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Erkki-Sven Tüür
© Kaupo Kikkas Erkki-Sven Tüür Contemporary BIOGRAPHIE Erkki-Sven Tüür Mit einem breit gefächerten musikalischen Hintergrund und einer Vielzahl von Interessen und Einflüssen ist Erkki- Sven Tüür einer der einzigartigsten Komponisten der Zeitgenössischen Musik. Tüür hat 1979 die Rockgruppe In Spe gegründet und bis 1983 für die Gruppe als Komponist, Flötist, Keyboarder und Sänger gearbeitet. Als Teil der lebhaften Szene der Zeitgenössischen Musik Estlands unternahm er instrumentale Studien an der Tallinn Music School, studierte Komposition mit Jaan Rääts an der Estonian Academy of Music und erhielt Unterricht bei Lepo Sumera. Intensive energiereiche Transformationen bilden den Hauptcharakter von Tüürs Werken, wobei instrumentale Musik im Vordergrund seiner Arbeit steht. Bis heute hat er neun Sinfonien, Stücke für Sinfonie- und Streichorchester, neun Instrumentalkonzerte, ein breites Spektrum an Kammermusikwerken und eine Oper komponiert. Tüür möchte mit seiner Musik existenzielle Fragen aufwerfen, vor allem die Frage: „Was ist unsere Aufgabe?“ beschäftigt ihn. Er stellte fest, dass dies eine wiederkehrende Frage von Denkern und Philosophen verschiedener Länder ist. Eins seiner Ziele ist es, die kreative Energie des Hörers zu erreichen. Tüür meint, die Musik als eine abstrakte Form von Kunst ist dazu fähig, verschiedene Visionen für jeden von uns und jedes individuelle Wesen zu erzeugen, denn wir sind alle einzigartig. Sein Kompositionsansatz ähnelt der Art und Weise, mit der ein Architekt ein mächtiges Gebäude wie eine Kathedrale, ein Theater oder einen anderen öffentlichen Ort entwirft. Er meint dennoch, dass die Verantwortung eines Komponisten über die eines Architekten hinausgeht, weil er Drama innerhalb des Raums mit verschiedenen Charakteren und Kräften konstruiert und dabei eine bestimmte, lebende Form von Energie kreiert. -
Upbeat Summer 2017
UPBEATUPBEAT SUMMER 2017 NEWS FROM INSIDE THE ROYAL COLLEGE OF MUSIC IN THIS ISSUE AWARDING EXCELLENCE BREAKING NEW GROUND RISING STARS OF THE RCM HIGHLIGHTS FESTIVAL OF PERCUSSION 2017 The RCM’s annual Festival of Percussion returned on 7 May 2017 with an exceptional line-up of events and special guests. Visitors enjoyed performances from artists such as Benny Greb and the Band of the RAF Regiment, alongside family workshops, a day- long Trade Fair and toe-tapping evening concert with the RCM Big Band. Photos: Chris Christodoulou Front cover: Louise Alder at BBC Cardiff Singer of the World © Brian Tarr 2 UPBEAT SUMMER 2017 CONTENTS WELCOME 4 NEWS The latest news and activities from TO UPBEAT the Royal College of Music 9 As we went to press with the summer issue of Upbeat, news awarding EXCELLENCE of alumna Louise Alder’s success at the BBC Cardiff Singer of Upbeat explores the history behind the RCM’s most prestigious awards the World 2017 competition made its way to the Royal College of Music. Louise won the prestigious Dame Joan Sutherland Audience 10 Prize after getting through to the Song Prize and Main Prize finals of the WHERE ARE THEY NOW? Find out what some of our award competition, and I am thrilled that she has rightly earned a place on the front winners are up to in this special cover of Upbeat. Find out more on page seven. extended article, featuring interviews with Ieuan Jones, Charlotte Harding, On graduating from the RCM in 2013 Louise received the Tagore Gold Katy Woolley and Ruairi Glasheen Medal, an award that was first given out more than a century ago to outstanding students. -
Here Has Been a Steady Production of Operas Since the Season 1918/19
