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40_099100 bindex.qxp 3/26/07 11:23 PM Page 415 Index Alhambra, 120–121 • Numerics • alla prima (at once) technique, 265 The 30-Day Fax Painting (Hundertwasser), allegorical stories, 148 345, 412 Allegory of the Triumph of Venus (Bronzino), 191–193 Amarna style, 66–67 • A • Amiens Cathedral, 139 Abbey Church of St. Denis, 137–139, 141 analogous colors, 295 The Abduction of Rebecca (Delacroix), Analytic Cubism movement, 306–307 247, 399 ancestor worship, 92 Abraham, 43–44 ancient art, 9–10 Abstract Expressionism movement, 13, 31, Ancient Greek art period 334–337 Archaic period, 24, 75–76 Abstract Painting (750-1) (Richter), 375, 399 architecture, 83–85 Abu Temple statuettes, 47–48, 411 Classical period, 24, 76–78 academy exhibitions, 254 politics, 16, 24 Accademia degli Incamminati art school, sculpture, 75–81 200 vase painting, 81–83 action painting, 13, 336, 396 Aphrodite (Praxiteles), 80–81 Actionen (Beuys), 350 The Apostle (from St. Sernin Cathedral), activist art 134, 400 Critical Art Ensemble, 380 aqueducts, 98, 408 photography, 13 Archer, Frederick Scott, 354 Adam and Eve (Arcimboldo), 195, 399 architecture Adam and Eve Under the Tree of Knowledge Ancient Egypt, 61–63 (Ernst Fuchs), 399 Ancient Greek, 16, 83–85 Adams, Ansel, 359, 413 Art Nouveau, 286–288 Adamson, Robert, 355 Baroque, 11, 204–206, 214 Adele Bloch-Bauer I (Klimt),COPYRIGHTED 301, 399 Byzantine, MATERIAL 109–110 aerial perspective, 161 Constructivism, 316–317 The Age of Bronze (Rodin), 282 deconstruction, 369–372 Agnew Clinic (Eakins), 259, 399 Etruscan, 89–90 Akhenaten (potbellied statue), 399 Fantastic Realism, 344–345 Akkadian art, 51 Gothic, 136–140 Akkadian Ruler, 51, 400 Islamic, 118–121 Alba, the glow-in-the-dark bunny, 380 Italian Gothic, 143 40_099100 bindex.qxp 3/26/07 11:23 PM Page 416 416 Art History For Dummies architecture (continued) At the Ball (Morisot), 273 Mannerism, 197–198 At the Inn of Mother Anthony (Renoir), megaliths, 40–41 269, 400 menhirs, 41 At the Moulin Rouge (Toulouse-Lautrec), Middle Ages, 10–11 277, 400 Modernist, 330–334 AT&T Headquarters Building (Johnson), New Stone Age, 40–42 367–368, 400 post-and-lintel system, 40–41 Augustus of Primaporta, 93–94 Postmodern, 366–372 Aurora (Guercino), 200, 400 Renaissance, 153, 179–180 Austrian Expressionism movement, Rococo, 219–220 300–302 Roman, 17, 98–101 author, contacting, 6 Romanesque, 130–133 automatic writing, 324 Sumer, 45 Autun Cathedral, 133 ziggurats, 45–46 Avicenna (Stella), 347, 400 Arcimboldo, Giuseppe, 194–195, 399, 406 Arena Chapel fresco series (Giotto), 147 Argument in Limoges Market Place • B • (Kenneth Bates), 400 balance, 18 The Arnolfini Wedding (van Eyck), Ball, Hugo, 319–320 181–182, 392 Banner of Las Navas de Tolosa, 121, 400 Arp, Hans, 323, 412 Barbieri, Giovanni Francesco, 200 art movements. See movements by name Barbizon School, 255–256 art museums Baroque art period British Museum, 386 architecture, 204–206, 214 Hermitage, 385 Catholic Church, 11, 27, 199–200 Kunsthistorisches Museum, 386 ceiling frescoes, 200 Louvre, 383 Counter-Reformation, 11, 27, 199–200 Metropolitan Museum of Art, 385 painters, 200–203, 207–217 National Gallery, 384 Protestant church, 27, 207 Prado, 385 religious art, 16, 27, 200 Rijksmuseum, 386 sculpture, 203–204 Uffizi, 384 themes of, 200 Vatican Museums, 384 Basilica of Ste-Madeleine Cathedral of Art Nouveau (New Art) movement, 285–288 Vezelay, 133–134 art periods. See periods by name Bates, Kenneth, 350–351, 400 Artcyclopedia Web site, 399 The Bathers (Fragonard), 222 Arts and Crafts movement, 28, 262 The Bathers (Renoir), 270, 400 The Assumption of the Virgin (Titian), 176 Bauhaus, 332 Assyrian art, 52–53 Bayeux Tapestry, 20, 127–130 40_099100 bindex.qxp 3/26/07 11:23 PM Page 417 Index 417 Beata Beatrix (Rossetti), 260, 400 Books of Secrets, 126 Belgian style (le style Belge), 