DOCSLIB.ORG

Rudolf Martin

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rudolf Martin RUDOLF MARTIN www.rudolfmartin.com CRUSH AGENCY Kathrin Kruschke Phone: +49 30 275 81073 Email: [email protected] Website: www.crush.de © Matthias Komm Information Acting age 42 - 52 years Nationality German, American Height (cm) 187 Languages German: native-language Weight (in kg) 75 English: native-language Eye color brown Russian: basic Hair color Brown French: fluent Hair length Short Italian: basic Stature slim Dialects Standard German: always Place of residence Berlin Berlin German: only when Cities I could work in L.a., Berlin, New York, required London American: only when required Accents English: only when required French: only when required Profession Actor Other Education & Training 1994 –… Michael Howard Studio New York 1991 –… Lee Strasberg Institute New York 1990 Theaterkunst, Paris Awards London International Festival of Science, Fiction and Fantasy: Auszeichnung für "Pig" als bester Langfilm Film 2018 –… Ford vs Ferrari Role: Dieter Voss (SR) Director: James Mangold Producer: Peter Chernin Distribution: 20th Century Fox USA Christian Bale, Matt Damon 2017 –… Crossing Role: Andrej (LR) Director: Arthur Ian Producer: Offshore Productions, USA USA/Russia/Armenia , Post Production, 2018 Near Myth: The Oskar Knight Story Role: himself Director: Scott Fivelson Distribution: Sunscope Entertainment 3 Award Wins, USA 2017 Tiny House Role: Mr. Jet Director: Owen Williams Producer: Nowadays Pictures TV Pilot Film, Comedy, USA Vita RUDOLF MARTIN by www.castupload.com — As of: 2021-04- 27 Page 1 of 5 2016 F**king Berlin Role: Dr. Carl Brenner Director: Florian Gottschick Distribution: AT Entertainment [DE] DE 2015 Paradise Pictures Role: Freddie Ziegler (SR) Director: John Dahl Producer: Rick Muirragui Distribution: Warner Bros / USA Pilot / TV Movie 2014 3 Holes and a Smoking Gun Role: Junkie Director: Hilarion Banks Producer: Scott Fivelson USA Indie Feature Film 2011 The Stand-In Role: Jan De Groot (LR) Director: Ricky Lloyd George Producer: Iceberg Films USA Distribution: Independent USA, short, Comedy 2011 Pig Role: Lukas (LR) Director: Henry Barrials Producer: Antic Pictures - Mark Stolaroff Distribution: Kino Lorber 4 Award Wins & 2 Nominations, shot in English and German, German Title: "Identity Report - Der Feind in meinem Kopf" 2010 Bela Kiss: Prologue Role: Bela Kiss Director: Lucien Förster Distribution: Continental Media (US) / Drei Freunde Filmverleih (DE) AKA "The Kiss of a Killer" in Germany 2008 Last Exit Role: The Man (LR) Director: Dara Oum Distribution: Wild Animal Productions, Independent USA 2005 Hoboken Hollow Role: Howie Beale Director: Glen Stephens Distribution: Pumpjack Entertainment USA 2004 Lautlos Role: Strassmann (SR) Director: Mennan Yapo Producer: Stefan Arndt / Tom Tykwer Distribution: x-Filme Verleih 2 Award Wins, DE 2004 Molding Clay Role: Alejandro (SR) Director: William Katt Distribution: American World Pictures AKA "River's End", USA 2004 Bloodlines Role: Martin (LR) Director: Oleg Harencar Producer: ALEF Film & Media Group Slovakia Distribution: US/ Slovakia Fortune Features 2003 The Scoundrels Wife Role: Neg Picou (The Scoundrel) Director: Glen Pitre Producer: Independent Distribution: First Look Int Louisiana, USA 2003 White Oleander Director: Peter Kosminsky Producer: Warner Bros Distribution: Warner Bros 3 Awards, 7 Nominations, USA 2002 Swordfish Role: Axl Torvalds (SR) Director: Dominic Senna Producer: Joel Silver Distribution: Warner Brothers AKA "Password Swordfish" 2002 Dark Prince-Fürst der Finsternis Role: Vlad (LR) Director: Joe Chappelle Producer: Kushner / Locke Distribution: USA Films TV Movie USA, AKA "The True Story of