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Jichihan and the Restoration and Innovation of Buddhist Practice
Japanese Journal of Religious Studies 1999 26/1-2 Jichihan and the Restoration and Innovation of Buddhist Practice Marc Buijnsters The various developments in doctrinal thought and practice during the Insei and Kamakura periods remain one of the most intensively researched fields in the study of Japanese Buddhism. Two of these developments con cern the attempts to restore the observance of traditional Buddhist ethics, and the problem of how Pure La n d tenets could be inserted into the esoteric teaching. A pivotal role in both developments has been attributed to the late-Heian monk Jichihan, who was lauded by the renowned Kegon scholar- monk Gydnen as “the restorer of the traditional precepts ” and patriarch of Japanese Pure La n d Buddhism.,’ At first glance, available sources such as Jichihan’s biograpmes hardly seem to justify these praises. Several newly discovered texts and a more extensive use of various historical sources, however, should make it possible to provide us with a much more accurate and complete picture of Jichihan’s contribution to the restoration and innovation of Buddhist practice. Keywords: Jichihan — esoteric Pure Land thousfht — Buddhist reform — Buddhist precepts As was n o t unusual in the late Heian period, the retired Regent- Chancellor Fujiwara no Tadazane 藤 原 忠 実 (1078-1162) renounced the world at the age of sixty-three and received his first Buddnist ordi nation, thus entering religious life. At tms ceremony the priest Jichi han officiated as Teacher of the Precepts (kaishi 戒自帀;Kofukuji ryaku 興福寺略年代記,Hoen 6/10/2). Fujiwara no Yorinaga 藤原頼長 (1120-11^)0), Tadazane^ son who was to be remembered as “Ih e Wicked Minister of the Left” for his role in the Hogen Insurrection (115bハ occasionally mentions in his diary that he had the same Jichi han perform esoteric rituals in order to recover from a chronic ill ness, achieve longevity,and extinguish his sins (Taiki 台gd Koji 1/8/6, 2/2/22; Ten,y6 1/6/10). -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
The Yamanashi Grapevine
The Yamanashi Grapevine July 2003 Editor’s note Before summer’s heat saps all our energy, we went to visit two cities in Yamanashi. The first, Fujiyoshida, is probably the most famous place in Yamanashi as it is the point from where most Mount Fuji climbers start their long journey to the top. The second, Nirasaki, may not be as well renowned, but it might be known to some football (or should I say “soccer”?!) fans as the home of the high school where current Parma player Hidetoshi Nakata’s talent was discovered. On page 8, Geoff Wigan, an Assistant Language Teacher on the Table of Contents JET programme, takes us on a philosophical journey through his first year in p.2 Nirasaki City Yamanashi. p.4 Fujiyoshida City This edition holds a special meaning to me as it marks my last contribution to the P.6 News Spotlight Grapevine. As a writer and an editor, I have had the opportunity to experience and share the richness of nature in Yamanashi as well as the warmth of its p.8 ALT Experiences people, which is something I will never forget. p.10 Upcoming Events Lastly, you might be surprised by the cover photograph. But don’t! This is one of p.12 Meet the Authors the Showa Era houses destined to become a trendy bar in Fujiyoshida. Maguelonne Billy Nirasaki. “Leek point.” The name of this city in Whilst the area has a long and varied history, the city of Nirasaki itself the north-western region of Yamanashi Prefecture is preparing to greet its 50th anniversary in the coming year, 2004. -
A Comprehensive Yamanashi Guide to Coronavirus COVID-19
April 6th , 2020 May 8 th , 2020rev A comprehensive Yamanashi Guide to Coronavirus COVID-19 What is COVID-19? What are the symptoms? How does it spread? Who is at High Risk? Can I take leave? Government issued Guidelines When should I, and how can I consult a medical professional? HELPFUL RESOURCES April 6th , 2020 May 8 th , 2020rev What is COVID-19? COVID-19 is the new respiratory disease spreading around the world and it is caused by a coronavirus. COVID-19 is short for Coronavirus Disease 2019. The 2019 Novel Coronavirus (2019-nCoV) often referred to as COVID-19 or more simply, the coronavirus is a severe acute respiratory syndrome (SARS-CoV-2) that was