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Home , Cloisonnism, Joseph the Carpenter, Last Supper (Rubens), Polyphemus (sculpture), Triumphal Arch of Orange

40_099100 bindex.qxp 3/26/07 11:23 PM Page 415

Index

Alhambra, 120–121 • Numerics • alla prima (at once) technique, 265 The 30-Day Fax Painting (Hundertwasser), allegorical stories, 148 345, 412 Allegory of the Triumph of Venus (Bronzino), 191–193 Amarna style, 66–67 • A • , 139 Abbey Church of St. Denis, 137–139, 141 analogous colors, 295 The Abduction of Rebecca (Delacroix), Analytic movement, 306–307 247, 399 ancestor worship, 92 Abraham, 43–44 , 9–10 Abstract movement, 13, 31, period 334–337 Archaic period, 24, 75–76 Abstract Painting (750-1) (Richter), 375, 399 architecture, 83–85 Abu Temple statuettes, 47–48, 411 Classical period, 24, 76–78 academy exhibitions, 254 politics, 16, 24 Accademia degli Incamminati art school, sculpture, 75–81 200 vase painting, 81–83 , 13, 336, 396 Aphrodite (Praxiteles), 80–81 Actionen (Beuys), 350 The Apostle (from St. Sernin Cathedral), activist art 134, 400 Critical Art Ensemble, 380 aqueducts, 98, 408 photography, 13 Archer, Frederick Scott, 354 and (Arcimboldo), 195, 399 architecture Under the Tree of Knowledge Ancient Egypt, 61–63 (Ernst Fuchs), 399 Ancient Greek, 16, 83–85 Adams, Ansel, 359, 413 , 286–288 Adamson, Robert, 355 , 11, 204–206, 214 Adele Bloch-Bauer I (Klimt),COPYRIGHTED 301, 399 Byzantine, MATERIAL 109–110 aerial , 161 , 316–317 (Rodin), 282 deconstruction, 369–372 Agnew Clinic (Eakins), 259, 399 Etruscan, 89–90 Akhenaten (potbellied statue), 399 Fantastic , 344–345 Akkadian art, 51 Gothic, 136–140 Akkadian Ruler, 51, 400 Islamic, 118–121 Alba, the glow-in-the-dark bunny, 380 Italian Gothic, 143 40_099100 bindex.qxp 3/26/07 11:23 PM Page 416

416 For Dummies

architecture (continued) At the Ball (Morisot), 273 , 197–198 At the Inn of Mother Anthony (Renoir), megaliths, 40–41 269, 400 menhirs, 41 At the Moulin Rouge (Toulouse-Lautrec), , 10–11 277, 400 Modernist, 330–334 AT&T Headquarters Building (Johnson), New Stone Age, 40–42 367–368, 400 post-and-lintel system, 40–41 of Primaporta, 93–94 Postmodern, 366–372 Aurora (Guercino), 200, 400 , 153, 179–180 Austrian Expressionism movement, , 219–220 300–302 Roman, 17, 98–101 author, contacting, 6 Romanesque, 130–133 automatic writing, 324 Sumer, 45 Autun Cathedral, 133 ziggurats, 45–46 Avicenna (Stella), 347, 400 Arcimboldo, Giuseppe, 194–195, 399, 406 Arena Chapel fresco series (Giotto), 147 Argument in Limoges Market Place • B • (Kenneth Bates), 400 balance, 18 The Arnolfini Wedding (van Eyck), Ball, Hugo, 319–320 181–182, 392 Banner of Las Navas de Tolosa, 121, 400 Arp, Hans, 323, 412 Barbieri, Giovanni Francesco, 200 art movements. See movements by name , 255–256 art museums Baroque art period British Museum, 386 architecture, 204–206, 214 Hermitage, 385 Catholic Church, 11, 27, 199–200 Kunsthistorisches Museum, 386 ceiling frescoes, 200 , 383 Counter-Reformation, 11, 27, 199–200 Metropolitan Museum of Art, 385 painters, 200–203, 207–217 National Gallery, 384 Protestant church, 27, 207 Prado, 385 religious art, 16, 27, 200 Rijksmuseum, 386 sculpture, 203–204 Uffizi, 384 themes of, 200 Vatican Museums, 384 Basilica of Ste-Madeleine Cathedral of Art Nouveau (New Art) movement, 285–288 Vezelay, 133–134 art periods. See periods by name Bates, Kenneth, 350–351, 400 Artcyclopedia Web site, 399 The Bathers (Fragonard), 222 , 28, 262 The Bathers (Renoir), 270, 400 The Assumption of the Virgin (Titian), 176 , 332 Assyrian art, 52–53 Bayeux Tapestry, 20, 127–130 40_099100 bindex.qxp 3/26/07 11:23 PM Page 417

Index 417

Beata Beatrix (Rossetti), 260, 400 Books of Secrets, 126 Belgian style (le style Belge), 286 Books of the Dead, 69 Bellini, Gentile, 172 Bosch, Hieronymus, 184–185 Bellini, Giovanni, 172–173, 392, 403 Botticelli, Sandro, 18, 157–158, 400 Bellini, Jacopo, 173 Boucher, François Benday dots, 342 Cupid a Captive, 222, 402 Berlin Wall (Cartier-Bresson), 358–359, 400 Diana Leaving Her Bath, 219 Bernini, Gian Lorenzo, 196, 203–205, Hercules and Omphale, 219 402, 405 Lovers in a Park, 219, 406 bestiaries, 126 The Boulevard (Severini), 312 Beuys, Joseph, 349–350, 352 Bourke-White, Margaret, 361–363, 404 Bierstadt, Albert, 257–258, 409 Brady, Matthew, 356 The Biglin Brothers Racing (Eakins), 259, 400 Braque, Georges, 304, 306–308, 404 The Binders (Millet), 256 Brecht, George, 349 biomorphic forms, 335 Breton, André, 324 biotechnology, 379–380 Bride of the Wind (Kokoschka), 302, 401 Bird-Headed Man with Bison and Rhinoceros The Bridge (Die Brücke) movement, cave painting, 38, 400 29, 295–298 The Birth of Venus (Botticelli), 157–158, 400 British Museum, 386 Black Magic (Magritte), 327 Broadway Boogie Woogie (Mondrian), “Black Paintings” of Goya, 249 318, 401 Blake, William, 241–242 Bronzino, Agnolo, 191–193 The Blinding of Polyphemus and Gorgons Bruegel the Elder, Pieter, 186–187, 404, (Oriental vase), 82, 401 412–413 The Blinding of Samson (Rembrandt), Brunelleschi, Filippo, 152–154, 403, 410 210, 401 brushstrokes Blindman’s Bluff (Fragonard), 219, 401 action painting, 13, 336, 396 Blue Dancers (Degas), 271 colors, 395 Blue Period (Picasso), 304, 394–395 impasto, 393 The Blue Rider () Almanac , 12, 393 (Kandinsky and Marc), 298, 389–390 , 275–276, 394 The Blue Rider (Der Blaue Reiter) reduction, 395 movement, 29, 295, 298–300 sfumato, 161, 174, 392 Boccioni, Umberto, 310–311 smear, 396 The Bodmer Oak, (Monet), smudge, 396–397 355, 401 tempera, 391–392 book curses, 125 buon fresco technique, 165 Book of Durrow, 125 Burgee, John, 367 Book of Kells, 125–126, 401 The Burial of Count Orgaz (El Greco), 196 Books of Hours, 126 period, 11, 25, 105–115 40_099100 bindex.qxp 3/26/07 11:23 PM Page 418

