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Corporate Social Responsibility Across Europe Andr Habisch ´ Jan Jonker Martina Wegner ´ Ren Schmidpeter (Editors)
Corporate Social Responsibility Across Europe Andr Habisch ´ Jan Jonker Martina Wegner ´ Ren Schmidpeter (Editors) Corporate Social Responsibility Across Europe With 7 Figures and 18 Tables 12 Professor Dr. Andr Habisch Martina Wegner Ren Schmidpeter Catholic University of Eichstått-Ingolstadt Ostenstraûe 26±28 85072 Eichstått Germany Dr. Jan Jonker Nijmegen School of Management Radboud University Nijmegen PO Box 9108 6500 HK Nijmegen The Netherlands Cataloging-in-Publication Data Library of Congress Control Number: 2004113533 ISBN 3-540-23251-6 Springer Berlin Heidelberg New York This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illus- trations, recitation, broadcasting, reproduction on microfilm or in any other way, and storage in data banks. Duplication of this publication or parts thereof is permitted only under the provisions of the German Copyright Law of September 9, 1965, in its current version, and permission for use must always be obtained from Springer-Verlag. Violations are liable for prosecution under the German Copyright Law. Springer is a part of Springer Science+Business Media springeronline.com ° Springer Berlin ´ Heidelberg 2005 Printed in Germany The use of general descriptive names, registered names, trademarks, etc. in this publica- tion does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. Hardcover-Design: Erich Kirchner, Heidelberg SPIN 11327578 43/3130-5 4 3 2 1 0 ± Printed on acid-free paper Foreword Corporate Social Responsibility, or CSR, helps businesses to build up credibility and trust which are the key to hiring – and retaining – the best and brightest staff, and to a reputation which consumers and investors can identify with. -
Here Has Been a Steady Production of Operas Since the Season 1918/19
ESTONIAN NATIONAL OPERA Article provided by the Estonian National Opera At a glance The roots of the Estonian National Opera go back to 1865, when the song and drama society “Estonia” was founded. In 1906, the society became the basis for a professional theatre. The ballet troupe began regular work in 1926, but the first full-length ballet, Delibes’s “Coppélia” was performed in 1922 already. Since 1998, the theatre is officially named the Estonian National Opera. Estonian National Ballet that operates under Estonian National Opera was founded in 2010. The Artistic Director and Chief Conductor is Vello Pähn, the Artistic Director of the Estonian National Ballet is Thomas Edur and the General Manager is Aivar Mäe. The theatre’s repertoire includes classical and contemporary operas, ballets, operettas and musicals. In addition, different concerts and children’s performances are delivered and compositions of Estonian origin staged. Estonian National Opera is a repertory theatre, giving 350 performances and concerts a year, being famous for its tradition of annual concert performances of rarely staged operas, such as Alfredo Catalani’s “La Wally”, Verdi’s “Simon Boccanegra”, Rossini’s “Guillaume Tell”, Bizet’s “Les pêcheurs de perles”, Bellini’s “I Capuleti e i Montecchi”, “I puritani” and “Norma”, Rimsky-Korsakov’s “The Tsar’s Bride” and “Snegurochka”, Strauss’ “Der Rosenkavalier”, etc. History of the Estonian National Opera In 1865, the song and drama society “Estonia” was founded in Tallinn. Acting was taken up in 1871. From 1895 onwards the society began to stage plays regularly, which usually included singing and dancing. In 1906, the society became the basis for a professional theatre called “Estonia Theatre” founded by the directors and actors Paul Pinna and Theodor Altermann. -
KAIDI RÄTSEP Colour Terms in Turkish, Estonian and Russian: How Many Basic Blue Terms Are There?
