DOCSLIB.ORG

1. Tipo De Objeto

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1. Tipo De Objeto 1. Tipo de objeto Tira un d100 para determinar el tipo de objeto que será el artefacto, o escógelo tú mismo y tira el dado indicado en la columna «Tipo» para generarlo. d100 Tipo Objeto Ejemplos y descripciones 1 1 Daga [Cuchillo, daga de mano izquierda, khutar, shiv, kris] Generalmente, un arma pequeña. 2 2 Espada corta [Gladius, wakizashi, kopis, machete, alfanje] 3 3 Espada larga [Espada de cesta, espadón, espada bastarda, pata] 4 4 Sable [Cimitarra, katana, yatagán] 5 5 Lanza corta [Lanza de jabalí, nagamaki] Cualquier lanza de menos de 1,5m. 6 6 Lanza [Dory, pilum] Cualquier lanza de más de 1,5 m. 7 7 Lanza de caballería Un arma única, normalmente reservada para el combate montado. 8 8 Hacha Cualquier hacha de una mano. 9 9 Martillo de guerra [Bec de corbin, pico de cuervo] Cualquier arma diseñada para penetrar armaduras. 10 10 Maza Arma contundente para machacar cráneos. 11 11 Mandobles [Zweihänder, espada flamígera, claymore] Una espada a dos manos. 12 12 Gran maza / Cualquier maza o martillo a dos manos. martillo Armas (d20) Armas 13 13 Látigo / cadena Cualquier arma elástica con forma de cuerda. 14 14 Arco corto Arcos pequeños pero potentes y fáciles de manejar 15 15 Arco recurvo Arcos más grandes y pesados, difíciles de manejar, pero más potentes. 16 16 Alabarda / Guja [Gran hacha, guja, bardiche] 17 17 Chakram / arma [Shuriken, kunai, dagas arrojadizas] Arma arrojadiza con filo. arrojadiza 18 18 Bastón de combate Bastón pensado para el combate. Generalmente está hecho de madera y se empuña a dos manos. 19 19 Jabalina Una lanza arrojadiza de pequeño tamaño. Normalmente se llevan encima unas cuantas. 20 20 Mayal Un tipo de maza con el cabezal unido a la empuñadora por medio de una cadena. 21 1 Pechera Simple, u ornamentada. Puede cubrir todo el torso o solo la parte delantera. 22 2 Camisa de malla La clásica camisa de anillas fantástica 23 3 Cota de malla Una cota de malla larga y pesada, con cofia y mangas. 24 4 Armadura de Armadura hecha de láminas pequeñas enlazadas en filas horizontales. láminas 25 5 Armadura de bestia Armadura hecha con la piel o las escamas de un monstruo o animal. 26 6 Brigantina Armadura compuesta de pequeñas láminas de acero unidas a tela, lona o cuero. Armadura (d12) Armadura Sample Armadura de placas file 27 7 Una armadura de placas que cubre todo el cuerpo. completa 28 8 Armadura de hueso Una armadura fantástica hecha de huesos. 4 d100 Tipo Objeto Ejemplos y descripciones 29 9 Armadura de Una armadura fantástica hecha de madera. madera 30 10 Escudo Redondo, pequeño, de madera o de metal, de lágrima o pavés. 31 11 Yelmo Pues eso, un casco. 32 12 Parte de armadura [Greba, un guantelete, una hombrera…] Una pieza suelta de armadura. 33 1 Pintura [En fresco, lienzo o papel] Un dibujo, ilustración o cuadro. 34 2 Figura ¿Pieza de ajedrez? ¿Juguete? ¿Ornamento? Tiene que poder llevarse en la mano. 35 3 Escultura Más grande que la figura, y tiene que transportarse con las dos manos (si es que se (D8) puede transportar). 36 4 Porcelana [China, arcilla, fayenza, kintsugi (arreglada con oro)] 37 5 Anillo [Sello, banda, anillo doble (se lleva en dos dedos), anillo hueco (para esconder algo)] Colgante 38 valor Objetos de 6 [Pendiente, gargantilla, torques, collar de perlas] 39 7 Brazalete [Brazalete, tobillera, brazalete para bíceps] 40 8 Perforaciones [En oreja, nariz, labios, ombligo…] 41 1 Monedas Monedas de todo tipo, tamaño y material. 42 2 Antorcha De madera, metal o hueso. Del tipo que sea. 43 3 Lámpara. De mano o con cadena. Redonda o rectangular. 