418 Art History For Dummies

Chartres Cathedral (Corot), 257, 401 • C • , 139, 141–142 Cabaret Voltaire, 319–320 Chasing Butterflies (Morisot), 272, 401 Calling of Saint Matthew (Caravaggio), Chestnut Hill House (Venturi), 367, 401 20, 201–202, 210 chiaroscuro, 162, 209 calotype, 354 Chicago, Judy, 375–376, 403 Camera Work magazine, 322, 357 Children of War (Someroski), 351 Campin, Robert, 183 Christ Before Pilate (Fuchs), 343, 401 Canon (Polykleitos), 78 Christ Enthroned and the Apostles in the canon of proportions, 61 Heavenly Jerusalem, 107–108 Canova, Antonio, 237, 402 Christ in the House of His Parents (Millais), The Caprices (Goya), 248 261, 401 Caravaggio Christ Risen (Rubens), 208–209 Calling of Saint Matthew, 20, 201–202, 210 Christianity cellar lighting, 201 Early Christian art works, 107–108 The Lute Player, 202, 407 period, 26, 123 The Musicians, 202, 407 Christo, 376–377 The Card Players (Léger), 308–309, 401 Christ’s Entry into Brussels in 1889 (Ensor), Carnac Menhir Alignment, 401 284, 402 Carolingian Renaissance, 127 Church of Holy Wisdom (Hagia Sophia), Carolingian script, 127 109–110 Carracci, Annibale, 200, 403 Cimabue, 144–146, 407 Cartier-Bresson, Henri, 357–359, 400, 407 The Circus (Seurat), 276 Casa Batlló, 287–288 , 229 Casa Milà, 287 Claudel, Camille, 281, 283, 412 Cassatt, Mary, 271–272, 408 Cloisonnism, 278–279 Castagno, Andrea del, 155, 406 Close, Chuck, 348–349, 405 Catacomb of Sts. Pietro and Marcellino collages, 307 (Rome), 401 movement, 345–346 Çatalhöyük, 40, 401 colors Cathedral of Chartres, 139, 141–142 analogous colors, 295 Catholic Church brushstrokes, 395 Baroque art period, 11, 27, 199–200 Cloisonnism, 278–279 Counter-Reformation, 11, 199–200 complementary colors, 295 Reformation, 199 , 292 cave paintings, 9, 35–38 Pre-Raphaelite Brotherhood, 260 ceiling frescoes, 200 Tachism, 265 cellar lighting, 201 Colosseum (Rome), 100–101, 402 Cennini, Cennino, 146 Combat of the Giaour and the Pasha Cézanne, Paul, 284–285 (Delacroix), 247, 402 chance, 320 Communist Manifesto (Marx), 256 Charioteer, 77–78 complementary colors, 295 40_099100 bindex.qxp 3/26/07 11:23 PM Page 419

Index 419

Complete Poems and Selected Letters of , 164 Michelangelo (Michelangelo), 388 techniques of, 161–162 Composition Number VI (Kandinsky), 299 The , 161–162 Composition with Large Blue Plane, Red, movement, 13, 30, 319–323 Black, Yellow and Gray (Mondrian), Daguerre, Louis, 354 318, 402 daguerreotype, 354 Conceptual , 13, 32, 352 Dalí, Salvador, 325–327 Concerning the Spiritual in Art (Kandinsky), Dance at Bougival (Renoir), 270, 402 298–299, 389–390 Dance at the Moulin de la Galette Construction Through a Plane (Gabo), (Renoir), 269 318, 402 Daumier, Honoré, 252, 254, 404, 412 Constructivism movement, 30–31, 315–318 David (Bernini), 203, 402 Constructivist Head No. 1 (Gabo), David (Donatello), 158–159 317–318, 402 David (Michelangelo), 166, 203 contacting the author, 6 David, Jacques-Louis contrapposto, 78 The Death of Marat, 233–234 contrast, 19 The , 231–232, 408 Contrast of Forms (Léger), 402 David and Bathsheba (Fuchs), 402 Corot, Jean-Baptiste-Camille, 252, 257, de Kooning, Willem, 337, 404, 413 401, 407 movement, 30–31, 318 Corpus Christi in Bruges (Heckel), 298, 402 Dead Christ (Mantegna), 173–174, 402 Council of Trent, 177, 199–200 The Death of Casagemas and Evocation: Counter-Reformation, 11, 27, 177, 199–200 The Burial of Casagemas (Picasso), 304 Courbet, Gustave, 251–253, 255 The Death of Marat (David), 233–234 Creation mosaics, 114 Death of Sardanapalus (Delacroix), The Creation of Adam (Michelangelo), 245–247, 251, 402 160, 167 The Decisive Moment (Cartier-Bresson), 358 crisis of Impressionism, 269–271 deconstruction, 369–372 Critical Art Ensemble, 380 “A Defense of Poetry” (Shelley), 240 Crusades, 134–135 Degas, Edgar, 270–271, 412 Cubism movement, 13, 29–30, 303–309 Delacroix, Eugène Cupid a Captive (Boucher), 222, 402 The Abduction of Rebecca, 247, 399 Cupid and Psyche (Canova), 237, 402 Combat of the Giaour and the Pasha, 247, 402 Death of Sardanapalus, 245–247, 251, 402 • D • Journal, 388 da Messina, Antonello, 392 Liberty Leading the People, 17, 245–246 da Vinci, Leonardo , 247, 406 inventions, 160–161 The Massacre at Chios, 240 The , 18, 163–165 Deposition (van der Weyden), 183 , 20, 162–163, 392 Der Blaue Reiter (The Blue Rider) Almanac On Painting, 387 (Kandinsky and Marc), 389–390 sfumato, 162, 392 40_099100 bindex.qxp 3/26/07 11:23 PM Page 420