Dracula", "Fürst der Finsternis" deutsche Synchronstimme selbst gemacht 2000 Bedazzled-Teuflisch Role: Raoul (in spanish) (SR) Director: Harold Ramis Producer: 20th Century Fox, Trevor Albert, Harold Ramis Distribution: 20th Century Fox, Twentieth Century Fox Comedy USA 2000 Watershed Role: Richard Petrovic Director: Ricardo Scipio indie USA 2000 Punks Role: Gilbert Director: Patrik-Ian Polk Producer: Tall Skinny Black Boy Productions Distribution: Urbanworld Films USA 1997 –… Fall Role: Philippe Director: Eric Shaeffer Distribution: MGM NYC, Paris 1998 Vita RUDOLF MARTIN by www.castupload.com — As of: 2021-04- 27 Page 2 of 5 High Art Role: Dieter Director: Lisa Cholodenko Producer: October Films, 391 Productions Distribution: October Films US, PRO-FUN media Filmverleih [DE] 7 Awards, 18 Nominations Television 2018 S.W.A.T. Role: Jurgen Richter (LR) Director: Eagle Egilsson Producer: Shawn Ryan TV Channel: CBS Television US Serie, auch deutsche Synchronstimme selbst gemacht 2017 Lethal Weapon Role: Levon Tibibian (LR) Director: McG Producer: Matthew Miller TV Channel: 20th Century Fox, CBS 2016 The Undead Series Role: Himself Director: Juliet Landau Producer: Miss Juliet Productions USA 2014 NCIS Role: Ari Haswari TV Channel: CBS Television recurring Guest Lead since 2004 2014 Legends Role: Dimitri Groshkov Director: Brad Turner Producer: Fox 21, Howard Gordon TV Channel: TNT Network USA 2014 Mistresses Role: André Breitling Director: Ron Lagomarsino Producer: ABC Studios TV TV Channel: ABC USA Guest Star 2013 Saige Winters: My Psychic Life Role: Chandan Schtiff (SR) Director: Suzanne Smith 2012 NCIS Role: Ari Haswari Director: Tony Wharmby Producer: CBS Paramount USA TV Channel: CBS USA - SAT 1 DE Recurring Guest Lead 2012 The Mentalist Role: Brock Marx Director: John Showalter Producer: CBS TV, Warner Bros TV USA TV Channel: CBS USA - SAT 1 DE Guest Star 2011 Nikita Role: Gustav Director: Nick Copus Producer: Warner Bros TV TV Channel: CW Network USA Guest Star 2010 Borgia Role: Francheschetto Cibo Director: Oliver Hirschbiegel Producer: Studio Canal TV Channel: Canal Plus / ZDF / Netflix 2009 Heynas Director: Eric Weston TV Channel: Lionsgate 2009 Raven Director: Dimitri Matin TV Channel: Independent 2009 Die Jagd nach der heiligen Lanze Role: Johannes Erlanger Director: Florian Baxmeyer Producer: Dreamtool Ent. DE TV Channel: RTL Deutschland AKA "Spear of Destiny" 2008 Mad Men Role: Christian Director: Matthew Weiner Producer: Lionsgate Television TV Channel: AMC / Fox Guest Star 2008 Heiße Spur Role: True Gallagher Director: Markus O.Rosenmüller Producer: Ziegler Film, DE TV Channel: ZDF 2-Teiler 2007 Moonlight Role: Christian Ellis Director: Rod Holcomb Producer: Warner Brothers TV / Joel Silver TV Channel: CBS / Pro7 US Serie 2006 Vita RUDOLF MARTIN by www.castupload.com — As of: 2021-04- 27 Page 3 of 5 Dexter Role: Carlos Guerrero Director: Michael Cuesta, Robert Lieberman Producer: Showtime Networks TV Channel: CBS USA - Premiere DE recurring Series Guest Lead , 4 Episoden 2006 Stargate SG-1 Role: Anateo Director: William Waring TV Channel: Syfy / Tele5 / MGM Worldwide Episode Guest Lead, "Company of Thieves" USA/CAN 2005 NCIS Role: Ari Haswari Director: verschiedene Producer: CBS Paramount USA TV Channel: CBS / SAT 1 Recurring Guest Lead 2005 Crossing Jordan Role: Albie Samson Director: Stephen Williams Producer: NBC TV Channel: NBC, USA US Series 2004 CSI Miami Role: Rudy Director: Duane Clark Producer: CBS Jerry Bruckheimer TV Channel: CBS USA / VOX DE Episode Guest Lead 2004 Paparazzo Role: Raoul Director: Stephan Wagner Producer: WDR Deutschland, Müller & Seelig TV Channel: ARD 2-Part TV Film DE 2004 NCIS / NAVY CIS Role: Ari Haswari (LR) Director: verschiedene Producer: