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PROGRAMA PROGRAMME AF GMPS Cat2018 105X148mm.Pdf 1 29/07/18 12:51 4-9 SET 12ª EDIÇÃO CINEMA SÃO JORGE FESTIVAL INTERNACIONAL DE CINEMA 2018 DE TERROR DE LISBOA PROGRAMA PROGRAMME AF_GMPS_Cat2018_105x148mm.pdf 1 29/07/18 12:51 C M Y CM MY CY CMY K ÍNDICE CONTENTS I. INTRODUÇÃO INTRODUCTION 5 II. PRÉMIO MOTELX - MELHOR LONGA DE TERROR 10 EUROPEIA 2018 / MÉLIÈS D'ARGENT MOTELX AWARD - BEST EUROPEAN HORROR FEATURE FILM 2018 / MÉLIÈS D’ARGENT III. SERVIÇO DE QUARTO ROOM SERVICE 22 IV. ESPECIAL LEIGH WHANNELL SPECIAL LEIGH WHANNELL 56 V. SESSÕES ESPECIAIS SPECIAL SCREENINGS 60 VI. QUARTO PERDIDO LOST ROOM 62 VII. PRÉMIO MOTELX - MELHOR CURTA DE TERROR 66 PORTUGUESA 2018 / MÉLIÈS D'ARGENT MOTELX AWARD - BEST PORTUGUESE HORROR SHORT FILM 2018 / MÉLIÈS D’ARGENT VIII. CURTAS INTERNACIONAIS INTERNATIONAL SHORT FILMS 74 IX. YORN MICROCURTAS 84 X. LOBO MAU BIG BAD WOLF 86 XI. CELEBRAÇÃO DO BICENTENÁRIO DE 92 “FRANKENSTEIN OU O MODERNO PROMETEU” CELEBRATION OF “FRANKENSTEIN: OR THE MODERN PROMETHEUS”’S BICENTENNIAL XII. MOTELX LAB 95 XIII. EVENTOS EVENTS 98 XIV. WARM-UP 102 INFORMAÇÕES INFO 103 FICHA TÉCNICA CREDITS 104 APOIOS SPONSORS 105 I. INTRODUÇÃO INTRODUCTION Caros hóspedes, Dear guests, Esta 12.ª edição do MOTELX é a mais MOTELX’s 12th edition is the most portuguesa de sempre. Para além das Portuguese ever. In addition to the Por- curtas-metragens portuguesas con- tuguese short fi lms competing for the correntes ao Prémio MOTELX, há na MOTELX Award, there are two Portugue- competição de longas de terror euro- se horror fi lms, world premiering, in the peias dois fi lmes portugueses em estreia Best European Horror Feature Film com- mundial. É sem dúvida algo inédito na petition. It is undoubtedly something história do Festival e o culminar de uma unprecedented in the history of the Fes- década de incentivo à produção deste tival and the culmination of encouraging género em Portugal. Espera-se que the production of this genre in Portugal “Inner Ghosts” e “Mutant Blast” de Paulo for over a decade. It is hoped that “Inner Leite e Fernando Alle, respectivamen- Ghosts” and “Mutant Blast”, by Paulo Leite te, sejam os primeiros de muitos que se and Fernando Alle, respectively, will be the seguirão nos próximos anos e possam, fi rst of many that will follow in the nex t few quem sabe um dia, colocar Portugal na years and may, perhaps one day, put Portu- rota do cinema de terror europeu. gal on the European horror route. Mas vai-se ver mais terror em português And there will be even more horror in Por- nesta edição que conta com a antestreia tuguese this edition, with the European europeia de “Morto não Fala” de Denni- premiere of “The Nightshifter” by Denni- son Ramalho, que faz dele o mais directo son Ramalho, which makes him the most descendente do cinema de José Mojica direct descendant of José Mojica Marins’ Marins, e uma masterclass dedicada ao cinema, and a masterclass dedicated to guarda-roupa em cinema de terror pelo Wardrobe in horror fi lms by Luso-descen- luso-descendente Luís Sequeira, no- dant Luís Sequeira, nominated for this meado para o Óscar deste ano por “The year’s Oscar for “The Shape of Water” by Shape of Water” de Guillermo del Toro. Guillermo del Toro. O espírito de Mary Shelley irá mani- The spirit of Mary Shelley will also mani- festar-se também neste MOTELX. fest itself in MOTELX. The bicentennial Celebra-se em 2018 o bicentenário