420 Art History For Dummies

Der Blaue Reiter (The Blue Rider) movement, 29, 295, 298–300 • E • Derain, André, 293–294, 407 Eakins, Thomas, 258–259, 399–400 Derrida, Jacques, 369 Early Christian art works, 107–108 Descent from the Cross (Pontormo), Early Renaissance, 151–159 190–191 earth art, 375, 377–379 design, 17–19 Earth Herself (Kahlo), 330 Diana Leaving Her Bath (Boucher), 219 Eastman, George, 354 didactic art, 229 Ecstasy of Saint Theresa (Bernini), Diderot, 232 196, 203–204 Die Brücke (The Bridge) movement, Ecstasy of St. Francis (Zurbarán), 216, 403 29, 295–298 Eddy, Don, 348 The Dinner Party (Chicago), 376, 403 Egyptian art period Dionysius (Newman), 346, 403 Amarna style, 66–67 Dipylon Krater, 82, 403 architecture, 61–63 Diskobolus (Myron), 78 Books of the Dead, 69 Diskobolus (Roman copy), 403 Egyptian style, 60–61 divine right of kings, 16 Great Sphinx, 63 , 275–276, 394 historical periods, 56–57 documentary photography, 355–356 Ka statues, 64 Domenichino, 200 mummies, 55–57, 63–64 Donatello, 158–159 mummy slaves, 68 Dormition Shroud (Uveges and the Eikona Palette of Narmer, 57–61 Workshop), 116–117 pyramid texts, 69–70 Doryphoros (Polykleitos), 19, 78–79 Pyramids of Giza, 61–63, 408 Drerup, Karl, 350 Rameses’s temples, 70 The Drinkers (The Triumph of ) religious themes, 16, 24 (Velázquez), 403 Rosetta Stone, 63 drip technique, 336 Senusret III bust, 65 drolleries, 126 tombs, 24, 63–68 The Drunkards (Los Borrachos) Egyptian style, 60–61 (Velázquez), 216 Eikona Workshop, 116–117 Ducal Palace frescoes (Mantegna), 197 Eisenman, Peter, 370 Duccio, 146–147 El Greco, 195–197, 403–404 Duchamp, Marcel, 321–322 Emile (Rousseau), 278 Dulle Giet (Mad Meg) (Bruegel the Elder), emphasis, 19 187 en plein air Duomo of Florence, 153, 403 Expressionism, 296 Dürer, Albrecht, 174–175, 407 Impressionism, 263–264 Durham Cathedral, 131–132, 403 Realism, 12, 255 The Dying Trumpeter, 86, 88, 403 enameling, 350–351 End of Summer (Monet), 267 40_099100 bindex.qxp 3/26/07 11:23 PM Page 421

Index 421

Enlightenment, 229–230 Foot and Hand (Lichtenstein), 342, 404 Ensor, James, 283–284 “Fort Peck Dam” (Bourke-White), 362, 404 Ernst, Max, 324–325 Fountain, by R. Mutt (Duchamp), 322 Essay on Painting (Diderot), 232 Fra Angelico, 156 Estes, Richard, 348, 410 Fragonard, Jean-Honoré Etruscan art period, 25, 89–90 The Bathers, 222 “Etude de chêne (Study of Oak), Blindman’s Bluff, 219, 401 Fontainebleau” (Le Gray), 355, 403 The Swing, 222–223 exhibitions, 254 Franco-Prussian War, 255 Expressionism movement, 13, 29, 291, Frankenstein (Shelley), 240 295–302 Free International University for Creativity Eye-Slit-House (Hundertwasser), 344 and Interdisciplinary Research, 350 French Revolution, 232 frescoes, 200 • F • Friedrich, Caspar David, 243, 407, 413 Fall of Phaeton (Rubens), 208 From Cubism and to fall of Rome, 102 (Malevich), 314 The Fall of the Rebel Angels (Bruegel), 187 frottage, 324–325 Falling Water (Wright), 331 Fuchs, Ernst, 343, 399, 401–402 Fantastic Realism movement, 343–345 Fuseli, John Henry, 242, 408 Farnese Gallery (Carracci), 200, 403 Futurism movement, 13, 30, 303, 309–312 Fauvism movement, 13, 29, 291–294 The Feast in the House of Levi (Veronese), 177–178 • G • Feast of the Gods (Bellini), 173, 403 Gabo, Naum, 315–318, 402 feminist art, 32, 375 Gainsborough, Thomas, 224–225, 407 Fertile Crescent, 44 Galileo, 229–230 feudalism, 136 Gallé, Émile, 286 Ficino, Marcilio, 157 “Gandhi” (Bourke-White), 404 Fifth Seal of the Apocalypse (Vision of St. “Gandhi with His Nieces” (Bourke-White), John) (El Greco), 196, 403 362–363 Fischer von Erlach, Johann Bernhard, 206 The Garden of Earthly Delights (Bosch), The Fishermen and Women of the Firth of 184–185 Forth (Adamson and Hill), 355 Gargantua (Daumier), 252, 404 Flack, Audrey, 348 (Rodin), 282–283 The Flight into Egypt (Giotto), 148, 404 Gaudí, Antoni, 287–288 Flora fresco, 96–97 Gauguin, Paul, 277–279, 410, 413 Flowers (Symphony of Colors) (Vlaminck), Gehry, Frank, 370–372 294 genre pittoresque (picturesque style), 219 artists, 349–350, 352 Gentileschi, Artemisia, 202–203, 406 focal point, 20 Gentileschi, Orazio, 202, 407 40_099100 bindex.qxp 3/26/07 11:23 PM Page 422

