Contents Estonian Academy of Music and Theatre 06 Classical Music
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Erkki-Sven Tüür
© Kaupo Kikkas Erkki-Sven Tüür Contemporary BIOGRAPHIE Erkki-Sven Tüür Mit einem breit gefächerten musikalischen Hintergrund und einer Vielzahl von Interessen und Einflüssen ist Erkki- Sven Tüür einer der einzigartigsten Komponisten der Zeitgenössischen Musik. Tüür hat 1979 die Rockgruppe In Spe gegründet und bis 1983 für die Gruppe als Komponist, Flötist, Keyboarder und Sänger gearbeitet. Als Teil der lebhaften Szene der Zeitgenössischen Musik Estlands unternahm er instrumentale Studien an der Tallinn Music School, studierte Komposition mit Jaan Rääts an der Estonian Academy of Music und erhielt Unterricht bei Lepo Sumera. Intensive energiereiche Transformationen bilden den Hauptcharakter von Tüürs Werken, wobei instrumentale Musik im Vordergrund seiner Arbeit steht. Bis heute hat er neun Sinfonien, Stücke für Sinfonie- und Streichorchester, neun Instrumentalkonzerte, ein breites Spektrum an Kammermusikwerken und eine Oper komponiert. Tüür möchte mit seiner Musik existenzielle Fragen aufwerfen, vor allem die Frage: „Was ist unsere Aufgabe?“ beschäftigt ihn. Er stellte fest, dass dies eine wiederkehrende Frage von Denkern und Philosophen verschiedener Länder ist. Eins seiner Ziele ist es, die kreative Energie des Hörers zu erreichen. Tüür meint, die Musik als eine abstrakte Form von Kunst ist dazu fähig, verschiedene Visionen für jeden von uns und jedes individuelle Wesen zu erzeugen, denn wir sind alle einzigartig. Sein Kompositionsansatz ähnelt der Art und Weise, mit der ein Architekt ein mächtiges Gebäude wie eine Kathedrale, ein Theater oder einen anderen öffentlichen Ort entwirft. Er meint dennoch, dass die Verantwortung eines Komponisten über die eines Architekten hinausgeht, weil er Drama innerhalb des Raums mit verschiedenen Charakteren und Kräften konstruiert und dabei eine bestimmte, lebende Form von Energie kreiert. -
Here Has Been a Steady Production of Operas Since the Season 1918/19
ESTONIAN NATIONAL OPERA Article provided by the Estonian National Opera At a glance The roots of the Estonian National Opera go back to 1865, when the song and drama society “Estonia” was founded. In 1906, the society became the basis for a professional theatre. The ballet troupe began regular work in 1926, but the first full-length ballet, Delibes’s “Coppélia” was performed in 1922 already. Since 1998, the theatre is officially named the Estonian National Opera. Estonian National Ballet that operates under Estonian National Opera was founded in 2010. The Artistic Director and Chief Conductor is Vello Pähn, the Artistic Director of the Estonian National Ballet is Thomas Edur and the General Manager is Aivar Mäe. The theatre’s repertoire includes classical and contemporary operas, ballets, operettas and musicals. In addition, different concerts and children’s performances are delivered and compositions of Estonian origin staged. Estonian National Opera is a repertory theatre, giving 350 performances and concerts a year, being famous for its tradition of annual concert performances of rarely staged operas, such as Alfredo Catalani’s “La Wally”, Verdi’s “Simon Boccanegra”, Rossini’s “Guillaume Tell”, Bizet’s “Les pêcheurs de perles”, Bellini’s “I Capuleti e i Montecchi”, “I puritani” and “Norma”, Rimsky-Korsakov’s “The Tsar’s Bride” and “Snegurochka”, Strauss’ “Der Rosenkavalier”, etc. History of the Estonian National Opera In 1865, the song and drama society “Estonia” was founded in Tallinn. Acting was taken up in 1871. From 1895 onwards the society began to stage plays regularly, which usually included singing and dancing. In 1906, the society became the basis for a professional theatre called “Estonia Theatre” founded by the directors and actors Paul Pinna and Theodor Altermann. -
Come and Explore Unknown Music with Us by Joining the Toccata Discovery Club
