DOCSLIB.ORG

Season of Giving Reminds Community to Reach out by AMOL NARANG As the Days Get Shorter and Shorter with Easy to Take Things for Granted

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Season of Giving Reminds Community to Reach out by AMOL NARANG As the Days Get Shorter and Shorter with Easy to Take Things for Granted December 19, 2000 Gilman School www.GilmanNews.com Volume C, No. 4 Season of Giving Reminds Community to Reach Out BY AMOL NARANG As the days get shorter and shorter with easy to take things for granted. Never do we For many years, Gilman has also shared not as blessed. Many of us do not deserve the arrival of winter, our anticipation of the have to worry about having our next meal. in the charitable spirit of the holidays by to go to a good school and to live in a big holidays grows larger and larger. The ex- Never do we have to worry about being able giving food, clothing, and toys to the Echo house. Never did we earn any part of our pected relaxation of winter break, mixed to find warm clothes. Instead, for many of House soup kitchen. The bond between lavish lives. It is by pure luck that we live with the surprise of presents, provides for us, our greatest concern is whether or not our Gilman and Echo House existed many years in comfort. The same holds true for the an irresistible time of year. Moreover, as parents will give us the right gift. However, before Mr. Anton Vishio took over the less fortunate. They do not deserve to won- we migrate to our warm houses and our if we all take a couple minutes to reflect upon loving families, it is often easy to lose sight our good fortune, we would realize that giv- of those less fortunate than ourselves, those ing is synonymous with the holiday season. who do not have a warm house or a loving For those who wish to help the needy, there family to help them celebrate the holidays. are many opportunities in Baltimore City and Indeed, for some of them, the coming of at Gilman to help those less fortunate. winter signifies a huge Christmas dinner One such organization is known as with the family but also colder and windier Samaritan’s Purse, which is actually an in- weather. Considering that most Gilman ternational organization. The idea behind folk come from affluent backgrounds, it is this organization is simple. Shoeboxes filled with gifts are donated to the organization, which then redistributes them throughout the world. Last year, over three million shoeboxes were collected and distributed Inside...Inside... throughout more than 60 countries world- wide. Moreover, the organization focused on “bringing joy and hope to the unfortu- News: nate children of Kosovo to allow them to Gilman School President celebrate the true meaning of the holidays.” critiques the quality of The sight of men and women in Santa Clause outfits ringing their bells and kindly SAGE service- page 5 asking for donations is a familiar one. They are all members of a nationwide organiza- tion known as Volunteers of America Side- Op/Ed: walk Santa. For one hundred years, this or- Ken Kiyota comments on ganization has succeeded in allowing home- the sad state of American less, elderly, and neglected children of America to have a happy Christmas. The Christmas tradtions -page 3 members of the Volunteers of America Side- walk Santa believe donations will “bring Israeli-Arab conflict rages love, compassion, and comfort to millions across the nation.” Furthermore, it provides as 2nd Intifadeh takes hold the opportunity for many to directly help the - page 3 community. Not only does this organization collect money, but it has also set up numer- ous local programs around the country to Arts: help those in need. Even closer to home is the Catholic Chari- BY BEN PIVEN Center Stage’s “Fall” a ties organization, Maryland’s largest private Matt Turner (‘01) and Teddy Wiles (‘02) take a break from tree decorations. thrilling production- page 6 provider of human services. Based in Balti- Christmas food drive almost 30 years ago. der where their next meal is going to arise. more, this organization serves more than According to Mr. Vishio, “the tradition Yet, by some inexplicable reason, these 60,000 clients every year. It provides a vast started out of the desire for the school to poor men, women, and children have to Sports: array of programs - from housing services share the abundance of its constituency with suffer through hardships foreign to many to programs for the disabled. As the organi- those who are not as blessed.” Mr. Vishio of us at Gilman. It should therefore be out Sorry to say good-bye to zation relies on volunteers to help carry out further captured the true meaning of the of compassion, love, and sorrow that we