Frontiers of Literary Studies in China
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The Guangzhou-Hongkong Strike, 1925-1926
The Guangzhou-Hongkong Strike, 1925-1926 Hongkong Workers in an Anti-Imperialist Movement Robert JamesHorrocks Submitted in accordancewith the requirementsfor the degreeof PhD The University of Leeds Departmentof East Asian Studies October 1994 The candidateconfirms that the work submitted is his own and that appropriate credit has been given where referencehas been made to the work of others. 11 Abstract In this thesis, I study the Guangzhou-Hongkong strike of 1925-1926. My analysis differs from past studies' suggestions that the strike was a libertarian eruption of mass protest against British imperialism and the Hongkong Government, which, according to these studies, exploited and oppressed Chinese in Guangdong and Hongkong. I argue that a political party, the CCP, led, organised, and nurtured the strike. It centralised political power in its hands and tried to impose its revolutionary visions on those under its control. First, I describe how foreign trade enriched many people outside the state. I go on to describe how Chinese-run institutions governed Hongkong's increasingly settled non-elite Chinese population. I reject ideas that Hongkong's mixed-class unions exploited workers and suggest that revolutionaries failed to transform Hongkong society either before or during the strike. My thesis shows that the strike bureaucracy was an authoritarian power structure; the strike's unprecedented political demands reflected the CCP's revolutionary political platform, which was sometimes incompatible with the interests of Hongkong's unions. I suggestthat the revolutionary elite's goals were not identical to those of the unions it claimed to represent: Hongkong unions preserved their autonomy in the face of revolutionaries' attempts to control Hongkong workers. -
Kūnqǔ in Practice: a Case Study
KŪNQǓ IN PRACTICE: A CASE STUDY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THEATRE OCTOBER 2019 By Ju-Hua Wei Dissertation Committee: Elizabeth A. Wichmann-Walczak, Chairperson Lurana Donnels O’Malley Kirstin A. Pauka Cathryn H. Clayton Shana J. Brown Keywords: kunqu, kunju, opera, performance, text, music, creation, practice, Wei Liangfu © 2019, Ju-Hua Wei ii ACKNOWLEDGEMENTS I wish to express my gratitude to the individuals who helped me in completion of my dissertation and on my journey of exploring the world of theatre and music: Shén Fúqìng 沈福庆 (1933-2013), for being a thoughtful teacher and a father figure. He taught me the spirit of jīngjù and demonstrated the ultimate fine art of jīngjù music and singing. He was an inspiration to all of us who learned from him. And to his spouse, Zhāng Qìnglán 张庆兰, for her motherly love during my jīngjù research in Nánjīng 南京. Sūn Jiàn’ān 孙建安, for being a great mentor to me, bringing me along on all occasions, introducing me to the production team which initiated the project for my dissertation, attending the kūnqǔ performances in which he was involved, meeting his kūnqǔ expert friends, listening to his music lessons, and more; anything which he thought might benefit my understanding of all aspects of kūnqǔ. I am grateful for all his support and his profound knowledge of kūnqǔ music composition. Wichmann-Walczak, Elizabeth, for her years of endeavor producing jīngjù productions in the US. -
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Advances in Social Science, Education and Humanities Research, volume 159 2nd International Conference on Judicial, Administrative and Humanitarian Problems of State Structures and Economical Subjects (JAHP 2017) Modern Chinese Students Studying in Japan and Xiangshan Society Peng Jiao College of Humanities Jinan University Zhuhai, China Abstract—The defeat of the Sino-Japanese war in 1894 country. China signed Treaty of Shimonoseki. We ceded greatly changed the Chinese people's ideas and thoughts. territory and paid indemnities to Japan. It greatly shocked Chinese people realize that Japan has developed because of Chinese and aroused our reflection. This kind of reflection is sending students abroad. Domestic media called on the based on the re-examination of Japan, which greatly changed government to send students abroad. In 1902, the Qing our people's ideas and thoughts. Chinese have come to realize government implemented a new policy requiring all localities to that the development of Japan in just a few decades was due send students to Japan. The number of students going to Japan to sending students to study abroad. Therefore, domestic had soared. In this trend, a large number of Xiangshan media called on the government to send students to study in students followed it and also went to Japan. After the students Japan. Governors including Zhang Zhidong advocated returned to their hometown, they ran a newspaper and sending students to study abroad. He vigorously advocated organized societies for revolutionary propaganda, and also managed education business in hometown to expand Esperanto; sending students to study abroad in his Encourage to Study these activities have affected the changes of modern Xiangshan Abroad published in April 1898. -
Dissertation JIAN 2016 Final
