura; maKe their own artist’s booKs and print using the Bodleian’s wooden press; have their portrait drawn by three actual robots; join artist Claire Duffy and the World Wildlife Fund–UK to support a campaign to save endangered birds; discover digital drawing with Angus DicK and worK with artist Adam Dant, official recorder – in drawings – of the recent General Election, to create a bibliotopia. -
Tomma Abts Francis Alÿs Mamma Andersson Karla Black Michaël
Tomma Abts 2015 Books Zwirner David Francis Alÿs Mamma Andersson Karla Black Michaël Borremans Carol Bove R. Crumb Raoul De Keyser Philip-Lorca diCorcia Stan Douglas Marlene Dumas Marcel Dzama Dan Flavin Suzan Frecon Isa Genzken Donald Judd On Kawara Toba Khedoori Jeff Koons Yayoi Kusama Kerry James Marshall Gordon Matta-Clark John McCracken Oscar Murillo Alice Neel Jockum Nordström Chris Ofili Palermo Raymond Pettibon Neo Rauch Ad Reinhardt Jason Rhoades Michael Riedel Bridget Riley Thomas Ruff Fred Sandback Jan Schoonhoven Richard Serra Yutaka Sone Al Taylor Diana Thater Wolfgang Tillmans Luc Tuymans James Welling Doug Wheeler Christopher Williams Jordan Wolfson Lisa Yuskavage David Zwirner Books Recent and Forthcoming Publications No Problem: Cologne/New York – Bridget Riley: The Stripe Paintings – Yayoi Kusama: I Who Have Arrived In Heaven Jeff Koons: Gazing Ball Ad Reinhardt Ad Reinhardt: How To Look: Art Comics Richard Serra: Early Work Richard Serra: Vertical and Horizontal Reversals Jason Rhoades: PeaRoeFoam John McCracken: Works from – Donald Judd Dan Flavin: Series and Progressions Fred Sandback: Decades On Kawara: Date Paintings in New York and Other Cities Alice Neel: Drawings and Watercolors – Who is sleeping on my pillow: Mamma Andersson and Jockum Nordström Kerry James Marshall: Look See Neo Rauch: At the Well Raymond Pettibon: Surfers – Raymond Pettibon: Here’s Your Irony Back, Political Works – Raymond Pettibon: To Wit Jordan Wolfson: California Jordan Wolfson: Ecce Homo / le Poseur Marlene -
Annex III Final Management Report - Appendix 1 OVERVIEW of PILOT PROJECTS (For Experience of Collaborative International Work)
IEA DSM Annex III "Co-operative Procurement" Annex III Final Management Report - Appendix 1 OVERVIEW OF PILOT PROJECTS (for experience of collaborative international work) PROJECT AREA Lighting: Wet Appliances: Copiers: Consumer Electronics: Vending machines Industrial Motors and LED Traffic Lights Replacement Incandescent Drier Promotion Copier of the Future Energy Efficient TV sets, Components: Lamp – Future Bulb Competition decoders etc. IEA Hi-Motors Competition 1. Main goals 30% more efficient 50% energy reduction on Low-power standby mode Reduction of electricity Energy-reduction Decrease losses 20-40% Reduced energy by 35-90%, 3,000 burning hours household electric tumble >90% energy reduction, consumption by opportunities for future compared to average longer life, LCC goals. LCC goal driers, maximum price. total direct energy reduction procurement or other more actions: Cold-drink motors. Reduced costs for service Dimmable, appearance as >60%. Short recovery time. informative actions machines 60%; Hot-drink Price & performance level and maintenance. Goal: pay- GLS lamp supporting other ongoing machines 30%. guaranteeing long-lasting back time 1-5 years. projects. significant market share. 2. Project Manager Project Manager Paul René Kemna, The Netherlands. Rachel Schmeltz, Olof Molinder, Sweden Eva Lembke/Preben Munter, Heikki Härkönen, Finland. Nils Borg, Sweden, on Davidson, UK. Project Co- Alternate: H-P Siderius, The Alison ten Cate, USA. (during introductory phase) Denmark (temporary, 1st behalf of Swedish cities and ordinator Nils Borg, Netherlands. Bernard Aebischer, Switzer- phase) in collaboration with The Sweden. land (during 1st part of Netherlands project) 3. Interested countries United Kingdom, Finland, The Netherlands, Sweden, Finland, The Netherlands, Sweden, United Kingdom; Denmark, The Netherlands, Finland as main actor; The The Netherlands, Finland, The Netherlands, Sweden United Kingdom, Spain, Sweden, Switzerland, Netherlands, United States USA (support.). -