Oriole Pitcher Mike its mission, the organization is always ap- holiday season when he exclaimed that he give donations and try to make the lives of Mussina - page 11 preciative of anyone who could help. The felt bad when Echo House showed their the needy better. Nobody should ever have Director of the Catholic Charities organiza- gratitude towards Gilman. “They shouldn’t to solicit us for donations. Instead, we tion was disappointed last year at the lack of have to say thanks,” commented Mr. Vishio, ought to take the initiative. This holiday Varsity Basketball rises in help he received from American teenagers: who believes that helping the needy is a season, think about how truly lucky we are, metro-area standings with “I was truly surprised at the lack of help from basic human duty. and how unlucky many others are. Let’s kids. Kids can be really helpful, but it’s too Mr. Vishio is right. It is our duty to pro- do all we can to make the season merrier stellar victories - page 12 bad many would rather watch T.V. than do vide basic necessities such as food, hous- for all people. It will surely make our own something productive.” ing, and clothes to fellow humans who are holiday season much more enjoyable. Page 2 The Gilman News • December, 19 2000 Editorial ERY vote in the state of Florida isn’t re- Gilman to be. No one was forced to sign counted. Who’s in charge, here? No one the poster. If signing was an “empty ges- LETTERS TO THE EDITOR knows because nobody wants to be. ture,” that is the fault of the person sign- I say give each and every state an equal ing. However, we chose the word RE- say in an election, regardless of population. SPECT carefully to try to allow for a range Dear Editor, based on population? How fair is that? Think Allow each state to feel important and nec- of interpretation, depending on the situa- A refrain I heard from virtually every about it. Do you think Wyoming is happy to essary in the process of selecting a presi- tion. At best, respect can mean honor or street corner I happened by and on almost only be able to send 3 electors to D.C. on dent. One state, one elector. Then let’s see esteem; some members of the Gilman com- every bus I stepped onto in Baltimore, in December 18th, just because fewer people live how much time the presidential candidates munity deserve that. On a less noble level, the days following the election ‘tie’, was, in Wyoming as compared to Texas? Do you spend in Maryland. Or Wyoming. respect means acceptance or proper cour- “I am SO glad I voted this year. This elec- think the people in Big Sky country feel they There are short-sighted nay-sayers who tesy, which most people at Gilman deserve. tion proved that my vote really does have a ‘say’ in a national election, compared will argue up one side of you and down the At its most basic, respect means simply count!” Give me a major break. to Florida or some of the other ‘big ticket’ other that the electoral system as we now leaving someone alone. When it comes to Maryland’s pitiful 10 electoral ‘votes’ did states? Not after this election. It’s not as if know it will not be altered because it’s matters of racial, religious, ethnic, gender, nothing to get Al Gore any closer to the the citizenry of this country had a say in how CONSTITUTIONAL. I wish to bring to age, size, sexual, or socio-economic differ- White House than before I pulled that dingy its borders would be drawn, so why should the attention those of this ilk, three salient ences, EVERYONE at Gilman deserves at curtain behind me at the voting station. these smaller states be punished because of facts: 1. When the CONSTITUTION was least that. No? I got it all wrong? Let’s break this something as innocuous as a census. Why ratified, there were no provisions for slaves We never had any thought that the poster down to simple math. Sans Florida’s 25 should the larger states be dealt all the trump to hold the right to vote. 2. When slaves would “impress visitors.” Our sole moti- ‘all world’ electoral votes (can you see cards every four years? were freed, under the CONSTITUITION vation was that the poster would be a posi- where I’m going with this?) Gore stood at This election has finally exposed the they were still not granted the right vote. 3. tive gesture. And many people signed it in 267 votes with Bush at 246, with 270 elec- weakness in this archaic system we call the As a descendant of slaves, I voted on No- the spirit for which we intended it. Unfor- toral votes being the magic number. You ‘electoral college’. We finally have the ‘tie’ vember 7th as provided by the CONSTITU- tunately, some students, who could have think Maryland’s votes make a difference? that politicos have been bantering about for TION.