do of the most important book in the history livro mais importante da história do of horror literature is celebrated in 2018: género terror: “Frankenstein”, escri- “Frankenstein”, written by Mary Shelley to por Mary Shelley e publicado em and published in 1818. MOTELX will mark 1818. O MOTELX vai assinalar esta ce- this celebration with a series of events, na- lebração com uma série de eventos, mely an unprecedented debate about the nomeadamente, um debate inédito acer- writer and her work by a panel composed ca da escritora e da obra por um painel exclusively of women to be held at Cinema composto exclusivamente por mulheres São Jorge. a realizar no Cinema São Jorge. 5 12ª EDIÇÃO 4-9 SET 2018 The Tokoloshe (92’) Insanium (15’) We (100’) 5 Jerome Pikwane, Unsane (98’) Rene Eller, Holanda, 2018 14h15 18h40 16h30 África do Sul, 2018 Steven Soderbergh, EUA, 2018 SALA MDO Curtas ao Almoço #01 (62´) mon mon mon It’s Tight But it Monsters (110’) R Fake Blood (81’) Hardly Chokes (15´) Giddens Ko, Taiwan, Rob Grant, Canadá, 2017 14h40 17h05 13h00 SALA 3 Homesick (12’) Smear (4’) 2017 Salvatore (12’) Lunch Ladies (19’) WEDNESDAY SALA 2 QUARTA QUARTA Calipso (15´) Two Puddles (6´) Coyote (10´) Hagazussa: Cutterhead (84’) Don’t Leave Home (86’) Rasmus Kloster Bro, A Heathen’s Curse (102’) 16h15 18h25 6 14h10 Michael Tully, EUA, 2018 Dinamarca, 2017 Lukas Feigelfeld, Alemanha 2017 SALA MDO Curtas ao Almoço #02 (64´) We Summoned a Demon (6´) Conductor (6’) Cam (94´) R Centrifugado (11’) The Hour of Darkness (11’) Daniel Goldhaber, EUA, 2018 13h00 14h40 SALA 3 Catcalls (9’) I Am the Doorway (20’) Sustos Curtos (52´) THURSDAY Várias Curtas JÚNIOR 15h00 CINAMATECA QUINTA QUINTA SALA 2 Sala 2: Entrada livre com levantamento de bilhete obrigatório no próprio dia na bilheteira do Cinema São Jorge. Limitado a dois bilhetes por pessoa e sujeito à lotação da sala. Sala 2: Free entrance with mandatory ticket withdrawal on the day of the event at the Cinema São Jorge box offi ce. Limited to two tickets per person and room capacity. ABERTURA Milk (10’) The Nun - A Freira Maldita (96’) mon mon mon Monsters (110’) R 4 00h10 21h30 Corin Hardy, EUA, 2018 Giddens Ko, Taiwan, 2017 SALA MDO Liverleaf (114’) Four Hands (90’) R Eisuke Naito, Japão, 2018 Oliver Kienle, Alemanha, 2017 21h40 00h10 SALA 3 TUESDAY Os Contos Mais Arrepiantes de H.P. Lovecraft 20h00 Exposição (Inauguração) TERÇA CINEMA SÃO JORGE SÃO Abertura Espelho Meu (6’) Coração Revelador (10’) Mandy (120’) Cold Skin (106’) 5 Panos Cosmatos, 21h15 Xavier Gens, Espanha, 2017 00h10 EUA/Bélgica, 2018 Helsinki Mansplaining Conductor (6’) Hair Wolf (12’) Massacre (15’) Satan’s Slaves (106’) Four Hands (90’) R Cam (94’) R Joko Anwar, Indonésia/Coreia 21h40 00h05 19h00 Oliver Kienle, Alemanha, 2017 Daniel Goldhaber, EUA, 2018 do Sul, 2017 WEDNESDAY Dissecting New French Extremity: Xavier Gens & Pascal Laugier in Conversation (60’) MOTELquiz (120’) por Nuria Bernardo e Luís Henriques 19h00 Mod. Jon Towlson + Sessão de Autógrafos 21h30 QUARTA QUARTA Moscatro (12’) O Quadro (13’) Ghostland (91’) Mutant Blast (85’) Pascal Laugier, Fernando Alle, Portugal/EUA, 21h20 00h00 6 França/Canadá, 2018 2018 A Filha (93´) Psycho Kino (18´) One Cut of the Dead (96´) The Promise (117´) Solveig Nordlund, Pledge (78´) R Shinichiro Ueda, Sophon Sakdaphisit, Portugal/Suécia, 2003 Daniel Robbins, 16h50 19h00 21h25 Japão, 2017 Tailândia, 2017 00h00 EUA, 2018 THURSDAY Os Contos Mais Arrepiantes