44 4 Dado Un puñado de artefactos pequeños que, al lanzarlos, muestran un resultado aleatorio. 45 5 Cartas [Set de tarot, cartas coleccionables, únicas o pintadas a mano…] 46 6 Juego de mesa [Ajedrez, damas, shogi, juegos desconocidos de la antigüedad, ajedrez alienígena] 47 7 Copa / Jarra [Cáliz, vaso] 48 8 Botella [Ánfora, frasco, jícara] 49 9 Cinturón [Fajín, arnés, corsé] 50 10 Sombrero El que más te guste. Yo prefiero los llamativos. 51 11 Abrigo Lo mejor para el frío. 52 12 Vestimentas Túnicas sagradas, ropajes de un héroe o cualquier otro ejemplo. 53 13 Guantes Mitones de un pícaro, guantes de encaje, guantes altos, etc. Objetos cotidianos (d20) Objetos cotidianos 54 14 Zapatos / Botas De nuevo, del tipo que prefieras. 55 15 Capa La típica capa de superhéroe que ondea al viento. 56 16 Espejo De mano, de mesa o de pared. 57 17 Tijeras / Cizallas Un artefacto afilado que sirve para cortar cosas. 58 18 Hoz Espada curva que se utiliza (normalmente) para recolectar/cortar plantas. 59 19 Reloj de arena / Elige el que mejor encaje en el juego. ¡No te olvides de los relojes de sol! Reloj Sample Llave file 60 20 Algo capaz de abrir una cerradura concreta. u s t a n c i a s ( d 8 ) 61 S 1 Polvo [Tierra, hojas molidas, sangre seca, polvo de hada] 5 d100 Tipo Objeto Ejemplos y descripciones 62 2 Líquido [Poción, agua estigia, sirope, aceite, veneno] 63 3 Fragmentos [Trozos de pedernal, virutas de metal, cortes de uñas, cristales] 64 4 Piedras [Rocas volcánicas, gravilla, guijarros] 65 5 Cristales [Polvo de diamante, sal, azúcar, nieve] 66 6 Arena [Arena desértica, arena de río, arena negra] 67 7 Fragancia Una fragancia preservada por medios mágicos o mecánicos (como un perfume). 68 8 Pedazos [Carbón vegetal, tiza, grafito, incienso] 69 1 Joyas pequeñas [Rubíes, zafiros, esmeraldas, diamantes, ópalos, citrinos, topacios…] 70 2 Joyas grandes [Rubíes, zafiros, esmeraldas, diamantes, ópalos, citrinos, topacios…] 71 3 Corona O diadema. 72 4 Báculo. Un báculo real. 73 5 Libro Desde uno de bolsillo, hasta un viejo y pesado grimorio. 74 6 Pergamino Conservado en una cápsula de madera o de metal, o un trozo de papel viejo y seco. 75 7 Máscara Metálica, de hueso, de carnaval o sin rasgos distintos. Hay muchas opciones. 76 8 Bastón [Cayado, bastón rugoso, vara] No sirve para el combate. Otros tesoros (d12) tesoros Otros 77 9 Orbe Un orbe o globo crucífero. Normalmente se puede sostener con una mano. 78 10 Filacteria Un pequeño recipiente que contiene textos sagrados, runas o símbolos. 79 11 Relicario Un pequeño recipiente que contiene un pedazo del cuerpo de un ser venerado. 80 12 Pendón / Bandera Un artefacto, por lo general, religioso o militar. 81 1 Lentes / Miras Una herramienta para ver algo con aumentos, hecha normalmente de cristal o vidrio pulido. 82 2 Varita Los magos (y algún charlatán) las utilizan. 83 3 Guantelete Un guante reforzado. 84 4 Cráneo De la criatura que prefieras. 85 5 Hueso Un hueso de cualquier ser vivo. Mandíbulas de asno, fémures humanos… 86 6 Escamas Un puñado de escamas de un animal o bestia. 87 7 Cuerda / Cadena Para todos los aficionados al bondage. Y también para marineros. 88 8 Cuentas [Rosario, collar de coral, cuentas budistas] 89 9 Alfombra Algo blando y cálido sobre lo que pisar. Hay quienes las cuelgan de paredes. 90 10 Instrumento de [Cuerno, flauta, gaita, bansuri, flauta de Pan, ocarina] viento 91 11 Instrumento de [Sitar, samisen, laúd, arpa, címbalo, cistro, violín] cuerda 92 12 Instrumento de [Tambores y baquetas, gong, campana, triángulo, bongos] percusión Sample93 13 Tatuaje Una ilustración o texto grabado en tinta sobre la piel. file 94 14 Incensario Un cuenco apoyado en un soporte, o colgando de cadenas como los utilizados en el cristianismo. Otros objetos extraños o peculiares (d20) o peculiares extraños objetos Otros 6 .