422 Art History For Dummies

Gericault, Théodore, 243–245 German Expressionism movement, 13, 29, • H • 291, 295–300 Hadid, Zaha, 372, 413 Germs of Infection (Critical Art Ensemble), Hagia Sophia (Church of Holy Wisdom), 380 109–110, 404 Ghent Altarpiece (or Adoration of the Mystic Hals, Frans, 20, 211, 405, 413 Lamb) (van Eyck), 180–181, 404 Hamilton, Richard, 340, 405 Ghiberti, Lorenzo, 152 Hammurabi’s Stele (Code of Laws), Gilgamesh (Sumerian epic poem), 51–52, 404 44–45, 49 Hanging Gardens of Babylon, 54 Gilles and Four Other Characters from the Hansen, Al, 349 Commedia dell’Arte (Watteau), 221 Hardouin-Mansart, Jules, 214 Giorgione, 174, 412 A Harlot’s Progress (Hogarth), 224 Giotto, 147–148, 152, 404 “The Harvest of Death” (O’Sullivan), 356 Girl with a Pearl Earring (Vermeer), 212 Hatshepsut Funerary Temple, Luxor, The Gleaners (Millet), 256 65–66, 404 glow-in-the-dark bunny, 380 Hatshepsut Sphinx, 404 Gorky, Arshile, 334–335 Haystack (Monet), 267 Gotham News (de Kooning), 337, 404 Haystack at Sunset (Monet), 267 Gothic style Heckel, Erich, 298, 402 architecture, 136–140 heliography, 354 Greek manner, 144–148 Hellenistic art period, 24, 86–88 Italian Gothic, 143 herbals, 126 sculpture, 141–142 Hercules and Omphale (Boucher), 219 stained-glass windows, 140–141 Hercules Slaying the Nemean Lion with Goya, Francisco, 247–249, 408, 411 Aiolos and Athena (Psiax), 82–83 grattage, 324–325 Hermes and the Infant Dionysus The Great Odalisque (Ingres), 234–235, (Praxiteles), 80–81 245, 266 Hermitage, 385 Great Sphinx, 55, 61, 63, 411 Hiberno-Saxon manuscript illumination, Greek manner, 144–148 124–125 Gropius, Walter, 332, 410 Higgins, Dick, 349 grotesqueries, 126 , 26, 159–170, 189 Group f/64, 359 Hill, David Octavius, 355 Grünewald, Matthias, 186, 405, 412 Hogarth, William, 224–225, 408 Gsell, Paul (Rodin on Art), 389 The Holy Family on the Steps (Poussin), Guercino, 200, 400 20, 213 Guggenheim Museum, Bilbao, 371 Holy Family with Mary Magdalen (El Greco), Guimard, Hector, 286 196, 404 Gypsy Girl (Hals), 211 Homer, Winslow, 258, 411 Horse Dreaming (Marc), 300, 404 40_099100 bindex.qxp 3/26/07 11:23 PM Page 423

Index 423

Horta, Victor, 286 , 375–377 Houdon, Jean-Antoine, 237, 412 International style, 365 Houses at L’Estaque (Braque), 304, 404 The Isenheim Altarpiece (Grünewald), How to Explain Pictures to a Dead Hare 186, 405 (Beuys), 352 Ishtar Gate, 53, 405 , 259 Islamic art period, 26, 117–121 Hugo, Victor, 240 Italian Gothic style, 143 humanism, 16, 184–187 Ivanhoe (Scott), 247 The Hunchback of Notre-Dame (Hugo), 240 Hundertwasser, Friedensreich, 344–345, 390, 412 • J • Hundertwasser Architecture: For a More James (Close), 349, 405 Human Architecture in Harmony with Jeanne-Claude, 376--377 Nature (Hundertwasser), 390 Jesuits, 199 Hundertwasser Haus, 344–345 Joanna of Aragon (Raphael), 197 Hunt, William Holman, 259 Johnson, Philip, 367–368, 400 The Hunters in the Snow (Bruegel), 187, 404 Joseph the Carpenter (La Tour), 214, 405 Hylas Mosaic, 97 Joseph’s Bloody Coat Brought to Jacob (Velázquez), 216, 405 Journal (Delacroix), 388 • I • The Joy of Life (Matisse), 18, 292–293 icon painting, 25, 115–117 Judd, Donald, 347, 412 Iconoclasm Controversy, 109, 115–116 Judith Slays Holofernes (Gentileschi), 203 The Iliad, 74 Just What Is It That Makes Today’s Home So illuminated manuscripts, 124–126 Different, So Appealing? (Hamilton), illuminated printing, 241 340, 405 impasto, 393 Justinian mosaic (San Vitale, Ravenna), Impression — Sunrise (Monet), 111–113, 405 264, 267, 405 Impressionism movement brushstrokes, 12, 393 • K • crisis of Impressionism, 269–271 Ka statues, 64 en plein air, 263–264 Kac, Edoardo, 380 lighting effects, 267 Kahlo, Frida, 328–330, 390, 407, 412 painters, 264–273 Kaisersaal, 219, 223, 405 popularity of, 12, 263 Kandinsky, Wassily themes of, 28–29 Composition Number VI, 299 Industrial Revolution, 11–12, 28 Concerning the Spiritual in Art, 298–299, Ingres, Jean Auguste Dominique 389–390 The Great Odalisque, 234–235, 245, 266 Der Blaue Reiter (The Blue Rider) opinions about Romantic art, 245 Almanac, 298, 389–390 40_099100 bindex.qxp 3/26/07 11:23 PM Page 424

424 Art History For Dummies

Kandinsky, Wassily (continued) Las Meninas (The Maids of Honor) Der Blaue Reiter (The Blue Rider) (Velázquez), 216–217 movement, 298–299 Last Judgment reliefs, 133–134 painting style, 395 (Castagno), 155, 406 Kant, Immanuel, 229–230 The Last Supper (da Vinci), 18, 163–165 Karlskirche (St. Charles Church), 206–207 Lastman, Pieter, 209 , 317 Late period, 180–183 King Ashurnasirpal II Killing Lions, 53 Laurentian Library (Michelangelo), 198, Kirchner, Ernst Ludwig, 297 406 The Kiss (Lichtenstein), 342 T e Lawyer (Arcimboldo), 194, 406 The Kiss (Rodin), 281, 283, 405 Le Brun, Charles, 214 The Kiss of Judas (Giotto), 147–148 Le Corbusier, 333–334, 410 Klimt, Gustav, 300–301, 399 Le Gray, Gustave, 355, 403, 409 Knidian Aphrodite (Praxiteles), 80–81, 405 Le Nôtre, André, 214 Kokoschka, Oskar, 302, 401 le style Belge (Belgian style), 286 Koran Cover, 121, 405 Le Vau, Louis, 214 kores statues, 75 Learning from Las Vegas (Venturi and Scott kouros statues, 75–76, 405 Brown), 366 Kritios Boy, 75–77 Léger, Fernand, 308–309, 401–402 Kunsthistorisches Museum, 386 Les Demoiselles d’ (Picasso), 305–306 Les Misérables (Hugo), 240 • L • Les XX (The Twenty) movement, 283–284 La Sagrada de Familia, 287–288 Liberty Leading the People (Delacroix), La Strada Entra Nella Casa (The Street 17, 245–246 Enters the House) (Boccioni), 310, 406 The Librarian (Arcimboldo), 195, 406 La Tour, Georges de, 213–214, 405 Lichtenstein, Roy, 342, 404 La Vie (Picasso), 304–305 Life (Picasso), 304–305 The Lady and the Unicorn tapestries, lighting effects 149–150, 405 alla prima (at once) technique, 265 Lady Governors of the Old Men’s Home at cellar lighting, 201 Haarlem (Hals), 211, 405 chiaroscuro, 162, 209 Lady Sarah Bunbury Sacrificing to the Hudson River school, 259 Graces (Reynolds), 226, 406 Impressionism, 267 Lamassus, Citadel of Sargon II, 406 tenebrism, 201 Landscape Near Martigues (Vlaminck), Lindisfarne Gospels, 125 294, 406 linear perspective, 154 Lanfranco, Giovanni, 200 The Lion Hunt (Delacroix), 247, 406 Lange, Dorothea, 360–361, 410 Lippi, Fra Filippo, 156–157 Laocoön and His Sons, 86–88 Lissitzky, El, 315–316, 408 The Little Blue Horses (Marc), 300, 406 40_099100 bindex.qxp 3/26/07 11:23 PM Page 425