newley identified in Wuhan City, Hubei Province, China. Since the first cases were reported, the outbreak has rapidly spread through China and many locations worldwide. Coronaviruses are a large family of viruses that can cause illness in both humans and animals. The illnesses brought about from the coronavirus have ranged from the common cold (ex. Respiratory syndrome, fever, cough, etc.) to more severe sicknesses such as pneumonia and severe acute respiratory syndrome . PLEASE NOTE: The virus that causes COVID-19 and the one that caused the outbreak of Severe Acute Respiratory Syndrome (SARS) in 2003 are related to each other genetically, but the diseases they cause are quite different. SARS was more deadly but much less infectious than COVID-19, the SARS that may be caused by the coronavirus is a different strain of this so please keep this in mind. As of April 06, 2020 there have been over 1,270,000 in at least 180 countries and territories with the highest numbers being in America, Italy, Spain, China and Germany in that order. -
Mt. FUJI (Heads Up.) (Advanced Warning.) (Evacuation Necessary.) in the Case That Volcanic Activity Develops Around Mt
How should we evacuate in the event of an eruption? ① Volcanic Advisory. ② Volcanic Advisory. ③ Volcanic Alert. Mt. FUJI (Heads up.) (Advanced Warning.) (Evacuation Necessary.) In the case that volcanic activity develops around Mt. Fuji, In the case that dangerous volcanic activity becomes more Emergency Evacuation Announcements will be broadcast when the Japan Meteorological Agency (JMA) will broadcast a frequent and an eruption is imminent, advanced warnings volcanic eruptions become large enough to threaten lives. VOLCANIC HAZARD MAP Heads Up. will be broadcast. Refrain from Mountain mountain climbing Climbers and or sightseeing in Mountain Climbers Sightseers must Evacuation Zone 1. and Sightseers in evacuate from Zone 1 should the eruption area. evacuate ~ Being Prepared immediately. for a Possible Eruption ~ People in Zone 2 and Zone 3 should begin preparations for evacuation. Following public evacuation instructions, persons in Zone 2 must evacuate. Follow emergency Persons in Zone 3 should warnings broadcast over Elderly or disabled persons return to their homes, prepare TV, radio, intercom, and in Zone 2 and Zone 3 to evacuate, and refrain from public address systems. should evacuate at this time. attempts to view the eruptions. A Volcanic Alert may be announced without warning when dangerous volcanic activity occurs or is imminent. Fuji Northern Region →Follow public announcements and evacuate in a calm and orderly manner. Though Mt. Fuji is famous for its clean, When is Mt. Fuji expected to erupt? The Latest volcanic information may be found Important! Nobody knows for sure, however over the past 2200 years at the Japan Meteorological Agency(JMA) pure water and amazing scenery, it is also there have been 75 different eruptions. -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
The Dharma for Sovereigns and Warriors
Japanese Journal of Religious Studies 2002 29/1-2 The Dharma for Sovereigns and Warriors Onjo-ji^ しlaim for Legitimacy in Tengu zoshi H aruko Wakabayashi One of the recurring themes depicted in the i engu zoshi, a set of seven scrolls dated 1296,is the conflict among established temples of Nara and Kyoto. The present article focuses particularly on the dispute between Enryaku-ji (sanmon) and Onjo-ji {jimon) that took place during the thir teenth century as it is depicted in Tengu zoshi. The analysis of the texts, both visual and verbal, reveals that the scrolls are more sympathetic to Onjo-ji than Enryaku-ji. This is evident especially when the verbal texts of the Onjo-ji and Enryaku-ji scrolls are compared. Closer examination of the scrolls also shows that Onjo-ji claims superiority over all other established temples. This study shows how the scrolls reveal the discourse formed by the temples during disputes in the late Kamakura period in order to win sup port from political authorities. Tengu zoshi, therefore, in addition to being- a fine example of medieval art, is also an invaluable source for historical studies of late Kamakura Buddmsm. Keywords: Tengu zoshi —— Onjo-ji — Enryaku-ji — obo buppo soi — narrative scroll (emaki) — ordination platform (kaidan) Tengu zoshi 天狗草紙 is a set of narrative scrolls {emaki,絵巻)dated to 1296.1 The set consists of seven scrolls: the Kofuku-ji 興福寺,Todai-ji fhis article is based on a chapter of my doctoral dissertation, and was revised and pre sented most recently at the Setsuwa Bungakukai in Nagoya, December 2001.I wish to thank Kuroda Hideo, Abe Yasuro, Harada Masatoshi, and my colleagues Saito Ken’ichi,Fujiwara Shigeo, and Kuroda Satoshi for reading and commenting on my drafts. -
