DOCSLIB.ORG

Caring for Children the Brazelton Touchpoints Center 120116 HUECU.Indd 1 11/23/11 12:10 PM January-February 2012 Volume 114, Number 3 Knell C

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Caring for Children the Brazelton Touchpoints Center 120116 HUECU.Indd 1 11/23/11 12:10 PM January-February 2012 Volume 114, Number 3 Knell C Theater’s Future • Water Insecurity • Medieval Texts january-february 2012 • $4.95 Caring for Children The Brazelton Touchpoints Center 120116_HUECU.indd 1 11/23/11 12:10 PM JANUARY-FEBRUARY 2012 VOLUME 114, NUMBER 3 KNELL C page 40 NOW BI FEATURES S 27 Early Learning The Brazelton Touchpoints Center trains adults who shape the lives COURTESY OF DOLLY JIM HARRISON JIM of the youngest children page 52 by Elizabeth Gudrais DEPARTMENTS 2 Cambridge 02138 34 The Future of Theater Communications from our readers Keeping the liveliest art alive in a digital, distraction-prone era 9 Right Now by Craig Lambert Talking with the Tea Party, the diabetes link to dining on red meat, biological basis for moral reasoning Vita: Edward Rowe Snow 40 Brief life of a maritime original: 1902-1982 12A New England Regional Section A calendar of seasonal events, soothing by Sara Hoagland Hunter retreats, and sensual Italian fare 13 Montage 42 The Water Tamer Something new in magic (and crosswords), John Briscoe teaches the next generation of experts a poet probes cultures and myths, Stephen Jay Gould reissued, the Chinese “good life,” to tackle pressing water woes around the world staging Shakespeare’s sonnets, power of by Jonathan Shaw place in Chicago, Pieter Bruegel cataloged, and more Mysteries and Masterpieces 69 The Alumni 48 Father Paul O’Brien’s urban ministry in Rediscovering literary treasures of the Middle Ages Lawrence, Massachusetts in the new Dumbarton Oaks Medieval Library STU ROSNER 72 The College Pump by Adam Kirsch page 34 Upstairs under the bar, and a magical 35-minute Macbeth IBRARY L John Harvard’s Journal RT 52 A 80 Treasure A spirited (and soaking) 375th anniversary celebration, EMAN The Brontës’ miniature dg RI manuscripts the i-Lab as an innovation “farmers’ market,” multilin- B /THE C gual political theorist—and bibliophile, the University’s 73 Crimson Classifieds On the cover: Sarah McLanahan, $130-million deficit, Faculty of Arts and Sciences’ revenue H REPUBLI C ZE a social worker for Little squeeze, WHRB’s melancholy musical “orgies,” invest- C UE, Sisters of the Assumption G ing to enhance learning and teaching, foreign-policy Family Health Service in East Harlem, plays with Edison pundit for Commencement, Undergraduate discoveries and Julie Librado-Vega during NI GALERIE, PRA off the beaten track in Boston, a record-breaking football D a home visit. Photograph by ARO N Stu Rosner season, and a wrap-up of autumn sports page 48 page 36 www.harvardmagazine.com LETTERS Editor: John S. Rosenberg Senior Editor: Jean Martin Managing Editor: Jonathan S. Shaw Cambridge Deputy Editor: Craig Lambert Associate Editor: Elizabeth Gudrais Keynesian economics, solar costs, education excesses Assistant Editor-Online: Laura Levis Assistant Editor: Nell Porter Brown Art Director: Jennifer Carling Production and New Media Manager: Mark Felton BRANDING HIGHER ED tual life, personified by career scholars, is a WeB Assistant: Stephen Geinosky “Bullish on Private Colleges” (by Rich- cumbersome item to “brand.” Contrary to ard P. Chait and Zachary First, November- what Chait and First conclude, universities Berta Greenwald Ledecky December 2011, page 36) lived up to its title are trying too hard to become businesses, Undergraduate Fellows until the peroration, when the authors rather than simply becoming. Isabel W. Ruane, Katherine Xue Editorial intern: Sasanka Jinadasa bizarrely observed, “Yet more often than Ira Braus, Ph.D. ’88 not, the bees actually build the hive: the West Hartford, Conn. ContriButing Editors percentage of tenured faculty ebbs; the John T. Bethell, John de Cuevas, Adam number of preprofessional