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at Tartu University Library KAIDI RÄTSEP DISSERTATIONES LINGUISTICAE UNIVERSITATIS TARTUENSIS 32 Colour terms in Turkish, Estonian and Russian: How many basic blue terms are terms Estonian blue many there? and inbasic Russian:Colour Turkish, How KAIDI RÄTSEP Colour terms in Turkish, Estonian and Russian: How many basic blue terms are there? Tartu 2018 1 ISSN 1406-5657 ISBN 978-9949-77-919-2 DISSERTATIONES LINGUISTICAE UNIVERSITATIS TARTUENSIS 32 DISSERTATIONES LINGUISTICAE UNIVERSITATIS TARTUENSIS 32 KAIDI RÄTSEP Colour terms in Turkish, Estonian and Russian: How many basic blue terms are there? University of Tartu, Institute of Estonian and General Linguistics Dissertation accepted for the commencement of the degree of Doctor of Philosophy on October 11st, 2018 by the Committee of the Institute of Estonian and General Linguistics, Faculty of Philosophy, University of Tartu Supervisors: Professor Urmas Sutrop, University of Tartu Associate Professor Mari Uusküla, Tallinn University Opponent: PhD Anetta Kopecka, Université de Lyon Commencement: December 14th, 2018 at 14.15, Jakobi 2–438, Tartu This study has been supported by the Graduate School of Linguistics, Philosophy and Semiotics; funded by the European Social Fund and European Regional Development Fund (University of Tartu ASTRA Project PER ASPERA). European Union Investing European Regional in your future Development Fund ISSN 1406-5657 ISBN 978-9949-77-919-2 (print) ISBN 978-9949-77-920-8 (pdf) Copyright: Kaidi Rätsep, 2018 University of Tartu Press www.tyk.ee ACKNOWLEDGEMENTS The experimental colour data found in the thesis can be used for a wide array of applications. -
Estonian Education Landscape
Fact Sheet April 2009 Estonia Today THE CROSS OF LIBERTY AND THE MONUMENT TO THE WAR OF INDEPENDENCE IN TALLINN War of Independence and the Cross of In 1925, the Riigikogu passed a law to discontinue Liberty bestowal of the Cross of Liberty, saying that the services of the individuals who were notable in In the Estonian War of Independence, which took establishing the independence of the state and place from 1918–1920, the Estonian side lost 6 275 freedom of the nation had been honoured. men and women, with many more injured. However, the awarding of the Cross of Liberty as a military decoration was preserved, and the To recognise the service of participants in the War guidelines for awarding it still exist in today’s of Independence, the first Estonian state decoration, Decorations Act. The last holder of the Cross of the Cross of Liberty, was created in 1919. The Law Liberty, Karl Jaanus, died on 6 October 2000 in on the Establishment of the Cross of Liberty stated Estonia. that those who provided military and civilian services during the creation of the Republic of Estonia could receive the decoration. Preserving the memory of the War of Independence before and after the Strict guidelines were followed in awarding the Second World War Cross of Liberty, so it became Estonia’s most distinguished award, as well as the only one whose In addition to honouring the most remarkable holders were legally given a number of privileges soldiers in Estonia’s War of Independence and and concessions. The first seven Crosses of Liberty allies that served the Estonian nation, Estonia also were bestowed in August 1919 on officers of the US wanted to preserve the memory of all those who Red Cross that helped Estonia during the War of fought in the war. -
Tallinn Travel Guide
TALLINN TRAVEL GUIDE FIREFLIES TRAVEL GUIDES TALLINN Steeped in Medieval charm, yet always on the cutting- edge of modernity, Tallinn offers today’s travelers plenty to see. The city is big enough and interesting enough to explore for days, but also small and compact enough to give you the full Tallinn experience in just a few hours. DESTINATION: TALLINN 1 TALLINN TRAVEL GUIDE Kids of all ages, from toddlers to teens, will love ACTIVITIES making a splash in Tallinn’s largest indoor water park, conveniently located at the edge of Old Town. Visitors can get their thrills on the three water slides, work out on the full length pool or have a quieter time in the bubble-baths, saunas and kids’ pool. The water park also has a stylish gym offering various training classes including water aerobics. Aia 18 +372 649 3370 www.kalevspa.ee Mon-Fri 6.45-21.30, Sat-Sun 8.00-21.30 If your idea of the perfect getaway involves whacking a ball with a racquet, taking a few laps at MÄNNIKU SAFARI CENTRE high speed or battling your friends with lasers, The Safari Centre lets groups explore the wilds of then Tallinn is definitely the place to be. Estonia on all-terrain quad bikes. Groups of four to 14 people can go on guided trekking adventures There are sorts of places to get your pulse rate up, that last anywhere from a few hours to an entire from health and tennis clubs to skating rinks to weekend. Trips of up to 10 days are even available. -
