March 3Rd 2003
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Dissertation
DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….…………. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
Dossier De Presse
présente : avatarium #12 du 13 au 16 avril 2011 Musée de la Mine de St-Etienne & Coxa Plana Dossier de presse Contact presse : Sandrine Bruneton [email protected] 1 Crédit photo : ©Rara SSommaireommaire Programme ................................................. p.5 Jeudi 07 avril ................................................. p.6/7 Mercredi 13 avril ................................................. p.7/10 Jeudi 14 avril ................................................. p.11/13 Vendredi 15 avril ................................................. p.14/15 Samedi 16 avril ................................................. p.16/19 L’association AVATARIA .................................................p.20/21 Les partenaires ................................................. p.22 2 3 llee mmuséeusée ddee llaa mmineine Site Couriot 3, bd Franchet d’Esperey 42 000 St-Etienne ©Rara 4 pprogrammerogramme aavatarium#12vatarium#12 - ééd.2011d.2011 Little Soba - 19h 4 rue des Martyrs de Vingré 42000 St-Etienne jjeudieudi 7 aavrilvril Entrée libre LANCEMENT DU FESTIVAL/VERNISSAGE EXPO « RÉVOLTONS-NOUS» TIZNE Gran Lux - Ouverture des portes : 19h 11 bis, rue de l’égalerie 42100 St Etienne mmercrediercredi 1133 aavrilvril adhésion Coxa Plana : 2€ VERNISSAGE EXPO / THEATRE / DANSE / PERFORMANCE «À L’ORIGINE DE LA PERFORMANCE» EXPOSITION RÉTROSPECTIVE ANNA HALPRIN Commissaire de l’exposition : Jacqueline Caux A’ COR’ ROMPU SPECTACLE CHORÉGRAPHIQUE DANSE/TEXTE Cie Kali - Durée : 20’ LA PASSE IMAGINAIRE THÉÂTRE Cie Trucs - Durée : 40’ Avec la participation -
U Writers / Gonna Guetta Stomp Two New House Influenced Tracks
Interpret Titel Info !!! (Chk Chk Chk) All U Writers / Gonna Guetta Stomp Two new house influenced tracks. (INTERNATIONAL) NOISE CONSPIRACY, 500 Stück - rotes Vinyl, ausführliche Linernotes, 2 exklusive THE Live At Oslo Jazz Festival 2002 non-Album-Tracks 16 Horsepower FOLKLORE 180-gram vinyl /special edition / one-time only 16 Horsepower OLDEN 180-gram vinyl /special edition / one-time only 2 Bears, The Bears In Space 12" with CD 4 Promille Vinyl 7" Single / Etched B-Side 4 Promille Vinyl 7" Single / Etched B-Side / Colored Vinyl A Coral Room I.o.T. RSD 2015 YOU'LL ALWAYS BE IN MY STYLE / THE BOY FROM Ad Libs, The NYC Two highly prized sides back-to-back for the first time A special pressing for the RECORD STORE DAY 2015 and is Agathocles MINCER (RSD 2015) limited to 100 hand numbered copies. It will come in clear Limited edition White colored version in 100 copies Ages Malefic Miasma worldwide. a-ha Take On Me Picture to be images from the classic video. Playground Love / Highschool Lover 7" from The Virgin Air Playground Love Suicides coloured vinyl Alex Harvey Midnight Moses / Jumping Jack Flash Issued7" in 1975, this is the articulation of Zambia's Zamrock Amanaz Africa ethos. Amon Tobin Dark Jovian Five brand new productions. Vinylauflage der neuen Ausgabe der Compilationserie "A Monstrous Psychedelic Bubble". 16 der insgesamt 33 Tracks von Künstlern wie Tame Impala, Cybotron oder Russell Amorphous Androgynous A Monstrous Psychedelic Bubble / The Wizards Of Oz Morris. Schwarzes Doppel-Vinyl. ANGELIC UPSTARTS LAST TANGO IN MOSCOW LP Animal Collective Prospect Hummer RSD 2015 Animals, The WE'RE GONNA HOWL TONIGHT LP Combines truly amazing song-craft with Victorian tragedy and Annabel (Lee) By The Sea And Other Solitary Places grainy folk roots. -
