Handwoven Index 2012
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', :':':;"Texa's- Agricultural , Ex-Ten '
4> ~ -,' , :':':;"TEXA'S- AGRICULTURAL , EX-TEN ' . ... -:>-.~ -~•• ,....,~ hi.t~.' ~ ___ '>::"'" - 'J. E .. 'Hutchison, 'Director, College:.shlt~QP" Texas GRAHAM HARD NENA ROBERSON RHEBA MERLE BOYLES FANNIE BROWN EATON EXTENSION CLOTHING SPECIALISTS The A. and M. College of Texas THE CHARACTERISTICS OF FABRICS which . give 3. Fabrics made of chemically treated cotton, them the virtues of quick drying, crease re linen and rayon. The resin finishes are the most sistance, little or no ironing, keeping their orig commonly used. These finishes should last the inal shape and size during use and care, retaining normal life of a garment. a look of newness and fresh crispness after being worn and cleaned continuously also create sewing FABRIC SELECTION difficulties. The surface often is smoother and The best guides in the selection of quality harder which makes the fabric less pliable and fabrics are informative labels of reputable manu more difficult to handle. These qualities can facturers. Good quality finishes add to the cost cause seams to pucker. Even in the softest blends of fabrics, but compensate for the extra cost in there is a springiness which requires more care in durability and appearance. handling ease, as in the sleeve cap. Each fabric presents different problems. Look Wash-and-wear fabrics may be divided into at the fabric and feel it. Is it closely or loosely three groups: woven? Is it soft and firm, or stiff and wiry? 1. Fabrics woven or knitted from yarns of Will it fray? What style pattern do you have in 100 percent man-made fibers. These fabrics, if mind? properly finished, are highly crease resistant and The correctness of fabric grain is important keep their original shape and size during use and in sewing. -
Checklist of Anniversary Acquisitions
Checklist of Anniversary Acquisitions As of August 1, 2002 Note to the Reader The works of art illustrated in color in the preceding pages represent a selection of the objects in the exhibition Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art. The Checklist that follows includes all of the Museum’s anniversary acquisitions, not just those in the exhibition. The Checklist has been organized by geography (Africa, Asia, Europe, North America) and within each continent by broad category (Costume and Textiles; Decorative Arts; Paintings; Prints, Drawings, and Photographs; Sculpture). Within each category, works of art are listed chronologically. An asterisk indicates that an object is illustrated in black and white in the Checklist. Page references are to color plates. For gifts of a collection numbering more than forty objects, an overview of the contents of the collection is provided in lieu of information about each individual object. Certain gifts have been the subject of separate exhibitions with their own catalogues. In such instances, the reader is referred to the section For Further Reading. Africa | Sculpture AFRICA ASIA Floral, Leaf, Crane, and Turtle Roundels Vests (2) Colonel Stephen McCormick’s continued generosity to Plain-weave cotton with tsutsugaki (rice-paste Plain-weave cotton with cotton sashiko (darning the Museum in the form of the gift of an impressive 1 Sculpture Costume and Textiles resist), 57 x 54 inches (120.7 x 115.6 cm) stitches) (2000-113-17), 30 ⁄4 x 24 inches (77.5 x group of forty-one Korean and Chinese objects is espe- 2000-113-9 61 cm); plain-weave shifu (cotton warp and paper cially remarkable for the variety and depth it offers as a 1 1. -
Finish That Seam Barbara Short Iowa State College
Volume 30 Article 7 Number 5 The Iowa Homemaker vol.30, no.5 1950 Finish That Seam Barbara Short Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Short, Barbara (1950) "Finish That Seam," The Iowa Homemaker: Vol. 30 : No. 5 , Article 7. Available at: http://lib.dr.iastate.edu/homemaker/vol30/iss5/7 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Finish That Seam - But fi rst be sure the finish is the proper one for you r material. Here are the recent 1 findings of two textiles and I clothing graduate students. I I j I I J I I J by Barbara Short I J Technical Journalism Junior I I I J I I I > HEN your mother was a little girl, often seam I > j W stresses stayed in the house for a week to outfit "'--- I the family each year. Then the inside of a dress was just as finished as the outside. Those seamstresses took 1. Double-stitch finish; 2. Pinked finish; 3. Q,·er-cast edges. pains to finish each seam so that they could be sure it wouldn't ravel. Recent graduate research at Iowa State has taken guesswork out of seam finishing. Find Hiltbold points out that the ridge produced when ings will mean no more unnecessary sewing or hope the edge is turned shows on certain fabrics. -