Recorded in the Estonia Concert Hall, Tallinn, on 11–12 January 2012 (Symphony No. 3) and 29 February 2012 (Lamento) and in The Fraternity Hall, The House of Blackheads, Tallinn, on 2 March 2012 (Sextet). Producer-engineer: Tanel Klesment Thanks to the Estonian National Symphony Orchestra and Tallinn Chamber Orchestra for their participation in this recording Cover photograph of Mihkel Kerem by Pål Solbakk Booklet text by Mihkel Kerem Session photographs by Mait Jüriado Design and lay-out: Paul Brooks, Design & Print, Oxford Executive producer: Martin Anderson TOCC 0173 © 2013, Toccata Classics, London P 2013, Toccata Classics, London Come and explore unknown music with us by joining the Toccata Discovery Club. Membership brings you two free CDs, big discounts on all Toccata Classics recordings and Toccata Press books, early ordering on all Toccata releases and a host of other benefits for a modest annual fee of £20. You start saving as soon as you join. You can sign up online at the Toccata Classics website at www.toccataclassics.com. Toccata Classics CDs are also available in the shops and can be ordered from our distributors around the world, a list of whom can be found at www.toccataclassics.com. If we have no representation in your country, please contact: Toccata Classics, 16 Dalkeith Court, Vincent Street, London SW1P 4HH, UK Tel: +44/0 207 821 5020 Fax: +44/0 207 834 5020 E-mail: [email protected] 2010. Since 2002 Paavo Järvi has been Artistic Adviser of the orchestra. The Orchestra regularly records music for Estonian Radio and has co-operated with such companies as BIS, Antes Edition, Globe, Signum, Ondine, Finlandia Records, Consonant Works and Melodiya. -
100 Treasures of Estonia, Latvia and Lithuania
100 Treasures of Estonia, Latvia and Lithuania Estonia, of Treasures 100 100 Treasures of Estonia, Latvia and Lithuania 1 This book is the joint initiative of and part of the cooperation between the National Heritage Board of the Republic of Estonia, the National Heritage Board of Republic of Latvia and the Department of Cultural Heritage under the Ministry of Culture of the Republic of Lithuania. The book is inspired by the European Year of Cultural Heritage 2018, supported within the framework of a Joint Programme between the European Union and the Council of Europe “2018 European Heritage Days” and has received a grant from the State Culture Capital Foundation of Latvia. Authors of texts: Aistė Bimbirytė-Mackevičienė, Janis Zilgalvis, Siim Raie, Triin Reidla Translation: Kristjan Teder, Madli Kullaste, SIA SERRES, Visuomenės specialaus mokymo ir konsultavimo centras Editing: Carolin Pihlap, Janis Zilgalvis, Nijolė Bitinienė, Reelika Niit, Rita Mikelionytė, Triin Reidla Designer: Tuuli Aule Printed by: Tallinna Raamatutrükikoja OÜ, Laki 26, Tallinn, 12915 ISBN 978-9949-7293-0-2 (printed) ISBN 978-9949-7293-1-9 (pdf) Tallinn, 2018 100 Treasures of Estonia, Latvia and Lithuania 2 3 This book is the joint initiative of and part of the cooperation between the National Heritage Board of the Republic of Estonia, the National Heritage Board of Republic of Latvia and the Department of Cultural Heritage under the Ministry of Culture of the Republic of Lithuania. The book is inspired by the European Year of Cultural Heritage 2018, supported within the framework of a Joint Programme between the European Union and the Council of Europe “2018 European Heritage Days” and has received a grant from the State Culture Capital Foundation of Latvia. -
Sasha Mäkilä Conducting Madetoja Discoveries About the Art and Profession of Conducting
Estonian Academy of Music and Theatre Sasha Mäkilä Conducting Madetoja Discoveries About the Art and Profession of Conducting A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy (Music) Supervisor: Prof. Mart Humal Tallinn 2018 ABSTRACT Conducting Madetoja. Discoveries About the Art and Profession of Conducting For the material of my doctoral project, I have chosen the three symphonies of the Finnish composer Leevi Madetoja (1887–1947), all of which I have performed in my doctoral concerts during years 2012–2017. In my doctoral thesis, I concentrate on his first symphony, Op. 29, but to fully understand the context it would be beneficial to familiarize oneself with my doctoral concerts on the accompanying DVDs, as well as with the available commercial and archival recordings of Madetoja’s three symphonies. The aim of this thesis is to understand the effect of scholarly activity (in this case working with manuscripts and recordings) on the artistic and practical aspects of a conductor’s work; this is not a study on the music of