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Living Jewish
B”H Erev Shabbat Devarim, 3rd of Menachem Av, 5780; July 24th, 2020 847 chief rabbi of Tsfat. He arrived at the In Defense of Elijah synagogue the following Shabbat as the service was about to begin, but Rabbi Moshe Alsheich was the head of when he looked up at R. Alsheich's a large yeshiva in 16th century Tsfat. seat and saw that it was empty he or- He had received rabbinical ordination dered the congregation to wait, for it from Rabbi Yosef Caro, author of the had been revealed to him that Rabbi Shulchan Aruch [Code of Jewish Alsheich had become very great in Law]. He was a wealthy and extremely Torah. charitable man, in addition to being a great Torah scholar. When it was time for the weekly dis- course about the Reading of the Law One Saturday night after Shabbat de- Moshe Braun, moshebraun.com which R. Yosef Caro always gave, he parted, as he was passing by the home asked R. Alsheich to ascend to the pul- of a certain poor man, he heard the again cried out that he was still hun- pit and speak in his place. R. Alsheich man joyfully wish his wife, "a good gry. R. Alsheich then ran over to some refused at first, insisting he wasn't ca- week," and begin to sing the hymn neighbors and took whatever food they pable. Only when R. Yosef Caro final- "Eliyahu HaNavi" ["Elijah the Proph- could give him, but it was not enough ly ordered him to speak did he agree. -
Table of Contents
Table of Contents From the Editors 3 From the President 3 From the Executive Director 5 The Sound Issue “Overtures” Music, the “Jew” of Jewish Studies: Updated Readers’ Digest 6 Edwin Seroussi To Hear the World through Jewish Ears 9 Judah M. Cohen “The Sound of Music” The Birth and Demise of Vocal Communities 12 Ruth HaCohen Brass Bands, Jewish Youth, and the Sonorities of a Global Perspective 14 Maureen Jackson How to Get out of Here: Sounding Silence in the Jewish Cabaretesque 20 Philip V. Bohlman Listening Contrapuntally; or What Happened When I Went Bach to the Archives 22 Amy Lynn Wlodarski The Trouble with Jewish Musical Genres: The Orquesta Kef in the Americas 26 Lillian M. Wohl Singing a New Song 28 Joshua Jacobson “Sounds of a Nation” When Josef (Tal) Laughed; Notes on Musical (Mis)representations 34 Assaf Shelleg From “Ha-tikvah” to KISS; or, The Sounds of a Jewish Nation 36 Miryam Segal An Issue in Hebrew Poetic Rhythm: A Cognitive-Structuralist Approach 38 Reuven Tsur Words, Melodies, Hands, and Feet: Musical Sounds of a Kerala Jewish Women’s Dance 42 Barbara C. Johnson Sound and Imagined Border Transgressions in Israel-Palestine 44 Michael Figueroa The Siren’s Song: Sound, Conflict, and the Politics of Public Space in Tel Aviv 46 Abigail Wood “Surround Sound” Sensory History, Deep Listening, and Field Recording 50 Kim Haines-Eitzen Remembering Sound 52 Alanna E. Cooper Some Things I Heard at the Yeshiva 54 Jonathan Boyarin The Questionnaire What are ways that you find most useful to incorporate sound, images, or other nontextual media into your Jewish Studies classrooms? 56 Read AJS Perspectives Online at perspectives.ajsnet.org AJS Perspectives: The Magazine of President Please direct correspondence to: the Association for Jewish Studies Pamela Nadell Association for Jewish Studies From the Editors perspectives.ajsnet.org American University Center for Jewish History 15 West 16th Street Dear Colleagues, Vice President / Program New York, NY 10011 Editors Sounds surround us. -
Shabbos: Ta'am Hachaim Shemini 5773
Shabbos: Ta’am HaChaim Shemini 5773 (From the archives) Shabbos in the Parasha Keep on praying for the Redemption Introduction (1820-1930). For years they had communicated by mail and now a great crowd had gathered to witness the ויבא משה ואהרן אל אהל מועד ויצאו ויברכו Moshe meeting of these two great Torah ,את העם וירא כבוד ה' אל כל העם and Aharon came to the Tent of luminaries. The crowd finally dispersed Meeting, and they went out and they and only the Rebbe’s attendant, Reb blessed the people – and the glory of Shalom, remained in the room where the HaShem appeared to the entire people two leaders were to meet. The Rebbe (Vayikra 9:23) gave his attendant a knowing glance and The Mishkan, the Tabernacle, which will Reb Shalom left the room. Unable to serve as the resting place for the Divine contain his curiosity, however, Reb Presence in the Wilderness, is ready to Shalom remained listening behind the be erected. The entire Jewish People is door, curious as to what would transpire anxiously waiting for a fire to descend in this fateful encounter. At first Reb from heaven, and this revelation would Shalom could not hear anything, and he reflect the love that HaShem had for assumed that the language barrier was them and would also demonstrate that preventing any communication, as the they had earned atonement for the sin of Rebbe only spoke Yiddish and the great worshipping the Golden Calf. Kabbalist spoke in his native Hebrew. Unfortunately, it appears as if they have Finally the two settled on Hebrew as the waited in vain. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES English Department Hasidic Judaism in American Literature by Eva van Loenen Thesis for the degree of Doctor of Philosophy December 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF YOUR HUMANITIES English Department Thesis for the degree of Doctor of Philosophy HASIDIC JUDAISM IN AMERICAN LITERATURE Eva Maria van Loenen This thesis brings together literary texts that portray Hasidic Judaism in Jewish-American literature, predominantly of the 20th and 21st centuries. Although other scholars may have studied Rabbi Nachman, I.B. Singer, Chaim Potok and Pearl Abraham individually, no one has combined their works and examined the depiction of Hasidism through the codes and conventions of different literary genres. Additionally, my research on Judy Brown and Frieda Vizel raises urgent questions about the gendered foundations of Hasidism that are largely elided in the earlier texts. -
Awaiting His Coming (I) the Value of Longing and Mourning the Churban, a Bitter Cry Broke Out
ב"ה למען ישמעו • מטות-מסעי תשפ"א • 626 Editor - RABBI SHIMON HELLINGER AWAITING HIS COMING (I) THE VALUE OF LONGING and mourning the churban, a bitter cry broke out. on a certain date his beloved son-in-law would Turning around, Reb Yitzchok turned around and be arriving for a visit. The whole household The Rambam writes that it is not only obligatory saw Reb Avrohom HaMalach sitting with his head prepared excitedly for his arrival. The great day to believe in the coming of Moshiach; one must between his knees, weeping bitterly. Long after came, but the visitor was nowhere to be seen. also await his coming. Moreover, a person who everyone had left, he continued watching Reb The family became restless. What could possibly does not do so is denying the Torah, Moshe Avrohom, who sat in the same position without have delayed him? The Yismach Moshe sat in his Rabbeinu and all the other nevi'im. moving. When the clock struck midnight, Reb room engrossed in his seforim while some family Yitzchok retired for the night. members waited outside impatiently, when a )רמב"ם הל' מלכים פי"א ה"א( carriage suddenly appeared on the horizon. The The following morning, when he arrived early to The Midrash writes that at the time of the Rebbe's shammes excitedly ran inside to bring shul, he found the Malach still mourning, in the churban, Yitzchok Avinu asked Hashem, "Will the him the good news: "Rebbe, he has arrived!" Yidden perhaps never merit to return?" Hashem midst of a puddle of tears. -
ASSOCIATION for JEWISH STUDIES 37TH ANNUAL CONFERENCE Hilton Washington, Washington, DC December 18–20, 2005
ASSOCIATION FOR JEWISH STUDIES 37TH ANNUAL CONFERENCE Hilton Washington, Washington, DC December 18–20, 2005 Saturday, December 17, 2005, 8:00 PM Farragut WORKS IN PROGRESS GROUP IN MODERN JEWISH STUDIES Co-chairs: Leah Hochman (University of Florida) Adam B. Shear (University of Pittsburgh) Sunday, December 18, 2005 GENERAL BREAKFAST 8:00 AM – 9:30 AM International Ballroom East (Note: By pre-paid reservation only.) REGISTRATION 8:30 AM – 6:00 PM Concourse Foyer AJS ANNUAL BUSINESS MEETING 8:30 AM – 9:30 AM Lincoln East AJS BOARD OF 10:30 AM Cabinet DIRECTORS MEETING BOOK EXHIBIT (List of Exhibitors p. 63) 1:00 PM – 6:30 PM Exhibit Hall Session 1, Sunday, December 18, 2005 9:30 AM – 11:00 AM 1.1 Th oroughbred INSECURITIES AND UNCERTAINTIES IN CONTEMPORARY JEWISH LIFE Chair and Respondent: Leonard Saxe (Brandeis University) Eisav sonei et Ya’akov?: Setting a Historical Context for Catholic- Jewish Relations Forty Years after Nostra Aetate Jerome A. Chanes (Brandeis University) Judeophobia and the New European Extremism: La trahison des clercs 2000–2005 Barry A. Kosmin (Trinity College) Living on the Edge: Understanding Israeli-Jewish Existential Uncertainty Uriel Abulof (Th e Hebrew University of Jerusalem) 1.2 Monroe East JEWISH MUSIC AND DANCE IN THE MODERN ERA: INTERSECTIONS AND DIVERGENCES Chair and Respondent: Hasia R. Diner (New York University) Searching for Sephardic Dance and a Fitting Accompaniment: A Historical and Personal Account Judith Brin Ingber (University of Minnesota) Dancing Jewish Identity in Post–World War II America: -
