Spring 2004 Issue (PDF)
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Table of Contents
Table of Contents From the Editors 3 From the President 3 From the Executive Director 5 The Sound Issue “Overtures” Music, the “Jew” of Jewish Studies: Updated Readers’ Digest 6 Edwin Seroussi To Hear the World through Jewish Ears 9 Judah M. Cohen “The Sound of Music” The Birth and Demise of Vocal Communities 12 Ruth HaCohen Brass Bands, Jewish Youth, and the Sonorities of a Global Perspective 14 Maureen Jackson How to Get out of Here: Sounding Silence in the Jewish Cabaretesque 20 Philip V. Bohlman Listening Contrapuntally; or What Happened When I Went Bach to the Archives 22 Amy Lynn Wlodarski The Trouble with Jewish Musical Genres: The Orquesta Kef in the Americas 26 Lillian M. Wohl Singing a New Song 28 Joshua Jacobson “Sounds of a Nation” When Josef (Tal) Laughed; Notes on Musical (Mis)representations 34 Assaf Shelleg From “Ha-tikvah” to KISS; or, The Sounds of a Jewish Nation 36 Miryam Segal An Issue in Hebrew Poetic Rhythm: A Cognitive-Structuralist Approach 38 Reuven Tsur Words, Melodies, Hands, and Feet: Musical Sounds of a Kerala Jewish Women’s Dance 42 Barbara C. Johnson Sound and Imagined Border Transgressions in Israel-Palestine 44 Michael Figueroa The Siren’s Song: Sound, Conflict, and the Politics of Public Space in Tel Aviv 46 Abigail Wood “Surround Sound” Sensory History, Deep Listening, and Field Recording 50 Kim Haines-Eitzen Remembering Sound 52 Alanna E. Cooper Some Things I Heard at the Yeshiva 54 Jonathan Boyarin The Questionnaire What are ways that you find most useful to incorporate sound, images, or other nontextual media into your Jewish Studies classrooms? 56 Read AJS Perspectives Online at perspectives.ajsnet.org AJS Perspectives: The Magazine of President Please direct correspondence to: the Association for Jewish Studies Pamela Nadell Association for Jewish Studies From the Editors perspectives.ajsnet.org American University Center for Jewish History 15 West 16th Street Dear Colleagues, Vice President / Program New York, NY 10011 Editors Sounds surround us. -
Transdenominational MA in Jewish Music Program, Preparing
THIS IS THE INSIDE FRONT COVER EDITOR: Joseph A. Levine ASSOCIATE EDITOR: Richard Berlin EDITORIAL BOARD Rona Black, Shoshana Brown, Geoffrey Goldberg, Charles Heller, Kimberly Komrad, Sheldon Levin, Laurence Loeb, Judy Meyersberg, Ruth Ross, Neil Schwartz, Anita Schubert, Sam Weiss, Yossi Zucker TheJournal of Synagogue Music is published annually by the Cantors As- sembly. It offers articles and music of broad interest to theh azzan and other Jewish professionals. Submissions of any length from 1,000 to 10,000 words will be consid ered. GUIDELINES FOR SUBMITTING MATERIAL All contributions and communications should be sent to the Editor, Dr. Joseph A. Levine—[email protected]—as a Word docu- ment, with a brief biography of the author appended. Musical and/or graphic material should be formatted and inserted within the Word document. Footnotes are used rather than endnotes, and should conform to the fol- lowing style: A - Abraham Idelsohn, Jewish Liturgy (New York: Henry Holt), 1932: 244. B - Samuel Rosenbaum, “Congregational Singing”; Proceedings of the Cantors Assembly Convention (New York: Jewish Theological Seminary), February 22, 1949: 9-11. Layout by Prose & Con Spirito, Inc., Cover design and Printing by Replica. © Copyright 2009 by the Cantors Assembly. ISSN 0449-5128 ii FROM THE EDITOR: The Issue of Niggunim in Worship: Too Much of a Good Thing? ..................................................4 THE NEO-HASIDIC REVIVAL AT 50 Music as a Spiritual Process in the Teachings of Rav Nahman of Bratslav Chani Haran Smith. 8 The Hasidic Niggun: Ethos and Melos of a Folk Liturgy Hanoch Avenary . 48 Carlebach, Neo-Hasidic Music and Liturgical Practice Sam Weiss. -
Zamir Chorale of Boston