VHS Nights: de H.P. Lovecraft (60´) Sotto Il Vestito Niente II (95´) QUINTA Apresentação Livro + 19h00 21h45 Dario Piana, Itália, 1988 Sessão de Autógrafos Programa e horários sujeitos a alterações. Programme subject to changes. + info: motelx.org R Repete Repeats Convidado Guest. Inuyashiki (127’) The Field Guide to Evil (117´) Shinsuke Sato, Japão, 2018 Vários, Vários 2017 16h40 7 14h00 SALA MDO Curtas ao Almoço #03 PT (50´) Pledge (78’) R Castelo Rá-Tim-Bum (108´) Freelancer (15´) O Quadro (13´) Daniel Robbins, Cao Hamburger, Brasil, 1999 Moscatro (12’) Coração Revelador (10’) 13h05 14h55 10h30 SALA 3 EUA, 2018 Q&A por Shortcutz Lisboa Sustos Curtos (51’) FRIDAY Várias Curtas JÚNIOR 15h00 CINAMATECA SEXTA SEXTA SALA 2 Murder Me Monster (109’) Ghost Stories (98´) Agouro (15’) Alejandro Fadel, Jeremy Dyson, Andy Nyman, Knife+Heart (102’) MDO 18h40 SALA 14h00 8 Argentina/França/Chile, 2018 16h20 Reino Unido, 2017 Yann Gonzalez, França, 2018 Curtas ao Almoço #04 PT (52’) Calipso (15’) Cinzas (15’) Violence Luz (70´) R Voyager (83’) Tilman Singer, A Boneca (13’) Yet Another Christmas Tale (9’) Alemanha, 2018 14h55 13h00 Ujicha, Japão, 2017 17h10 SALA 3 Sustos Curtos (52’) TECA Várias Curtas JÚNIOR CINEMA- 15h00 Workshop Casa do Cais X MOTELX (60’) Vestir o Terror: Masterclass SATURDAY O Meu Monstrinho Estreia Mundial da Curta-Metragem Luís Sequeira (60’) Mod. Catarina Rito SALA 2 15h30 10h30 (120’) + Conversa e Sessão de Autógrafos 17h00 + Sessão de Autógrafos Uma Narrativa de Horrores (32’) Várias Curtas + Actividade MUSEU 10h30 COLEÇÃO BERARDO SÁBADO BAR LOUNGE LOUNGE Cinzas (15’) A Boneca (13’) Tigers Are The Cleaning Lady (90’) Not Afraid (83’) 9 14h10 Jon Knautz, EUA, 2018 16h35 Issa López, México, 2017 SALA MDO Carta Branca a Curtas ao Almoço #05 PT (49´) Uma Estranha Casa na Bruma (15´) Insanium (15´) Leigh Whannell Mad Max (88´) 13h00 Espelho Meu (6’) Agouro (15’) 14h50 SALA 3 George Miller, Austrália, 1979 SUNDAY Por trás de “Saw” e “Insidious”: Yorn microCURTAS (60’) Atelier Luz (60´) Masterclass Leigh Whannell (60’) Sessão Especial Maria Brinca à Sombra Mod. Tiago R. Santos 10h30 15h00 17h00 SALA 2 e Anúncio do Vencedor + Sessão de Autógrafos Peddy Paper (30´) DOMINGO 1 grupo por turno 10h30 CINEMA SÃO JORGE SÃO Sala 2: Entrada livre com levantamento de bilhete obrigatório no próprio dia na bilheteira do Cinema São Jorge. Limitado a dois bilhetes por pessoa e sujeito à lotação da sala. Sala 2: Free entrance with mandatory ticket withdrawal on the day of the event at the Cinema São Jorge box offi ce. Limited to two tickets per person and room capacity. A Estranha Casa More (1´) Yet Another Gonjiam: Haunted Inner Ghosts (93´) Na Bruma (15’) Christmas Tale (9’) Asylum (94’) Paulo Leite, Upgrade (100’) Leigh The Ranger (77’) Jeong Beom-sik, 00h10 19h10 Portugal/Brasil, 2018 21h30 7 Whannell, Austrália, 2018 Jenn Wexler, EUA, 2018 Coreia do Sul, 2018 Mary Shelley (120´) Netfl ix & Chill (7’) Anna and the Errementari: The Blacksmith Haifaa Al-Mansour, Luz (70’) R Apocalypse (107’) and the Devil (95’) R R.Unido/Luxemburgo/ Tilman Singer, R John McPhail, 21h50 00h30 17h05 19h40 Paul Urkijo Alijo, Espanha, 2017 EUA, 2018 Alemanha, 2018 Reino Unido, 2017 FRIDAY Frankenstein: A Herança de Mary Shelley (60’) Com Maria João Luís, Isabel Abreu, Lucifer Rising + Invocation of My Demon Brother (50’) SEXTA Bárbara Bulhosa, Helena Vasconcelos.
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