Load more

Recommended publications
  • Guido M. Berndt the Armament of Lombard Warriors in Italy. Some Historical and Archaeological Approaches
    The Armament of Lombard Warriors in Italy 299 Guido M. Berndt The Armament of Lombard Warriors in Italy. Some Historical and Archaeological Approaches Early medieval Europe has often been branded as they have entered upon the sacred soil of Italy, a violent dark age, in which fierce warlords, war- speaks of mere savage delight in bloodshed and riors and warrior-kings played a dominant role in the rudest forms of sensual indulgence; they are the political structuring of societies. Indeed, one the anarchists of the Völkerwanderung, whose de- quite familiar picture is of the early Middle Ages as light is only in destruction, and who seem inca- a period in which armed conflicts and military life pable of culture”.5 This statement was but one in were so much a part of political and cultural devel- a long-lasting debate concerning one particular opment, as well as daily life, that a broad account question that haunted (mainly) Italian historians of the period is to large extent a description of how and antiquarians especially in the nineteenth cen- men went to war.1 Even in phases of peace, the tury – although it had its roots in the fifteenth conduct of warrior-elites set many of the societal century – regarding the role that the Lombards standards. Those who held power in society typi- played in the history of the Italian nation.6 Simply cally carried weapons and had a strong inclination put, the question was whether the Lombards could to settle disputes by violence, creating a martial at- have contributed anything positive to the history mosphere to everyday life in their realms.
    [Show full text]
  • Throwing the Ancient Greek Dory: How Effective Is the Attached Ankyle at Increasing the Distance of the Throw?*
    Throwing the Ancient Greek Dory: How Effective is the Attached Ankyle at Increasing the Distance of the Throw?* STEVEN ROSS MURRAY, WILLIAM A. SANDS, AND DOUGLAS A. O'ROARK HE major weapon of the ancient Greeks was the combat spear, or dory T(δόρυ ). It primarily was used for thrusting in hand-to-hand combat, but it could be thrown as a missile weapon as well. To prepare the spear to be thrown, the ancient Greeks would use a leather thong, called an ankyle, which they attached to the spear's shaft roughly around its center of mass. The ankyle would be fashioned where a small loop was formed where the warrior could insert his first two fingers, while still holding the spear with his other fingers and thumb and resting the spear in his palm. The purpose of the ankyle was to add more thrust to the spear, theoretically adding distance to the throw; however, the actual effect of the use of the ankyle on the dory's throw is unknown. We found that modern throwers threw facsimiles of the dory a mean of 15.94 ± 2.85 meters with the dory alone, but when using the ankyle, the mean distance thrown was 24.00 ± 4.86 meters. We show that using the ankyle improves the distance that the dory could be thrown by 50.5 percent. High-speed-video analysis reveals that the ankyle increases the launch velocity of the dory from 2.95 meters per second to 4.98 meters per second. Our results show that the ankyle is an effective device for increasing the distance that the dory could be thrown.