Jperna Tesid.Pdf
DIPARTIMENTO DI SCIENZE DEI BENI CULTURALI DOTTORATO DI RICERCA Memoria e materia dell’opera d’arte attraverso i processi di produzione, storicizzazione, conservazione e musealizzazione -XXVII CICLO- ARTE PROTO-FEMINIST Una rilettura delle neoavanguardie italiane degli anni Sessanta (L-ART/03) Coordinatore: Prof.ssa Elisabetta Cristallini Tutor: Prof.ssa Elisabetta Cristallini Tutor esterno: Prof.ssa Maria Antonietta Trasforini Dottoranda: Jessica Perna DATA DELLA DISCUSSIONE: 27 NOVEMBRE 2015 INDICE INTRODUZIONE 7 I PARTE LA GENERAZIONE DI NEOAVANGUARDIA 1 Campo d’indagine 1.1 Sotto la lente: analisi della neoavanguardia 17 1.1.1 Una rilettura eccentrica 22 1.2 La feminist art tra dibattito nazionale e anglosassone 24 1.3 Metodologia critica 28 2 Neoavanguardiste: che genere di donne? 2.1 La prima emancipazione 33 2.2 Famiglia e cultura 39 2.3 Percorsi di formazione e identità 47 2.4 Sotto la maschera 53 2.5 Traiettorie di emancipazione 64 2.5.1 Tendenze e controtendenze 65 2.5.2 Il risveglio delle coscienze 70 1 3 Donne degli anni Sessanta: che genere di artiste? 3.1 Gli effetti dei ruoli di genere 76 3.1.1 Il dilettantismo colto 76 3.1.2 Stereotipi d’artista 80 3.1.3. Il complesso di Michelangelo 90 3.2. Artiste e gruppi di neoavanguardia 94 3.2.1 Casi di studio: Gruppo T; Gruppo Punto; Gruppo 70; Gruppo 63, 98 Sperimentale p. e Operativo “r”; Scuola di Piazza del Popolo 3.2.2 Strategie d’affermazione 120 3.3 Le donne nel circuito espositivo istituzionale e privato 124 II PARTE TEMI E MODI DELLA CORRENTE PROTO-FEMINIST 1 Ricerca identitaria 1.1 La costruzione dell’immagine femminile nei media 137 1.2 Temi di ricerca 149 1.2.1 Il corpo 150 1.2.2 L’infanzia 159 1.2.3 Maternità e ruoli sociali 165 2. -
Minerva Auctions
MINERVA AUCTIONS ARTE MODERNA E CONTEMPORANEA MARTEDÌ 28 APRILE 2015 MINERVA AUCTIONS Palazzo Odescalchi Piazza SS. Apostoli 80 - 00187 Roma Tel: +39 06 679 1107 - Fax: +39 06 699 23 077 [email protected] www.minervaauctions.com FOLLOW US ON: Facebook Twitter Instagram LIBRI, AUTOGRAFI E STAMPE GIOIELLI, OROLOGI E ARGENTI Fabio Massimo Bertolo Andrea de Miglio Auction Manager & Capo Reparto Capo Reparto Silvia Ferrini Beatrice Pagani, Claudia Pozzati Office Manager & Esperto Amministratori DIPINTI E DISEGNI ANTICHI FOTOGRAFIA Valentina Ciancio Marica Rossetti Capo Reparto Specialist Adele Coggiola Junior Specialist & Amministratore Public Relations Muriel Marinuzzi Ronconi Amministrazione Viola Marzoli ARTE DEL XIX SECOLO Magazzino e spedizioni Claudio Vennarini Luca Santori Capo Reparto ARTE MODERNA E CONTEMPORANEA Georgia Bava Capo Reparto Photo Stefano Compagnucci Silvia Possanza Layout Giovanni Morelli Amministratore Print CTS Grafica srl MINERVA AUCTIONS ROMA 111 ARTE MODERNA E CONTEMPORANEA MARTEDÌ 28 APRILE 2015 ROMA, PALAZZO ODESCALCHI Piazza SS. Apostoli 80 PRIMA TORNATA - ORE 11 (LOTTI 1 - 169) SECONDA TORNATA - ORE 16 (LOTTI 170 - 349) ESPERTO / SPECIALIST Georgia Bava [email protected] REPARTO / DEPARTMENT Silvia Possanza [email protected] Per partecipare a questa asta online: www.liveauctioneers.com www.invaluable.com ESPOSIZIONE / VIEWING ROMA Da venerdì 24 a lunedì 27 aprile, ore 10.00 - 18.00 PREVIEW Per visionare i nostri cataloghi visitate il sito: ROMA www.minervaauctions.com Giovedì 23 aprile, ore 18.00 PRIMA TORNATA ORE 11 (LOTTI 1 - 169) Lotto 1 α 1 Jannis Kounellis (Pireo 1936) ROSA cartoncino sagomato e carta Japon nacrè, es.1/12, cm 76,5 x 57 Firma a matita in basso a sinistra Una piega al margine inferiore e tracce di umidità ai margini ed al verso.