ESTONIAN NATIONAL OPERA Article provided by the Estonian National Opera At a glance The roots of the Estonian National Opera go back to 1865, when the song and drama society “Estonia” was founded. In 1906, the society became the basis for a professional theatre. The ballet troupe began regular work in 1926, but the first full-length ballet, Delibes’s “Coppélia” was performed in 1922 already. Since 1998, the theatre is officially named the Estonian National Opera. Estonian National Ballet that operates under Estonian National Opera was founded in 2010. The Artistic Director and Chief Conductor is Vello Pähn, the Artistic Director of the Estonian National Ballet is Thomas Edur and the General Manager is Aivar Mäe. The theatre’s repertoire includes classical and contemporary operas, ballets, operettas and musicals. In addition, different concerts and children’s performances are delivered and compositions of Estonian origin staged. Estonian National Opera is a repertory theatre, giving 350 performances and concerts a year, being famous for its tradition of annual concert performances of rarely staged operas, such as Alfredo Catalani’s “La Wally”, Verdi’s “Simon Boccanegra”, Rossini’s “Guillaume Tell”, Bizet’s “Les pêcheurs de perles”, Bellini’s “I Capuleti e i Montecchi”, “I puritani” and “Norma”, Rimsky-Korsakov’s “The Tsar’s Bride” and “Snegurochka”, Strauss’ “Der Rosenkavalier”, etc. History of the Estonian National Opera In 1865, the song and drama society “Estonia” was founded in Tallinn. Acting was taken up in 1871. From 1895 onwards the society began to stage plays regularly, which usually included singing and dancing. In 1906, the society became the basis for a professional theatre called “Estonia Theatre” founded by the directors and actors Paul Pinna and Theodor Altermann. -
LOUISE ALDER | JOSEPH MIDDLETON Serge Rachmaninoff, Ativanovka, Hisfamily’S Country Estate,C
RACHMANINOFF TCHAIKOVSKY BRITTEN GRIEG SIBELIUS MEDTNER LOUISE ALDER | JOSEPH MIDDLETON Serge Rachmaninoff, at Ivanovka, his family’s country estate, c. 1915 estate,c. country hisfamily’s atIvanovka, Serge Rachmaninoff, AKG Images, London / Album / Fine Art Images Lines Written during a Sleepless Night – The Russian Connection Serge Rachmaninoff (1873 – 1943) Six Songs, Op. 38 (1916) 15:28 1 1 At night in my garden (Ночью в саду у меня). Lento 1:52 2 2 To Her (К ней). Andante – Poco più mosso – Tempo I – Tempo precedente – Tempo I (Meno mosso) – Meno mosso 2:47 3 3 Daisies (Маргаритки). Lento – Poco più mosso 2:29 4 4 The Rat Catcher (Крысолов). Non allegro. Scherzando – Poco meno mosso – Tempo come prima – Più mosso – Tempo I 2:42 5 5 Dream (Сон). Lento – Meno mosso 3:23 6 6 A-oo (Ау). Andante – Tempo più vivo. Appassionato – Tempo precedente – Più vivo – Meno mosso 2:15 3 Jean Sibelius (1865 – 1957) 7 Våren flyktar hastigt, Op. 13 No. 4 (1891) 1:35 (Spring flees hastily) from Sju sånger (Seven Songs) Vivace – Vivace – Più lento – Vivace – Più lento – Vivace 8 Säv, säv, susa, Op. 36 No. 4 (1900?) 2:32 (Reed, reed, whistle) from Sex sånger (Six Songs) Andantino – Poco con moto – Poco largamente – Molto tranquillo 9 Flickan kom ifrån sin älsklings möte, Op. 37 No. 5 (1901) 2:59 (The girl came from meeting her lover) from Fem sånger (Five Songs) Moderato 10 Var det en dröm?, Op. 37 No. 4 (1902) 2:04 (Was it a dream?) from Fem sånger (Five Songs) Till Fru Ida Ekman Moderato 4 Edvard Grieg (1843 – 1907) Seks Sange, Op. -
Come and Explore Unknown Music with Us by Joining the Toccata Discovery Club
Recorded in the Estonia Concert Hall, Tallinn, on 11–12 January 2012 (Symphony No. 3) and 29 February 2012 (Lamento) and in The Fraternity Hall, The House of Blackheads, Tallinn, on 2 March 2012 (Sextet). Producer-engineer: Tanel Klesment Thanks to the Estonian National Symphony Orchestra and Tallinn Chamber Orchestra for their participation in this recording Cover photograph of Mihkel Kerem by Pål Solbakk Booklet text by Mihkel Kerem Session photographs by Mait Jüriado Design and lay-out: Paul Brooks, Design & Print, Oxford Executive producer: Martin Anderson TOCC 0173 © 2013, Toccata Classics, London P 