The Complete SRV Release Chronology. November 2008 The
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Dear Rancho Fans, Music Lovers and BBQ Aficionados
Dear Rancho fans, music lovers and BBQ aficionados, Let’s get ready to RAMBLE! Rancho Nicasio is alive and well and we hope all of you are too. We are entering our 15th season and we are as enthusiastic and grateful as year one. Our longtime staff is intact and ready to serve. Another mild winter helped support the troops. Everyone is looking forward to working outdoors in our beautiful valley. Here’s what we have lined up for our BBQ series 2013: THE BLUES BROADS with TRACY NELSON, DOROTHY MORRISON, ANNIE SAMPSON and ANGELA STREHLI will open the season on Sunday, May 26th. Their much acclaimed CD/DVD that was released last year has put them on the national map and we are very proud to have been able to give these women an opportunity to show their stuff. Your support helped make that possible. And for those of you who haven’t experienced this soulful “live” show, well, you really should. For that matter, I wouldn’t want to miss MARCIA BALL either. She will be here Memorial Day, Monday, May 27th. What you might want to do is come both days, that’s right, it’s all that good. And if you do, it will be my pleasure to buy you a beverage of your choice! What can I say, I really love all these women and I want you to come. ELVIN BISHOP will bring his rocking blues band for Father’s Day, Sunday, June 16th. No one has had more fun playing the blues than our dear friend. -
Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Classic Posters - Antones Blues Club
Classic Posters - Antones Blues Club Classic Posters - Antones Blues Club by Michael Erlewine [email protected] Right up there with the Armadillo is probably the best blues club in the southwest, Antones in Austin, Texas. Classic Antone's Poster Antone's also recorded and release a number of albums under Antone's Records by blues greats like James Cotton, Ronnie Earl, Memphis Slim, and Matt "Guitar" Murphy and younger players like Angela Strehli and Marcia Classic Antone's Poster Ball. Antone's blues club in Austin may is the best-known blues venue in the southwest, and maybe in the whole country. Started by Clifford Antone in 1975, this blues venue has hosted all the great blues players, everyone from Jimmy Reed, Fats Domino, Big Walter Horton, Jimmy Reed to John Lee Hooker and Percy Mayfield. Younger blues artists like Stevie Ray Vaughan, The Fabulous Thunderbirds (the house band for years), Lou Ann Barton, and others frequented Antone's and learned their craft. Classic Antone's Poster Antone's posters and flyers feature Texas artists like Guy Juke, Sam Yeates, and most of all the wonderful work of Danny Garrett. Antone's has always been vigorously collected by a small group, but in recent years more and more collectors are getting into this Classic Posters - Antones Blues Club great venue and the prices for Antone's items have been inching up. Antone's has been a steady source for great music for decades. That history is reflected in the many fine posters and handbills for that venue, some of them stunning like this large handbill for John Lee Hooker. -
Top 40 Singles Top 40 Albums