programs ris- CREATING COMMUNITY Goodheart, Jim Harrison, Courtney es...schools burnish brands—all without I read with interest Isabel Ruane’s article Humphries, Christopher S. Johnson, presidential pronouncements.” about her experiences at Camp Onaway Adam Kirsch, Colleen Lannon, Huh? If top universities have so far avoid- (The Undergraduate, November-Decem- Christopher Reed, Stu Rosner, ed the fate of the Fortune 500, is it because ber 2011, page 63). Her moving account Deborah Smullyan, Mark Steele tenured faculty percentages have ebbed recalled my experience in the early 1970s Editorial and Business Office and “schools burnish brands”? I think not. of living for a week in the vicarage (no 7 Ware Street Harvard and its sister institutions needn’t refrigerator or central heating) of a work- Cambridge, Mass. 02138-4037 resort to “branding,” since the intellec- ing-class Anglican parish in Plymouth, Tel. 617-495-5746; fax: 617-495-0324 Website: www.harvardmagazine.com Reader services: Explore More 617-495-5746 or 800-648-4499 Harvard Magazine Inc. President: Henry Rosovsky, JF ’57, Visit harvardmagazine.com/extras to find these and other Web Extras from the Ph.D. ’59, LL.D. ’98. Directors: January-February 2012 issue. Suzanne Blier, Robert Giles, NF ’66, Leslie E. Greis ’80, Alex S. Jones, NF ’82, Poet Katrina Roberts ’87 (page } The Dumbarton Oaks Medieval Thomas F. Kelly, Ph.D. ’73, 15): Hear her read her work. Library (page 48): Listen to Randolph C. Lindel ’66, Tamara Elliott scholars read Medieval Latin Rogers ’74, A. Clayton Spencer, A.M. ’82 Red meat consumption and and Byzantine works aloud. Harvard Magazine (ISSN 0095-2427) is published bimonthly NELL; STU ROSNER diabetes risk (page 9): Review K by Harvard Magazine Inc., a nonprofit corporation, 7 Ware } Street, Cambridge, Mass. 02138-4037, phone 617-495-5746; fax the “Healthy Eating Plate” A “Flying Santa” (page 40): 617-495-0324. The magazine is supported by reader contribu- tions and subscriptions, advertising revenue, and a subven- nutritional guide created at Enjoy online-only videos, tion from Harvard University. Its editorial content is the re- sponsibility of the editors. Periodicals postage paid at Boston, the Harvard School of Public including the first helicopter Mass., and additional mailing offices. Postmaster: Send ad- Health. flight by Edward Rowe Snow dress changes to Circulation Department, Harvard Magazine, } IMAGES; SNOW DOLLY BIC K 7 Ware Street, Cambridge, Mass. 02138-4037. Subscription rate ’32 and a 1967 interview. $30 a year in U.S. and possessions, $55 Canada and Mexico, $75 other foreign. (Allow up to 10 weeks for first delivery.) SuB- Father Paul O’Brien ’86 (page scription orders and customer service inquiries should be 69): Learn in this video how he Brazelton Touchpoints Center sent to the Circulation Department, Harvard Magazine, 7 Ware Street, Cambridge, Mass. 02138-4037, or call 617-495-5746 or serves several ethnic groups, (page 27): Read a Q&A with } 800-648-4499, or e-mail [email protected]. Single reaches out to young men at Dr. Brazelton himself. Learn copies $4.95, plus $2.50 for postage and handling. Manuscript suBmissions are welcome, but we cannot assume responsibil- risk for criminal activity, and more about the center’s work ity for safekeeping. Include stamped, self-addressed envelope keeps his parish vibrant. in a narrated slideshow. for manuscript return. Persons wishing to reprint any por- FROM TOP: KIMBERLY MINER; ISTOC tion of Harvard Magazine’s contents are required to write in advance for permission. Address inquiries to Irina Kuksin, publisher, at the address given above. VISIT HARVARDMAGAZINE.COM/EXTRAS Copyright © 2012 Harvard Magazine Inc. 2 January - FeBruary 2012 Every 74 SECONDS a woman DIES of breast cancer. Susan G. Komen™ is working to change this. Last year alone we funded more than 700,000 breast screenings. We helped 100,000 people fi nancially through treatment. We educated millions about breast cancer. We invested $66 