2013, Toccata Classics, London Come and explore unknown music with us by joining the Toccata Discovery Club. Membership brings you two free CDs, big discounts on all Toccata Classics recordings and Toccata Press books, early ordering on all Toccata releases and a host of other benefits for a modest annual fee of £20. You start saving as soon as you join. You can sign up online at the Toccata Classics website at www.toccataclassics.com. Toccata Classics CDs are also available in the shops and can be ordered from our distributors around the world, a list of whom can be found at www.toccataclassics.com. If we have no representation in your country, please contact: Toccata Classics, 16 Dalkeith Court, Vincent Street, London SW1P 4HH, UK Tel: +44/0 207 821 5020 Fax: +44/0 207 834 5020 E-mail: [email protected] 2010. Since 2002 Paavo Järvi has been Artistic Adviser of the orchestra. The Orchestra regularly records music for Estonian Radio and has co-operated with such companies as BIS, Antes Edition, Globe, Signum, Ondine, Finlandia Records, Consonant Works and Melodiya. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Sally Matthews Is Magnificent
` DVORAK Rusalka, Glyndebourne Festival, Robin Ticciati. DVD Opus Arte Sally Matthews is magnificent. During the Act II court ball her moral and social confusion is palpable. And her sorrowful return to the lake in the last act to be reviled by her water sprite sisters would melt the winter ice. Christopher Cook, BBC Music Magazine, November 2020 Sally Matthews’ Rusalka is sung with a smoky soprano that has surprising heft given its delicacy, and the Prince is Evan LeRoy Johnson, who combines an ardent tenor with good looks. They have great chemistry between them and the whole cast is excellent. Opera Now, November-December 2020 SCHUMANN Paradies und die Peri, Cincinnati Symphony Orchestra, Paolo Bortolameolli Matthews is noted for her interpretation of the demanding role of the Peri and also appears on one of its few recordings, with Rattle conducting. The soprano was richly communicative in the taxing vocal lines, which called for frequent leaps and a culminating high C … Her most rewarding moments occurred in Part III, particularly in “Verstossen, verschlossen” (“Expelled again”), as she fervently Sally Matthews vowed to go to the depths of the earth, an operatic tour-de-force. Janelle Gelfand, Cincinnati Business Courier, December 2019 Soprano BARBER Two Scenes from Anthony & Cleopatra, Chicago Symphony Orchestra, Juanjo Mena This critic had heard a fine performance of this music by Matthews and Mena at the BBC Proms in London in 2018, but their performance here on Thursday was even finer. Looking suitably regal in a glittery gold form-fitting gown, the British soprano put her full, vibrant, richly contoured voice fully at the service of text and music. -
THROUGH LIFE and LOVE Richard Strauss
THROUGH LIFE AND LOVE Richard Strauss Louise Alder soprano Joseph Middleton piano Richard Strauss (1864-1949) THROUGH LIFE AND LOVE Youth: Das Mädchen 1 Nichts 1.40 Motherhood: Mutterschaft 2 Leises Lied 3.13 16 Muttertänderlei 2.27 3 Ständchen 2.42 17 Meinem Kinde 2.52 4 Schlagende Herzen 2.29 5 Heimliche Aufforderung 3.16 Loss: Verlust 18 Die Nacht 3.02 Longing: Sehnsucht 19 Befreit 4.54 6 Sehnsucht 4.27 20 Ruhe, meine Seele! 3.54 7 Waldseligkeit 2.54 8 Ach was Kummer, Qual und Schmerzen 2.04 Release: Befreiung 9 Breit’ über mein Haupt 1.47 21 Zueignung 1.49 Passions: Leidenschaft 22 Weihnachtsgefühl 2.26 10 Wie sollten wir geheim sie halten 1.54 23 Allerseelen 3.22 11 Das Rosenband 3.15 12 Ich schwebe 2.03 Total time 64.48 Partnership: Liebe Louise Alder soprano 13 Nachtgang 3.01 Joseph Middleton piano 14 Einerlei 2.53 15 Rote Rosen 2.19 2 Singing Strauss Coming from a household filled with lush baroque music as a child, I found Strauss a little later in my musical journey and vividly remember how hard I fell in love with a recording of Elisabeth Schwarzkopf singing Vier Letze Lieder, aged about 16. I couldn’t believe from the beginning of the first song it could possibly get any more ecstatic and full of emotion, and yet it did. It was a short step from there to Strauss opera for me, and with the birth of YouTube I sat until the early hours of many a morning in my tiny room at Edinburgh University, listening to, watching and obsessing over Der Rosenkavalier’s final trio and presentation of the rose. -
