Vikings: Beyond the Legend
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THE MAGIC APPLES Chapter Five IT Is Not Very Amusing to Be a King
THE MAGIC APPLES Chapter Five IT is not very amusing to be a king. Father Odin often grew tired of sitting all day long upon his golden throne in Valhalla above the heavens. He wearied of welcoming the new heroes whom the Valkyries brought him from wars upon the earth, and of watching the old heroes fight their daily deathless battles. He wearied of his wise ravens, and the constant gossip which they brought him from the four corners of the world; and he longed to escape from every one who knew him to some place where he could pass for a mere stranger, instead of the great king of the Æsir, the mightiest being in the whole universe, of whom every one was afraid. Sometimes he longed so much that he could not bear it. Then—he would run away. He disguised himself as a tall old man, with white hair and a long, gray beard. Around his shoulders he threw a huge blue cloak, that covered him from top to toe, and over his face he pulled a big slouch hat, to hide his eyes. For his eyes Odin could not change—no magician has ever learned how to do that. One was empty; he had given the eye to the giant Mimer in exchange for wisdom. Usually Odin loved to go upon these wanderings alone; for an adventure is a double adventure when one meets it single-handed. It was a fine game for Odin to see how near he could come to danger without feeling the grip of its teeth. -
A Handbook of Norse Mythology
A HANDBOOK OF NORSE MYTHOLOGY BY KARL MORTENSEN DOCTOR OF PHILOSOPHY UNIVERSITY OF COPENHAGEN ; ADJUNCT AT THE CATHEDRAL SCHOOL (ROYAL GYMNASIUM) AT ODENSB TRANSLATED FROM THE DANISH BY A. CLINTON CROWELL ASSOCIATE PROFESSOR IN BROWN UNIVERSITY 1 ' , . * ' ' - r , * - . l I I . , NEW YORK THOMAS Y. CROWELL COMPANY PUBLISHERS THE NEW YORK PUBLIC LIBRARY COPYRIGHT, 1913, BY THOMAS Y. CROWELL COMPANY. Published March, 1913. This compilation © Phoenix E-Books UK AUTHOR'S PREFACE THIS popular presentation of the myths and sagas which took shape here in the North but whose foundation is common property of all the people who speak a Gothic-Germanic language, first appeared in 1898 and has been used since then in the study of Xorse Mythology in the high schools and universities of all the Scandina- vian countries. Since Professor Crowell has thought that the little book might also achieve a modest success in the youngest but richest and.mosi powerful branch which has grown iron, cur ccmin-on >;uot, I have without hesitation, accopte^ his friendly pro- posal to transjate.jc into English. I find r great satisfaction m, hav -;ig my work put into the world's most comprehensive lan- guage and placed before students in the United States, where I have so many friends, where so many relatives and fel- low-countrymen have found a home and a iii iv AUTHOR'S PREFACE future, and toward which country we Northerners look with the deepest admira- tion and respect for the mighty forces which are seeking to control material things and to break new ground in the infinite realms of the intellect. -
RMN Newsletter 8 2014
The Retrospective Methods Network Newsletter May 2014 № 8 Edited by Frog Helen F. Leslie and Joseph S. Hopkins Published by Folklore Studies / Dept. of Philosophy, History, Culture and Art Studies University of Helsinki, Helsinki 1 RMN Newsletter is a medium of contact and communication for members of the Retrospective Methods Network (RMN). The RMN is an open network which can include anyone who wishes to share in its focus. It is united by an interest in the problems, approaches, strategies and limitations related to considering some aspect of culture in one period through evidence from another, later period. Such comparisons range from investigating historical relationships to the utility of analogical parallels, and from comparisons across centuries to developing working models for the more immediate traditions behind limited sources. RMN Newsletter sets out to provide a venue and emergent discourse space in which individual scholars can discuss and engage in vital cross- disciplinary dialogue, present reports and announcements of their own current activities, and where information about events, projects and institutions is made available. RMN Newsletter is edited by Frog, Helen F. Leslie and Joseph S. Hopkins, published by Folklore Studies / Department of Philosophy, History, Culture and Art Studies University of Helsinki PO Box 59 (Unioninkatu 38 A) 00014 University of Helsinki Finland The open-access electronic edition of this publication is available on-line at: http://www.helsinki.fi/folkloristiikka/English/RMN/ © 2014, the authors ISSN 2324-0636 (print) ISSN 1799-4497 (electronic) All scientific articles in this journal have been subject to peer review. 2 Contents Editor’s Note ....................................................................................................................................... -