Load more

Recommended publications
  • The B-Boy Summit Internationally Acclaimed B-Boy/B-Girl Event
    THE B-BOY SUMMIT INTERNATIONALLY ACCLAIMED B-BOY/B-GIRL EVENT Produced by No Easy Props OVERVIEW The B-boy Summit continues to be a major trendsetter in Hip-Hop street dance, art and music culture. Established in 1994, The Summit presented innovative ideas in Hip-Hop culture, offering a conference forum complete with competitions, performances, panels, workshops, and a marketplace for consumer friendly products marketed toward the Hip-Hop community. Never content with success, The B-boy Summit continues its mission to bring the hottest street dance, art, and music above ground to the masses. The B-boy Summit has grown into an internationally acclaimed 3 day festival incorporating all aspects of Hip-Hop in different plateaus, including the most intense battles, rawest circles, theatre performances, a DJ/MC Talent Showcase and live aerosol art painting. The B-boy Summit was created in 1994 out of the need for a community orientated Hip-Hop event that encompassed knowledge of the history of Hip-Hop culture and the skills of B-boying and B-girling. At that point in time B-boys and B-girls didn’t have a platform in which to come together, dance and pay homage to the traditional dance of Hip-Hop. Each year the event has expanded to encompass B-boys, B-girls, MCs, Aerosol Artists, and DJs from across the globe, steadily building into what is now the foremost Hip-Hop cultural event in the world. More recently, The Summit has become one of the most important events for Lockers, Poppers, Freestyle and House Dancers to take part in during The Summit’s Funk Fest.
    [Show full text]
  • WEB KARAOKE EN-NL.Xlsx
    ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS
    [Show full text]
  • Tuareg Music and Capitalist Reckonings in Niger a Dissertation Submitted
    UNIVERSITY OF CALIFORNIA Los Angeles Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Eric James Schmidt 2018 © Copyright by Eric James Schmidt 2018 ABSTRACT OF THE DISSERTATION Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger by Eric James Schmidt Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Timothy D. Taylor, Chair This dissertation examines how Tuareg people in Niger use music to reckon with their increasing but incomplete entanglement in global neoliberal capitalism. I argue that a variety of social actors—Tuareg musicians, fans, festival organizers, and government officials, as well as music producers from Europe and North America—have come to regard Tuareg music as a resource by which to realize economic, political, and other social ambitions. Such treatment of culture-as-resource is intimately linked to the global expansion of neoliberal capitalism, which has led individual and collective subjects around the world to take on a more entrepreneurial nature by exploiting representations of their identities for a variety of ends. While Tuareg collective identity has strongly been tied to an economy of pastoralism and caravan trade, the contemporary moment demands a reimagining of what it means to be, and to survive as, Tuareg. Since the 1970s, cycles of drought, entrenched poverty, and periodic conflicts have pushed more and more Tuaregs to pursue wage labor in cities across northwestern Africa or to work as trans- ii Saharan smugglers; meanwhile, tourism expanded from the 1980s into one of the region’s biggest industries by drawing on pastoralist skills while capitalizing on strategic essentialisms of Tuareg culture and identity.
    [Show full text]
  • Russert Discusses Media Errors in Election
    HET OutKast scores Taking back the night? OutKast’s latest release, Stankonia, may be This Sexual Assault Awarenss Week, The Tuesday one of the best hip-hop albums to come out Observer takes a look at efforts to raise this year. awareness and stop rape on campus. NOVEMBER 14, Scene ♦ page 13 In Focus 2 0 0 0 O bserver The Independent Newspaper Serving Notre Dame and Saint Mary’s VOL XXXIV NO. 55 HTTP://OBSERVER. ND.EDU Russert discusses media errors in election concerns to the forefront of the By HELENA PAYNE election process, said Russert. News Writer Now people question the signifi­ cance of the Electoral College The future of U.S. families and versus that of the popular vote. the voting process is at stake in Regarding the recount in the lengthy 2000 presidential Florida, the Secretary of State of elections, said Tim Russert, Florida announced that all 67 moderator of NBC’s “ Meet the counties’ votes must be handed Press” Monday. in by 5 p.m. today. But if for “Wake up, this is your life and some reason, the election in this is your country,” said Florida is not decided officially, Russert to a standing-room-only it could raise questions on Dec. crowd in Notre Dame’s 18 when the Electoral College McKenna Hall. meets. Russert said Election Day “Constitutional experts are 2000 was exciting after a cam­ having a field day with that," paign season when many voters Russert said. presented a disinterested atti­ Russert stated that now the tude toward the election.
