Upbeat Summer 2014
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Concert Guide
Concert Guide Summer 2018 An Education with Music at its Heart THE PURCELL SCHOOL EVENTS FOR CHOGM 2018 The Purcell School based in Bushey, Hertfordshire, eminent international musicians who comprise This year the Commonwealth Heads of Government meeting will take place in London. The Purcell is Britain’s oldest specialist school for talented the instrumental teaching faculty. The School has School is marking this with a week of fantastic musical events in association with The Commonwealth young musicians. It is a co-educational boarding world-class facilities; state-of-the-art classrooms, Resounds!, Rotary London, The Royal Overseas League, and the Royal Society of St. George. Profits and day school for ages 10-18, and celebrated a professional recording studio, superb practice from both of the concerts below will be used to help support hurricane victims in Antigua and Barbuda, its 50th anniversary in 2012. The School holds rooms and a recital hall with exceptional acoustics. and Dominica to rebuild their homes and lives aer the devastation that was caused by Hurricane Irma the UNESCO Mozart Gold Medal in recognition Pupils are given outstanding opportunities for last year. The Commonwealth Resounds! is enormously grateful to The Royal Society of St. George and of its unique contribution to music, education performances. We hold lunchtime concerts Rotary London for supporting these concerts. and international culture. The School’s Patron, every weekday, and all pupils perform at these. HRH The Prince of Wales, accepted the award at Chamber music and orchestral concerts take THURSDAY 19 APRIL, 7:30pm FRIDAY 20 APRIL, 7:30pm a special ceremony at the UNESCO headquarters place regularly, and every year performances COMMONWEALTH YOUNG SOUND, IMAGE, MOVEMENT in Paris. -
Mozart Magic Philharmoniker
THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro). -
All Strings Considered a Subjective List of Classical Works
All Strings Considered A Subjective List of Classical Works & Recordings All Recordings are available from the Lake Oswego Public Library These are my faves, your mileage may vary. Bill Baars, Director Composer / Title Performer(s) Comments Middle Ages and Renaissance Sequentia We carry a lot of plainsong and chant; HILDEGARD OF BINGEN recordings by the Anonymous 4 are also Antiphons highly recommended. Various, Renaissance vocal and King’s Consort, Folger Consort instrumental collections. or Baltimore Consort Baroque Era Biondi/Europa Galante or Vivaldi wrote several hundred concerti; try VIVALDI Loveday/Marriner. the concerti for multiple instruments, and The Four Seasons the Mandolin concerti. Also, Corelli's op. 6 and Tartini (my fave is his op.96). HANDEL Asch/Scholars Baroque For more Baroque vocal, Bach’s cantatas - Messiah Ensemble, Shaw/Atlanta start with 80 & 140, and his Bach B Minor Symphony Orch. or Mass with John Gardiner conducting. And for Jacobs/Freiberg Baroque fun, Bach's “Coffee” cantata. orch. HANDEL Lamon/Tafelmusik For an encore, Handel's “Music for the Royal Water Music Suites Fireworks.” J.S. BACH Akademie für Alte Musik Also, the Suites for Orchestra; the Violin and Brandenburg Concertos Berlin or Koopman, Pinnock, Harpsicord Concerti are delightful, too. or Tafelmusik J.S. BACH Walter Gerwig More lute - anything by Paul O'Dette, Ronn Works for Lute McFarlane & Jakob Lindberg. Also interesting, the Lute-Harpsichord. J.S. BACH Bylsma on period cellos, Cello Suites Fournier on a modern instrument; Casals' recording was the standard Classical Era DuPre/Barenboim/ECO & HAYDN Barbirolli/LSO Cello Concerti HAYDN Fischer, Davis or Kuijiken "London" Symphonies (93-101) HAYDN Mosaiques or Kodaly quartets Or start with opus 9, and take it from there. -
