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Cambridge University Press 978-0-521-76022-5 - Sensation and Modernity in the 1860s Nicholas Daly Frontmatter More information SENSATION AND MODERNITY IN THE s This is a study of high and low culture in the years before the Reform Act of 1867, which vastly increased the number of voters in Victorian Britain. As many commentators worried about the political con- sequences of this ‘Leap in the Dark’, authors and artists began to re-evaluate their own role in a democratic society that was also becom- ing more urban and more anonymous. While some fantasized about ways of capturing and holding the attention of the masses, others preferred to make art and literature more exclusive, to shut out the crowd. One path led to ‘Sensation’, the other to aestheticism, though there were also efforts to evade this opposition. This book examines the fiction, drama, fine art and ephemeral forms of these years against the backdrop of Reform. Authors and artists studied include Wilkie Collins, Dion Boucicault, Charles Dickens, James McNeill Whistler and the popular illustrator Alfred Concanen. nicholas daly is Chair in Modern English and American Literature, School of English, Drama and Film, University College Dublin. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76022-5 - Sensation and Modernity in the 1860s Nicholas Daly Frontmatter More information cambridge studies in nineteenth-century literature and culture General editor Gillian Beer, University of Cambridge Editorial board Isobel Armstrong, Birkbeck, University of London Kate Flint, Rutgers University Catherine Gallagher, University of California, Berkeley D. A. Miller, University of California, Berkeley J. Hillis Miller, University of California, Irvine Daniel Pick, Birkbeck, University of London Mary Poovey, New York University Sally Shuttleworth, University of Oxford Herbert Tucker, University of Virginia Nineteenth-century British literature and culture have been rich fields for inter- disciplinary studies. Since the turn of the twentieth century, scholars and critics have tracked the intersections and tensions between Victorian literature and the visual arts, politics, social organization, economic life, technical innovations, sci- entific thought – in short, culture in its broadest sense. In recent years, theoretical challenges and historiographical shifts have unsettled the assumptions of previous scholarly synthesis and called into question the terms of older debates. Whereas the tendency in much past literary critical interpretation was to use the meta- phor of culture as ‘background’, feminist, Foucauldian, and other analyses have employed more dynamic models that raise questions of power and of circulation. Such developments have reanimated the field. This series aims to accommodate and promote the most interesting work being undertaken on the frontiers of the field of nineteenth-century literary studies: work which intersects fruitfully with other fields of study such as history, or literary theory, or the history of science. Comparative as well as interdisciplinary approaches are welcomed. A complete list of titles published will be found at the end of the book. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76022-5 - Sensation and Modernity in the 1860s Nicholas Daly Frontmatter More information SENSATION AND MODERNITY IN THE s NICHOLAS DALY © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76022-5 - Sensation and Modernity in the 1860s Nicholas Daly Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Dubai, Tokyo Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru, uk Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521760225 © Nicholas Daly 2009 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2009 Printed in the United Kingdom at the University Press, Cambridge A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data Daly, Nicholas. Sensation and modernity in the 1860s / Nicholas Daly. p. cm. – (Cambridge studies in nineteenth-century literature and culture ; 70) Includes bibliographical references and index. isbn 978-0-521-76022-5 (hardback) 1. English literature–19th century–History and criticism. 2. Sensationalism in literature. 3. Social change–Great Britain–History–19th century. 4. Literature and society–Great Britain–History–19th century. 5. Art and society–Great Britain–History–19th century. 6. Great Britain–Intellectual life–19th century. 7. Modernism (Literature)–Great Britain. 