CBS Paramount, Don Bellissario TV Channel: CBS USA / SAT 1 DE recurring Guest Lead 2003 CSI-Crime Scene Investigations Role: Cameron Klinefeld Director: Richard J. Lewis Producer: CBS TV USA TV Channel: CBS USA - RTL DE Guest Star , 2 Episodes 2003 Judging Amy Director: Helen Shaver Producer: CBS TV USA TV Channel: CBS Guest Star 2001 –… 24 Role: Martin Belkin / Jonathan Matijevich Director: multiple Producer: Joel Surnow, Kiefer Sutherland TV Channel: Fox USA / RTL DE Double Role, 5 Episodes and Pilot, First Season 2002 Buffy The Vampire Slayer Role: Dracula (LR) Director: Joss Whedon Producer: WB Network, Joss Whedon TV Channel: Fox, Warner Bros TV Guest Star as "Dracula" 2002 Enterprise Role: Ravis Director: Michael Dorn Producer: Paramount Network Television TV Channel: Paramount Home Entertainment AKA "Star Trek Enterprise", Guest Lead 1999 –… Beggars and Choosers Role: Nikolai Krasnakov (LR) Producer: Peter Lefcourt, Brandon Tartikoff TV Channel: Showtime Networks recurring Guest Lead "Nicky Krasnakov", 22 Episodes 1994 –… All My Children Role: Anton Lang (LR) Producer: ABC TV Channel: ABC USA Serie , Series Regular 2 years Theatre 1997 –… The Food Chain Role: Ford Director: Robert Falls Theatre: Westside Theater, N.Y. Uraufführung, Original Production, Playwright: Nicky Silver 1996 The Front Page Role: Earl Director: George Loros Theatre: Strasberg Theater, N.Y. 12 weeks 1995 Murder in Disguise Director: John Glines Theatre: Grove Street Payhouse, N.Y. Internet Vita RUDOLF MARTIN by www.castupload.com — As of: 2021-04- 27 Page 4 of 5 2013 Saige Winters My Psychic Life comedy web series © Matthias Komm © Matthias Komm Vita RUDOLF MARTIN by www.castupload.com — As of: 2021-04- 27 Page 5 of 5.
Load more

Recommended publications
  • Sean Callery
    SEAN CALLERY AWARDS / NOMINATIONS EMMY AWARD NOMINATION 24: Live Another Day Outstanding Music Composition For A Limited Series, Movie or a Special (2015) ASCAP AWARD Composer’s Choice Award (2015) EMMY AWARD NOMINATION Elementary Outstanding Original Main Title Theme Music (2013) HOLLYWOOD MUSIC IN MEDIA Bones NOMINATION (2011) Best Original Score for Television EMMY AWARD NOMINATION (2011) The Kennedys Outstanding Original Main Title Theme Music GEMINI NOMINATION (2011) The Kennedys Best Original Music Score for a Dramatic Program, Mini-Series or TV Movie EMMY AWARD 24 Outstanding Music Composition for a Series (2010 & 2006) EMMY AWARD NOMINATION 24: Redemption Outstanding Music Composition for a Miniseries, Movie or Special (2009) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2009, 2007, 2005, 2004, 2003, 2002) INTERNATIONAL FILM MUSIC 24 CRITICS ASSOCIATION NOMINATION (2006) Best Original Score for Television The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 SEAN CALLERY TELEVISION SERIES JESSICA JONES (series) Melissa Rosenberg, Jeph Loeb, exec. prods. ABC / Marvel Entertainment / Tall Girls Melissa Rosenberg, showrunner BONES (series) Barry Josephson, Hart Hanson, Stephen Nathan, Fox / 20 th Century Fox Steve Bees, exec. prods. HOMELAND (pilot & series) Alex Gansa, Howard Gordon, Avi Nir, Gideon Showtime / Fox 21 Raff, Ran Telem, exec. prods. ELEMENTARY (pilot & series) Carl Beverly, Robert Doherty, Sarah Timberman, CBS / Timberman / Beverly Studios Craig Sweeny, exec. prods. MINORITY REPORT (pilot & series) Kevin Falls, Max Borenstein, Darryl Frank, 20 th Century Fox Television / Fox Justin Falvey, exec. prods. Kevin Falls, showrunner MEDIUM (series) Glenn Gordon Caron, Rene Echevarria, Kelsey Paramount TV /CBS Grammer, Ronald Schwary, exec. prods. 24: LIVE ANOTHER DAY (event-series) Kiefer Sutherland, Howard Gordon, Brian 20 TH Century Fox Grazer, Jon Cassar, Evan Katz, Robert Cochran, David Fury, exec.