02 December 1990 CHART #741 Top 40 Singles Top 40 Albums Ice Ice Baby Lay Down Your Guns In Concert Remasters 1 Vanilla Ice 21 Jimmy Barnes 1 Carreras/Domingo/Pavarotti 21 Led Zeppelin Last week 3 / 4 weeks EMI Last week 20 / 15 weeks FESTIVAL Last week 1 / 7 weeks Platinum / POLYGRAM Last week 23 / 5 weeks WEA/WARNER Pray Justify My Love Serious Hits - Live Mariah Carey 2 MC Hammer 22 Madonna 2 Phil Collins 22 Mariah Carey Last week 4 / 3 weeks EMI Last week - / 1 weeks WARNER Last week 2 / 3 weeks Platinum / WEA Last week 21 / 14 weeks Gold / CBS Groove Is In The Heart Never Enough Vivaldi 4 Seasons The Cream Of Eric Clapton 3 Deee-Lite 23 The Cure 3 Nigel Kennedy 23 Eric Clapton Last week 2 / 11 weeks WEA Last week 16 / 6 weeks WEA Last week 5 / 5 weeks EMI Last week 24 / 21 weeks Platinum / POLYGRAM To Sir With Love Ooops Up Joe Cocker Live Volume III 4 Ngaire 24 Snap 4 Joe Cocker 24 Traveling Wilburys Last week 1 / 9 weeks Gold / FESTIVAL Last week 25 / 17 weeks BMG Last week 3 / 19 weeks Platinum / FESTIVAL Last week 20 / 4 weeks WEA Thunderstruck While My Guitar Gently Weeps The Immaculate Collection Young Guns II OST / Blaze Of Glory 5 AC/DC 25 Jeff Healey Band 5 Madonna 25 Jon Bon Jovi Last week 6 / 8 weeks CBS Last week 31 / 3 weeks BMG Last week 12 / 2 weeks Gold / WARNER Last week 22 / 9 weeks Gold / POLYGRAM Itsy Bitsy Teeny Weeny From A Distance The Razor's Edge Hell To Pay 6 Bombalurina 26 Bette Midler 6 AC/DC 26 Jeff Healey Band Last week 5 / 6 weeks POLYGRAM Last week - / 1 weeks WARNER Last week 7 / 9 weeks Gold / CBS Last week 19 / 14 weeks Gold / BMG Bird On A Wire I'm Your Baby Tonight 21st Anniversary: The Ultimate Colle.. -
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Profusion X Programs
LATIN RELIGIOUS AMAZONIA CONTEMPORARY CHRISTIAN CARNIVAL BRASILEIRO GOSPEL PROFUSION X EL MOCAMBO ROCK FIESTA TROPICAL ADULT ALTERNATIVE HURBANO ALBUM ROCK PROGRAMS LATIN CONTEMPORARY BLEND ALTERNATIVE LATIN HITS CLASSIC ROCK LATIN JAZZ COFFEEHOUSE ROCK CLASSICAL INTERNATIONAL LATIN SOUTHWEST BLEND COLLEGE ROCK ARIAS & OVERTURES BELLISIMA MARIACHI FLASHBACK NEW WAVE CHAMBER MUSIC CARIBBEAN RHYTHMS MÚSICA CUBANA REALITY BITES INTIMATE CHAMBER CARIBBEAN WORLD BLEND MÚSICA DE LAS AMERICAS ROADHOUSE LIGHT CLASSICAL CHINESE PORTUGLISH BLEND COUNTRY EURO HITS PURO AMOR HIT COUNTRY FRENCH BISTRO BLEND REGIONAL MEXICAN MODERN COUNTRY GREEK ROMANCERO LATINO TRADITIONAL COUNTRY HAWAIIAN SALSA DANCE IRISH SPANGLISH BLEND DANCE ITALIAN BISTRO BLEND OLDIES ELECTROSPHERE ITALIAN CONTEMPORARY ‘60S REVOLUTION formerly Rock ‘N’ Roll Oldies) SPECIALTY POWER HITS ITALIAN TRADITIONAL ’70S HITS BEACH PARTY RETRO DISCO JAPANESE ’80S HITS BLUES RIVIERA DISCOTHÈQUE REGGAE MALT SHOP OLDIES formerly Golden Oldies) CHILLTOPIA SUBTERRANEAN RIVIERA SONGWRITERS OF THE ‘70S GOT KIDS? HEALTH & FITNESS SOUTH AFRICAN RHYTHMS UPBEAT OLDIES GREAT STANDARDS ’70S & ’80S WORKOUT UK HITS POP/ADULT CONTEMPORARY LOL! CLASSIC ALTERNATIVE WORKOUT WORLD BEAT ’90S HITS PARTY FAVORS CLASSIC ROCK WORKOUT JAZZ ADULT CONTEMPORARY URBAN GLOW BIG BAND SWING CHÍC BOUTIQUE CLASSIC R&B MODERN WORKOUT CLASSIC JAZZ VOCAL BLEND CITYSCAPES GROOVE LOUNGE NEW AGE SPA JAZZ CLASSIC HITS BLEND HOT JAMZ HIP HOP PUMP! JAZZ VOCAL BLEND CLUB 12 OLD SCHOOL FUNK ZEN RAT PACK DIVAS RAP INSTRUMENTAL SMOOTH -
Shoosh 800-900 Series Master Tracklist 800-977