Zamir Chorale of Boston A Gala Golden Anniversary Concert zamir chorale rh nzv of boston Honoring Founder & Artistic Director Joshua Jacobson 19 01969–20 1320 Centre Street, Suite 306 5 Newton, MA 02459 www.zamir.org • [email protected] Tuesday, June 4, 2019, 7:30 pm Sanders Theatre, Cambridge zamir chorale rhnzv of boston 9 1 0 –2 501969 We are delighted to celebrate Zamir@50 with you. Tonight’s gala concert is the culmination of our year-long celebration Joshua R. Jacobson of Zamir’s jubilee and an opportunity to honor our friend, Maestro Joshua Jacobson. Toward the end of my senior year in college, I received a phone call from Stanley Sperber. Stanley had been my Over the past five decades, the Zamir Chorale of music counselor at Camp Yavneh in the early 1960s and Boston has consistently been a key player in the was responsible for my transition from a guitar-playing cultural life of our community and an international leader folkie to a student of classical music and an aspiring choral in Jewish choral music. Whether reviving old classics, sharing conductor. In 1960, Stanley had started a youth chorus current favorites, or commissioning exciting new pieces, Zamir, in Manhattan comprised of teenagers who had sung under Josh’s inspiring leadership, has made Jewish music an important part together in the summers at Camp Massad. The ensemble of the lives of so many people. was dedicated to the performance of Israeli and Jewish music. Eventually, they gave their chorus a name: Zamir. In the past 50 years, Zamir has performed hundreds of concerts throughout North America; produced over 30 recordings and videos; commissioned 31 new works; Stanley was phoning to invite me to start a Zamir Chorale in Boston. -
From Boston to Berlin with the Zamir Chorale of Boston I Don't Believe In
From Boston to Berlin with the Zamir Chorale of Boston I don’t believe in ghosts. But when Zamir was in Berlin in December of 2011, I had the eerie sensation that we were channeling the spirits of Germany’s departed Jewish musicians. The Louis Lewandowski Festival committee had invited us to come to Berlin and represent the United States at their upcoming celebration of the life and work of the greatest nineteenth-century composer of synagogue music. I had a feeling we would be interested, but I was unprepared for the enthusiasm with which the members of Zamir responded to the invitation. Thirty five singers (along with a handful of spouses and partners) were eager to travel and pay for a rather expensive flight. But none of us could have anticipated the amazing experience that was about to unfold and change our lives. The festival was organized and underwritten by Mr. Nils Busch-Petersen, an influential philo- Semitic Berlin lawyer, who has served as District Mayor of Berlin-Pankow, Chief Executive of the National Association of Medium-and Large-scale retail, and Managing Director of the Berlin- Brandenburg Trade Association. He is also CEO of the Friends of the Berlin Synagogal Ensemble, and published author of four books about German Jewish merchants. Busch-Petersen spared no expense in planning this festival; there were huge billboards advertising the festival all over Berlin, and the choirs were treated like visiting royalty. Our first concert was in the Krankenhauskirche in Wuhlgarten, a neighborhood of East Berlin, and a 75-minute bus ride from our hotel. -
The Jewish Cantor in History Moshe Koussevitzky's Early Career Byron's
September 2019 Volume 44 Number 1 The Jewish Cantor in History Moshe Koussevitzky’s Early Career Byron’s “She Walks in Beauty,” a New Setting Odessa’s Unsung Composer — Pinchas Minkowsky Congregational Song in American Conservative Synagogues and Much More... September 2019 Volume 44 Number 1 The Journal is optimized to be read using Adobe Acrobat Reader (click here for a free download). The Bookmark feature, which allows readers to directly access and then jump between articles, may not otherwise function. Front Cover: Jubilee Synagogue, Jerusalem Street, Prague. LOOKING BACK The Jewish Cantor in History—or—Music in Medieval Judaism Israel Goldschmidt ......................................................................................................... 4 A New Setting by Charles Heller of Byron’s “She Walks in Beauty,” Gleaned from several sources (Click where indicated to access the audio file) ........ 