    [Show full text]
  • Representations and Discourse of Torture in Post 9/11 Television: an Ideological Critique of 24 and Battlestar Galactica
    REPRESENTATIONS AND DISCOURSE OF TORTURE IN POST 9/11 TELEVISION: AN IDEOLOGICAL CRITIQUE OF 24 AND BATTLSTAR GALACTICA Michael J. Lewis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2008 Committee: Jeffrey Brown, Advisor Becca Cragin ii ABSTRACT Jeffrey Brown Advisor Through their representations of torture, 24 and Battlestar Galactica build on a wider political discourse. Although 24 began production on its first season several months before the terrorist attacks, the show has become a contested space where opinions about the war on terror and related political and military adventures are played out. The producers of Battlestar Galactica similarly use the space of television to raise questions and problematize issues of war. Together, these two television shows reference a long history of discussion of what role torture should play not just in times of war but also in a liberal democracy. This project seeks to understand the multiple ways that ideological discourses have played themselves out through representations of torture in these television programs. This project begins with a critique of the popular discourse of torture as it portrayed in the popular news media. Using an ideological critique and theories of televisual realism, I argue that complex representations of torture work to both challenge and reify dominant and hegemonic ideas about what torture is and what it does. This project also leverages post-structural analysis and critical gender theory as a way of understanding exactly what ideological messages the programs’ producers are trying to articulate.
    [Show full text]
  • Lehigh Preserve Institutional Repository
    Lehigh Preserve Institutional Repository Embracing Islam in the Age of Terror: Post 9/11 Representations of Islam and Muslims in the United States and Personal Stories of American Converts Brunet, Clemence 2013 Find more at https://preserve.lib.lehigh.edu/ This document is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. Embracing Islam in the Age of Terror: Post 9/11 Representations of Islam and Muslims in the United States and Personal Stories of American Converts by Clemence Brunet A Thesis Presented to the Graduate and Research Committee of Lehigh University in Candidacy for the Degree of Master of Arts in American Studies Lehigh University May 2013 i © 2013 Copyright Clemence Brunet ii Thesis is accepted and approved in partial fulfillment of the requirements for the Master of Arts in American Studies. Embracing Islam in the Age of Terror: Post 9/11 Representations of Islam and Muslims in the United States and Personal Stories of American Converts Clemence Brunet Date Approved Thesis Director Dr. Saladin Ambar Co-Director Dr. Bruce Whitehouse Department Chair Dr. Edward Whitley iii TABLE OF CONTENTS Abstract 1 Introduction 2 Chapter One: Perceptions and Representations of Islam and Muslims after 9/11: language, media, hate groups and public opinion 8 Chapter Two: Muslim terrorists in the Entertainment Media and American Jihadists in the Media 49 Chapter Three: Personal Stories and Experiences of White American converts to Islam 85 Conclusion 133 Works Cited 138 Vita 155 iv ABSTRACT The terrorist attacks of September 11, 2001 were one of the most traumatic events experienced by the American people on their soil.