SHOOSH CDs -- 800 and 900 Series www.opalnations.com CD # Track Title Artist Label / # Date 801 1 I need someone to stand by me Johnny Nash & Group ABC-Paramount 10212 1961 801 2 A thousand miles away Johnny Nash & Group ABC-Paramount 10212 1961 801 3 You don't own your love Nat Wright & Singers ABC-Paramount 10045 1959 801 4 Please come back Gary Warren & Group ABC-Paramount 9861 1957 801 5 Into each life some rain must fall Zilla & Jay ABC-Paramount 10558 1964 801 6 (I'm gonna) cry some time Hoagy Lands & Singers ABC-Paramount 10171 1961 801 7 Jealous love Bobby Lewis & Group ABC-Paramount 10592 1964 801 8 Nice guy Martha Jean Love & Group ABC-Paramount 10689 1965 801 9 Little by little Micki Marlo & Group ABC-Paramount 9762 1956 801 10 Why don't you fall in love Cozy Morley & Group ABC-Paramount 9811 1957 801 11 Forgive me, my love Sabby Lewis & the Vibra-Tones ABC-Paramount 9697 1956 801 12 Never love again Little Tommy & The Elgins ABC-Paramount 10358 1962 801 13 Confession of love Del-Vikings ABC-Paramount 10341 1962 801 14 My heart V-Eights ABC-Paramount 10629 1965 801 15 Uptown - Downtown Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 16 Bring back your heart Del-Vikings ABC-Paramount 10208 1961 801 17 Don't restrain me Joe Corvets ABC-Paramount 9891 1958 801 18 Traveler of love Ronnie Haig & Group ABC-Paramount 9912 1958 801 19 High school romance Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 20 I walk on Little Tommy & The Elgins ABC-Paramount 10358 1962 801 21 I found a girl Scott Stevens & The Cavaliers ABC-Paramount -
5, 2015 •Marina Park, Thunder
14TH ANNUAL BLUESFEST Your free festival program courtesy of your friends at The Chronicle-Journal JOHNNY REID • JULY 3 - 5, 2015 JULY • MARINA PARK, THUNDER BAY KENNY WAYNE SHEPHERD BAND PAUL RODGERS JOHNNY REID • ALAN FREW • THE PAUL DESLAURIERS BAND • THE BOARDROOM GYPSIES • KENNY WAYNE SHEPHERD BAND • ALAN DOYLE • THE WALKERVILLES • KELLY RICHEY • BROTHER YUSEF • THE BRANDON NIEDERAUER BAND • THE GROOVE MERCHANTS • LOOSE CANNON• PAUL RODGERS • DOYLE BRAMHALL II • WALTER TROUT • THE SHEEPDOGS • THE BROS. LANDRETH • JORDAN JOHN • THE HARPOONIST AND THE AXE MURDERER • THE KRAZY KENNY PROJECT THE VOICE... KEN WRIGHT rock guitar for more than two decades, Kenny Wayne SPECIAL TO THE CHRONICLE-JOURNAL Shepherd will hot wire the marquee on Saturday. Not to be missed, Paul Rogers, the peerless, 90-million-record-sell- What is it about a blues festival, that antsy sense of ing, oh-so-soulful voice of authoritative bands Free, Bad anticipation that we feel? It's a given that the music and Company and Queen will close the festival with the ulti- Ken Wright its performers will be royally entertaining. Yet, we all arrive mate in front man style and swagger on Sunday. with fingers crossed, hoping for that transcendent experi- Newfoundland's unstoppable native son, Alan Doyle, will Has the blues, but in a good way. He writes about them. A veteran director of ence that will reverse the spin of our world if only for an introduce East Coast reels to Top 40 pop with mandolins, fiddles and bouzoukis. Considered by Eric Clapton to be the Thunder Bay Blues Society, Wright puts his writing ability together with an hour to be relived again and again with all who shared it. -
Song List Horn Songs Tupelo Honey – Van Morrisson Uptown Funk- Bruno Mars Crazy in Love – Beyonce’ Cant Take My Eyes Off You – Frankie V