Upbeat Summer 2017
UPBEATUPBEAT SUMMER 2017 NEWS FROM INSIDE THE ROYAL COLLEGE OF MUSIC IN THIS ISSUE AWARDING EXCELLENCE BREAKING NEW GROUND RISING STARS OF THE RCM HIGHLIGHTS FESTIVAL OF PERCUSSION 2017 The RCM’s annual Festival of Percussion returned on 7 May 2017 with an exceptional line-up of events and special guests. Visitors enjoyed performances from artists such as Benny Greb and the Band of the RAF Regiment, alongside family workshops, a day- long Trade Fair and toe-tapping evening concert with the RCM Big Band. Photos: Chris Christodoulou Front cover: Louise Alder at BBC Cardiff Singer of the World © Brian Tarr 2 UPBEAT SUMMER 2017 CONTENTS WELCOME 4 NEWS The latest news and activities from TO UPBEAT the Royal College of Music 9 As we went to press with the summer issue of Upbeat, news awarding EXCELLENCE of alumna Louise Alder’s success at the BBC Cardiff Singer of Upbeat explores the history behind the RCM’s most prestigious awards the World 2017 competition made its way to the Royal College of Music. Louise won the prestigious Dame Joan Sutherland Audience 10 Prize after getting through to the Song Prize and Main Prize finals of the WHERE ARE THEY NOW? Find out what some of our award competition, and I am thrilled that she has rightly earned a place on the front winners are up to in this special cover of Upbeat. Find out more on page seven. extended article, featuring interviews with Ieuan Jones, Charlotte Harding, On graduating from the RCM in 2013 Louise received the Tagore Gold Katy Woolley and Ruairi Glasheen Medal, an award that was first given out more than a century ago to outstanding students. -
25114Booklet.Pdf
Remembering ALFRED DELLER Walter Bergmann (1902-1988) 1. Pastorale for countertenor & recorder (1946) 3.21 Michael Tippett (1905-1998) Four Inventions for two recorders (1954) 3.40 2. I. Andante 0.55 3. II. Allegro molto 0.34 4. III. Adagio 1.33 5. IV. Allegro moderato 0.36 Alan Ridout (1934-1996) 6. Soliloquy for countertenor, recorder, cello & harpsichord (1985) 5.10 William Williams (d.1701) Sonata in A minor for two recorders & continuo (c.1696) 6.01 7. I. Adagio 1.23 8. II. Vivace 2.58 9. III. Allegro 1.39 John Blow (1649-1708) Ode on the Death of Mr. Henry Purcell, for two countertenors, two recorders & continuo (1696) 32.20 10. I. 4.03 11. II. 4.29 12. III. 3.02 13. IV. 1.51 14. V. 2.32 15. VI. 3.40 16. VII. 2.38 George Frideric Handel (1685-1759) Sonata in F major for two recorders & continuo (c.1707) 5.51 17. I. Allegro 2.14 18. II. Grave 1.28 19. III. Allegro 2.09 Peter Racine Fricker (1920-1990) 20. Elegy: The Tomb of St. Eulalia, Op. 25, for countertenor, cello & harpsichord (1955) 7.35 Walter Bergmann (1902-1988) Three Songs for countertenor & guitar (1973, rev. 1983) 4.53 21. No. 1 Mater cantans filio 1.26 22. No. 2 To Musick 2.36 23. No. 3 Chop-Cherry 0.50 Total duration: 59.36 JAMES BOWMAN countertenor (Blow, Fricker, Bergmann songs) ROBIN BLAZE countertenor (Bergmann Pastorale, Ridout, Blow) JOHN TURNER recorder (all works except Fricker & Bergmann Songs) LAURA ROBINSON recorder (Tippett, Williams, Handel) TIM SMEDLEY cello (Ridout, Williams, Blow, Handel, Fricker) DAVE BAINBRIDGE guitar (Bergmann Songs) IAN THOMPSON harpsichord (Ridout, Williams, Blow, Handel, Fricker) MEMORIES OF TIPPETT AND BERGMANN For those of us who grew up in the immediate post-war years, and who were interested in the revival of, and burgeoning enthusiasm for, early music, the names of Tippett and Bergmann are synonymous with those famous Schott editions of music by Purcell and his contemporaries. -