Estonian Review E E S T I R I N G V a a D E VOLUME 17 NO 45 NOV 7- 13, 2007
Estonian Review E E S T I R I N G V A A D E VOLUME 17 NO 45 NOV 7- 13, 2007 FOREIGN NEWS FOREIGN NEWS Paet: Adapting to Climate Change Requires the Solidarity of Nations Nov 8 - Estonian Foreign Minister Urmas Paet participated in a round table discussion on 8 November, as part of the European Development Days occurring in Lisbon. The discussion focused on themes related to poverty, human settlements, and migration. Foreign Minister Paet recognised that the effects of climate change are not contained by national borders. “Global warming has already made earning a livelihood difficult in many nations,” said Paet. “This, in turn, may bring about migration, instability, and even conflicts in extreme cases,” he added. The Estonian foreign minister also noted that adapting to climate change requires the solidarity of nations. “Impoverished nations can better come to terms with climate change with the help of developed nations,” Paet said. “To achieve lasting results, developed nations and developing countries must Foreign Minister Urmas Paet and European Commissioner on coordinate their efforts more Enlargement Olli Rehn in Estonian Ministry of Foreign Affairs, 9 efficiently,” he emphasized. November. According to Foreign Minister Paet, Estonia wishes to see Foreign Minister Paet Met with European Commissioner on more open economic co- operation between the Enlargement Olli Rehn European Union and third Nov 9 - Foreign Minister Urmas Paet met with European countries, as well as more Commissioner on Enlargement Olli Rehn on 9th November in intensive trade relations. Tallinn. “Advancements in trade directly Further enlargement of the European Union and cooperation with help improve economic aspiring countries were discussed. -
100 Treasures of Estonia, Latvia and Lithuania
100 Treasures of Estonia, Latvia and Lithuania Estonia, of Treasures 100 100 Treasures of Estonia, Latvia and Lithuania 1 This book is the joint initiative of and part of the cooperation between the National Heritage Board of the Republic of Estonia, the National Heritage Board of Republic of Latvia and the Department of Cultural Heritage under the Ministry of Culture of the Republic of Lithuania. The book is inspired by the European Year of Cultural Heritage 2018, supported within the framework of a Joint Programme between the European Union and the Council of Europe “2018 European Heritage Days” and has received a grant from the State Culture Capital Foundation of Latvia. Authors of texts: Aistė Bimbirytė-Mackevičienė, Janis Zilgalvis, Siim Raie, Triin Reidla Translation: Kristjan Teder, Madli Kullaste, SIA SERRES, Visuomenės specialaus mokymo ir konsultavimo centras Editing: Carolin Pihlap, Janis Zilgalvis, Nijolė Bitinienė, Reelika Niit, Rita Mikelionytė, Triin Reidla Designer: Tuuli Aule Printed by: Tallinna Raamatutrükikoja OÜ, Laki 26, Tallinn, 12915 ISBN 978-9949-7293-0-2 (printed) ISBN 978-9949-7293-1-9 (pdf) Tallinn, 2018 100 Treasures of Estonia, Latvia and Lithuania 2 3 This book is the joint initiative of and part of the cooperation between the National Heritage Board of the Republic of Estonia, the National Heritage Board of Republic of Latvia and the Department of Cultural Heritage under the Ministry of Culture of the Republic of Lithuania. The book is inspired by the European Year of Cultural Heritage 2018, supported within the framework of a Joint Programme between the European Union and the Council of Europe “2018 European Heritage Days” and has received a grant from the State Culture Capital Foundation of Latvia. -
Estonian Review E E S T I R I N G V a a D E VOLUME 16 NO 43 NOV 1- 7, 2006