Song List Horn Songs Tupelo Honey – Van Morrisson Uptown Funk- Bruno Mars Crazy in Love – Beyonce’ Cant take my eyes off you – Frankie V. Waterfalls – TLC Hooked on a Feeling – Blue Swede All Night Long – Lionel Richie Short Skirt/Long Jacket - Cake Domino – Van Morrisson Call Me Al – Paul Simon Spiderwebs – No Doubt September – Earth, Wind, & Fire Can’t Stop the Feeling – J. Timberlake Proud Mary – Tina Turner Sweet Caroline – Neil Diamond Valerie – Amy Winehouse Higher & Higher – Jackie Wilson Get Ready – The Temptations Gimme Some Lovin – Spencer Davis Shout – Isley Brothers Say a little Prayer – Aretha Franklin Every little thing she does – The Police Non-horn Songs With a Little Help – Joe Cocker Just What I Needed – The Cars What’s Up – 4 Non Blondes Born to be wild - Steppenwolf Alone – Heart 7 Nation Army – White Stripes The Way I Love You – The BeeGees Your Love – The Outfield Unchained Melody – Isley Brothers I believe in a thing called love –Darkness Time After Time – Cindi Lauper Satisfaction – Rolling Stones Angel Eyes – Jeff Healey Take Me Out – Franz Ferdinand Wonderful Tonight – Eric Clapton Don’t Stop Believing - Journey Sweet Emotion – Aerosmith 500 Miles – The Proclaimers Ironic – Alanis Morisset You Make My Dreams – Hall & Oats Feelin’ Alright – Joe Cocker Song 2 - Blur Ain’t It Fun – Paramore Easy Lover – Phil Collins Take a Piece of My Heart – Janis Joplin My Sharona – The Knack Free Fallin’ – Tom Petty Let’s Go Crazy - Prince If I was from Paris – Grace Potter Africa - Toto The Joker – Steve Miller Band Any way you want it - Journey Foxy Lady – Jimi Hendrix Rock N Roll – Led Zeppelin You Really Got Me – The Kinks Take On Me – Ah Ha Rihannon – Fleetwood Mac Johnny B Goode – Chuck Berry Love Fool – The Cardigans All the Small Things – Blink 182 I just wanna make love to you – Foghat Last Night – The Strokes Power of Love – Huey Lewis & the News American Girl – Tom Petty Jump – Van Halen Mr. -
Son Sealsseals 1942-2004
January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Doyle Bramhall
BIO DOYLE BRAMHALL It’s apropos that DOYLE BRAMHALL’s new Yep Roc CD is titled Is It News because, although they’re absolutely true to his deep roots in the blues, its dozen original tunes mark a turning point that is both ambitious and the logical summation of his artistic evolution. The answer to the forward- thinking, envelope-pushing CD’s title is a resounding yes—and the news is all good! “I wanted to make an all-original record that was big, energetic, intimate, and unpredictable,” Doyle states. “We got a lot of the sounds by pushing everything to the limit and then pulling it back from there.” Fans already accustomed to Doyle’s high standards and willingness to chart new territory will nonetheless be pleased and surprised at just how high he raises the bar. This instant classic is the benchmark of Bramhall’s storied career—which is saying a lot! Continuing the tradition he started with the songs he co-wrote with Stevie Ray Vaughan, which struck a chord with the biggest audience the blues has ever enjoyed, he deftly expands the idiom’s vocabulary and texture. Any discussion of Texas blues, be it T-Bone Walker or Stevie Ray, is incomplete without mention of Doyle Bramhall. As singer, songwriter, and drummer, he has been an integral part of that rich state’s music for almost 40 years and, indeed, one of the founding fathers of the blues/roots resurgence synonymous with the Lone Star state and the migration from Dallas to its musical epicenter, Austin.