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  • Finish That Seam Barbara Short Iowa State College

    Finish That Seam Barbara Short Iowa State College

    Volume 30 Article 7 Number 5 The Iowa Homemaker vol.30, no.5 1950 Finish That Seam Barbara Short Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Short, Barbara (1950) "Finish That Seam," The Iowa Homemaker: Vol. 30 : No. 5 , Article 7. Available at: http://lib.dr.iastate.edu/homemaker/vol30/iss5/7 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Finish That Seam - But fi rst be sure the finish is the proper one for you r material. Here are the recent 1 findings of two textiles and I clothing graduate students. I I j I I J I I J by Barbara Short I J Technical Journalism Junior I I I J I I I > HEN your mother was a little girl, often seam­ I > j W stresses stayed in the house for a week to outfit "'--- I the family each year. Then the inside of a dress was just as finished as the outside. Those seamstresses took 1. Double-stitch finish; 2. Pinked finish; 3. Q,·er-cast edges. pains to finish each seam so that they could be sure it wouldn't ravel. Recent graduate research at Iowa State has taken guesswork out of seam finishing. Find­ Hiltbold points out that the ridge produced when ings will mean no more unnecessary sewing or hope­ the edge is turned shows on certain fabrics.
  • Curtains and Draperies

    Curtains and Draperies

    Extension Bulletin 264 June 1951 BULLErJN HU()fvt liBRARY, Uf\WERC:ITY Fi>.P.M Selecting and Making CURTAINS AND DRAPERIES planning ideas buying guides construction aids Jfelen Jf. )Uatfteis WitcH Vou Select eurtnifiS and Vraperies ODAY'S homemaker has a world of new ideas and new prod­ T ucts to choose from when she plans window treatments for her home. She finds tremendous stress placed on the number, size, shape, and placement of windows in rooms in order that they may serve a number of purposes. Among these are, of course, the basic functions of windows-light, air, and vision. In addition windows often are the focal point, or gathering place for people in a room. All these points must be considered when planning windows and window decor. Whatever your light, air, vision, or by the store display of suggested room activity problems, remember that good settings. window treatment will be restful, it In addition, successful shopping calls will harmonize with the room, and lend for accurate information about your ·distinction to the furnishings used room requirements. You supply this by there. This means that good window carrying with you a sketch of your treatment will take its place as a sat­ room, preferably with wall and floor isfying part of the room furnishings and space indicated in %-inch scale. will also allow flowers, books,' works Salespeople count on this when they of art, and hobby interests of the family prepare merchandise for your selec­ to accent the character of furnishings tion. They must know about the archi­ in the room.
  • Ultraviolet Blocking Material and Method of Making Same

    Ultraviolet Blocking Material and Method of Making Same

    Patentamt Europaisches ||| || 1 1| || || || || || || ||| || || 1 1| (19) J European Patent Office Office europeen des brevets (11) EP 0 807 708 A2 (12) EUROPEAN PATENT APPLICATION (43) Date of publication: (51) int. CI.6: D06N 3/00, D06N 7/00, 19.11.1997 Bulletin 1997/47 ^41 p 31/00 (21) Application number: 97109757.1 (22) Date of filing: 28.07.1989 (84) Designated Contracting States: (74) Representative: AT BE CH DE ES FR GB GR IT LI LU NL SE Dixon, Donald Cossar et al Gee & Co. (62) Document number(s) of the earlier application(s) in Chancery House accordance with Art. 76 EPC: Chancery Lane 89307704.0 / 0 41 0 055 London WC2A 1 QU (GB) (71) Applicant: Remarks: Goldenhersh, Michael A. This application was filed on 16 - 06 - 1997 as a Belleville Illinois 62223 (US) divisional application to the application mentioned under INID code 62. (72) Inventor: Goldenhersh, Michael A. Belleville Illinois 62223 (US) (54) Ultraviolet blocking material and method of making same (57) An ultraviolet blocking material (10) comprises a breathable fabric (12) defining porosity-creating aper- tures (14) and a coating (20) on the fabric (12) at least partially disposed in the apertures (14). The coating (20) contains an effective amount of at least one UV blocker. CM < CO o FIG. r»- I r»- o CO o Q_ LU Printed by Rank Xerox (UK) Business Services 2.14.23/3.4 EP 0 807 708 A2 Description The present invention relates to an ultraviolet blocking material, and more particularly to a breathable ultraviolet blocking material. 5 Ultraviolet radiation is to be credited with certain therapeutic applications -- for example, the treatment of psoriasis -- but is far better known for its harmful effect on skin ranging from the simple sunburn to a dried-out, prematurely wrin- kled skin, cataracts, and skin cancer.
  • La. 1913-1914