Untitled" - Ah Tiens, on Cogne À La Porte ! - Non Non, C'est Dans Le Morceau
éééééeDITO Dans de nombreux fanzines, il m’est arrivé de lire en début d’édito : « 1 an que je suis dessus à en chier… du coup les chroniques et interviews ne sont pas, fraîchement parlant, d’une actualité à toute épreuve… » etc. A défaut d’être original, ça fait bien 1 an que l’on a eu cette idée de créer un ’zine ! Yo. L’idée était de pondre un fanzine gratuit à 1000 exemplaires, consacré à la BD et à la scène punk, alternative, DIY… (comme tu veux tu dis). Il a donc fallu trouver un « financement » pour payer la gratuité, en refusant évidemment toutes formes de subventions ou autres sys- tèmes pourvus d’originalité, par respect des lecteurs et de nous-mêmes. Sans vouloir tomber dans le confort nihiliste, il existe suffisamment de modalités / morales / fonctionnements ou autres pressions quotidiennes sans réelles alternatives, ce qui n’est pas le cas en ce qui concerne la contre-culture* (*terme qu’il va falloir penser à rejeter, mais je n’en ai pas d’autre sous la main). Nous décidons alors d’organiser un concert de soutien le 9 décembre 2005, et proposons à 2 groupes du coin (Shedding Skin et Fuck Off Für And The Putrid Sound) qui acceptent d’y participer. L’info ayant circulé, 2 autres groupes attirés par le rougeâtre de table johan- nique… (Décombres et James Brown’s Hide Show), de Paris cette fois, se proposent. L’affiche est bookée et nous sommes contents de réunir ces groupes pour boire ce putain de rougeâtre ensemble. -
Hip-Hop Is Always Plagued with Many Misconceptions. the Average Person Associates the Genre with Materialism, Sex and Violence
wise men couldn't see it in they dreams but up rose the poets from the speed queens and the weed fiends speakings dissected deciphered by the undernourished purists no longer is it a get over situation - “Molly Cool” - Atmosphere Hip-hop is always plagued with many misconceptions. The average person associates the genre with materialism, sex and violence. Many are unaware of where all this stems from. Hip-hop culture is unique in the sense that a greater truth is told behind lies. Unlike its predecessor, the blues, Hip-Hop doesn’t touch up upon existential views as much, it overwhelms it. It laughs in the face of sadness. Rappers take on a persona, a stage name; they inhabit a new body to portray their truth. The misunderstood materialistic aspect of hip-hop, is the rappers persona dealing with his “ Blues.” Its overcoming his emotions, his fears and despair. Its showing that you will succeed despite how unlikely. The violence is a way of portraying life, although sometimes used to portray an image, it also tells a story. Exaggeration is used not just to portray an image but, to make you feel what the rapper. Exaggeration is a tool to make the listener a protagonist. The biggest goal of the rapper is to instill emotion to a foreign audience. Hip-hop is the blues, spoken word poetry, and rhythm. Hip-hop was being formed slowly, from the earliest tribes of Africa, until their ancestors, the slaves. They were limited to the arts they could enjoy, but still embodied the rhythm of there old culture. -