14 A Moment in Time: Odessa and Its Unsung Composer— Pinchas Minkowsky (1859-1924) Marsha Bryan Edelman.................................................................................................. 16 Portrait of the Artist as a Young Cantor—Moshe Koussevitzky’s Early Career (1918-1928)—on the 120th Anniversary of His Birth Mark Friedlander ........................................................................................................... 26 The Development of Congregational Song in the American Conservative Synagogue 1900-1955 Geoffrey Goldberg ........................................................................................................ -
Spring 2002 Issue (PDF)
N O T E S F R O M é ì é ì ö ZAMIR øéîæ Spring 2002 The Magazine of the Zamir Chorale of Boston á"ñùú áéáà An Exploration of American Jewish and Jewish American Music From the Artistic Director Joshua R. Jacobson“What is ‘American’ and ‘Jewish’ about American Jewish Mu- I was excited as I began to plan the theme for this spring’s to color nearly every corner of the Jewish melos. Klezmer program, but I couldn’t figure out what to call it: Jewish bands, the Yiddish theater, and eventually even the cantor American music or American Jewish music? Was there a and choir in the synagogue began to take on jazz rhythms, difference? As I began to unravel these threads, I con- scales, and instrumentation. fronted some fascinating questions. Beyond the audible assimilation of the popular idiom, Investigating American Jewish music, we are struck by there were other, more intangible, aspects of America that how the American experience changed the nature of Jew- came to be felt in Jewish musical life. First, America’s cul- ish music. Jews, in unprecedented numbers, came to these ture was more casual than that of Europe. Formality in shores from Eastern Europe. Between 1880 and 1925, music as well as in manners was out of vogue; performanc- some 2.4 million Jews arrived, accounting for nearly 10 es were characterized by familiarity. Second, the pace of percent of the total immigration. Their new home consid- life seemed faster here; gratification was instant, turnover ered itself a “melting pot.” The ideal was a cauldron into was continuous, and music, like everything else, would which were poured immigrants of many heritages and out have to keep up with the times. -
1993 Lights6! Boston Celebrates Chanukka.Pdf
LIGHTS6 was conceived by Joshua Jacobson and Hankus Netsky, with a special assist from Moshe Waldoks. Musical arrangements, unless other wise indicated, are by Joshua Jacobson and Hankus Netsky. The stage decorations were created by Leila Joy Rosenthal, Lisa Kolb and Susan , Jacobs. Food concessions courtesy of Catering by Andrew. Special thanks to Prof. Mort Kaplan, Tom Habeker and Steven Smith of Northeastern Univer sity. Unauthorized taping of this concert is strictly prohibited. j Please do not take pictures during the concert. I I Kindly turn off the electronic signal on your watch or pager. i Boston Celebrates Chanukah with The Zamir Chorale of Boston please join us for the Zamir Chorale's The Klezmer Conservatory Band 25th Anniversary Concert and special guests Sunday, April 17, 3PM The Tsai Performance Center at Boston University Cantor Deborah Katchko-Zimmerman Cantor Charles Osborne The Zamir Chorale, the Zamir Alumni Chorale and the Zamir Symphony Orchestra, with special guests Cantor Eliot Vogel and and Chaim Parchi Rabbi Bernard Mehlman will perform Ernest Bloch's Sacred Service and other choral masterpieces Produced by the Zamir Chorale of Boston P.O. Box 126, Newton, MA 02159 617-965-6522 Sunday, December 12, 1993 THIS PROJECT IS FUNDED IN PART BY THE 3:00pm _~-----.-.r; ~~IiUnl'H:I~VUl ''UH:.J ·~rtz~"r"'I4··-tII·Iw-"m,~·6,J".J..tpt</_"--." Blackman Auditorium l' A STAll AGENCY WHICH ALSO RECEIVES SUPPORT fROM TH~ NA TlOHAl ENDOWMENT fOR THE ARTS Northeastenl University Guest soloist Hazzan Charles D. Osborne serves Temple Emanuel of Newton Zamir thanks those contributors whose support allows us to continue to Centre, Massachusetts. -
From the Rabbi's Study Rabbi David A