Estonian Review E E S T I R I N G V A A D E VOLUME 16 NO 43 NOV 1- 7, 2006 FOREIGN NEWS Formin: Estonia Ready to Continue Supporting Iraq Nov 7 - Estonian Foreign Minister Urmas Paet met with Iraqi Prime Minister Nuri al- Maliki and US ambassador to Iraq Zalmay Khalilzad. At both the meetings the focus was on the security situation in Iraq and the possible development scenarios. Iraqi Prime Minister Nuri al-Maliki said Estonia's military contribution to the improvement of the security situation in Iraq was important and expressed the hope that it was the first step on the path of the development of political and economic relations. Paet said that Estonia wanted to have closer relations with Iraq and extended to the Meeting of Estonian Foreign Minister Urmas Paet and Iraqi prime minister and foreign minister Iraqi Prime Minister Nuri al-Maliki invitations to visit Estonia. in Bagdhad, Nov 6, 2006 The Estonian foreign minister said that Estonia wanted Iraq to become a politically and economically stable, democratic and successful country. "We understand that the Iraqi government is facing a task of great complexity," Paet said. "We support the efforts of the Iraqi government to resolve the conflicts between the various ethnic and religious groups and to involve them in a common national development process," he added. The Estonian foreign minister said that it was important that talks between the European Union and Iraq over a trade and economic cooperation agreement should open soon. "International trade and economic cooperation makes it possible to stabilize the situation in Iraq, as this would improve the living standards of the people," Paet said. -
Cultural Trauma and Life Stories
Aili Aarelaid-Tart Cultural Trauma And Life Stories KIKIMORA PUBLICATIONS A 15 Cultural Trauma and Life Stories ISBN 952-1-3416-5 ISSN 1455-481X Cover design: Vesa Tuukkanen Layout: Indrek Tart and Anu Heiskanen © The Aleksanteri Institute and the author Gummerus Printing 2006 Vaajakoski Contents Abbreviations 6 List of the table and figures 6 Preface 7 I Introduction 10 I.1 My life story: the framework for my field of study and research interests 10 I.2 Research design 14 1.2.1 The composition of the sample. Collaborations 14 1.2.2 Theoretical objectives 18 II Human time and life course 22 II.1 Human time: the compass within uncertainty 22 II.2 Modes of human time 24 II.2.1 Cultural time 25 II.2.2 Political time 26 II.2.3 Generational time 26 II.3 Individual life course and life story 30 II.4 Human time throughout the trauma prism 34 III Understanding of cultural trauma 40 III.1 Making sense of the theory of cultural trauma 40 III.1.1 Cultural trauma as a new master paradigm 40 III.1.2 Cultural trauma as social practice 41 III.1.3 Cultural trauma as a discourse 45 III.1.4 Discourses as a search for usable past 49 III.2 Trauma and explosion: re-building the cultural fabric 51 III.3 From life stories to the discourse of cultural trauma 53 IV Framing biographical research in post-traumatic social practice 57 IV.1 Unbalanced social memory 57 IV.1.1 A double trauma discourse let loose by the collapse of Socialism 57 IV.1.2 A non-unified European memory as the cause of new traumas 59 IV.2 Living through Estonia: the contours of the main CT -
Ength: Sometimes in but Not Much Is Known About Either
THE WORLD OF DE ESTONIAN MUSIC CULTU CIVILI ESTONICO VOL IV THE WORLD OF ESTONIAN MUSIC Eesti Instituut Tallinn, 2015 The concert introducing „Arvo Pärt. Adam’s Lament“, the Grammy-winning record, is about to start in half an hour in St John’s Church. The queue meanders across Freedom Square, turns into Harju Street and continues for another few hundred metres. Everybody has a ticket, but they arrived early to get a better seat. Music is worth it! BACKGROUND3 BACKGROUND 5 Estonia is a young state and a young Access to Western music and infor- culture. In the ancient past, Estonians mation was difficult, and many devel- were a peasant nation who had their opments in Estonian music occurred own ancient way of life and culture, on their own strength: sometimes in but not much is known about either. parallel with the West and sometimes We only know about runo songs (regi- separately. Every fragment of infor- laul), which were not sung for quite a mation, book or record that found while but, having done a stint on the its way to Soviet Estonia had a huge archive shelves, they are now enjoy- impact: it was shared by many (often ing a new lease on life. Before the in secret), was discussed and offered 19th century national awakening pe- inspiration. Jaan Viljur with his fife. riod, German-language high culture Soviet music education had a prevailed on the Estonian territory. strong system and professional Estonian music education has standards. The musicians today still been connected with the Russian have a solid technical foundation school for a long time. -
