Islamic Terrorism’ in the United States, 1940-2017
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Sean Callery
SEAN CALLERY AWARDS / NOMINATIONS EMMY AWARD NOMINATION 24: Live Another Day Outstanding Music Composition For A Limited Series, Movie or a Special (2015) ASCAP AWARD Composer’s Choice Award (2015) EMMY AWARD NOMINATION Elementary Outstanding Original Main Title Theme Music (2013) HOLLYWOOD MUSIC IN MEDIA Bones NOMINATION (2011) Best Original Score for Television EMMY AWARD NOMINATION (2011) The Kennedys Outstanding Original Main Title Theme Music GEMINI NOMINATION (2011) The Kennedys Best Original Music Score for a Dramatic Program, Mini-Series or TV Movie EMMY AWARD 24 Outstanding Music Composition for a Series (2010 & 2006) EMMY AWARD NOMINATION 24: Redemption Outstanding Music Composition for a Miniseries, Movie or Special (2009) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2009, 2007, 2005, 2004, 2003, 2002) INTERNATIONAL FILM MUSIC 24 CRITICS ASSOCIATION NOMINATION (2006) Best Original Score for Television The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 SEAN CALLERY TELEVISION SERIES JESSICA JONES (series) Melissa Rosenberg, Jeph Loeb, exec. prods. ABC / Marvel Entertainment / Tall Girls Melissa Rosenberg, showrunner BONES (series) Barry Josephson, Hart Hanson, Stephen Nathan, Fox / 20 th Century Fox Steve Bees, exec. prods. HOMELAND (pilot & series) Alex Gansa, Howard Gordon, Avi Nir, Gideon Showtime / Fox 21 Raff, Ran Telem, exec. prods. ELEMENTARY (pilot & series) Carl Beverly, Robert Doherty, Sarah Timberman, CBS / Timberman / Beverly Studios Craig Sweeny, exec. prods. MINORITY REPORT (pilot & series) Kevin Falls, Max Borenstein, Darryl Frank, 20 th Century Fox Television / Fox Justin Falvey, exec. prods. Kevin Falls, showrunner MEDIUM (series) Glenn Gordon Caron, Rene Echevarria, Kelsey Paramount TV /CBS Grammer, Ronald Schwary, exec. prods. 24: LIVE ANOTHER DAY (event-series) Kiefer Sutherland, Howard Gordon, Brian 20 TH Century Fox Grazer, Jon Cassar, Evan Katz, Robert Cochran, David Fury, exec. -
Attribution and Response to Cybercrime/Terrorism/Warfare Susan W
Journal of Criminal Law and Criminology Volume 97 Article 2 Issue 2 Winter Winter 2007 At Light Speed: Attribution and Response to Cybercrime/Terrorism/Warfare Susan W. Brenner Follow this and additional works at: https://scholarlycommons.law.northwestern.edu/jclc Part of the Criminal Law Commons, Criminology Commons, and the Criminology and Criminal Justice Commons Recommended Citation Susan W. Brenner, At Light Speed: Attribution and Response to Cybercrime/Terrorism/Warfare, 97 J. Crim. L. & Criminology 379 (2006-2007) This Symposium is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Journal of Criminal Law and Criminology by an authorized editor of Northwestern University School of Law Scholarly Commons. 0091-4169/07/9702-0379 THE JOURNALOF CRIMINAL LAW & CRIMINOLOGY Vol. 97. No. 2 Copyright 0 2007 by NorthwesternUniversity. Schoolof Low Printedin U.S.A. "AT LIGHT SPEED": ATTRIBUTION AND RESPONSE TO CYBERCRIME/TERRORISM/WARFARE SUSAN W. BRENNER* This Article explains why and how computer technology complicates the related processes of identifying internal (crime and terrorism) and external (war) threats to social order of respondingto those threats. First, it divides the process-attribution-intotwo categories: what-attribution (what kind of attack is this?) and who-attribution (who is responsiblefor this attack?). Then, it analyzes, in detail, how and why our adversaries' use of computer technology blurs the distinctions between what is now cybercrime, cyberterrorism, and cyberwarfare. The Article goes on to analyze how and why computer technology and the blurring of these distinctions erode our ability to mount an effective response to threats of either type. -
Representations and Discourse of Torture in Post 9/11 Television: an Ideological Critique of 24 and Battlestar Galactica
REPRESENTATIONS AND DISCOURSE OF TORTURE IN POST 9/11 TELEVISION: AN IDEOLOGICAL CRITIQUE OF 24 AND BATTLSTAR GALACTICA Michael J. Lewis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2008 Committee: Jeffrey Brown, Advisor Becca Cragin ii ABSTRACT Jeffrey Brown Advisor Through their representations of torture, 24 and Battlestar Galactica build on a wider political discourse. Although 24 began production on its first season several months before the terrorist attacks, the show has become a contested space where opinions about the war on terror and related political and military adventures are played out. The producers of Battlestar Galactica similarly use the space of television to raise questions and problematize issues of war. Together, these two television shows reference a long history of discussion