    [Show full text]
  • “Won by the Spear” the Importance of the Dory to the Ancient Greek Warrior
    ПРАКТИКА ОБУЧЕНИЯ ВОЕННОМУ ДЕЛУ В ДРЕВНЕЙ ГРЕЦИИ “WON BY THE SPEAR” THE IMPORTANCE OF THE DORY TO THE ANCIENT GREEK WARRIOR Steven Ross MURRAY The spear, or dory, was the major weapon of the ancient Greeks. The ancient Greek warrior, especially the hoplite, was known for his prowess in using the dory as a thrusting weapon in hand-to-hand combat and as part of the formidable Greek phalanx, but the dory, too, could be used as a missile weapon, when necessary. Other spe- cialized throwing-spears were commonplace among the ancient Greeks’ arsenal of weapons. The Greeks incorporated a throwing loop, called an ankyle, that was used to maximize the distance that a spear could be thrown, enhancing the ancient Greeks’ military domi- nance on the battlefield. The dory, and its athletic kin, the javelin, or akon or akonition, were fixtures in ancient Greece, and often Greek soldiers would carry two spears into battle for an edge over their ad- versaries. The following is a description of the dory, its construction and development, and how modern-day experiments indicate how impressive the ankyle was at helping the ancient Greeks to achieve victory that was “won by the spear”. Sophocles, in his fifth century BCE tragedy, Ajax, forever immor- talized the importance of the spear, or dory (δόρυ), to the ancient Greeks. The dory was the weapon of choice for the ancient Greek warrior, espe- cially the hoplite, who would typically be fitted with a helmet, greaves, and a shield for protection1, but used the spear as his main offensive weapon.
    [Show full text]
  • Coffee-Table-Book Final-Spreads
    One never stopped “ evolving... Neither did tools! “ Aeons of Weapons Aeons of Weapons n o i t I, Anandita Patil from FYS- a Section D hereby declare r that all digital and written work appearing in this book a as part of my Imaging course l 15th week submission under c the academic guidance e of my course faculty is my own and all sources of knowledge used have D been duly acknowledged. I will be solely responsible for any irregularity found with respect to non-adherence of academic integrity as per ISDI School of Design and Innovation’s standards and requirements. INDEX What is a civilization? 11 Spears and Civilizations 15 Spears 19 Timeline of the Spear 29 References & Citations 35 9 What is a civilization? 13 Aeons of Weapons According to National Geographic, a civilization is a complex human society, usually made up of different cities, with certain characteristics of cultural and technological development. In many parts of the world, early civilizations formed when people began coming together in urban settlements. The word “civilization” relates to the Latin word “civitas” or “city.” This is why the most basic definition of the word “civilization” is “a society made up of cities.” Civilizations were formed by a group of people, with similar or same ideologies, beliefs, and interests, coming together in order to form a community. Civilization, in history, prevailed all over the world, but their occurrence and existence period varied. Some overlapped while some had a huge time difference. Every civilization had its identity. Some had a different colour, some had different features, while some differed by the advancement in their attire and evolution in the weapons they used.