Creating Heresy: (Mis)Representation, Fabrication, and the Tachikawa-Ryū
Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino Submitted in partial fulfillment of the Requirement for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Takuya Hino All rights reserved ABSTRACT Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino In this dissertation I provide a detailed analysis of the role played by the Tachikawa-ryū in the development of Japanese esoteric Buddhist doctrine during the medieval period (900-1200). In doing so, I seek to challenge currently held, inaccurate views of the role played by this tradition in the history of Japanese esoteric Buddhism and Japanese religion more generally. The Tachikawa-ryū, which has yet to receive sustained attention in English-language scholarship, began in the twelfth century and later came to be denounced as heretical by mainstream Buddhist institutions. The project will be divided into four sections: three of these will each focus on a different chronological stage in the development of the Tachikawa-ryū, while the introduction will address the portrayal of this tradition in twentieth-century scholarship. TABLE OF CONTENTS List of Abbreviations……………………………………………………………………………...ii Acknowledgements………………………………………………………………………………iii Dedication……………………………………………………………………………….………..vi Preface…………………………………………………………………………………………...vii Introduction………………………………………………………………………….…………….1 Chapter 1: Genealogy of a Divination Transmission……………………………………….……40 Chapter -
Nengo Alpha.Xlsx
Nengô‐Tabelle (alphabetisch) A ‐ K Jahr Nengō Devise Jahr Nengō Devise Jahr Nengō Devise Jahr Nengō Devise 1772 安永 An'ei 1521 大永 Daiei 1864 元治 Genji 1074 承保 Jōhō 1175 安元 Angen 1126 大治 Daiji 877 元慶 Genkei 1362 貞治 Jōji * 968 安和 Anna 1096 永長 Eichō 1570 元亀 Genki 1684 貞享 Jōkyō 1854 安政 Ansei 987 永延 Eien 1321 元亨 Genkō 1219 承久 Jōkyū 1227 安貞 Antei 1081 永保 Eihō 1331 元弘 Genkō 1652 承応 Jōō 1234 文暦 Benryaku 1141 永治 Eiji 1204 元久 Genkyū 1222 貞応 Jōō 1372 文中 Bunchū 983 永観 Eikan 1615 元和 Genna 1097 承徳 Jōtoku 1264 文永 Bun'ei 1429 永享 Eikyō 1224 元仁 Gennin 834 承和 Jōwa 1185 文治 Bunji 1113 永久 Eikyū 1319 元応 Gen'ō 1345 貞和 Jōwa * 1804 文化 Bunka 1165 永万 Eiman 1688 元禄 Genroku 1182 寿永 Juei 1501 文亀 Bunki 1293 永仁 Einin 1184 元暦 Genryaku 1848 嘉永 Kaei 1861 文久 Bunkyū 1558 永禄 Eiroku 1329 元徳 Gentoku 1303 嘉元 Kagen 1469 文明 Bunmei 1160 永暦 Eiryaku 650 白雉 Hakuchi 1094 嘉保 Kahō 1352 文和 Bunna * 1046 永承 Eishō 1159 平治 Heiji 1106 嘉承 Kajō 1444 文安 Bunnan 1504 永正 Eishō 1989 平成 Heisei * 1387 嘉慶 Kakei * 1260 文応 Bun'ō 988 永祚 Eiso 1120 保安 Hōan 1441 嘉吉 Kakitsu 1317 文保 Bunpō 1381 永徳 Eitoku * 1704 宝永 Hōei 1661 寛文 Kanbun 1592 文禄 Bunroku 1375 永和 Eiwa * 1135 保延 Hōen 1624 寛永 Kan'ei 1818 文政 Bunsei 1356 延文 Enbun * 1156 保元 Hōgen 1748 寛延 Kan'en 1466 文正 Bunshō 923 延長 Enchō 1247 宝治 Hōji 1243 寛元 Kangen 1028 長元 Chōgen 1336 延元 Engen 770 宝亀 Hōki 1087 寛治 Kanji 999 長保 Chōhō 901 延喜 Engi 1751 宝暦 Hōreki 1229 寛喜 Kanki 1104 長治 Chōji 1308 延慶 Enkyō 1449 宝徳 Hōtoku 1004 寛弘 Kankō 1163 長寛 Chōkan 1744 延享 Enkyō 1021 治安 Jian 985 寛和 Kanna 1487 長享 Chōkyō 1069 延久 Enkyū 767 神護景雲 Jingo‐keiun 1017 寛仁 Kannin 1040 長久 Chōkyū 1239 延応 En'ō -
E Sacred Place and Source of Artistic Inspiration”
Fujisan World Heritage e sacred place e official and source of guidebook artistic inspiration Connecting the world heritage component assets Fujisan World Heritage Association for Preservation & Utilization, Yamanashi Secretarial Office : Fujisan World Heritage Division, Resident Affairs Department, Yamanashi Prefectural Government Tel : +81-55-223-1316 Fax : +81-55-223-1781 E-mail : [email protected] Date of Issue : 1 January,2018 Translated by : Mt.Fuji Yamanashi Guide-Interpreters Association(FYGIA) Fujisan World Heritage Association for Preservation & Utilization, Yamanashi Creation 1. Creation e erce mountain and source of scenic beauty Fujisan, A Great Road to Worship source of scenic beauty 1The fierce mountain and At registration of Fujisan as a World Cultural Heritage by UNESCO, “Fujigoko (Fuji Five Lakes) ”, that