The Hand-Loom in Ulster's Post-Famine Linen Industry: the Limits of Mechanization in Textiles' 'Factory Age'
Textile History, 35 (2), 178-191, 2004 The Hand-Loom in Ulster's Post-Famine Linen Industry: The Limits of Mechanization in Textiles' 'Factory Age' KEVIN J. JAMES This article explores conditions in the Ulster linen trade which sustained hand-loom weaving through the second half of the nineteenth century. In particular, it investigates the role and limits of technology in this process, and the impact of the American Civil War and its aftermath on mechanization. INTRODUCTION The historiography of the Irish litien trade in the second half of the nineteenth cen- tury has focused on its mechanization, while acknowledging the continuing presence of hand-lootn branches in the sector.' Generally, the structure of hand production in the Irish linen sector after 1850 has received less attention than tnechanized weaving, although there is a growing historiography on co-extensive hand- and tnechanized weaving in other branches of textile tnanufacture in the United Kingdotn.^ Partly this neglect of the hand-lootn results frotn greater interest in technological developments which so quickly transformed the spinning sector in the 1820s and 1830s.^ In spin- ning, the displacement of hand production by machine was relatively swift and com- plete — even the small demand in Ireland for super-fine yarn after the 1820s was largely met by imported hand-spun continental varieties.* Indeed, contemporary observers claimed that weaving was developing in the same direction — but their predictions of the hand-loom's obsolescence proved inaccurate and premature. In 1852, for instance, the Belfast and Province of Ulster Directory quoted J. MacAdam's comments in the Joumal of Design in which he predicted the hand-loom's demise: There are many reasons for believing that the future progress of the Irish linen trade will at least keep pace with its past development. -
Wavebid > Buyers Guide
Auction Catalog March 2021 Auction Auction Date: Sunday, Feb 28 2021 Bidding Starts: 12:00 PM EST Granny's Auction House Phone: (727) 572-1567 5175 Ulmerton Rd Email: grannysauction@gmail. Ste B com Clearwater, FL 33760 © 2021 Granny's Auction House 02/28/2021 07:36 AM Lot Title & Description Number 12" x 16" Wyland Lucite Limited Edition Orca Family Statue - Free form clear lucite form reminiscent of ice with sun softened edges 1 holding family pod of 3 Orcas/ killer whales, etched Wyland signature lower left, numbered 105/950 lower right - in house shipping available 2 6" x 4" Russian Lacquerware Box Signed and Numbered with Mythic Cavalry Scene - Black Ground, Bright Red Interior - In House Shipping Available Tiffany & Co. Makers Sterling Silver 6 1/2" plate - 16052 A, 7142, 925-1000, beautiful rimmed plate. 5.095 ozt {in house shipping 3 available} 2 Disney Figurines With Original Boxes & COA - My Little Bambi and Mothe # 14976 & Mushroom Dancer Fantasia. {in house shipping 4 available} 2 Art Glass Paperweights incl. Buccaneers Super Bowl Football - Waterford crystal Super Bowl 37 Buccaneers football #1691/2003 & 5 Murano with copper fleck (both in great condition) {in house shipping available} 6 Hard to Find Victor "His Master's Voice" Neon Sign - AAA Sign Company, Coltsville Ohio (completely working) {local pick up or buyer arranges third party shipping} 7 14K Rose Gold Ring With 11ct Smokey Topaz Cut Stone - size 6 {in house shipping available} 8 5 200-D NGC Millennium Set MS 67 PL Sacagawea Dollar Coins - Slabbed and Graded by NGC, in house shipping available Elsa de Bruycker Oil on Canvas Panting of Pink Cadillac Flying in to the distance - Surrealilst image of cadillac floating above the road 9 in bright retro style, included is folio for Elsa's Freedom For All Statue of Liberty Series - 25" x 23" canvas, framed 29" x 28" local pick up and in house shipping available 10 1887 French Gilt Bronze & Enamel Pendent Hanging Lamp - Signed Emile Jaud Et Jeanne Aubert 17 Mai 1887, electrified. -
Mermet Technical Fabric Guide