Shining the Spotlight on New Talent Independent Opera
Independent Opera Shining the spotlight on new talent INDEPENDENT OPERA AT SADLER’S WELLS 2005–2020 Introduction Message from Wigmore Hall Thursday 15 October 2020, 7.30pm In this period of uncertainty, Independent Opera at Sadler’s It gives me great pleasure to welcome Independent Opera Wells is grateful to be able to present its annual Scholars’ to Wigmore Hall for its fourth showcase event. Now, more Independent Opera Recital at Wigmore Hall. For this final concert in Independent than ever, such opportunities are vital for young singers. Opera’s 15-year history, we are thrilled to bring together We are immensely grateful to Independent Opera for its four talented singers: tenor Glen Cunningham, soprano pioneering work and for its extraordinary commitment Scholars’ Recital Samantha Quillish, bass William Thomas, mezzo-soprano to young artists when they need it most. Tonight’s concert Lauren Young and renowned pianist Christopher Glynn. is a great example of the spirit of Independent Opera and all that it has represented over so many years. I hope Antonín Dvorˇák The four emerging artists you will hear tonight were Glen Cunningham tenor that you all enjoy this concert. Cigánské melodie, Op. 55 selected from Independent Opera’s partner conservatoires: Royal College of Music No. 1 Má písenˇ zas mi láskou zní Royal College of Music, Royal Academy of Music, Guildhall John Gilhooly Director No. 4 Když mne stará matka zpívat School of Music & Drama and Royal Conservatoire of Samantha Quillish soprano Moravian Duets, Op. 38 Scotland. The Independent Opera Voice Scholarships were Royal Academy of Music No. -
LOUISE ALDER | JOSEPH MIDDLETON Serge Rachmaninoff, Ativanovka, Hisfamily’S Country Estate,C
RACHMANINOFF TCHAIKOVSKY BRITTEN GRIEG SIBELIUS MEDTNER LOUISE ALDER | JOSEPH MIDDLETON Serge Rachmaninoff, at Ivanovka, his family’s country estate, c. 1915 estate,c. country hisfamily’s atIvanovka, Serge Rachmaninoff, AKG Images, London / Album / Fine Art Images Lines Written during a Sleepless Night – The Russian Connection Serge Rachmaninoff (1873 – 1943) Six Songs, Op. 38 (1916) 15:28 1 1 At night in my garden (Ночью в саду у меня). Lento 1:52 2 2 To Her (К ней). Andante – Poco più mosso – Tempo I – Tempo precedente – Tempo I (Meno mosso) – Meno mosso 2:47 3 3 Daisies (Маргаритки). Lento – Poco più mosso 2:29 4 4 The Rat Catcher (Крысолов). Non allegro. Scherzando – Poco meno mosso – Tempo come prima – Più mosso – Tempo I 2:42 5 5 Dream (Сон). Lento – Meno mosso 3:23 6 6 A-oo (Ау). Andante – Tempo più vivo. Appassionato – Tempo precedente – Più vivo – Meno mosso 2:15 3 Jean Sibelius (1865 – 1957) 7 Våren flyktar hastigt, Op. 13 No. 4 (1891) 1:35 (Spring flees hastily) from Sju sånger (Seven Songs) Vivace – Vivace – Più lento – Vivace – Più lento – Vivace 8 Säv, säv, susa, Op. 36 No. 4 (1900?) 2:32 (Reed, reed, whistle) from Sex sånger (Six Songs) Andantino – Poco con moto – Poco largamente – Molto tranquillo 9 Flickan kom ifrån sin älsklings möte, Op. 37 No. 5 (1901) 2:59 (The girl came from meeting her lover) from Fem sånger (Five Songs) Moderato 10 Var det en dröm?, Op. 37 No. 4 (1902) 2:04 (Was it a dream?) from Fem sånger (Five Songs) Till Fru Ida Ekman Moderato 4 Edvard Grieg (1843 – 1907) Seks Sange, Op. -