    [Show full text]
  • Popo Laib -U F Iri 3I Nc 5
    BILLBOARDS H E AT S E E K S R S ALBUM CHART COMPILED FROM A NATIONAL SAMPLE OF RETAIL STORE, MASS MERCHANT, SoundScan- The Heatseekers chart lists the best-selling titles by new and developing artists, defined as those who have never appeared in the Zo AND INTERNET SALES REPORTS COLLECTED, COMPILED, AND PROVIDED BY F- top 100 of The Billboard 200 chart. When an album reaches this level, the album and the artist's subsequent albums are immedi- ately ineligible to appear on the Heatseekers chart. All albums are available on cassette and CD. *Asterisk indicates vinyl LP is DECEMBER 9, 2000 w ¢ w 1 ARTIST TITLE available. Q Albums with the greatest sales gains. a 2000, Billboard /BPI Communications. I- 3 -i 5 3 U IMPRINT & NUMBER/DISTRIBUTING LABEL (SUGGESTED LIST PRICE OR EQUIVALENT FOR CASSETTE/CD) No. 1 Ms-- ® 35 87 SONICFLOOD GOTEE 2802 (15.98 CD) SONICFLOOD 1 1 14 SOULDECISION MCA 112361 (11.98/17.98) NO ONE DOES IT BETTER 21 20 28 NICKELBACK ROADRUNNER 8586 (8.98/13.98) THE STATE 2 2 4 LIFEHOUSE DREAMWORKS 450231 /INTERSCOPE (8.98/12.981 NO NAME FACE 28 RE -ENTRY RACHAEL LAMPA WORD 61068/EPIC (11.98 EQ/16.98) LIVE FOR YOU © 3 4 SAMANTHA MUMBA WILD CARD/POLYDOR 549413 /INTERSCOPE (11.98/17.98) GOTTA TELL YOU 29 16 8 PAUL OAKENFOLD LONDON -SIRE 31035 (19.98 CD) PERFECTO PRESENTS ANOTHER WORLD 4 69 BRAD PAISLEY ARISTA NASHVILLE 18871 /RLG (10.98/16.98) WHO NEEDS PICTURES 30 21 4 CHRIS RICE ROCKETOWWWORD 61474/EPIC (11.98 EQ/16.98) SMELL THE COLOR 9 ( 5 ) NEW LOUIE DEVITO E- LASTIK 5002 (16.98 CD) N.Y.C.
    [Show full text]
  • Georgia Historical Society Educator Web Guide
    Georgia Historical Society Educator Web Guide Guide to the educational resources available on the GHS website Theme driven guide to: Online exhibits Biographical Materials Primary sources Classroom activities Today in Georgia History Episodes New Georgia Encyclopedia Articles Archival Collections Historical Markers Updated: July 2014 Georgia Historical Society Educator Web Guide Table of Contents Pre-Colonial Native American Cultures 1 Early European Exploration 2-3 Colonial Establishing the Colony 3-4 Trustee Georgia 5-6 Royal Georgia 7-8 Revolutionary Georgia and the American Revolution 8-10 Early Republic 10-12 Expansion and Conflict in Georgia Creek and Cherokee Removal 12-13 Technology, Agriculture, & Expansion of Slavery 14-15 Civil War, Reconstruction, and the New South Secession 15-16 Civil War 17-19 Reconstruction 19-21 New South 21-23 Rise of Modern Georgia Great Depression and the New Deal 23-24 Culture, Society, and Politics 25-26 Global Conflict World War One 26-27 World War Two 27-28 Modern Georgia Modern Civil Rights Movement 28-30 Post-World War Two Georgia 31-32 Georgia Since 1970 33-34 Pre-Colonial Chapter by Chapter Primary Sources Chapter 2 The First Peoples of Georgia Pages from the rare book Etowah Papers: Exploration of the Etowah site in Georgia. Includes images of the site and artifacts found at the site. Native American Cultures Opening America’s Archives Primary Sources Set 1 (Early Georgia) SS8H1— The development of Native American cultures and the impact of European exploration and settlement on the Native American cultures in Georgia. Illustration based on French descriptions of Florida Na- tive Americans.