Mermet Technical Fabric Guide © 2017 Mermet Corporation Table of Contents 1. Intro.....................................................3 13. Determining Design Intent: Considerations................................31 2. Yarn and Fabric Properties...............4 14. Determining Design Intent: 3. Manufacturing Process.....................7 Fabric Applications........................33 4. Weaving and Knitting........................10 15. Interior and Exterior.......................36 5. Types of Weaves...............................12 16. Fabric Styles: High Performance..........................38 6. Fabric Orientation.............................15 17. Fabric Styles: 7. Solar Energy Spectrum....................18 Sustainable Fabrics........................42 8. Performance Analysis: 18. Fabric Styles: Thermal Properties...........................20 Decorative Fabrics.........................46 9. Performance Analysis: 19. Fabric Styles: Optical Properties.............................22 Conventional Fabrics.....................51 10. Measuring Brightness Levels........25 20. Fabric Styles: Privacy Fabrics...............................55 11. Glare................................................27 21. Common Certifications..................58 12. Acoustical Performance................29 Disclaimer and Notices Mermet's Technical Fabric Guide is protected by U.S. and International copyright protection laws. Reproduction, distribution, display and use of any content within this document is prohibited without written permission from Mermet. -
The Crafts and Textiles of Hyderabad and Telangana 11 Days/10 Nights
The Crafts and Textiles of Hyderabad and Telangana 11 Days/10 Nights Activities Overnight Day 1 Fly U.S. to Hyderabad. Upon arrival, you will be transferred to Hyderabad your hotel by private car. Day 2 The city of Hyderabad was constructed in 1591 by King Hyderabad Muhammad Quli Qutb Shah of the Qutb Shahi dynasty, which ruled this region of the Deccan plateau from 1507 to 1687. During this time, the Sultanate faced numerous incursions by the Mughals and the Hindu Marathas. In 1724, the Mughal governor of the Deccan arrived to govern the city. His official title was the Nizam- ul-Muluk, or Administrator of the Realm. After the death of Emperor Aurangzeb, he declared his independence and established the Asaf Jahi dynasty of Nizams. The Nizams of Hyderabad were known for their tremendous wealth, which came from precious gems mined in nearby Golconda (see Day 3), the area's natural resources, a vibrant pearl trade, agricultural taxes and friendly cooperation with the British. Much of the architecture still existing in Hyderabad thus dates from the reigns of the Qutb Shahi Sultans or the Nizams. European influences were introduced by the British in the 19th and 20th centuries. At the center of old Hyderabad sits the Charminar, or "four towers," which dates to 1591 and is surrounded by a lively bazaar and numerous mosques and palaces. This morning we will enjoy a leisurely walk through the area. We will stop to admire the colorful tile mosaics found inside the Badshahi Ashurkhana. This Royal House of Mourning was built in 1595 as a congregation hall for Shia Muslims during Muharram. -
New Textiles Inspired by Ikat - by Christina Maschke Degree Project Master of Fine Arts in Fashion and Textile Design with Specialization in Textile Design
THE PATTERNED THREAD - new textiles inspired by ikat - by Christina Maschke Degree Project Master of Fine Arts in Fashion and Textile Design with Specialization in Textile Design Title The patterned thread - new textiles inspired by ikat Author Christina Maschke Supervisor Margareta Zetterbloom Opponent Malene Kristiansen Examiner Hanna Landin Report No. 2016.6.05 The Swedish School of Textiles University of Borås Sweden Abstract The work of this MA thesis develops a new ap- proach to hand weaving in which the design pro- cess is led by the technique of resistant dyeing. The process is inspired by the visual properties of traditional ikats. It follows the technical ikat procedure of primary resistant dyeing and sub- sequently weaving. Whithin the research a new way of weaving is explored in which the dyed thread dictates the weaving process and therefore influences the weaving motif. In addition different design variables such as material, binding pattern and finishing are used to push forward the devel- oped concept. The aim of this work is to explore new aesthetic expressions between regular and irregular motifs through the application of design thinking. The result presents an innovative approach in the ikat technique in order to create random distrib- uted patterns and how they can be already influ- enced in the stage of yarn preparation. Keywords: ikat, indigo, resistant dyeing, craft, hand weaving 3 CONTENT 1 INTRODUCTION ....................................................................10 1.1 INTRODUCTION TO THE FIELD ......................................10 -
The British Linen Trade with the United States in the Eighteenth and Nineteenth Centuries