    La. 1913-1914

    Many Pupils on Honor Roll “AS YOU LIKE IT" in Orange Public School PILGRIM PATRIOTS Chester E. Taylor, principal of the Cleveland Street School, Orange, has announced a list of names of pupils of the school who were neither absent nor ©arar tardy the school $c GIVEN IN OPEN-AIR during year STOP AT RUTGERS (La. 1913-1914. The honor roll is as fol- Mirljarl lows: Myra Kotze, Matie Naulty and Saturday hours, 9 to 6 (Formerly W. V. Snyder & Co.) Other Days, 9 to 5:30 Harry Wilkerson, eighth grade; Mar- Nutley Society People See garet Holcomb, Charles Murray, Follow Washington's Route. Elsmere Westes and Alfred Williams, Shakespearian Play Pre- advanced seventh; Esther Dowling, Will Hold Impressive Cere- Gertrude Kelly, Albert Klump, t sented for Charity. Beatrice Seery and Addie Stocker, monies at Newark Tomorrow. ? seventh; William Hauser, advanced seventh; Charles Beecher and Elsie Shoes and Shirtwaists An open-air performance of Shakes- Hoffman, sixth; Harold Marks, ad- |S|iPnal to the Evening Star.J Garments, Undermuslins, vanced fifth; peare's "As You Like It" was given Amy Schrope and Cath- NEW BRUNSWICK. June 24.—With erine Whelan, fifth; Velma Bird, before an audience of over 300 last officials l Howard Roberts and Edward Smo- impressive ceremonies, city night on the lawn of the of Sons of the In a Sale on Second Floor Hayfields, linsky, advanced fourth; George and local members the Three-Day residence of James R. Hay, the En- Beecher and Wilbur Bruen. fourth: American Revolution today joined the closure, Nutley. A group of white Hattie Bruen, Evelyn Jordan and three members of the organization Mabel Whittle, fourth; Rose This sale is the result of our most birch trees made a beautiful stage Torlucci, who are making the pilgrimage from very laid and the of able advanced third; Gertrude Getcliffe carefully plans employment eettjng.
  • Historic Costuming Presented by Jill Harrison

    Historic Costuming Presented by Jill Harrison

    Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.
  • New Clothes from Old : Extension Circular 4-23-2

    New Clothes from Old : Extension Circular 4-23-2

    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Nebraska 4-H Clubs: Historical Materials and Publications 4-H Youth Development 1951 New Clothes from Old : Extension Circular 4-23-2 Allegra Wilkens Follow this and additional works at: https://digitalcommons.unl.edu/a4hhistory Part of the Service Learning Commons Wilkens, Allegra, "New Clothes from Old : Extension Circular 4-23-2" (1951). Nebraska 4-H Clubs: Historical Materials and Publications. 150. https://digitalcommons.unl.edu/a4hhistory/150 This Article is brought to you for free and open access by the 4-H Youth Development at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Nebraska 4-H Clubs: Historical Materials and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. May 1951 E. C. 4-23-2 EXTENSION SERVICE UNIVERSITY OF NEBRASKA COLLEGE OF AGRICULTURE AND U. S. DEPARTMENT OF AGRICULTURE COOPERATING - W. V. LAMBERT, DIRECTOR MAKING NEW CLOTHES FROM OLD Allegra E. Wilkens REMAKING SUGGESTIONS Are there garments hanging in your closet or in the attic that nobody ever wears? Will a. few slight changes make them wearable? Is the design so out of date or so much of the fabric worn that the garment should be ripped apart and completely ma.de over? "A penny saved is a penny earned", is an old saying. An attractive garment made at little or no cost will help to adjust your clothing allowance so that you may have money for better quality in some other garments, or money for some other purpose. Remodeling a garment or making a.
  • Chiffon Taffeta, 69C

    Chiffon Taffeta, 69C

    of over the svork of Euro- The woman was about twenty-lire to the in Vtichi Indiana hold that all that is it« eighteenth annual convention In way« taking delay aprita their pursuit Zionists becauae of the war. wore a dark dress and of the dead m»n. it Is to have a pregnant wom¬ ZIONISTS TO AID JEWS! Itostnn June 28 to Julv 1. pean years old and Be Naturally, takes neceassry of ' AT them ao an the fitted that lone to work their wav SUMMER SCHOOLS encircle goal from all part« of th« coat. The description JARS all "These rules are based on an «ver¬ Delegation«, Bodies Washed at Yonkers. Orchard through the hole«, that the man la Plans to Relieve War Suffer country will he sent to formulate ae Up Lucy Seilet, missing- from 32 safely huried before arrive at sion of the primitive mind which many of the, 1'. of Yonker» Yonker«. The man had a mus¬ they to Im¬ tion to assuage the condition Coroner Jame«. Dunn Street, TONG WAR the grave of us find it impossible justify. ing on for Boston. is one of a serge with END BE Programme «lews In the wsr regions and Palestine trying to identify two bodies, tache and wore blue suit, MAY CLOSED even to feel These were the enncessions to possible executive a other of a middle- a black and white shirt- Peter only for an un¬ A demonstration of Zionist strength Louia Lipaky, chairman of the young woman, the striped I hinea» tradition which were "To make others auffer will a discovered the ted pnrmit aversion, to make them auf and enthuaiasm «»¡Il b* held when the committee of the federation, pre- aged man, washed up in the Hudson Pen«en, barge captain, by Mr.
  • Tailoring and Dressm King 5 LINING A. SKIRT Or DRESS Today's Fashions