8. Modernism (Art)–Great Britain. I. Title. pr468.s6d36 2009 820.9355–dc22 2009028521 isbn 978-0-521-76022-5 Hardback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76022-5 - Sensation and Modernity in the 1860s Nicholas Daly Frontmatter More information For Stephanie © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76022-5 - Sensation and Modernity in the 1860s Nicholas Daly Frontmatter More information Contents List of illustrations page viii Acknowledgements x Introduction 1 1 The Woman in White and the crowd 26 2 The many lives of the Colleen Bawn: pastoral spectacle 55 3 The White Girl: aestheticism as mesmerism 81 4 Black and white in the 1860s 109 5 The chromolithographers of modern life 147 Conclusion 197 Notes 211 Index 243 vii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76022-5 - Sensation and Modernity in the 1860s Nicholas Daly Frontmatter More information Illustrations 1 Illustrated cover for J. H. Stead’s ‘The Great Sensation Song’, written by Frank Hall (1863). Chromolithograph by Concanen and Lee. page 27 2 Illustrated cover for C.H.R. Marriott, ‘The Colleen Bawn Waltz’ (1861). Chromolithograph by John Brandard. 59 3 Illustrated cover for William Forde, ‘The Colleen Bawn Quadrille’ (1861). Chromolithograph by Concanen and Lee. 60 4 James McNeill Whistler, Symphony in White No. 1: The White Girl (1862). 82 5 George Du Maurier, illustration for Punch’s parodic sensation narrative, ‘Mokeanna, or The White Witness’ (1863). 88 6 One of Du Maurier’s illustrations for Trilby (1894). The old friends contemplate Little Billee’s drawing of Trilby’s foot. 100 7 Another of Du Maurier’s illustrations for Trilby. Svengali as a spider. 101 8 The cover of the 1895 Harper edition ofTrilby , showing a winged heart caught in a spider’s web. 102 9 Gustave Courbet, L’Origine du monde (1866). 106 10 Illustrated cover for ‘Lucy Neal’, performed at the St. James’s Theatre by the Ethiopian Serenaders c( . 1846). 115 11 Illustrated cover for E. W. Mackney, ‘Oxford Street’ (1862). Chromolithograph by R. J. Hamerton. 120 12 Illustrated cover for W. West, ‘Am I Right, Or Any Other Man’. Chromolithograph by R. J. Hamerton. 122 13 Illustrated cover for Marriott, ‘The Gorilla Quadrille’ (186?). Chromolithograph by Concanen. 143 14 Illustrated cover for Alfred Lee’s ‘The Bond St. Beau’ [1873?]. Chromolithograph by Concanen and Lee. 150 15 Illustrated cover for J. H. Stead’s ‘The Perfect Cure’. 161 viii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76022-5 - Sensation and Modernity in the 1860s Nicholas Daly Frontmatter More information Illustrations ix 16 Illustrated cover for Frank Hall’s ‘The Properest Thing to Do’ (1863). Chromolithograph by R. J. Hamerton. 169 17 Illustrated cover for Frank Hall’s ‘Down in Piccadilly’ (1863). Chromolithograph by Concanen and Lee. 171 18 Illustrated cover for Harry Clifton’s ‘The Dark Girl Dressed in Blue’ (1862). Chromolithograph by Concanen and Lee. Hamerton and for C. Sloman, ‘The Young Chap Dress’d in Blue’ by Concanen and Lee. 174 19 Illustrated cover for Frank Hall’s ‘The Sewing Machine’ (1864). Chromolithograph by Thomas Packer. 178 20 Illustrated cover for Harry Clifton’s ‘Jemima Brown, Or the Queen of a Sewing Machine’ (1865). Chromolithograph by Concanen, Lee and Siebe. 180 21 Illustrated cover for Frank Hall’s ‘Kleptomania’ (1863). Chromolithograph by Concanen and Lee. 183 22 Illustrated cover for Charles Coote’s ‘Mormons Quadrille’ (1867). Chromolithograph by Concanen. 188 23 Illustrated cover for C. H. R. Marriott’s ‘The Banting Quadrille’ (1866). Chromolithograph by Concanen and Lee and Siebe. Illustrated cover for Harry Clifton’s ‘Have you Seen the Ghost?’. Chromolithograph by Siebe. 190 24 Illustrated cover for Frank Musgrave’s ‘Bow Bells Polka’ (1863). Chromolithograph by Concanen and Lee. 192 25 Illustrated cover for C. Godfrey Jr’s ‘Popular Tunes Quadrille’ (1862). Chromolithograph by Concanen and Lee. 194 Images 2, 14, 16, 17, 19, 21 and 25 appear courtesy of the British Library. Shelfmarks H.1460.M(1.), H.1561.(11.), H.1258.(14.), H.1258.(5.), H.1258.(10.), H.1258.(7.) and H.2931.(1.). Image 4 appears courtesy of the National Gallery of Art, Washington, DC. Image 9 appears courtesy of the Musée D’Orsay. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76022-5 - Sensation and Modernity in the 1860s Nicholas Daly Frontmatter More information Acknowledgements This book has changed career a number of times: beginning as a study of women in white, it became for a period a broad and even survey of culture in the 1860s, before assuming its current shape as an account of elite and popular cultural forms in the run-up to the 1867 Reform Act.
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