Index 425

The Liver Is the Cock’s Comb (Gorky), Magritte, René, 327 335, 406 The Maids of Honor (Las Meninas) Lives of the Most Eminent Painters, (Velázquez), 216–217 Sculptors, and Architects (Vasari), 388 Maison Carrée, 98, 100 Locke, John, 230 Malevich, Kazimir, 314–315, 395, 409 Lord Byron, 240, 246–247 Man Ray, 322 Los Borrachos (The Drunkards) Manet, Édouard, 19, 264–267, 406 (Velázquez), 216 Manetho, 56 Louvre, 383 Mannerism movement, 16, 26–27, 189–198 Love in the Italian Theater (Watteau), Mantegna, Andrea, 173–174, 197, 402 220, 406 manuscript illumination, 124–126 Lovers in a Park (Boucher), 219, 406 Marc, Franz Lucretia (Gentileschi), 203, 406 Der Blaue Reiter (The Blue Rider) Luminists, 259 Almanac, 298, 389–390 Luncheon on the Grass (Manet), 19, 266, 406 Der Blaue Reiter (The Blue Rider) The Lute Player (Caravaggio), 202, 407 movement, 298–300 The Lute Player (Gentileschi), 202, 407 Horse Dreaming, 300, 404 Lysippos, 80 The Little Blue Horses, 300, 406 The Yellow Cow, 300, 413 Marilyn Diptych (Warhol), 341 • M • Marinetti, Filippo Tommaso, 309–310 Machine Age, 316, 318 Marriage of Venus and Mars, 96 machines à habiter, 333 Martin, Agnes, 347 Maciunas, George, 349 The Martyrdom of St. Bartholomew (Ribera), Maderno, Carlo, 204–205 215, 407 Madonna (American pop singer), 372–373 Marx, Karl, 256 Madonna and Child with the Birth of the Masaccio, 155, 412 Virgin (Lippi), 156–157 The Massacre at Chios (Delacroix), 240 Madonna Enthroned (Cimabue), Matisse, Henri, 18, 292–293 144–145, 407 meaning of art, 19–20 Madonna Enthroned (Duccio), 146–147 Medea Krater, 83 Madonna in Majesty (Cimabue), 146 Medieval art period Madonna of the Rose Garlands (Dürer), Bayeux Tapestry, 127–130 174, 407 Christianity, 26 Madonna with a Goldfinch (Raphael), dates of, 123 168, 407 Gothic style, 136–148 Madonna with Child (Gentileschi), 202, 407 illuminated manuscripts, 124–126 Madonna with the Long Neck Romanesque style, 130–135 (Parmigianino), 193–194 stained-glass windows, 140–141 The Magnetic Fields (Soupault), 324 tapestries, 148–150 megaliths, 40–41 40_099100 bindex.qxp 3/26/07 11:23 PM Page 426

426 Art History For Dummies

menhirs, 41 painting technique, 267, 393 Menkaure and his Wife (Egyptian Pharaoh The Road to Chailly, Fontainebleau, 355, 409 and his Queen), 407 Springtime, 268 Merode Altarpiece (Campin), 183 Monk by the Sea (Friedrich), 243, 407 Mesopotamia, 44 Mont Sainte-Victoire (Cézanne), 284–285 Mesopotamian art period, 16, 23 The (Rodin), 281–282 Metropolitan Museum of Art, 385 The Monument to “Mexico” (Cartier-Bresson), 358, 407 (Rodin), 281 Michelangelo Monument to the Third International, Complete Poems and Selected Letters of 316–317 Michelangelo, 388 Morisot, Berthe, 271–273, 401 The Creation of Adam, 160, 167 Morning (Monet), 267 David, 166, 203 Morning: Dance of the Nymphs (Corot), Laurentian Library, 198, 406 257, 407 Pietà, 166, 408 Morris, William (founder of the Arts and Pietà Rondanini, 190, 408 Crafts movement), 262 Saint Bartholomew with Flayed Skin in mosaics, 25, 97, 111–114 The Last Judgment, 409 Mosque of Córdoba, 118–120 Sistine Chapel Ceiling, 165, 167, 411 Mosque of Mutawakkil, 118, 407 techniques of, 165 Mountains at Collioure (Derain), 294, 407 Middle Ages, 10–11, 16 movements. See movements by name “Migrant Mother, Nipomo, California” Mr. and Mrs. Andrews (Gainsborough), (Lange), 360–361 225, 407 Millais, John Everett, 259, 261, 401 mummies, 55–57, 63–64 Millet, Jean-François, 252, 255–256, 411 mummy slaves, 68 Minimalist movement, 347 Munch, Edvard, 291 Minoan art period, 24, 72–74 museums The Mocking of Christ (Fra Angelico), 156 British Museum, 386 movement, 32, 365–366 Hermitage, 385 Modernist architecture, 330–334 Kunsthistorisches Museum, 386 Mona Lisa (da Vinci), 20, 162–163, 392 Louvre, 383 Monastery of Melk, 206 Metropolitan Museum of Art, 385 Mondrian, Piet, 318, 401–402 National Gallery, 384 Monet, Claude Prado, 385 The Bodmer Oak, Fontainebleau, 355, 401 Rijksmuseum, 386 End of Summer, 267 Uffizi, 384 Haystack, 267 Vatican Museums, 384 Haystack at Sunset, 267 The Musicians (Caravaggio), 202, 407 Impression — Sunrise, 264, 267, 405 My Dress Hangs There (Kahlo), 329, 407 Morning, 267 Mycenaean culture, 74 Near Giverny, 267 Myron, 78 40_099100 bindex.qxp 3/26/07 11:23 PM Page 427