Madetoja per se, but I am using these hitherto unknown symphonies as a case study for my research inquiries. My main research inquiry could be formulated as: What kind of added value the study of composer’s manuscripts and other contemporary sources, the analysis of the existing recordings of the work by other performers, and the experience gained during repeated performances of the work, bring to performing (conducting) the work, as opposed to working straightforwardly using only the readily available published edition(s)? My methods are the analysis of musical scores, manuscripts and recordings, critical reflection on my own artistic practices, and two semi-structured interviews with conductor colleagues. -
Ength: Sometimes in but Not Much Is Known About Either
THE WORLD OF DE ESTONIAN MUSIC CULTU CIVILI ESTONICO VOL IV THE WORLD OF ESTONIAN MUSIC Eesti Instituut Tallinn, 2015 The concert introducing „Arvo Pärt. Adam’s Lament“, the Grammy-winning record, is about to start in half an hour in St John’s Church. The queue meanders across Freedom Square, turns into Harju Street and continues for another few hundred metres. Everybody has a ticket, but they arrived early to get a better seat. Music is worth it! BACKGROUND3 BACKGROUND 5 Estonia is a young state and a young Access to Western music and infor- culture. In the ancient past, Estonians mation was difficult, and many devel- were a peasant nation who had their opments in Estonian music occurred own ancient way of life and culture, on their own strength: sometimes in but not much is known about either. parallel with the West and sometimes We only know about runo songs (regi- separately. Every fragment of infor- laul), which were not sung for quite a mation, book or record that found while but, having done a stint on the its way to Soviet Estonia had a huge archive shelves, they are now enjoy- impact: it was shared by many (often ing a new lease on life. Before the in secret), was discussed and offered 19th century national awakening pe- inspiration. Jaan Viljur with his fife. riod, German-language high culture Soviet music education had a prevailed on the Estonian territory. strong system and professional Estonian music education has standards. The musicians today still been connected with the Russian have a solid technical foundation school for a long time. -
STAGIONE-SINFONICA-2016-2017.Pdf
Fondazione Teatro La Fenice di Venezia STAGIONE SINFONICA 2016-2017 FONDAZIONE TEATRO LA FENICE DI VENEZIA FONDAZIONE TEATRO LA FENICE DI VENEZIA STAGIONE SINFONICA 2016-2017 1 bn 16-17.qxp_v 10/10/16 09:38 Pagina VIII 1 bn 16-17.qxp_v 10/10/16 09:38 Pagina IX FONDAZIONE AMICI DELLA FENICE CONSERVATORIO BENEDETTO MARCELLO STAGIONE 2016-2017 DI VENEZIA Incontri con l’opera lunedì 31 ottobre 2016 ore 17.00 PAOLO PETA ZZI, FILIPPO PEROCCO Incontri con la Stagione Sinfonica Aquagranda lunedì 5 dicembre 2016 ore 17.00 Conferenze introduttive alla Stagione Sinfonica 2016-2017 SANDRO CAPPELLETTO del Teatro La Fenice Attila lunedì 16 gennaio 2017 ore 18.00 GIORGIO PESTELLI mercoledì 12 ottobre 2016 concerto diretto da Yuri Temirkanov (14 e 16 ottobre) Tannhäuser relatore Giovanni Battista Rigon martedì 7 febbraio 2017 ore 18.00 musiche di Salviucci, Rossini, Haydn e Prokof’ev LUCA CIAMMARUGHI Gina mercoledì 16 novembre 2016 concerto diretto da Jader Bignamini (18 e 19 novembre) relatore Marco Peretti lunedì 20 marzo 2017 ore 18.00 musiche di Salviucci, Malipiero e Dvorˇák LUCA MOSCA Carmen mercoledì 23 novembre 2016 concerto diretto da Henrik Nánási (24 e 25 novembre) martedì 18 aprile 2017 ore 18.00 relatore Luca Romagnoli GUIDO ZACCAGNINI musiche di Petrassi, Kodály e Dvorˇák Lucia di Lammermoor giovedì 8 giugno 2017 ore 18.00 mercoledì 14 dicembre 2016 concerto diretto da Diego Matheuz (16 e 18 dicembre) relatore Davide Amodio ALBERTO MATTIOLI musiche di Rachmaninov e Schumann Monteverdi 450 – L’Orfeo venerdì 9 giugno 2017 ore 18.00 concerto -
Newsletter August 2019 Recent Events