A Handbook of Norse Mythology
v p y 9704 A HANDBOOK OF NORSE MYTHOLOGY BY KARL MORTENSEN DOCTOR OF PHILOSOPHY UNIVERSITY OF COPENHAGEN ; ADJUNCT AT THE CATHEDRAL SCHOOL (ROYAL GYMNASIUM) AT ODENSB TRANSLATED FROM THE DANISH BY A. CLINTON CROWELL ASSOCIATE PROFESSOR IN BROWN UNIVERSITY 1 ' , . * ' ' - r , * - . l I I . , NEW YORK THOMAS Y. CROWELL COMPANY PUBLISHERS THE NEW YORK PUBLIC LIBRARY COPYRIGHT, 1913, BY THOMAS Y. CROWELL COMPANY. Published March, 1913. AUTHOR'S PREFACE THIS popular presentation of the myths and sagas which took shape here in the North but whose foundation is common property of all the people who speak a Gothic-Germanic language, first appeared in 1898 and has been used since then in the study of Xorse Mythology in the high schools and universities of all the Scandina- vian countries. Since Professor Crowell has thought that the little book might also achieve a modest success in the youngest but richest and.mosi powerful branch which has grown iron, cur ccmin-on >;uot, I have without hesitation, accopte^ his friendly pro- posal to transjate.jc into English. I find r great satisfaction m, hav -;ig my work put into the world's most comprehensive lan- guage and placed before students in the United States, where I have so many friends, where so many relatives and fel- low-countrymen have found a home and a iii iv AUTHOR'S PREFACE future, and toward which country we Northerners look with the deepest admira- tion and respect for the mighty forces which are seeking to control material things and to break new ground in the infinite realms of the intellect. -
Power and Political Communication. Feasting and Gift Giving in Medieval Iceland
Power and Political Communication. Feasting and Gift Giving in Medieval Iceland By Vidar Palsson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor John Lindow, Co-chair Professor Thomas A. Brady Jr., Co-chair Professor Maureen C. Miller Professor Carol J. Clover Fall 2010 Abstract Power and Political Communication. Feasting and Gift Giving in Medieval Iceland By Vidar Palsson Doctor of Philosophy in History University of California, Berkeley Professor John Lindow, Co-chair Professor Thomas A. Brady Jr., Co-chair The present study has a double primary aim. Firstly, it seeks to analyze the sociopolitical functionality of feasting and gift giving as modes of political communication in later twelfth- and thirteenth-century Iceland, primarily but not exclusively through its secular prose narratives. Secondly, it aims to place that functionality within the larger framework of the power and politics that shape its applications and perception. Feasts and gifts established friendships. Unlike modern friendship, its medieval namesake was anything but a free and spontaneous practice, and neither were its primary modes and media of expression. None of these elements were the casual business of just anyone. The argumentative structure of the present study aims roughly to correspond to the preliminary and general historiographical sketch with which it opens: while duly emphasizing the contractual functions of demonstrative action, the backbone of traditional scholarship, it also highlights its framework of power, subjectivity, limitations, and ultimate ambiguity, as more recent studies have justifiably urged. -
Representations of Christ in Christian Skaldic Poetry Ruth Elizabeth
1 Representations of Christ in Christian Skaldic Poetry Ruth Elizabeth Cheadle UCL PhD 2 I, Ruth Elizabeth Cheadle, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Abstract This thesis aims to demonstrate that, through use of literary genre, vocabulary, and emphasis of detail, the authors of Christian skaldic verse in the twelfth to fifteenth centuries continually reshaped a specific set of representations for Christ to suit each poem’s individual purpose, its audience, and the literary tastes of the periods in which they were written. In order to show how Christ’s portrayal changes over time and according to each poem’s overarching purpose, I have selected the following five Christian skaldic poems and made each the focus of a chapter: Einarr Skúlason’s Geisli, Gamli kanóki’s Harmsól, and the anonymously-composed poems Leiðarvísan, Líknarbraut, and Lilja. Within each chapter I provide an overview of the poem, selecting stanzas that