David Robinson Collection Monographs, Articles, Manuscripts
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Wilde's World
Wilde’s World Anne Anderson Aesthetic London Wilde appeared on London’s cultural scene at a propitious moment; with the opening of the Grosvenor Gallery in May 1877 the Aesthetes gained the public platform they had been denied. Sir Coutts Lindsay and his wife Blanche, who were behind this audacious enterprise, invited Edward Burne-Jones, George Frederick Watts, and James McNeill Whistler to participate in the first exhibition; all had suffered rejections from the Royal Academy.1 The public were suddenly confronted with the avant-garde, Pre-Raphaelitism, Symbolism, and even French Naturalism. Wilde immediately recognized his opportunity, as few would understand “Art for Art’s sake,” that paintings no longer had to be didactic or moralizing. Rather, the function of art was to appeal to the senses, to focus on color, form, and composition. Moreover, the aesthetes blurred the distinction between the fine and decorative arts, transforming wallpapers and textiles into objets d’art. The goal was to surround oneself with beauty, to create a House Beautiful. Wilde hitched his star to Aestheticism while an undergraduate at Oxford; his rooms were noted for their beauty, the panelled walls thickly hung with old engravings and contemporary prints by Burne-Jones and filled with exquisite objects: Blue and White Oriental porcelain, Tanagra statuettes brought back from Greece, and Persian rugs. He was also aware of the controversy surrounding Aestheticism; debated in the Oxford and Cambridge Undergraduate in April and May 1877, the magazine at first praised the movement as a civilizing influence. It quickly recanted, as it sought “‘implicit sanction’” for “‘Pagan worship of bodily form and beauty’” and renounced morals in the name of liberty (Ellmann 85, emphasis in original). -
Unknown Stories: Biographies of Adults with Primary Lymphoedema
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk University of Southampton Unknown Stories: Biographies of Adults with Primary Lymphoedema Bernadette Waters A thesis submitted in partial fulfilment of the degree of Doctor of Education School of Education 2009 (Word Count 45,987) ABSTRACT Lymphoedema is a chronic, debilitating and disfiguring medical condition caused by lymphatic insufficiency. This insufficiency may be characterised as primary, when there is congenital or hereditary cause; or secondary, when the cause is related to trauma or illness. It can lead to extreme swelling, most usually in the limbs, and creates increased susceptibility to recurrent, and sometimes life- threatening, infection. Physical, psychological and social effects of the condition can have a significant impact on an individual’s life and their levels of participation. Lymphoedema has attracted a very small amount of research activity by comparison to other chronic conditions and almost all research has focused on the views of medical experts and relates to their management of the condition. -
DICKENS FINAL with ILLUS.Ppp
The Dickens Calendar 2012 The Dickens Calendar 2012 Celebrating the bicentenary of Dickens’s birth. £6.00 each or £10.00 for 2 (plus postage) Contact Jarndyce to order your copy: Email: [email protected] Phone: 020 7631 4220 35 _____________________________________________________________ Jarndyce Antiquarian Booksellers 46, Great Russell Street Telephone: 020 - 7631 4220 (opp. British Museum) Fax: 020 - 7631 1882 Bloomsbury, Email: [email protected] London WC1B 3PA V.A.T. No. GB 524 0890 57 _____________________________________________________________ CATALOGUE CXCV WINTER 2011-12 THE DICKENS CATALOGUE Catalogue: Joshua Clayton Production: Carol Murphy All items are London-published and in at least good condition, unless otherwise stated. Prices are nett. Items on this catalogue marked with a dagger (†) incur VAT (current rate 20%) A charge for postage and insurance will be added to the invoice total. We accept payment by VISA or MASTERCARD. If payment is made by US cheque, please add $25.00 towards the costs of conversion. Email address for this catalogue is [email protected]. JARNDYCE CATALOGUES CURRENTLY AVAILABLE, price £5.00 each include: Social Science Parts I & II: Politics & Philosophy and Economics & Social History. Women III: Women Writers J-Q; The Museum: Books for Presents; Books & Pamphlets of the 17th & 18th Centuries; 'Mischievous Literature': Bloods & Penny Dreadfuls; The Social History of London: including Poverty & Public Health; The Jarndyce Gazette: Newspapers, 1660 - 1954; Street Literature: I Broadsides, Slipsongs & Ballads; II Chapbooks & Tracts; George MacDonald. JARNDYCE CATALOGUES IN PREPARATION include: The Museum: Jarndyce Miscellany; The Library of a Dickensian; Women Writers R-Z; Street Literature: III Songsters, Lottery Puffs, Street Literature Works of Reference. -
The Mechanics Institutes: Pioneers of Leisure and Excursion Travel by Susan Barton