NEWSLETTER AUGUST 2019 The Estonian Music Information Centre is committed to the representation, advocacy, promotion and support of Estonian classical and contemporary music and musicians both in Estonia and abroad. The EMIC newsletter aims to present an overview of new Estonian compositions, undertakings of Estonian musicians and music organisations and musical life in Estonia in general. Every newsletter contains a summary of recent events and offers a preview of upcoming activities. RECENT EVENTS Composer Jüri Reinvere received the Lepo Sumera Award, launched by the Estonian Society of Authors and Estonian Composers’ Union, at the final concert of the Pärnu Music Festival on July 21 at the Pärnu Concert Hall. The Lepo Sumera Award aims to acknowledge and promote elaborated development in artistic style, an extensive scope of musical thinking and artistic depth in a musician’s work. Jüri Reinvere At the beginning of August, „The Smoke Sauna Symphony“ by Märt-Matis Lill was performed at the village of Mooste in Võrumaa, in Southeast Estonia. The new work is inspired by the Estonian smoke sauna tradition, Estonian lore, the Finnish national epic „Kalevala“ and poems by Hasso Krull. Ancient Estonian traditions and legends of the smoke sauna are told through the means of contemporary music theatre, performed by well-known Estonian folk singers and the Estonian Philharmonic Chamber Choir. The 8th Pühalepa Music Festival took place at the beginning of August on the island of Hiiumaa. The festival, which focuses on early and contemporary music, was dedicated to the 60th birthday of composer Erkki-Sven Tüür, who is a native of Hiiumaa. -
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HEINO ELLER Violin Concerto Fantasy Symphonic Legend Symphony No. 2 BAIBA SKRIDE ESTONIAN NATIONAL SYMPHONY ORCHESTRA OLARI ELTS Heino Eller 2 HEINO ELLER (1887–1970) 1 Violin Concerto in B minor (1933–34/1937/1964) 23:16 2 Symphonic Legend (Sümfooniline legend) (1923/1938)* 23:54 3 Fantasy (Fantaasia) in G minor for violin and orchestra (1916/1964) 6:18 4 Symphony No. 2 (unfinished): I. Andante. Allegro molto (1947) 13:44 *World premiere recording BAIBA SKRIDE, violin ESTONIAN NATIONAL SYMPHONY ORCHESTRA OLARI ELTS, conductor 3 Heino Eller (1887–1970) is one of the founders of Estonian professional musical culture. Eller´s legacy is twofold – in his prolific instrumental compositions he forged an elaborate style that successfully combined both modern and national elements, and as a prominent professor of composition during half a century he influenced generations of Estonian composers, amongst them Eduard Tubin (1905–1982) Arvo Pärt (b. 1935) and Lepo Sumera (1950–2000). Eller´s best known composition, Kodumaine viis (‘Homeland tune’) for string orchestra, rose to prominence during the 1950s and 1960s as the chief vehicle for expressing national feelings and identity under Soviet occupation. The work remains to this day an instrumental equivalent of a national anthem, in its importance bearing comparison to Jean Sibelius´s Finlandia. In the independent Estonia of the 1920s and 1930s Eller was considered the leading modernist of the country, and his music was extolled for its novelty and technical prowess. In 1925 the founding father of modern musicology, prof. Guido Adler from the Vienna University attested to Eller´s music being the continuation of Grieg´s ‘Northern style’ and a successful synthesis of impressionism and expressionism. -
Newsletter September 2019 Recent Events
NEWSLETTER SEPTEMBER 2019 The Estonian Music Information Centre is committed to the representation, advocacy, promotion and support of Estonian classical and contemporary music and musicians both in Estonia and abroad. The EMIC newsletter aims to present an overview of new Estonian compositions, undertakings of Estonian musicians and music organisations and musical life in Estonia in general. Every newsletter contains a summary of recent events and offers a preview of upcoming activities. RECENT EVENTS The summer season is ending in a flurry of activity for Estonian musicians, who have been involved in numerous musical events both at home and abroad. At the end of August, the Tallinn Chamber Orchestra under the baton of Juha Kangas performed at the XIV International Mozartiana Festival in Gdansk, Poland, together with the violin soloist Robert Traksmann. Tõnu Kaljuste conducted two concerts at the Baltic Sea Festival at the Berwaldhallen in Stockholm. A concert together with the Swedish Radio Choir commemorated the victims of the tragic M/S Estonia ferry disaster of 