Damaged Goods 150 Einträge in Die Punkgeschichte Zum Verlag Ohne Punk Und Die DIY-Kultur Gäbe Es Heute Keinen Ventil Verlag
Jonas Engelmann (Hg.) Damaged Goods 150 Einträge in die Punkgeschichte Zum Verlag Ohne Punk und die DIY-Kultur gäbe es heute keinen Ventil Verlag. Nach Fanzines und ersten selbstverlegten Büchern entstand der Verlag in den Neunzigern aus dem Bedürfnis heraus, der Beschäftigung mit den verschiedenen Subkulturen einen Ort zu geben. Seitdem erschienen zahlreiche Bücher zum Thema Punk, zuletzt: Avi Pitchon: Rotten Johnny and the Queen of Shivers. Israelische Gegenkulturen und Sehnsuchtsorte (&'"(); Sub Opus *( e.V. (Hg.): SO*(. "#)$ bis heute (&'"(); Alex Ogg: California über alles. Dead Kennedys − wie alles begann (&'"+); Pehlemann/ Papenfuß/Mießner (Hg.): #$%&! − Block an Block. Subkulturen im Orwell-Jahr (&'"+); Anne Hahn: Gegenüber von China. Roman (&'",); Alexander Pehlemann: Go Ost! Klang − Zeit − Raum: Reisen in die Subkulturzonen Osteuropas (&'",); Al Burian: Sämtliche Niederlagen. Roman (&'"*); Moses Arndt: New York City Hardcore. Roman (&'"&); Engelmann/Frühauf/Nell/Waldmann (Hg.): We are ugly but we have the music. Eine ungewöhnliche Spurensuche in Sachen jüdischer Erfahrung und Subkultur (&'"&); Herzer/Hiller: Das Ox-Kochbuch '. Kochen ohne Knochen − Mehr als ()) vegane Punk-Rezepte (&'"&); Frank Willmann (Hg.): Leck mich am Leben. Punk im Osten (&'"&); Peglow / Engelmann (Hg.): Riot Grrrl Revisited. Geschichte und Gegenwart einer feministischen Bewegung (&'""); Steven Lee Beeber: Die Heebie-Jeebies im CBGB’s. Die jüdischen Wurzeln des Punk (&''$); Bertie Marshall: Berlin Bromley (&''$); Lee Hollis: Strategy for Victory. Short Stories (&''$); Hahn/ Willmann: Satan, kannst du mir noch mal verzeihen. Otze Ehrlich, Schleimkeim und der ganze Rest (&''$); Frank Apunkt Schneider: Als die Welt noch unterging. Von Punk zu NDW (&'')); Nagel: Wo die wilden Maden graben. Roman (&'')); John Robb: Punk Rock. Die ganze Geschichte (&'')); Andersen/Jenkins: Punk, DC. Dance of Days. -
Ika Ko * S E Dagg Rs M I * Gow *Ha Wna Oof Ia N Irls * C St Sti * Hi La Ce *
SENTIREASCOLTAREDIGital MAGAZINE ottoBRE N. 48 da e Vigo * Mika Ab M s * ik e o c * S la i P lv h e g r i D H * a g s t g l e i t r s S l * a M t s a y e r S C h * i s * l r G i o G w n n a i s v * i H V a * f w o n o a r y T + Volcano!, Final Fantasy, Attimonelli, Women, Karl Blau, Donovan, Kubrick, Kagel, Blitzen Tapper, Gang Gang Dance, Department of Eagles, Vandervelde, Blake/e/e/e, One Little Plane, Antolini 4 NEWS 6 TURN ON WWW.AUDIOGLOBE.IT VOLCANO!, FINAL FANTASY, ATTIMONELLI..... VENDITA PER CORRISPONDENZA TEL. 055-3280121, FAX 055 3280122, [email protected] DISTRIBUZIONE DISCOGRAFICA TEL. 055-328011, FAX 055 3280122, [email protected] 22 TUNE IN THE MATTHEW HERBERT KARL BLAU, WOMEN, ANTOLINI PARENTHETICAL GIRLS BIG BAND "Entanglements" 34 DroP OUT "There's Me and There's You" INTERSTELLAR TECHNODRIVE, THE SMELL CD/LP Tomlab CD !K7 Terzo album per il Il nuovo scintillante gruppo di Portland disco di MATTHEW 56 RECENSIONI guidato dal carismati- HERBERT “There’s MATT ELLIOTT, DEAD SCIENCE, EL GUINCHO, LOS UPDATES...... co cantante androgino Me and There’s You” ZAC PENNINGTON. è la più seducente, so- “ENTAGL EMENT S”, fisticata e sovversiva 121 WE ARE DEMO inizialmente concepi- collezione di canzoni di to come seguito or- protesta mai registrate chestrale del debutto dal Nostro. Realizzato (((GRRRLS))), gioca fra con la collaborazione 123 REARVIEW Mirror il sentimentalismo ed dei migliori musicisti DONOVAN il pop orchestrale di Jazz inglesi, il disco è Van Dyke Parks, Scott il sequel dell’acclamato Walker, Jack Nitzsche “Goodbye Swingtime”. -