May 2009 Iyar-Sivan 5769 Vol. 56, No.6 FROM THE RABBI'S STUDY RABBI DAVID A. UPPER t is hard to believe that after eight years, I began my tenure here with a sermon where I shared my I this is my final article for the WINDOW. favorite bible verse. It remains "where there is no vision ... Later this month, for Confirmation, I shall ascend the Bimah the people perish (Pr. 29: 18)". Who creates the vision of for my final service. I made a personal commitment to the the community with which you want to belong? Do you students in this year's class that I would be there for them. abrogate that responsibility or do you use the experiences I am very proud of Jenna Baker and Ben Cutler, our small of the past years to seize the moment and become, as I but mighty leaders of the future. You should come and related last month "the master of my fate and the captain of celebrate with them on May 28 at 7:00 p.m. my soul?" I have thought long and hard about what my final words Temple needs passion, not reservation or resignation. should be to the members of the congregation. In my first Temple Israel is much larger than any Board of Trustees congregation, I had this conversation after delivering my first or committee. Temple has been a force in Akron for 144 sermon as a newly ordained rabbi. My senior colleague years. It has endured great challenges before and thrived expressed to me that in his final sermon, he would say "get when people of conscience awoke and grasped the mantle good memories!" That would be his message. -
Joshua Jacobson Vita Page 1/19 Joshua R. Jacobson Home
Joshua Jacobson Vita page 1/19 Joshua R. Jacobson home: 617-965-2304 mobile: 617-872-1628 35 Garland Road Newton, MA 02459 [email protected] www.joshuajacobson.org office: Department of Music Northeastern University Boston, MA 02115 [email protected] 617-373-3635 (fax: 617-373-4129) EDUCATION • DoCtor of Humane Letters, honoris causa, Hebrew College, 2016 • DoCtor of MusiCal Arts in Choral ConduCting, University of CinCinnati, College Conservatory of MusiC, 1984. • Master of MusiC in Choral Conducting, New England Conservatory of MusiC, 1971. • BaChelor of Arts in MusiC cum laude, Harvard University, 1969. • Boston Latin SChool, 1965. • Prozdor High SChool at Hebrew TeaChers College, 1965. • VoiCe study with Bernard Barbeau, JaniCe DelSesto, Dianne Wade, Frauke Haasemann, Jeanne Segal. • ConduCting workshops with Robert Shaw, Gregg Smith, Iva Dee Hiatt. • Seminar in MusiC Administration with Ray Robinson (1983). • ConduCting Workshops with Robert Shaw (1976, 1977) EMPLOYMENT Northeastern University • Faculty since 1972 (full Professor since July, 1989) • DireCtor of Choral Activities sinCe 1975 • Chairman of the Department of MusiC 1983–1992 • Stotsky Professor of Jewish HistoriCal and Cultural Studies (1992-1998) • Consultant in MusiC to University College 1982-1992 • Chairman and Founder, Jewish Studies Committee 1992-1995 • Produced several Concerts for the Jewish Studies Program, including an international symposium on the MusiC of Terezin in November of 1994. • Facilitated an exchange program between Northeastern University and Hebrew College. • Developed and initiated the New England Conservatory of MusiC. • Developed and initiated the Jewish Studies Program at Northeastern University, inCluding the minor in Jewish Studies. • Quarterly guest Co-host of NU/NPR radio program, A Note to You Major works conducted include: BaCh, Christ lag in Todesbanden _____, Jesu, meine Freude _____, Saint John Passion BaCh, P. -
September 2020 Volume 45 Number 1