Index 427

Ophelia (Millais), 261–262 • N • Ordinator (Abbot Suger), 137 National Gallery, 384 The Orgy (Hogarth), 224, 408 Near Giverny (Monet), 267 Orlan, 379 Nefertiti Bust, 407 movement, 308 art period, 11–12, 27, 229–236 Orsini garden, 190 Neolithic art period, 23, 39–42 O’Sullivan, Timothy, 356 Neo-Plasticism movement, 318 Neo-Platonic movement, 157 • P • Never Again (Someroski), 351 New Art (Art Nouveau) movement, 285–288 Paik, Nam June, 349 New Babylon, 53–54 Palazzo Te (Romano), 197–198, 408 New Stone Age, 23, 39–42 Paleolithic art period, 23, 35–39 New York Dada magazine, 322 Palette of Narmer, 57–61 Newman, Barnett, 345–346, 403 Palladio, Andrea, 179–180, 410 Nicéphore Niépce, Joseph, 354 Pantheon, 101 The Nightmare (Fuseli), 242, 408 papier collé, 307 Nike of Samothrace, 86–87 paranoiac-critical method, 326 noble savage, 241, 277–279 Parmigianino, 193–194, 410 Nochlin, Linda, 375 Parthenon, 80, 85 Notre Dame, 139 Partially Buried Woodshed (Smithson), Notre Dame du Haut (Le Corbusier), 378–379 333–334 patrons, 17 Nude Descending a Staircase No. 2 pattern, 18 (Duchamp), 321–322 Pearlstein, Philip, 348 The Nude Maja (Goya), 249, 408 The Peasant Dance (Bruegel), 186–187 Pei, I.M., 368–369 pendentives, 110–111 • O • “Pepper” (Weston), 359 The Oath of the Horatii (David), “Pepper No. 30” (Weston), 408 231–232, 408 , 32, 349–350, 352, 379–380 Octopus Vase (Minoan), 408 periods. See periods by name The Odyssey, 74 Persistence of Memory (Dalí), 326 official academy exhibitions, 254 personal vision, 17 oil painting, 392 Phidias, 78–80 Old Stone Age, 23, 35–39 Philosopher in (Rembrandt), 210 The Old Testament Trinity (Rublev), 116 The Philosophy of Andy Warhol (Warhol), 340 Olga’s Gallery Web site, 399 photography Olympia (Manet), 265–267 activist art, 13 On Painting (da Vinci), 387 art, 355–356 Ono, Yoko, 349–350 calotype, 354 40_099100 bindex.qxp 3/26/07 11:23 PM Page 428

428 Art History For Dummies

photography (continued) positivism, 365–366 daguerreotype, 354 post-and-lintel system, 40–41 documentary photography, 355–356 Post-Impressionism movement Group f/64, 359 painters, 275–281, 283–285 heliography, 354 Pointillism, 275–276, 394 history of, 353–354 sculptors, 281–283 Photo- movement, 356–357 themes of, 12, 29 Pictorialism, 356–357 Postmodernism movement Postmodernism movement, 364, 372–375 architecture, 366–372 roll film, 354 biotechnology, 379–380 Talbotype, 354 earth art, 375, 377–379 techniques, 356 installation art, 375–377 wax-paper negative, 355 Learning from Las Vegas (Venturi and wet-collodion process, 354 Scott Brown), 366 movement, 13, 347–349 Modernism movement, 32, 365–366 Photo-Secession movement, 356–357 photography, 364, 372–375 Picasso, Pablo, 304–308, 394–395, 408, 411 sculpture, 377–379 Pictorialism, 356–357 simulacrum, 374 picturesque style (genre pittoresque), 219 themes of, 14, 32, 365–366 Pietà (Michelangelo), 166, 408 transgenic engineering, 380 Pietà Rondanini (Michelangelo), 190, 408 The Potato Eaters (van Gogh), 280, 408 Pisano, Giovanni, 143 Poussin, Nicolas, 20, 213 Pisano, Nicola, 143 Practical Treatise of Photography on Paper Pointillism, 275–276, 394 and Glass (Le Gray), 355 politics, 16–17, 252 Prado, 385 Pollock, Jackson, 335–337, 395–396 Prandtauer, Jakob, 206 Polykleitos, 19, 78–79 Praxiteles, 80–81 , Nimes, 98, 408 prehistoric art period, 23 Pontormo, 190–191 Pre-Raphaelite Brotherhood, 28, 259–262 movement, 31, 339–342 Primaticcio, Francesco, 198 Portrait of (Picasso), Primavera (Botticelli), 18, 157–158 307, 408 Protestant church, 27, 207 Portrait of Giovanni Arnolfini and His Wife Proun 99 (Lissitzky), 315–316, 408 (van Eyck), 181–182, 392 Puabi Lyre, 48–49, 82 Portrait of Marchesa Brigida Spinola Doria , 333 (Rubens), 208 purpose of art, 15–17 Portrait of Mrs. Currey: Sketch of Mr. Cassatt Puteaux Group, 308 (Cassatt), 272, 408 pyramid texts, 69–70 Portrait of Myself (Bourke-White), 362 Pyramide, Le Grande Louvre, 368–369 Portraits of Distinguished Scotsmen Pyramids of Giza, 61–63, 408 (Adamson and Hill), 355 40_099100 bindex.qxp 3/26/07 11:23 PM Page 429

Index 429

Early Renaissance, 151–159 • R • High Renaissance, 26, 159–170, 189 Raft of the (Gericault), 244–245 humanism, 16, 184–187 Raising of the Cross (Rubens), 209, 408 Mannerism, 16, 26–27, 189–198 A Rake’s Progress (Hogarth), 224 painters, 172–179, 184–187 Rameses Temple, 70, 409 Renaissance of the North, 184–187 Raphael, 168–170, 197, 407 sculpture, 158–159, 166 readymades, 322 themes of, 11, 16, 151 Realism movement Venetian Renaissance, 171–180 Barbizon School, 255–256 Reni, Guido, 200 en plein air, 12, 255 Renoir, Pierre-Auguste, 269–270, 400, 402 messages of, 12, 28, 251 Return of the Hunters (Bruegel the Elder), painters, 251–259 187 Realistic Manifesto (Gabo), 317 Reynolds, Sir Joshua, 224–226, 241, 406 Reclining Couple Sarcophagus, Cerveteri rhythm, 18 (Etruscan), 409 Ribera, Jusepe de, 215, 407, 409 Red Cross Train Passing a Village (Severini), Richter, Gerhard, 374–375, 396–397, 399 312, 409 Richter, Hans, 319 Red Houses (Heckel), 298 Rijksmuseum, 386 Red Square: Painterly Realism of a Peasant rituals, 16 Woman in Two Dimensions (Malevich), Rivera, Diego, 328, 390 314–315, 409 “Road of Chailly, Fontainebleau” (Le Gray), reduction, 395 355, 409 Reformation, 199 The Road to Chailly, Fontainebleau (Monet), Reign of Terror, 232 355, 409 , 139 The Robing of the Bride (Ernst), 325 reliefs, 38 Robusti, Jacopo (Renaissance painter), 179 religious art The Rocky Mountains, Lander’s Peak Baroque, 16, 27, 200 (Bierstadt), 258, 409 Egypt, 16 Rococo art period, 27, 219–226 Mannerism, 16 Rodchenko, Aleksander, 315–316 Mesopotamia, 16 Rodin, Auguste, 281–283, 405 Middle Ages, 10–11, 16 Rodin on Art (Gsell), 389 Renaissance, 10, 16 roll film, 354 Roman Empire, 16 Roman aqueducts, 98, 408 religious rituals, 16 Roman arch, 99 reliquaries, 26 period, 16–17, 25, 91–102 Rembrandt, 209–210, 392–393, 401 Roman realism, 92–97 period Romanesque style architecture, 153, 179–180 architecture, 130–133 Counter-Reformation, 177–178 sculpture, 133–135 40_099100 bindex.qxp 3/26/07 11:23 PM Page 430