are distributed in an arc at the foot, were included in the list of its component assets. Let’s travel back to the time of foundation of Fujisan. You may feel ineffable emotions to the magnificent scale of nature at Fujisan, which was miraculously born as the fire and water mountain. ■Referred Component assets Lake Saiko, Lake Shojiko and Lake Motosuko ……………………………………………………………………………………………2 Worship from afar 2. Worship from afar Beginning of the worship of the worship 2Beginning In the ancient times that Fujisan was not easily accessible like present days. How people confronted with Fujisan and offered their prayers? If you travel around the ancient sacred places of Fujisan, you will find the figure of Fujisan in deep psychology of the Japanese for nature veneration and mountain worship. Kawaguchi Asama-jinja Shrine, Lake Kawaguchiko ■Referred Component assets and Omuro Sengen-jinja Shrine ……………………………………………………………………………………………9 Fuji-ko 3. -
Mount Fuji Key Facts & Information
Mount Fuji Key Facts & Information: • Mount Fuji is located on Honshu Island, Japan, near the Pacific Coast. • It is one of Japan’s ‘Three Holy Mountains’, alongside Mount Haku and Mount Tate. • In Japan, Mount Fuji is called ‘Fujisan’. • Mount Fuji is 3,766.24 meters high (12,389.2 feet). • It is the highest mountain in Japan. • The summit of Mount Fuji has a tundra climate and is usually covered in snow. In winter it can be as cold as -21°C, and in summer it reaches around 7°C. • At the summit where the volcano’s crater is, there are eight peaks. • The crater of Mount Fuji is around 500 meters (1,600 feet) wide. Location, History & Geography: • There are three cities that surround Mount Fuji: Gotemba, Fujiyoshida and Fujinomiya. • There are five lakes around Mount Fuji: Lake Kawaguchi, Lake Motosu, Lake Sai, Lake Yamanaka and Lake Shoji. • Mount Fuji is an active composite volcano that last erupted in 1707. It has been classified as being at ‘low risk’ of erupting again, despite recent nearby earthquakes which often signal that an eruption is imminent. • Mount Fuji is 100km southwest of Japan’s capital, Tokyo, and can be seen from the city on a clear day. • Mount Fuji has been classified as a Special Place of Scenic Beauty because of how symmetrical the mountain looks. • Mount Fuji is also on the UNESCO World Heritage List. • The summit of Mount Fuji has always been regarded as sacred. • The first person to climb Mount Fuji was a Buddhist monk in 663 AD. -
Mapping a Mountain: Mt. Fuji Land Cover Transitions Over the 20Th Century
Mapping a Mountain: Mt. Fuji Land Cover Transitions Over the 20th Century Kara A. Batdorff Lewis & Clark College Portland, Oregon In partial fulfillment of the requirements for the degree of Bachelor of Arts Environmental Studies Program Concentration: The Political Economy of Geologic Hazards on Plate Margins Spring 2014 Table of Contents Introduction Globalization, Modernization and the Implications for Environmental Geography 5 Drivers of Change 6 Biophysical Constraints 8 Scene: Japan and the Climb Towards Modernization 9 Fuji: An Eruptive Past 11 Methodology 14 Part 1. Land Cover Change 14 Part 2. Geologic constraints on Mt. Fuji 25 Interpreting Land Cover Patterns 28 Forestry Abandonment 32 Terrestrial Limitations and Economic Vulnerability 33 Future of Fuji 34 References 35 1 Abstract From the alteration of the Mississippi River to the destruction of the amazon rainforest, resource demands and global commerce have led to landscape modifications. Among these changes lie biophysical constraints, which limit land use and land cover opportunities. Little has been studied about how these global patterns impact volcanic landscapes, where steep slopes and soils with low water retention limit land use capabilities. This thesis documents land cover change on Mt. Fuji by quantifying and analyzing land cover change over the past century in between four different time periods: 1898, the 1930’s, the 1950’s and 1992. Land cover data were obtained by digitizing historic land cover maps of Fuji. These land cover mosaics were intersected with a digital map of the bedrock geology of Mt. Fuji to explore how geology has influenced observed land cover changes. Croplands are concentrated in the few areas with water retention capabilities, and forests and grasslands dominate areas with low soil fertility and soil permeability.