The Impact of Global English in Xinjiang, China: Linguistic Capital and Identity Negotiation among the Ethnic Minority and Han Chinese Students Ge Jian A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2016 Reading Committee: Laada Bilaniuk, Chair Ann Anagnost, Chair Stevan Harrell Program Authorized to Offer Degree: Anthropology © Copyright 2016 Ge Jian University of Washington Abstract The Impact of Global English in Xinjiang, China: Linguistic Capital and Identity Negotiation among the Ethnic Minority and Han Chinese Students Ge Jian Chair of the Supervisory Committee: Professor Laada Bilaniuk Professor Ann Anagnost Department of Anthropology My dissertation is an ethnographic study of the language politics and practices of college- age English language learners in Xinjiang at the historical juncture of China’s capitalist development. In Xinjiang the international lingua franca English, the national official language Mandarin Chinese, and major Turkic languages such as Uyghur and Kazakh interact and compete for linguistic prestige in different social scenarios. The power relations between the Turkic languages, including the Uyghur language, and Mandarin Chinese is one in which minority languages are surrounded by a dominant state language supported through various institutions such as school and mass media. The much greater symbolic capital that the “legitimate language” Mandarin Chinese carries enables its native speakers to have easier access than the native Turkic speakers to jobs in the labor market. Therefore, many Uyghur parents face the dilemma of choosing between maintaining their cultural and linguistic identity and making their children more socioeconomically mobile. The entry of the global language English and the recent capitalist development in China has led to English education becoming market-oriented and commodified, which has further complicated the linguistic picture in Xinjiang. -
Role of Min Bao in Creating Public Opinion for the Revolution of 1911
2018 3rd International Social Sciences and Education Conference (ISSEC 2018) Role of Min Bao in Creating Public Opinion for the Revolution of 1911 Zhang Yongxia School of Arts and Law, Wuhan University of Technology, Wuhan, China, 430070 Keywords: Min Bao; The Revolution of 1911; creation of public opinion Abstract: As an official organ of Tongmenghui, Min Bao played an important role in creating public opinion for the revolution of 1911. This paper expounds the historical background at that time and how Min Bao created public opinion, and then clarifies why this magazine has had such a wide influence. Through introducing revolution situations and social ideological trends in foreign countries and infusing revolutionary thoughts into the readers, Min Bao inspired revolutionaries to fight for the revolutionary ambitions with the spirit of sacrifice and striving, thus helping them to shape their life value outlooks, form their revolutionary convictions and develop their revolutionary behavior patterns. 1. Introduction The Revolution of 1911 was a milestone in China's history. In reviewing the course of the Revolution of 1911, Sun Yat-sen spoke highly of the role of bourgeois revolutionary newspapers and magazines in promoting the revolutionary cause [1]. The bourgeois revolutionist Feng Ziyou once said, "The foundation of Republic of China should be attributed to the military actions and the propaganda by the Chinese Revolutionary Party, between which the propaganda was more powerful and widely-influenced." Among various bourgeois revolutionary newspapers and magazines, Min Bao played a great role in promoting the dissemination of bourgeois democratic revolutionary thoughts, eliminating the reformers' pernicious influence, of the reformists, facilitating the formation of the revolutionary spirit, and improving the revolutionary situation. -
Transmission of Han Pictorial Motifs Into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8
DOI: 10.4312/as.2019.7.2.47-86 47 Transmission of Han Pictorial Motifs into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8 ∗∗ Nataša VAMPELJ SUHADOLNIK 9 Abstract This paper examines the ways in which Fuxi and Nüwa were depicted inside the mu- ral tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Key Words: Fuxi, Nüwa, the sun, the moon, a try square, a pair of compasses, Han Dynasty, Wei-Jin period, Shandong, migration Prenos slikovnih motivov na zahodno periferijo: Fuxi in Nüwa v grobnicah s poslikavo iz obdobja Wei Jin na območju prehoda Hexi Izvleček Pričujoči prispevek v primerjalni perspektivi obravnava upodobitev Fuxija in Nüwe v grobnicah s poslikavo iz časa dinastij Wei in Zahodni Jin (220–316) iz province Gansu * The author acknowledges the financial support of the Slovenian Research Agency (ARRS) in the framework of the research core funding Asian languages and Cultures (P6-0243). -
Distribution Agreement in Presenting This
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ Tianyi Yao Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao Master of Arts Film and Media Studies _________________________________________ Matthew Bernstein Advisor _________________________________________ Tanine Allison Committee Member _________________________________________ Timothy Holland Committee Member _________________________________________ Michele Schreiber Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao B.A., Trinity College, 2015 Advisor: Matthew Bernstein, M.F.A., Ph.D. An abstract of -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Uncertain Satire in Modern Chinese Fiction and Drama: 1930-1949 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature by Xi Tian August 2014 Dissertation Committee: Dr. Perry Link, Chairperson Dr. Paul Pickowicz Dr. Yenna Wu Copyright by Xi Tian 2014 The Dissertation of Xi Tian is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION Uncertain Satire in Modern Chinese Fiction and Drama: 1930-1949 by Xi Tian Doctor of Philosophy, Graduate Program in Comparative Literature University of California, Riverside, August 2014 Dr. Perry Link, Chairperson My dissertation rethinks satire and redefines our understanding of it through the examination of works from the 1930s and 1940s. I argue that the fluidity of satiric writing in the 1930s and 1940s undermines the certainties of the “satiric triangle” and gives rise to what I call, variously, self-satire, self-counteractive satire, empathetic satire and ambiguous satire. It has been standard in the study of satire to assume fixed and fairly stable relations among satirist, reader, and satirized object. This “satiric triangle” highlights the opposition of satirist and satirized object and has generally assumed an alignment by the reader with the satirist and the satirist’s judgments of the satirized object. Literary critics and theorists have usually shared these assumptions about the basis of satire. I argue, however, that beginning with late-Qing exposé fiction, satire in modern Chinese literature has shown an unprecedented uncertainty and fluidity in the relations among satirist, reader and satirized object. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Exploration of the Unique Aspects of Chinese Rhetoric Xiūcí 修辞
Vassar College Digital Window @ Vassar Senior Capstone Projects 2021 Exploration of the unique aspects of Chinese Rhetoric Xiūcí 修辞 Spencer D. McGrath Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Part of the Chinese Studies Commons, and the Rhetoric Commons Recommended Citation McGrath, Spencer D., "Exploration of the unique aspects of Chinese Rhetoric Xiūcí 修辞" (2021). Senior Capstone Projects. 1099. https://digitalwindow.vassar.edu/senior_capstone/1099 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Exploration of the unique aspects of Chinese Rhetoric Xiūcí 修辞 Senior Project for the Chinese major Spencer Di Pasquale McGrath 唐沅希 Advisor: Wenwei Du Date: May 2021 Table of Contents 1. Introduction………………………………………………………………………………………………3 1.1 Presenting Purpose of Study…………………………………………………………………...4 1.2 Introducing Different Types of Rhetoric Xiūcí 修辞…………………………………………..5 1.3 Introducing Different Types of Idioms Shúyǔ 熟语……………………………………………6 2. Characteristics of the Different Types of Idioms………………………………………………………...7 2.1 Characteristics of Shúyǔ 熟语………………………………………………………………….7 2.2 Characteristics of Chéngyǔ 成语………………………………………………………………8 2.2.1 Presence of Numbers in Chéngyǔ 成语……………………………………………..9 2.2.2 Usage of Negation in Chéngyǔ 成语………………………………………………11 2.3 Characteristics of Xiēhòuyǔ 歇后语………………………………………………………….12 3. Cultural Elements in Different Types of Idioms………………………………………………………..13 3.1 Cultural Elements in Shúyǔ 熟语……………………………………………………………..13 3.2 Cultural Elements in Chéngyǔ 成语………………………………………………………….14 3.2.1 Five Categories of Metaphor………………………………………………………16 3.3 Cultural Elements in Xiēhòuyǔ 歇后语………………………………………………………17 4. -
Electric Shadows 2014
BFI ANNOUNCES ELECTRIC SHADOWS 2014 AND A YEAR OF FILM COLLABORATION WITH CHINA TAKING BUSINESS, TRADE AND CULTURAL RELATIONS TO NEXT LEVEL Launching with special UK visit from China’s most popular film director Feng Xiaogang in February EmbargoeD until 1pm, MonDay 20th January 2014, LONDON, BFI SOUTHBANK Prime Minister David Cameron’s highly successful trade delegation to China in December 2013 with Culture Secretary Maria Miller included film for the first time and was represented by BFI CEO Amanda Nevill. Following the trip, during which a landmark film Co-Production Treaty was agreed, the BFI today announces a year of business, trade, creative and cultural collaborations between the UK and China. BFI specific activity, entitled Electric Shadows (the Chinese term for movies or "dian ying"), will encompass the BFI’s full range of exhibition, archive, digital, education, theatrical and DVD distribution and publishing initiatives, opening up previously hard to see Chinese cinema to UK audiences and making UK film accessible to what will soon become the world’s biggest box office nation. The BFI is working alongside a range of key strategic partners throughout the year including the British Council, DCMS, UKTI and the GREAT Britain Campaign. The ambitious programme was unveiled today at the BFI’s final Film Forever Roadshow (One Year On) at BFI Southbank, London, as part of the BFI’s International Strategy, in which China was presented as a key priority territory. Designed to grow mutual economic and cultural benefits for UK and Chinese film, Electric Shadows starts with a rare UK visit in February from China’s most successful and renowned film director Feng Xiaogang, hosted by the BFI. -
Cultural Hybridity in the Contemporary Korean Popular Culture Through the Practice of Genre Transformation
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-28-2018 2:30 PM Cultural Hybridity in the Contemporary Korean Popular Culture through the Practice of Genre Transformation Kyunghee Kim The University of Western Ontario Supervisor Blackmore, Tim The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Kyunghee Kim 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Kim, Kyunghee, "Cultural Hybridity in the Contemporary Korean Popular Culture through the Practice of Genre Transformation" (2018). Electronic Thesis and Dissertation Repository. 5472. https://ir.lib.uwo.ca/etd/5472 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract The focus of this dissertation is to show how the media of contemporary Korean popular culture, specifically films, are transformed into “hybrid cultural forms” through the practice of genre transformation. Since the early 21st century, South Korean popular culture has been increasingly spreading across the globe. Despite its growing attention and popularity, Korean pop culture has been criticized for its explicit copying of Western culture with no unique cultural identity. Others view the success of Korean media, both its creative mimicry and its critique of the West, as a new hybrid form that offers the opportunity for reassertion of local identity as well as challenging the global hegemony of the West.