The Mechanics Institutes: Pioneers of Leisure and Excursion Travel by Susan Barton In July 1841, the excursion organised by Thomas Cook to a temperance rally in Loughborough 'took a trip into history'. Less well known than this famous journey are the pioneering rail excursions organised by the Mechanics' Institutes during the two preceding years. This paper is concerned with the story of the excursion undertaken by the Mechanics Institutes of Leicester and Nottingham during the summer of 1840. With the opening of the Midland Counties Railway in May 1840, there existed for the first time in the East Midlands a means of quick mass conveyance between the region's towns which enabled people to travel for leisure purposes in a manner without previous local precedent. The Mechanics utilised the potential of steam-powered rail travel to visit the exhibitions in Leicester and Nottingham in 1840. These exhibitions were organised by their respective Mechanic Institutes with the aim of providing education, entertainment and raising funds. The reciprocal visits between the two towns' were a tremendous success and provided inspiration for subsequent leisure excursions and the imminent development of the tourism industry. The Mechanics' Institutes were founded during the first half of the nineteenth century to promote education amongst skilled workers and artisans or 'mechanics'. Leicester's Institute was founded in 1833 and Nottingham's in 1837. They were concerned with education in the broadest possible sense, from basic instruction in literacy and numeracy to lectures on the latest scientific ideas. Education was not just about learning skills and facts, but involved cultural and personal development, hence the provision of libraries, classical music concerts, travel as well as the exhibitions with which this paper is concerned. -
Transactions Dumfriesshire and Galloway Natural History Antiquarian Society
Transactions of the Dumfriesshire and Galloway Natural History and Antiquarian Society LXXXIII 2009 Transactions of the Dumfriesshire and Galloway Natural History and Antiquarian Society FOUNDED 20th NOVEMBER, 1862 THIRD SERIES VOLUME LXXXIII Editors: JAMES WILLIAMS, R. McEWEN and FRANCIS TOOLIS ISSN 0141-1292 2009 DUMFRIES Published by the Council of the Society Office-Bearers 2008-2009 and Fellows of the Society President Morag Williams, MA Vice Presidents Mr J McKinnell, Dr A Terry, Mr J L Williams and Mrs J Brann Fellows of the Society Mr J Banks, BSc; Mr A D Anderson, BSc; Mr J Chinnock; Mr J H D Gair, MA, Dr J B Wilson, MD; Mr K H Dobie; Mrs E Toolis, BA and Dr D F Devereux, PhD. Mr J Williams, Mr L J Masters and Mr R H McEwen — appointed under Rule 10 Hon. Secretary John L Williams, Merkland, Kirkmahoe, Dumfries DG1 1SY Hon. Membership Secretary Miss H Barrington, 30 Noblehill Avenue, Dumfries DG1 3HR Hon. Treasurer Mr L Murray, 24 Corberry Park, Dumfries DG2 7NG Hon. Librarian Mr R Coleman, 2 Loreburn Park, Dumfries DG1 1LS Assisted by Mr J Williams, 43 New Abbey Road, Dumfries DG2 7LZ Joint Hon. Editors Mr J Williams and Mr R H McEwen, 5 Arthur’s Place, Lockerbie DG11 2EB Assisted by Dr F Toolis, 25 Dalbeattie Road, Dumfries DG2 7PF Hon. Syllabus Convener Mrs E Toolis, 25 Dalbeattie Road, Dumfries DG2 7PF Hon. Curators Mrs J Turner and Ms S Ratchford Hon. Outings Organisers Mr J Copland and Mr Alastair Gair Ordinary Members Mr R Copland, Dr J Foster, Mrs P G Williams, Mr D Rose, Mrs C Inglehart, Mr A Pallister, Mr R McCubbin, Dr F Toolis, Mr I Wismach and Mrs J Turner CONTENTS Ostracods from the Wet Moat at Caerlaverock Castle by Mervin Kontrovitz and Huw I Griffiths ....................................................... -
Music Hall, C
NOTE TO USERS The original manuscript received by UMI contains pages with slanted print. Pages were microfilmed as received. This reproduction is the best copy available NOTE TO USERS The cassette is not included in this original manuscript. It is available for consultation at the author's graduate school library. From the Provinces: The Representation of Regional Identity in the British Music Hall, c. 1880-1914 by Nicole Amanda Gocker A Thesis submitted to the Department in conformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario, Canada June, 1998 O Nicole Amanda Crocker National Libtary Bibliothbque nationale 1+1 of,,, du Canada Acquisitions and Acquisitions et Bibliographie Services seMces bibliographiques 395 Wellington Street 395. nie Wellington Ottawa ON K1A ON4 OFtawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lîbrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or selI reproduire, prêter, distn'buer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfichelfilm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othhse de celle-ci ne doivent être imprimes reproduced without the author's ou autrement reproduits sans son oennission. -
Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915
Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915 Kimberly E. Hereford A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Susan Casteras, Chair Paul Berger Stuart Lingo Program Authorized to Offer Degree: Art History ©Copyright 2015 Kimberly E. Hereford ii University of Washington Abstract Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915 Kimberly E. Hereford Chair of the Supervisory Committee: Professor Susan Casteras Art History This dissertation examines representations in art of the Victorian woman in “altered states.” Though characterized in Victorian art in a number of ways, women are most commonly stereotyped as physically listless and mentally vacuous. The images examined show the Victorian female in a languid and at times reclining or supine pose in these representations. In addition, her demeanor implies both emotional and physical depletion, and there is both a pronounced abandonment of the physical and a collapsing effect, as if all mental faculties are withdrawing inward. Each chapter is dedicated to examining one of these distinct but interrelated types of femininity that flourished throughout British and American art from c. 1850 to c. 1910. The chapters for this dissertation are organized sequentially to demonstrate a selected progression of various states of consciousness, from the most obvious (the sleeping woman) to iii the more nuanced (the female Aesthete and the female medium). In each chapter, there is the visual perception of the Victorian woman as having access to otherworldly conditions of one form or another. -
Leicestershire Worthies1 the Squire De Lisle
LEICESTERSHIRE WORTHIES1 The Squire De Lisle When asked to prepare my Presidential valedictory lecture, I pondered and discussed the approach with the late lamented Dr Alan McWhirr (1937–2010). We decided that it would be a good idea to present a short synopsis of some of our distinguished citizens and to give the talk the title Leicestershire Worthies. I undertook some preliminary research and found that we lacked many details of their lives and many of their portraits. Wherever appropriate I asked the help of my hearers and finally prepared a Curriculum Vitae for 29 people together with their portraits, with the sole exception of Joseph Cradock who is unfortunately still unpictured. The lecture was delivered on October 6th 2011 and I am very pleased that it is being published as I sincerely hope that there are amongst our members some who will be able to help fill the gaps, or even be able to provide better portraits of some of the Worthies. I hope this paper will stimulate further interest in the many and various strands of the history of our county. Squire Gerard De Lisle 1 This paper, entitled Leicestershire Worthies, was delivered by our President, Gerard De Lisle, in October 2011 in the final year of his Presidency. Squire De Lisle was our second three-year President. This paper is presented in the author’s preferred format of an illustrated catalogue. Jill Bourne Hon. Ed. Trans. Leicestershire Archaeol. and Hist. Soc., 87 (2013) 04_de Lisle_015-040.indd 17 26/09/2013 16:44 18 Squire De Lisle I owe a debt of gratitude to many persons who have helped me in this task.2 1. -
Front Matter
Cambridge University Press 978-0-521-76022-5 - Sensation and Modernity in the 1860s Nicholas Daly Frontmatter More information SENSATION AND MODERNITY IN THE s This is a study of high and low culture in the years before the Reform Act of 1867, which vastly increased the number of voters in Victorian Britain. As many commentators worried about the political con- sequences of this ‘Leap in the Dark’, authors and artists began to re-evaluate their own role in a democratic society that was also becom- ing more urban and more anonymous. While some fantasized about ways of capturing and holding the attention of the masses, others preferred to make art and literature more exclusive, to shut out the crowd. One path led to ‘Sensation’, the other to aestheticism, though there were also efforts to evade this opposition. This book examines the fiction, drama, fine art and ephemeral forms of these years against the backdrop of Reform. Authors and artists studied include Wilkie Collins, Dion Boucicault, Charles Dickens, James McNeill Whistler and the popular illustrator Alfred Concanen. nicholas daly is Chair in Modern English and American Literature, School of English, Drama and Film, University College Dublin. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76022-5 - Sensation and Modernity in the 1860s Nicholas Daly Frontmatter More information cambridge studies in nineteenth-century literature and culture General editor Gillian Beer, University of Cambridge Editorial board Isobel Armstrong, Birkbeck, University of London Kate Flint, Rutgers University Catherine Gallagher, University of California, Berkeley D. A. -
Finding My Way Home by Farhana Shaikh I Am Split Down the Middle Torn in Two Neither Indian Nor Pakistani British, Born I Am