    Tailoring and Dressm King 5 LINING A. SKIRT Or DRESS Today's Fashions

    tailoring and dressm king 5 LINING a. SKIRT or DRESS Today’s fashions and fabrics often call for linings. This raises questions among the home seamstresses regarding types of lining and how to attach these to the garment. Lining serves many purposes. It: 0 gives a professional 100k and adds quality 0 adds body and/or opacity to lightweight or thin fabric 0 gives roundness to structural lines where needed 0 prevents sagging, stretch or “sitting " out” in straight skirts (helps to preserve shape of garment) ' 0 gives longer service to the garment 0 helps to eliminate wrinkles A distinCtion should be made among four sometimes confusing terms: 1. Lining refers to a material that partially or entirely covers the inside of a garment. It is assembled separately as though it were a second garment. It finishes the wrong side of the garment as well as serving the purposes listed C above. For better fit and more strength it should be cut on the same grain as the outer fabric. 2. Underlining is a material which is cut in the shape of the garment pieces. The underlining sections are staystitched to- the corresponding outer fabric sections before any seams are joined. This is especially good for loosely woven or thin fabrics. This treatment is usually called “double fabric con- struction.” It is also called backing or underlay. 3. Interlining ,is usually thought of as giving warmth to a coat as well as giving some shape. The interlining is cut' to match the garment pieces and is placed between the lining and the outer fabric.
  • Graded-In Textiles

    Graded-In Textiles

    Graded-In Textiles For a list of each of our partner commpany’s patterns with Boss • Indicate GRADED-IN TEXTILE on your order and Boss Design Design Grades visit www.bossdesign.com. To order memo will order the fabric and produce the specified furniture. samples visit the websites or call the numbers listed below. • Boss Design reserves the right to adjust grades to accommodate price changes received from our suppliers. • Refer to our website www.bossdesign.com for complete pattern memo samples: www.arc-com.com or 800-223-5466 lists with corresponding Boss Design grades. Fabrics priced above our grade levels and those with exceptionally large repeats are indicated with “CALL”. Please contact Customer Service for pricing. • Orders are subject to availability of the fabric from the supplier . • Furniture specified using multi-fabric applications or contrasting welts be up charged. memo samples: www.architex-ljh.com or 800-621-0827 may • Textiles offered in the Graded-in Textiles program are non- standard materials and are considered Customer’s Own Materials (COM). Because COMs are selected by and used at the request of a user, they are not warranted. It is the responsibility of the purchaser to determine the suitability of a fabric for its end use. memos: www.paulbraytondesigns.com or 800-882-4720 • In the absence of specific application instructions, Boss Design will apply the fabric as it is sampled by the source and as it is displayed on their website. memo samples: www.camirafabrics.com or 616 288 0655 • MEMO SAMPLES MUST BE ORDERED DIRECTLY FROM THE FABRIC SUPPLIER.
  • Window Treatment

    Window Treatment

    Extension Bulletin No. 451 August 1951 Window Treatment Extension Service. Institute of Agricultural Sciences The State College of Washington. Pullman. Washington Function of Window Treatment Well-planned window treatment­ Controls the quantity of the light. Gives privacy. Frames a beautiful view or shuts out an unpleasant one. Decoratiue Use of Window Treatment Well-planned window treatment- Adds beauty through color, texture, and pattern. Harmonizes the colors in the furnishings with the background of a room. REFERENCE: How to Make Curtains, Michi­ gan State College Extension Service. Window Treatment By Lila B. Dickerson. Extension Home Management Specialist* Just as you consider a davenport or rug as an out-of-place piece of furniture, can spoil when refurnishing a room in your home, you the effect of an otherwise well-arranged room. should also plan your curtains or draperies Simple window treatments that are useful as carefully. Poorly used window treatment, just well as decorative are always a good choice. Choose Your Window Treatment The best window treatment for a room de­ The Size of a Room pends on the size, shape, and arrangement of If the room is small and you want it to ap­ the windows as well as the general character pear larger, choose draperies that blend with or of the room and its furnishings. match the color of the walls. Too much design In a room with elaborate furnishings you'll or color contrast divides the walls into small want to use more formal window treatment. areas and makes the room seem smaller. Choose lightweight, fine-textured, plain or small-pat­ For a room with simple furnishings, choose terned fabrics.
  • Fabric Swatch Book