BBC Four Programme Information
SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras. -
DOWNLOAD NZSO ANNUAL REPORT 2013 Annual Report
Annual Report 2013 FOR THE YEAR ENDED 31 DECEMBER 2013 Presented to Hon. Christopher Finlayson Minister for Arts, Culture and Heritage 1 To our NZSO Supporters: Thank You. Maestro Circle ($10,000+) Fehl Charitable Trust Mark Barrow Museum Art Hotel Denis & Verna Adam Ian Fraser & Suzanne Snively Michael & Judith Bassett Lorriane Nicholls & Donald & Susan Best Dr John Grigor Philippa Bates Geoff Taylor Sir Roderick & Robin Henderson Patricia Bollard Philip & Viola Palmer Gillian, Lady Deane James & Karen Henry Hugh & Jill Brewerton Barbara Peddie Peter & Carolyn Diessl Les & the late Patricia Jenny Brown Alan & Luba Perry Emma & Jack Griffin Holborow Mary Brown Lady Glennis Pettigrew Charitable Trust Tomas & Jan Huppert Kate M Burtt Tony Reeve The FAME Trust Morgan Patricia Jones Adrienne Bushell John & Helen Rimmer JBWere Annette & Ralph Lendrum Malcolm & Margaret Carr Nigel & Heather Roberts Mary Fitzwilliam Award David Lord & Tracy Grant Lord Noel Carroll Miles Rogers Michael Mongahan Young Ian Macalister Angela Caughey Judith Ross Musicians Foundation Athol & Ngaire Mann Joan Caulfield & Graham Hill Marcus & Eve Rudkin Reeves Harris Orchestra Fund Christopher & Jilly Marshall Dion Church Warwick Slinn Take Note Trust Piera McArthur Lady Patricia Clark Robyn Smith Anonymous (1) Michael McCarthy Jeremy Commons Trevor Smith Campbell McLachlan & Rhona Prue Cotter Martin & Catherine Spencer Virtuoso Circle ($5,000+) Fraser Michael & Marie Crooke Peter & Kay Squires Julian & Selma Arnhold Patricia Morrison QSM Richard & Valerie Crooks Vanessa -
PROMS 2018 Page 1 of 7
PROMS 2018 Page 1 of 7 Prom 1: First Night of the Proms Sam Walton percussion Piano Concerto No 1 in G minor (20 mins) 20:15 Friday 13 July 2018 ON TV Martin James Bartlett piano Royal Albert Hall Freddy Kempf piano Morfydd Llwyn Owen Lara Melda piano Nocturne (15 mins) Ralph Vaughan Williams Lauren Zhang piano Toward the Unknown Region (13 mins) BBC Concert Orchestra Robert Schumann Andrew Gourlay conductor Symphony No 4 in D minor (original 1841 version) (28 mins) Gustav Holst The Planets (52 mins) Bertrand Chamayou piano Proms at … Cadogan Hall 1 BBC National Orchestra of Wales Anna Meredith 13:00 Monday 16 July 2018 Thomas Søndergård conductor 59 Productions Cadogan Hall, London Five Telegrams (22 mins) BBC co-commission with 14–18 NOW and Edinburgh Caroline Shaw Proms at … The Roundhouse International Festival: world première Second Essay: Echo (15 mins) 15:00 Saturday 21 July 2018 Third Essay: Ruby Roundhouse, Camden National Youth Choir of Great Britain BBC Symphony Chorus Robert Schumann Charles Ives BBC Proms Youth Ensemble Piano Quintet in E flat major, Op 44 (30 mins) The Unanswered Question (6 mins) BBC Symphony Orchestra Sakari Oramo conductor Calidore String Quartet ensemble Georg Friedrich Haas Javier Perianes piano the last minutes of inhumanity (5 mins) world première Prom 2: Mozart, Ravel and Fauré 19:30 Saturday 14 July 2018 Prom 4: Shostakovich’s ‘Leningrad’ Hannah Kendall Royal Albert Hall Verdala (5 mins) Symphony world première 19:30 Monday 16 July 2018 Gabriel Fauré Royal Albert Hall Pavane (choral version) (5 -