Clamor Magazine Politics, and Culture
Sylvia Rivera D Vandana Shiva Judi Bari Janet Hardy CorDorate Cr;p< als ul November/December 2002^ Issue 17 * _: . V 'v^ •"?«w&i^ --<* ii-. i '0^ adventurou \ sex toy store queer famili DunKDorn 4 V sextraffickin $4.50 us/ $6.95 CANADA 1 2> 7 "'25274"96769" 8 sex IS natural, sex is fun, sex is best wlien it's one-on-one' k " WARSAWPACK GROSS DOMESTIC PRODUCT 'M- % BUT >, 4^ With pre millennia in all its glory - the western world scrambles for bottled water and provisions, holding their breath for computer execs. Hamilton Harbor continues to pump 100% liberalized trade through the faucet. Corporate radio m relentlessly spoon-feeds a generation polished mediocrity Warsawpack is born. "A seven-piece collective which is equally hip-hop. jazz, funk and alternalive rock. Warsawpack is a group created by good timing, diverse influences and compatible personalities. It's original. It's musical. It's intelligent and it deserves to y^\ G7027 be heard. Alex Erasmi, View Magazine ^ ^' K Gross Domestic Product • > OUT 09.11.02 Full catalogue of radical music anij spoken word available online at vi/ww.g7w/elcomintcommittee.com S-il-^t." ^ \ ^ V. X \ t WWW.VGKiDS.COlvr >*.- -^V-k : Give Clamor as A Gift! When you buy gift subscriptions for your friends, family, and local libraries, they'll get 6 issues of Clamor featuring over 120 contributors and 456 pages of stories, articles, and art that paint a picture of the world the way it really looks. And at a special $15 subscription rate, you save over 40% off the cover price for yourself. -
Season of Giving Reminds Community to Reach out by AMOL NARANG As the Days Get Shorter and Shorter with Easy to Take Things for Granted
December 19, 2000 Gilman School www.GilmanNews.com Volume C, No. 4 Season of Giving Reminds Community to Reach Out BY AMOL NARANG As the days get shorter and shorter with easy to take things for granted. Never do we For many years, Gilman has also shared not as blessed. Many of us do not deserve the arrival of winter, our anticipation of the have to worry about having our next meal. in the charitable spirit of the holidays by to go to a good school and to live in a big holidays grows larger and larger. The ex- Never do we have to worry about being able giving food, clothing, and toys to the Echo house. Never did we earn any part of our pected relaxation of winter break, mixed to find warm clothes. Instead, for many of House soup kitchen. The bond between lavish lives. It is by pure luck that we live with the surprise of presents, provides for us, our greatest concern is whether or not our Gilman and Echo House existed many years in comfort. The same holds true for the an irresistible time of year. Moreover, as parents will give us the right gift. However, before Mr. Anton Vishio took over the less fortunate. They do not deserve to won- we migrate to our warm houses and our if we all take a couple minutes to reflect upon loving families, it is often easy to lose sight our good fortune, we would realize that giv- of those less fortunate than ourselves, those ing is synonymous with the holiday season.