Sasha Mäkilä Conducting Madetoja Discoveries About the Art and Profession of Conducting
Estonian Academy of Music and Theatre Sasha Mäkilä Conducting Madetoja Discoveries About the Art and Profession of Conducting A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy (Music) Supervisor: Prof. Mart Humal Tallinn 2018 ABSTRACT Conducting Madetoja. Discoveries About the Art and Profession of Conducting For the material of my doctoral project, I have chosen the three symphonies of the Finnish composer Leevi Madetoja (1887–1947), all of which I have performed in my doctoral concerts during years 2012–2017. In my doctoral thesis, I concentrate on his first symphony, Op. 29, but to fully understand the context it would be beneficial to familiarize oneself with my doctoral concerts on the accompanying DVDs, as well as with the available commercial and archival recordings of Madetoja’s three symphonies. The aim of this thesis is to understand the effect of scholarly activity (in this case working with manuscripts and recordings) on the artistic and practical aspects of a conductor’s work; this is not a study on the music of Madetoja per se, but I am using these hitherto unknown symphonies as a case study for my research inquiries. My main research inquiry could be formulated as: What kind of added value the study of composer’s manuscripts and other contemporary sources, the analysis of the existing recordings of the work by other performers, and the experience gained during repeated performances of the work, bring to performing (conducting) the work, as opposed to working straightforwardly using only the readily available published edition(s)? My methods are the analysis of musical scores, manuscripts and recordings, critical reflection on my own artistic practices, and two semi-structured interviews with conductor colleagues. -
Louise Alder Soprano Benson Wilson Baritone Joseph Middleton Piano
Louise Alder soprano Benson Wilson baritone Joseph Middleton piano Friday 30 October 2020 6.00pm Leeds Town Hall Programme Howells King David Finzi Who is Sylvia? Fear no more the heat o’ the sun It was a lover and his lass Trad Samoan Folk song ____________________________ Grieg Sechs Lieder (op. 48) Gruß Dereinst, Gedanke mein Lauf der Welt Die verschwiegene Nachtigall Zur Rosenzeit Ein Traum Rachmaninov 6 songs (op. 38) Noch’yu v sadu u menya (In my garden at night) K ney (To her) Margaritki (Daisies) Krisolov (Pied Piper) Son (A Dream) A-u! (Your tender laughter) Strauss Vier letzte Lieder Frühling September Beim Schlafengehen Im Abendrot Herbert Howells (1892-1983) King David King David was a sorrowful man: King David lifted his sad eyes No cause for his sorrow had he; Into the dark-boughed tree -- And he called for the music of a hundred "Tell me, thou little bird that singest, harps, Who taught my grief to thee?" To ease his melancholy. But the bird in no-wise heeded; They played till they all fell silent: And the king in the cool of the moon Played and play sweet did they; Hearkened to the nightingale's But the sorrow that haunted the heart of sorrowfulness, King David Till all his own was gone. They could not charm away. He rose; and in his garden Walked by the moon alone, A nightingale hidden in a cypress tree, Jargoned on and on. Gerald Finzi (1901-1956) Who is Sylvia? Who is Silvia? what is she, Then to Silvia let us sing, That all our swains commend her? That Silvia is excelling; Holy, fair, and wise is she; She excels each mortal thing The heaven such grace did lend her, Upon the dull earth dwelling: That she might admirèd be. -