Medici.Tv Launches Dedicated Broadcast Platform for the Leeds International Piano Competition
medici.tv launches dedicated broadcast platform for The Leeds International Piano Competition Public vote for Audience Award opened to global audiences for the first time through this major new partnership leedspiano2018.medici.tv - watch trailer medici.tv launches dedicated broadcast platform for The Leeds International Piano Competition Public vote for Audience Award opened to global audiences for the first time through this major new partnership leedspiano2018.medici.tv - watch trailer medici.tv’s extensive coverage of The Leeds International Piano Competition, relaying the full Competition experience including performances from every round to more than 180 countries, begins today [8 August 2018] at leedspiano2018.medici.tv. From today, audiences can enjoy the First Round performances of the 24 competitors who were selected from among 68 First Round pianists to go through to the next round in Leeds in September. Their progress can then be followed through 8 days of free live webcasts of the final rounds in Leeds between 6 to 15 September. All performances will also be available on demand for three years. ‘The Leeds’ and medici.tv will work together to deliver a rich digital experience on a dedicated new platform. As well as viewing every Competition performance for free, global audiences will also be able to experience the full atmosphere of the Competition through extensive behind-the-scenes coverage, interviews with the competitors and coverage of other events surrounding the Competition. Broadcaster Petroc Trelawny presents the live webcasts of the whole Competition and is joined by pianists Lucy Parham and former Leeds prize winner Noriko Ogawa for the Semis and Finals. -
Gordon Crosse
“Mixed Doubles” Double Concertos by John Manduell and Gordon Crosse CD1: Music by Gordon Crosse (b. 1937) 1 Brief Encounter, for oboe d’amore, recorder and strings (2009) 10.09 Concerto for viola and strings with french horn (2009) 22.50 2 I. Prelude: Andante calmo –più mosso – vivace 8.18 3 II. Song: Lento semplice – più mosso – lento 7.08 4 III. Finale: Vivace 7.24 5 Fantasia on ‘Ca’ the Yowes’, for recorder, harp and strings (2009) 9.51 Total duration CD1 43.05 CD2: Music by John Manduell (b. 1928) Flutes Concerto, for flautist, harp, strings and percussion (2000) 26.56 1 I. Vivo – Lento 9.55 2 II. Quasi adagio 9.24 3 III. Allegro – Allegretto – Languido 7.37 Double Concerto, for oboe, cor anglais, strings and percussion (1985/2012) 28.14 4 I. Quasi adagio – allegro molto 10.43 5 II. Adagio molto 12.18 6 III. Allegro vivo 5.13 Total duration CD2 55.19 Michael Cox flute Richard Simpson oboe/oboe d’amore Alison Teale cor anglais John Turner recorder Matthew Jones viola Timothy Jackson french horn Anna Christensen harp (CD1 track 5) Deian Rowlands harp (CD2 tracks 1-3) MANCHESTER SINFONIA leader Richard Howarth conducted by Timothy Reynish The Music Gordon Crosse writes: All three pieces on CD1 were composed in the Summer and Autumn of 2009 which was the most exciting and productive year I have ever experienced. I had returned to composing after a break of some 18 years and I found I couldn't stop working. The music was simpler than it was in 1990 but I think more communicative because more concentrated and focused.