    [Show full text]
  • Television Drama Series' Incorporation of Film
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Universidade do Minho: RepositoriUM Zagalo, N., Barker, A., (2006), Television Drama Series’ Incorporation of Film Narrative Innovation: 24, In Anthony Barker (ed.), Television, Aesthetics and Reality, Cambridge Scholars Press, ISBN 1-84718-008-6 TELEVISION DRAMA SERIES ’ INCORPORATION OF FILM NARRATIVE INNOVATION : THE CASE OF 24 Nelson Zagalo and Anthony Barker 1. The Golden Age Joyard (2003) refers to the past decade as the Golden Age of the American series, mostly in connection with their narrative features and their capacity to arouse emotions. 24 (2001) by Joel Surnow and Robert Cochran illustrates perfectly these innovative capacities in dramatic series. The series concept is everything, making 24 an instant cult object. It is presented as the nearest to real time that any artistic work can achieve. The continuous flow of events from 24 enters our homes through our TV sets permitting us to follow an apparent reality, projected week by week at the same hour, but making us feel a contemporaneous experience from a use of a space/time that struggles against illusion. Creative liberty has permitted the development of new narrative trends (Thompson, 2003), just as unusual aesthetic forms new to television (Nelson, 2001) have striven to deliver greater degrees of realism. Narrative complexity is increasing, becoming more intricate not only at the plot level but also at the level of character development, which might lead us to believe that television series are positioning themselves in the vanguard of visual media narrative. Surnow in interview (Cohen and Joyard, 2003) refers to this television as a new land of opportunity for creative and original artworks, based upon a freedom promoted by cable television (and here we should mention the impressive achievement of the pay cable channel Home Box Office in backing ground-breaking new TV series) which allows artists to transcend the constraints of Hollywood dictated by economic globalization.
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]
  • WRITING for EPISODIC TV from Freelance to Showrunner
    WRITING FOR EPISODIC TV From Freelance to Showrunner Written by: Al Jean Brad Kern Jeff Melvoin Pamela Pettler Dawn Prestwich Pam Veasey John Wirth Nicole Yorkin Additional Contributions by: Henry Bromell, Mitch Burgess, Carlton Cuse, Robin Green, Barbara Hall, Al Jean, Amy Lippman, Dan O’Shannon, Phil Rosenthal, Joel Surnow, John Wells, Lydia Woodward Edited by: John Wirth Jeff Melvoin i Introduction: Writing for Episodic Television – A User’s Guide In the not so distant past, episodic television writers worked their way up through the ranks, slowly in most cases, learning the ropes from their more-experienced colleagues. Those days are gone, and while their passing has ushered in a new age of unprecedented mobility and power for television writers, the transition has also spelled the end of both a traditional means of education and a certain culture in which that education was transmitted. The purpose of this booklet is twofold: first, to convey some of the culture of working on staff by providing informal job descrip- tions, a sense of general expectations, and practical working tips; second, to render relevant WGA rules into reader-friendly lan- guage for staff writers and executive producers. The material is organized into four chapters by job level: FREE- LANCER, STAFF WRITER/STORY EDITOR, WRITER-PRODUCER, EXECUTIVE PRODUCER. For our purposes, executive producer and showrunner are used interchangeably, although this is not always the case. Various appendices follow, including pertinent sections of the WGA Minimum Basic Agreement (MBA). As this is a booklet, not a book, it does not make many distinc- tions among the different genres found in episodic television (half- hour, animation, primetime, cable, first-run syndication, and so forth).