million in breast cancer research and related programs. And we did it in more than 50 countries around the world. Susan G. Komen is the only organization fi ghting breast cancer on every front: education, advocacy, research and community support. But we still have far to go to stop the ticking clock. Don’t wait another 74 seconds to save a life. We’re making progress, but there’s much more to do, and we need your help. Learn how to help today. Visit komen.org. ©2012 Susan G. Komen™ The Running Ribbon is a registered trademark of Susan G. Komen. Find us Komen-74SecAd-IvyLeague.indd120123_SusanGKomen_Harvard.indd 1 1 11/18/1111/28/11 4:193:20 PM LETTERS England, and sharing in the life of that thing more fundamental, and probably not community. When I returned home, the susceptible to improvement by education. awareness slowly percolated through me Bruce A. McAllister, LL.B. ’64 of how much more content, calm, and gen- Palm Beach, Fla. erous the people of that community were than the privileged, driven strivers among Jonathan gal’s diatribe against Keynes- PuBlisher: Irina Kuksin whom I’d spent my life at elite schools, ian economics seems misguided. For start- Director of Circulation and Fundraising camps, and places of employment. ers, he conflates Keynesian fiscal policy Felecia Carter The experience ultimately led to my with “central planning.” But the idea is not Director of Advertising own life-changing decision after I began that government will decide how money Robert D. Fitta attending an Episcopal church in New will be spent but that it will adjust its New England Advertising Manager York City and encountered regular reflec- taxing and spending to smooth out the Abigail Williamson tion on concerns I’d always had but never market’s excesses of alternating boom and Designer and Integrated Marketing Manager: Jennifer Beaumont really articulated for myself: how to live, bust. It says that the government should Classified Advertising Manager what to live for, and where to find the save while everyone else lives high, and Gretchen Bostr0m much-needed help to make the ongoing ef- when bad times lead everyone else to hun- Staff Assistant and Gift Manager fort to live a values-guided life.
Load more

Recommended publications
  • Checklist of Anniversary Acquisitions
    Checklist of Anniversary Acquisitions As of August 1, 2002 Note to the Reader The works of art illustrated in color in the preceding pages represent a selection of the objects in the exhibition Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art. The Checklist that follows includes all of the Museum’s anniversary acquisitions, not just those in the exhibition. The Checklist has been organized by geography (Africa, Asia, Europe, North America) and within each continent by broad category (Costume and Textiles; Decorative Arts; Paintings; Prints, Drawings, and Photographs; Sculpture). Within each category, works of art are listed chronologically. An asterisk indicates that an object is illustrated in black and white in the Checklist. Page references are to color plates. For gifts of a collection numbering more than forty objects, an overview of the contents of the collection is provided in lieu of information about each individual object. Certain gifts have been the subject of separate exhibitions with their own catalogues. In such instances, the reader is referred to the section For Further Reading. Africa | Sculpture AFRICA ASIA Floral, Leaf, Crane, and Turtle Roundels Vests (2) Colonel Stephen McCormick’s continued generosity to Plain-weave cotton with tsutsugaki (rice-paste Plain-weave cotton with cotton sashiko (darning the Museum in the form of the gift of an impressive 1 Sculpture Costume and Textiles resist), 57 x 54 inches (120.7 x 115.6 cm) stitches) (2000-113-17), 30 ⁄4 x 24 inches (77.5 x group of forty-one Korean and Chinese objects is espe- 2000-113-9 61 cm); plain-weave shifu (cotton warp and paper cially remarkable for the variety and depth it offers as a 1 1.