286 Books of the Dead, 69 Bellini, Gentile, 172 Bosch, Hieronymus, 184–185 Bellini, Giovanni, 172–173, 392, 403 Botticelli, Sandro, 18, 157–158, 400 Bellini, Jacopo, 173 Boucher, François Benday dots, 342 Cupid a Captive, 222, 402 Berlin Wall (Cartier-Bresson), 358–359, 400 Diana Leaving Her Bath, 219 Bernini, Gian Lorenzo, 196, 203–205, Hercules and Omphale, 219 402, 405 Lovers in a Park, 219, 406 bestiaries, 126 The Boulevard (Severini), 312 Beuys, Joseph, 349–350, 352 Bourke-White, Margaret, 361–363, 404 Bierstadt, Albert, 257–258, 409 Brady, Matthew, 356 The Biglin Brothers Racing (Eakins), 259, 400 Braque, Georges, 304, 306–308, 404 The Binders (Millet), 256 Brecht, George, 349 biomorphic forms, 335 Breton, André, 324 biotechnology, 379–380 Bride of the Wind (Kokoschka), 302, 401 Bird-Headed Man with Bison and Rhinoceros The Bridge (Die Brücke) movement, cave painting, 38, 400 29, 295–298 The Birth of Venus (Botticelli), 157–158, 400 British Museum, 386 Black Magic (Magritte), 327 Broadway Boogie Woogie (Mondrian), “Black Paintings” of Goya, 249 318, 401 Blake, William, 241–242 Bronzino, Agnolo, 191–193 The Blinding of Polyphemus and Gorgons Bruegel the Elder, Pieter, 186–187, 404, (Oriental vase), 82, 401 412–413 The Blinding of Samson (Rembrandt), Brunelleschi, Filippo, 152–154, 403, 410 210, 401 brushstrokes Blindman’s Bluff (Fragonard), 219, 401 action painting, 13, 336, 396 Blue Dancers (Degas), 271 colors, 395 Blue Period (Picasso), 304, 394–395 impasto, 393 The Blue Rider (Der Blaue Reiter) Almanac Impressionism, 12, 393 (Kandinsky and Marc), 298, 389–390 Pointillism, 275–276, 394 The Blue Rider (Der Blaue Reiter) reduction, 395 movement, 29, 295, 298–300 sfumato, 161, 174, 392 Boccioni, Umberto, 310–311 smear, 396 The Bodmer Oak, Fontainebleau (Monet), smudge, 396–397 355, 401 tempera, 391–392 book curses, 125 buon fresco technique, 165 Book of Durrow, 125 Burgee, John, 367 Book of Kells, 125–126, 401 The Burial of Count Orgaz (El Greco), 196 Books of Hours, 126 Byzantine art period, 11, 25, 105–115 40_099100 bindex.qxp 3/26/07 11:23 PM Page 418 418 Art History For Dummies Chartres Cathedral (Corot), 257, 401 • C • Chartres Cathedral, 139, 141–142 Cabaret Voltaire, 319–320 Chasing Butterflies (Morisot), 272, 401 Calling of Saint Matthew (Caravaggio), Chestnut Hill House (Venturi), 367, 401 20, 201–202, 210 chiaroscuro, 162, 209 calotype, 354 Chicago, Judy, 375–376, 403 Camera Work magazine, 322, 357 Children of War (Someroski), 351 Campin, Robert, 183 Christ Before Pilate (Fuchs), 343, 401 Canon (Polykleitos), 78 Christ Enthroned and the Apostles in the canon of proportions, 61 Heavenly Jerusalem, 107–108 Canova, Antonio, 237, 402 Christ in the House of His Parents (Millais), The Caprices (Goya), 248 261, 401 Caravaggio Christ Risen (Rubens), 208–209 Calling of Saint Matthew, 20, 201–202, 210 Christianity cellar lighting, 201 Early Christian art works, 107–108 The Lute Player, 202, 407 Medieval art period, 26, 123 The Musicians, 202, 407 Christo, 376–377 The Card Players (Léger), 308–309, 401 Christ’s Entry into Brussels in 1889 (Ensor), Carnac Menhir Alignment, 401 284, 402 Carolingian Renaissance, 127 Church of Holy Wisdom (Hagia Sophia), Carolingian script, 127 109–110 Carracci, Annibale, 200, 403 Cimabue, 144–146, 407 Cartier-Bresson, Henri, 357–359, 400, 407 The Circus (Seurat), 276 Casa Batlló, 287–288 classicism, 229 Casa Milà, 287 Claudel, Camille, 281, 283, 412 Cassatt, Mary, 271–272, 408 Cloisonnism, 278–279 Castagno, Andrea del, 155, 406 Close, Chuck, 348–349, 405 Catacomb of Sts. Pietro and Marcellino collages, 307 (Rome), 401 Color Field movement, 345–346 Çatalhöyük, 40, 401 colors Cathedral of Chartres, 139, 141–142 analogous colors, 295 Catholic Church brushstrokes, 395 Baroque art period, 11, 27, 199–200 Cloisonnism, 278–279 Counter-Reformation, 11, 199–200 complementary colors, 295 Reformation, 