Transdenominational MA in Jewish Music Program, Preparing
THIS IS THE INSIDE FRONT COVER EDITOR: Joseph A. Levine ASSOCIATE EDITOR: Richard Berlin EDITORIAL BOARD Rona Black, Shoshana Brown, Geoffrey Goldberg, Charles Heller, Kimberly Komrad, Sheldon Levin, Laurence Loeb, Judy Meyersberg, Ruth Ross, Neil Schwartz, Anita Schubert, Sam Weiss, Yossi Zucker TheJournal of Synagogue Music is published annually by the Cantors As- sembly. It offers articles and music of broad interest to theh azzan and other Jewish professionals. Submissions of any length from 1,000 to 10,000 words will be consid ered. GUIDELINES FOR SUBMITTING MATERIAL All contributions and communications should be sent to the Editor, Dr. Joseph A. Levine—[email protected]—as a Word docu- ment, with a brief biography of the author appended. Musical and/or graphic material should be formatted and inserted within the Word document. Footnotes are used rather than endnotes, and should conform to the fol- lowing style: A - Abraham Idelsohn, Jewish Liturgy (New York: Henry Holt), 1932: 244. B - Samuel Rosenbaum, “Congregational Singing”; Proceedings of the Cantors Assembly Convention (New York: Jewish Theological Seminary), February 22, 1949: 9-11. Layout by Prose & Con Spirito, Inc., Cover design and Printing by Replica. © Copyright 2009 by the Cantors Assembly. ISSN 0449-5128 ii FROM THE EDITOR: The Issue of Niggunim in Worship: Too Much of a Good Thing? ..................................................4 THE NEO-HASIDIC REVIVAL AT 50 Music as a Spiritual Process in the Teachings of Rav Nahman of Bratslav Chani Haran Smith. 8 The Hasidic Niggun: Ethos and Melos of a Folk Liturgy Hanoch Avenary . 48 Carlebach, Neo-Hasidic Music and Liturgical Practice Sam Weiss. -
+972) 53-7127469+
טל: 03-5780130 (+972) נייד: 53-7127469 (+972) 53-4813234 (+972) [email protected] המכירה והתצוגה יתקיימו ב׳פנינת חמד׳ רח' שמגר 21 ירושלים התצוגה בימים: יום שני ט' סיוון 1-6-2020 17:00-22:00 יום שלישי י' סיוון 2-6-2020 14:00-21:00 המכירה ביום רביעי י״א סיוון 3/6/20 בשעה: 19:00 The pre-auction exhibition will take place at Pninat Chemed, 21 Shamgar St., Jerusalem אנגלית: הגב' מ. בלום Monday, 9 Sivan / 1 June, 2020 4:00 PM – 8:00 PM עימוד ועיצוב גרפי: אביעד בן סימון Tuesday, 10 Sivan / 2 June, 2020 12:00 PM – 6:00 PM © כל הזכויות שמורות ,The auction will be on Wednesday 11 Sivan / 3 June, 2020 at 7:00 PM תוכן עניינים ספרי קבלה ..................................................................... 6 ספרים ומסכתות מדפוסים שונים...................................... 15 כתבי יד חשובים .............................................................. 22 ספרים משנות הש' ודפוסים חשובים ................................ 25 ספרים מדפוס אמסטרדם................................................. 43 ספרים שונים ................................................................... 47 ספרים מיוחסים וכתבי יד מגדולי הדורות......................... 48 ספרי החפץ חיים ............................................................. 67 הגדות של פסח ............................................................... 71 כתבים ממרוקאים............................................................ 73 ספרים מיוחסים וכתבי יד מגדולי האדמורי"ם........................................................... 75 ספרי חסידות וסגולה ...................................................... -
Are Head Coverings the New Black? Sheitels and the Religious-Secular Culture Wars in Twenty-First-Century America and Its Literature
Skinazi, K. E. H. (2017). Are head coverings the new black? Sheitels and the religious-secular culture wars in twenty-first-century America and its literature. Open Library of Humanities, 3(2). https://doi.org/10.16995/olh.138 Publisher's PDF, also known as Version of record License (if available): CC BY Link to published version (if available): 10.16995/olh.138 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via Open Library of Humanities at https://olh.openlibhums.org/articles/10.16995/olh.138/ . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ New Voices in Jewish-American Literature How to Cite: Skinazi, K E H 2017 Are Head Coverings the New Black? Sheitels and the Religious-Secular Culture Wars in Twenty-first-century America and its Literature. Open Library of Humanities, 3(2): 12, pp. 1–27, DOI: https://doi.org/10.16995/olh.138 Published: 08 November 2017 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2017 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. -
Zamir Chorale of Boston