1994, whereas „Music of All Colours“ presented music by Arvo Pärt, performed by various Estonian soloists and the Tallinn Chamber Orchestra. Cellist Aare Tammesalu participated in the International Classical Music Festival of Cyclades in Greece as well as in the Barbados Classical Music Festival, where he performed chamber music and gave masterclasses. Tallinn Chamber Orchestra. Photo by Kaupo Kikkas A large number of annual summer festivals have again taken place, with two traditionally popular festivals drawing especially large audiences – the Leigo Lake Music Festival, which takes place in a picturesque landscape with lakes in Southern Estonian, and the Birgitta musical theatre festival in the historical ruins of Pirita Convent, which this year commemorated the 80th anniversary of the birth of the founder of the festival, Maestro Eri Klas. -
TÕNU KÕRVITS Moorland Elegies
TÕNU KÕRVITS Moorland Elegies Estonian Philharmonic Chamber Choir Tallinn Chamber Orchestra Risto Joost TÕNU KÕRVITS (1969) Moorland Elegies for mixed choir and string orchestra (2015) Texts: Poems by Emily Brontë 1 Come, Walk With Me 5:52 2 Silent is the House 5:58 3 The Night is Darkening Round Me 5:57 4 Fall, Leaves, Fall 5:06 5 She Dried Her Tears 7:21 6 Moonlight, Summer Moonlight 3:45 7 The Sun Has Set 5:39 8 The Starry Night Shall TidingsBring 6:03 9 Month After Month 8:35 54:16 Soloists: Marianne Pärna, alto (3, 6) & Jaanika Kilgi, soprano (9) Estonian Philharmonic Chamber Choir Tallinn Chamber Orchestra Risto Joost, conductor 2 Moorland Elegies (2015), a nine-part cycle for mixed choir and string orchestra, is a crowning achievement of its composer Tõnu Kõrvits’s magical impressionism. The work was premiered by the Estonian Philharmonic Chamber Choir and the Tallinn Chamber Orchestra at Tallinn’s St. John’s Church on 31 October 2015, conducted by Risto Joost. The cycle is shaped and animated by its texts: a selection of poems by the English author Emily Brontë (1818–1848). These poems were chosen and arranged by the Estonian poet Doris Kareva, after which the individual pieces were composed. “Emily Brontë is perhaps the most well- known, but also the most mysterious of English literature’s three Brontë sisters. Her only novel, Wuthering Heights, has been translated into several languages and adapted for both theater and film. Emily Brontë’s succinct, intensely inward-looking poetry, which is often seen as mystical or metaphysical, sprung up from these same landscapes: the moors of Yorkshire. -
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MASTER SERIES 1 ADELAIDE SYMPHONY The Adventure ORCHESTRA Begins SEASON 2020 February Fri 7, 8pm & Sat 8, 6.30pm Adelaide Town Hall 2 MASTER SERIES 1 The Adventure Begins February Hendrik Vestmann Conductor Grace Clifford Violin Fri 7, 8pm & Sat 8, 6.30pm Adelaide Town Hall Shostakovich Festive Overture, Op.96 Tchaikovsky Violin Concerto in D, Op.35 Allegro moderato Canzonetta (Andante) – Finale (Allegro vivacissimo) Grace Clifford Violin Interval Rimsky-Korsakov Scheherazade, Op.35 The Sea and Sinbad’s Ship The Story of the Kalender Prince The Young Prince and the Young Princess The Festival at Baghdad – The Sea – The Ship Goes to Pieces on a Rock Duration Listen Later This concert runs for approximately 2 hours This concert will be recorded for delayed including a 20 minute interval. broadcast on ABC Classic. You can hear it again at 1pm on Sunday 16 February. Classical Conversation These free events take place one hour prior to these Master Series concerts in the Meeting Hall located just behind the Adelaide Town Hall. Explore a world of musical storytelling featured in the program with ASO Concertmaster Natsuko Yoshimoto and ASO Director, Artistic Planning, Simon Lord. The ASO acknowledges the Traditional Custodians of the lands on which we live, learn and work. We pay our respects to the Kaurna people of the Adelaide Plains and all Aboriginal and Torres Strait Islander Elders, past, present and future. 3 A message from the Managing Director, Vincent Ciccarello Ladies and Gentlemen, Good evening and welcome to tonight’s concert. It is customary for me to use this welcome message to celebrate the beginning of a new season and to look forward to the fine performances of fine music of the year ahead.