430 Art History For Dummies

Romano, Giulio, 197–198, 408–409 Schiele, Egon, 302, 410 art period The School of Athens (Raphael), 168–170 Industrial Revolution, 12, 28 Scott, Sir Walter, 247 messages of, 12, 28, 239–241 Scott Brown, Denise, 366 painters, 241–250 The Scream (Munch), 291 Room of the Giants (Romano), 198, 409 sculpture Rose Period (Picasso), 395 Abu Temple statuettes, 47–48, 411 Rosetta Stone, 63, 409 Ancient Greek, 76–81 Rossetti, Dante Gabriel, 259–260, 400 Baroque, 203–204 Rothko, Mark, 345–346, 412 Constructivism, 317–318 Rousseau, Jacques, 230, 240–241, 277–278 earth art, 375, 377–379 Royal Photographic Society in England, 355 Futurist, 310–311 Rubens, Peter Paul, 208–209, 408–409 Gothic, 141–142 Rublev, Andrei, 116 Greek, 75 Running Fence, Sonoma and Marin Hellenistic, 86–88 Counties, California, 1972–76 (Christo Ka statues, 64 and Jeanne-Claude), 377 kores statues, 75 Ryman, Robert, 347 kouros statues, 75–76 Minimalist, 347 mummy slaves, 68 • S • Neoclassical, 236–237 St. Bartholomew with Flayed Skin in The Post-Impressionist, 281–283 Last Judgment (Michelangelo), 409 Postmodern, 377–378 Saint George and the Dragon (Rubens), 409 reliefs, 38 Saint George and the Dragon (Tintoretto), Renaissance, 158–159, 166 179, 409 Roman, 93–95 Saint Margaret (Raphael), 197 Romanesque, 133–135 Salon des Refusé, 254, 266 Senusret III bust, 65 Salon of , 254, 266–267 statuettes, 38, 46–48 “Salute of Innocence” (Lange), 360, 410 Sumerian, 46–48 San Giorgio Maggiore (Palladio), 180, 410 Seagram Building, 367 San Lorenzo (Brunelleschi), 153, 410 Seagram Building, from the series Urban San Rocco in Glory (Tintoretto), 179 Landscapes 1, (Estes), 348, 410 San Vitale mosaics, 111–113, 405 Secession movement, 300–301 San Zaccaria Altarpiece (Bellini), 172 Second of May, 1808 (Goya), 248 Savage Tales (Gauguin), 279, 410 Self-Portrait at Age 26 (Dürer), 175 Savoy House in Poissy-sur- (Le Self-Portrait in a Convex Mirror Corbusier), 333, 410 (Parmigianino), 193, 410 Scene from New Comedy (Pompeii Mosaic), Self-Portrait Pulling Cheek (Schiele), 97, 111, 410 302, 410 40_099100 bindex.qxp 3/26/07 11:23 PM Page 431

Index 431

self-referential art making, 367 St. Denis, 137–139, 141 Senusret III, 65, 410 St. George and the Dragon (Rubens), 208 Serra, Richard, 347 St. Jerome (Ribera), 215, 409 Seurat, Georges-Pierre, 275–276, 393–394 St. Mark’s Basilica, 114, 409 severe style, 77 St. Peter’s baldacchino (Bernini), 205, 410 Severini, Gino, 311–312, 409 St. Peter’s Basilica, 205, 410 sfumato, 161, 174, 392 St. Peter’s colonnade (Bernini), 205, 410 shamanistic ritual, 16 St. Sernin Cathedral, 130–131, 400, 410 Shelley, Mary, 240 Sta. Susanna, 204–205 Shelley, Percy Bysshe, 240 stained-glass windows, 140–141 Sherman, Cindy, 364, 373–374, 412 Standard of Ur, 49–51, 53 Shop Block Bauhaus Building (Gropius), statuettes, 38, 46–48 332, 410 Steichen, Edward, 356 Siena Cathedral, 143, 410–411 Stelarc, 380 simulacrum, 374 Stella, Frank, 347, 400 Sistine Chapel Ceiling (Michelangelo), Step Pyramid, 61–62, 411 165, 167, 411 Stieglitz, Alfred, 356–357, 411 Skara Brae, 40, 411 Still Life with Chair Caning (Picasso), Skopas, 80 307, 411 The Slave Ship (Turner), 250, 411 The Stone Breakers (Courbert), 253 The Sleep of Reason Produces Monsters Stonehenge, 41–42, 411 (Goya), 249, 411 Street, Berlin (Kirchner), 297 smear brushstroke, 396 The Street Enters the House (La Strada Entra Smithson, Robert, 377–379, 411 Nella Casa) (Boccioni), 310, 406 smudge brushstroke, 396–397 Suger, Abbot, 136–139 The Social Contract (Rousseau), 240–241 Sumer Socialism, 252 Akkadian art, 51 Society of Jesus, 199 architecture, 44–46 Someroski, James Melvin, 351 Gilgamesh (Sumerian epic poem), “Song to the Men of England” (Shelley), 240 44–45, 49 Soupault, Philippe, 324 Hammurabi’s Code, 51–52 The Sower (Millet), 256, 411 Puabi Lyre, 48–49 The Sower (van Gogh), 281, 394 sculpture, 46–48 Spearbearer (Polykleitos), 19 Standard of Ur, 49–51, 53 Sphinx, 55, 61, 63, 411 Summer (Arcimboldo), 194 Spiral Jetty (Smithson), 377, 411 Summer Night (Homer), 258, 411 “Spring Shower” (Stieglitz), 357, 411 Suprematism movement, 30–31, 313–315 Springtime (Monet), 268 Suprematist Painting, 1915 (Malevich), 315 St. Chapelle Cathedral, 139 movement, 13, 30, 324–330 St. Charles Church (Karlskirche), 206–207 Surrealist Manifesto (Breton), 324 40_099100 bindex.qxp 3/26/07 11:23 PM Page 432