    [Show full text]
  • New Textiles Inspired by Ikat - by Christina Maschke Degree Project Master of Fine Arts in Fashion and Textile Design with Specialization in Textile Design
    THE PATTERNED THREAD - new textiles inspired by ikat - by Christina Maschke Degree Project Master of Fine Arts in Fashion and Textile Design with Specialization in Textile Design Title The patterned thread - new textiles inspired by ikat Author Christina Maschke Supervisor Margareta Zetterbloom Opponent Malene Kristiansen Examiner Hanna Landin Report No. 2016.6.05 The Swedish School of Textiles University of Borås Sweden Abstract The work of this MA thesis develops a new ap- proach to hand weaving in which the design pro- cess is led by the technique of resistant dyeing. The process is inspired by the visual properties of traditional ikats. It follows the technical ikat procedure of primary resistant dyeing and sub- sequently weaving. Whithin the research a new way of weaving is explored in which the dyed thread dictates the weaving process and therefore influences the weaving motif. In addition different design variables such as material, binding pattern and finishing are used to push forward the devel- oped concept. The aim of this work is to explore new aesthetic expressions between regular and irregular motifs through the application of design thinking. The result presents an innovative approach in the ikat technique in order to create random distrib- uted patterns and how they can be already influ- enced in the stage of yarn preparation. Keywords: ikat, indigo, resistant dyeing, craft, hand weaving 3 CONTENT 1 INTRODUCTION ....................................................................10 1.1 INTRODUCTION TO THE FIELD ......................................10
    [Show full text]
  • Old Ties and New Points
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2000 Old Ties and New Points Keiko Kobayashi Ueno Gakuen Women’s College, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Kobayashi, Keiko, "Old Ties and New Points" (2000). Textile Society of America Symposium Proceedings. 806. https://digitalcommons.unl.edu/tsaconf/806 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Old Ties and New Points Keiko Kobayashi This paper discusses the development and technical transfer of what is perhaps the world's tiniest double ikat, Kasuri, developed in Japan after the Meiji restoration of 1868. Around the early 20th century, Japanese Kasuri was at the zenith of its quality, in creating geometric as well as pictorial designs using a very advanced form of color and weave effect. There were three reasons for this development during this period. The first reason was in the improvement of the "Orijime" technique which is a uniquely Japanese method in making kasuri threads using the loom. The second reason was the importation of knowledge from Lyon, France, on how to use graph paper which greatly contributed to making the designs of the finished textile products more sophisticated and pictorial. The third reason was social in that during this period, there was a rise in the demand for clothing in Japan as the country was becoming modernized.
    [Show full text]
  • Depictions of Modernity on Japanese Kurume E-Gasuri Futon-Ji
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2010 Tradition Embraces “The New”: Depictions of Modernity on Japanese Kurume E-gasuri Futon-ji Ann Marie Moeller [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Moeller, Ann Marie, "Tradition Embraces “The New”: Depictions of Modernity on Japanese Kurume E- gasuri Futon-ji" (2010). Textile Society of America Symposium Proceedings. 40. https://digitalcommons.unl.edu/tsaconf/40 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. TRADITION EMBRACES “THE NEW”: DEPICTIONS OF MODERNITY ON JAPANESE KURUME E-GASURI (PICTURE IKAT) FUTON-JI (BEDDING COVERS) ANN MARIE MOELLER [email protected] Figure 1. Five panel Kurume tate-yoko-gasuri (warp and weft ikat) futon-ji (bedding cover). Early 20th c. Cotton. Formerly in the Horiuchi Izuho collection. Currently in the Krauss Collection at The Fowler Museum, UCLA. 59 ¾ x 46 in. (152 x 117 cm.). (Photo: Bill Landesz.) It is a rare twenty first century bride who begins her life of marital bliss with an image of the industrial age like a battleship on her nuptial bed. Figure 1 is a Japanese hand woven cotton futon-ji (bedding cover) from the early twentieth century. The warship was created by Kurume tate-yoko-gasuri (warp and weft ikat).
    [Show full text]
  • Guild Newsletter June 2015
    www.somersetguildwsd.org.uk June 2015 Page Contents 3 Message from the Chair 4 Tea Rota 2105 4 Guidance for Guild Competitions 5 Bristol Cloth Competition 5 Chairperson Challenge: Beanie Competition Winner 6 Ikat Weaving: Helen Price 8 Afghan Adventure: Amanda Hannaford 11 Finishing Techniques for Knitted Garments: Edna Gibson 12 Courses and Workshops 13 For Sale and Promises Auction 14 Programme for 2015 Chair Treasurer Secretary Janet Maher Caroline Murray-Gourlay Willow Iredale 07703 829068 01935 862629 07811 864529 Librarian Notice Board Miranda Hewitt Jan Arthur Newsletter Janet Maher 07703 829068 All email to: [email protected] Copy deadline for June issue is Friday 4th September 2015. Please email Janet Maher at [email protected] Front cover: Example of double ikat weaving – both warp and weft 2 Message from the Chair Hello Members, At last the better weather is with us. At the moment my crafty pursuits are squeezed as I battle to bring my garden to some sense of order - not too tidy, but equally not too many weeds. There is nothing nicer than picking your own salad and spinach and then eating it fresh! I hope the rest of my vegetable efforts bring the same rewards. One of the key aims I set out in the last Newsletter was to increase the number of entries to our Guild competitions. The Chairperson Challenge for the April meeting was a beanie created by members. Well, you all did the Guild proud with 27 entries. John Arbon was suitable impressed and tried on a few. There is more about the competition later in the Newsletter.