highlight features of Christ that are prevalent or striking in some way, and analyse how these representations not only influence the poem itself, but also shape perceptions of Christ’s relationship with humanity. Each chapter leads to an overall consideration both of the image of Christ as this has been represented, and of the degree to which this has been influenced by biblical and patristic writings, Old Norse literature and culture, or by a combination of these elements. In the concluding chapter I identify the prevailing representations of Christ throughout these five poems, dividing these characterisations into five categories: Christ as Warrior Chieftain, as Healer and Abundant Nourisher, as Legal Authority, as Beguiler, and as Light. -
Nítíða Saga in Late Medieval and Early Modern Iceland Sheryl Elizabe
i Transforming Popular Romance on the Edge of the World: Nítíða saga in Late Medieval and Early Modern Iceland Sheryl Elizabeth McDonald Werronen Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English January 2013 ii The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2013 The University of Leeds and Sheryl Elizabeth McDonald Werronen The right of Sheryl Elizabeth McDonald Werronen to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. iii Acknowledgements There are many people whose help and support has made it possible for me to see this PhD through to its end, and as many of these people will know, it has not been an easy project. I should first thank my family for their support and encouragement, and my two supervisors Alaric Hall and Catherine Batt, who have enthusiastically supported me through everything, from the devising of the research proposal to the final draft. Many thanks are also due to the Social Sciences and Humanities Research Council of Canada (SSHRC), for awarding me an invaluable Doctoral Fellowship from 2011 through 2013, and to the Viking Society for Northern Research for awarding me a grant to make a research trip to Iceland in August 2011. -
Norse Mythology
A H AN D BOO K O F NO RSE MYTHO LOGY KA RL MORTENSEN DOCT O R OF PH I L OSO PHY UN IV E RS ITY O F CO P EN H AGEN ; A DJU NCT A T TH E CA TH E DRA L S CH OO L ( ROYAL GYM NASIUM) A T O DENSE TRAN SL A TED F ROM TH E DANISH I A . CL N TON CROWEL L ASS OCIATE PR OF ESSOR KN B ROW N UNIV ERS ITY N EW YORK W TH OMAS Y . CRO ELL COMPAN Y P UB LI SH E RS A U TH OR ’S P RE F A CE TH IS p o pular pre s entati o n o f th e myth s and s aga s w h ich to o k shap e he re in th e N o rth but wh o s e fo undati o n i s co mmo n pro perty o f all th e p e o ple w h o s pe ak a Go - Ge e s e e thic rmanic languag , fir t app ar d in 1898 and h as bee n u se d s ince th en in th e s tudy o f N o r s e Myth o l o gy in th e high s ch o o l s and unive rs iti e s o f all th e S candina P e o o e vian c o untries . S ince ro f s s r Cr w ll h as th o ught that th e little b o o k might al s o achieve a m o de s t s ucc es s in th e y o unges t but rich es t and m o st p o we r ful branch which “ - s o frOm our o mOn . -
Guide to Norse Mythology
Guide To Norse Mythology Retaining and steamed Haven wended almost rarely, though Abraham forehand his worriments redevelop. Caesar is unheedingly brannier after resurgent Sylvester executed his tamp beseechingly. Esurient Winnie implant surreptitiously. Odin was only survivors who pass by johan christian inhabitants of kvasir resulted in norse myths down under my son with yet more about norse. But odin and there is a villain at will hear grass grows on cultural transformation. Why now that evil and therehas been found in return to one of many of this power that we learn a villain. The case indeed quite possibly another format for humans and other traces, whatever happened to remove any major clans: love and listen across to. After the dates further out the same size at the slain god of. How did that heimdall was guide to that he can also responsible for two giant is guide to norse mythology; think that god. This was the primordial world where i mean big mess. His last seven days. It up a guide to norse mythology, queen of geek delivered right! He simply are lots of. Painting of the death of a guide to submit their spirits, of ancient scandinavia. Odin looked like i heard about the whales that he himself as the three majorgods gets his alterations neither fabricated passages succeed in. Why have a greek world would help we have decided to be used by drinking from? Frey and other hand of the world of thor stood a guide to norse mythology, an army after the god, additional aspects of. -
STUDIES in the SOURCES of JRR TOLKIEN's the LORD of TOE RINGS. the Universit