of what role torture should play not just in times of war but also in a liberal democracy. This project seeks to understand the multiple ways that ideological discourses have played themselves out through representations of torture in these television programs. This project begins with a critique of the popular discourse of torture as it portrayed in the popular news media. Using an ideological critique and theories of televisual realism, I argue that complex representations of torture work to both challenge and reify dominant and hegemonic ideas about what torture is and what it does. This project also leverages post-structural analysis and critical gender theory as a way of understanding exactly what ideological messages the programs’ producers are trying to articulate. -
Living Under Drones Death, Injury, and Trauma to Civilians from US Drone Practices in Pakistan
Fall 08 September 2012 Living Under Drones Death, Injury, and Trauma to Civilians From US Drone Practices in Pakistan International Human Rights and Conflict Resolution Clinic Stanford Law School Global Justice Clinic http://livingunderdrones.org/ NYU School of Law Cover Photo: Roof of the home of Faheem Qureshi, a then 14-year old victim of a January 23, 2009 drone strike (the first during President Obama’s administration), in Zeraki, North Waziristan, Pakistan. Photo supplied by Faheem Qureshi to our research team. Suggested Citation: INTERNATIONAL HUMAN RIGHTS AND CONFLICT RESOLUTION CLINIC (STANFORD LAW SCHOOL) AND GLOBAL JUSTICE CLINIC (NYU SCHOOL OF LAW), LIVING UNDER DRONES: DEATH, INJURY, AND TRAUMA TO CIVILIANS FROM US DRONE PRACTICES IN PAKISTAN (September, 2012) TABLE OF CONTENTS ACKNOWLEDGMENTS I ABOUT THE AUTHORS III EXECUTIVE SUMMARY AND RECOMMENDATIONS V INTRODUCTION 1 METHODOLOGY 2 CHALLENGES 4 CHAPTER 1: BACKGROUND AND CONTEXT 7 DRONES: AN OVERVIEW 8 DRONES AND TARGETED KILLING AS A RESPONSE TO 9/11 10 PRESIDENT OBAMA’S ESCALATION OF THE DRONE PROGRAM 12 “PERSONALITY STRIKES” AND SO-CALLED “SIGNATURE STRIKES” 12 WHO MAKES THE CALL? 13 PAKISTAN’S DIVIDED ROLE 15 CONFLICT, ARMED NON-STATE GROUPS, AND MILITARY FORCES IN NORTHWEST PAKISTAN 17 UNDERSTANDING THE TARGET: FATA IN CONTEXT 20 PASHTUN CULTURE AND SOCIAL NORMS 22 GOVERNANCE 23 ECONOMY AND HOUSEHOLDS 25 ACCESSING FATA 26 CHAPTER 2: NUMBERS 29 TERMINOLOGY 30 UNDERREPORTING OF CIVILIAN CASUALTIES BY US GOVERNMENT SOURCES 32 CONFLICTING MEDIA REPORTS 35 OTHER CONSIDERATIONS -
Woman As a Category / New Woman Hybridity
WiN: The EAAS Women’s Network Journal Issue 1 (2018) The American Woman Warrior: A Transnational Feminist Look at War, Imperialism, and Gender Agnieszka Soltysik Monnet ABSTRACT: This article examines the issue of torture and spectatorship in the film Zero Dark Thirty through the question of how it deploys gender ideologically and rhetorically to mediate and frame the violence it represents. It begins with the controversy the film provoked but focuses specifically on the movie’s representational and aesthetic techniques, especially its self-awareness about being a film about watching torture, and how it positions its audience in relation to these scenes. Issues of spectator identification, sympathy, interpellation, affect (for example, shame) and genre are explored. The fact that the main protagonist of the film is a woman is a key dimension of the cultural work of the film. I argue that the use of a female protagonist in this film is part of a larger trend in which the discourse of feminism is appropriated for politically conservative and antifeminist ends, here the tacit justification of the legally murky world of black sites and ‘enhanced interrogation techniques.’ KEYWORDS: gender; women’s studies; torture; war on terror; Abu Ghraib; spectatorship; neoliberalism; Angela McRobbie; Some of you will recognize my title as alluding to Maxine Hong Kingston’s The Woman Warrior (1975), a fictionalized autobiography in which she evokes the fifth-century Chinese legend of a girl who disguises herself as a man in order to go to war in the place of her frail old father. Kingston’s use of this legend is credited with having popularized the story in the United States and paved the way for the 1998 Disney adaptation. -
David Brannan Phd Thesis