    [Show full text]
  • Hogushi and Heiyo: Methods of Creating Painterly Images in Woven Textiles
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1998 Hogushi and Heiyo: Methods of Creating Painterly Images in Woven Textiles Kazuo Mutoh Kiryu Orijuku Textile Archive and Study Center Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Mutoh, Kazuo, "Hogushi and Heiyo: Methods of Creating Painterly Images in Woven Textiles" (1998). Textile Society of America Symposium Proceedings. 196. https://digitalcommons.unl.edu/tsaconf/196 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Panel Title: From Kitsch to Art Moderne: Popular Textiles for Women in the First Half of Twentieth-Century Japan by Arai, Mutoh, and Wada (for introduction to panel, see paper by Wada) Hogushi and Heiyo: Methods of Creating Painterly Images in Woven Textiles by Kazuo Mutoh Kiryu Orijuku Textile Archive and Study Center Proto-Meisen The term meisen generally refers to plain-weave silk cloth patterned with woven (not printed) stripes or kasuri and made into kimono, haori, and nen 'neko (literally 'jacket sleeper, " a padded coat worn during the autumn and winter months for carrying babies on the back). In the first halfofthe twentieth century, almost all Japanese women were familiar with meisen­ as ordinary, everyday wear for the upper and middle classes and as dress-up kimono for work­ ing-class and country women.
    [Show full text]
  • Smithsonian Collections from Commodore Matthew Perry's Japan Expedition (1853-1854)
    Artifacts of Diplomacy: Smithsonian Collections from Commodore Matthew Perry's Japan Expedition (1853-1854) CHANG-SU HOUCHINS SMITHSONIAN CONTRIBUTIONS TO ANTHROPOLOGY • NUMBER 37 SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through trie years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Smithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsonian Contributions to Anthropology Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the world of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the world. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where the manuscripts are given substantive review.
    [Show full text]
  • 5.3-Gupta,M 2:Layout 1 4/9/07 10:58 Page 314
    5.3-Gupta,M 2:Layout 1 4/9/07 10:58 Page 314 Extreme fashion: Pushing the boundaries of design, technology and business 314 Fashion education – fast forward Mona Gupta Abstract The audience views some exquisitely created textiles from India and some basic questions are placed before them, followed by a case study of the Indian Kota Doria fabric. This prelude brings forth the grim reality of the textile and clothing industry today, in India and many other nations. The multiplicity of markets and insatiable consumer wants has already necessitated a faster pace and with the advent of machines, many of the hand skills have already subsided, thus severing these very basic links in this evolutionary supply chain of fashion. Where does this lead us? 1. The inevitable need for speed. 2. Spiralling prices and profits beyond an extreme, and yet the weaver perishes. 3. While the industry incomes are increasing the weaver and the workers survive in near, and even extreme, sweat shop conditions. 4. Classroom-educated fashionists still cannot replace the real creator, for even the most basic skills are often waived and paid as low sklled tasks. Hence, the apprehension that the extreme nature of the runaway fashion industry is leading to an ‘appar’theid’ of an extreme kind – in terms of income, education and social implications. So is it a case of human sensitivities, or there is a hardcore practical business strategy underlying this whole exercise for the fashion industry? We thus conducted a survey, which proves the latter. And with this backdrop, the paper moves on to elucidate our strategy for the future.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • Weaving Books and Monographs