September 2020 Volume 45 Number 1 A “ VIMALEI” BOY CONFESSES VALUING TOT SHABBAT SERVICES THE CANTOR’S POWER OF EXCLUSION HAZZANUT & THE INDIVIDUAL WORSHIPER BRITISH REFORM JUDAISM’S CHANGING MUSIC HAVINEINU : AN ABBREVIATED WEEKDAY AMIDAH REHEARSING AND CONDUCTING ADULT JEWISH CHOIRS THE LIVE STREAMING OF SERVICES ON SHABBAT AND FESTIVALS EMOTIONAL EXCITEMENT: HAZZANIC RECITATIVES & CARLEBACH NUSACH September 2020 Volume 45 Number 1 The Journal is optimized to be read using Adobe Acrobat Reader (click here for a free download). The Bookmark feature, which allows readers to directly access and then jump between articles, may not otherwise function. Front cover: “Tree of Life” Ark, Congregation Micah, Nashville; Michael Landau Architectural Associates, 1997. AN ENVOI TO OUR READERS Joseph A. Levine .............................................................................................................. 4 RECENT ETHNOMUSICOLOGICAL RESEARCH Participation in Tension with Performance: Choirs and Cantors and Congregational Singing Joshua R. Jacobson .......................................................................................................... 5 Singing Their Heart Out: Emotional Excitement in Cantorial Recitatives and Carlebach Nusah Amit Klein .......................................................................................................................15 The Changing Music of British Reform Judaism Barbara Borts ...................................................................................................................40 -
2012 from Boston to Berlin.Pdf
An uplifting and entertaining program featuring highlights from zamir's recenttour to Berlin-musiC from the synagOgue bima to the cabaret stage ~"2al\lir'?\'?5~~~)) ~ )) ~~Tn zamirchorale G......, of boston ~ Zamir Chorale of Boston 1320 Centre Street, Suite 306 Newton Centre, MA 02459 www.zamir.org; [email protected]; 617-244-6333 .~~~~~~~~-------------~~- The Zamir Chorale of Boston Consulate General Music with a Mission •.. ofthe Federal Republic of Germany IBoston Founded in 1969, the Zamir Chorale of Boston's mission is to serve as "a musical and educational organization dedicated to raising awareness of the breadth and beauty of Jewish culture through performances, recordings, symposia, publications, and musical commissions." Led by Founder and Artistic Director Joshua Jacobson, the Chorale comprises Message of Greetings from the German Consul General more than 45 experienced volunteer singers who perform music spanning thousands of years, four continents, and a variety of styles, both classical and popular. Zamir's repertoire includes Jewish liturgical pieces, major classical works, music of the Holocaust, newly commissioned Dear Friends and Members of the lam!r Chorale of Boston, compositions, and Israeli, Yiddish, and Ladino folksongs. Zamir's music Back in August of last year, I learned that the The lamlr Chorale of Boston would visit the is enjoyed by people of all ages, religions and races. Concerts can be German capital to represent the United States of America at the first Louis Lewandowski designed to meet the special requirements -
Shelf 1 1/27/2017
RECORDS – SHELF 1 1/27/2017 Categories Cantors, Rabbis & Cantorial Soloists Blessings, Chants & Holiday Songs Religious Vocal Duets Religious Vocal Trios Religious Vocal Quartets Religious Choral Music Cantors in Concert Chassidic Songs & Melodies CANTORS, RABBIS & CANTORIAL SOLOISTS Cantor Shabatai Ackerman: The Golden Voice of Israel, “Songs of the Ages” Cantorial Masterpieces Organist: Abe Ellstein; Choral Conductor: Oscar Julius Side 1: V’ha-Arev No, Hamavir Bonov, R’tsei A’sirosom, Ani Maamin Side 2: Kilekach Tov, Mi Shoso Nisim, V’se Erav, Shma Yisroel The Art of Cantor Israel Alter, Vol. 2 Side 1: Hashkiveinu, Elokeinu … R’tzei, Keil Mole Rachamim, Ma Tovu, Yaale Pt. II Side 2: Ani Maamin, Modim D’rabanan, Hachnisini, Acharei Moti, Unter Di Grininke Boymelakh, Lo Lonu Isroel Balkin: Ve Ishey Isroel Side 1: Mogen Ovos, Dovid Mizmo, Al Zos, Ano Avdo Side 3: Ov Horachmim, Ykum Purkon, Val Ydey, Melech Rachamon Bas Sheva: Soul of a People Orchestra conductor: Harold Mooney Side 1: Zorea Tsedakot, She’yibane Beyt Hamikdash, Mi She’asa Nissim Side 2: Habet, Sim Shalom, Retseh Sidor Belarsky -- 78 rpm Cantorial Collection 1 Side A: Veulai Side B: Shir Hashamisha Samuel Dov Berman: Sing to the Lord Side 1: Shiru Ladonai, Matovu, Shalom Rav, Yaanah, Lakol Z’man, Shalom Aleichem, I Never Saw Another Butterfly Side 2: Avinu Malkeynu, Nigun, V’erastich, Hinach Yaffa, Wedding for Today, Hayom T’amtzenu Hans Bloemendal: L’shanah Tovah, Music of Rosh Hashanah and Yom Kipper Side 1: Rosh Hashanah: Uv’shoufor Godoul Yitoka, S’u Sh’orim, M’louch