Zamir Chorale of Boston A Gala Golden Anniversary Concert zamir chorale rh nzv of boston Honoring Founder & Artistic Director Joshua Jacobson 19 01969–20 1320 Centre Street, Suite 306 5 Newton, MA 02459 www.zamir.org • [email protected] Tuesday, June 4, 2019, 7:30 pm Sanders Theatre, Cambridge zamir chorale rhnzv of boston 9 1 0 –2 501969 We are delighted to celebrate Zamir@50 with you. Tonight’s gala concert is the culmination of our year-long celebration Joshua R. Jacobson of Zamir’s jubilee and an opportunity to honor our friend, Maestro Joshua Jacobson. Toward the end of my senior year in college, I received a phone call from Stanley Sperber. Stanley had been my Over the past five decades, the Zamir Chorale of music counselor at Camp Yavneh in the early 1960s and Boston has consistently been a key player in the was responsible for my transition from a guitar-playing cultural life of our community and an international leader folkie to a student of classical music and an aspiring choral in Jewish choral music. Whether reviving old classics, sharing conductor. In 1960, Stanley had started a youth chorus current favorites, or commissioning exciting new pieces, Zamir, in Manhattan comprised of teenagers who had sung under Josh’s inspiring leadership, has made Jewish music an important part together in the summers at Camp Massad. The ensemble of the lives of so many people. was dedicated to the performance of Israeli and Jewish music. Eventually, they gave their chorus a name: Zamir. In the past 50 years, Zamir has performed hundreds of concerts throughout North America; produced over 30 recordings and videos; commissioned 31 new works; Stanley was phoning to invite me to start a Zamir Chorale in Boston. -
The Absent Seventh Beggar
1 This is a box structure outline of Nachman’s Tale of the Seven Beggars, a story composed of a series of nested stories. Since the tale remains incomplete, the nesting structure never works its way back to the outermost frame. Pearl Abraham, author “The Seventh Beggar”1 In the beginning of time, before the mountains were made. Before the sky split, passion sits. In peace and harmony. Creates the space for a new baby. We stay empty in the vision of the King for his dreams will manifest in we. Princes and Priests will come run and emerge as the surge flows like rain. To see, to see the day it come When the King will look into His Kingdom. And to my being and see hisself happy. Believe in me, I believe in we. This is the story of the seven beggars. Trying to get back on a eagle's feathers. Looking for a place to be born amongst the sons and daughters. Get back to you, get back to you. There was an ocean, there was a boat. It ran into the waves and rocks and it broke. From the debris, made the ocean and skies, overt deceit, lies. Ancient tongue. 1 For scholarly analysis of folk themes see Avidov Lipsker: (Jerusalem Studies in Jewish Folklore, 13-14 (1992), pp. 229-248) 2 So the great equal smile. You, you, me, we are the same. You, who remembers all the while, all the way back before the cord was cut? Before the leaves, before the trees, before the sea, and the black ocean breeze. -
A Psychoanalytic Reading of Projection in the Mother
حوليات آداب عني مشس اجمللد 47 ) عدد أكتوبر – ديسمرب 2019( http://www.aafu.journals.ekb.eg )دورية علمية حملمة( جامعة عني مشس كلية اﻵداب Projection in the Mother- A Psychoanalytic Reading of Daughter Relationship in Pearl Abraham’s The Romance Reader Faculty of Arts - Kafreshikh University Abstract: Pearl Abraham‟s first novel The Romance Reader (1995) features the struggle between Hasidism and modernity as exemplified in the conflictual relationship between the main female character Rachel Benjamin and her mother Tovele. Rachel is born to a Hasidic Rabbi seeking the fulfillment of his Gnostic experience by secluding himself and his family away from the modern means of life in America. Thus, what others take for granted in everyday life is totally prohibited by the Hasidic Benjamin family. Rachel, the first born daughter of the rabbi, is prohibited from any liberal indulgence in modern life; such as, reading books in English; listening to the radio; or swimming in a swimsuit. According to the norm of the Hasidic community, Rachel‟s marriage is prearranged at a premature age. This paper offers a critical psychoanalytic reading of the relationship between Rachel and her mother, who is ironically the oppressor and the victim of the repressive Hasidic rules. Still, the novel recounts the constant conflict between Rachel‟s mother and her stubbornly disobedient daughter. Rachel begins her rebellion by illicitly obtaining a library card in order to read romance novels in English. Rachel goes against all odds and swims in a swimsuit. She also wears sheer stockings against the austere teachings of her religious sect.