Finding My Way Home by Farhana Shaikh I am split down the middle Torn in two Neither Indian nor Pakistani British, born I am forever a foreigner At home and in my homeland * I was born in Leicester in 1982 but growing up, it never felt like a place where I belonged, or one I could call home. My mum’s family is from Pakistan, but they settled in Leicester in the 1960s, when my mum was just two years old. My dad is from India. He arrived in the city in his twenties to marry my mum. As a child I used to wonder whether this made me half Indian and half Pakistani, and if that was the case, how much of me was British. In the end, I decided I was only a quarter Indian, a quarter Pakistani and half British. For a long time I had this notion that I didn’t fit anywhere, like a misplaced jigsaw piece, I was bent out of shape. I wonder now, whether it’s a writer’s natural habitat to be homeless, so they can move in and out of worlds, and inhabit places like squatters, or whether it is the rootless that find their home by writing. * I wish that the story of my birth was glorious, peppered with minute details, but in my mother’s diary entry under February 20th, she has simply written in the top right hand corner, in capital letters ‘XXXXXXX BORN 6.40pm’. I realise that my mother owning a diary and keeping it since 1982 should be a cause of celebration. -
BULLETIN 114 1St JULY 2019
GREATER WIGSTON HISTORICAL SOCIETY White Gate Lodge, 97 Newton Lane, Wigston Magna, Leics. BULLETIN 114 1st JULY 2019 This postcard view of Newgate End was sent in 1924. It gives some idea of the layout of the Wigston Lunatic Asylum (see the article within). The house on the right is where John Blunt lived and the one behind with just the chimneys visible was the asylum building. The card was sent by Mollie Padbury to her parents in Essex. She tells them she is “having a lovely time and it is absolutely beautiful down here. You will see by the X’s on the card where I am stopping”. Was she aware of the house’s previous use? PROGRAMME OF MEETINGS – AUGUST 2019 TO MAY 2020 Wednesday 21st August 2019 Afternoon Guided Walk round ancient Leicester with optional tea at Wygston’s House, meet Jewry Wall Museum 1.30p.m. Booking essential, own transport. Wednesday 18th September 2019 The Winstanley Family of Braunstone – Helen Catterwell (note change of subject & speaker) 7.30p.m. Wigston College Concert Hall, Station Road, Wigston. LE18 2DS Wednesday 16th October 2019 Thomas Cook and The Temperance Movement – Neil Crutchley 7.30p.m. Wigston College Concert Hall, Station Road, Wigston. LE18 2DS Wednesday 27th November 2019 (note change of date) Gunpowder Plot - Sally Henshaw 7.30p.m. Wigston College Concert Hall, Station Road, Wigston. LE18 2DS *Wednesday 18th December 2019 Christmas Social and talk on Edith Piaf – Julie Ede 7.30p.m. Wigston College Concert Hall, Station Road, Wigston. LE18 2DS Wednesday 15th January 2020 Rise & Decline of the Coaching Trade in Market Harborough – Dr Len Holden 7.30p.m. -
An Analysis of Virtuosic Self-Accompanied Singing As a Historical Vocal Performance Practice
The Ideal Orpheus: An Analysis of Virtuosic Self-Accompanied Singing as a Historical Vocal Performance Practice Volume Two of Two Robin Terrill Bier Doctor of Philosophy University of York Department of Music September 2013 231 Contents Volume Two Contents, Volume Two 231 Appendix One. Documentation of Historical Self-Accompanied Singing 232 Newspapers and Periodicals 233 Personal Accounts 324 Literature 346 Historical Music Treatises 366 Appendix Two. Singers 374 Appendix Three. Repertoire 380 Appendix Four. Discography 401 Appendix Five. Developing a self-accompanied performance of 411 Paisiello’s ‘Nel cor più non mi sento’ Conception 411 Preparation 412 Presentation 415 Performers experience 417 Audience response 417 Bibliography 418 232 Appendix One Documentation of Historical Self-Accompanied Singing This appendix catalogues evidence in primary sources that directly portrays self- accompaniment. When indirect evidence refers to a body of repertoire that is elsewhere documented having been performed self-accompanied by the same performer, or when the evidence refers to a performer or performance context known to have been exclusively self- accompanied, or the source provides specific useful context for understanding other self- accompanied performances, it may also be included here. In the case of George Henschel and Reynaldo Hahn in particular, it should be noted that while it can be assumed that any documented performance is self-accompanied, evidence that does not identify self- accompaniment explicitly or offer new contextual information may not be included. This appendix is organized according to four basic types of material: Newspapers and Periodicals (including concert advertisements and reviews, letters to the editor, obituaries and other published articles), Personal Accounts (including published and unpublished letters, diaries, autobiographies, memoirs and contemporary biographies), Literature (including novels, poems, plays, non-academic non-fiction, musical and theatrical texts and works), and Historical Music Treatises.