Partenope Cast Biographies
Partenope Cast Biographies English soprano Louise Alder makes her San Francisco Opera debut as the title role in Partenope. Louise won best Young Singer at International Opera Awards 2017 and represented England in BBC Cardiff Singer of the World Competition 2017, winning the third round of the competition and the Dame Joan Sutherland Audience Prize. Recent opera engagements include Gretel (Hänsel und Gretel) at Bayerische Staatsoper, Sophie (Der Rosenkavalier) with Glyndebourne Festival Opera and Welsh National Opera, Pamina (Die Zauberflöte) and Ilia (Idomeneo) for Garsington Opera, Eurydice in Rossi's Orpheus at the Wanamaker Globe for The Royal Opera, Zerlina (Don Giovanni) with Glyndebourne, Gilda (Rigoletto), Vixen Sharp Ears (Cunning Little Vixen), Sophie (Werther), Gretel (Hänsel und Gretel), Cleopatra (Giulio Cesare in Egitto), Atalanta (Xerxes), Susanna (Le Nozze di Figaro), Pamina (Die Zauberflöte), Despina (Cosi fan Tutte), Frasquita (Carmen) with Oper Frankfurt. Her concert performances include Sophie (Der Rosenkavalier) at the BBC Proms, Zélide (Rameau’s Zaïs, UK premiere) with the Orchestra of the Age of Enlightenment and appearances in Edinburgh, Munich, Budapest and Moscow, among others. She has sung in recital at the Brighton Festival and in venues including the Musikverein Graz, Frankfurt Opera, the Barber Institute, Birmingham, and the Southbank Centre. Her awards include the 2014 John Christie Award, and in 2017 she was named Young Singer of the Year at the International Opera Awards. Future engagements include the title role in Semele with John Eliot Gardiner at La Scala Milan, Philharmonie de Paris and Palau de la Música Barcelona, title role in La Calisto with Ivor Bolton and Teatro Real Madrid, Romilda (Xerxes), Monica (The Medium) with Oper Frankfurt, The Messiah at the New York Philharmonic and further debuts with Canadian Opera Company, English National Opera and returns to the Royal Opera House, Teatro Real Madrid and Glyndebourne Festival Opera. -
Purcell King Arthur Semi-Staged Performance Tuesday 3 October 2017 7Pm, Hall
Purcell King Arthur semi-staged performance Tuesday 3 October 2017 7pm, Hall Academy of Ancient Music AAM Choir Richard Egarr director/harpsichord Daisy Evans stage director Jake Wiltshire lighting director Thomas Lamers dramaturg Ray Fearon narrator Louise Alder soprano Mhairi Lawson soprano Reginald Mobley countertenor Charles Daniels tenor Ivan Ludlow baritone Ashley Riches bass-baritone Marco Borggreve Marco Rosie Purdie assistant stage director Jocelyn Bundy stage manager Hannah Walmsley assistant stage manager There will be one interval of 20 minutes after Part 1 Part of Barbican Presents 2017–18 Part of Academy of Ancient Music 2017–18 Generously supported by the Geoffrey C Hughes Charitable Trust as part of the AAM Purcell Opera Cycle Confectionery and merchandise including organic ice cream, quality chocolate, nuts and nibbles are available from the sales points in our foyers. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight marks the second instalment in a directly to a modern audience in the Brexit three-year series of semi-stagings of Purcell era. The subject of national identity – works, co-produced by the Barbican and central to King Arthur – has never seemed Academy of Ancient Music. Following a more pertinent. hugely successful Fairy Queen last season, AAM Music Director Richard Egarr and This piece contains some of Purcell’s stage director Daisy Evans once again most visit and beautiful music – including combine in this realisation of Purcell’s the celebrated aria ‘Fairest isle’ – and King Arthur.