    [Show full text]
  • “I'm Looking for Jack Bauer at That Time”: 24, Torture
    “I’M LOOKING FOR JACK BAUER AT THAT TIME”: 24, TORTURE, & GETTING YOUR HANDS DIRTY IN THE NAME OF IDEOLOGY By RYAN JAMES THOMAS A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS IN COMMUNICATION WASHINGTON STATE UNIVERSITY The Edward R. Murrow School of Communication MAY 2008 To the Faculty of Washington State University: The members of the Committee appointed to examine the thesis of RYAN JAMES THOMAS find it satisfactory and recommend that it be accepted. ____________________________________ Chair ____________________________________ ____________________________________ ____________________________________ ii ACKNOWLEDGEMENTS I would like to take this opportunity to thank my committee chair, Dr. Elizabeth Blanks Hindman, for her advice, insight, dedication, and suggestions, all of which have helped shape this project into what it is today, not to mention keeping me on track with timely yet thorough feedback. I would also like to extend my sincere thanks to the rest of my committee, Dr. Susan Dente Ross, Dr. Michael Salvador, and Dr. Richard Taflinger. Each of them has offered interesting, considerate, and challenging feedback, and both this project and I are considerably richer as a result of their input. To my girlfriend, Alexandra Ford: thank you for your constant encouragement, support, and love. You have helped me meet deadlines, keep on track, stay focused, and remain positive. Perhaps most importantly, you make me smile. A lot. So thanks for that. You are an unending source of joy in my life. Finally, I wish also to thank my parents for all the encouragement they have given me from an early age to aspire to be all that I can be, instilling in me a love for books, education, and self-improvement that I have to this day.
    [Show full text]
  • Sean Callery
    SEAN CALLERY AWARDS / NOMINATIONS EMMY AWARD NOMINATION Elementary Outstanding Original Main Title Theme Music (2013) HOLLYWOOD MUSIC IN MEDIA Bones NOMINATION (2011) Best Original Score for Television EMMY AWARD NOMINATION (2011) The Kennedys Outstanding Original Main Title Theme Music GEMINI NOMINATION (2011) The Kennedys Best Original Music Score for a Dramatic Program, Mini-Series or TV Movie EMMY AWARD 24 Outstanding Music Composition for a Series (2010) EMMY AWARD NOMINATION 24: Redemption Outstanding Music Composition for a Miniseries, Movie or Special (2009) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2009) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2007) INTERNATIONAL FILM MUSIC 24 CRITICS ASSOCIATION NOMINATION (2006) Best Original Score for Television EMMY AWARD 24 Outstanding Music Composition for a Series (2006) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2005) The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 SEAN CALLERY EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2004) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2003) EMMY AWARD NOMINATION 24 Outstanding Music Composition for a Series (2002) FEATURE FILM SMALL TIME Joel Surnow, prod/ dir Asylum Entertainment BLOW BACK Brian Etting, producer Blow Back Prods. Inc. Mark Lester, dir. TELEVISION MOVIES & SERIES 24: LIVE ANOTHER DAY Kiefer Sutherland, Howard Gordon, Brian 20 TH Century Fox Grazer, Jon Cassar, Evan Katz, Robert Cochran, David Fury, exec. prods. Manny Coto, showrunner SECOND SIGHT (pilot) Michael Cuesta, Carol Mendelsohn, Julie Weitz, CBS / CBS Television Paula Milne, Nick Reed, Gerald Cuesta, exec. prods. *co-composed with Louis Febre Michael Cuesta, dir.
    [Show full text]
  • Applying a Rhizomatic Lens to Television Genres
    A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here.
    [Show full text]
  • Rank Series T Title N Network Wr Riter(S)*
    Rank Series Title Network Writer(s)* 1 The Sopranos HBO Created by David Chase 2 Seinfeld NBC Created by Larry David & Jerry Seinfeld The Twilighht Zone Season One writers: Charles Beaumont, Richard 3 CBS (1959)9 Matheson, Robert Presnell, Jr., Rod Serling Developed for Television by Norman Lear, Based on Till 4 All in the Family CBS Death Do Us Part, Created by Johnny Speight 5 M*A*S*H CBS Developed for Television by Larry Gelbart The Mary Tyler 6 CBS Created by James L. Brooks and Allan Burns Moore Show 7 Mad Men AMC Created by Matthew Weiner Created by Glen Charles & Les Charles and James 8 Cheers NBC Burrows 9 The Wire HBO Created by David Simon 10 The West Wing NBC Created by Aaron Sorkin Created by Matt Groening, Developed by James L. 11 The Simpsons FOX Brooks and Matt Groening and Sam Simon “Pilot,” Written by Jess Oppenheimer & Madelyn Pugh & 12 I Love Lucy CBS Bob Carroll, Jrr. 13 Breaking Bad AMC Created by Vinnce Gilligan The Dick Van Dyke 14 CBS Created by Carl Reiner Show 15 Hill Street Blues NBC Created by Miichael Kozoll and Steven Bochco Arrested 16 FOX Created by Miitchell Hurwitz Development Created by Madeleine Smithberg, Lizz Winstead; Season One – Head Writer: Chris Kreski; Writers: Jim Earl, Daniel The Daily Show with COMEDY 17 J. Goor, Charlles Grandy, J.R. Havlan, Tom Johnson, Jon Stewart CENTRAL Kent Jones, Paul Mercurio, Guy Nicolucci, Steve Rosenfield, Jon Stewart 18 Six Feet Under HBO Created by Alan Ball Created by James L. Brooks and Stan Daniels and David 19 Taxi ABC Davis and Ed Weinberger The Larry Sanders 20 HBO Created by Garry Shandling & Dennis Klein Show 21 30 Rock NBC Created by Tina Fey Developed for Television by Peter Berg, Inspired by the 22 Friday Night Lights NBC Book by H.G.