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1990 The British Linen Trade With The United States In The Eighteenth And Nineteenth Centuries N.B. Harte University College London Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Harte, N.B., "The British Linen Trade With The United States In The Eighteenth And Nineteenth Centuries" (1990). Textile Society of America Symposium Proceedings. 605. https://digitalcommons.unl.edu/tsaconf/605 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. -14- THE BRITISH LINEN TRADE WITH THE UNITED STATES IN THE EIGHTEENTH AND NINETEENTH CENTURIES by N.B. HARTE Department of History Pasold Research Fund University College London London School of Economics Gower Street Houghton Street London WC1E 6BT London WC2A 2AE In the eighteenth century, a great deal of linen was produced in the American colonies. Virtually every farming family spun and wove linen cloth for its own consumption. The production of linen was the most widespread industrial activity in America during the colonial period. Yet at the same time, large amounts of linen were imported from across the Atlantic into the American colonies. Linen was the most important commodity entering into the American trade. This apparently paradoxical situation reflects the importance in pre-industrial society of the production and consumption of the extensive range of types of fabrics grouped together as 'linen*. -
Books Updated 9/15/20
Library of the Central Coast Weavers Books Updated 9/15/20 Author Title Subject Adrosko, Rita Natural dyes and home dyeing. – 2 copies Dyeing Albers, Anni On weaving. – 2 copies Weaving Albers, Josef Interaction of color. Color Alderman, Sharon A handweaver’s notebook; swatch collections from Weaving Handwoven magazine. Alderman, Sharon Handwoven, tailormade. Sewing Alderman, Sharon Mastering weave structures. Weaving Allard, Mary Rug making: techniques and design. Rugs Allen, Elsie Pomo basketmaking. Basketry Allen, Heather Weaving contemporary rag rugs. Weaving Allen, Jeanne Showing your colors; a designer’s guide to coordinating your Color wardrobe. Alvarez, Nilda Callanaupa Weaving in the Peruvian highlands. Weaving Ambuter, Carolyn The open canvas. Embroidery Amini, Majid Oriental rugs; care and repair Rugs Amos, Alden The Alden Amos big book of handspinning. Spinning Amsden, Charles Avery Navaho weaving, its technic and history Navajo rugs Anders, Nedda Applique – old and new. Applique Anderson, Beryl Creative spinning, weaving & plant dyeing. Weaving Anderson, Clarita Weave structures used in North American coverlets. Weaving Anderson, Sarah B. The spinner’s book of yarn design. Spinning Arn-Grischott, Ursina Doubleweave on four to eight shafts – ideas for weaving double Doubleweave and multilayered fabrics. Ashley, Clifford The Ashley book of knots. Knotting Aswani, K. T. Fancy weaving mechanisms. Looms Atwater, Mary Meigs Byways in hand-weaving. – 2 copies Weaving Atwater, Mary Meigs Design and the handweaver. Weaving Atwater, Mary Meigs Handwoven rugs. Weaving Atwater, Mary Meigs The Shuttle-Craft book of American Handweaving. – 3 copies Weaving Atwater, Mary Meigs Shuttle-Craft guild recipe book. Weaving Badger, Ros Little badger knitwear: knitted projects for babies and toddlers. -
Sheerweave-Brochure-V17.Pdf
WEAVING EXCELLENCE WITH INNOVATION ® 1 AN INTRODUCTION SheerWeave® interior sun control fabrics provide the perfect balance of light, comfort and beauty, making them the ideal window covering solution for residential and commercial spaces alike. A sleek and functional alternative to ordinary window coverings, SheerWeave effortlessly and elegantly manages the sun’s harsh heat and blinding glare. MULTI-FUNCTIONAL SheerWeave filters and diffuses light while reducing glare and solar heat gain, conserving energy and helping to create a more comfortable environment. SheerWeave also helps reduce the fading of interior furnishings and flooring by protecting these surfaces from the sun’s harmful effects. And unlike many window treatments, SheerWeave allows excellent outward visibility – even when shades are lowered – to maintain optimal views. UNMATCHED STYLE From modern, neutral hues to subtly-textured, organic weaves in warm earth tones, these fabrics are the perfect complement to any interior design scheme. SheerWeave fabrics are also available in a variety of openness factors ranging from one to 25 percent and wide widths to cover large window openings. Simple, clean and classic, SheerWeave can be fabricated into many different types of window treatments, and the aesthetic quality of these fabrics allows them to easily pair with other draperies and window coverings. QUALITY SECOND TO NONE Phifer’s quality standards are among the highest in the world. SheerWeave fabrics are manufactured in our state-of-the-art facility in Tuscaloosa, Alabama USA under strict guidelines through ISO-certified production processes. From yarn coating to packaging, every step of the production process is checked to ensure only the finest quality fabrics are given the SheerWeave name. -
Traditional Indian Textiles Students Handbook + Practical Manual Class XII
Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½