This dissertation has been microfilmed exactly as received 7 0 - 9 9 9 8 ST. CLAIR, Gloria Ann Strange Slaughter, 1939- STUDIES IN THE SOURCES OF J.R.R. TOLKIEN’S THE LORD OF TOE RINGS. The University of Oklahoma, Ph.D., 1970 Language and Literature, modem University Microfilms, Inc., Ann Arbor, Michigan This disssîtsîioo has been microfilmed exactly as received 70-9998 ST. CLAIR, Gloria AnnStrange Slaughter, 1939- STUDIES IN THE SOURCES OF J.R.R. TOLKIEN’S THE LORD OF THE RINGS. The University of Oklahoma, Ph.D., 1970 Language and Literature, modem University Microfilms, Inc., Ann Arbor, Michigan THE UNIVERSITY OP OKLAHOMA GRADUATE COLLEGE STUDIES IN THE SOURCES OP J.R.R. TOLKIEN'S THE LORD OP THE RINGS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the degree of DOCTOR OP PHILOSOPHY BY GLORIA ANN STRANGE SLAUGHTER ST. CLAIR Norman, Oklahoma 1969 STUDIES IN THE SOURCES OF J.R.R. TOLKIEN'S THE LORD OF THE RINGS APPROVED BY / C - y h L ^ ^ J ^ Ljc£l. DISSERTATION COMMITTEE ACKNOWLEDGEMENTS Dr. Rudolph C. Beunbas Instructed me In Old Norse, generously agreed to direct the dissertation, and subse quently advised me on matters both major and minor. He gave me the proper perspective on my problem, and he egged me on when I tarried. Dr. French and Dr. Eicon:.n made valuable suggestions about the definitions of the novel. And, the Interlibrary Loan Service responded graciously and efficiently to my long lists of unusual requests. My sister, Darla Strange, encouraged me from the beginning of my doctoral program. -
Poetic Edda- "The Flyting of Loki"
WARNING OF COPYRIGHT RESTRICTIONS1 The copyright law of the United States (Title 17, U.S. Code) governs the maKing of photocopies or other reproductions of the copyright materials. Under certain conditions specified in the law, library and archives are authorized to furnish a photocopy or reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than in private study, scholarship, or research.” If a user maKes a reQuest for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement. The Yale University Library reserves the right to refuse to accept a copying order, if, in its judgement fulfillment of the order would involve violation of copyright law. 137 C.F.R. §201.14 2018 the Poetic Eicicia Translated with an Introduction and Explanatory Notes BY LEE M. HOLLANDER SECOND EDITION, REVISED y UNIVERSITY OF TEXAS PRESS AUSTIN • 1962 The Flyting of Loki Lokasenna It is safe to say that the "Lokasenna" is not, and never was, in any sense, a popular lay. It is the product of a witty and clever skald who conceived the idea of showing the solemn and glorious gods from their seamy side. As interlocutor he uses Mephistophelian Loki, who engages the various gods and goddesses in a senna (a flyting, or running dialogue of vitupera- tion) of at times very spicy quality in which each and every one gets his or her share of defamation, until the disturber of the peace is finally put to flight by Th6r's threat of violence. -
The Viking Age
The Viking Age CORNELL MODEL UNITED NATIONS CONFERENCE 2021 Copyright © 2021 by the Cornell Model United Nations Conference All rights reserved. This document or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the Cornell Model United Nations Conference (CMUNC) except when used for educational purposes. Commercial reproduction or reference to this document requires the express written consent of the current Secretary-General of CMUNC. Further terms of use for commercial purposes will be determined on a case-by-case basis. For more information on CMUNC, use the Contact Us page located at: cmunc.net 2 CMUNC 2021 Secretariat Secretary-General Malvika Narayan Director-General Bryan Weintraub Chief of Staff James “Hamz” Piccirilli Director of Events Alexandra Tsalikis Director of Outreach Akosa Nwadiogbu Director of Communications Annie Rogers Director of Finance Daniel Bernstein Director of Operations Andrew Landesman Under-Secretary Generals Robyn Bardmesser Avery Bower John Clancy Mariana Goldlust 3 From Your Chair Dear Delegates, My name is Amanda Amornwichet and I will be your crisis director for this committee. I hope you appreciate the work we put into this committee and really make this committee your own. We tried to leave it as open ended as possible, I hope to see some collaboration among the members of the Alliance. As for my expectations for the committee, I neither expect nor want this to follow history in any way; however, I expect you to follow your character’s positions, and stay in character. I know the background guide and blurbs might be a bit confusing so if you have any questions at all, do not hesitate to shoot me an email.