432 Art History For Dummies

Surrounded Islands, Biscayne Bay, Greater Tiffany, Louis Comfort, 286 Miami, Florida, 1980–83 (Christo and Tintern Abbey (Wordsworth), 240 Jeanne-Claude), 377 Tintoretto, 179, 409 Susanna and the Elders (Gentileschi), 203 Titian, 175–177, 393 The Swing (Fragonard), 222–223 tombs symbolism, 20, 164 Egyptian, 24, 63–68 Symbolism movement, 278 Etruscan, 90 sympathetic magic, 37 The Toreador Fresco, 73–74 Synthetic Cubism movement, 307–308 Toulouse-Lautrec, Henri de, 277, 400 movement, 278 Tower of Babel, 46 The Tragedy of Sardanapalus (Lord Byron), 246–247 • T • Trajan’s Column, 95 Tachism, 265 transgenic engineering, 380 Taj Mahal, 122, 411 The Tribute Money (Masaccio), 155, 412 Talbot, William Fox, 354 The Triumph of Bacchus (The Drinkers) Talbotype, 354 (Velázquez), 403 tapestries, 148–150 Triumph of Death (Bruegel), 187, 412 Tatlin, Vladimir (Tatlin’s Tower), Triumphal Arch of Orange, 99 315–317, 411 trompe l’oeil (tricks of the eye), 198 tempera, 391–392 The Tub (Degas), 271, 412 The Tempest (Giorgione), 174, 412 Turner, J. M. W., 249–250, 411 Temple of Hera, 85, 412 The Twenty (Les XX) movement, 283–284 Temple of Portunus, 98, 412 The Two Fridas (Kahlo), 329, 412 The Temptation of St. Anthony (Grünewald), Tyrrell, Brinsley, 378 186, 412 tenebrism, 201 textiles • U • Banner of Las Navas de Tolosa, 121 Uffizi, 384 Bayeux Tapestry, 127–130 The Umbrellas, Joint Project for Japan and Textures in Pink and Brown (Winter), 351 U.S.A. 1984–1991(Christo and Jeanne- (Rodin), 281–283 Claude), 377 Third of May, 1808 (Goya), 248–249 Unique Forms of Continuity in Space The Third-Class Carriage (Daumier), 254, 412 (Boccioni), 311 The 30-Day Fax Painting (Hundertwasser), universal space, 314 345, 412 Untitled (Forest) (Arp), 323, 412 Thomas Jefferson (Houdon), 237, 412 Untitled (Judd), 347, 412 Three Goddesses (Phidias), 80, 412 Untitled (Pollock), 336 Tiepolo, Giovanni Battista (Italian painter), Untitled (Violet, Black, Orange, Yellow on 223 White and Red) (Rothko), 346, 412 40_099100 bindex.qxp 3/26/07 11:23 PM Page 433

Index 433

Untitled Film Still #6, 1977 (Sherman), The (Jacob Wrestling 373–374 with the Angel) (Gauguin), 278, 413 Untitled #205 (Sherman), 412 visual narrative, 20 Urban Landscapes 1 (Estes), 348 visual vocabularies, 15–16 Uveges, Christine, 116–117 Vitra Design Museum, 372 Vitra Fire Station (Hadid), 372, 413 Vlaminck, Maurice de, 294, 406 • V • Voltaire, 230 Van de Velde, Henry, 286 van der Rohe, Mies, 367 van der Weyden, Rogier, 183 • W • van Doesburg, Theo, 318 The Wanderer Above the Mist (Friedrich), van Eyck, Jan, 180–182, 391–392, 404 243, 413 van Gogh, Vincent Warhol, Andy, 340–341 letters, 388–389 Watersnakes (Klimt), 301 painting style, 394 Watteau, Antoine, 220–221, 406 personal vision, 17 wax-paper negative, 355 The Potato Eaters, 280, 408 Web Gallery of Art, 399 The Sower, 281, 394 The Wedding Dance (Bruegel), 186–187, 413 Vasari, Giorgio (Lives of the Most Eminent Weston, Edward, 359, 408 Painters, Sculptors, and Architects), 388 wet-collodion process, 354 vase painting, 81–83 Wexner Center (Eisenmann), 370, 413 Vatican Museums, 384 What the Water Gave Me (Kahlo), 328–330 Velázquez, Diego, 216–217, 403, 405 “White Angel Breadline, San Francisco” Venetian Renaissance, 171–180 (Lange), 360 Venturi, Robert, 366–367, 401 “Why Have There Been No Great Women , 88 Artists?” (Nochlin), 375 Venus of Urbino (Titian), 176–177 Winckelmann, Johann Joachim, 230–231 Venus of Willendorf statuette, 38–39 Winter, Edward, 350–351 Vermeer, Johannes, 211–212 “Winter Sunrise from Lone Pine” (Adams), Veronese, Paolo, 177–178 359, 413 Versailles, 214 Woman of Willendorf statuette, 38–39, 413 Vertumnus and Pomona (Claudel), 283, 412 Woman I (de Kooning), 337, 413 Vespasian (9th Roman Emperor), 94, 413 Wordsworth, William, 240 Vienna Secession movement, 300–301 World War I, 13, 30, 295, 318 View of Volterre (Corot), 257 World War II, 13 Vigée-Le Brun, Élisabeth-Louise, 235–236 Wrapped Coast — One Million Square Feet, The Virgin of the Rocks (da Vinci), 161–162 Little Bay, Sydney, Australia (Christo Virgin of Vladimir, 116, 413 and Jeanne-Claude), 377 Wright, Frank Lloyd, 330–331 40_099100 bindex.qxp 3/26/07 11:23 PM Page 434

434 Art History For Dummies • Y • • Z • The Yellow Cow (Marc), 300, 413 Zampieri, Domenico, 200 Yes Painting (Ono), 350 ziggurat of King Urnammu of Ur, 45, 413 Young Communards in Prison (Courbet), 255 ziggurats, 45–46, 413 Young Man with a Jug of Beer (Hals), 211 Zurbarán, Francisco de, 216, 403 Young Man with a Skull (Hals), 20, 211, 413