    [Show full text]
  • Frequency List
    Ranking Frequency List 3501 1) 23903 (4.19%) 27) 3221 (0.564%) 53) 1589 (0.278%) 78) 1054 (0.185%) 103) 694 (0.122%) the is out we some 2) 20303 (3.56%) 28) 3201 (0.561%) 54) 1582 (0.277%) 79) 1046 (0.183%) 104) 689 (0.121%) And as down Nor mother 3) 12989 (2.27%) 29) 3008 (0.527%) 55) 1574 (0.276%) 80) 1019 (0.178%) 105) 685 (0.120%) to him What no here 4) 11511 (2.02%) 30) 2996 (0.525%) 56) 1560 (0.273%) 81) 1014 (0.178%) 106) 679 (0.119%) a will see bonny nae 5) 10028 (1.76%) 31) 2492 (0.436%) 57) 1545 (0.271%) 82) 1009 (0.177%) 107) 665 (0.116%) I Then If father take 6) 9557 (1.67%) 32) 2265 (0.397%) 58) 1509 (0.264%) 83) 989 (0.173%) 108) 662 (0.116%) he at man thy gae 7) 8855 (1.55%) 33) 2234 (0.391%) my with 59) 1482 (0.260%) 84) 984 (0.172%) 109) 660 (0.116%) I’ll never like 8) 6968 (1.22%) 34) 2224 (0.389%) in there 60) 1468 (0.257%) 85) 956 (0.167%) 110) 657 (0.115%) them are from 9) 6746 (1.18%) 35) 2215 (0.388%) green O lady 61) 1439 (0.252%) 86) 937 (0.164%) has men 111) 649 (0.114%) 10) 6260 (1.10%) 36) 2178 (0.381%) She’s her this 62) 1436 (0.251%) 87) 933 (0.163%) fair He’s 112) 646 (0.113%) 11) 6071 (1.06%) 37) 2112 (0.370%) yon that come 63) 1431 (0.251%) 88) 924 (0.162%) were dear 113) 644 (0.113%) 12) 5893 (1.03%) 38) 2092 (0.366%) been me by 64) 1374 (0.241%) 89) 912 (0.160%) now well 114) 623 (0.109%) 13) 5642 (0.988%) 39) 2011 (0.352%) It’s his wi 65) 1330 (0.233%) 90) 884 (0.155%) shall one 115) 622 (0.109%) 14) 5640 (0.988%) 40) 1896 (0.332%) get for all 66) 1326 (0.232%) 91) 869 (0.152%) gold so hand made 15)
    [Show full text]
  • Portland Daily Press: June 25, 1898
    PORTLAND DAILY PRESS. E JUNE 23, l8«2-VOL. 35. PORTLAND, MAINE, SATURDAY ESTABLISHED MOR]sIngk JUNE 25, 1898. PRICE THREE CENTS HEW ADVERTISEMENTS._ COOL, I COMFORTABLE | THIRTEEN DEAD. SUMMER I FUBRiTGRE, | Buy it dow before the hot B days arrive. ta RATTAN CHAIRS, § “ Men Have Hot With ROCKERS | Cavalry Fight Span- “ COUCHES. I Also the very moderate cost m iards Five Miles From Veranda Goods, made of Heed and if Basket material. Rockers from |g Santiago. 75c to $3.50. Goiumbia Refrigerators. I The Coldest Aeticle yon can invest 5 1 your dollars In. Have sold more of them Pi -- this season than ever. satis- «a ♦ Perfectly ♦ factory to every purchaser. Just take a 9 look at them at ♦ y y Frank P. Tibbetts & Go., I THE LIST OF DEAD. I i & 6 FKEE ST. I je25d2t lstp § — Spaniards Were Driven I ROUGH RIDERS. * i ♦ GRADUATION Captain Allyn K. Capron, of Troop JL. f Sergeant Hamilton Fish, Jr. t SLIPPERS. Privates Tillman and Dawson, both of | From Position on Troop L, I We have a fall line of White Private Dougherty of Troop L. X Kid Slippers for Graduation. | Private W. T. Erwin, Troop F. | $1.50 PASR. FIRST CAVALRY. 5 Hill Halt tPrivates Dix, York, Bjork, Kolbe, Berlin j By | and Lenmeck. center & McDowell, t | 539 Congress Street. TEYTH CAVALRY. 5 BROWS BLOCK. je25d3t Corporal White, 1 SPECIAL KO iiuiiiuula | TICES, 4 4 To advertise mm FROM PAABO. unless people read your ads. ? SPANISH COAST NEXT. They read ours, and then bring tbeir SENT HOME. and TALK OF"PEACE.