@59618/1! >1<<9<5=7 -80 >41 <961 92 >419693A + <1;18>-8> -80 <1.16659?= /4<5=>5-8 5018>5>A 0BUJE .QBNNBN - >IFRJR =TCMJSSFE GOQ SIF 0FHQFF OG ;I0 BS SIF ?NJUFQRJSX OG =S# -NEQFVR '%%* 2TLL MFSBEBSB GOQ SIJR JSFM JR BUBJLBCLF JN <FRFBQDI,=S-NEQFVR+2TLL>FWS BS+ ISSP+$$QFRFBQDI"QFPORJSOQX#RS"BNEQFVR#BD#TK$ ;LFBRF TRF SIJR JEFNSJGJFQ SO DJSF OQ LJNK SO SIJR JSFM+ ISSP+$$IEL#IBNELF#NFS$&%%'($()' >IJR JSFM JR PQOSFDSFE CX OQJHJNBL DOPXQJHIS >IJR JSFM JR LJDFNRFE TNEFQ B /QFBSJUF /OMMONR 6JDFNRF UNIVERSITY OF ST. ANDREWS VIOLENCE, TERRORISM AND THE ROLE OF THEOLOGY: REPENTANT AND REBELLIOUS CHRISTIAN IDENTITY A DISSERTATION SUBMITTED TO THE FACULTY OF ST MARYS COLLEGE IN CANDIDACY FOR THE DEGREE OF A PHD BY DAVID BRANNAN ST. ANDREWS, SCOTLAND SEPTEMBER 2006 Acknowledgements and Dedication While I have done the work and accept the mistakes in this dissertation as purely my own—anything good that came from this has been because of many other people who have helped me along the way. Bruce Hoffman is the greatest terrorism specialist in the world, but more than that he has been my friend and mentor along the way. I hope you will allow me to continue following along behind you learning and growing by watching and listening to you. Anders Strindberg is a hard headed Swede without whom I could not have had nearly as many fun arguments about my topic. I sure hope we have many more arguments in the future. Philip Esler guided me in this dissertation through the attacks of 9/11, me going to serve in Iraq and after I was wounded, he encouraged me to return to finish even though I didn’t really want to. -
Brock Poliquin Joy 2007.Pdf (9.590Mb)
s < i y ;-t Heroes on the Home Front: Heroism and Virtue in Post-9/11 American Cinema Joy Poliquin, Interdisciplinary MA in Popular Culture Department of Communications, Popular Culture and Film Submitted in partial fulfdment of the requirements for the degree of Master of Arts in Popular Culture Faculty of Social Sciences, Brock University © Joy Poliquin, October 2007 Table of Contents Introduction 1 Chapter One: A Review of Related Literature 9 Chapter Two: The Male US Film Hero as American Surrogate 25 Chapter Three: Re-sculpting the Heroic Image 37 Chapter Four: Reclaiming the Past: Hollywood Revisits Past Wars 46 Chapter Five: Justified Revenge - The Renegade Warrior 91 Conclusion: You're Either With Us or Against Us 131 Filmography 148 Bibliography 152 Appendix A: September 20, 2001 Address to a Joint Session of Congress 164 Appendix B: January 29, 2002 State of the Union Address 172 Appendix C: September 14, 2001 National Day of Prayer Speech... 181 Poliquin ii Abstract This thesis is intended to contribute to critical discussion of the American male hero in mainstream American war and action films post September 11, 2001 . The thesis investigates how these heroes' behaviour echoes a patriotic, conservative construction of the modern American as created through speeches given by George W. Bush in the wake of the events of September 11, 2001 . The thesis examines the hero in six primary sources: the war films We Were Soldiers, Behind Enemy Lines and The Great Raid and the action films Collateral Damage, Man on Fire and The Punisher. By analyzing the ideological subtext, political content, visual strategies and generic implications of the films, as well as the binary constructions of a selection of Bush speeches, and by reviewing historical representations of American male heroes on film produced in the wake of political events, the thesis concludes that the six films mobilize the USA's conservative viewpoint towards war and military action, and in concert with the speeches, contribute to an ongoing militarization of visual culture. -
1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA. -
EPORTER •Ill a Raiiiy
Water woes Super stars page 2A ,V. ^J'-' • »--'l page 2C 4- FEBRUARY 21, 1997 VOLUME 24 NUMBER 15 and 3 SECTIONS, 48 PAGES EPORTER •ill A raiiiy Stage set/fanA Utylttfte, OaOmSb %M^^n^ As the baud leader explains the preservation o ted. scores WaitftiUp&L' with the raiiis coming down* tf^si&entsr took cover under make-shift tents. Kiwanis i&emtoers «nd P , never jgot a chance to force anyone onto the dance floor. 11 i 5 I ly ' Dunlop site tabbed for Sanibel council agrees to afford able senior housing join forces .-with Beach develop the property was going to be By Larry Inhen NIMBY pleas brought up again. Special to the Island Reporter According to Weirman, CHR's pro- The Sanibel City Council met with the Fort Myers Beach Town Council in a fall on deaf ears posal to develop will further stress an joint workshop session Feb. 13, agreeing to set the wheels in motion for more By Mark S. Krzos already overdeveloped section of the cooperation between the two like-minded government efforts in the future. News Editor island. For the time being though, the two island communities are concentrating on Residents of Periwinkle Pines lost a "This area has been developed to the hurricane preparedness and the preservation of buffer lands located between battle Tuesday after Sanibel City point where Council has to look at the them. The joint meeting, the first ever between the two island communities, Council members went against their over development of Dunlop Road," was well received by both councils. -