    [Show full text]
  • Mountaineers in the Pros
    MOUNTAINEERS IN THE PROS Name (Years Lettered at WVU) Team/League Years Stedman BAILEY ALEXANDER, ROBERT (77-78-79-80) Los Angeles Rams (NFL) 1981-83 Los Angeles Express (USFL) 1985 ANDERSON, WILLIAM (43) Boston Yanks (NFL) 1945 ATTY, ALEXANDER (36-37-38) New York Giants (NFL) 1948 AUSTIN, TAVON (2009-10-11-12) St. Louis Rams (NFL) 2013 BAILEY, RUSSELL (15-16-17-19) Akron Pros (APFA) 1920-21 BAILEY, STEDMAN (10-11-12) St. Louis Rams (NFL) 2013 BAISI, ALBERT (37-38-39) Chicago Bears (NFL) 1940-41,46 Philadelphia Eagles (NFL) 1947 BAKER, MIKE (90-91-93) St. Louis Stampede (AFL) 1996 Albany Firebirds (AFL) 1997 Name (Years Lettered at WVU) Name (Years Lettered at WVU) Grand Rapids Rampage (AFL) 1998-2002 Team/League Years Team/League Years BARBER, KANTROY (94-95) BRAXTON, JIM (68-69-70) CAMPBELL, TODD (79-80-81-82) New England Patriots (NFL) 1996 Buffalo Bills (NFL) 1971-78 Arizona Wranglers (USFL) 1983 Carolina Panthers (NFL) 1997 Miami Dolphins (NFL) 1978 Miami Dolphins (NFL) 1998-99 CAPERS, SELVISH (2005-06-07-08) BREWSTER, WALTER (27-28) New York Giants (NFL) 2012 BARCLAY, DON (2008-09-10-11C) Buffalo Bisons (NFL) 1929 Green Bay Packers 2012-13 CARLISS, JOHN (38-39-40) BRIGGS, TOM (91-92) Richmond Rebels (DFL) 1941 BARNUM, PETE (22-23-25-26) Anaheim Piranhas (AFL) 1997 Columbus Tigers (NFL) 1926 CLARKE, HARRY (37-38-39) Portland Forest Dragons (AFL) 1997-99 Chicago Bears (NFL) 1940-43 BARROWS, SCOTT (82-83-84) Oklahoma Wranglers (AFL) 2000-01 San Diego Bombers (PCFL) 1945 Detroit Lions (NFL) 1986-87 Dallas Desperados (AFL) 2002-03 Los
    [Show full text]
  • 293202846.Pdf
    ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ ## ## ## ## ### ######## ######## ########³ ³ ## ## ## ## ## ## ## ## ## ## ## ³ ³######### ## ## ## ## ## ## ## ## ## ³ ³ ## ## ## ## ## ## ## ######## ###### ## ³ ³######### ## ## ## ######### ## ## ## ## ³ ³ ## ## ## ## ## ## ## ## ## ## ## ³ ³ ## ## ### ### ## ## ## ## ######## ########³ ³ ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÁÄÄÄÄÄÄÄÄÄÁÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ This site list brought to you by all of us in ³ ³ the best warez channel on FDFnet, #Warez. ³ ³ ÚÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´irc.fdfnet.netÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ ÀÄÄÄÄÄÄÄÄÄÄÄÄÙ ³ ³ Dont be a leech. Contribute! ³ ³ To add a site /msg Balthor SITE xxx.xxx.xxx.xxx /dirs L: & P: ³ ³ For posting you will be +ved until your site is removed. ³ ³ Please only post VERIFIED sites ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ . .. .:ÃNewS´: .. ³ ³ ÀÄÄÄÄÙ ³ ³ 02-15-2002 ³ ³ ³ ³ At long last the OOmpah forums are back! Go ahead, post ³ ³ something at http://oompah.tk/ ³ ³ ³ ³ The list that you are currently viewing is a 6 hour time ³ ³ delayed version of our complete list. Site posters receive ³ ³ access to the complete list which contains ALL of the sites. ³ ³ Upon verifcation of your site post, you will gain access to ³ ³ the current list, access to our !search, and you will also ³ ³ see new sites immediately after they are verified (6 hours ³ ³ before everybody else!). ³ ³ ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ . .. .: Other Info : .. ³ ³ ³ ³ PSST!