    [Show full text]
  • The Disowned
    The Disowned Bulwer−Lytton The Disowned Table of Contents The Disowned............................................................................................................................................................1 Bulwer−Lytton...............................................................................................................................................1 CHAPTER I................................................................................................................................................................3 CHAPTER II...............................................................................................................................................................6 CHAPTER III............................................................................................................................................................11 CHAPTER IV...........................................................................................................................................................16 CHAPTER V.............................................................................................................................................................19 CHAPTER VI...........................................................................................................................................................20 CHAPTER VII..........................................................................................................................................................26
    [Show full text]
  • THE MYSTARAN ARMOURY V
    THE MYSTARAN ARMOURY v. 1.6 A GUIDE TO ARMOUR, SHIELDS, WEAPONS, FIREARMS, & SIEGE ENGINES by MARCO DALMONTE SUMMARY INTRODUCTION 1 Studding for Shields 25 Sizes and Dimensions 1 Shield weapons 25 Encumbrance 2 COMPLETE BARDING 25 Effective Speed 2 Padded Barding 26 Technological Level 2 Leather Barding 26 CHAPTER 1: ARMOUR, SHIELDS, AND BARDING 4 Scale Barding 26 Usable Armour (Optional) 4 Mail Barding 26 Legend 4 Banded Barding 26 Note on the Armour of Subaquatic Races 5 Plate Barding 26 SUITS OF ARMOUR 6 Field Barding 27 Protective Skins 6 Joust Barding 27 Fur Armour 6 Table of Complete Barding 27 Paper Armour 6 PARTIAL BARDING 27 Padded Armour 7 Chamfron 28 Slat Armour 7 Crinet 28 Leather Armour 7 Cuello 28 Plated Armour 7 Flanchard 28 Studded Leather 8 Peytral 28 Hide Armour 8 Crupper 28 Breastplate 8 Table of Partial Barding 28 Scale Armour 9 TACK FOR MOUNTS 28 Brigantine Armour 9 Bridle 29 Banded Leather 9 Shoes 29 Lamellar Armour 10 Saddlebags 29 Chainmail 10 Saddle 29 Splint Armour 10 Spurs 29 Banded Mail 11 Stirrups 30 Plate-mail 11 Table of Tack 30 Full Plate 11 APPENDIX A: ANIMALS & MOUNTS 30 Helmets 12 Table 1.15 – Normal Horses 32 Studding for Suits of Armour 13 Table 1.16 – Mammals 32 Donning and Removing Armour 13 Table 1.17 – Great Cats 33 Table of Suits of Armour 13 Table 1.18 – Birds 33 Wearing different pieces of armour 13 Table 1.19 – Dinosaurs 34 PARTIAL ARMOUR 14 Table 1.20 – Reptiles, Amphibians, & Fish 34 Bracers 15 Table 1.21 – Bugs, Crustaceans, & Insects 35 Girdle 15 Table 1.22 – Magical Creatures 35 Metal
    [Show full text]
  • 1455189355674.Pdf
    THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS
    [Show full text]
  • Bowl Round 7 Bowl Round 7 First Quarter
    NHBB A-Set Bowl 2017-2018 Bowl Round 7 Bowl Round 7 First Quarter (1) This settlement was abandoned after the loss of a trade network centered on Kilwa, leading its inhabitants to settle Mutapa. Sites at this settlement include the Great Enclosure and the Hill Complex, where eight birds carved of soapstone were once supposed to have stood. It was constructed by the Shona people, who protected themselves with high walls built without mortar. For ten points, name this Iron Age settlement that lends its name to an African country with capital Harare. ANSWER: Great Zimbabwe (prompt on Zimbabwe) (2) This man was not given songwriting credit on \Never Learn Not to Love" by the Beach Boys, even though it was derived from this man's song \Cease to Exist." This man's belief in hidden messages on the Beatles' White Album inspired the idea of a \Helter Skelter" race war. One of the stars of Valley of the Dolls, Sharon Tate, was over eight months pregnant when this man's followers murdered her in 1969. For ten points, name this cult leader who died in prison in 2017. ANSWER: Charles Manson (3) A treaty with this name included the secret Act of Seclusion, by which the future William III lost the title of Stadtholder. The first and third Anglo-Dutch Wars were ended by treaties of this name. A 1931 statute of this name established protocols between the U.K. and dominion realms. A religious building with this name was built on the orders of Edward the Confessor and was the site of his burial.