199 Fauvism, 292 cave paintings, 9, 35–38 Pre-Raphaelite Brotherhood, 260 ceiling frescoes, 200 Tachism, 265 cellar lighting, 201 Colosseum (Rome), 100–101, 402 Cennini, Cennino, 146 Combat of the Giaour and the Pasha Cézanne, Paul, 284–285 (Delacroix), 247, 402 chance, 320 Communist Manifesto (Marx), 256 Charioteer, 77–78 complementary colors, 295 40_099100 bindex.qxp 3/26/07 11:23 PM Page 419 Index 419 Complete Poems and Selected Letters of symbolism, 164 Michelangelo (Michelangelo), 388 techniques of, 161–162 Composition Number VI (Kandinsky), 299 The Virgin of the Rocks, 161–162 Composition with Large Blue Plane, Red, Dada movement, 13, 30, 319–323 Black, Yellow and Gray (Mondrian), Daguerre, Louis, 354 318, 402 daguerreotype, 354 Conceptual Art movement, 13, 32, 352 Dalí, Salvador, 325–327 Concerning the Spiritual in Art (Kandinsky), Dance at Bougival (Renoir), 270, 402 298–299, 389–390 Dance at the Moulin de la Galette Construction Through a Plane (Gabo), (Renoir), 269 318, 402 Daumier, Honoré, 252, 254, 404, 412 Constructivism movement, 30–31, 315–318 David (Bernini), 203, 402 Constructivist Head No. 1 (Gabo), David (Donatello), 158–159 317–318, 402 David (Michelangelo), 166, 203 contacting the author, 6 David, Jacques-Louis contrapposto, 78 The Death of Marat, 233–234 contrast, 19 The Oath of the Horatii, 231–232, 408 Contrast of Forms (Léger), 402 David and Bathsheba (Fuchs), 402 Corot, Jean-Baptiste-Camille, 252, 257, de Kooning, Willem, 337, 404, 413 401, 407 De Stijl movement, 30–31, 318 Corpus Christi in Bruges (Heckel), 298, 402 Dead Christ (Mantegna), 173–174, 402 Council of Trent, 177, 199–200 The Death of Casagemas and Evocation: Counter-Reformation, 11, 27, 177, 199–200 The Burial of Casagemas (Picasso), 304 Courbet, Gustave, 251–253, 255 The Death of Marat (David), 233–234 Creation mosaics, 114 Death of Sardanapalus
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  • Virginia Museum of Fine Arts Acquires Watershed Work by Paul Sérusier Painting Bridges Impressionism and Modern Art

    Virginia Museum of Fine Arts Acquires Watershed Work by Paul Sérusier Painting Bridges Impressionism and Modern Art

    COMMUNICATIONS DIVISION VIRGINIA MUSEUM OF FINE ARTS 200 N. Arthur Ashe Blvd. I Richmond, Virginia 23220 www.VMFA.museum/pressroom ++++++++++++++FOR IMMEDIATE RELEASE October 27, 2020 Virginia Museum of Fine Arts Acquires Watershed Work by Paul Sérusier Painting Bridges Impressionism and Modern Art Paul Sérusier, The Three-Pond Cottage at Le Pouldu, 1889. Collection of Virginia Museum of Fine Arts ​ ​ Richmond, Virginia––The Virginia Museum of Fine Arts (VMFA) announced today that it has acquired The Three-Pond Cottage at Le Pouldu, an ambitious painting by Paul Sérusier (1864-1927), a pioneering Post-Impressionist who inspired ​ the Nabis art movement and helped revolutionize 19th-century French art. During the summer of 1888 Sérusier, a student at the Académie Julian, a renowned private art school in Paris, traveled to Pont-Aven (Brittany, northwestern France), a small artist enclave where Paul Gauguin agreed to take him as an apprentice. Rejecting the approach of Impressionists who focused on the light, color and shading to give visual dimension to a subject, Gauguin had already begun to distill subjects to their essence, formed by bold, flat planes of color and contour lines, a style that came to be known as Cloisonnism. Gauguin also delved into Synthetism, a style which sought to explore and visually convey poetry, spirituality and emotion. Working with Gauguin was a ​ transformative experience for Sérusier, helping him expand his own artistic vision. Sérusier returned to Paris with an unfinished work, created under Gaugin’s direction, that reduced a view of Aven River and the adjoining wooded area to its elemental components. The result was profoundly innovative, sensational and influential.