    [Show full text]
  • Production Data
    An AMANDA & MF PRODUCTION in Association with PRODUCTION DATA Overview Compiled by SASCHA KURZ & THOMAS J. PUCHER (German FALCON CREST Fan Club) FALCON CREST is a registered trademark of LORIMAR PRODUCTIONS, Inc. / WARNER BROS. Entertainment Inc. © 1981 – 1990 LORIMAR PRODUCTIONS, Inc. Produced by Malcolm R. Harding Executive Producers Earl Hamner & The Vintage Years (1981) Michael Filerman Production Supervisor Mitch Ackerman Executive Production Supervisor Edward O. Denault Episode # Title LORIMAR # Original CBS Airdate Writers Director 0. <0.00> The Vintage Years 198299 unaired Earl Hamner Alexander Singer Produced by Malcolm R. Harding (1 – 11) Barry Steinberg (12 – 18) Created by Earl Hamner Executive Producers Earl Hamner & Michael Filerman Season 1 (1981-82) Executive Story Consultant Robert L. McCullough Story Editors Katharyn Powers & E.F. Wallengren Associate Producer Victoria LaFortune Production Supervisor Mitch Ackerman Executive Production Supervisor Edward O. Denault Episode # Title LORIMAR # Original CBS Airdate Writers Director 1. <1.01> In His Father’s House 189701 Fri, 12/04/1081 Robert L. McCullough Michael Preece 2. <1.02> A Time for Saboteurs 189704 Fri, 12/11/1981 Sandra Kay Siegel Michael Preece (a.k.a. The Grapes of Wrath) 3. <1.03> The Tangled Vines 189702 Fri, 12/18/1981 E. F. Wallengren Jack Bender (a.k.a. Tangled Vines) 4. <1.04> The Harvest 189703 Fri, 12/25/1981 Earl Hamner Michael Preece 5. <1.05> Tony Comes Home 189705 Fri, 01/01/1982 Katharyn Powers Jack Bender (a.k.a. Tony Comes back) 6. <1.06> Kindred Spirits 189707 Fri, 01/08/1982 Judy Merl & Jack Bender (a.k.a.
    [Show full text]
  • From Pitch to Production in Hollywood
    Dying of Encouragement: From Pitch to Production in Hollywood The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Russell, Rupert Henry. 2013. Dying of Encouragement: From Pitch to Production in Hollywood. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11158240 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © - Rupert Russell All rights reserved. Dissertation Advisor: Professor Orlando Patterson Author: Rupert Russell Dying of Encouragement: From Pitch to Production in Hollywood Abstract Social scientists have long held that the media has a profound effect on modern societies. However, the cultural production of motion pictures and television shows has largely been neglected as a topic of inquiry. The following dissertation seeks to fill this lacuna in the current research by offering a systematic, comprehensive, and comparative analysis of the industry known colloquially as “Hollywood.” Specifically, this dissertation seeks to uncover the matrix of causal processes that filter the infinite array of potential television shows and motion pictures to the chosen few that are selected for production. This process is known as “development and green lighting.” Drawing from 110 interviews with writers, directors, producers, agents, managers, studio executives, network executives, financiers, and assistants who had been involved in the development and green lighting process, I explore not just decision making but the social milieu within which those decisions were made.
    [Show full text]