    [Show full text]
  • 08FB Emerald Bowl Gd P01-16.Indd
    CALIFORNIA Golden Bears 2008 GOLDEN BEAR QUICK FACTS BEAR FACTS FOOTBALL OFFICE Location: Berkeley, CA 94720 210 Memorial Stadium.................. 510-642-3851 Founded: 1868 Berkeley, CA 94720 Enrollment: 35,409 Head Coach: Jeff Tedford (Fresno State ’83) Colors: Blue (282) & Gold (116) Record at Cal: 58-30 (7 years) Nickname: Golden Bears Assistant to the Head Coach: Debbie Schram Conference: Pacifi c-10 Stadium: Memorial Stadium OFFENSIVE STAFF Capacity: 71,799 Frank Cignetti ....Offensive Coord./Quarterbacks Surface: Sportexe Jim Michalczik ...................Co-Offensive Coord./ Chancellor: Dr. Robert Birgeneau Asst. Head Coach/O-Line Director of Athletics: Sandy Barbour Pete Alamar ...............Tight Ends/Special Teams 2008 Record: 8-4 Kevin Daft ..................................Wide Receivers 2008 Pac-10 Record: 6-3/4th Ron Gould ...................Assoc. Head Coach/RBs CALIFORNIA Offensive System: Multiple Matt Beck.......................Graduate Asst.-Offense Defensive System: 3-4 Golden Bears (8-4) Brendan Ferrigno...............Admin. Asst.-Offense Assistant AD/Media Relations: Herb Benenson vs. Offi ce: 510-642-0515 MIAMI Cell: 510-334-0791 DEFENSIVE STAFF E-mail: [email protected] Bob Gregory ....................Defensive Coordinator Hurricanes (7-5) Asst. Media Relations Director: Chris DeConna Tosh Lupoi ...................................Defensive Line Offi ce: 510-643-4724 Al Simmons ..............................Defensive Backs Cell: 510-439-8396 Kenwick Thompson ......... Recruiting Coord./LBs E-mail: [email protected]
    [Show full text]
  • Rice & Vanderbilt
    P E N N B O W L 1 1 Boni by Rice & Vanderbilt 12 1 Name these 19th century American poets from works, 10 points each. [10] “The Last Leaf,” “The Living Temple,” “The Chambered Nautilus” ANSWER: Oliver Wendell Holmes, Sr. [10] “Do not weep, maiden, for war is kind” ANSWER: Stephen Crane [10] “The Problem,” “Give All to Love,” “Brahma” ANSWER: Ralph Waldo Emerson 2 30-20-10. Name the artist from works. [30] The Wayfarer and The Extraction of the Stone of Madness [20] The Ship of Fools and The Temptation of Saint Anthony [10] The Garden of Earthly Delights ANSWER: Hieronymus Bosch or Jerome van Aken (or Aquen) or Jeroen Anthoniszoon 3 Name these female science fiction writers, 10 points each. [10] This author of A Swiftly Tilting Planet is best known for A Wrinkle in Time. ANSWER: Madeline L’Engle Camp [10] Reprints of her early novels include Time Traders and Star Soldiers, the Witch World series. She recently co- authored To the King a Daughter with Mercedes Lackey. ANSWER: Andre Alice Norton or Alice Mary Norton [10] She has won three Best Novel Hugos—since 1990. The author of the Vorkosigan series of science fiction novels, her most recent novel is The Curse of Chalion. ANSWER: Lois McMaster Bujold © 2002 PADT. Questions may not be distributed without express written permission. Penn Bowl 11. Boni by Rice and Vanderbilt. Page 2 of 7 12 4 It recounts the adventures of Prince Arthur. 10 points each. [10] Name this long epic poem by Edmund Spenser. ANSWER: The Faerie Queene [10] This is the title queen.
    [Show full text]
  • Copy UPDATED KAREOKE 2013
    Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M.
    [Show full text]
  • Kutmasta Kurt.” That Was Like the Beginning of the Strain
    ROCK KUTTIN’ IT WITH KURT 44.www.importtuner.com REDNECK GAMES KUTMASTER KURT TEXT BY JOEL MARASIGAN Hip hop music had a universal fiber when it was—in the spirit of MTV—brand-spanking new. Hip hop was sung and chanted. Hip hop was more than just music. It was a style: a life style, a spirit, a feeling. Today’s hip hop has lost a lit- tle of its elegance and originality mainly because artists exaggerate the “money, hoes and power” stereotype. There are a select few who remember hip hop’s roots and its inten- tions. There are a select few who are still accepted when they remove their headphones and backpacks and don the pink fur, ice the grill and jump in the Range. 05.03.2nr.45 son they were like, “We don’t want your name on it. We’ll pay you, but you can’t put KutMasta Kurt.” That was like the beginning of the strain. At the time I wanted to wrap-up a project with Keith (the Masters Of Illusion project)—and because I had already been working with Motion Man (who was on the back burner for 10 years)—I had to finish Black Elvis. We still went on to do the Dr. Dooom and Masters Of Illusion albums and I still helped with the Matthew album. But after that I was really just Keith’d out. He wanted to keep going, but I didn’t like the direction and I needed to take a break. He was- n’t too happy about that.
    [Show full text]