    Fabric Swatch Book

    Fabric Swatch Book Swatch Name # Fiber Content Yarn Structure Coloration Finishes Uses Osnaburg 45 Family: Cotton Usually carded only Drapes, slipcovers, Present: cotton, rayon, Coarsely woven plain mattress ticking, work- cotton blends, usually polyester weave wear Unbleached muslin sheeting w/cotton 'trash' still in it Muslin 46 Family: Cotton Usually carded only Sizing Casual wear; trial garments Present: cotton, rayon, Plain weave cotton blends, usually polyester Percale 47 Family: Muslin, percale: cotton; Combed yarns; plain weave Usually piece dyed Durable Press Sleepwear, shirts, holland: flax dresses, sportswear, Present: cotton, rayon, sheeting, drapes cotton blends, usually polyester Crinoline 48 Horsehair Carded only; plain weave Heavily stiffened Underslip to hold out full skirts Burlap 49 Coarser plant fibers: Jute, Hemp Coarse, uneven Hangings, inexpensive Fairly open, drapes, upholstery, sacking Balanced plain weave linoleum backing Batiste 50 Family: Flax Fine yarns Mercerized Blouses, shirts, Present: Cotton or blends Combed cotton dresses, underwear, Wool batiste and silk batiste (rare) Balanced plain weave nightwear, handkerchiefs Ninon 51 Family: Silk Fine, high-twist filament yarn; Lingerie, party and bridal Present: Silk, MF filament, usually balanced plain weave; open wear, neckwear, trim polyester for apparel, nylon meshlike appearance, crisp hand curtains Organdy 52 Family: Cotton Fine, combed yarn, may be Crisp finish by acid treatment or Blouses, dresses, evening and bridal Present: Best quality is 100% high
  • Peninsula Press

    Peninsula Press

    Torrance Press Thursday, October 18, 1951 yyyy.yffi^///s^,^ ill f^ ^ ' ••"•'^•"•''Tir*-•*'<••• ' ' ''ffft"5K-*.J3.iM>. ANNIVERSARY SENSATIONAL! ff\^r %*A | lie I t FACTORY MILL-END DRAPERY & DECORATED f\ m f\f UPHOLSTERY MATERIAL .*>: Glass TUMBLERS 310 \ \ QUALITY THAT GOES AS HIGH AS $10.00 A ' .-..v KEG. 49r VALUE 42 INCH YD. ON SOME PIECESI PILLOW TUBING YD. 1 to 4 Yd. Lgths. VALUER TO $1.00—BOXED STATIONERY Reg.39c--Bleached & Unbleached PACKAGED FLORAL MUSLIN REG.. rayon NOTE PAPER 15c EA. Gatigp-— Double Lip— ALUMINUM crepe UTILITY PAN Ydr. R*"if. (Wr —•Ctpnuinp * blouses ..-X PERCALES ft BROADCLOTHS Here'* your chonc* BATH TOWELS to have the very REG. 44c newest ttyltes at $ White Enamel. 2-Qt. Sl/.p or Qt. Size. on omazingly low price. Finest qual­ SAUCE PANS ity rayon crepe in 36" PERCALE _ white and flatter­ REG. 85e A 46c VALUE ing pastels. Sizes 32 to 38. JUST ARRIVED SPRING TYPE If1 1 /\/^ 36 in. wide. An exceftent assortment of fast NEW PATTERNS $100 for color prints especially for ladies' and chil­ CLOTHES PINS 15 10 & COLORS dren's dresses, aprons, etc. First quality, fine NI VERSA NIVER5ARY quality cotton. Thrift in every yard. 1 to 15 VALUE! VALUE! yord lengths. SAVE! SAVE! SAVE! Triple Roll Cuff Complete Genuine ^| REG. 69c & 79c VALUES BATH CURTAIN SET || GUARANTEED REG. $1.49—SPECIAL WHILE THEY LAST! NEW SHIPMENT! SHOWER | RAYONS & SATINS RAYON MARQUISETTE ANKLETS CURTAIN | OUR FAMOUS Reinforced Nylon PANEL and MATCHING || RICH DEEP TONE "IRREGULAR" H»*l & Toe CURTAIN COLORS! CURTAINS Whit. & Eggshell. Si» 42x81....________ HOUSE WINDOW MEN'S SANFOftlZED f^D A/^VC* Choice of many colors! TERRIFIC VALUE! Work Shirts FROCKS SPECIAL! BOTH FOR CHENILLE BEDSPREADS ONLY 110 ' NEW STYLES LACE NET SAVE! SAVE! SAVE! SAVE! SAVE! SAVE! Strong, durable, heavyweight, 4 • FULL SIZE blue.