    Tuesday, September 10, 2002 Page: 1 ---. 10 Mujeres y Textil en 3d/10 Women and Textile Into 3. [Mexico City, Mexico: Universidad Nacional Autonoma de Mexico. Galeria Aristos, 1975], 1975. ---. 10 Mujeres y Textil en 3d/10 Women and Textile Into 3. [Mexico City, Mexico: Universidad Nacional Autonoma de Mexico. Galeria Aristos, 1975], 1975. ---. 100 Jahre J. Hecking; Buntspinnerei und Weberei. Wiesbaden, Verlag f?r Wirtschaftspublizistik Bartels, 1958. ---. 100 Years of Native American Arts: Six Washington Cultures. [Tacoma, Washington: Tacoma Art Museum, 1988], 1988. ---. 1000 [i.e. Mil] Años de Tejido en la Argentina: [Exposici?n] 24 de Mayo Al 18 Junio de 1978. Buenos Aires: Ministerio de Cultura y Educaci?n, Secretaría de Cultura, Instituto Nacional de Antropología, 1978. ---. 1000 Years of Art in Poland. [London, Great Britain: Royal Academy of Arts, 1970], 1970. ---. 101 Ways to Weave Better Cloth: Selected Articles of Proven Interest to Weavers Chosen from the Pages of Textile Industries. Atlanta, GA.: Textile Indistries, 1960. ---. 125 Jahre Mech. Baumwoll-Spinnerei und Weberei, Augsburg. [Augsburg, 1962. ---. 1977 HGA Education Directory. West Hartford, CT: Handweavers Guild of America, 1978. ---. 1982 Census of Manufactures. Preliminary Report Industry Series. Weaving Mills. [Washington, DC: U.S. Dept. of Commerce, Bureau of, 1984. ---. 1987 Census of Manufactures. Industry Series. Weaving and Floor Covering Mills, Industries 2211, 2221, 2231, 2241, and 2273. Washington, DC: U.S. Dept. of Commerce, Bureau of, 1990. ---. 1987 Census of Manufactures. Preliminary Report. Industry Series. Weaving and Floor Covering Mills: Industries 2211, 2221, 2241, and 2273. [Washington, DC: U.S. Dept. of Commerce, Bureau of, 1994. ---. 1992 Census of Manufactures.
    [Show full text]
  • The Changing Valuation of Dogs1
    Sociological Forum, 2020 DOI: 10.1111/socf.12643 © 2020 Eastern Sociological Society The Changing Valuation of Dogs1 Dustin S. Stoltz,2 Justin Van Ness,3 and Mette Evelyn Bjerre4 In recent decades, the United States has witnessed profound changes in the sociocultural valuation of dogs, variously described as humanization, sentimentalization, or sacralization. A broad look at this “sacraliza- tion” of dogs in the United States reveals that this changing valuation has altered dogs’ place within economic processes. In particular, these changes parallel Viviana Zelizer’s work on the changing valuation of children a century ago. In this article, we further specify Zelizer’s insights by arguing that these accompanying economic transformations are best understood as shifting of a dogs’ place within budgetary units: from objects for human consumption to fellow actors humans consume with and around. KEYWORDS: animals; budgetary units; relational work; consumption; economic sociology; human– nonhuman interaction. INTRODUCTION “Dogs Are People Too” reads the title of The New York Times opinion piece by neuroscientist Gregory Berns, author of “How Dogs Love Us,” and more recently, “What It’s Like to Be a Dog.” Based on fMRI data demonstrating functional homology between humans’ and dogs’ brains, Bern states, if we “granted dogs rights of personhood...Puppy mills, laboratory dogs and dog racing would be banned for violating the basic right of self-determination of a person.” Is this new neuroscien- tific evidence sufficient to foment such legal and institutional changes? Bern answers, “I suspect that society is many years away from considering dogs as persons.” Since as early as the 1980s, several scholars noted a trend in our relationship to pets in general, and dogs in particular (e.g., Pallotta 2019; Sanders 2010).
    [Show full text]
  • Dog Breeds Volume 5
    Dog Breeds - Volume 5 A Wikipedia Compilation by Michael A. Linton Contents 1 Russell Terrier 1 1.1 History ................................................. 1 1.1.1 Breed development in England and Australia ........................ 1 1.1.2 The Russell Terrier in the U.S.A. .............................. 2 1.1.3 More ............................................. 2 1.2 References ............................................... 2 1.3 External links ............................................. 3 2 Saarloos wolfdog 4 2.1 History ................................................. 4 2.2 Size and appearance .......................................... 4 2.3 See also ................................................ 4 2.4 References ............................................... 4 2.5 External links ............................................. 4 3 Sabueso Español 5 3.1 History ................................................ 5 3.2 Appearance .............................................. 5 3.3 Use .................................................. 7 3.4 Fictional Spanish Hounds ....................................... 8 3.5 References .............................................. 8 3.6 External links ............................................. 8 4 Saint-Usuge Spaniel 9 4.1 History ................................................. 9 4.2 Description .............................................. 9 4.2.1 Temperament ......................................... 10 4.3 References ............................................... 10 4.4 External links
    [Show full text]