Pledge Allegiance”: Gendered Surveillance, Crime Television, and Homeland
This is a repository copy of “Pledge Allegiance”: Gendered Surveillance, Crime Television, and Homeland. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/150191/ Version: Published Version Article: Steenberg, L and Tasker, Y (2015) “Pledge Allegiance”: Gendered Surveillance, Crime Television, and Homeland. Cinema Journal, 54 (4). pp. 132-138. ISSN 0009-7101 https://doi.org/10.1353/cj.2015.0042 This article is protected by copyright. Reproduced in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Cinema Journal 54 i No. 4 I Summer 2015 "Pledge Allegiance": Gendered Surveillance, Crime Television, and H o m e la n d by Lindsay Steenber g and Yvonne Tasker lthough there are numerous intertexts for the series, here we situate Homeland (Showtime, 2011—) in the generic context of American crime television. Homeland draws on and develops two of this genre’s most highly visible tropes: constant vigilance regardingA national borders (for which the phrase “homeland security” comes to serve as cultural shorthand) and the vital yet precariously placed female investigator. -
Phd Manuscript 190429 Plain Text
The Presence of Performance and the Stakes of Serial Drama: Accrual, Transience, Companionship Elliott Logan MPhil (University of Queensland, 2013) BA, Hons (University of Queensland, 2009) BA (University of Queensland, 2007) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2018 School of Communication and Arts Abstract This thesis shows how performance is a critically neglected but crucial aspect of serial television drama as an art form. One of serial drama’s obvious storytelling attractions is its ability to involve viewers in relationships between characters over long periods of time. Such involvement takes place through a recurring structure of episodes and seasons, whose unfolding reflects the extensive, ongoing history through which interpersonal bonds form and develop, deepen and decay. The characters we watch onscreen are embodied and performed by actors. Television studies, however, has persistently overlooked screen performance, hampering appreciation of serial drama’s affinity with long-term relationships as a resource for aesthetic significance. Redressing such neglect, this thesis directs new critical attention to expressive stylistic relationships between serial form, screen performance, and the subject of companionship in some recent US serial dramas. The focus of that attention is a particular aesthetic quality: the provisional, which emerges through serial drama’s distinctive tension between permanence and transience. In the first chapter, I argue that the provisional is central to an affinity between screen performance, seriality in television drama, and companionship as an aspect of human life. Chapters Two and Three then show how the art of the provisional in particular series has been underappreciated due to television studies’ neglect of performance and expressiveness as dimensions of serial form in television fiction. -
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Avenue, Minneapolis, MN 55407
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Avenue, Minneapolis, MN 55407 Newsletter #99 September-November 2012 Hours: M-F 10 am to 8 pm Sat. 10 am to 6 pm Sun. Noon to 5 pm Uncle Hugo's 612-824-6347 Uncle Edgar's 612-824-9984 Fax 612-827-6394 E-mail: [email protected] Website: www.UncleHugo.com Used Book Sale Every year our supply (oversupply) of used books gets larger. We're having a used book sale to try to reduce our supply. All used books will be 20% off, whether you have a discount card or not. The sale includes used paperbacks, used hardcovers, used magazines, used gaming books, and bagged books. Because we have so many used audiobooks, we will be selling all used audiobooks at $5.00 each, whether cassette or CD. The sale runs from Friday, September 7, through Sunday, September 16. That gives you two weekends to take advantage of the sale. This sale will be for customers shopping in the store–it does not apply to mail orders. If you're thinking about bringing in lots of used books to sell to us during the sale, expect a longer than normal wait. Author Events (at Uncle Edgar's) Monday, August 27, 5-6pm: William Kent Krueger - Trickster's Point Author Events (at Uncle Hugo's) Tuesday, September 18, 5-6pm: Larry Correia - Monster Hunter Legion Saturday, November 3, 1-2pm: Lois McMaster Bujold - Captain Vorpatril's Alliance Holiday Schedule Monday, September 3: Closed Thursday, November 22: Closed How's Business? By Don Blyly Around August 1 a customer on the way out of the store thanked me for managing to keep the store open in spite of all the problems.