    [Show full text]
  • Florida State University Libraries
    Florida State University Libraries 2016 The Historicity of Homeric Warfare: Battle in the 'Iliad' and the Hoplite Phalanx, c. 750 to 480 BCE Carlos Devin Fernandez Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS & SCIENCES The Historicity of Homeric Warfare: Battle in the Iliad and the Hoplite Phalanx, c. 750 – 480 BCE By CARLOS DEVIN FERNANDEZ A Thesis submitted to the Department of Classics in partial fulfillment of the requirements for graduation with Honors in the Major Spring, 2016 2 The members of the Defense Committee approve the thesis of Carlos Devin Fernandez defended on April 19, 2016. 3 Chapter One: Introduction The purpose of this thesis is to examine the nature of battle in Homer’s Iliad, and its relationship to the actual practices of the Archaic period. In particular, it aims to focus on the roles of foot soldiers in Homeric battle, and how their features compare to those of hoplites, who first emerged during the poet’s own era. The renowned epos of war relates the story of Achilles’ wrath against his fellow Greeks during the final year of the Trojan War, and as such, contains innumerable scenes of combat. Though the epic tends to underscore the aristeia (‘excellence’) of its heroes, who are often engaged in single-combat with one another, the same episodes also illustrate the participation of the masses on the battlefield. I shall argue that these scenes of battle, and their representations of infantry combat, when examined with supplementary literary and archaeological evidence, are essential tools in interpreting eighth- to sixth-century BCE warfare, particularly the roles of the average citizen and the development of the hoplite phalanx.1 Background: The Dating of a ‘Homeric Society’ The Iliad has been rigorously analyzed in the resurgence of ancient warfare scholarship over the last few decades.
    [Show full text]
  • Institutions Et Régulation D'une Ressource Naturelle Dans Une
    Institutions et r´egulationd'une ressource naturelle dans une soci´et´efragment´ee : Th´eorieet applications `aune gestion durable de l'eau au Liban. Roland Riachi To cite this version: Roland Riachi. Institutions et r´egulationd'une ressource naturelle dans une soci´et´efragment´ee : Th´eorieet applications `aune gestion durable de l'eau au Liban.. Gestion et management. Universit´ede Grenoble, 2013. Fran¸cais. <NNT : 2013GRENE008>. <tel-00979509> HAL Id: tel-00979509 https://tel.archives-ouvertes.fr/tel-00979509 Submitted on 16 Apr 2014 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. THÈSE Pour obtenir le grade de DOCTEUR DE L’UNIVERSITÉ DE GRENOBLE Spécialité : Sciences Économiques Arrêté ministériel : 7 août 2006 Présentée par Roland RIACHI Thèse dirigée par Bernard GERBIER préparée au sein du Centre de Recherche en Économie de Grenoble et de l’École Doctorale de Sciences Économiques Institutions et régulation d’une res- source naturelle dans une société fragmentée : Théorie et applications à une gestion durable de l’eau au Liban Thèse soutenue
    [Show full text]