Eesti Film Estonian Film 2000-2006
EESTI Eesti fi lm FILM Estonian Film ESTONIAN 2000-2006 FILM 2000 2006 Pikk mängufilm sai jalad alla Eesti mängufilm 2000–2006 20. sajand lõppes eesti filmile masendava pööritav tulemus, eriti just 1990. aastatel ka- ikaldusega: aastal 2000 ei saanud meil valmis tastroofiliselt vähenenud kinokülastatavuse ühtegi täispikka kunstilist linateost. See aga ei taustal. tähendanud, et neid ei tehtud. Arenduse ja toot- mise tsüklid olid mitmel põhjusel veninud, põud Uued sihid hajus, vana kuulujutt eesti filmi surmast oli jälle Areldi strateegiliseks sihiks seatud kolme täis- liialdatud. pika mängufilmini aastas, millest üks pidi olema Järgmise kahe aasta jooksul tehti valmis neli autorifilm festivalide tarbeks, teine film rahvale mängufilmi, mille kunstilistes ambitsioonides ning kolmas laste- ja noorsoofilm, jõuti alles ei maksa kahelda. Kvantiteedi üle võis endiselt 2004. aastal. Ent juba järgmisel aastal suutsime nuriseda, hambaid teritati ka filmide sisulise toota rohkem kui pool tosinat täispikka män- kvaliteedi ja vaadatavuse osas. Näiteks kriiti- gufilmi – justkui oleks NATOsse ja Euroopa Liitu kute poolt aasta parimaks linateoseks valitud, pääsemine ka mängufilmi lüüsid avanud. Lõpuks tööstusmanipulatsiooni- ja spionaažiteemaline ometi võis koguse üle hõisata, publiku üks silm “Agent Sinikael” (rež Marko Raat, 2002) kogus oli televiisori küljest kinosaali kallutatud, noo- ainult kolm tuhat vaatajat, aga riiklikult soo- remale ja teadlikumale vaatajale mängis mõju- situd patriootiline rahvafilm Vabadussõjast kat rolli Pimedate Ööde filmifestival (PÖFF). Ees- “Nimed marmortahvlil” (Elmo Nüganen, 2002) ti Televisiooni moraalse ja ka pisikese rahalise ja suuresti erakapitali toel toodetud komöödia süstiga hakati tegema madala eelarvega video- “Vanad ja kobedad saavad jalad alla” (Rando mängufilme, millele pani õla alla ka Eesti Kul- Pettai, 2003) tõmbasid vastavalt 168 000 ja tuurkapital, lisaks tavapäraselt toetavale Eesti 82 000 vaatajat, mis oli Eesti kohta suisa pead- Filmi Sihtasutusele. -
Arvo Part: Notes from Oregon Or the Reverse When You Compose? by Jeremy Beck Part: Every Time It's Different
VOLUME 25, NUMBER 4 APRIL, 1995 Q: Do you start with large structures and add details Arvo Part: Notes from Oregon or the reverse when you compose? by Jeremy Beck Part: Every time it's different. Everything starts with one simple ...gesture or stroke. The path to an uring the summer of 1994, Arvo Part was the idea goes downward to the bottom of ourselves. You D composer-in-resid~nce at th~ ?regon B~ch don't know anything; all you know is that you know Festival. The Festival comm1ss1oned a maJor nothing. You never know how it will grow; one is new work from Part which was premiered there by always oscillating between Heaven and Earth or, Helmuth Rilling, the Hilliard Ensemble and the Oregon better, Earth and Hell one's whole life. For example, Bach Festival Chorus and Orchestra. Notably, this work, in Tabula Rasa [for Two Violins, String Orchestra Litany , was the first U.S. commission Part had ever and Prepared Piano, c. 1976-77], the structure is a accepted. In addition to his activities associated with the vessel which is used to convey feelings and gestures. presentation of this premier, Part also met with the I don't trust my music to flow without mathematical composers attending the first annual Composers Sym structures. posium at the University of Oregon. This Symposium, under the direction of Robert Kyr, was being held in Q: Could you tell us some of your thoughts in conjunction with the Oregon Bach Festival. I was in general about composition? Do you have any advice attendance at this Symposium and took down notes to offer younger, less-experienced composers? during one ofthe meetings with Part; this article is drawn primarily from those notes.